VFX Sci Fi MasterClass In Adobe After effects Cc 2024 | Khalil Sediqi | Skillshare
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VFX Sci Fi MasterClass In Adobe After effects Cc 2024

teacher avatar Khalil Sediqi, Yes I'm a Digital Arts Instructor

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Course Introduction

      2:15

    • 2.

      Iron Man VFX Scene

      11:34

    • 3.

      Scifi Screen Touch and Control

      12:50

    • 4.

      Mobile Hologram Sci Fi VFX

      23:01

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About This Class

Do you really want to learn the After Effects program in the field of special effects like Iron Man movie?

Your instructor has almost ten years of experience in this field of producing and teaching After Effects. That is, he knows better how to teach this program in different departments. I am confident that you will learn the best techniques from this package.

So you have come across a great product that includes full training with all the materials used in this package.

This package includes the following items.

  • FHD Tutorials

  • HUD Presets

  • Practice Footages

  • Sci Fi Sound Fx

    I hope you will like it so that you can have positive impressions from this pure package.

    With a reasonable price, you can produce your favorite special effects with a simple click.

    Hoping for more success for you

Meet Your Teacher

Teacher Profile Image

Khalil Sediqi

Yes I'm a Digital Arts Instructor

Teacher

Khalil is a graphic designer and an Adobe certified instructor. He is the founder of a media production company. He has more than 13 years of experience in teaching graphics and working in productions and television channels. And has taught as a lecturer through Google Zoom Life. More than 10,000 students from more than 100 countries are studying in his various courses.

He has worked as a Graphics designer, 3D Animator, Av. Editor, for companies such as Tolo Tv, BBC Farsi, Pixel Production, Dreamworld Media Group, and Teaching in Kabul University Fine Arts etc.

Thanks before:

See full profile

Level: Beginner

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Transcripts

1. Course Introduction: Hello, guys, I'm alicia more within ten years experience in motion graphic design. So in this course, I want to show you how to create Sipi projects. Like what, how to create a Sipi screen in life action footage. Okay. So how to create a Sipi screen from your mobile? You gave me mobile. Start. So, let's go to Third part. In third part, how to create Iron Man's side by view fats. Like create the screen. Let's go to to right side and move to left side and center of the camera. So guys. Thanks for watching. I will be to have you in d. Have a good time. Good luck, all of you. 2. Iron Man VFX Scene: Create the screen. Let's go to movie to right side, and movie to left side and center of the camera. Hey, what's so Hi here for After Effects course? So guys, today, I want to show you how to create Iron Man V effects seen by using HUD sci fi effects on your life action footage. Let's start. So this is my sample video. I know I need to make more scale up the size by selecting the footage press S. Skill up the sys, set the face center of the screen. Just I need the face. Good. Okay. Before continue my color correction to make dark, I need to track my eyes. Take a look, I need to track my eyes. I have a two a. Right select. The first one as, select the video and go to work a space, select the Mution tracking. I now select track Motion. So, let's see. There is the track point, select, move up and sit there. So now I need to try my eyes like this. Set the track point and start start not bad start, not bad start. Take a look. The tracking sometimes going to miss. But I don't need to fill here. Track track track. Good. Okay. And now, track forward and backward. Finish. So if we need to solve this problem because the tracking is after 1 second. So after 2 seconds, the track point is goes wrong. So select the null object and press page down, move like this, Okay, Dm take a little bit times to control my track point by moving frame by frame. So finish. And now play Good. Create a new null object, and go to tracker at the targets like null one. Okay. Then click apply x and y. Okay. So my tracking is finished. And now time to make darker, change your worker space to effects and click on effects and press its R here, curves. Double click, make a little bit darker. And then right tint. Double click M little bit. Grey skill, like this. Okay. And now, right here, sinew converter, double click, change to log to L and make darker I see. Make a little bit brighter the face. Okay, guys. And now I need to use black solid. By pressing cond pass y on keyboard, right here, face mask. Enter, turn off your solid and select the pain tool. And now I need to make mask this place. Control your mask, like this, control, and control like this. Ok, guys, so. And now time to invert select your mask, press M. Change to subtract, press M M, M Sater like this, Mater, and change mask expansion. Okay. Everything is looking good. And now, go back to project. Double click. So select HUD, HUD mean head up display. So expand, select the final HUD, top of the layers like this. And then select right click, transform fit to come. Okay, guys, and now I need to move anchor point of decomposition to center of the target. But how to do this. First, press S scale up the size and select the anchor point, move chor point to center right there and press V to move up here, and then select press F four para ping final HUD con to null object. So now, I need to render. Press space and wait for the final result. Okay, let's see the final result. Play out. Not bad. But I need to change position key frames of these two different colors of the green and the red. Take a look. When I see to right side, the green must become faster. And when I see or when I look to left side, this red screen must become faster. How to do this. Take a look. I need to sit there and double click So let's find pres you. Let's turn off. Let's play now. Yeah. Move there and go back your final cot. Take a look. Play. When I see to right side, C. Now when I see to left side there. I need to animate. Let's read design. Go back to final HUD, and let's see, first, second, let's press U and select all key frames and sit here. So I need to move up press A for anchor point. Move up there, move up there. And now, play again. Yeah, Let's go back to your final footage, and let's play a game first. And there is this Second. Go back to final HUD, press U. Sit there and press A for anchor point, move a little bit down there, go back to final footage, and let's move more near. Good. So let's play. Not bad. Okay, guys, I need to make more scale of the size. Perfect. Let's play a game. Let's see the final result. Take a look to my eyes, looking to right side, for the green screen, and looking to left side, for the screen design, and looking to the melons, everything is going normal. So if you need to make more brighter for the face, go back to face mask, first controlled expansion, make more brighter, and then select the mask. Make a little bit more darker and darker, like this, make more darker, like this. Take a look, make Control the fer. Control the feeder and control the expansion. Make a little bit more fer. Make expansion like this. So select your footage, go back to effect, control the tint. A. So let's p again. Select again, the most pat select one point, move it down. Lets plan out. Ok guys, thank you for watching. This was about how to create Ironman seen in Adobe After effects. Thanks for watching. 3. Scifi Screen Touch and Control: And then the Okay. Hey, what this is city here for after effect sores, and welcome to the second project of c5b effect C. Let's start. So this is a simple footage with live action. Take a look. I want to create a screen like this. Then after this, I want to touch to the screen, and I want to change to next shot next. First, I need to create solid and right here. Screen, change the color to blue, and then press T, change past down like this. Turn off your video is audio and select your solid, go to effects and press its right here corner pin. Drop corner pen to your solid. Then Move your solid corners to your fingers like this. Move this one up there and a. Now, press page down for moving frame by frame. Stop watch all corner pants like this. Now press page down. So Let's create a ruler, press Control ts and create guideline, set one guideline there, set and create another guideline. Set here and move this guideline right there. Not bad. Let's move here. Move this point down and set this guideline right there and move here. Okay. Let's play now. Not bad. I'm going to start from here. So hold old key bra and play. Good. O guys. I need to make more expand the screen. After create, take a look. Stopwatch and make re scale down the sides, move corner to center right there and expand like this. Plan now. Good. Now, when I want to touch there, where, there. So you can use by expand the folder and find your favorite. Sifi elements, motion design. Like let's see the line. Let's see the targets, the circles. So this one. Double click. There's the targets. And you can find screens from here. You must find screens. We have a lot of screens presets. Let's see. Whereas the screens. There is the screens. We have a lot of screens. So let me close all of them. Let me use this one. Close another compositions. So there's the circles. You can use circles like this, and there is the bar and close closets. Let's select this type of screen. Lot there. Then let's select this one. Drop here. Press for move to press fur to load mode change to add and move to up here. Let's laying play out. Start from here. Good. Now I need to change my screen. Take a look, I need to change. Let's load another one. There I have another one. Let's select another screen and press effort to turn on the mode and make a let's move there and now pull shift select both composition, press P for the position, stopwatch and select both. Let's bring there. Now M log take a look, M log. I mean, set a key frame and then move again the screen like this. Not bad. Guys, Let's play now from the start press space and play now let's check. One touch move. So select these two key frames, make sit here and again. M backward, Bard. So play now. Good. So let's see the final Okay, guys, if you need to add Dred, you can find there. Go to your press, find there Dra. Were is the dra. There is the grades, and select the first one. Double click and wait for the sample of the grade background and make lay, let's see. Is there any animation or not? Yeah. There's a sample type of animation. Now, let's go back to final Cm, right click here, make precompose mobile attributes, write composition name screen. Okay. Now, double click into screen. There we have grade and select the grade drop there. Now go back to your final Cm. Let's see, select screen press t for the past. Back to final call, press space. You can see grate air. If you need to make animate for the grade, let's go back to the screen, make this in pacity to 50 or 45% and select the grade press turn of and then make hundreds. Let's change the color. Select control shaft plus y. Change the color to make darker, go back to final com. Let's say the other elements. Not bad. L et's change the color. Control shift plus y. Change to white color. Okay, let's see. To b. Control, change the color blue. Let's see the point. Screen, make pass percentage to 30, and let's play the final result, press space and wait for in drink. Okay, thank you for watching. This was about second tricks of touch screen. And let's go to next part. 4. Mobile Hologram Sci Fi VFX: Start. Hey, what's this is scalci that here for after effect course, and welcome to third project of Scipigra, effect. Let's start first. There is the shot. I want to create a hologram touch screen from mobile. First, you must track your mobile. Sl the footage, you go to animation, go to track in Boris effect, MoCA, and click on MoCA logo. Click on Continue and wait for starting MoCA, then register letter and start. Beside I need to track my Mobile, o all middle mouse button, remove track this place of footage. First, track backward and stop, and then track forward forward. Clicking on while you create lights white screen, and then I want to touch to the screen right there, and now I want to change screen like this. Change screen. So next, let's see what's happened. Once again, I change screen. I think let's turn off your hologram. Mobile turn, click on mobile and move your mobile down. Finish. Now, click on Stop. Let's go to File Save project and close wait right click, create new object. Select your composition, go to MT and tracking data. Click on export options, select transform, apply to null object one, and click on create track data, select layer one, and apply. Play now act, Your null object is linked with the tracking data of mobile. How to create a screen and holograph. First slicker footage, go to effects and press. Right here. Double click make darker, and change the green screen. So right here, tint double click. Make 20% saturation, and right click create solid black, solid right hair, footage mask. Enter and go to two selected lips. Double sub press M, make father. Make fed. Okay. Now, right create another new solid. Light enter go to effects dio pilots, select Optical flares. And go to option, clear, A. Go to lens objects, create one glow, make glow sides little bit smaller and create shamer. Let's change sham sides. Let's see, there's about stretch, rotation, and spec ratio. Let's move down about the crop out to crop. Let's see the completion, crop like this. Click. And go to mode, change to add. Move the light right there and go to rotation rotate. Rotate. Now, right here one e t, so link the light with null object. Source type, lights, and parent link to null object, null object and change the colors to blue si fi color. Click and press T. You can control the brightness here and you can control the brightness here too. Take a look. When you need to turn on the hologram, when you click here, So watch start, There is the lights turn off. Take a look. The light is on. Cilic lights press S. First, move anchor point right there and press S to scale up the size light this. Again, click. Go back to Option and let's control the chimer W details, need more details. Need more Schimer, and go back to completing completion. Make more c. Click Okay. Now looks perfect. Okay guys, have time to create screen. First press control plus c, right here, final con er and then create a new composition. Screen, enter. Now time to use motion design elements. Got a project. There we have HUD. It's a display presets. There's a lot of presets. Take a look, go to final C, expand this folder, select one of them and let's go to second folder, select and go to another third folder. About first, double click and see. There's a sample motion design. Go to screen, create a new solid by pressing Control plus y and then click to color, change, cool, click and make frame and go to shape into toolbox. Double click here and change to sutra. Press, make at bit frame. Next, create another new solid and right here. Click and let's see, use great design from here. Right there. I want to create redesign. Change color to white and no problem and make more expanded. Change the size 2.5 good. Now let's go to M where is the screen composition, there is the screen composition. Drop there, the screen composition, press S, scale down the sides like this and set here. Move the anchor point right there, and then link parent link to no object, select screen and write optics. Compensation. Double click, make more curve design. Press S for scale up the size. Press A, change and cor pint, move a little bit more down, press S, scale down the size. Not bad and make little bit make a little bit not too much. And the next select light, select line, go to option, and go to select Shi and go to completion. Good. Let's eimate the screen with the light. Take a look, select Stopwatch scale and change scale to zero. So watch change to zero. Now, when the light is on, you can turn on the screen and you can scale to five. L. There is. 75. Now you need to create the touch elements design. Take a look. When I want to touch right there. Go to your screen, close decomposition, and go to press, find the circle bst. Lay now. Not bad. Go back to screen and sit here. L et's move to the right there and press S. Let's say, screen Swatch. Make a scale lag in touch. There is the first element. If you need to make different color for this element, select. We go to window or space, make a reset bax. We go to e fax and press, white. Fell and double click, make another different color, click on red, another different color. Press T, change the past, little bit down and make a brighter. A little bit more brighter. Now play. After touching on a screen, I need to create another element design. Let's see what's this play now. Et's use this one too. What is this? Double click? Let's use this one on screen. Move it down, and select fill color apply there. So what was an other compositions Go back to project, and let's say this one? L et's use this one. Drop here, and move right there. So control plus V paste something. I double click. Let's this type of design. Move right there. Otro V paste. Now press t, I need to copy this scale copy pace here. P scale p here, p scale. Let's go back to final comp and now let's play, and let's see. Take a look there, you have a lot of D motion design elements. Now you need to change the screen in one touch like this. Let's go back to screen. Let's see, and now you need to change. The way screen, you can change all of them in one edge. So I want to use this design. Go back to the screen, drop here and go to the color copy and paste, scale size, and move this design right there. So select all of them. Press, press P, select all of them and stop watch and move whole ship. Sit here. Go back to your final column and see or check. So let's see t for the past, and everything is good. Okay, guys, Now I need to turn off my mobile. Click. Whole shaft slick board layers, press for the key frames. Stop watch all of them. Click. The first one brightness, and the second apat and a scale of the screen. Let's see. Let the f change zero, o, o. Let's play. Let's render from start to end. Okay, guys, let's see the final result. Touch, changing screen. But second time is your homework create. Thanks for watching. Have a good. Good luck, all of you.