Transcripts
1. Introduction: Christmas is a joyous occasion and it's a season of giving
of love and celebration. It's a very time to make meaningful holiday cards to
send to families and friends. Join me today as the style
a holiday card series. We are going to paint
12 holiday cards. Hi, my name is Joly and I'm
a watercolor artist and online art educator based
in the Philippines. I have been painting since 2013. My specialization is painting loose watercolor florals
I love teaching and being able to break down
watercolor painting into easy steps so that it's less
daunting for beginners. I have several
classes on Skillshare that focus on painting
loose florals. To start the class, we will be discussing the materials
that you need. Then you'll be
learning how to paint Christmas elements
such as pine cones, poinsettia, and other foliage. Then let's proceed
to the project. I'm so excited to show you all the wonderful kinds that
you make in this class. With so many different
projects in this class, you will definitely learn different techniques
in each project, such as doing wet
on wet techniques. You'll also learn how to add some white gouache
on your paintings, how to add backgrounds, and also how to add gold embellishments using
a metallic gold paint. The class is suitable for beginners and
watercolor enthusiasts. I have designed them to meet bite-sized projects that can
be done in 10-15 minutes. Being able to finish
nice small cards day by day has been very
fulfilling for me. I hope that you will also
experience this joy too. The weather is getting
colder this month. Let's grab a hot cup of coffee and look for a
cozy spot in our home. Then let's start
painting these cards. Happy holidays to all of you. I will see you in class.
2. Class Projects Overview: In this video, I'm going to give
you an overview of the class projects that you
will make in this class. In total, we are going to make 12 different holiday cards. Let's start with
the first project. This is the easiest project. It's a Christmas tree
made with leaves and I also added some
gold and white details. It's definitely a good project
to start with this class. Next, we are going to paint this red Christmas ornament with some pine needles
in the background. The concept of this project
is a minimalist wreath. We want it to be simple
and then I also added some splatters of gold and
it looks really pretty. For the next holiday card, we have here, an open center. I'm going to teach you how to do this nice, clean border. You can write the greeting or a message in the
center of this card. This is one of my favorites. It's a very dainty
Christmas bubble. You have this very loose
ribbon at the top of this Christmas
bubbles and I also added some shimmer using
gold metallic paint. Then of course we have some gingerbread
cookies in this class. We are going to paint four
of them and we'll be adding these nice white details
that look like icing. For the next project
we are going to paint a coroner holiday foliage. I left a space at
the bottom part of this card so that you
can write the greeting. This flower is a popular
request from students, so we are going to add the poinsettia bouquet
in this class. Next we're going to paint this blue Christmas bubble
with a blue background. I'm also going to
teach you how to add some decorations
using two things, gold metallic paint
and a white pen. I really love this next project. It's a pastel theme
holiday card. It has that vintage
feel and I really love the color of the background
in this holiday card. We'll also be using gouache
for the flowers in that card. This is a snowy
Christmas tree with also a nice background and some snowy effects
at the bottom part. I also added some gold shimmers all over this Christmas tree. For the last project, we are going to paint
a hot chocolate mug. This is a two part video, but don't be intimidated by
the length of this project. I made it very easy to
follow and even beginners can paint this chocolate
mug. That's it. While there are just
so many projects that I'm excited
for you to make, I do suggest that you try
all of them because you will learn different techniques
in each painting. Now without further ado, let's move on to the
next video where we will learn about the materials
that we need for this class.
3. Materials: In this video, we are going to talk about the materials that we
need for this class. Let's first talk
about the paints. I'm going to use the
brand Shinhan PWC. This is a Korean
artist-grade paint. It comes in tubes like this, but I usually just
pour it into half pans because it's easier and more
convenient to use that way. Next, we'll need a mixing
palette so I'm just using the lid of
my watercolor tin. This is from the brand
called watercolor, but the paints that are
missing inside is Shinhan PWC. I just like this
other colored tin that is why I'm
using it the most. But of course, you can also use a plastic or ceramic palette. Now let's go to the
colors that we need. I'm going to use permanent red, permanent rose, sap green is a beautiful green
color that I always use. Then hookers green,
yellow ocher, burnt sienna, burnt umber, sepia which is a
dark brown color. For the blues here, we're
going to use indigo, Prussian blue, cerulean
blue, ultramarine blue. Then we're going to
use permanent violet, turquoise blue, and
then brilliant pink. This is a new color that I'm
introducing in the palette, it's a nice milky pink color. This paint has white in it, that's why it's acting
almost like a gouache. For the brushes I'm going to use the
brand silver brush, and the series I'm
using is black velvet. This is a mix of synthetic
and squirrel hair. I'm using round brushes and
the sizes are four and six. I like using this brush
because it can hold a lot of water and still
keeps its point. It's very important
then that you choose brushes that are pointy. I also like that these
brushes are quite soft, that's why it's following
the flow of my strokes. Next up, we have a water jar here so you can use any
jar that you have at home. Then we need tissue
paper so that we can use it to blot out the
excess paint in our brush. Next, we need Holbein
white gouache. I'm using permanent white. We're going to add
white gouache to add that snowy effect and
also to add some fillers. Gouache is somewhere in between
watercolor and acrylic. The good thing about
gouache is that you can reactivate this pin once
it dries on your palette. The next material
that we need is the Uniball Signo white pen. I do love using this
white pen because it gives me more control
when it comes to details. It's also more opaque compared to other brands
that I have tried. Some people have suggested
using the POSCA acrylic pen, so you can also try that. We also need a gold metallic
paint for the class. I'm using the one from the
actual lab watercolor set, the color is called royal gold. I realized that there's
so many shades of gold. I decided to go with
this yellow gold color because it registers
better on camera, and you can see it more compared to the
other types of gold. You can also use metallic
paints from other brands. I've used the one from Etchr philosophy and
also works well. This is what it looks like on the paper and you can see it. It has a very nice shine and also the scent rub off
when you touch the paper. For the paper, I'm going to
use the actual lab postcard. This is 100 percent cotton paper and it's called pressed paper. The size is four by six inches. They also make sketchbooks, and I do love their sketchbooks that's why I'm happy that
they also have postcards. I also decided to
use this because the paper is already pre-cut. It saves me time
from cutting paper, so I can just paint on it and
stick it on a holiday card. This is another paper
that you can use, it's the Baohong Academy. It's also 100 percent
cotton paper, but this one is the
student-grade version. It's also a watercolor block, which means that all
the sides are glued except for one area that you can use to take out one sheet. I personally like
using this paper, because it's affordable and it also works well
with loose florals. I highly recommend this paper if you are just starting out. Next, we need a masking tape. This is just a
regular masking tape from the office supply section. It's about one inch in width. Later on, we will have
projects where and we need to tape down our
paper using this tape. Let's now go to the next
video where we will learn how to paint the
Christmas elements.
4. Christmas Elements: [MUSIC] In this video, we are going to paint
Christmas elements. I decided to simplify the
elements in this class, because we're making easy
and quick watercolor cards and we're also
painting quite small. We're going to use just
4 by 6 inch cards. For the first element,
we're going to paint a pine needle. I need burnt umber. I will use this to
add a thin stem. After which, we are going
to grab some Hooker's green and we're going to paint
some thin wispy strokes. Our stroke will come from
the middle going outward. We can also do the
other way around, just make sure that
the ends are pointy, then also try to paint the needles in
different directions. Let's rinse our brush in the water jar and just
tap the excess water. We're doing this so that we can create a lighter
green color. I'm going to add indigo
to my Hooker's green, because I want the
deep green color, we want it to be quite dark. Then we'll add it on
top of the first layer. This is going to give us
contrast and more shadow. For the next leaf, we are going to mix
Hooker's green and indigo, and then we'll add some water. We are going to paint
some rounded leaves. This will look like mistletoe, but the shape of the leaves should be
little bit different; I just simplified the process. To paint this, you can
see that I am creating a loop and then trying
to fill in the center. We're going to do this
a couple more times. Then now we're going to
switch to a pine cone. I am just going to
use burnt umber. I mean to dab my brush, that will be the top part, and then we're going to
move our brush sideways. It looks like the
letter C curve, just make sure
that you also have spaces in between your strokes. Let's do it one more
time just for practice so you can make it a
little bit lighter. Let's wait for this to dry so that we can add a second layer. In the meantime, let's paint
other Christmas elements. I love adding blue leaves, because this adds a cool
tone to your painting. We're going to use a very
diluted Prussian blue color, but you can also use other blue colors that
you have in your palette. Right Right, I'm just painting
my usual go-to leaves. Just make sure that
it's quite pointy. Let's practice some more. We can add some Hooker's
green to this Prussian blue. But this time, I'm going to
add a little bit more green. Then let's paint
some more leaves, try to paint the stem first, and then just create those
nice expressive leaves. [MUSIC] I'm just going to
make some sap green. We are going to paint cedar. We're going to start
with a thin stem, then I'm going to add some arms. After adding the arms, we are going to just tap our brush to create
those tiny leaves. You can also rinse your
brush and then tap it again on the paper so that you'll have a
lighter green color. It's always nice to
change the value, so that some will be darker, some will be lighter. [MUSIC] Now we can go back to the
pine cones, it's already dry. Let's grab burnt umber. This is just the same color, but we want it more
pigmented so that we can add some shadowing. A very popular Christmas
ornament would be a poinsettia. You're going to paint this. I'm going to start
with some green dots , using sap green. For the petals, I'm going
to use permanent red. Let's start painting the
petals in an S-shape motion, then I'm going to fill it in
to complete the entire look, so it almost looks like a leaf. We're going to
paint five petals, so this will look like
a star shape at first. You can also lighten
the color of some of the petals here. Some can be more red, some can be a lighter red. Let me just finish
all the petals. [MUSIC] We're going to add a second
layer on this poinsettia. In the meantime, I'm
going to let this dry and move on to a different
Christmas element. Let's draw a holly. I'm going to use just pencil. I find it easier to
do a pencil outline. I'll just fill it in
with some colors, so you can see that you have
here some scalloped edges. Then we're going to add the
red berries in the middle. For the third leaf, I'm going to paint it
without an outline, just to show you guys. I miss seeing hooker's green, so I'm just doing an outline and going
to fill in this leaf with that color [MUSIC]. Now, onto the third leaf, I don't have an outline here, so I'm going to use my brush
to make the scallop edges, it's a little tricky
to do this but it's also a good way to practice
your brush control. Now, I'm going to
add some red berries using permanent red. Now, we're going to
go back with the pointed here, it's already dry. Let's add a second layer
using permanent red, I'm just going to paint in
between these two leaves. As I'm painting this, you can still see the
first layer underneath. Poinsettia comes in
different colors, I've seen it in white, I've seen it in pink, some will have even two
colors in one plant, so if you do want to
do a pink poinsettia, you can also do that. All right, we're
going to wait for the second layer to dry so
you can add more details, but in the meantime, I'm going to be adding
some white berries on these rounded leaves, so we are going to use
Holbein wide gouache, you can also use acrylic
or maybe poster paint, you can also use the
uni-ball wide signal pen or some people like using
the sakura gelly roll, you can also use that. Then we're going to
add some snowy effect on the pine cones, so you want to add
snowy effect near the darker areas just so the white paint will
pop up even more. Another idea is to use just white gouache to add
some veins on the leaves, so adding these white
details will give the Christmas elements
a more winter feel. Aside from adding white leaves, you can also add a darker color, so for this leaf, I'm just using a more pigmented mixture
of hooker's green. I'm going to go back
to the poinsettia, this is already dry, we can add some veins. We are just going to
use permanent red, it's the same color as the poinsettia but we
wanted more pigmented. We're not going to add
veins on all the leaves, we want some of the leaves
to be in a solid color. What you can also do is to add some white veins
using whitewash. Now, let's try to do a
wet-on-wet technique which we will be just
practicing for now. I'm just going to wet an area, this is just a very small
area on this paper, it's nice to practice
this technique just so we know what to expect
in the project itself. Let me just mix up
this Prussian blue. You're going to add
this on the wet paper, so you want to have
that green and look, I'm just going to
move back and forth. Then let's rinse our
brush to get rid of the color and then rubbed my brush in the tissue paper and then we're going to continue
to blend that paint. This is the technique
that we will be using later on for some of the
projects with a background. Let's just wait for this to dry, you're going to
paint on top of it. Let's grab some hooker's green, I am just going to paint
a simple Christmas tree, so we do want to try out
these brush markings. Just use the tip of your brush, you can sway from left to right, these are just going to be
the leaves of this tree, so I'm just going to start at the top and
just sway my brush. We're just going to do
this as an exercise, so don't feel any pressure
doing this Christmas tree, we're doing this
so that you will be more comfortable later on as we paint our
main projects. You can also rinse your brush to create a lighter green shade. Of course, don't forget to leave white spaces in
between your strokes. All right, and now, we are done with some basic
Christmas elements. You will be learning more later on as we paint our projects. Now, let's move on to the next video where
we will be painting our first project [MUSIC].
5. Easy Christmas Tree: Let's start our first project. This is a very easy version of a watercolor Christmas tree. We're going to use leaves and then form
them into a tree, and then we'll add some
gold and white details. To start, we are going to draw
a triangle using a pencil, and this will be our guide for the shape of the Christmas tree. At the bottom, I left a little bit of space
there so that you can write down a greeting
or anything that you want. Let's prepare the
colors that we need. I'm going to grab
hooker's green. For this project, you can use any green color that you want. Also, it doesn't have
to be really green. You can do a blue-themed
Christmas tree , that's also good. We are going to
start at the top. Let's create a stem first, and then just going to
attach some rounded leaves. We can also rinse our brush
to create a lighter green. This leaf has too much water, so I'm just going
to rinse my brush and dab the excess water. Let's try to absorb the
excess water in this leaf. We don't really
want a big puddle. Now as we have a
different green, I'm using sap green. I'm going to add one more
leaf on the upper left side. Let's change the color again. I'm going to make sap green
and indigo so that we can get as a deeper green color. Then we'll start with a stem again and then add some leaves. Now let's go back to sap green. For this project, it will look better if you use
different shades of green so that it will look
interesting as an entire tree. If we use just one color, it will look flat
and a little boring, so we want it to look
just more interesting. It's now time to add
another happy color. This is greenish-yellow. If you don't have this color, just mix your usual green with
a little bit more yellow. This color really
just brightens up any painting that's why
I love using this shade. Let's continue filling up this space with some
more rounded leaves. Again, I just switched
to a different color. I'm using hooker's green now. When you're painting the leaves, you do want it in a
certain direction. We want it to look
like the leaves are swinging to the
left or to the right, and that will make
it look like there's movement in your painting. I have a mixture of
Prussian blue and hooker's green
just so we can get some cool tones
into this painting. What we're also doing is we're
moving from top to bottom. If you see some weird wide
gaps in between the leaves, don't worry about it
because later on, we are going to add
some fillers so that it will look
fuller and more lush. I'm switching to
sap green again, and we're almost at the bottom
of this Christmas tree. We just need a few more
leaves to complete this look. Now let's grab some more of that Prussian blue with
hooker's green, then let's just keep on
adding those leaves. I'm also adding some more indigo to my paint so that I can get a darker green color
just so that there's more contrast in
this Christmas tree. We are done with the base
of this Christmas tree, now it's time to
add some fillers. I'll be using Prussian blue. We're just going to
add some fillers. I'm going to paint a thin line. Then I'm going to
put some small dots that will look like
small flowers. Then we're going to add that to the white gaps in
between the leaves. You can also use
these fillers to fix the shape of
the Christmas tree. I usually add a
little bit more on the sides just so that it
doesn't look too straight. It's nice to have those fillers
hanging above the leaves. What you can also do
is you can change the value of the filler. You can make some darker,
some more lighter. Then you can also
add a little bit of green to your fillers. Right here, I just
decided to use greenish-yellow for
some of the fillers. You're probably wondering
when to stop adding fillers. My tip is to take a photo of the painting
and look at it from afar, then you'll know
whether you will need to add more fillers or
whether you need to stop. It's just important
to see things from a different perspective. Now I do want to extend
some parts of the tree, so I'm just going to add
some fillers to do that. We're done with the fillers. Now I have here my white pen. I'm using the Uni-ball
Signo white pen. You can use a
different pen as well. I'm going to be
adding some detail, some veins on the leaves. I will also be adding some dots, just some random scribbles on the leaves so that it
doesn't look too flat. My suggestion is to
just add it ultra neatly so you don't want all
the leaves to have veins. You want some of them to
be just a solid color. We don't want it to
look too crowded, and also we'll be adding
some gold details later, so just try to limit your
white details for now. Now that we are done
with the white details, we're going to add the
gold, metallic details. This is a watercolor
metallic paint from the Etchr Lab brand. I'm going to paint
over the leaves. I want some of the leaves to be gold just so that there
is some sparkle there. If you don't have this paint, you can use gold acrylic paint, or maybe you have
a gold gouache. You can also use a
gold metallic pen, that will also work out well. You can see I'm also adding some small dots all over
this Christmas tree. This is a really fun exercise
for us to start with. We have a couple
more projects to do. I hope that this was a good warm-up
exercise for you guys. I'm just going to quickly
show you the sparkle there. I've also decided to add some
small dots on the fillers. You can do that as well. At the top of this
Christmas tree, we are going to put a star. I'm just using my pencil and I am just drawing
a simple star shape. I just prefer to
draw the shape of the star because I don't
want to make a mistake here. I will need a guide
for the shape. When you're okay with the shape, now we are going
to fill it in with the gold metallic paint. I'm just going to add
some finishing touches and just fix the shape
of this Christmas tree. We can add some more fillers. Now we are done and
I'm just showing you the reflection of
that gold metallic paint. It's so beautiful and sparkly. I hope that you enjoyed creating this simple and easy watercolor
Christmas tree card. Let's now move on to the next
video where we will learn how to paint this red
Christmas ornament.
6. Red Christmas Ornament: In this video, we are going to
learn how to paint this red Christmas ornament. To start, we need to draw the shape of the ornament first. I decided with this shape. It's an oval shape
with a pointy tip. I'm just going to
eyeball the shape. You can use a different
shape of course. Just keep in mind that when
you are drawing something, once you paint on
top of that line, you can no longer erase
the pencil outline. When you are final with your drawing try to erase
as much as you can before you start
painting. We're all set. We are going to do a wet on
wet technique for this one. I am going to grab a wet
brush with clean water, and we're just going
to paint the shape of this Christmas ornament. I'm going to paint just the body of this Christmas ornament. I'm not going to put water
on the cap of this ornament. I've decided to do a wet on wet technique so that it
doesn't look too flat, and we want a little
bit of texture as well. Try to spread the water as evenly as possible on the paper. I've decided to
use permanent red. I do want a nice rich red color because it looks festive for me. You can use a different
color and that's also okay. We're just going to drop
in the paint and I'm just trying to be
careful with the edges. Let's just slowly
fill in this shape. You can see that the paint
is spreading beautifully. For this project, we don't really need the color
to be even on the paper. It's okay if some parts will
look a little bit lighter, I think that will
give more texture and more character to this
Christmas ornament. Also if you made a mistake, that's okay because
we are going to add some gold details later on. I really made sure that the
projects will be easy to follow and also if you've
ever made some mistakes, it will be easy to cover
those mistakes just by adding some simple details such as the gold details
using metallic paint. While the base is still wet, I'm going to grab
some crimson lake and we're going to add it in some areas of this
Christmas ornament just so that it
doesn't look so flat. This is, of course, optional. If you don't want to
add it, it's okay. You can also add
Hooker's green to our permanent red so we
can get a deeper red. I'm going to add
it on the edges of this Christmas ornament just
to give it that shadow look. If you want an even deeper color you can add Hooker's green to crimson lake just to give
it an even deeper shade. But just be careful
when you're adding this shadow because you don't want it to look like the
ornament has some burnt edges . Just be careful with that. Now while we are waiting
for this to dry, let's just draw some guides. I want some pine needles behind
this Christmas ornament. Let's draw some branches
so that we know where the pine needles
will go later on. I started drawing some branches
from the top left corner. I have here burnt
umber and we're going to use that to
add the branches. Just use the tip of
your brush to create these nice crooked strokes. Now let's grab some
Hooker's green and we're going to
paint the pine needles. Just use the tip
of your brush to create those wispy strokes. I'm going to paint them
in different directions. I guess we're going to add
about three pine needles here. Then we're going to
change the color. I'm going to add a
little bit of indigo so that we can have
just more contrast. Let's add that to
our pine needles. You can also rinse
your brush so that you can create a lighter
green color. Sometimes what I
do is I just mix my green color with the
other colors on the palette. Right here, I mix
it with burnt umber and then we're adding
some more pine needles. I'm doing it very
quick so that I can get that more
expressive stroke. Now let's rinse our brush again and just paint some
lighter green color. I have here some Hooker's
green and I'm just going to extend some parts of
this pine needle. We're on to the last pine
needle and we want this to look like it's behind this
Christmas ornament. You can start from the center of the pine needle going outward. Sometimes I do
change the direction just so that it will
look more organic. I just rinsed my brush again. You can see the lighter
strokes that I'm doing. It will make this look more interesting if you
have more contrast. We have a lighter green color
and the darker green color. Some parts of the pine
needle is already dry. We're just going
to add indigo to our pine needles just to
give it an extra contrast. This area right here needs a
little bit more extension. I'm just using water
and just dragging the color from the main
pine needle going outward. Some parts are still wet. You can see that
shine over there. But I think we can
start painting the cap. I have here my gold
metallic paint. I'm just going to
grab a thick mixture. Now let's start
painting this cap. I do want that scallop edge
at the bottom of the cap, kind of that wavy line. Then you can add a smaller loop over
there and maybe you can add a string so that it will look like it's hanging
on the pine needle. Now you can add some
small gold dots around this painting just to
give it that extra sparkle. Feel free to use
a different color or if you don't want to
add it, that's also okay. This is already
dry and now we're about to add our own design. I have decided to
add some wavy lines. Then right here,
we're going to paint two parallel curvy lines. If you have a gold pen, maybe that will be easier to use instead of painting
the thin lines. Now we're going to add
two more parallel lines. Now we're going to add
some dots and I've grouped them into three dots. Then right here
I'm going to paint some petal-like shapes and I've grouped them into three
petals per group. In between the parallel
lines we can add some dots just to
fill in that space. Then we're going to do
a crisscross design for this space. Don't worry, you don't need to follow the design
that I'm doing. You can, of course,
make your own design. You can also use your white pen instead of using
this gold detail. Then let's add some
small dots again and the petal shapes. Just a finishing touch, I'm going to add
just some dots right here and then we're done. I hope that you enjoyed making this simple red
Christmas ornament with some gold details. Let's now move on to the next video
where we will paint this simple gold
mini leaf wreath.
7. Mini Gold Leaf Wreath: Let's start with this project. It's a minimalist leaf wreath
with some gold designs. To start, you need to draw a circle in the
middle using pencil. I made it a little bit small. I don't want it to take the
space of the entire paper. What you want here is
a minimalist look. I'm going to grab my gold paint, and you're going to paint all around this outline
of this circle. If you have a gold pen
that will also work well, and maybe that will be easier
for you to draw this shape. You can, of course, rotate
your paper so that it's easier to paint some strokes. You can get it
better at an angle. If it doesn't look that even, don't worry about it, it's okay. We're going to paint on top
of it with some leaves. We'll be able to
cover some mistakes. We just go back to this part and just fill it in with
some more gold paint. We're all set with
this gold ring. Now it's time to
add those leaves. I'm going to start
with Hooker's green. We're going to start
with pine needles. We want a pair of pine
needles right here. The gold ring is already
dry as I'm painting this. I'm painting on top
of the gold ring. Now let's just rotate the paper so that we can paint
at a better angle. We're now done with
the two pine needles. Now, I'm going to grab some
Hooker's green and sepia. Let's just paint some
leaves in the middle. I'm going to do
my go two leaves. This is what I paint if
I need to add a filler. We're just going to paint
some simple leaves because we want this to be a
minimalist wreath. Now I'm going to add
some rounded leaves. I'm using just Hooker's
green with a little bit of indigo just to get
that deeper color. I'm going to do another
set on the left side. The easiest way
to paint a wreath is to actually make a pattern. Don't feel bad if
you have to paint the same flower on each side or the same leaves, that's
completely fine. We're now going to
switch to a blue. I am using Prussian blue. We're going to paint some
smaller leaves over here. Then we can add some on
the other side as well. This is all about layering, just adding leaves on
top of each other. Of course, you have to
wait for the first layer to dry before you add another layer on top so that you won't smudge
the bottom layer. Now let's extend the
leaves on each side. It's better to vary the size
and the shape of the leaves. If you have some
small light gaps, you can add some fillers. I'm using Hooker's
green and sepia here. But you can also use
indigo or I guess just any dark color that
you have in your palette. This is also a good way to add
contrast to your painting. Let's just sprinkle some fillers all over the green leaves. You want the fillers to be a little bit taller than the leaves that
you have painted. Now let's add some
pine needles again. I'm just scribbling
some thin lines, just making an illusion that
there are more pine needles. You can also start layering
your leaves and try adding a darker color to give it
more contrast and more depth. The leaves are already dry. Now I'm going to add
some white details. I am just using gouache. This is the brand Holbein. I'm going to add some
white berries over here. Adding these small
white details will give it that winter theme look. Now if you want it to be
really opaque, really white, you can go ahead and
add a second layer, just paint on top
of the first layer. But you have to make sure that the first layer is already dry before you add another
layer of gouache. We're just randomly adding
some more white berries. It will look better
on a dark background. That's why I'm choosing the dark leaves that's where we're
going to put the berries. Then on some leaves, I am going to add some veins
using a darker green color. Use any dark color
in your palette. I'm using indigo, but you can also use black. Just going to put a small
dot on those berries. It's now time to add
some gold details. I'm going to grab my
gold metallic paint. I'm going to make sure
that my brush is reloaded with a lot of paint and
then I start tapping. You can get some
splatters of gold paint, and that will really look so
good on your holiday cards. You can add as much as you want. Depends on how much splatter
you want on your card. Because you want this
to look minimalist, I just added splatters on the upper right and lower
left side of this card. You can see that
beautiful shimmer. Well, that was very quick. We are done in less
than 10 minutes. I hope that you enjoy creating this simple and
minimalist wreath. Feel free to use different
colors for the leaves. It doesn't have
to be just green, you can use other color
palettes as well. Now let's move on to the
next project where we will paint a dainty
Christmas bubble.
8. Dainty Christmas Bauble: In this video, we are going to paint this
dainty blue Christmas bauble. So you're going to add some simple floral
elements such as leaves and some mini flowers. The first thing that you
need to do is to draw a circle on your paper. So that will serve as
a guide for painting this Christmas bauble. With
a size four round brush, I'm going to grab some
ultramarine blue. Then you're going to
add some small leaves. Let's start with a thin stem and then we're going to
attach some small leaves. Now I'm going to
add one more and just make sure that you
are painting lightly. We do want this to
look way dainty, which means that our strokes are going to be smaller as well. You can try to also vary
the shape of the leaves. So some leaves can
be more elongated, some can be rounder. Just for some variation
I'm going to be adding some Prussian blue to
my ultramarine mixture. Maybe we can add some
more leaves over here. I'm also making
sure that they have enough space in between the elements that I'm
going to paint inside this bauble so that it
won't look too crowded. Let's add one more
here when they make it a little bit smaller. All right. Now
we're going to add some small five petaled flowers. Just makes sure that your brush isn't loaded with
a lot of paint. So you don't want puddles
in your painting. Now we're going to add the
flowers in different parts of this Christmas bauble
just to balance it out. You can also rinse
your brush so that you can get a lighter shade of blue. Then you can add some on the edge of this
bauble right here. I'm just going to
pay three petals, and by doing that, we are also giving an outline
to this Christmas bauble. So it's very important
to add elements on the outline of this
Christmas bauble so that when you see it, you will get an illusion
that it's a round shape. Because we are not going to draw a circle outline for a
discrete Christmas bauble. They have here a diluted
ultramarine blue color. We can add some more fillers. Just going to lightly
dab my brush to create these small strokes, narrowing and the stem to it, so it will look
like small flowers. It will also look
better if we can paint these fillers facing
different directions. So you can see here
that I'm slowly adding some more elements on the
outline of this bauble. Later on you can erase
the pencil outline. So you can grab some
indigo or any dark color. We're going to add
some small cute dots. This will serve as
a filler as well. So while I was
painting this project, I realize that it's
important to use a smaller brush and it will
make your life easier. So for the small
details in here, you can use a size four brush, or you can also use a
size two round brush. We are almost done
with the design, and now we are going to move on to painting the
ribbon on top. So you're going to do a
wet on wet technique. We want to paint the shape of the ribbon
using just water. But for visual purposes, I'm going to add a
little bit of blue in my brush so you can
see my strokes. When you're painting
this ribbon, make sure that you
have some white spaces in between your strokes. I started with the center, and now I'm adding the
right side of the ribbon. You can see that I'm
just dragging my brush and there are spaces
in between my strokes. Now let's do the other side, just drag your brush
outward and don't be afraid to add water
in your strokes. You want this to be quite
wet because you're going to drop in some color later on. So I'm quite happy
with the shape. Now let's add some color. I'm going to grab some
ultramarine blue. Let's hip away pigmented
ultramarine blue. I'm going to drop it
in the center first. Then I can try to move
around the paint, but try not to overdo it because you want it to look quite loose. That means some areas will
have more blue in it. Some areas will have
just mostly water. Then I'm going to
grab some indigo. I'm going to add it in
the sides of this center. So that will serve as
the falls of the ribbon, or like the shadow. Now let's grab some
Prussian blue. I'm going to drop in some
Prussian blue in some areas. You can see that I'm
trying to just let it be. I'm not really fixing
a lot of the areas. The right side of
the ribbon looks a bit smaller compared
to the left side. So I'm just going to
add a few more strokes just to widen that area. If you're going to fix
the shape of the river now is the time while
it's still wet. Now you can add the string. I'm just using a pencil and
drawing a straight line, just as a guide for me. Now if you're nervous about
painting a straight line, this is my suggestion for you. Just use gold metallic paint. Start painting some
round shapes and stack them up until you
reach the top portion. So these more round shapes
will look like gold beads. So just keep adding more
of those round shapes. You can also use a
different color. Maybe you have a
blue metallic paint, I think that will
also look good. Let's continue
adding some details. I'm going to add a small dot in the center of the
five petaled flowers. We can also add some dots
in Christmas bauble. Just add some shimmer. All right, now you're done
and less than 10 minutes. I hope that you enjoyed
making this project. You can also do this
in a different color. You can see how
beautiful it is when you add some small dots of gold. Now that we are done
with this painting, let's move on to
the next project.
9. Poinsettia Greeting Card: In this video, we are going to make a greeting
card with a nice border. There is a space in the middle of this card
where you can write your greeting or a message
for your loved ones. In order to create that
clean space in the middle, we are going to put masking tape in the center
of this paper. I already have this
one strip of tape, now I'm going to add one more. This is just regular
masking tape that you can find in the office
supply section. If you find this too sticky, we can try to stick it
on your skin or maybe on your shirt first before
you stick it on the paper. With a pencil, I'm
just going to draw some small circles
in the middle, and that will be a middle
of the poinsettia. I'm just going to draw three petals and will
be my main petals, and then later on
we're going to try to lay the petals of
this poinsettia. For this project, I want
to use a pink color, so I'm using permanent rose. We're going to start
with one petal and just make sure that
the tip is pointy. Now let's paint another petal. I'm going to be using a more
pigment permanent rose. I'm just changing the value. I want some petals
to be lighter, some will be more pigmented. We're going to do petals
in the same size. When you're done with
the three petals, we're going to add the center. I'm going to use up
green and going to just paint some small round
shapes in the middle. To save time while waiting
for the petals to dry, we are going to flip this paper. I'm going to paint on the
other side of this card. Later on we will be adding some layered petals
on the poinsettia, but we can't do that now
because it's still wet. Let's start painting, I'm going to grab
some burnt umber and let's paint a very thin stem. Then you're going to
grab Hooker's green, we're going to paint
a pine needle. I'm just going to use
the tip of my brush to create those thin,
wispy strokes. Make sure that you are painting it in different directions. Once we're done with
this pine needle, let's move on to painting
a different leaf. We are mixing Hooker's
green and indigo. I want a deep shade of green. Let's paint some rounded leaves. You can paint on top of the
masking tape, that's okay. We actually want to
paint leaves very near the masking tape so
that when he peel it off, you can see that
nice clean line. Now we can add a pine cone. I'm going to grab a
diluted burnt umber and let's just paint the
shape of the pine cone. This is the first base. I'm just lightly tapping the brush to create
those nice strokes. There is a big space
on the right side, we can add a cedar. Let's grab some sap green. I'm going to paint a thin
stem and attach some arms. Then now you're just going
to lightly tap the tip of our brush to create
the small leaves. You can also dab your brush in a tissue
paper if it's too wet. You can also raise your brush to create just a lighter
shade of green. To give it a pop of color, let's add some berries,
I'm using permanent red, but you can also
use crimson lake. Now let's mix these two colors, sap green and burnt umber
is already in my palette, so I'm just going to mix it to create an earthy green color. We're going to paint some
more leaves that will serve as fillers for
those white spaces. Another filler that
you can do is to get a dark green color and just paint some thin
lines just like this. It will look like
pine needles as well. This is something
that I love doing. I love getting the color of the flower and turning
it into leaves. Right here I'm using
just permanent rose, but I made sure
that I added a lot of water and really diluted this color because I just
want a faint color of pink. By adding these pink leaves, it will make this painting look more balanced in terms
of the colors used. Now we'll switch back to the poinsettia because
it looks dry already. We can start
layering the petals. Let's grab a diluted
permanent rose color. I'm going to paint in
between these two petals. I made this a little
bit lighter so that we can see the petals underneath. But for this petal I made it
a little bit more pigment. I'm just trying to
vary the values. I want some to be darker pink, some will be lighter pink. Then we're going to continue
adding some more petals. Now we need to add
just one last petal. I'm trying to paint on
top of the masking tape. We're now done with
the poinsettia, and now we're going to add
some leaves right beside it. I'm going to paint
a pine needle here and amazing Hooker's
green and indigo. Let's just paint
quickly so that we can get those nice
expressive strokes. You can also rinse your brush
and dab the excess water. Then we're going to paint
and lighter shade of green. On the left side, we
are going to paint some rounded leaves
using the same color. This is Hooker's
green and indigo. Now let's add some cedar. I'm painting on top of the pine needles just
to layer this area. Let's add some cool tone
blues in this area. I'm just using
Prussian blue and I made sure to dilute
it in a lot of water. We're just going to paint
some simple leaves. Now let's paint for the leaves to dry and
then we're going to add some white details
using white gouache. I'm just going to add
some white berries. This will look like mistletoe. I just tried to simplify the
way of painting a mistletoe. You can see that the white pops up better when the
background is darker. This leaf is really
a nice example. This pine cone is already dry, and I'm going to add
the second layer using just sprint amber. It's just a more pigment color. Now it's time to add some
details on the poinsettia. I'm just using permanent growth and we can add some
veins on the petals. Let's just alternate the
petals with some vein details. Later on we're going to add some white gouache and also
there is a bit of gold. I think it looks prettier when you add details
on the flowers. Just adding these white
veins will make it look more Christmas-y just it
gives that more winter feel. With a dark color,
I'm using indigo. Just add some small
dots on those berries. If you have a black Pentel pen, you can also use that
to add this detail. We are almost done. Now I'm adding my
favorite part of every painting and that is
to add some gold details. I am using the [inaudible]
Lab metallic paint. You can use other
brands, of course. There are also different
kinds of gold. There can be a rose gold, or there can be just
a deeper yellow gold. It depends on what
you want to use. I decided to go with
this yellow gold because it registers
better on camera. You can see this gold much clearer compared to the
other sheets that I found. You can add some berries, add some leaves using
this metallic color, or you can add some veins, just like what I'm doing here. Pink and gold go
together so well, so I really love this
color combination. Let's just add a
few more details. You can also add a
little bit of gold in the center of
this poinsettia. Right now let's add
the finishing touches. I'm just going to extend
some parts using fillers. I'm going to dab my
brush and just create these tiny strokes that will
look like small leaves. You can use indigo or any dark color just to add some contrast
to your painting. Then you can extend
some leaves so that they are not all
at the same height. You do want to vary the
height of the leaves. I went back to this
pine cone because I wanted to add some snow effect, so I'm just adding
some white gouache. It's now time to
peel off the tape. It's also one of
my favorite parts when I'm using this
tape on the painting. I love to see the clean edges. It looks good because we have peeled off
part of the paper. When you're peeling a tape, you just peel it at an angle. It's almost flat. You can see it right
there. We are done. I hope that you can
upload this project in the gallery section
of this class. You can see the sparkly
effect of the gold details. I hope that you
enjoyed painting this. Now let's move on to
the next project.
10. Gingerbread Cookies: In this video, we are going to paint
gingerbread cookies. To start, what we
need to do is we need to draw the shapes here. I'm going to start with a star. I'm just trying to fix
the shape of the star. If you have a cookie cutter, you can also use that to create an outline for your cookies. Then now I'm just adding a Christmas tree,
just the outline. You don't really need
to follow the shapes that I'm going to do
for this project. You can use different shapes
for the gingerbread cookies. Again, when you're already
okay with your drawing, make sure to erase as much pencil outline as you can before you start painting. Because once you paint on
top of the pencil outline, you can't erase that anymore. What I'm doing is
I'm drawing near the borders of this paper, and that will really
look good later when we add the gold outline. For this technique, I'm going to do a wet-on-wet technique; it means that I'm going to add water inside the
shape of the cookies. Then we're going to add
some color later on. I added a little bit of color in my brush so that you can see what I am painting here instead of just
using clear water. It's now time to add some color. I'm just using burnt sienna. We're going to
drop in the color. You can see that it is
spreading beautifully. I did the wet-on-wet technique
for this project because I want that texture
on the cookies. I don't want the colors to
look to even on the surface, I want some parts to
be a bit lighter, some are darker, just so that it will look a little
bit more realistic. Because when you're
baking cookies, it's usually difficult to get an even color on the
top of the cookie. While this star is still wet, I'm just going to fix some areas and just going
to extend some parts. Let's grab some burnt umber, and we're going to add these on the corners or the
edges of the cookie. By adding these detail, it will look like
those edges are just more brown or it
got a little burnt. Be careful when you're
adding this color, you still want to get
the gingerbread color. You can also add a little bit
in the center if you want. Let's move on to
the Christmas tree. I chose just a simple shape, I wanted a project
that is easy to do and very approachable
for beginners. We are going to fill this
in with clean water, but for visual purposes I just added a
little bit of color in my brush so that you can see what I'm painting
on the paper. Once you have filled
this shape with water, just dropped in
some burnt sienna just like what we did
in the star shape. Again, while this
shape is still wet, that's the right time
to fix the sides, fix the shape, or
extend some parts. It's time to add
some burnt umber. You're just going to
add it on the corners, and sides so that it will have this burnt look on the
outer part of this cookie. Let's now move on to
this gingerbread man. I'm also going to do a
wet-on-wet technique. We're just going to fill
this with clean water. Again, mine just has a
little bit of brown in it so that you can see what I
am painting on the paper. You don't really need to
follow all the shapes here. You can choose the
shape that you want. If it's easier for you, you can also do just one one. I just grabbed
some burnt sienna. I'm just going to
drop in some color. As I'm dropping in the color, I'm also trying to fix the
shape of this gingerbread man. I'm just going to
continue adding some color all
throughout this cookie. Let's move on to
the last cookie. This is a candy cane. I just added this on the last minute because
when I was doing the three cookies it feels a little empty on the lower right. I just figured
that it would look good if part of the candy cane was touching the
edge of the paper. We're going to do
the same technique. It's a wet-on-wet technique
and you're going to drop in some burnt sienna again. My tip for you when
you're painting food, you have to choose
colors that look yummy. I know it sounds weird, but when you're choosing
a color for a cookie, it should be a nice, warm brown color, it should feel like it just came out of the oven even if it's
just a painting. While I was painting
this candy cane, I realized that I forgot to put some burnt umber on
the gingerbread man, but that's okay, he
still looks good. Right here I'm going to
add it on the candy cane. Adding the burnt umber color also gives the cookie contour. It makes it look
a little bit 3D. Now, we are done with the base and we just need to
recreate the dry. When it's already
dry like this sheet. We are going to proceed
with drawing some details. I have here my Uni-Ball
Signo white pen. For the star, I'm going
to put a small dot in the center and then we're
going to attach some arms. We're going to do five lines that's going to
extend all the way to each corner and then you can add some small round
shapes at the tip. In the middle of the two lines, we're going to add
the shorter line with a round tip as well. It might look a little complicated but it's
very easy to do. The long arms are going
to draw a letter V, and then we're going to draw
some round shapes there. We're going to do that
for all the long arms. We're done with the star shape. Now, let's move on to
the Christmas tree. Our concept here is we are going to add some
Christmas lights, so I'm going to add the wire. I'm just going to create
these curvy lines, it's as if we are draping the Christmas lights
on the Christmas tree. I'm going to start from the
top going to the bottom, we can see that it gets
wider at the bottom. Now, let's add the lights. I'm just going to put
some small white dots that will look like
the Christmas lights. It's that easy. If you want a little
bling on the head, you can actually use
gold metallic paint, but for this painting
I prefer just using white so that it will
look like it's an icing. Let's just add some
more Christmas night until we reach the bottom. Now, we're done with that. Let's now move on to painting the details on
the gingerbread man. For the gingerbread man I'm
going to put some small dots, we are going to do
his eyes first. If it's easier for you, you can also use
a pencil outline, so that you know where
to draw the details. For his mouth I'm going to
draw a small letter u shape, so that it looks cute and then some wavy
lines on his sleeves. We're going to go
back to that later, we're going to make it thicker. Also for his legs, we're going to add
some wavy lines. Next, is a little cute bowl and then we're going
to add some buttons. I'm going to go back to the
wavy lines and I'm going to just draw one
more set because I want it to be thicker I just waited for the first
layer to dry a little bit. We're going to do that
for this sleeves and also for the legs. This is the finished
product, it's very cute. You can also do your
own design, of course. Let's now move on
to the last cookie. For this one it's going
to be super easy, we just need to draw
some parallel lines. We just want some stripes
on this candy cane. We're not done with the cookies, but we still have one more
detail that we need to add. Let's add border here. I'm going to use a
gold metallic paint and I will use a small brush, this is a size four round brush. Just rotate your paper in such a way that it's easy
for you to draw a line. In my case, I like to
do it little by little, but I know that some people want to paint the line in one stroke. I don't really intend for
this to be super straight, it's okay with me if
it's a little uneven. I'm also going to make
it a little bit thicker, so I'm going to go back and
add a little bit of paint. Now, let's rotate the paper again and I'm going
to do this side. When you reach the cookie, make sure that you
don't paint on top of the cookie layer. You want the illusion that the gold border is
behind the cookie. Now, we have two
more sides to go. We have one more side left. If you don't have a
gold metallic paint, you can also use a
different color. Maybe you can add some red or maybe a green or blue color, something that reminds
you of Christmas. We are now done
with this project, you can see that beautiful
shine on the border. I hope to see your
own version of your gingerbread
cookie paintings. Don't forget to upload
your project in the Project Gallery
section of the class. Let's move on to
the next project, where we will paint a
corner holiday foliage.
11. Corner Holiday Foliage: In this video, we are going to paint a
corner holiday foliage. You can see that there's
a space right there at the bottom where you can write
a greeting or a message. Let's start, so I have here
just a reference as I paint. This is a Christmas ornament that I have used
a few years ago. Now I want to paint
the pine cones, the pine needles, the berries. What we'll do, is
we'll grab our pencil. We're going to draw
a diagonal line. Then we draw two shapes
here, as you can see, that will be the space
for the pine cones. To start, we're going to
grab some burnt umber. Then I'm going to draw
using my brush a branch. You want this to
be a crooked line, so I'm just going to
draw a diagonal line. Now lets grab a more
diluted burnt umber, we're going to paint the first
layer of the pine cones. I'm going to start
right here at the top. Then I will just
lightly tap my brush, and sometimes I'm going to move it in a curved manner
so that it looks like a letter C. Now let's
do one more pine cone, I'm going to grab a
diluted burnt umber. Then what you can do, is you can rotate the paper. I just find it easier this way so that I can paint
at the right angle. You can see that I'm shaking my brush to create these
beautiful strokes. Now we're going to add
some pine needles. I'm going to use this
burnt umber as a guide. I'm just going to
draw some thin lines, and that is where we will
put the pine needles. Now let's add the pine needles, I mix with Hooker's green. Just use the tip of the brush
and make these markings. I usually do it from the
center going outward, but sometimes I
do it vice versa. But something that works
out for me is to do it pretty fast so that I can
get these wispy strokes. We can also add a
little bit of indigo to your paint so that you can
have that deeper green color. Now we're done with that. I'm just going to
grab some Hooker's green and add it
to my burnt umber, you can see that I have a
more earthy green color now. Let's just start painting
some more pine needles. We're now onto the
third pine needle. It will look prettier if some of the strokes are facing in
a different direction. Now, I'm just going
to rinse my brush, and you can see that I will have a lighter green
color in my brush. I also find it easier to do these wispy strokes
if I'm holding the brush towards the
end of the handle, so that it can be looser. Using a pencil, I'm just going to draw
some holly leaves. I just find it easier
to draw the shape first before I put some color. For this leaf, I'm going
to use Hooker's green. I'm just going to
fill in the shape. What you can also do is to paint an outline in this one area
and then rinse your brush, and just spread that
color all around. This will give you
just a different look. You have one area
that's a bit more pigmented and an area
that's lighter in color. The other leaf is too dark. I'm just going to grab my brush and just lift some of the color. Then I'm going to add
it on the other leaf, just to make it look prettier. Now add some berries. I have mixed permanent red with a little bit
of Hooker's green, I just want a maroon color. We add the berries as a filler. Now this, they're not
a little too maroon, so I'm going to grab
more permanent red. Then let's just paint some
more berries over here. If there's too much
paint in your brush, just dab it in the tissue paper, and then continue painting. We are going to spread
out the berries, so I think we can add some more over here in
the upper left. I have a mixture
of sap green here, we're going to paint some cedar. To do that, we're going
to paint one long stem, and then we're going
to attach some arms. Then lets just dab our brush on the paper to create
these tiny leaves. If there's too much
paint in your brush, just dab it in the tissue paper. You can see that I mostly
just using the tape and I'm just stippling
it on the paper. Let's mix Hooker's
green and indigo, we're going to add
some rounded leaves. You can see that this is
slowly coming together. What we need to do, is
really just to keep on adding different
types of leaves. Now I'm just going
to rinse my brush so that I can get a lighter shade. Then we're going to add some more rounded
leaves over here. It's now time to add
some cool tone leaves. I'm going to grab Prussian blue, but make sure that you
add a lot of water. Moving to add some leaves. For this one, you just
want a hint of blue. That's why I'm suggesting to add a lot of water
to your paint. We're also using these
leaves as a filler. The pine cones are already dry, and you can now add
the second layer. We just need a more pigmented
mixture of burnt umber. I'm just going to
lightly tap my brush on top of the first layer, but make sure that you can still see the first layer underneath. You can also try to soften some edges using a clean brush. I'm going to rotate my paper, this will make it easier
to add the second layer. It is looking pretty
good now you can add a second layer
on the pine needles. You can just grab your burnt
umber with Hooker's green, or you can add Hooker's
green and indigo. You just want a darker green
color to add contrast. You can also start
extending some of the leaves so that you can fill in some awkward white spaces. In this area, I'm going to layer this with some pine needles and painting
on top of the blue leaves. Let's now go to adding
the white gouache. I'm using Holbein white gouache. I'm going to add
some white berries on the rounded leaves. If you don't have gouache, you can use acrylic paint. I've also tried
using poster paint. But if you are going
to sell this painting, I wouldn't suggest using
a poster paint because it might fade or crack
after some time. You can also add some white
veins on some of the leaves. You can see that by
adding the white details, it feels more Christmas-y, it does have that winter vibe. I'm going to grab some
more white gouache, and then we're going to add some details on the pine cone. My tip is when you're
adding the white gouache, make sure that it's near a dark color so that you can
really see the white paint. If you want the
berries to stand out, I would suggest
adding a second layer of white gouache just
like what I'm doing here. But when you're doing this, make sure that the first
layer is already dry before you add another
layer of white gouache. Now, we can add some small
black dots on the berries. I'm just using indigo, you can use black paint
or maybe a black pen. I'm looking at this from afar, and I feel like we need to
add a little bit of red on the upper right so I'm going
to add some red berries. We're actually almost done. I'm just going to add
a few more details. I want to add more contrast, so I'm just adding
Hooker's green and indigo. I want a dark green color and then we can
also add some veins on some of the leaves. Here we have the
gold metallic paint. We're just going to add
some small details. I'm going to add
some small dots, most I'm going to
add some leaves, you can also add some berries. This is completely optional. If you don't want gold
on your painting, then you can stop right here, but I just wanted it
to look more festive and wanted to have that extra
blend on the holiday card. We're going to add
some gold dots on the white paper just
outside the foliage. You see the beautiful
sparkle here. I'm just going to tilt this
paper so you can see it. But as I'm looking
at it from afar, it does feel like it's
lacking some contrast. What we're going to do is
we're going to grab sepia. Then let's just
add some shadow on the pine cones just so
that it looks deeper. I'm adding the darker areas underneath the white
gouache that we added. Using burnt umber, we can add some small branches sticking out that will make
it look more realistic. You can also use
this as a filler. We are done. I love how
we layered this foliage. It looks very lush, and it has that winter
Christmas feel. Let's move on to
the next project.
12. Poinsettia Bouquet: [MUSIC] In this video we are going to a
poinsettia bouquet. To start, we need
to draw the petals. I'm going to draw
the center first, just some small circles
and then you're going to draw the five petals. It looks like a star shape here. Now let's try painting. I'm going to grab sap green, and you're going to
paint some small dots in the center and then we're
going to grab permanent red. I do want this poinsettia
to be a fierce red color, but you can also use a permanent rose if
you want a pink shade. You can see that I
have my guide here and that will make it easier
for me to paint the petals. We want the tips of these
petals to be pointy. Let's now move on to
the second petal. You can see that I am painting several strokes to
form this petal. It doesn't need to be
a one stroke petal. If you need to fix the shape, you can fix it now
while it's still wet. It's also okay if the petals will have an irregular shape. So it means that it's
not really perfect, is not so symmetrical
and that's okay. Another tip is to vary
the value so you can change some of the
petals and make it a bit more pigmented, and then some petals will
be lighter in color. Now we're done with
this first layer. What do you going to do is
we're going to wait for it to dry before we add
the second layer. All right, I'm just
touching the paper and making sure that
it's already dry. Then let's grab some paint. This is permanent red. I'm just going to lay
this poinsettia here and add a petal in between
the two first layers. You can see right there that the petal that they
painted is translucent, so you can still see
the first layer petals. Now I will continue
adding the second layer. [MUSIC] While we are waiting
for this to dry, we can add the leaves around it. I'm just using my
pencil to draw a line. This is going to be my guide
for painting the leaves. We're going to add
some pine leaves, and I'm also going
to add a pine cone. Now let's start painting. I have here burnt umber. I'm going to paint
just a very thin line. Then we're going to
paint our pine needles. Using hookers green I'm
going to just paint some thin strokes that they're facing in different directions. I'm going to paint pretty fast so that I can get those
nice expressive strokes. Just to add more contrast, we can mix our green with some
indigo so that we can get a darker color when I add
that onto this pine needle. Now let's move on to
the second pine needle. I'm going to do the
same technique, we're just going to
paint some thin strokes. You can also mix
hookers green with CPR or burnt umber so that
they can get that first, the green color, then adding another dark color. This is just indigo
with hookers green. I just want more contrast. You've seen burnt umber. I'm going to do the first
layer of this pine cone. Just lightly dab your brush so that you can create
these small strokes, please make sure that you have white spaces in
between your strokes. Let's now move one
to a different leaf. You're going to mix
hooker's green and indigo, and you're going to paint
some rounded leaves. You can rotate
your brush so that it's easier to paint this leaf. I added these two leaves
too close to each other, but I'm not great because
once this dries up, I can go on and add
a second layer. I can add some white berries or maybe some good details
to cover up my mistake. Right here, we're going
to add the cedar. This is very easy. Just paint a thin stem and add
some arms attached it. Then just lightly
tap your brush so that you can get those
nice small leaves. You can see that some leaves are also
lighter in color and that's because I rinsed my brush to
get rid of the excess paint. Let's now add some
blue tone leaves. I'm just mixing up Prussian
blue and hookers green. We're just going to paint
some simple leaves. This one looks a
little too green. I'm just going to add a
little bit more of that Prussian blue because I
want some bluish leaves. It's slowly coming together. But right now we need to
add some red berries. I'm just going to add it here, right here on the
upper left portion. After adding these red berries, I felt like it was too red and blue close to the color
of the poinsettia. So we're just going to
add a little bit of Hooker's green to
our permanent red, and you can see that the
color changed right away. I'm going to paint on top of
the barriers that we did. Now we just changed it
from red to maroon. Sometimes as you paint, your initial plans will change, and that's completely fine. Just go with the flow and
just follow your instinct. There's a small gap here. I'm just going to
add a simple filler. With a more pigment
and burnt umber, we're going to add a second
layer to the pine cone because there's still
brown color in my brush, I'm just going to add
some stem sticking out. This will add a rustic
look to your painting. Now we can layer
the pine needles. I have your hookers
green with some indigo, and then I'm going
to paint on top of the first layer keep in mind that the first layer should be dry before you add
the second layer. The poinsettia is already dry. It means that we can now add some more details on the petals. I just have here, red color and we're
going to add the veins. You don't need to add
veins on all the petals. Later on, we're going to add
some gold and white detail. It looks good, but I think I want to add some white details. I'm going to grab
my white brush, and then we're going to paint some thin veins on the petals. [MUSIC] Now we can go back
and fix some areas. I'm going to make this
a little bit thicker. Then now we can add
some white berries. Aside from white berries, we can add some
fillers right here. I'm just stippling the brush on the paper and painting
some small dots, and then you can add some stems. Let's add some five
petal flowers, and you can see that I
am painting on top of the leaves so that you can
see the white gouache. When you're adding the
white gouache details, it will always look better
if the background is dark. I'm looking at this from afar. It looks like we need to add some more leaves in
the bottom layer. I'm going to layer
some blue leaves. You can see that I'm painting
very translucent leaves. Just to balance it out. We're going to add blue leaves
as well on the other side. We're almost done. I'm just going to add some
more finishing touches, just some stems or
branches sticking out, and then you can add some
black dots on the berries. These are very small details, but it makes a huge difference in the overall look
of the painting. Now let's add some snowy
details on this pine cone. I'm going to grab
my white gouache and just lightly dab
it on the pine cone. With a dry brush, you can also add
some white gouache on the pine needles and
on some of the leaves. Try to dab your brush in a tissue paper so that
it's not too wet. When you're doing
these small details, you want the brush to be dry, so that you can get
a dry brush effect. Onto my favorite part, which is adding
the gold details. I'm going to add some veins using this gold metallic paint. Make sure to use a nice
brush with a fine tip. I'm using a size 4 round brush. [MUSIC] Now let's add some gold berries all around this poinsettia. Then you can also add
some gold leaves. We just finished
another project. Congratulations for finishing this beautiful
poinsettia bouquet. Again, I hope that you enjoy
doing this project with me. The gold here really
made a big difference. I think the silver
metallic paint will also look good
on this painting. That's it. Now let's move on to painting the next project. You're going to paint
some Christmas bubbles with a blue background. [MUSIC]
13. Blue Christmas Ornaments: In this video, we are going to paint
blue Christmas bubbles with a blue background. To start a project, we need to tape down our
paper on any surface, and then we are just going
to use plain masking tape. This is just regular
masking tape from the office supply section. I'm going to start
with the background. I'm going to grab
some water and just spread it on the paper evenly. You can do this faster if
you have a flat brush. But since this paper
is quite small, I am just using a round brush. Also, I thought that maybe some of you might not
have a flat brush, so we're just going to use
an ordinary round brush. Make sure that you are
going to spread the water evenly so that you can get a
nice gradient paint later. Let's also try to avoid
puzzles of water on the paper. Now, I'm going to
grab some paint. The color that I'm using
is called cerulean blue. You can also use cobalt blue, you can also use
turquoise, if you want. I just started at
the top and just continue spreading it
from left to right. You can also rinse
your brush and just try to spread the
color more evenly. Then I'm going to
start at the bottom and go towards the middle. What we want here is want just a darker shade on the topmost and the
bottommost of this paper. Now, don't feel any pressure when it comes to doing
this background, we really just want a tinge of blue color in the background. The main star of this painting
are the Christmas bubbles. Towards the middle
of this paper, you can see that I'm not
really adding a lot of color because I want to emphasize
the Christmas bubbles. It looks like this
from a top view, you can see that we have
color on the top and bottom, and then the middle
is almost white. Let's wait for this to dry
before we add some details. When you touch it, it
shouldn't feel cold. When it's still cold, it might still be a little damp, so try to wait for
a few more minutes. To start, we need to draw circles and just using
a regular pencil, try to find any object that has a round shape and just
trace it on the paper. We're going to our
wet on wet technique. It means that we're
going to add water into the shape of this
Christmas bubble. I'm just going to
spread it evenly, and I only want
the circle shape, I'm not going to add water in the cap of this
Christmas bubble. Now, we can add some color. I'm using Prussian blue. I'm just going to spread
it on my palette, then we're going to
drop in this color. You can see that I'm using
a very pigmented mixture, and that's because I'm going to add some gold details later. The gold details
won't show up that well if the background
is light in color, so we want a really
dark and rich color. Just take your
time in filling up this space with
some Prussian blue. As you're adding the color, you can also try to fix the shape of this
Christmas bubble. While the Christmas
bubble is still wet, you can also try to drop in more pigmented Prussian blue on the sides of this
Christmas bubble. Now, let's just wait
for this to dry, and then we can add another Christmas bubble
just right behind this. It's going to be a
little bit smaller. I'm also going to do the
wet on wet technique, so we are going to add water. I'm going to leave
a very small space in between these two
Christmas bubbles, which you will see later on. I'm not going to add
water in that area. Now, let's grab some
turquoise blue. I'm just drop in that color
onto the wet surface, and I'm just going
to also try to fix the shape of this
Christmas bubble. You can see that I'm
leaving a very thin line in between these two
Christmas bubbles, and that's because I
wanted to separate these two Christmas ornaments. Let me just finish filling
in this space with color. When you are done, let's
just wait for this to dry before we
add the details. Just touch the surface to check if the paint
is already dry. If it is, you can add
some gold details. I'm using the gold metallic
paint from Etchr Lab. Try to use a small brush so that it's easy to paint
these small details. We are going to paint some gold leaves on
this Christmas bubble. Try to add the leaves coming
from different directions. Because we painted
a dark blue color, you can see the gold
details very well. When you're adding the details, try to add the details from the edge of the
Christmas bubble, going into the center. Aside from the gold
metallic paint, I think it will also
look good if you use a silver color for
the details. For this space, we are just going
to paint some tiny leaves. Now that we're done
with the design, you're going to add a cap on
top of this Christmas ball. Then you can add a
tiny loop over there. I'm going to also add a cap on the other
Christmas bubble. We are going to do
a different design for the second Christmas bubble. Just as a guide,
I'm going to use my pencil and just
draw a straight line, and then we are
going to paint over that line with some
gold metallic paint. This will look like the string
of the Christmas ornament. I'm using just the
tip of my brush and slowly building this line, instead of doing one big stroke. For the second Christmas bubble, we're going to use a white pen. This is the Uni-Ball
Signo white pen. We're going to do a
simple snowflake design. I'm going to do across first, and then we're
going to just paint some diagonal lines in
between those spaces. After which, we are
just going to draw some circles at the
tip of each stick. Then you can add
some smaller sticks with some rounded tips. I was initially going to do just one design
for this project, but I realized that it's also nice to show
you guys that you can use either gold metallic paint or the white pen
for the details. We're almost done.
We're just going to add some letter V shapes onto the
tips of some of the sticks. You can definitely do
other snowflake designs, and you can even
add some swirls. There are just so many ideas to add to this Christmas bubble. If you're good with calligraphy, you can add a quote inside
this Christmas bubble. I'm just adding some
small dots to fill in the extra space. Before you take off
this masking tape, make sure that your
painting is dry so that it will be flat when you take it
out from this masking tape. When you're peeling
the masking tape, make sure to keep it
as low as you can. You want to peel it at an angle. You can see that I'm trying
to keep it as flat as I can. This is just a
favorite part of mine when you're just peeling
the masking tape, and you see that
clean, beautiful edge. We have one more tape to
go and then we're done. There you have it, this is your Christmas
bubble project. You can also do this in your
favorite color or you can also change the shape of
the Christmas bubble. I hope that you
enjoyed this project, and also hope to see this in the project gallery section of the class once you make it. I'll just showing you
the beautiful shimmer of the gold paint, and you can also
add some splatters of gold paint, if you want. Now, let's move on to the
next project where you will paint this vintage holiday card.
14. Pastel Theme Holiday Card: In this video, we are going to paint a
pastel theme holiday card. This also reminds me of a
vintage theme holiday card. We're going to do the
background first. To do the background, I'm going to mix up
brilliant pink with some burnt sienna
so that I can get that peachy, orange-y color. I've also taped down
my papers so that it won't curl up when they
add the background. For this project, I'm not going to do a wet
on wet technique, I'm going to do a wet on dry. I'm just going to
grab some paint and just add it directly
on dry paper. From time to time, I will dip
my brush in the water jar just to add some
moisture in my brush. We're not going to
be strict about this looking so perfect. It doesn't need to be
a clean background. In fact, I wanted this to
look a little bit rustic. You can see that I'm
not trying to fix the edges of this background, we just want it to look as is. We do want those
nice jagged edges just to add more texture. While this background
is still wet, I'm going to grab some water. I'm going to flick my brush and just add some
splatters of water. You can see those white spots. That is just water. Now let's wait for this to dry before we add some details. Now you can see those beautiful white splatters of water, that's going to add some nice
texture to this painting. I also think that
it looks like it's sparkling or it looks
like there's snow. Let's start with a pine cone. I just have burnt umber in my brush and we're going
to do some brush markings. Then we are going to
add a pine needle, so I'm just going to
paint a thin stem. Let's rinse our brush and
switch to a different color. We're going to use
hooker's green. I'm going to mix this
hooker's green with the burnt umber so that I can get that earthy green color. We're going to use this
for the pine needles. I'm just going to paint
some thin strokes. Try to paint it in different directions so
that it looks more natural. You can also rinse your brush and bid a lighter green color. Let's layer this spine needle. I'm just mixing the
hooker's green and indigo. We are just going
to paint on top of the first layer and you'll see that it's just
giving it more contrast. Let's now move on to
a different leaf. I'm going to mix hooker's
green with some sepia. You can see that nice, dark, earthy green color. Let's paint some
leaves over here. I'm going to try to paint some nice thin leaves
with pointy tips. Then you can also extend
the stem all the way down. I'm also going to add
a stem right here because we're going to add
some white gouache flowers. Now let's add some red berries. I am using permanent red. I'm just going to add a
bunch of red circles. Moving on to a
different leaf, again, we are going to mix hooker's
green and Prussian blue, but I want to add a little
bit more Prussian blue because I want the leaves
to be a bit bluish. This is going to be a nice contrast to
the peach background. I also diluted this in a lot of water because I don't want
this to look too strong. We want it quite translucent. Now, this pine cone
is already dry, let's just grab a more
pigmented burnt umber. I'm just going to add
the second layer. Now if you want more contrast, you can also grab some sepia. You can add another layer. You can see that you
have some darker areas. Slowly coming together. Now let's grab some
white gouache. I'm using the Holbein,
white gouache. I'm going to paint some
five petal flowers just using gouache because we
painted a colored background. You can see this white paint. Maybe we can add just
one more flower right here just to balance it out and another one
on the left side. I feel adding gouache is
such a big game-changer. When it comes to painting
with watercolor, it really gives your
painting more depth. Right here, I just added a few white berries
and also some fillers. You can just put some
small dots and attach some stems to it and it will
look like mini flowers. We can add more contrast
to the pine needle. I'm going to add some indigo
and I'm just going to add a few more strokes just so
it will pop up even more. Then you can also try to extend the spine needle and
make it a bit lose. Now let's grab some
indigo and add some white dots on
the white berries. You can also use black paint. These white flowers are
a bit light for me. I think I want it
to be more opaque, so we're going to
add a second layer. Let's add more white gouache. Make sure that the
first layer is already dry before you
add some more paint. You can see that it now
looks a bit more opaque. We're adding the second
layer because we want this white
flower to stand out. Let's add the center on
the white gouache flowers. I'm just using sap green and I'm just going to put some
small dots in the center. Make sure that your gouache is already dry before
you add this detail. We can add some snowy effect
on the pine cone as well. Now let's add some
more stems here. I'm going to use hooker's
green and burnt umber. Make sure to add a lot of water
in your paint because you want this to be a
light-colored stem. We want this area to look soft, that's why I am using
a light-colored green. Now let's look at
this from afar and add some more details
where it's needed. I'm going to extend this area and just add some more leaves. Now let's peel off the tape and look at this
painting from afar. You can double-check if we
need to add some more details. This already looks good. But as I'm looking at it, I think it will look
better with a tiny ribbon. I'm just going to mix brilliant
pink and burnt umber. I want it to be a darker color. Then let's just add
a small ribbon. I decided to add this
ribbon because I think it looks more like a gift if there is a ribbon on the bouquet. We're doing a holiday card that we are going to
gift to somebody, so I guess it just looks
good with this ribbon. I decided not to use a gold ribbon because I wanted
this painting to be matte. I think it goes well
with the theme of a pastel-colored
background. That's it. Congratulations for
finishing this project. It looks complicated because of the background but I think that you can
do it really well. I'm excited to see your work. Now let's move on to the next project where we'll paint a snowy Christmas tree.
15. Snowy Christmas Tree: In this project, we are going to make a snowy
Christmas tree design. This is a very
beautiful project. It's also very easy to make. We need to start with
the background first. You need to tape down
the sides of your paper. Let's paint just the
background with some water. I'm using my round brush, but you can also
use a flat brush. Try to spread it
as evenly as you can and try to avoid puddles. Let's start with
the first color. I'm going to grab
some Prussian blue. You want this to be
bit more concentrated. I'm just going to add it at the top portion and
we're going to go down and moving just
left and right. As we go down, it
becomes lighter. We also prefer that. We want the middle part to
be a bit lighter in color. At the bottom part
we're going to add a snowy effect and to do that, let's grab permanent
violet, indigo. We have to make sure that
you have a lot of water. We're going to dilute that. I'm just going to
add it right here. You just want a few strokes. You don't need to paint the entire area flat
with that color. I just want some sweeping
strokes like what I'm doing and you just going
to leave it as is. Now, let's move on to
painting the tree. The paper is still damp and I'm going to
grab hooker's green. We're going to start at the top. We're just going to stipple our brush to create
those small leaves. You can see that the
paint is not spreading so much because I've controlled the amount of water in my brush. If your paint is spreading
crazy on the wet paper, what you can do is you can dab your brush and a tissue paper. You just want the
right amount of water. Right now I'm also leaving some spaces in
between my strokes. You can add a bit more
color in some areas. I'm just using the tip of my brush and just
moving left and right. We just want the blurry effect
of this Christmas tree. We're going to add the main
form of this tree later on. This doesn't have to
look perfect at all. Then towards the
bottom you can see that it's a little bit slanted. I'm going to leave it as is
because I want the illusion that it's sitting
on a snowy slope. Let's add some
contouring and we'll add some shadows using
hooker's green and indigo. You want this shadow
below the leaves. My paper is still
damp as I do this, you can see that the paint is feathery or it looks
like it's blurring out. That's because the
paper is still damp. It's still a little bit wet. Maybe I'm going to add
a little bit more on the top just to fix the shape. Then let's grab
some white gouache. I'm going to add
some splatters of white gouache that
will look like snow. My paper's actually still wet. I want some of that splatter to blend in with the background. I'm just going to
continue adding because I want it to look snowy. I'm going to add a lot
of whites splatters after which we are going
to wait for this to dry before we add
some more details. I'm just going to touch the
paper and make sure it's dry. If it's already dry, let's
grab some hooker's green, and let's start
painting the leaves. I'm going to use just the tip of my brush and just lightly touch it and create
those wispy strokes. I'm going to make sure that
there are spaces in between my strokes and
that you can still see the blurry
background underneath. It's important to build
this little by little. You can also try to
rinse your brush and just paint a
lighter green color. You can see towards the
sides of the tree and making the strokes small and
just pointing outward. Now let's grab some more color. This one has more pigment, so it's a darker hooker's green. If some of the strokes are
a little bit too bold, what you can do is you can grab some water and just blur it out. The technique here is to add some sharp edges and mix
it with some soft edges. Also try to wiggle
your brush so that you can get these nice
expressive strokes. It's now time to add
some contouring or some shadows on this
Christmas tree. I'm going to mix hooker's
green and indigo. We're going to add this
underneath the leaves. We're doing this while this
Christmas tree is still wet. Just to make it easier
for you to understand, when you're painting a tree, you want the top part to be
lighter in color and then the bottom will be a bit darker because that's
where the shadow is. Towards the bottom,
I'm just going to grab a clean brush and just
blur that bottom part. You want it to look
soft and you want it to blend in with the snow. Now we're going to add some snowy effect again
on the bottom part. We're going to grab
some permanent violet. Then let's add some indigo
and add a lot of water. Let's paint some
diagonal strokes. We're not going to fill in the entire area with this color. You just want` a few
strokes that will give the impression that
this is a snowy slope. Now let's wait for this piece to dry before we add
the snowy effect. Let's just touch the paper
and check if it's really dry. Then you can grab some
white gouache and I'm going to add some snowy details. The snow will go on
top of the leaves. Just lightly touch your
brush on the paper to create some nice
expressive strokes. Also, we want a thick mixture of gouache because we want the
snow to be really white. When you're doing this project, it's better to really use a100 percent cotton
paper so that your paper will keep its moisture for a
longer period of time. If you're using
student-grade paper, usually the paint dries faster. That's why it's
difficult to do the wet on wet technique on
student-grade paper. Now I'm going to add some snow, I'm going to grab some
white gouache and just tap my brush on a pen
or on another brush. Let's just add some more
splatters on this painting. Now let's wait for this
layer to dry again. I'm going to add
another layer of snow. My gouache dried
up pretty light. I'm going to add another
layer of gouache, we're just going to go on top of the same spots that we did. You can see that there's
a big difference if you add the second layer of gouache. It is really whiter. That's what we are aiming
for in this project. You want a snowy effect. To further give
this more contrast, we're going to add
hooker's green and indigo. I'm going to add some more
shading or contouring. Let's add some shadow. I'm going to add this below the white gouache that we added. This technique will make
the snow pop up even more. Let's just do that
all around this tree. In some parts I'm
just going to extend the sides of the Christmas tree. I'm going to dab a few leaves. This entire painting is already dry and now let's grab our gold
metallic paint. I'm going to add some
Christmas ornaments. I think I'm just going to add some round Christmas balls and it will look really
good on this painting. If you have other colors
of metallic paint you can also add that on this Christmas tree so that
it looks more festive. Now for the top part, of course, we're
going to add a star. I'm just going to
draw the outline first and then we're going
to fill in this star. It's now time to peel off this masking tape and it's going to reveal a
very nice clean edge. Again, when you're
peeling this tape, you have to peel it at an angle. I usually peel it close
to the surface so that I won't accidentally
ruin the paper. There you go. That's your
snowy Christmas tree. I hope that you enjoyed
painting this project. If you're able to do this, please do upload it in the project gallery section of this class so I
can see your work. Now let's move on to the next project where we will
paint a hot chocolate mug. It's going to be a fun project, so don't miss it out.
16. Hot Choco: Painting the Base: In this project, we're going to paint
the hot chocolate mug with some marshmallow on top. This project will be
split into two videos. For the first part, we
are going to start by painting the base
of this project. This is a yummy
hot chocolate mug. To start, we are going
to draw the mug first. I am going to just draw
the oval shape at the top and then I'm going to add some straight lines
on the sides. Then now we're adding the
bottom part of the mug. This is a very
straightforward mug. I decided to choose
something simple and something that is
doable for beginners. Then now let's add the
handle of the mug. If you're thinking of
a different shape, feel free to use that instead of following the shape of
the mug that I'm doing. Just as a guide, we can also try to draw some marshmallows. You can draw some
round shapes or maybe some rectangular shapes
with rounded corners. It's not exactly going
to be the final design, but at least we have
a guide in mind. I'm going to pile up more marshmallows at the
top so I want this to be overflowing with marshmallows so that it looks yummier. Just to add a little bit
more design to this mug, I'm going to add a candy cane. You can see right here that we have the dripping chocolate. I'm also going to
draw that so that we have an idea of where
it will be later on. I'm only going to do two hot chocolate
drippings on the side, you can add some
more if you want. For this project, I'm
not too conscious about the pencil
outlines because we are going to cover
that up with our paints so this painting is
a little bit more opaque than my usual style. Let's type start painting. We are going to do a
wet-on-wet technique. I'm going to spread
some clean water on the body of this mug, but I'm not going to add water on the chocolate drippings. You can see I'm just adding
water all around it, but I want to keep
that pretty dry. We'll also add some water
on the handle of this mug. Now let's add some color, I'm going to be using
permanent red and we want just some more
pigmented mixture. Let's rub that in on
this wet surface. You can see that the paint is spreading and it's feathering. Just to make it easier, I'm going to do the outline around this chocolate dripping. I'm going to make sure
that this area is white. Normally, I would use a masking fluid so I
can protect this part. But I realized that
not everyone has a masking fluid so we're
just going to find ways to make this work and
I also want this to be painted in a simple approach. We're almost done with the base, now I'm going to head
out onto the handle. As I'm adding this base, I'm also trying to fix
the sides of this mug. While this mug is still wet, it's the perfect time to fix the shape if you need to
add or extend some areas. Now we're going to
add some shadows. I am just going to mix permanent
red and Hooker's green. We are going to add that onto the sides and at the
bottom of this mug. We are going to add the shadows while this base is
still wet so we want this to blend in with
the permanent red color. Then you're also going
to add some shadow on the inner part of the handle. Now I'm going to add a little bit of shadow near the
chocolate drippings. I'm just going to fix this area, I'm going to grab some
more permanent red and just paint over this area. We're not going to be so
strict about this base because the main focus of this painting will be the
hot chocolate on top. It is looking really good
so now let's just wait for it to dry up before we
add some more details. We're going to add
some shadows on the marshmallow so I need to mix ultramarine blue and burnt umber to create
a neutral color. Just make sure to
add a lot of water onto your mixture and
just going to swatch it. You can see it's a
nice gray color. Now we are just going
to add a little bit of color on some of
the marshmallows. We want some of the
marshmallows to be just plain without color. Just keep on adding some color and then
you can also try to blur some of your strokes
so that it will look soft. It might not make any sense
right now but later on, you'll see that there's
a big difference if you add a bit of a shadow
on the marshmallows. You'll notice in this example that the marshmallows
actually has a little bit of color from the
bluish tint that we added. Just make sure that some of
the marshmallows are still white or without
any paint on it. Now let's paint
the chocolate rim, I'm going to use burnt umber. We are going to paint
the rim with this color. Just make sure that
the red mug is already dry when you're
adding this layer. Let's follow the outline first. Just going to add this ring, but we're not going to go
all the way to the back. Now we're going
to add some color on the chocolate drippings. I'm just going to
follow the shape. We're going to do the
same on the second one, just follow the outline first. Now let's rinse our brush and
dab it on the tissue paper. Now we can try to
blur this area. I'm just pulling in the
color from the outline. Now we're almost
done with this part. I'm going to rinse my
brush and I'm going to dab the excess moisture
on the tissue paper. We are going to blur one side of this rim so I want
to soften this area. This will look like the marshmallows are floating
on the hot chocolate drink. Try to wiggle your brush so that you can
blend out this area. I'm going to rinse my brush
and dab the excess moisture. I'm going to try
to fix some areas. While the rim is still
a little bit damp, I'm going to grab a
more pigmented mixture of burnt umber. I'm just going to drop it in so I can get a nice contrast. With a clean brush, I'm
also trying to blur out some areas again and just
try to soften that edge. If you want even more
contrast you can grab sepia, just add it on the
outline of this rim. This area looks a little bit
too sharp so I'm just going to go ahead and blend out
that area with a clean brush. We do need to do a
lot of blending in this project just
to make sure that it will look a little
bit more realistic. With burnt umber in my brush, I'm just going to separate
all the marshmallows. I'm making these tiny
strokes that look like a letter Y or sometimes a letter V. I'm
going to rinse my brush, dab the excess moisture and just blend out those
small strokes. This is an important
step when it comes to separating
the marshmallows. We don't want the
marshmallows to look like one big blob of paint. You can see I'm also
adding a little bit of brown on some of
the marshmallows, just to give the
illusion that part of it was dipped in the
hot chocolate drink. Now let's move on
to the next video where we will be adding more details on this
hot chocolate mug.
17. Hot Choco: Adding More Details: Welcome to part two
of this project. We're going to add more details. Right here, you can
see our marshmallow. Well, we want it to
be more defined. I'm going to grab
some burnt umber, and I'm going to add some more paint in
between the marshmallows. Then you're going
to rinse our brush and dab the excess moisture. Next, we can try to fade away
the strokes that we did. Then you can also add
some more marshmallows at the top because I want this to be overflowing
with marshmallow. I'm using the ultramarine
blue and burnt umber mixture, the green mixture that
we mixed earlier on. That's what I'm going to use
to add those marshmallows. Just make sure to add a lot
of water in the mixture. You don't want it
to look too gray. Just want a hint of color. Then we're going to fade away the strokes so that
it looks soft. Now let's add some
more browns in the crevices or in the cracks
that you can see here. What we're doing is we're separating the marshmallow
from each other. We can try to fade away this
area to make it look softer. I just have a clean brush and
just going to soften this. You don't want a lot of
water in your brush. Make sure to dab your
brush in a tissue paper. We can try to wiggle our brush
just to soften this area. This looks good. Now let's
move on to the candy cane. Now we need a very light
mixture of permanent red. I'm going to do the outline
of this candy cane. Just want a hint of red. This looks good. Now, we are going to add the stripes. For the stripes, we
want a darker mixture. We want it to be more pigmented. You can see it as I am
adding the stripes. It is flowing
through the outline, and that's because the outline is still a little bit wet, but it's okay with me. If you don't want
this to happen, then you have to wait for the
outline to dry before you add the stripes inside
this candy cane. The outline dried
up pretty light. I'm going to add a
little bit more color. I'm going to do another outline with my permanent red color. After this, we're going to
go back to the marshmallows. I have here my gray mixture. It's ultramarine
and burnt umber. Let's add some color to
some of the marshmallows. I'm going to add a
little bit of shadow. I guess we'll stop right there. We don't want all the
marshmallows to look so gray. Now we are going to separate the handle of the mug
from the body of the mug. You can see it right here. To do that, we need to mix permanent red and
Hooker's green. I'm just going to paint
a line over here. Then after we paint that line, I'm going to rinse my brush, and I'm going to dab the excess
moisture in tissue paper. Then we're going to fade it
just to make it look softer. Now, this is optional, but you can also add a
little bit more shadow at the bottom of this mug. You can just paint
a line like this, and then we are going to fade
it away with a clean brush. I'm going to add
some more definition on the chocolate grim. With a burnt umber, I'm going to do an
outline just to make sure that the mixture
is very pigmented. I'm also going to add some outline on the
chocolate dripping. Now let's rinse our brush and dab the excess moisture
in the tissue paper. You can now start
to blur this area. Just wiggle your brush and
just try to spread that color. Now I'm going to
add some shadow at the bottom part of
this marshmallow. We're going to use
Hooker's green. I'm just going to
make a few strokes in between the marshmallows. You can see that
it's very pigmented. Then we're just going to rinse our brush and dab
the excess moisture. I'm going to feed it
away and just let it blend in with the background. You can see that the marshmallow suddenly popped up because
we added that shadow. After we blend everything, let's just wait for
this painting to dry. Now try to touch your
painting if it's already dry. If it's a little dump then it's still too wet to work on it, so wait for a little bit more. Then we're going to
add some details. I am using white goulash. I'm adding some small dots that will look like
powdered sugar. If you have an old toothbrush, you can use that to add some of the white dots so that
it will be really small. I made a mistake of
adding a big white dot, so I'm going to just pick a
tissue paper and just dab it. I'm just going to
lift the color. Let's just go ahead and
add some more dots, and I'm also adding some
lines that will look like highlights or a reflection. You can also add some highlights on the hand of the
mug or on the sides. Another idea would be to add some designs
on the mug itself. I was able to do this version with some snowflake
designs on the mug. It's right here. I'm adding some white details on
the candy cane as well. Now let's mix ultramarine
blue and burnt umber. We want a gray mixture. Then let's add a lot of water. We're going to use
this as a shadow for the bottom part of this mug. I'm going to add
it on the surface and just spread this color. Now, this is optional. Some of you might want just a clean white
background, and that's okay. After this, we're going
to add some splatters. I'm using just burnt umber. I'm just going to add
some brown splatters that will look
like cocoa powder. The gray area below
the mug is still wet. Once you add those splatters, it will look blurry because
the paper is still wet. You can add more
splatters if you want more cocoa powder on
the hot chocolate mug. Well, if you're having a hard
time with the splatters, you can also use your
brush and just stipple some small dots using
the tip of the brush. After the splatters,
I'm going to go in and just separate the
marshmallows once again. We're going to add
some more burnt umber in between them and
then we're going to just blur it away
and make it softer. In this project, we are
really layering a lot and just adding more
and more details to make it just more realistic. Now, if you want to add
some more white dots, you can do that as well. After this, I'm going to grab my brush and add
some more splatters. I think I want more
splatters outside the mug. You can use a tissue
paper to cover some parts that you
don't want splatters on. With my gray mixture, I can also add more shadow at the
bottom part of this mug. Just make sure that you start
with a very light color, then you can try to spread it. Now, we're done with this
yummy hot chocolate drink. It took us a little
bit longer to paint, but I'm pretty sure that you're very proud of your own work. I am excited to see
your uploaded project. This is the last
project for the class. Thank you so much for trying
out all the projects. Let's now move on
to the next video, where I will share with
you my final thoughts.
18. Final Thoughts: We are now at the
end of the class. Thank you so much for
taking this class. I hope that you learn
different techniques from the projects and that you can
apply it to your own work. I am so excited to see
your holiday cards. To start making your project, you can choose any card
that you want to try. Then you can upload that in the project gallery section of the class so that I
can see your work. If you upload it on Instagram, make sure to use this hashtag so that I can see
your work as well. That's it. Merry Christmas
to you and your family. l will see you in my next class. Bye.
19. Bonus Video: [MUSIC] Congratulations
for finishing all of the projects
and now we are going to do a bonus video. In this video, we
are going to do this beautiful winter floral
card. Let's get started. First let's draw two circles and that will be the main
flowers for this card. Then after that, we're
just going to add the foliage and all
the other elements to complete this look. Now let's start with
the first flower, we're going to do a muted rose. I'm just mixing here yellow
ocher and sepia to get that muted yellow color.
Let's paint the center. First I'm going to start with the letter C stroke and then all around it we're going
to paint some thin strokes. These strokes are just hugging the center and make sure that you have spaces in
between your strokes. Now I just rinse my
brush and then you're going to widen some
of the petals. You can see that I'm really pressing my brush on the paper, so that it will
fan out and create this nice C-shaped stroke. Now for the outermost petals, I'm going to add a shadow and I'm just diluting
some indigo. Then you can see that the
color is very translucent. It just has that tinge of color, it's not too dark. Just be careful and make
sure that you really add a lot of water in your mixture. We're done with
the first flower, now let's move on
to the second one. This is just diluted indigo. I'm just going to plot in some dots and then we are
going to paint some petals. You can see that I'm swinging my brush in different
directions. You can come from
the center going outward and vice versa. We are just going
to do three petals, just to give that illusion that it's hiding behind this rose. I also find it easier
to do these types of rose petals if the
brush is really wet. We can load this
with a lot of water. I'm also using a
size 4 round brush because I'm painting on a
smaller piece of paper. We are done with
the three petals. Now let's grab some
indigo and you want a very pigmented color. We don't really want a
brush that's too wet, that's why I'm dabbing my
brush in the tissue paper. We want to control the way the paint spreads
on the wet surface, that's why we need the brush
to be a little bit dry. We're done with
the main flowers, now let's grab some
burnt umber and we are going to paint a pine cone. This is going to be
the first layer. Let's wait for the
pine cone to dry. In the meantime, let's
get greenish yellow. We're going to use this
color to add some fillers. I'm going to paint
some small buds. When you're done with the buds, let's grab some Hooker's green. We're just going to add
some stems so that we can attach it to
the main bouquet. Now we are going to add some pine needles
and to do that, I'm going to add just some
thin lines that will be my guide so that I know where I'm going to
place the pine needles. Just use any brown
color that you have. Let's start painting the leaves. I'm just going to mix
Hooker's green and indigo to get a dark green color. Then let's start painting
the thin leaves. Just use the tip of the
brush to create the strokes. Just make sure that you paint these strokes facing in
different directions. You can also rinse your brush, so that you can get a
lighter green color. While some of the
leaves are still wet, sometimes I would
add a darker color. I'm going to grab some indigo
and just drop that in. It will give a more
dramatic effect. Now let's move on to
the other pine needle. I'm just going to do the same as what we did in the
first pine needle. [MUSIC] Now let's mix up a gray color. I'm going to mix ultramarine
blue and burnt umber. You can just adjust the
ratio if you want it to be more on the blue side or
more on the brown side. You're going to paint a filler. I'm just going to start with the stem and then
we're going to tap our brush to create
those small leaves. Because ultramarine blue
is a granulating color, you'll be able to see some granulating effect
when it dries up. I think that it's a
really beautiful color. People usually don't add some
gray color in a bouquet, but I think it's a nice
touch for a winter floral, so that you have
that cool effect. This is a nice fuzzy
filler and you can actually even add some
berries using this color. Now let's add some
rounded leaves. I'm just going to mix up
Hooker's green and indigo, and then you can add a
little bit more water to dilute it. We can add some
rounded leaves over here and maybe a
couple more over here. We're going to try and add
some white berries later on. Let's add some more fillers. Lets just grab some sap
green and add some stems, and then let's add
some small leaves. I'm just going to
stipple my brush so that we can get those
nice small leaves. We can add a little bit
of color to this bouquet. Let's add some red berries. I'm using permanent red. If you don't want to use red, perhaps you can
use Prussian blue if you want it to be
a blue theme bouquet. The rounded leaves
are already dry, I guess you can try to layer
some leaves on top of it. Then I'll add some eucalyptus. You can mix Hooker's
green and some indigo. Just add a stem and
some oval shapes. We're just making
sure that we have a variety of foliage so
that it will look nicer. Let's rotate our paper
and add some leaves. I'm just using Hooker's
green and Prussian blue. Again, if you don't
want this combination, feel free to use any blue
color in your palette. It's all coming together. It looks nice and lush. I guess it's time to
add some more details, just make sure that the
first layer is already dry. Let's head on to the first rose. I'm going to grab some
yellow ocher and sepia. Let's just mix a darker color. Now let's add the second layer. I'm going to paint the
comma stroke in the middle and make some thin
strokes all around it. But I'm also making
sure that you can still see the first layer. I'm leaving some
spaces in between my strokes and then I'm just fading away
the outer strokes. Let's add a couple
more strokes that will give the illusion
that these are petals. You'll notice that as we go to the outer part of this rose, the color becomes lighter. Now let's add a detail in
the center of this flower. Just use a dark
pigmented indigo color. Then just tap your brush so that you can get these tiny strokes. Now we are going to grab some burnt umber and add a
second layer to the pine cone. You'll see that it really makes a difference when
you add more details. The first layer is usually just very loose and then
when it dries, you can add a second layer
just to give more contrast. [MUSIC] The pine needles need
a little bit more depth. Let's grab some Hooker's
green with indigo and add some thin strokes on
top of the first layer. Right now you can see that it has more depth and more detail, and it also has more contrast. When you're painting a bouquet, it's nice to mix loose
for us with something that's more detailed or
just more pigmented. Now I'm going to add some
small dots on berries. You can use a black
color or indigo, or you can even use a black pen. It's now time to add
some gouache details. I'm using this whole
bean white gouache, so make sure that you
have a thick mixture. I'm going to add some
white berries and it will look nicer if the
background is darker in color. If you want, you can paint some darker leaves and that's
where you're going to add the gouache details so that the gouache will
pop up even more. Here in my palette, I have a gray mixture. This is the burnt umber and ultramarine blue mixture
that we used earlier. I'm going to add
some gray berries. This is going to give a soft
effect on this bouquet. It's just a subtle color. I usually like adding these
small details because it makes a big difference in the overall look of the bouquet. [MUSIC] This muted yellow flower needs a little bit
more contrast. It dried up pretty light. What we're going to do is
we're going to add some sepia. This is a nice dark brown color. I'm just going to add it
in the center and just add some small thin
strokes all around it. Now let's rinse our
brush and you're going to fade away
some of the strokes, so that it doesn't look
too harsh or too sharp. We want the center to be sharp, but we want the outer
area to be quite soft. That's why we are
trying to blur some of the strokes that we did. We're almost done. When everything is already dry, we're going to add
some snowy effect. I'm going to add some white
gouache on the pine cone. Maybe you can add
a little bit of snowy effect on
the pine needles. I'm just going to
dab my brush in the tissue paper because I
want the dry brush effect. It means that I don't want a lot of moisture in my brush, I want it to be dry. We are done. Congratulations for finishing another project. I hope that you enjoyed
this bonus video and I look forward
to seeing your work. Happy holidays to
you and your family. I hope to see you
in my next class. Bye. [MUSIC]