Girasol de la acuarela: abraza un estilo flojo y expresivo | Joly Poa | Skillshare
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Watercolor Sunflower: Embracing a Loose and Expressive Style

teacher avatar Joly Poa, Watercolor Artist

Watch this class and thousands more

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      What is This Class About?

      2:41

    • 2.

      Class Project Overview

      2:19

    • 3.

      Supplies That We Need

      3:47

    • 4.

      List of Colors

      2:31

    • 5.

      Let's Observe a Sunflower

      2:13

    • 6.

      Brushwork Drills

      6:22

    • 7.

      Watercolor Techniques

      6:02

    • 8.

      Project 1: Dreamy Sunflower

      10:22

    • 9.

      Project 2: Layered Sunflower

      11:08

    • 10.

      Project 3: Expressive Sunflower Bouquet

      11:20

    • 11.

      How to Print the Downloadable Sketch

      2:32

    • 12.

      Let's Wrap Up!

      1:49

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About This Class

Let's paint watercolor sunflowers in a loose and expressive style.

This flower reminds me of summer with their captivating and vibrant yellow petals. In this class, we will try to capture the essence of the beautiful and vibrant sunflower in 3 ways. We’re going to embrace a loose watercolor style allowing the paint to flow and blend naturally on the paper.

We will learn the following topics:

  • Essential Art Supplies

  • List of Colors

  • Anatomy of Sunflower

  • Petal and Leaf Brushwork Drills to Create Organic Strokes

  • Watercolor Techniques
    • Wet on Dry
    • Wet on Wet
    • Fading
    • Layering
    • Splatter
  • Three Class Projects
    • Learn How to Add Dreamy Background
    • Learn How to Layer Petals and Add White Gouache Details
    • Learnt to Paint a Sunflower Bouquet with Expressive Petals

All the brushwork drills and watercolor techniques can also be applied to painting other flowers as this class aims for you to develop your own artistic style.

This class is suitable for beginners and experienced artists who want to unlock their creativity and learn a loose watercolor style.

Let’s unleash your creativity and watch your sunflower paintings come to life. :)

BONUS: I will be providing downloadable sketches that you can print on watercolor paper so you can practice some more. You may check out the guide on how to print it in the tutorial video in the class.

Meet Your Teacher

Teacher Profile Image

Joly Poa

Watercolor Artist

Top Teacher

Hi everyone!

My name is Joly and I am a watercolorist based in the Philippines. I discovered painting with watercolor back in 2013. I started out as newbie and learned to paint better through making mistakes and learning from other amazing artists. I just love how we can express ourselves through painting, creating wonderful watercolor florals using our artistic interpretation. It makes each painting really unique!

My instagram account (@jolypoa) serves as my art journal where I post my progress in the form of timelapse videos, real-time videos and photos of my paintings. My goal was also to be able to share what I have learned in watercolor. I hope to be able to do the same here on Skillshare! :)




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Transcripts

1. What is This Class About?: A blooming they to you today, you're going to Paint sunflowers. This flower reminds me of summer with their captivating and vibrant yellow petals. In this class, we will try to capture the essence of this beautiful sunflower in three ways. Are going to embrace a loose watercolor style, allowing the paint naturally flow and blend on the paper. Higher in humans, jolly and I'm a watercolor artist on Light indicator and a Skillshare teacher. I haven't Fading for about nine years already. And Arthur balls around painting loose watercolor florals. I love how I'm able to make a creative interpretation of nature and put it on paper. My classes focus on breaking down difficult watercolor techniques in three easy steps for beginners. This class, we're first going to delve into the watercolor supplies that you need. Next, we're going to Observe a Sunflower and look at the different characteristics that define it. Any will choose colors that will make a Sunflower stand out. This class, we'll cover the essential brushwork Drills. Are there to Paint a loose style of leaves and petals. You will discover how the applied pressure in your brush to create expressive and Organic Brushstrokes. We will cover different watercolor techniques such as Wet on Dry, Wet on Wet, Fading, glazing or Layering, and also how to add splatters. All the brushwork drills and watercolor techniques can also be applied to painting other flowers. As this class aims for you to develop your own artistic style. By the end of the class, you will be able to pay three sunflower paintings where you will learn how bad a Dreamy Background using Fading technique, how the Add Layer Petals and also add white details using Gouache and how to pay and Expressive Sunflower Bouquet using different floral perspective. This class is suitable for beginners or experienced artists who want to unlock their creativity and learn a loose watercolor style, make it easier for you. I'll be providing a Downloadable Sketch that you can print on watercolor paper so you can practice some more. Let's unleash your creativity and watch your sunflower paintings come to life. Let's get started. 2. Class Project Overview: Hi there. So before we start, I'll be sharing a quick overview of the class. We will first discuss the materials that we need, including the list of Colors. You will have a limited color palette since we're just painting a Sunflower. Next, we'll proceed through brushwork drills where I will teach you basic strokes to form petals and leaves. After that, we will talk about different watercolor techniques. I will be sharing how to apply these techniques to painting a loose style of Sunflower. All the projects are about ten to 11 min long, so it's very easy to slide it into your schedule. Alright, now let's proceed to our Projects. The first project we will paint is a Dreamy Sunflower painting. This is a loose watercolor style with a faded background. And we'll be adding some splatters. And we're also going to do a feeding technique. For the second project, we're going to do a Layer, Petals Sunflower. For this one, we're going to do a Layering techniques. So we are going to do first Layer Petals and then we're going to paint on top of it. We're also going to add white details using Gouache in the center. We're going to do a Sunflower Bouquet. So we're going to do three sunflowers in one painting. And these sunflowers are going to be facing in different angles. So as you can see at the bottom left, there is one Sunflower that is at an angle. I'm going to teach you how to paint that, make it easier. I also decided to paint simpler leaves for the class so that we can just focus on the flower alone. So for this Sunflower Bouquet, we're also going to try and do some dancing with their Brush are going to do Strokes where the brush to create these nice wispy petals. After the project videos, I have included the tutorial on how to print this downloadable sketches. You can see right here. This is going to be very helpful if you want to practice some more. I hope that you are excited to try out this class. Okay, so now let's move on to the next video. 3. Supplies That We Need: Alright, so before we start, Let's talk about the materials that we need. We're going to use 100% cotton paper. This is called the Baohong Artist Grade Watercolor paper. There are different versions relating use the cold press paper and 300 GSM thickness. So this is in your watercolor block form. You can see that all sides are glued except for this part. That's how you will take out the sheet of paper by sliding it off using a palette knife. So let me show you what it looks like up close so you can see some texture on the paper. This is one of the projects that we will be doing. But on the right, this is their student grade version which is called the Baohong Academy. So right here you can definitely see the big difference. No, Baohong Academy has a smoother texture and the paint look a little bit flat. But on the Artist Grade version, it has more depth. But both types of paper are okay to use in this class. So don't worry if we don't have an artist grade paper right now. Now for the brush, we're going to use a Silver Brush, Black Velvet. And this is inside 6.8. So when looking for a round brush, you want them brush that can hold its point even if you dip it in water. Also because you're repeating loose florals, you want a brush that can absorb a lot of water as well. This is just a preference, but in general, I like a brush with bristles that are soft and can follow my flow. I would suggest using a brush that you are comfortable with. Now for the paints in using my Shinhan PWC. If you've been taking my classes for awhile now you know that this is my favorite. And this is a Korean Artist Grade brand, a competent tubes like this. So I would just pour it into smaller half pans like this so that it's more convenient to use. And when I finished up my paints, I can just refill it just like this. So for the colors in this class, I will be including it right before we start our project. We'll be using limited color since they're just going to focus on sunflowers alone. Now, to add depth to our paydays, we can use Gouache. So this is White Gouache from the brand whole vein. It's initiate Permanent white. If you don't have Gouache, you can use posterior paint or even any white pen that you have. This has been a staple in my Art Supplies ever since I discovered adding white details in my paintings. Next, we need a ceramic palette, or any ordinary ceramic plate is okay. For this one on the right, this is just the lid of my watercolor, thin, and it's from the brand core. For those of you asking, this is the tin can of the core watercolor brand, but they changed the paint inside. Shinhan PwC. Next, we need pencil to sketch in case you need to sketch before you paint. Then you also need paper towel and also a glass of clean water. You can also use two jars, one for dirty paint and then one for a clean brush. Alright, so that's it. Now let's move on to the next video. 4. List of Colors: Alright, so here the colors that we will use for the class, it's going to be a limited color palette since we're just going to pay sunflowers. So first we need Permanent Yellow Light. So I'm using the brand Shinhan PWC. If you're using a different brand, definitely you can use any yellow in your palette. Next, I need a deeper yellow, so I'm using Permanent Yellow Deep. But if you don't have this color, you can just mix orange and yellow. I'm also going to occasionally use Yellow Orange. So you can see I'm using different yellows here because I want the sunflowers to have a more interesting look. Because if I use just one color is going to look flat. I'm also using Yellow Ochre for some shadows, which we are going to use in the last project. Next, we also need Burnt Sienna and also Burnt umber. We're going to use these two colors for the center of the Sunflower. Now to add depth, we also need a darker brown color, so I'm using the color Sepia. But if you don't have this, just add a little bit of black, your brown. Now for the leaves and stem, I'm going to use Sap Green, this is my favorite green color, but they usually add a little bit of brown to my Sap, green to make it look more earthy. Next, we're going to use Cerulean blue. So you're probably wondering where are we going to use this? So this is for the background of this project. I just feel like it complements the yellow very well, so it's a nice addition to this palette. Here, the colors that we will be using in the class. This is a little bit more extensive, but if you have a limited palette just used to Loose and you'll be fine. Then just use two browns and one green. Then for the blue, you can skip that if we don't like adding blue to your paintings. But I still suggest that you try adding that Cerulean blue because it really makes the painting or a Sunflower pop up even more. Alright, so that's it. Now let's move on to the next video. 5. Let's Observe a Sunflower: Before we start the class, I thought that there will be nice to analyze the Anatomy of this Sunflower. Some so happy that I was able to get one. So the center, it looks a little bit fuzzy and we're going to try and mimic that in the class. Then for the petals, you can see that they're all Layered. So that's why we have a project where we're going to do Layered petals. In one of the projects, we're going to Paint a Sunflower that is on its side or at an angle, just like what you're looking at right now. You can see this petal on the side. It almost looks like it's on top of this brown part. We're going to try and learn how to paint that today. Now, let me just show you the painting that I'm referring to. So this is what it looks like when T this flower on the left side. So you have petals that are facing us and they're going to try to paint that. It also see some of the petals have kind of like veins or folds. And we're also going to try and paint that later on. And really excited for you guys to try different approaches to painting this flower. So for some, we're going to start from the center going out. And for some projects where the start from the Petals going into that center brown part. The petals here look short. There are varieties were in the petals are a bit longer and looks more wispy. So we're going to try and also paint that. Though worry, because I'm gonna put some reference photos that you can download in the Resources section, and you can use that to paint on your own as well. Alright, now let's move on to the next video. 6. Brushwork Drills: In this lesson, we're going to learn different Brushstrokes that we will be using in Painting different parts of a Sunflower. Okay, so I'm using Permanent Yellow Light. We're going to be different Petals, Strokes, just like in this project. I'm going to show you how you can add some movement to your petals. Let's do an S stroke. So it is like painting a letter S, but you're doing it on the opposite way. K. So we're going to start with a light pressure and then you need to slowly press your brush towards the middle part of the stroke. And you can see right here, I'm doing a compound stroke, so I need to Strokes to complete one Petal. It is best to vary the shape of the petals just like what I'm doing here, you can see some are just lines that they attach to the mean Petal. One Petal is composed of different strokes, as you can see right here, I just keep adding until I'm satisfied with the shape. And as I add those Strokes, I make sure that there is movement. There's like a letter S stroke there. Try to practice this stroke that is facing in different directions. You want petals facing on the right, facing on the left. And also you can start from the top or start from the bottom. You can do some really quick strokes like this to create more movement. It also gives that wispy effect of stroke. Okay, So for this project you can see the petals are more structured. Start at the top and just slowly press our brush. One on the left and another one on the right until we form this petal shape that you are seeing right now. So what we want here is a pointy tip. This very important. You can start from the bottom as well going up. So even if this petal is a bit more structured, there is still movement that you can see in the tips of the petals. You can see some of them are curved. Later on it will be teaching you how to Layer those Petals. Alright, so we're done with the Petals. Now let's move on to painting these Expressive leaves. I'm going to show you how to achieve that. You use any green pea that you have. This is just a mixture of Sap Green and Sepia. That's why it's a bit dark. Started with a light pressure and then press your brush onto the paper and wiggle it Towards the end. Try to drag and lift the create that pointy tip. Next you can add some lines in different Strokes on the other part of the leaf so that it will look more organic. Okay, now let's start from the right to the left, going to slide right here and just slowly press my brush and we go then lift towards the end. Now we can try to add more volume by adding more strokes on the sides. It doesn't have to be just one stroke. Those mini strokes on the sides of the leaves really make a huge difference. So another tip is to hold your brush towards the end of the handle. This will help you pay more loosely because you have less control. So now let's try it out. Okay, so you can see I'm doing the same technique, but it is looser and easier for me to move. I hope that you can also try this out and maybe it will work for you. Now, if you want more control over your brush, you can try to hold it near the bristles. You can also try to pay the leaf from the tip going to the stem, so you're going backwards. This will also produce an interesting effect on your leaves. I would say that you need to really experiment and also practice these drills in order for you to get comfortable with painting. You see your brush. When it comes to brushwork, what is important for me is to vary the pressure. So for example, we started the light pressure and then just slowly press your brush on the paper. You can wiggle it for more volume and movement. And then next you add some character to that Leaf by adding some lines. There you go. You have a nice Expressive Leaf. If you want a more structured leaves, then you don't need to wiggle your brush. And after painting it, it will look like this. So this one has a nice curve and it doesn't have that jagged edge compared to the other leaves that we painted. Of course, this can be a preference, so I'm showing you different options. Okay, Now let's move on to the center of the Sunflower. This is going to be easy. We just need a brown paint. I'm using Burnt umber. So you're just going to do adulting techniques. So just tap your brush onto the paper to create these small dots. And I would suggest using different pressures. You can see that some dots or smaller, some are bigger. We can also try to smudge the center and combine some of the dots. And when you are okay with the size of the center, we are just going to add CPI. This is a dark brown color. I'm going to add this towards the sides and also the center. If you don't have CPI, you can just add Black or mix your brown and black together with a clean brush. You can also try to live some areas just to give it more dimensions. I kept the center dark and the sides are a little bit lighter. Okay, So that's it. Now let's move on to learning different techniques that we will use in this class 7. Watercolor Techniques: Okay, So if you haven't watching my classes for awhile, then you can skip this part because you're already familiar with these techniques. But if you're new to watercolor, please keep on watching. So in this lesson we're going to learn different watercolor techniques that we will apply to painting sunflowers. Alright, now let's start with a Wet on Dry, Wet on Dry me just means we have a wet brush and you're painting on dry paper. This technique will produce crisp edges. As you can see, you have really defined Petal here. Okay, So while we have paint right here, I'm going to go through the layering technique and you're just going to Paint several Petals. The reason why we're painting it now is because we need to wait for it to dry. So you will understand later on why. But for now let's just paint some petals right here. And I want to paint it side-by-side, just leave a small space in-between the Petals. Alright, so you can use any color that you want. I'm just using Permanent Yellow Light since we're painting the petals of the Sunflower for this Techniques, this is the layering technique that we will be doing. So you can still see the layer underneath, even if you painted on top of the petals. Let's move on to Wet on Wet. It means that we're painting on a wet surface and at the same time our brush is wet. So right here I just painted an area with water. And then now we're going to drop some paint and you can see how soft that looks. Now for the Sunflower, we're also going to use this technique for this center. This you can see I am tapping my brush and just forming a circle. This is gonna be the center of the Sunflower, just like how we practice in the previous lesson. Then you're going to add a dark area and the mucin Sepia. So this is an example of a wet on wet technique and then just wanted to show you guys how you can apply this technique. So this is nice because you can see the two colors are blending really well. And you don't see any harsh edges. If you're painting, for example, a Petal with two colors, you need to use a wet on wet technique so that two colors will blend seamlessly. Alright, now let's move on to the technique called Fading. In order to demonstrate this technique, we're going to pay the small flower right here. And I'm going to do a Sunflower like painting. So we have the center. Then next we're going to paint some small petals. So you've probably heard the word Fading in previous classes. I use this technique for the petals of the rows. By right now, we're going to use it for something else. So let's just finish up this flower and add more petals. Okay, So while the flower is still damp, we are going to grab our brush with some clean water. And right now I'm going to fade away the outer part of the petals. Just like this. We're just blurring out the edges of some of the Petals, not all of them. So by doing this, you get that Dreamy effect. And it looks like this flower is feeding into the background. When you're doing this, it's important that the flower is still wet so that you can blur out the edges of the Petals. Now, this is an example of one of the projects. You can see the faded background. And in this project we're going to apply the feeding technique. Let's move on to the layering technique. So right here are petals are already dry. That is very important. Now let's grab some yellow paint. We don't want this to be too dark. You want the translucent color. So we're going to paint it in-between the two petals. So you can see right here that the first layer is still visible. So that is the effect that we want for the layering technique. Now let's do another one. So I can use a different color. So right here you can see it's a bit more yellow, orange. And that's okay. Now, doing this technique will give more volume to the flower. Let's rewind to. The last technique is called the splattering technique. And right, I'm going to grab some scrap papers and cover the other areas of this paper. You can use any color. I'm using just yellow paint and I'm just going to tap my brush just like so. And I can achieve that nice splatter effect. You can also tap your brush onto your finger just like what I'm doing. You can see this letters here are very defined and it's a nice effect. But another way to do this is to Splatter it on Wet surface. And so I'm going to show you that now. We're just going to wet this area and then I'm going to grab some more paint and put some splatters on top of it. So you can immediately see the difference that this part on the right has a softer Splatter. So in this painting you can see that some of the splatters look more defined. Some look Alyssa bit faded. So this is a nice way to add texture to your background. Okay, hope that you enjoyed learning all the simple techniques that we will be applied to painting Sunflower. Now let's dive painting our Projects 8. Project 1: Dreamy Sunflower: Before we start here, the colors that we will use, Permanent Yellow Light, Permanent Yellow Deep. Or you can use Yellow, Orange next, Burnt umber, sap, green, Sepia, and Cerulean blue. Okay, so we're going to learn how to paint this Dreamy Sunflower and expressive style of painting Sunflower with a faded background. First, we need to just lightly sketch as an oval and that will be the center of the Sunflower. Now this will be our guide. So after that, Let's grab some paint. I'm using Burnt umber. Let's mix up pigmented mixture. And next I'm going to just dab my brush onto the paper. Let's just do a tab. Emotions is super easy. You can change the sizes of each dot. So some are smaller, some are bigger. You can even smudge some areas just like what I'm doing here. You can see the sides of this oval isn't really perfect. So you want those fuzzy texture around the edges. Okay, next, let's grab Sepia. This is a dark brown color with a print it I'm just all around this oval. And also in the center you can see I'm just lightly tapping my brush and using just the tip of the brush to apply this color. We wanted the petals, Let's make Permanent Yellow Light. And also a little bit of that Permanent Yellow Deep. We can start with one color first, I'm using Permanent Yellow Light and you're just going to drag our brush stroke. Next we can alternate the US, the Permanent Yellow Deep so that you have two colors for the petals. You can see that I'm trying to make my brush and dance so that we have more movement for the petals. That Round center is still a little bit wet. That's why you can see that it is slowly moving into the yellow petals so they are sort of blending. And that's something that we also want so that they will look very seamless and the center won't look detach. Okay, let's just add some more petals. And I'm also leaving some spaces in-between my petals so that it doesn't look too chunky. This is going to be a Sunflower that is on its side. You can see on the right side, I put shorter petals, but on the left side the petals are longer. Alright, for the stem, I'm going to use Sap Green and Burnt Umber. The create this nice earthy green color. We're going to do a curved line. Now this looks a little thin. I'm going in and just adding more thickness to the stem. So you can grab this darker green color and put some dots in the stamps. You can see that it just creates this beautiful depth. That dark brown color is a mix of Sap Green and Sepia. Next, Let's paint some leaves. I'm going to start on the right side and just try to wiggle my brush AND gate that pointy tip towards the end. This is very similar to the exercises we did earlier in order to prepare for feeding this project. And while the leaves are where you can go ahead and drop in a darker area, you Sepia, or any dark green color in your palate. Okay, so looking at this Sunflower, it needs a little bit more petals, are going to go back in and just extend some areas. So that Brown Center is still a little bit Wet. What we want is to drag it a little bit more into the petals and that will give it that Expressive Style. Now we can try and separate some of the petals by adding some Permanent Yellow Deep or a yellow orange color will do and Add that in-between the petals. This is the final part. We are just going to grab a clean water and fade away the outer petals. The petals here are still wet. That's why when you try to fade it, you can see that it almost this appears. You can see that I'm doing the brush stroke diagonally across the page. Now, we don't want to blur out all the details. So you can see I'm leaving some parts of the leaves as is. So we still want to see what the entire flower looks like. We just want it to fade a little bit into the background. Right here I have Cerulean blue. This is a diluted mixture. I'm just going to add it towards the upper and lower part of this painting. This is a very beautiful color that will complement the Yellow Sunflower. Next, grab a yellow orange color or the Permanent Yellow Deep and do some splatters all around. Now, this is looking really good. They think this part can be extended a little bit more. So we're going to add more pathos. So just trust your instinct if something feels off, try to adjust it on your own. I'm going to make Sap Green and Sepia to be this dark green color and add some more splatters for more contrast. So you can see I'm trying to Splatter it on areas that are still wet and it looks a little bit soft. If you don't like some of the splatters, you can go ahead and fade away just like what I'm doing here. So next let's add this blue paint. This is Cerulean blue and add some splatters. I love mixing blue and yellow in one painting because they just compliment each other really well. You can definitely experiment and Add colors that feels right for you. Feel free to just express your creative freedom. Next, I'm gonna go ahead and just add more details to some of the leaves. You can see that the background is still a little bit Wet and as I'm adding these details, it looks quite soft. And that's because we're working on a wet on wet technique. Doing a wet on wet technique really gives that Expressive, Dreamy look. Let me just cover up this Sunflower so that it doesn't get too much blue splatters. Think can also grab a scrap paper to protect some areas you don't want splatters to get on. Okay, It's looking very good. Once the painting is already dry, we can add some finishing touches. I feel like we can deepen the center and give it more depth by adding a dark color. This is Sepia. So I'm going to go back in and do a tapping motion. I'm adding this towards the edges. Remember to use just the tip of your brush so that you can get those nice small dots. Because he did Fading technique. Some of the petals look too clustered or they have combined together and we need to separate them. I'm just using a mixture of Permanent Yellow Light and Permanent Yellow Deep to add some more Strokes. So I want to separate some of the petals. The same time we can drag some of that sepia color into the petals. You can see it. There are darker areas that will give it a nice expressive look. Again, you drag from the center of the Sunflower going out and create some nice wispy strokes. You can also use Yellow, Orange for this part. I'm trying to just extend some areas. You can also grab a little bit of brown in your palette. You can immediately notice the huge difference. So now it has more detail because of what we added. But at the same time, be careful in adding these details because we don't want to overdo this, is still wanted to look very loose. Now, it's a good time to take a photo of your painting and look at it from your phone so that you can see it from a different perspective. It's good way to gauge on areas that you need to add. Right here. I'm just adding some more yellow towards the top part. Okay, so we're adding some more sepia towards the edges, but they added too much paint. And you can see that it looks like it's floating already in the center. Let's show you how to absorb the excess paint. Now we want our brush to absorb this axis paint. And she's going to let my brush roll on its side. So by doing this technique, we're also trying to blend some of the colors on the paper. I'm doing this technique because I want it to look subtle. If I tried to dab my brush onto those areas, I'm going to lift all the paint. But that's not what I want to happen. So don't forget to dab your paintbrush in a tissue paper from time-to-time. Okay. I think it's looking really good. That's the end the fire project. Congratulations for finishing this Dreamy Sunflower. I hope to see your project in the project gallery section of the class. Now let's move on to our next project. 9. Project 2: Layered Sunflower: Before we start here, the colors that we will use, Permanent Yellow Light Permanent Yellow, Deep Yellow, Orange, Burnt Sienna, Burnt umber, sap, green Sepia, and also White Gouache. For the second project, we are going to do a Layered style of Sunflower, and I'm excited for you to try it. So let's start. Hey, so first I'm going to show you this reference photo that you can also find in the Resources section. And when they use that as a reference for this painting today. First, we need to draw a circle. Just lightly draw this part because you don't want a lot of pencil marks and your painting. And this is gonna be our guide for the center. Next, we're going to prepare the colors for the petals. I'm going to use three colors, so we have Permanent Yellow Light, Permanent Yellow, Deep Yellow, Orange. So you can definitely just use two colors if you don't have a lot of variety in your palette. Okay, so we're going to paint some nice petals right here. You can see it's a little bit more structured compared to the first Sunflower that we did. And you want spaces in between our petals so that we can do some layering later on. Also as we paint the petals, try to change the direction of the tips. So you can see some of the petals here have tips that are facing on the left. Some are facing on the right. And that's because we want some movement in the petals so that it doesn't look too flat. The spaces in-between the petals are About half centimeter. And you can also change the values, which means that some are lighter, some are darker in color. So you don't really have to start from the line that we drew. You can extend the Petal going inside this circle. This style is going to be a little bit different because we're painting the petals first and not the center. We're doing it the other way around. So it's always interesting to paint flowers with different approaches. Okay, so that's the last set of Petals. Now we're going to wait for this first layer to fully dry. Now tied to touch it. And if it feels cool, then it means that the paint is still a little bit Wet. For the second layer, we want the translucent paint, which means that we need to add more water to our paint. Now I'm going to add a Petal in-between these two first layers. So when you get the right consistency for the second layer, you can still see the first layer underneath. Now, if your mixture is too pigmented, then you won't see the color or the petals underneath anymore. And there won't be any Layering going on. I'm going to add a little bit of Burnt Sienna to my yellow so that I can have a different shade. That turned out to dark. That's why I added a little bit more water. Alright, let's do it up close so that you can see the Layering better. So you can see, I'm trying to also paint the petals that's extending towards the inner part of that circle drawing that we did. Okay, Let's just finish up all the petals. You remember that you can also just add water, like what I'm doing here to create a translucent layer. Okay, It's looking really good. Now I'm going to grab a little bit of brain Sienna and thin it down. I'm going to add some of that color towards the base of the Petals, and that will give these Petals more definition. As I'm doing this to petals are still a little bit, ****. That's why you can see that it looks a very soft as I add this Burnt Sienna color. Doing this will give the sand Flower more depth. It will push down the center because you added some shadow towards the base of the Petals. Now let's just paint the center with clean water. So you can see here, water is already there D, but that's okay. You can still use it. Next I'm gonna grab some Burnt umber and they're going to add it towards the sides first. And just lightly tap your brush onto the paper. And you can see that there are beautiful blooms. It means that the strokes are very soft because we're painting on Wet, on Wet style. So I'm going to add some more color. You can see that the brown colors also mixing a little bit with the yellow petals. And that will create a very beautiful effect. I don't want to color the entire center which is Burnt. Umber. I want to leave some white spaces as well. Alright, so it looks a little pale. That's why we're going to add Sepia. And you're going to add it towards the edges first. Then we don't want to overdo this. That's why I'm doing a tapping motion and just adding this color little by little. You can also add it towards the center part of the Sunflower. We don't want a very watery mixture. Because if you paint with a watery mixture, it will spread all over the place. So make sure that you control the amount of water in your paint mixture. Now we can try to add some fuzzy texture towards the sides of the center. Alright, so for the stem, I'm going to make Sap Green and Burnt umber into create this nice earthy green color. And you're going to just pay a straight line. Now let's rinse our brush and just continue adding this line that we get that blurred effect. So you can see that the top part is darker, the lower part is lighter. Now let's start painting the leaves so you can see I'm just trying to wiggle my brush and extended. We're also adding movement to the leaves. By adding some lines. You can go ahead and add some more character to the leaves, just adding some darker brown areas. And then next we can add some leaves behind the sunflower as well. Doing this will help make the Sunflower pop up even more. We're adding the leaves in-between the petals. It's now time to add some details to the petals. I'm using this mixture of Burnt Sienna and Permanent Yellow Light. So you can just add any brown, your yellows, and that will be good to use. Now we're going to add some thin lines as veins for the petals. This is also a good way to separate some of the petals from each other. So you can see that some of the Strokes, I put it on the sides of the petals to make it look more defined. Alright, so now I can see it up close. I'm also trying to drag some of that brown color from the center. Going into the Petal. Just use the tip of the brush, create these thin strokes. We don't want to overdo this because we still want, again, we still want this to look quite loose. The centers a little bit. Try already, I'm going to grab Sepia and add some more details. We're going to do a tapping technique. Again. I'm also going to add some more color towards the center, just to give it more depth and more contrasts. This looks really good. And later on we can try to fade away some of the strokes that are too dark. You can rinse your brush and tap the excess water. And now we can just try to smudge or fade away some Strokes. Now wait for the center to fully dry. And next we're going to add my favorite part, which is adding the white details. So we're going to use White Gouache. Make sure that the mixture is really pigmented. Let's put some small dots in the center. Now we can also add few dots towards the sides of this center. Now we're onto some finishing touches. So I'm using just Sepia and adding some small lines were small stroke stores the sides of the center, giving it the fuzzy look. It's looking create places the end of our project. I hope that you enjoyed Fading this Layered Sunflower. Now let's move on to our next project, which is the last project for the class 10. Project 3: Expressive Sunflower Bouquet: Here are the colors that we will use. Permanent Yellow Light, Permanent Yellow, Deep Yellow, Ochre, Sap green print on where N Sepia. Alright, so for our last project, we're going to pay this expressive style of Sunflower Bouquet. Don't forget to download the reference photo in the Projects and Resources section of the class. Okay, let's start. So this is a page from the book called The Flower Color Guide, will put it in the Resources section as well. So you can see that the sunflowers here have a more pointed tip Petal. This flower here is on its side, and I'm going to just draw an oval here and one petals. So I will explain that later on. But next, we're just going to also draw the centers of the other sunflowers just as a guide so that we know where to paint on it later on. To start, we're going to prepare our paints. I'm going to use Permanent Yellow Light. Next, let's grab Permanent Yellow Deep. So it's always nice to use two yellows. Let's start with the bottom sunflower that is on its side. Our approach here is to paint the petals. First, I'm going to grab some Permanent Yellow Light. And Let's paint one petal right here. I'm trying to copy from the reference photo. Next, let's paint short petals. So on this side of the Sunflower, this is gonna be shorter because it's, it's at an angle and it's near us. And then the petals that are further away or behind the center, it's going to be longer. So you can try to switch the colors, use Permanent Yellow Deep alternated with the Permanent Yellow Light. Or you can rinse your brush to create a lighter yellow color like what I'm doing now. Also try to mimic the shape of the petals. You can see I'm painting for a loose style and I am holding my brush towards the end of the handle, the Create really Organic Strokes. So you want to add some movement to the Petals. Now to add some shadow, I'm using yellow ocher and I'm adding it in between the petals. You can see at this mixture is quite thick. It's very concentrated. Hey, it looks really good. Now let's make some greens. I'm gonna make Sap Green and brand on birth Grade at earthy green color. And you're going to paint the sepals. So you can see the reference photos. There are sepals sticking out just near the petals, just right there. And then we're going to also add a stem. Now let's rinse our brush and fade away the stem so that we have a dark and a lighter area. Okay, Let's wait for that Dry. Next, let's move on to the second sunflower I'm using Burnt umber. And for this flower we are going to start with the center. I'm just going to tap my brush onto the paper, create these small dots. And I'm also going to lightly smudge my brush, add some water just to make it look a little bit faded. Next, let's add some petals. So I'm going to grab Permanent Yellow Light and just do some strokes to create these nice wispy petals. The center is still a little bit wet. You can see that is bleeding into the yellow petals. We also want our Petals to have spaces in between them. So you can see some whitespaces right now. Now we want this to look expressive. That's why we don't want the petals to be too close to each other. Also, we want the petals to have a pointy tips. Now we can grab Permanent Yellow Deep or you can grab yellow, orange color and just start Layering some petals. I'm doing this to add more depth so that the Flower won't look flat. Next is grab yellow ocher. Just like as we did in the first Sunflower. We're going to use this to add more definition. So I'm adding it in between the petals. Okay, now let's grab Sepia and we'd add it towards the sides of the center and in the middle. So again, we're adding this to add more depth. You can grab some greens and add some samples. Here. It should be near the Petals. We want the short strokes, they look like leaves. Now let's add a stem, just going to rinse my brush and fade away the bottom part So this looks really good. It looks like a two tone the stem. And you can also start adding some leaves. Try to sway your brush to create dancing leaves. Keys were on the third and last flower. In our approach here is to start in the center as well, using the same Burnt umber and doing the tapping technique. So just try to use the tip of the brush to tap some dots. And then you can try to smudge some areas as well. For the petals are going to use Permanent Yellow Light and just do some leather Strokes. It is best to look at the reference photo so that you can see how you will be adding the Petals. Now, this flower is also a little bit. So we want the top petals to be longer and then the bottom petals are gonna be shorter. In Michigan team also trying to move that Brown Center into the petals. So it will look more expressive. You want that those two colors to blend together. Now this flower is still wet. We're going to grab Sepia, am going to add it towards the sides of the center and also in the middle. So we have to do this while the center is still wet so that the colors will blend together. Next, let's grab our green and I'm going to add the stem and some sepals as well. I'm holding the brush towards the middle so that I have a looser way of painting petals and leaves. Okay, let's look at the reference photo again and we're going to start adding the center of the first Sunflower that we did. I'm using just Burnt umber and I'm just doing the tapping technique again. But this time you can see that the petals are already dry. Now, if you want a lighter center, you can also use burnt sienna. You can see the difference in the color. I'm adding Burnt Sienna right now. It's also nice to use two brands in the center if you prefer it. As I'm adding the center, I'm trying not to paint on the folded Petal. We want that to be prominent so that the people who sees this painting will know that this is a Sunflower. That's it, that is on its side. I'm going to add a darker area around this Petal. Okay, now let's add some more details. I'm going to use Permanent Yellow Deep, so we want a slightly darker yellow in the same adding this, that brown color is just moving into the yellow petals. That's very, very nice. It will look more expressive that way. You can also just like the grab some color from the center to make it flow into the petals. But also we have to be careful because you don't want the petals to turn brown. You just want a subtle brown color. All right, let's give this part more in depth. I'm going to use Permanent Yellow Deep. And I will add a little bit of burnt sienna. Now you can just add brown to any of the yellows in your palate. And we're going to use this, add some veins or shadows of the folds in each Bethel. This is definitely going to add more character to the Sunflower. Just add a few thin lines. So you can see that some are short lines, some are longer lines. So again, for this part, do not overdo it. We don't want too many details as we want this to still look very loose. We can also add some more details. In the third Sunflower. You can see I'm trying to use the tip of the brush and brush from the center going out. So we are grabbing a little bit of that brown. It's now time to add some more leaves. And just as a youth near the petals, while some of the petals are still wet, you can grab a dark green color and just drop it in the leaves and it will give away nice loose effect. Okay, So I waited for this, this flower to dry before adding another layer. Next, let's just grab a little bit of that brown and just add a few more veins coming from the center going out. Okay, so that's it. That was very fast. We were able to paint three sunflowers in about 11 min. I hope that you enjoy this project and they hope to see your work in the project gallery section of the class. Now let's move on to the next with USA share how to Print the Downloadable sketches that could be useful for you to practice 11. How to Print the Downloadable Sketch: All right, let's talk about how to print the downloadable sketch. Number one, you need to download the PDF file in the projects and resources section of the class. This file will contain three projects. We're going to print on watercolor paper, you need the paper that is about 200 GSM thickness or even thinner than that. Again see right here, I can really bend the paper because it's quite thin and it's only a student rate paper since we're just going to use this for practice. Now, the PDF file will be printed on a letter size paper or 8.5 by 11 ". Now, it's difficult to find a watercolor paper in this size, so I have my nine by 12 inch paper here. And I just tried to measure the letter size. As you can see, I have some pencil marks here, and I'm just going to simply cut it to a letter size. I'm just using my scissors here, but of course, you can use a nice cutter to have a clean cut. All right. Now I have three sheets here, and now we're going to load them in our printer. Okay, so this printer is called the HP six five series. All right. So this is what we printed earlier. You can see that it is quite light in color, and I really did that on purpose because I want you to be able to also add some details on your own. This is the original painting and the downloadable sketch side by side. This is going to be helpful if you want to practice because you already have a guide right here and you can just paint on it. Let me do a simple demo here. I'm just painting the petals. If you feel intimidated by starting this class, you can definitely start with painting over this sketch. The best part is that you can do this again and again because you can print multiple pages. The goal is just to guide you here as you start paintings on flowers. But after some time, I do encourage you to try painting it on your own without a guide. You can also try to practice painting some brushwork drills like this expressive leaf. I hope that this video was helpful. Now let's move on to the next video. 12. Let's Wrap Up!: You have reached the end of the class. Thank you so much for watching. To sum up everything that we learned, your practice, different Petal and Leaf Strokes through brushwork drills. We also learned different watercolor techniques that you can apply to painting other flowers. At the end of the class, we have three captivating sunflower paintings. Now for your class project, you can follow the paintings that we did in the class. Or you can get a separate reference photo and paint your sunflower in your own style. You can also find downloadable sketches in the Projects and Resources section. You can download that, print it on watercolor paper and practice on it. The goal of this class is also to expose you to different loose watercolor style. So I hope that you enjoyed that. I hope to see your projects in their project gallery section of the class. Just take a photo of your painting and upload it there. So under the tab section of the class you can see Projects and resources. Just click Create Project and upload your project. I'd be happy to give a feedback and words of encouragement to you. You can also tag me on instagram and use this hashtag. My Instagram account is Joly Poa. I would greatly appreciate if you could leave a review for the class on how this class help you in your watercolor journey. If you would like, Learn More watercolor floral classes, then here are my recommendation. Don't forget the click the Follow button somewhere up here. So that's you'll be notified every time I upload a new class. That's it. I will see you in the next class. Bye