Ultimate Drawing and Painting with Procreate on iPad

1. Ultimate Drawing and Painting with Procreate on iPad: Welcome to the ultimate drawing and painting with procreate on an iPad. Do you want to own a new skill that you can have fun with, but also develop a source of income from the skills and tools you will learn from this course. Then develop your digital art to a whole new level to become fast and competent whilst drawing everything you need to create awesome artwork is included in this course. You will learn how to sketch and draw, paint and color and create letters and more. Learning whilst drawing is Yossi gain the techniques and tips. Boss drawing complete artworks, matter your age or your skill level. To grab your pencil and iPad to draw beautiful artworks and learn the Procreate basics. How to draw landscapes, how to draw characters, combining different artworks and drawing in your own style and animating your work. This is the course you need. Procreate is a very powerful and intuitive application. One of the most creative apps out there, creating awesome digital paintings to moving illustrations and even characters. You'll love what procreate and discourse can teach you. Also, if you need more absolute beginner guidance and practice, your instructor will help you to get access to other lessons. So don't forget to message your teacher, ask your questions and send your artwork. So what are you waiting for? Come and join us. I will take your creative skills to the next level. 2. Completing a Picture: Butterfly with Plant: Hello friends, and welcome to this new lesson. I hope you're all well. In this lesson, we're going to learn to add an image on the other image and merge them. So let's get started. We've got our fresh canvas and we are going to go to the settings and tap on Add. And then we tap on Insert a photo. In this part, we add the image that we want to work on. Having a scroll. I'm going to go with this background of the flower pot. Now I have an image of a flower and we've added this image onto our screen. It's going, we're going to tap on Insert Photo. And then we add the image of a butterfly. We're going to make it smaller and horizontal and paste it over here. There are two images on our screen. And now we're going to learn how to merge these two images. We open a layer. First of all. First we're going to complete the frame of the table, light its color and complete the table. Drawing out the edges that have been cut off. And we're going to color it. Actually. We want to merge these two uncompleted images and make them complete. In this lesson, we're just filling out the rest of the table that's been cut off. Using that same color should be a fairly good match. Now we're going to fade the stains, smudge and really just blend those together. They match quite nicely. Now we're getting back to the layer of this image because we want to remove the white background. So we tap on Select and then Automatic and then we're going to erase the white parts of the butterfly image that's taking out the background behind it. Now we've removed the white parts of the butterfly image. We're gonna go back to the previous layer in order to complete the pink background. And we select its color. And then we add another layer up here. So another layer, and we're going to drag that under the table layer. Now we can start coloring and we won't worry about any of the tables being rubbed out. What colored over. Actually, we've added two uncompleted images onto a screen. Am I going to merge those and complete those within this lesson? And this pink color of this part is lighter. So we selected this light pink color. Then we're starting to color in that part with the light pink. We remove the extra pink stains this part. So next we're going to fade the colors with smudge. There you go. You can see that they start to blend together very nicely. We added the color of this part again. And then fading it. Gallery were that much. They start to blend together. So we've fade them completely and we add shading layers in order to be the same as the previous background. There we go. So now we have a background which is the same as the previous background. So we've effectively completed the image of the background. We're putting the butterfly layer above that layer. Now we're going to rotate the butterfly. Let's see which parts is a good place for it to be interacting. Playing around there. So we put it in this part because the right side is empty. So we're going to remove the remaining white parts around the butterfly. Terrorizing them like this. Just going in with a delicate pen. Now, get rid of those white parts that remain. Just rub those out. This is some more detail work. Don't worry if you want to take your time and make sure that you don't know about parts of the actual butterfly. Just making sure that we don't take out any of the wing. But just the y part from the previous background. There we go. So definitely does it. In this layer. We're going to work more on the butterfly because it doesn't have very good quality, is quite faded. So we're going to use its color theme. We're going to work on the wings. Are doing in completing the butterfly, is actually increasing the quality of the image itself. Okay, so we're working more on the edges in this layer. We can also work on the other layer and then merge those together. Right now we're just going around and making sure that the outline of the butterfly extremely clear. And working on those details, we're going to fade the edges with the smudge tool to blend it together a little bit nicer and make it look like it was meant to be that way. When we're doing the same for this part over here. Some nice clarity of the wings and off the edges, they're making those lines nice and strong. So we can work on the edges of the image in order to increase its quality. We can also work on them based on our own style. If we wanted to add more of our voicing, we can bring more character to the butterfly if we wanted to. Giving it a little bit more of a sketch, look at the bottom there, adding in our shading. Okay, So we're working on the low-quality images with medium brushes. And increasing their quality can also be a good way to practice, to help to understand the lines of an image and the lighting in an image. Now, we're going to add more orange color in these parts. And by doing that, we'll be able to tell the color of the butterfly even better, work well with the color of the flower as well. So this is a multipurpose moment and bringing out the oranges, the butterfly through selected the column. We're going to work more on the butterfly in the flower. We want to use the colors which are good to make the images be more fitting together. Have a nice harmony because the styles of the image are different. So adding in or in similar to the flowerpot, give them a nice harmony. And this will fit these images together quite nicely, where they are different styles. Now, we're going to add some green stains on to our work and we're selecting the green from the flowerpot. I'm doing this. We're really just increasing the harmony between those two images, working from the same color palette and adding those colored stains in order to show a connection between the images. Bought it in the green stain. Now we're just going to fade them with smudge. Fading out the detail. This isn't to remove the detail is just to blend it into the image. This part as well. We're going in on those orange wings, making this even more vibrant. And we can fade that out as well. So blending it together. Now have a much more vibrant butterfly that works really well with the flower image that we brought in. Our work now is finished. We've managed to images in one layer and work on their quality and their style is very useful technique, we can use this in multiple ways. I really hope you enjoyed this lesson and I'll see you next time. Good bye for now. 3. Flamingos: Completing a Picture: Hello and welcome to this new lesson. I hope you're all well. In this lesson, we're going to learn how to complete the uncompleted parts of a photo. Following my hand movements. First of all, we're going to insert a photo. Just like so, Insert a photo and select that one there. So this is the image of a flamingo. We're going to draw the uncompleted parts, such as these parts. So we can see on the edges here, and we don't have the part on which the remaining parts of the flamingo. We open a new layer up here and then we select the body color of the flamingo, selecting it. And then we're going to draw this part of the body with that selected color. Okay? So we draw our image and we'll also do the same for the other flamingo. The edge over here. Completing that body shape that was cut off on the edges. Image is not completed. And we're going to draw the uncompleted parts. And this technique can be attractive for advertising works. Whatever you feel like there's so many ways you can take this. Really imagination is your, is your friend here. We're going to change the brush. And then we're going to add details onto these parts. Going over and following the line of the body. Adding in the feathers, similar to how we see on the other flamingos. There we go. Nice to going. And we're going to add some colored layers into this part. Following along with my hand movements here. If you need to pause the video or speeded up, whichever suits your pace the best. With those colored stains. And matching it up to the flamingo. We're going to select the color of this part over here and add stains into this part in order to fade the colors. And this will start to just blend these pieces together. I'm going to change the color. That's more detail to these folders. We've lowered the opacity here to really go in on the outline. Well, you've matched those up. So you can see now we're actually going in and adding some more texture onto the wings. And this does a really nice job of bringing together this image that we've got and our drawing itself. You can see we start to blend these together. By doing so. We're trying to create the text to the same as the image. I pay attention to the movement of my pen here until the lines of the flamingo itself. Okay, nice bit of color in there. And you can see it really starts to come together. There's little details go a really long way. We want to make the uncompleted part is the same as the image. Trying to line these up quite nicely. Shouldn't worry if it takes a little bit of time to get them looking the same. Work on the color first and then bringing those details. And it will start to come together. We're doing it very slowly. And it's so that we can just get those details just right. We're going to create some lines in this part. Just like so. You can see this is really bringing in not only the image, but the canvas as well. Creating a nice blend here. Between the photo and the artist's canvas. We're going to fade these parts. So we selected the colors of its body and then added them linearly. And finally we fade those together. Just like czar of cool stars to look much more complete, starts to blend them together. Now we're going to work on the edges of the flamingos wings. And this is really detailed work. Now. It's going in on these edges. If you are thinking me to practice a little bit more, we do, of course, have outlines in grids available that you can look at or you can print them out and practice from them. We have a lot of resources available for you. We're just going in doing some detail on the feathers. Bring it all to life. A little bit more. There we are. We're going to continue to work more on the lines, the lights, and the shading layers in order to complete this part of the image. Of course, it's very important to pay attention to the light and shading layers. They've naturally got them in the image as well. We're going to need the same for this part. Getting the detail on the feathers. Oh, paying attention to the light. Going to draw the rest of the wings on this other flamingo as well. We can start to bring this together is quite nice to see the contrast between that shading, just general blocking out using the corner of the flamingo. And then the difference wants detail is added on. This technique is very useful in order to change and draw some parts of an image. And we can do it with this technique very easily. So we can add or change some parts of an image in this way is the best way. For this kind of work. You can do this in a restorative fashion or even in a way to show a contrast. Grabbing the color from the body and then bringing that out. And Todd Rose on Canvas. There. First, we've added color stains and then we're going to work more on them and add in those details. You can see those details are really being led by the image itself, by the flamingo that we're working on. So you can see it's got lots of these white feathers which the other Flamingo didn't have. So adding those more and more into the body of this flamingo, we faded the colors a little bit here as well. Trying to blend them together. Blending in the body of the flamingo from the image and then our Canvas flamingo. Now after that, we're going to add more details onto them. Using this color. There all the outlines and grids are done and ready for you. If you need to practice, please feel free. I'll be a great help throughout all of these lessons. It's okay if you've got any questions, you can reach out to me at anytime. Now be able to guide you through step-by-step or even on just a little thing, reach out to me and I can help you out. Adding in just these fine lines on the feathers and giving them a little bit more distinction in the image. Matching up now much more to the photo itself. Once we've added in those distinct lines that matches up in our Canvas. In comparison to the photo. We're going to fade the lines a little bit there not to show up. Going in getting that nice blend. We have the image of the flamingos. And then we've drawn some of the uncompleted parts of their body with the color theme. We've completed those. So it's a really useful technique. We can also add a text and this part and make a card postal. There really is just an abundance of ways that you can use this technique. These parts which are out the image maker work seem attractive. They draw attention to them and we can also use the white parts, adding text and just extending the image even further. So I hope you enjoyed this lesson and I'll see you next time. Take care, and I will see you soon. 4. Butterfly and Rose: Hello friends and welcome to this new lesson. I hope you're all well. In this lesson, we're going to work on two different images and then put them into one layer. So we're going to open a layer to start and find a color to work with. Today. We're going to draw a flower pots in this section of the video. So we're just setting out our sketch. We chosen a darker brown color. Bringing the darker brown. Don't forget if you have any questions. You can always send them over and keep on practicing. To build up your skill set is absolutely okay to practice from predrawn guidelines. As you build up your free hand skills. They're just working out our light stains here and our dark stains getting some light and shadow. We have faded the color stains as we go. And we can darken as well these parts just a little bit more. Bringing that shade even stronger. The bottom of the pot where the least lightest routines completely shaded out and we're fading, fading these colors altogether. This is our flower pots. And now we're going to add a flower on it in the beneath layer. Opening new layer. Underneath. We're going to draw a flower just here like this. Now leaves onto the stem. And we can add light layers onto the flower as well. Add dark layers as well. And we're adding the colored stains in the first step and then the shade and then the light layers. And after that we feed them all together smoothly. This really helps build up our form here and give us an idea of where the light is coming from in this scene. Fading those smoothly together. Fitting all of our colors stains. We can add some more stains in this part. This nice highlight there. You see we're starting to build in a little bit more detail the lines of our leaves. Now we're going to sketch our flower icon for a red color, drawing in our petals and just coloring those in another one. And another one. Guys, we're just getting a nice flower, nice red flower. I'm just tying this together using the dark stain stem. And then we'll add some light red stains onto the flower petals. In this part. You see where the light is split their fading these together as always, just to give it a nice blend. When you're done with your practices, please send them over to me and that way I can check in with you. And if you would like any guidance, of course, all you have to do is ask. I can guide you step-by-step. What does mostly fading out our petals. They're bringing all the colors stains together in that nice blend. A little bit more highlight. There are details starts to come in. And we'll fade these stains as well. Hey guys, you can really control the way the form comes together. Here. You can see the shapes are really starting to come together as we work. We're adding another layer just underneath the flower. Working more on the flower here. I'm adding in our pollen. Nice light stains. Working even more on the flower. If you would like, if this is, if you're finding it easy, you can always speed up the video. Or if you're already difficult, you can pause and rewind and just go at your own pace here. So here's our flower pots. Flower as well. So we close the layer and we'll open a new layer for the butterfly. So as usual, we create the butterfly using colored stains. So everybody getting his outline. First of all, all wings. Like so. This is just a rough sketch to get the outline of the butterfly that we can shade that all in. Almost like a silhouette. But that is our base layer that as our foundation. Just the, we're going to add our details onto these stains. Just trying to mirror up the wings. They're ending in our antenna. Okay, so now we're going to design our butterfly using a pink color. Just drawing out the wings. Assessing the form. There we go. So you can see we've got our wing separated. Quite a clear outline. There is coloring in this, but it's always good fun getting our foundation. We always use a gray color for sketching because it has good harmony with the colors. As a foundation, it always tends to work with whichever colors we choose to design. Our drawing that he got. Recall this lovely pink wings. Seconds. Nice gray for the body. We're going to add the details now onto the butterfly. So you can see I'm drawing out the body of the butterfly in that darker color during the head and the antenna. Nice and clear. So we're working more on the butterfly and adding more details. Just get a nice outline there. To keep everything crisp and sharp. As we go around the wings. We're just working on these edges. As you can see, we're making some nice clear edges around the wings for the butterfly. Now we're going in and adding patterns onto the wings. Next, we'll do the same for the other wing as well, getting a nice clear outline, the edges mirroring the other side. You can see even that practice before has helped me draw these wings. So it really does help. But we're going to just fade these a little bit more, make them more cohesive with the image. Blend them all together. So it's all becoming one. We're also failing the edges of the wings because we don't want them to be linearly. And that's okay to practice from available outlines or even trace at the beginning. When you have practice from them and you gain that experience, you slowly start to draw more from hand movements and in a free hand style that matches your artistic voice. There we go, just fading out these other wings. Now, my product is really, it does help. Start to bring in the pattern. Even more. Starting to look quite good. So now we're going to add more details onto the butterfly. Bring in some more color works and color stain. And we're already starting to design it now. For working more on the pattern. Mirroring each side of crucial design can be wherever you feel it, follow your instincts as you draw. We're adding some little details onto the wings here with a dotted effect. Then returning to the blue to work more on the pattern of the wings. Filling out my sides. And we can of course, work on the pattern with different colors. Adding some light on at the moment, that lighter blue. Then we're going to choose a purple color. Gross. You can Zoom. If it helps. Add in the lines for the eyes. More lines in, more details on the background color of the butterfly, creating more of an intricate pattern now, for the butterfly. Now we're going to add some orange stains onto these blue parts, taking that orange color and drawing up our pattern even more on these parts of the wings as well. Not really. It depends on ourselves whether to work more on the pattern or not. You can have quite a simple pattern or you can have quite a complex one. It's really up to you. It's up to ourselves how much time we want to spend on the pattern. Just detailing now the thorax of the butterfly, adding some more detail onto its face and onto his body. And there you go. I'll butterfly is completed. So now we're going to put the butterfly and the flower pot onto the same layer. So first we're going to add the photo of the previous layer. Add photo. Again, we've exported that photo. We've had the butterfly and we add the flower pots into that layer, adding the photo. Now what we're gonna do is erase the margin of the flowerpot like so. We can also change the size of the flower. We're just getting rid of that margin so that the butterfly in the flowerpot don't have too much. When negative interaction, we're changing the place and the size of the butterfly as well. Put that over onto the right side. I will make the flowerpot a bit bigger. Rid of that margin there. Put it in this part. We put the butterfly about the flower pots. In this way. It's dragging it over. Next we're going to work on the background. And this will make it a more cohesive image between the butterfly and the flowerpot, bring them into the same world. And we're going to use a warm color for the background. Let's bring that layer to the top. And selecting a warm color. Just change my brush here. There we go, That's quite nice. Just tested that out. We're adding a warm color around the work. And we're keeping that any separate layer. We don't want to color the center parts. We'll add more dark layers onto the corners of the work. Giving it almost a vignette, sort of feel. Like the lightest surrounding it on all sides rather than shadow surrounding it and all sides. We can consider the ground now that the potter sitting on, where is this pulsating will show the shadow of the flower pot as well. Always bringing in an idea of the light source and where it might be coming from. Just getting a nice shadow there. Even bigger brush now, the shadow of our flower pot and equally of our flower as well. And even lighter color as well. We can start to blend out. But we're given the flowerpot a place in this scene through those dark stains. That counter a bit darker. This is the ground for the flower pots. It's got somewhere to sit. Now, you can see these two being sought to exist in the same world. And in this lesson, we've learned how to draw two sketches and put them into one layer. Moving the margin of the flower pots and moving them about in the scene by adding in a background as well. We're just going to erase this part on the edge here. They're cleaning up those lines even more. There we go. Okay, So all work is finished. I hope you enjoyed this lesson and I'll see you again. Take care. Goodbye. 5. Character Eye Drawing Practise: Hello friends and welcome to this new lesson. I hope you're well. In this video we're going to draw different forms of the cat. So I'm going to open a new layer and we'll choose a studio pen and a gray color and start drawing the eye. Follow along with my hand movements. As we work here, we want to draw a natural eye of the cat. So to begin, the tear duct of the eye is pointy like this. There we go, connecting those up there. The part of the eyelid is upward. Following along. Actually we have an oblique line to draw the eye. This is the people of the eye going in. Now, the people of the eye is like a straight line. But for the humans, it's a circle and there are shading layers around it. It's much more of a slit in AI. For the cat. We can sketch different cat size, but the general form looks like this. We want to sketch different forms of the eye. We can color the eye. Okay, with the blue color around the eye is going to be darker switching. So we'll start with the dark color outside. Okay? We're also going to draw some towards the inside of the eye, some lines towards the inside. Just like this. Of course, going in and smudging those light and dark stains. Also added some light stains as well, and faded those together. And we add dark stains here as well. So you're just going around and adjusting the size of the I within the socket. So this is the simple form of the eye. Now we're going to draw the other forms that are wider. And we can also work more on this. I. We're adding more lines towards the center of the eye. And we can add delicate lines on this part as well before we fade them. So adding different color tonalities With these lines. Then we fade them. So we fade from the corner towards the center. So feel free to pause the video and practice this a few times just to get comfortable with drawing an eye. This is just the highlights in the I am just putting that into represent where the light would reflect. This was simple form of the eye for cats. So now we're going to draw the other forms. So this is the oblique line, same as the previous i. The part of the tear duct is going to be pointing. But this i is wider. So I pointed tear duct and a wide eye. This part here is going to be quite dark, similar to before. This I is wider than the previous i as we have different forms for the human eyes, same as the cat. But the difference is that the cat's eyes are oblique. Already just going in and making sure that the eyeline is clear. We're showing the oblique form of the eye. Now. Here's what you can see, a clear line for the eyelash there. Again, a slit for the pupil. These are the two models of the eye. Moving on. We are going to draw the other form. Will open a new page. And we go in this page, this page we're going to work on different forms, the eye and the eye lid. Let's go. This first one. We're just going to start off. By drawing what we consider to be the eyelid. The end, nice and strong there. Then we're going to draw the pupil of the eye. Pupil there. We're just connecting that up to the tear duct. The corner of the eye got a slit in the pupil. And the form of the eyebrows should be like this. If we want to show an angry I e.g. there are lots of ways that you can implicate an expression. You can suggest character using the eyebrows themselves. Now we're drawing another eye. We've gone in with the eyelid and then connect it up to the corner of the eye and the tear duct. So for all of the sketches, we're going to keep the wide form and the pointy tear duct of the eye coloring in the tear duct side to be darker. So we can draw the pupil of the eye using this dark shading now to suggest the size of the eye. The pupil, we create shading layers by adding some lines onto this part. Then just smudging those. So you can see already a bit of shade is starting to form. Within the pupil. We just done the empty circle is showing where the highlight would set. So now we're going to draw the other eye. For this one. We're going to keep the oblique form of the eye just as we have been discussing. So you can them with the eyelid, then the corner of the eye, and then appointee tear duct, reassuring the oblique form of the eye. Now we're going to draw the pupil. We can make the pupil of the eye bigger and add some shading layers onto the I. See now this is a different version or has gotten much larger people. Okay. Onto the next i in with the eyelid corner of the eye to the tear duct. And then drawing the pupil. We can darken the full pupil of the eye. And then arrays some parts of this eraser as well can be used as a brush in certain contexts. They see we have lots of different forms of eyes and we're just going to save it for now. Now we're going to draw the other form. So open a new page again. We want to draw a sad, I were thinking more about the expressions. As we go. You see this curve to the eyelid and it's much narrower. The pointy part becomes downward. We have a downward tear duct. The eyelid as well, curves downward. There's a bit of a droop to this I, the expression is sadness. We can sketch endless forms for the cat's eyes. There's so many different ways to go about it. So test a few out. But this is the general rule for this expression. The thing that makes it beautiful is to show the wide and oblique form of the eye. We're going to draw another eye. Now. We're going to start with the eyelid and we'll darken the pupil of the eye. Then we're going to erase some parts to show the light parts of the eye. So this form of eye you'd often see in Japanese cartoons is quite a popular style of drawing. We've already showing the key parts here, the eyelid, the tear duct, the corner, and the base of the eye. We've used positive and negative spaces to sketch the eye. Now, we're going to draw another eye that is more cartoony and has some eyelashes. Adding eyelashes onto the eyelid. And then going to our pupil. We're giving it a slightly wider iris. Again, going with our shading lines. We're going to draw it like this. We draw the pupil. Then we found the corner of the eye and taking the tear duct around. Let's draw another I now, we've got eyelashes on this one. It's got a downward slope. The tear ducts and also on the eyelid. Drawn the pupil. It's slightly different to before. Again, as I said, there's multiple ways that you can draw these eyes. And we're working again with negative and positive space here. It's really just have a play experiment with the style that you most prefer, the style that works best for your character. I hope you enjoyed this tutorial and the course. If you want to know more about other courses, you can always enroll. You can reach out and ask questions. Thank you for joining me. And I hope to see you again. Goodbye. 6. Cat Character Drawing: Hi and welcome back. I hope you're all well. In this new lesson, we're going to draw a beautiful cat with procreate. So first we open a page with screen size, and then we open a new layer, start sketching with a gray color. We want to sketch cats and learn how to draw cartoony cats and add different texture colored, stained and light onto them. So let's go and practice together. First of all, we're going to sketch a kept coming in not image. Let's get a rough outline. We're determining the place of its nose just here. Then the place of its eyes. And the cat is very important. So now we're going for the cat body, drawing in its arms and legs. This is not a realistic cat, is just an illustration of a cat's drawing the cat based on our own style. We can use a photo as a reference or draw it from our own minds or in imagination. Drawing in the tail. Just now. We've got the rough outline here. This is a general sketch of the cat. In the next step, we're going to add colored stains on the cats in order to determine the different areas. Finding first the nose and then the E is nice distinction on its face here. The cheek lines to separate the eyes. The face of the shape is coming together now through our color stain. We don't want to add colors names on these parts of the eyes and the nose. That particular path of the nose. We're in the sketching level, we're just finding the form, finding the shape of our cats in giving it outline in all gray tone. We're going to color its body. Show the shape of its top section and bottom section of the body here. Then we're going to bring in the legs and some large hands. And then its tail as well, giving it a nice curve. We're going to open a new layer. Now we're going to add details onto the cat. We've chosen yellow color for its eyes. Nice yellow going in. There are some quite bright eyes. And then we're going to color it snows. A nice dark color for the nose. Add some highlights as well, some details to separate the bridge of the nose. Then it's cheeks. As well as whiskers are going to go later on. What we're giving it a nice distinction between all the different areas of its face. We've added colored stains Onto the cat. And then we're going to add details and create its texture. We using light stains for the light parts and then vice versa. There. Pay attention to my hand movements and pay attention that we should sketch with lines in the beginning. Going through now. Appreciating the is, creating a bit of a mouth here. Along its chin. We got a rough outline for the face. First, we're going to walk on its eyes. As you're working through the course. Remember that you can message me at anytime for any questions. And there are plenty of resources available so you can keep on practicing. It's always good to go in and practice even your basic forms to give yourself more confidence as you draw. If we're really going for at the moment and just identifying the shapes of the cat. I'm bringing in a little bit more detail. Once we flesh those out. Here we go, the form of the eye starting to come together for the eye now. So you went from that big oval shape, then give it more of a circular form within that using the white, then adding on almost a bit of an eyebrow. There are different forms of eyes for the cat that will be familiar with, will familiarize ourselves with some of them in the next lessons. Now, we're just drawing out the form of that in even more detail. So we're going to choose a black color. And now I can start drawing the pupil of the eye, adding in even more detail. So clarifies. A little bit darker, give it some depth in the eyes there. Now we're going to go in with our shading stain. Hearing a little bit of darkness on the outside of the eyes, around its eyes. Redo the dark color and add some more stains in this part. Okay? Everybody bringing out the eyelash and the shape of the eye, making it very clear. Perfect. So keep on growing and we're going to start to fade the light and dark stained using that smudge tool or favorite. So we're going to keep on going with that. There we go. Again, we can add light stains as well. Just bring in some more highlights to the eye where the light is reflecting off. And already that's giving it a lot more life, even just having that little bit of light reflecting off the inside of the eye. And these are the eyes of our cat. Recolor. The is above with pink. And now we're going to change our brush and work more on the ears. So now we want to add texture to those is we are going to go in the slightly different color. And we're going to use hair brush. Filling out those is we can add some gray stains onto these parts. Nice gray tonality, where you just bring out the third. Here. We go. Nice bit of texture. I'm going to choose a dark color for the corner of the ears as well. Bringing that up, we're working as well on the body hair. Using that hair brush. Spreading. We can see that it's really starting to come together already along the ears and the nose. We're adding more pink stains on the ears and lighter stained onto the corners. A little bit of highlight along the edge there. We can do the medium brush and work more on the nose. That pink. I'm going to draw a small nose for our cat. Going into those color stains, added light and dark stains on to the nose. It's giving it a little bit more dimension. Already. Nice highlights and a bit of shadow underneath. Hey guys, So that is the nose of our cat. So next we're going to choose the hair brush again. We are going to work on the muzzle of our cat. Just change its color. You're working on the muzzle of the cat hair. And even adding in some more colors, a little bit more dimension, a little bit more depth. Sketching cats. It's a very attractive skill to have. It's great to be able to do. It is interesting to explore the cartoony voice, cartoony style. See what images. We can sketch thousands of Muslim cats with different techniques like realistic with lines and other techniques. So again, we're going to change our brush here. And we're going to add some black stains. First off, just going in with some detail. The mouth just here. So highlighting the mouth between the muzzle and the chin. Nice pink color. A bit of blush on the nicer. Then of course, finding light and dark stains. Then with black stains, we're going to draw on the whiskers of our cats. So setting the groundwork with these dots here for the whiskers will emerge. And we're going to work a bit more on the skin texture of our cat. Adding in that texture all around the face. Of course, is finding that furry texture. For our cat. You don't want it to be flat as we go. We want to give it some life. We've added in more dark stains on these palettes as well. Know the outlines in grids are done and ready for you if you want to practice outside of drawing your cat. And there'll be a really, really good help as we go. Just go through now though with more dark stains. Finding some different colored stains into giving it a lot more depth. And we're going to add some more light layers onto its eyes. Here we go. A bit more of a highlight. Just going to separate the eye. Okay? And now we're going to draw its whiskers. Just like say. So it gives them a little bit of curl, a little bit of life. We're going to add some hair onto the chin there. It's more in the ears. Okay. So after we've done that, we're going to start working on the body of the cat. We go all of our highlights, a lot of nice texture. This all quite clear, the face of our cats. Now we're going to work more on the body. I'm going to use hair brush and add texture. So again, that's what we'll offer. What's going to add a lot of depth on to the cat. So we open a layer under the layer of its head, and that will help us work better. So we're not going to draw immediately overall whiskers. We're going in there and getting a lot of texture, adding in some dark stains. So what you may begin to notice as you go as well as that a bit of a pattern is starting to emerge in the form of the cat. Starting to establish that early on any texture it may have within its far. This is quite stripy cat. We've got here on the tail as well. We can add dark stains at first and then light stains in order to create the body texture will keep them going with the hair, the hair brush tool. And keeping in mind the pattern that we want for our cats. Nice and simple. We're going to add some details onto the body. Once you've added in, our light stain is starting to emerge. Even with our pattern. Then the step. We're now going to add details onto the body. We added dark stains and light stains before. We're going to put some more dark stains on this part to create some more shadow. Push that pattern even further. You can start to see that shadow is coming along on the outline of the cats. And it's nine. So we've laid up with the hair brush tool. The Pharaoh is really starting to come to life and have a lot more depth to it. We're working on these colored stains all the way along the body. We can draw these lines with colored stains or colored circles. It really depends on the kind of pattern that you'd like to go for, for your cartoon cat. We're going for a stripy cat, was really working with lines. Keep the hair brush colored stains. So after we've added the colored stains, then we can start to feed them with the smudge tool. Now we're going to fade stains with smudge in order to make it more uniform. And pay attention that we fade in the direction of the stains. So we're not messing up the flow of the firm. They're working with the fluff going in the direction of the hair brush, but fading it out, blending it together and creating a much more uniform look. Now as you can see, the texture of his body is already becoming better. Fading that out. Taking out those harsh lines and creating a much more cohesive image. We can draw the cat and a bigger size. In order to work more on its texture. You can zoom in as well to see the detail even better. So this is the basic layer of its body and we will add more details later on. We just want to create its texture correctly first, we can work on its tail as well. But having this texture all incorrectly first means that when we go to add in detail the finishing touches of our image, we know really what we're looking at. We're not going to mess up the detail when we go and smudge texture. Now we're going back to this layer and we're going to remove the extra lines. Just erasing those. That's going to clean up our image really nicely. We're going to get back to the previous layer and open a new layer. From our new layer, we're going to change our brush. I'm actually going to make the tip smaller. Follow along with me on procreate. We're going to work on the pool's once we've adjusted that tip. So going now to the paws, drawing enough feet, even more here. Really what we're starting to do is begin, I'll work on the details of the cat and on the colored stains. A little bit of highlight as well. Give that cat from feet to stand on. Of course, pay attention as well to the texture. I'm not getting rid of that. So we're adding detail on these parts. We've added stains layer by layer. So we're adding the college deans are first and then we're going to add details in this layer. We're working on the feet. We're going to choose a darker color in order to add more darkness into these parts. Separate the foot from the leg there. We are working with an awareness of the autonomy of our cats. And the way that the light is hitting. We've made the brush tip bigger here. To work on the texture. We've worked more on the body now with our dark stain, that's our shadow. It's really just giving it a lovely outline. And then we're gonna go back and work on, I'll pause again, blurring the tip of that brush and adding in more detail a nice highlight there. Then we're going to work on the tail as well. So we're keeping artistic voice going through all parts of the cat, just giving a character. We're creating more texture on the tail now as well. It's nice and cohesive across the body, the paws onto the tail. We've chosen a darker color now. Go even darker and work on the shade on that tail. And the different colors are for glucose, it's not just one shade that our cat will have. Cats have a lot of different shades of color in there for utilizing that. We're making a judgment call here to give our cat a lot of depth. We're working more on the body now, adding that second arm and that second foot, working on the front leg, we did use a darker color here. Is that like it's further away so that legs in shadow. Sketch that out in a darker color. Like so. And then we're fading it. Let's make that nice and smooth. So after that, we are going to add light layers on in this part. Bring it up a little bit lighter. And this leg is darker overall. They're not going to extreme. With our lighter parts. That leg is sitting in Shadow. Highlights work accordingly. I'm just merging those out. A nice clean outline. Okay, so we're going to open a layer under those layers. And we'll choose a medium brush. And we're also going to bring the opacity down for this next bit. All right, so now what we're doing is determining the place where the cat sits and adding the shadow of the cow onto the floor here. Given this cat allocation in this scene. Again, we go back to the first layer by adding light stains and working more on its body. Your chosen hair brush. And some lighter colors. Adding in a lot more depth. As we go. This brush here is very good to show the texture of his hair. To show that you can see that I've adjusted the size of the brush head. So you can test those out and see what you prefer. But have a play around. Especially as you're getting to know new skills. It is fantastic to play around with the tools that you're using and see what you prefer for your own art style. We're going to go along the tail now without a hair brush and bring out the detail on the right and the same on the face as well, along the nose. Then the darkness of this part as well. So keeping that shadow and we'll do it along the neck as well, keep that distinction. Again, we've added light stains into this part along with our dark stains. So keeping a nice balance. Adding in our highlights. The same on the body as well there. We can add some gray stains into these parts as well. And that's sort of the neutral ground for the, for. Now, I'll work is finished. We sketched a cat and we added colors, stains, and then details. In the next lesson we're going to draw another cartoon cats and add more detail onto its head. I hope you enjoyed this lesson and I will see you in the next tutorial. Goodbye for now. 7. Original Character Drawing: Hello friends, and welcome to this new lesson. I hope you are well. In this video we're going to draw a cartoony cat with procreate. We're going to open a new layer and then we're going to draw a general sketch of the cats. As before we grabbing our gray tonality and drawing the rough shapes of the cat, and we draw the cat based on our own style. So I'm going in and drawing the rough location of the face for the cat with an idea of the form for the eyes, and mouth and nose. Once I've got an idea of where the face will be, then I'm going to go in with the body of the cat. Again, just drawing it all in our own style. So yours may look different to mine. That is absolutely okay. So we're creating an illustration of the cats according to its anatomy. We're exaggerating different parts of the body in this cartoony style. So we can change the size of different parts of its body in order to show the exaggeration, such as with its tail there. So the head can be bigger than the body. That is, the eyes can be bigger as well. It makes our cat cute. And we can also add some details like a balloon, like this. These things depend on our creativeness completely, depends on our own personal preference. And I'll sketch is done. So opening a new layer and we're going to lower its opacity and make the brush tip smaller. So now we're going to work more on the sketch itself. So first off, we're going to draw the is. Just like this. If you want to follow my hand movements, there is the head should be upwards a little because we want to show it's gel. Has really big eyes. This cat going with the exaggeration, wide eyes. Already we're finding quite a bit of its personality. In those exaggerations. You can see it's quite asleep. Cat. Here. We've got the upper part of its head. When we're just showing the cheeks, creating a bit of an outline. So it's quite a fluffy cat. Showing that in the sketch or its tail and its body and its head there. So we're going to draw its legs like this. Small, poor, quite a large lag. Sketching that out and getting an idea of where it's all going to be. Bringing our balloon, of course. Nice love heart shape. So this cat has got a lot of character. And we're going to delete the previous layer. And this is the sketch of our cat that we're going to work on. This layer that remains. You can see I've made it a bit smaller in order to have the full screen and work better with the Canvas. And that way, in this step we're going to open a layer and start coloring. We want to use warm colors, like gray colors with an orange tonality. Recreating warm colors for a warmer character. We can choose a medium brush and make the brush tip bigger. And that will just help us coloring much more efficiently. So we sketch it first, the coloring. Filling out our sketch, we're choosing a lighter color for this part of the tail. And setting down our foundation here is really filling out that tail. For the end of it. I'm going to keep the tail end quite light. So we're starting already to put in a little bit of pattern. For this particular cats. We can add in some gray stains as well. In this part. We walk along. Then we're going to fade them completely using that smudge tool. That's already bringing in a little bit of a line for Alpha. And creating a very nice blend. Well what more on the tail later? So now we're going to color in the body of the cats. So all the outlines and the grids a done for you and they are readies, if you would like to practice your drawing. They are fantastic help. And of course it is always, always fantastic to practice. And really just build up your confidence with all of these techniques. So much of this is about practice. And the more you practice, the better you become more confident you become recoloring in the body now. And letting down that foundation layer. Really just establishing that foundation layer. I'll go to color in the leg as well. You can see that pattern really coming through the different five colors in the foundation layer itself, coloring in that leg. And then we'll go to the other leg as well. That just a little bit darker. Adding some shade points. I see that back leg is going to be mostly shaded. Whether light doesn't quite reach. Once we've done that, we're going to go in and fade them with the smudge. Just as usual. I'm keeping that nice further action in mind. Some more shade lines on the body as well, and smudging in the direction of the fur. Now we're gonna go in and color the face. You can see even here, we are keeping in mind a little bit the line of the color and allowing it to have a little bit of a scruffy edge. Without fluff coming off the side of our cat. We're adding colored stains under the eyes now without a colored stains generally, we're going to add our texture on top of those colored stains. Going under both eyes without colored stain. Nice and neat. And getting the nose darker gray tonality. So adding dark stains in this part of its head. And along the way is this part of our passenger for the cats. You can also suggest some of the darker areas. In this scene. We're just adding that nice or no. Is there a small nose connecting up to his mouth? Withdrawn his lips. Filling out. The is. We're choosing a lot of colors and shades. I really just compliment each other. Let me go have a little bit of bigger cheeks here. And then we're going to fade together or colored stains. That is its current together. Neat and quick. And having this practice of drawing in our sketch and then going in with our colored stains and then our details. That does a pretty good job of establishing our cat. Added the colored stains onto the eyelids now. And again, we're going with some complimentary colors to the rest of our color palette. So that's just a little bit darker than the is, but it matches well with the grays and browns that we used in the 3D. Just coloring in this eyelids, getting that nice highlight on top as well. So you've got added light and dark layers onto the eyelid. We're gonna do the same for the other eye as well. Got our color palettes of lights and darks. Getting a bit of an idea of whether eyelashes, remember adding the light stains on to the eyelid. Oppose it doesn't have to mirror exactly. We're working to where our light sources. Now we're going to add light stains onto the AI. Recruiting quite clear outline for it. I'm talking like coloring. Okay, so we're working now on the eyes and the eyelids. Adding in our detail here. Just as I'm, that's really clear. Does neat lines. If you do find that you want to pause the video to go through with a slower hand. That's absolutely okay. Work at your own pace. This is about your art and we're really just helping guide you here. Now we're going to work on the pupils. So with the purple color, you want to make his eyes purple. Cat, just the haze. And if the lines don't connect together, what you're seeing here is where all of the screen is going to be colored with purple. So just make sure that all of your lines are connected up there. We're just coloring in the eyes. Now. I'm giving you these beautiful have allies, making sure the lines are connected up. So it doesn't fill the whole screen. So we call it this part. We're going to add a darker purple into the eyes. The pupil. That darker purple was giving us a little bit of shadow in the eye. And that in itself gives a lot of characters. So it's these little details that bring out the character of our cat. That's really, really important. This cartoon work. We use dark purple hair and then we add the colored stains. And we're going to fade them more colored stains into this pot. And then going back through and smudging them. Doing that for both of the eyes, just working more on the pupils in case you haven't already checked it out in your downloadable resources. I have put all of the information that you need for more practice. So don't forget to go through them with your assignments if you do want to show me your work so I can help guide you. Absolutely do. Just give me a message and we'll work on this together. We've added in a little bit more highlight now where the light is reflecting off the eyes. We're really working on the inside of the eye here. Establishing space between the cornea. Even with our cartoon cats, we can give it small details based on reality that will help bring it to life. Through worked on the inside of the eye. Now on the eyelashes. On this part. Then you get the eyes are complete, looking absolutely beautiful with our purple eyes. And now we're going to work on the nose. That's our small nose just here. We've done a colored stain. So we're going to go in with our light and dark stains and just make sure the outline here is really, really clear. Here we go with our states. Making the nose clear. I'm going to get into work on our lips as well. Nice red color for the lips. So adding red stains and these parts. And nice blush going on on little kids. We can fade that out as well, give it a nice smooth effect. Learning can be blended out and same on the lips as well. Just moving that out. Now we're adding a lighter stains and we're going to add texture onto the lightest stains as well. Of course, fading them first. And then we'll add our texture. There we go. We can blend this out. In the next step, we are going to work on the details. We're going to open a new layer. Sitting just above. We're going to choose the hair brush. Let's run down. Using the hair brush brush. We're going to add details onto the cat. There's a fantastic brush for going for her. Absolutely brilliant. This is what we're going to use to really add our texture. Now, starting with the face, the best way to practice this is to follow my hand movements and you can stop the video, watch it a few times, and then go back and practice at the same time. Resume the video wherever you like. Just going through and we're really working on the texture. What was bringing up all of the layers of fur you're going to work on. This is actually we are working on the texture of the body, even still when we're working on the ears here. Uses a nice blend out between our color palette. We have these lighter colors, we have those gray colors were really just building up of many different shades. Adding to the depth here, adding some stains on the inside of the ears. Now, we're going to use a lighter color for these edges. Almost mimics hair. Coming out with the cat says there are lighter bit. We're going to add some darker areas as well. What might these pots a little bit darker. And that's helping just keep this distinction between our different areas. That clear outline. When you're all done with your practices, I would love to see them send them on over, asked me any questions that you've got. Just going in on these darker areas. There we go. You're given her a nice smile there. Maybe a little bit closer. We're going to walk on the lower part of its neck now. Once again, following a clear direction for the fair share. It, it's just a little bit different to the foundation. As you can see, the flower on top of the foundation layer. Remember any downloadable resources they are all available for you. Don't forget you can download them. All of the information is in there. Bringing out more of the fair on that lower neck, adding more shading layers. After this, we're really just going in with that texture. And then we'll change the color. I'm bringing in some of those dark areas. Here we go with some shading layers on these darker parts. Even if you don't place a light source into your image, is good to have an imagined location and direction of that light. You can work to that. And for people viewing your art, they'll get a sense of where the light is in the image. But we changed our brush. Now. I will change the color as well and work a little bit more on the mouth. Like to color. And a little bit of depth. Using a lighter color again, for these little freckles. Setting up a location for the whiskers. Now we're going to go for a darker color and we're going to work on the eyes. So we're making the eyelash much clearer. Just shade that in Felony line and coloring that in your cover that on both sides. Now, as I said before, it's okay if your eyes turn exactly match. After all, human faces don't, animal faces don't always slightly different on each side. Now we're going to work more on the body texture using the hair brush. If the video is all too fast, you can always stop the video and try to catch up. And then as well, if you find that the video is too slow, you're welcome to watch them on a fastest speed and then continue. That way you're working at the pace that is best for you. So we're going in with a lot of different colors now, creating a lot of depth in that for the legs as well. Tail. We're going to work under the neck a little bit more. He's good to take a step back and look at your work and see the areas that you want to address. So for now I'm going to work on the tail little bit more after my step back. That's the area that's popped out to me. We're going to choose a darker color. Again for drawing parts, you can download outlines and you can download grids. And these can help you through this course that either you can draw from them, where you can print them and practice. I've gone in and added a lot more detail to the tailor. I'm pressing the feet as well. We've already built up a nice color palette for the cat in the lighter areas and the darker areas. As well as the general for what we've done here is we've really, we've created it's general skin texture and we fade to the original stains and lines. Now we're going to work on the details. We're looking at the legs. Nice bit of color there. So we're adding some texture on some parts with a lighter color. And we're going to show the hair of its body. This is a really good practice. The more you can do these techniques, such as creating, smudging and fading colors, blending them during that base color, and then color staining on top with the light in the shadows. These are fantastic techniques to practice. The more you practice them, the more comfortable you become with all of those techniques. Okay, so we're going to go in on the cheeks. They're a little bit more fluff. In these parts. We're going to feed them with smudge. As you can see, they're not separated lines. They do come together. Once we've done that, we're going to go on with a darker color and work more on these parts of that darker color. There we go. So this is a nice distinct area now with a fluff fluffing up in the sides at the top of his neck. So much about, is just about making choices and committing to those like these fluffy bits. These are fantastic areas to show character. And next we're going to work on the whiskers for our cat theorem. Before we set a base area with these freckles, we're gonna go in and draw in our actual whiskers, much smaller brush. So we choose a studio pen and a white color for the whiskers. And here are the whiskers of our cat. We added a little bit detail in the ears as well. Now we're going to work more on the details. On the legs through changed up the brush, adding in our highlight areas on the feet there. Okay. Next, after we've done this, we've done all our feet. We're going to choose a slightly darker color. And we're just separating all of our little toes. Keeping that cartoony style that we originally fleshed out in our sketch, bringing that back in. Now that we're addressing the detail. That was nice and clear. Where you're just much that out a little bit to keep it cohesive with the rest of the drawing. There we go. Now we're going to add some darker stains into these parts. This is our shadow, as we talked about before. And I really does help just to keep these areas distinct. Separating the toes, making the leg nice and clear. Parts of our cartoony style here. We're adding some detail with the lines and these parts. This is the part of our sketch that we're harking back to. I'm bringing into our final product. These are the parts of the details over you can really say, hey, look, this is a choice for my character. This is who they are. So you've done the work and now others detail, we're just setting it in stone. I'm going on a little bit of some highlight their work a little bit more on the pause as well. Nice and clear little detail moments with adding some lines in this part that make whole work more and more beautiful. Nice detail moments that highlight the techniques that we've been working with. His highlighting beautiful moments in our outlook. So we can create some hair for the cat as well. They changing our brush. And I'm going to open a new layer. Just testing out the hair makes it a couple of different colors. Very curly hair is we've added that lighter color, a highlight. This up, do a couple more. We've got some nice depth within our curls here. We're going to add a new layer into this part. We're going to start to work on the balloon. So changing our brush to draw a nice outline, the baleen, They're nice you can see because we're on that new layer. It doesn't draw over our cats. It works nicely. And what's there? And working on our balloon itself, we can change the shape slightly. If you have a different idea for, you prefer a different way. We already just working over the sketch from before. We have a lot of freedom hairstyle and we're adding some stains into this part. So we've got our lighter highlights going in. Just fading out. Stains. A nice blended look. Some even lighter stains. Really highlighted. To thinking about that balloon of this material is also going to reflect in a lovely way. We come back to the layers and now we're going to remove the extra lines. It's going to our sketch layer. This level, our work is finished, so we've saved it up here. Make sure you save your work. Exported. We're going to change our layer. And we're going to consider the ground that the cat maybe sitting on. Change our brush. And this is going to be the shadow of our caps. So we're just creating a bit of ground. Based on the shade. Our cat will cost from where it's sitting. We're considering that part as ground for the cat. That as Allison, I hope you've enjoyed it and I will see you in the next tutorial. Take care and goodbye for now. 8. Bear Character Drawing: Hi friends and welcome to this new lesson. I hope you're all well. In this lesson, we're going to work on animals. And we want to create a character based on real images. So first of all, we're going to import the reference. And the reference is just gonna be a great place for us to work from the references, an image which we're going to have an illustration according to the reference. I selected a bear. And this is our reference for today. Selecting my paint brushes. We can choose a brush and then sketch a barrier according to our reference with a gray color. It's good just starting out to get that rough outline to really look at the shapes and identify those. So you can see I've identified a circular shape for the head. And then Laura, rectangular almost going off into a triangular point. I'm going to draw the eyes of the bed. He's quiet a lazy, but I would say is there any spreading his feet out, sitting comfortably? We're going to make its arms longer. This is just an order to exaggerate them. In the image. You can see I'm just drawing on his feet a little bit. And this is where his stomach is going to sit, just here where that curve is. Well, this is the sketch prologue. So we're going to close the reference because we don't need it right now. We don't want to rely too heavily on it. And now we're going to work on our character. We're going to open a new layer and lower the opacity. Let's layer two. We're going to work on our back hard to, from here. Just going in identifying that is the rule outline, the face there. Solidifying those shapes that we identified during our sketch with a little bit neater of a line. Don't worry if you want to pause the video so you can really focus on this and then come back to it. That's absolutely okay. Go at your own pace. Just drawing in the eyes there. And the arms. Now on to the legs. Readiness working part by part. Those arms and those hands go in and draw feet and the toes. So really this stage is great just to clean up our lines a bit more and settles down the lines or character we know the shape that we want from our sketch. And now is setting in some clean lines for our character. We're going to draw it with some sharp nails on its toes, their little feet and then sharp nails on top. Then going in with the hands as well. Some sharp claws and on the other side. So I can go at your own pace. Once you've done that, we're almost going to have the shape of the character that will have come together. You can see very clearly all its limbs. The shape is it faced the shape of its body that's come together quite nicely there. We want to make its face just a little bit bigger. So you can see you have a raised some of the lines there just to expand its chin even further down. What Adeline on this part to show just the gel of its face. This is all bad character. Now, let's go and color it in. So we're gonna go to our layers and we will open a new layer in this section, bringing that to the top. Now, for the color of that, I think we're going to choose a brown color. I'm going to work on his body hair. Nice brown there. You can play around with your brushes here. Give it a nice texture to work on the body here. I'm ready just filling out the arm hair. With our base. We're going to choose a dark color and add some brown stains in these pods. So you can start to see a little bit of shade just coming in. I'm going to like to color some highlights and just smooth that out. You can see that on a sign that we're going to work on different parts of the character. Now I'm going in for body, the chest and the stomach area. And again, I'm giving it a nice base color in, get the foundation. In. There. We go. And we're going to add those colors, stains onto the bed. Just like so. Nice. Body hair going for the bear here. Now on to the arm. You can let your intuition that your instincts guide you just a little bit here. How do you want your character to come together? We're adding colored stains in the first layer. Then we're going to add details and texture onto the body. Whereas the main thing, we're going to add shading layers in all of these areas. You can see that dark color is I'll shade. Making them be good as you're going. Just think about where the light source is coming and how it's hitting your character. These all good little details, just to bear in mind. This is good practice, really just going in with our coloring. If we remove that layer, you can still see the character. They're blocked out by the color. Can be good just to take a step back and look at those different layers and how they are complementing each other. We're just adding our colored stains onto the face. Nice lighter color. Adding some colored stains on his gel now, separate that changed a little bit more. There we go. Separating those areas. We will remove the lines at the end. The lines are really, they're useful for sketching as seeing our character while it's still coming together. And then new downloadable resources, I put all of the information that you need for more practice. So don't forget to go through them and keep on practicing and will always make your work better. This is colored in. Now, going on with those colored stains changing up a little bit slightly lighter color. These are the parts around its mouth, around his face. Just giving them a nice distinct separation here. Remember all brown shades that compliment each other. Now we're going to add dark stains on the lines. You see all of our sketching lines, we're going to go along those with our dark stains. This as well just help keep the shape of our character and how you choose to shade as well. That's going to add the character of your bear. So play around, have fun with it. We're just adding a dark stains on the hands and the leg lines over here. We can also add some stains on his legs on its feet. Just like so. You really can play around with these stains. Play with light, play with shadow, play with the character. Feel bad. As you're playing. If you feel you need to pause the video and go back over it, that's absolutely okay. We are here for you and we're just going to add some fade next onto our shade layers with that smudge tool that we've encountered before. Fade those together, give it that nice soft look. Then the next step, after we've done our fade, I'm going to add some light layers on top of this. Just bring together all of these highlights. We fade the stains and lines of the character in order to keep and show its body texture. So you can see that's starting to look almost like hair. Like for all bear. Just fading is hands down the fading the legs. We try and fade these together. Just connecting it to the stomach they're bringing together that fell on the leg. Perfect. You guys are doing great going in with that color, going without food, we don't smudge. We've done sketches, really just bringing it all together. And it's okay if it's quite a step-by-step process. It's about the long haul. And we are working on the color of its body. And after that, we will add details onto the character. This is exciting tile. We start to see it form. And all the outlines and grids are done and ready for use if you need to practice your drawing. There'll be a great help throughout all of these lessons. Feel free to go through all of the resources and practice at your own pace. This is your character. Sr, just softening that is bringing the face together, still following that shape that we set out during our sketch is almost finished. Now, when we look at it, now we're going to work on the legs and the hands. Going in to detail out the toes and the nails. It's changing up my brush here. And you can change up your brush selection within these folders for whatever works best for you. So we've changed our brush and now we're working on the nails. For these toes, nails, she can see we chose this pink color with a bit more of a gray tonality. It's going into the poor pads, which is the color of this part. Slightly pink color lines. Just as before. We're going to work more on the form of its foot by doing this. This is matching those out. Again, a little bit of highlight that we then fade. Here you see the form of the first starting to come together. Now we're going to add details onto the toes and onto the nails hair. And you can see taking that darker color and going over the sketch line and then fading in that smudge tool. Already that was really starting to bring together the foot much more having that detail, shading and coloring in there. Then we're going to work on the hands as well on already. We've really come a long way without bear. It started to take shape. So well done guys. And if these videos all too fast, always stop the video and then catch up in your own time. You can continue at your own pace. And that way they won't be overwhelming for you. Just going into some details on the hand here, highlighting the nails a little bit. Doesn't that look better? I'm going to walk on the other hand as well. It really is, it's much nicer to work this way. We'll go the broad strokes with our sketch and then we come back in closer and closer to our detail work, filling it out with color. And then going into those little parts like the nails hair, it just lets us see the overall character and start to flesh it out. Even more. Good tonight, even better as you go. Step-by-step process. It doesn't have to be daunting. It's all our own pace. We know we added the colors, stains and then light layers. And then finally we've just faded them here. We also do the same to connect the fingers to the body. Now we're going to work on the other leg. Once again, creating the form of the foot. Are putting the pads of the foot in there and adding a little bit of highlight. Like so. We're going to color in the toes. Just referencing the other further. So again, we're going to draw toes of this part. Like so. For that line from the sketch, we're going to fade this part as well. The agent tool Smudge for the highlight. There we go. Sorry, faded those lights sayings. That's more in on the toes here. That together using that smudge tool. A little bit of separation now between our toes and the base of the foot. This much fades color the same as blending stump. Now began to open a new layer. We're going to add shading layers onto this part. The best way to practice is to follow my hand movement. And you can stop the video watch a few times if needed to practice at the same time and then resume the video. It's however you best prefer it adding in shading layers and it's almost finished. We're just getting the shade underneath the bear. There is another new layer here. Let's do really flesh out. I'll shade a little bit more. Shade directly under the bus where it's casting a shadow. The strongest. We've added shading layers, and that is almost done I call the two layers are just combine those. Now, opening a new layer and we're going to work on the eyes of the two dots. We can change our brush as well. Working on the eyes now. Then the nose. Don't forget guys, you can download your downloadable resources and go over all of the resources we've given you this good practice to help develop your skills. So just drawing how the face a bit more like Howard are really starting to come together. Nice, happy smile. Then once you've added our highlights, we can take the smudge tool and fade them a little bit there. Now we're just going to change our color and our brush. And we're going to go in with some cream stains for this next part. Really highlighting the face of the pair. Paying attention to that light source coming in from the left. Okay, and then now we can go back to the eyes and walk a little bit more on those. I'm changing my brush back again. We've got a nice shine in the eyes. The light is reflecting off of them. Smudging as always, we can do a little bit walk around the eyes as well. Starting to add in some nice details differ on the bear. At this point, I'm really just want to add the details of our character. Starts draw in, our eyebrows coming in now. Just solidifying the expression. Nodding in the form of the ice can add some dark dots around size. Just like say. You can really start to see the character of the back coming through in these details. Here is our character and we can add some light layers on his head to stop here. Change the color just there and the brush. Just go in. A little bit of light on the head, softening the bat even more. We're quite a friendly personality now. We can also add some light layers on its stomach and onto the hands. Wherever you feel really dislike. So our characters really coming together. Now we're going to open a new layer and changing the color. We want to draw some teeth. For all the drawing in the teeth. We're going to choose a pink color and lower the opacity. Add a nice little blush here. Quite a soft that with the opacity lowered. So here is our character based on our reference. She's come together with our voice. I hope that you enjoyed this lesson and I'll see you in the next tutorial room to export your work. Keep it saved and goodbye. 9. Under the Sea: Hello friends and welcome to this new lesson. I hope you're all well. In this lesson, we're going to create a beautiful landscape of underwater. We use different themes of blue colors for the underwater, as we know, has a very good harmony with orange, which is the complimentary color of blue. And when we go from the blue colors to the green colors, the complimentary color changes towards red colors. So it's very important to consider complimentary colors for coloring. And try to use colors which have good harmonies when put together. As usual, we're going to open our page with proper screen size that we want. Once you've done this, we're going to open a new layer. First we are colored stains and our work same as the previous lessons. Let's go to see the photo which we want to get inspiration from. And we'll tap on the reference. And then we're going to choose the photo. E.g. we want to illustrate a space such as this photo. We use this photo as a reference, but we have different fishes and special characters based on our own style. As we can see the reference, it is used cobalt blue colors. Doug, unlike tonalities, and green-blue color of this pot, its frame is almost divided from the middle. Low power consists of corals and we can see the water in the upper part and different fissures in our work. Now, we're going to close the reference because we don't need it right now. First of all, we're going to color our screen with blue color. It use a wet brush. The more we add layers, the color becomes darker. Same as the watercolor technique. Okay, and then we're going to color the lower part, which the corals were down here. This color is very good for the corals part. Next we'll choose another brush. In the first level, we create the dark parts of this underwater world. Will add more dark stains in these parts. And the line between the coral part and the upper part. Okay. Now we're going to fade them with the smudge tool. Thanks. So now we can choose a lighter color. We're going to open another layer. We can go back to the brush library to choose a suitable brush. We're going to choose the ocean brush to create the feeling of the water. We can open another layer. In this layer, we're going to work on the stones of the sea. For this part, we can add some lighter colored stains for choosing the rock brush in order to add a rock texture in this part, we wanted to create the feeling of the stones and corals in all luck. Just like say, we choose another brush. We're going to work on some rocks in this part. Still keeping ourselves in this coral area. Now we're working on the rocks at the moment. It's giving them a little bit of an outline with that lighter stain. We're going to work on the stone of this part. Now coral rocks. Here we're going to draw some plants. Let's choose this color. Will create some rocks in these parts, will add texture onto these rocks. They also work on the rocks which seem far away. We choose a lighter color, then we're going to work more on the rocks. Will add some dark stains in these parts in just a minute using some darker colors. Let's finish here with the highlight. Now adding in the dark stain. Some shadow. Would choose another brush. And we test different brushes in order to see which one has a good effect. So don't be afraid of testing different brushes and seeing which one you prefer. Working. Now a little bit more on these lighter areas. It is important to have our own style. We should always use photos because they are the best references. You can use that details to create paintings based on our own style and avoid copying from the photos. Creativeness is very important. If we copy, we will lose our creativeness. I'm bringing a little more like that. Now let's create some rocks in these parts. They seem far away. Awesome rocks in this part as well. And we add a gray tonality on them just a little bit. In this part we add darker stains for the stones which are further away. In this part, there are some coral weeds were just add those in as well. Then some stones in this part, which is just a lighter color now. Now we're going to work more on the edges of the rocks. Just like sorry. We're only picking up that highlight along the edges that we work more on the light parts and the edges. So now we're going to open a new layer and create some algae with a blue color. And we can draw some plants in this part. We're gonna add some algae in this part with a green blue color. Might want to just zoom in as you do this. Just as I have to really help you see that detail. If you're not used to drawing leaves, It's okay just to take some time to practice the technique before you put it directly into your digital painting. And as always, if anything goes wrong, you can always rub it out and try again, not a problem. We add some plants in this pilot. We can also search to see different alkene and use them for our work. So you can sort of mix and match a little bit. If the video is all too fast, you can always stop the video and try to catch up and then continue. So then they won't be overwhelming for you. You can always do this as well to add in your own references along with the ones that we're providing. Now we're going to choose a lighter green color and draw some sea plants in this part. It's good to watch the drawing parts a few times and practice at the same time. Here we go drawing in some sea plants in that far away distance. Now, we're just choosing a lighter color and adding lines onto them. Another little detail for all seed plants, we just wanted to create some algae and plants in this pot. Practice these techniques more than once so you feel comfortable applying them. Okay, So we've added some plants into this part. In this layer, we can select these plants. Then we get some copies and add them in this top graph, the copies now we can put them over here. Then we're going to work more on them. This is an easy way to transfer across a repeatable items in ordering, not neglecting, of course, to go back and just look at the lighting and shadow. The new location. We're going to open this layer. Then we're going to choose a lighter color and work more on the stones. Looking at the image, can you see what colors and tonalities we've used? We use blue and green blue colors because we will work on the fishes with red and orange. So we've used the complimentary colors and we work with our color theme. Now, the background is finished. Now we're going to draw a fishes in our work, open up a new layer. And first we're going to show the fishes with colored stains. Just change my brush. This is gonna be our fish stains. And we're going to add stains in these pods. The fall fishes are smaller and the front fishes are bigger. There are two or three kinds of fish in our work. We can draw a model of fish and then copy and make it small or big, a different paths. We determine the place of the fishes with the black stains. Okay, so once we've done that, we open a new layer and we're going to draw the first fish. We're going to add an orange stain onto the fish. First off, I'm just drawing the shape of it. Didn't get the correct outline. Being very careful to keep within the lines. Then we choose a lighter color and add details onto the fish. Will go with the darker color and add more details on. There we go. Then we're going to fade the colors in order to show the ceiling of the fish skin. Once again, just going in with the smudge tool and fading colors down. So we drew the straight lines at first and then faded them just like this. So now we're going to work on the fissures. I excite. As you can see, we chose a red color. Then we're going to add texture onto the fish. You go. And now we choose a lighter color and work more on these parts. Rudy just pulling out all of the highlights, getting the texture in, and adding a little bit of shade. We choose a yellow color and add some small stains on. In this part. We'll build up the texture just a little bit more. This is one of the fishes. We're going to get some copies from this fish and add them on these other pots. Can we adjust them however you like them? Okay. So the fishes in the next together usually have the same size. We are going to add some small fish on this part towards the back. Now we go to open a new layer and draw another fish. Always keep practicing, especially at the same time, you're watching videos now is the perfect time to practice away. So we're getting in with a red fish this time, which is complimentary to those green colors we talked about earlier. Okay. We're going to work on it. Okay? And now we can add a little bit of shading in and start to bring in some details on our fish. We can add some stains in on this part. You put this nice pink in. Then we can fade them down. Just make them more pop fish, blend them in just a little bit. Okay, so now we're going to copy this fish. Just like before. Don't forget to go to your downloadable resources. All the information is available there for you to have a read through. So you should never get stuck all that anytime you like. Okay, so now we're going to draw some smaller fishes. We're going to draw the smaller fish with a yellow color. Just the same as before creating the outline in our base color first. And then we'll go over it with the detail, lighting and the shadows. Starting with this, I am going to use a darker color for its fins. So there are some patterns on the fish. Again, we're going to copy this fish like so. We get some copies from the fish and then put them on our work. We merge the layers of the yellow fish. Then we're going to copy this layer and make it slightly smaller than and add it on this part. We copy it again and put it in this part. Then we're going to delete the layer of the background. Then let's change the place this fish put it in this empty pot. Luck is finished. We use complementary colors, blue and orange. We use the red color for this green part in order to have harmony between the colors. On top of this, we added some light stains in this part in order to show the reflection. I hope you enjoyed this lesson and I will see you in the next tutorial. Bye. 10. Animation - Under the Sea: Hello friends and welcome to this lesson. I hope you're all well. In this lesson, we are going to make a small gift with these fissures. In this level, we should insert the photo that we saved before. If you follow my hands up here, you got to see exactly where you need to go to insert that photo. We're going to tap on Insert a photo. There it is. See all of our previous layers. Just along the side here. We're going to delete some layers because we don't want the fishes of these layers in particular. We just follow along my hand movements here. You can see that I'm just de-selecting certain layers and leave the rest selected. So the ones that are de-selected, we're going to delete those and you can see dislike those along and tap Delete. Going up into our actions over here and start our work. We're going to tap on the Animation Assist. Then we see some layers at the bottom here. In this part we want to apply some changes in these layers. So we choose this layer as our background. And then the changes are going to be applied from the next layer over when we tap on Add Layer. And then we're going to apply the changes that we want in this layer. You can follow along my hand movements here. And if it gets too complicated, pause the video and take it back. So we go back to this frame. You can see what about the fishes to move? And we want to put them into motion. Fellow long hair. Go Fish selected. And don't worry if you lose anything in this layer, you can take it all back. The work should be done layer by layer in this frame. Let's just take it one fish out of time. We should have the background or first then make the fissures be emotion layer by layer. Then we want to make the fish move and have that motion. So we're going to copy the layer as you can see. Again, in another layer, we add emotion to the fishes, coughing that layer and giving them a new motion. So we opened this copy layer, we select it and move the fissures one step forward, as you've just seen. So selecting them, moving them a little bit forward, just like that. And this will give them a gradual motion. You're going to select this one, move it one step forward. Just like that. And again, you can take the video back, practice it a couple of times. Don't worry if it's confusing at first. But each of these fishes, which is gonna be the same. So we've selected these red fishes. We can move them one step forward. And again, selecting and moving. We open another layer to select those fishes and move them just that one step forward and you can start to see the movement here. We're going to test it to see what it looks like. We paused it. Going to move the fishes of this part. Just one more step forward. Actually, we move the fishes step by step. The layer of the background and the layer of the motions are all separate. And don't worry if this starting to compete easy for you. Perhaps it is. Having this practice is good. Let it become a second motion for you. We're just going to be the step-by-step, nice bit of practice of animating these fish. Applying these changes on the fishes and moving them one step at a time. Just like that. Actually we've classified the fishes. You can start to see that journey there. So again, we add a layer. Just do the same, selecting each group and moving them over. There. Don't worry if this is confusing at first. Take the video on back and give it a reward. Sometimes these things just need an extra second just to really sink in. And that's absolutely okay, practice makes perfect. Now we're going to have a look at the motion of the fishes. You can see that journeys really coming together here. And then this part we can choose ping pong mode for the fishes motion or shop mode. You just follow my hand movements that are just change it to ping-pong. And then you can see the difference when we play. Now we can give it a go in a repeated motion. And now we're going to choose the speed of the fishes. So it's changing the frames per second or just the speed of the fishes. We minimize the frame rate that makes the motion slow. So now we can have a look at that result. You can see that just moving slightly now, much more gradual motion. We're going to delete the extra layers. We can just clear this up a little bit at the bottom here. Now let's see the process again. That's much smoother. And the yellow fishes didn't move in this layer. We're going to add them an extra motion. You've isolated the layer. We're going to give them an extra motion. Just like say, let's see it go again. We can continue to add motion layers as long as we want. We can make that timeline as long as we like. Now, we are going to move the fishes of this part over here, selecting them and giving them a little bit of a movement. Yellow class of fish. And I go, the orange ones. We do the same for the fishes all around the scene. Now let's read ones. We're going to erase these fishes and then we'll keep the rest. We've just taken one of them out or move the fishes of this part a little bit lower. If the motions of the fishes, we want them to be constant and move them just little by little. And that'll make the work much better or make it smoother. So it's a gradual movement. And the fishes became half in this layer. Just removed it there. Then we're going to get a copy from that fish. What we're doing now. I'm going to merge this layer beneath the other layer. We're playing that now. And let's see the result. You see it. At this level, we're going to save it. It's always important to save our work just in case definitely doesn't hurt. We're going to export it as an animated MP3 and save it to our file. He fell along with just exporting that. Now. Save to files. Again, we're going to save it as a gift to our email exporting that. Now let's see it in our files. Saved just there. And that's saved as a gift. There we are. And we want to look at different forms of saving. There are a couple of things that we can do without exported GIF. So if we follow along to your animated GIF here, you can look at frame rate e.g. and change the speed of the fishes, make them faster or slower. My changing those frames per second. You can see that just there. And that is all less than finished. I hope you enjoyed this lesson. Please don't forget to practice at home and send me your assignment that asked any questions, take care of yourself and I'll see you next time. 11. Starfish Character: Combining Artworks: Hello friends, and welcome to this new lesson. I hope you're all well. In this lesson, we're going to draw a star fish in the sea, and we're going to use Procreate. So to begin, we're going to open a new layer. And then we're going to sketch a starfish or gray color and determine its place in the scene. Don't forget if you have any questions. You can always feel free to reach out. No question is too dumb. No question is too silly. Please just reach out and I'll answer the best of my ability. Here we go. Placing our starfish in the scene, give it a nice central composition. We sketch the starfish quite generally at first and after that, we're going to work more on it, bringing in more details and building up the character. This is giving us a nice general shape. To begin with. We'll look at the work in order to check the progress. Keep checking in with the different layers and how it's coming together. We're going to determine the place that the starfish using that gray color. And that's going to be our general sketch. Now we're going to add some light stains on the starfish, but they liked the color. We're going to start to see how the starfish is affected by the light source in the scene. Where our shadows are and where is the strongest light. Shading layers on it. We've colored stains because we want to add the dimension onto the starfish. We want to draw eyes on Starfish and start to make a character. Already you can start to see the general shape of our character. We're going to call it stains on it, and have a contrast now between the colors. And you can test these colors out before you go right in. Adding some stains in these parts with a warmer color, I'm going to create a warmer character. Let me go just really flushing our highlights. Going to work on these stains coming you know what, that dark color in the same contrast. Remember that smudge tool is there to feed them together and create a smoother look. Fading the colors in this level. Okay? Just like so. This is some really good practice for our color work. Now fade. Now we're going to work on the eyes. Really does establishing those eyes. We're going in with a dark stain on the edges of the starfish. And this is in order to add some more dimension to it. I started to give a bit of a 3D fill. Going along with the darkest areas are the starfish. We add dimension on the starfish because we don't want to have a flat starfish. Of course it is a 2D image, but we can give it a dimension to move that Flatfile. Give it a bit more life. We're going to add to it skins. We can add texture onto the Starfish. Now, you can see we changed up the brush. We're going in with a lot of texture. We do want to show off the texture of the body. A little bit more life. You can go on as well with some more highlights. We're building up the starfish. We're going to select a darker color. Select this color and make it darker. You can message anytime if you have any questions. Of course, feel free to pause the video at any point. Or you can affect speeded up and you find it a little bit easy, taking it all at your own pace. If you do want to message me and I can guide you with whatever it is that stumping you. Really going in and fleshing out these shadows here. Building up the texture, building out the dimension. At the same time. It's starting to come together. We've also worked on the skin texture of the Starfish. Now. Now we are going to start to work on the corner of its eyes. You can see I'm adding in a bit more highlight. They're coming in from the left and giving it some more shape. We're going to talk a little bit on the nose as well here. When you're done with your practices, please send them to me so I can see how you're getting on. And I can guide you. As you can see, we're working along on these colored stains here. As you guys know, downloadable resources are all available for you, so don't forget to download them. All the information you need. Is there really going in with that colored stain? And bringing our character to life bit by bit. Creating a nice bow, fair for it. All of this is happening with our color work. We've managed to get light, shade, texture and form all through your color work here. Just smoothing that out. So we work on the lip as well and add on our light stains. Okay. Let me add some more detail onto the nose. All the outlines and grids are done and ready for you. So if you need to practice your drawing, these are a great help for all of your lessons. Never hurts to practice. Can see we're just flushing out the form of the nose a little bit more with that lighter shadow there. Building up our character. Just like say, Well, we've drawn a small nose for our character. And next we're going to add some details onto its eyes. Got a nice color for the eyes. And actually we're going to work with stains. We can create some negative and positive spaces. By doing so, we'll add our colored stains onto them. Go to some flux of light in the eyes. And we're working on the round of its eyes around the outside of the eyes. Really building up that space. Okay. Then we'll do the same for the other over here. Just like so. You can see the eyes are really starting to come together. And really we've been working on negative and positive space with our color work and are like stains on top there. So you're creating the lights of its eyes are those small light stains. And then we're adding some dark stains in order to create contrast in the pupil of the eye. Just like say. Of course we call it that smudge tool there to just fade things out a little bit, blend them together. You can see that's much gentle look now on the inside of the eye. Okay, I'm going to draw eyelids for the eye now. Just at the top there. And then eyelashes. Giving even more personality with every single detail. We're going to draw a line around the eye like this. Really just establishing the form here. And we can also show the form of his eyebrows just like so. We're using the theme color, but with more red to the tonality in order to add some more stains in this part. Creating a little bit of a blush there. Along the nodes as well. We add some small white stains onto his skin. Is too long then I'll starfish is finished there we are. Next, we're going to work on the background. So the sea landscape that are starfish lives in. So we need a background in order to add the star fish onto it. There it is. We will have our Starfish resize to the background and we'll have it just reclining on the rock over here. Okay, and we can add some light stains into these parts. Like so. This is really just helping it to sit into the background. Even more to line up the light. You're going to fade the colored stains on its legs using that smudge tool. And we're going to work some more on the dimension of the Starfish. Now, finding that out in the beneath layer, we want to change our brush and add some shading layers behind the starfish node to show it better and to fit it into the background quite nicely. We want to show the shadow of the starfish. Here we go. Ready just bringing the starfish into this background by adding is layering, adding its shadow. There it is. All the points of the starfish. More immediate shadow. Again to work more on these pods. Ready, just bring it into the scene. By doing this. It's quite nice by adding in these layers here we really start to marry up the layers of the starfish and our background, make them exist in the same world. What you may notice is that the shadows are lining up with all of the points of the starfish that much shorter, whether closer to the starfish and then extending the further away they get. Okay, so now I'll work is finished. We've drawn a starfish character and then placed it into the sea and married up this image is very nicely. I hope you enjoyed the lesson and I'll see you in the next tutorial. Please take care. I'll see you soon. Bye. 12. Love Sign: Hi friends and welcome to this lesson. I hope you're all well. In this video, we're going to learn how to add a text on the screen and how to work with it. We're going to draw a night landscape at first. In the first step, we're going to make us green, dark. As usual, to create a space with light and shade layers, we're going to color the screen with a dark color because we want to show the night. Then we add light layers. We consider this part as the sky. And we make some parts of the sky darker. In the next step we're going to create a ground where it's better to say a stage for our work. So when you separate the sky and the stage, then I'm going to make this part and dark. Actually, we will add our text on this part later. We're going to add some lumps in order to practice how to create lights as well. We draw 2 bar the lamps in these parts. Then we're going to draw some lamps on this part. Now let's go to see how to create lumps and light in this beautiful night and add text with its lights. Now we're going to work on the lights parts. We open the layer. Choose a medium brush, you choose a light color. Then we're going to show the place of the lamps with the light cycle stains. These are gonna be all lamps. And we will work on light reflection later on. Building up a string of lights through choose a dark color in order to draw some wires. In this part. Then we're going to draw some light circle stains as lamps on the wires. Just like so. And this part would choose a light color, a lighter color with another brush. In order to add light layers around them. We'll lower the opacity. We can see we add light stains around them to show that light reflection. We create a light halo around the lamps with the opacity. This layer, we choose a light yellow color and make the brush tip smaller. Good work more on those light bulbs. Read them a little bit more detail, a little bit more definition. As we can see, we are working on the light bulbs. The opacity is low because we want to show the form of the light and the shade layers. Again, we choose a light yellow color and add some light stains on them. Okay? Now we're going to do the same for the others. Then we're going to fade them with smudge. We should use shade and light layers with lower pasty in order to create lights. In our work. We create sunlight halos. In these parts. We're going to work more on the lamps and make them more around. The opacity is still more work more on them with yellow colors. In your downloadable resources, I have put all the information that you need for more practice. So don't forget to go through them. Keep them lacking on alarms here. On the lumps are completed. Actually in this level, we've created background wires and lights. Next we're going to add a text on our screen. This level, we go to the Settings, then tap on, Add Text. In this part, we can create our favorite text. We can use these options to put the text in left, right, or center direction. Tap on the keyboard. We're going to type love. Okay, so now we're going to edit it. We've typed love. We can make it smaller or bigger with size. But we should select our text fast. Okay. So we're going to tap on, Add text. There is, we're going to type love. Okay. Now we've selected it. We can change its size, the space between the letters, the place, the letter can be up or down. And we can add underline or not. We can add two lines from this part. We can change the place of the letters and apply different forms. This is the style part that we can make our text wide, italic, make it small or big and bold. We're going to make it bold. This is the font part. We can add any fonts that we want to our text. There are many fonts like cartoony or a big typography, et cetera. Okay, so we're choosing this font for our work. We can leave the inside of the letters empty in order to add lights on them. Later on. Now we can see our text on the screen and we tap on Select. We can change the place of it and make it big or small and apply changes, that'll be one. Now we're going to apply some changes. According to our screen. This size is good for our text. You want to change something. We open this layer, then tap on Edit Text and open our keyboard. We select the text. Now we can add any changes that we want from this part. We've added our text onto the screen. Now we're going to open a new layer. Under this layer, we're going to add shading layers onto the text. I'm not going to work on the shading layers of the lights. Then we're going to fade the light stains with smudge. Next we add another layer. Then we're going to add dimension onto this part. So we're going to open another layer and we'll choose studio pen. We're going to add dimension to the letters. Now we're going to add the lights layers. We'll do it in a separate layer. First. We're going to fill them with white color. In the beneath layer. After that, we're going to put lamps on them and pay attention that you use low opacity for all of them. I'm just going to remove the extra parts. I crossed the line that actually we do this in order to add some dimension to our text. So you fill these parts with this color, but with a low opacity. So we can get back to the layer that we've created. Now we're going to add light onto the text. We drilled this lamp and little redraw the lamps with that color. And then we're going to work more on them. So actually we draw the lamps imaginary at first. Then we're going to add details on them, same as the previous maps. Now we can go back to it's beneath layer, going to fill some palm robot, anything that goes over the line. Now we go back to this layer and we're going to work more on the lamps with a light yellow color and low opacity. Now we are creating a halo around the lamps. Again, we're going to work more on the lamps with a light yellow color. We should work enough on them in order to see clearly the feel of the lights. And actually we're working on them layer by layer. Now what we've been doing here is we've drawn some circles in order to show the shadow of that. Now we're going to choose a lighter color and add light layers on them. Then we're going to fade them with the smudge tool. And again, we add some light layers onto these pots. Nice. And then we're going to add light reflections in this part. When you're done with your practices, please send them to me so then I can guide you step-by-step. They're just giving free when working on that light reflection. Well, we've added all text on the screen, then we've created some lumps light on it. In this level, we can work more on the lights with lower opacity. What we're going to do is we're going to choose a brush that is good to show the reflection of the light. Okay, as you're working just to test out the brush to the side and then undo it. Before you go onto your actual painting. We're going to work on the around the lungs with this light brush. We've changed our brush and try to work more on the reflections. With this light brush. We're clearly going to work more on the light in order to see clearly the field or their reflection. All the outlines and grids done and ready for use if you need to practice your drawing. There'll be a great help throughout these lessons. Here we go. Ready getting that light reflection. Okay? We're going to add some shading layers around the lamps like this. When you open the layer, which we added shading layers in this part, then we're going to work more on them. There you go. I'll work is finished in this level. Will save it. Then as before, we're going to go back to the gallery and select a cycle, a frame. And we will insert our photo. Okay? In this part we've created a circle passport out and put our photo in this circle frame. We can create different texts and add different effects on them. Same as this lesson. I hope you enjoyed this lesson, and I will see you in the next tutorial. Take care. Buh-bye. 13. Sunset Sky: Hi friends and welcome to this new lesson. I hope you all are well. In this lesson, we're going to create a sunset landscape for Procreate. The first level we'd have a reference and put the image, overhead seats, color theme. This is the color palette of our work and we can have some colors that we want. We go, I'm just going to move that to where I'd like it. And we open a new layer, layer two, and we choose medium brush. Then we're going to choose a blue color. Like say, we change the place of the image and we'll put it over here out of the way. Hey, so then we're going to color our page with the dark color. Bring the opacity up. Going in with the dark color, which determine the area of different parts and the first level, and we add the colored stains of different palettes and my work according to the image. Filling out that image with the different color palette stains. Then finally, we will add details onto the stains. Once we've blocked out the image. So we just add colored stains in the first level. Really following the reference image can use as a bit of a guide here, where we should place different parts of our color palette. We're going to add purple stains in this part. We use the image to see which color palette is used. We add the colored stains. Then we will add details on them. Too few because there are actually a lot of very warm colors in our work. I mean, some orange. We'll draw in some clouds now. Change our brush and make the brush tip smaller. Then you brush smaller. The nice othering of the clouds around all the edges that we're going to add light and shade layers after we've added the color stains. Now actually we are different color theme into our work. Let's bring out these plays. We want to have an attractive landscape of sunset. This image use purple colors with great tonality and the other different colors from an image. They're all different gray colors. In this part. We chose the blue collar. Just sending out by Cloud. We add the colored stained layer by layer. Use the small tip brush in order to show the depth of this part. Actually this part occupies less space on the page. I'm in a little bit more blurry than the warm colors as well. We're going to fade the colors. After we've added the color stains. Because here this is all starting to come together. They're the Cloud is done in clean line up quite nicely. So we'll fade the colors with the smudge tool, just like so. It's really just blend small together very nicely. We'll choose a lighter color for this part. Then we're adding in blue stains on the cloud layers of this part. So now we're going to take the smudge tool and we're going to fade these stains together. Don't forget to send me your assignments and practice. You can message anytime. So if you had any questions, let me know and I can guide you better. Really just smudging all of these clouds together, giving us soft, soft leg. This level we've faded the colors. Now we're going to change our brush pen. We're coming out with the cloud texture now. But we should choose a brush which gives texture and dimension to our work. Now, we're going to add some stains. I'm using this brush in these parts. You can see we're going to just pulling out the shadows within the clouds. Now with this blue, there are some clouds. In this part. You can already see rolling hills of the clouds to create a bit more of a landscape with the different colors and shades. In this landscape that are warm colors, e.g. orange and different shades like that, the reds and the yellows. There is a maintenance on the edge of these pods. So we should add light stains on them. Okay. Really helps to highlight the hills in the clouds. And we'll go in, I think with an even lighter color. We add the light stains until the light parts. Some colored stains as well. So I've already just showing where that light from the centers reaching, where does it fall. Now we're going to add gray tonality on these parts. And I'd stains on these parts. Then once we've done that, we're going to fade them. Already just brings it all together a little bit more. So as we can see, we added base colors of the work and created its contrast in this level. Now, what we're going to do is we're going to open a new layer. We're going to start adding light layers seem linearly in this part. Actually there are some colored stains under the clouds. Just getting the light coming through. Then we're going to fade the light stains completely. They start to blend much better with our light source. We chose a brush that shows the density of the clouds. We can adjust that as we like. So now we're going to add some light layers on these parts. Looking at the clouds around here. Then we choose a blue color. Again, is that cloud texture. It's bringing in that color stain. Now we're going to add some light stains into this part. Should be bringing through that color. Highlighting the break in the clouds. We can see the clouds are being shaped. Step-by-step. Coupon guy use long hair, bringing through those warm tones, highlighting the clouds. As we go. The color stains are in different parts and blend together. E.g. we have bloodstains and these paths, we add dark orange stains on these parts. There's the stains are not in just one specific popped. Add in some more light stains. You just gently expanding the soft area of light. So we can bring up our reference again. You can see we should add some dark stains into this part and add more orange stains in this pile load down, close the reference. Now we can add dark stains in that top part and add more dimension to the clouds. Already. Looking better. We've got that nice gray tonality in the dark areas. We're going to add more darkness to this part as well. Hey, there's deep blues. Dark stains under the cloud layer because when we add light stains later, the clouds we'll see more beautiful and better. They'll have deeper dimensions. I'm going to add orange stains are here on this pump. Add some yellow stains onto this part. Over here. Colors are really just singing now. Flush out those dimensions. The colors are almost completed. The now we're going to add some dark lines onto these clouds. The doing this really helps just create a clear line between each of the clouds. It's got some distinction between them. I'll walk is almost finished. Now we are going to fade these clouds coming in around the edges with that smudge tool and fading the mind gently. Okay? So if I add some dark positive circular movement like clouds, we don't fade some parts to keep the form of the brush. Just getting her softening it. Okay, so we choose a lighter color. Now, in your downloadable resources, I've put all of the information that you need for more practice. So don't forget to go through them. Okay, everybody just defining the edges of these clouds with the light. We don't fade the colors because we want to see clearly feel of the cationic form of the clouds who don't fade a lot to be able to give us the feel of water. We're really just trying to keep the cost in the form of the clouds. And also just in this nice and soft. Now Laura gray tonalities in the dark paths. You mustn't forget about those. Okay, so we are going to choose a blue color. Like say, you can carry that on blue and gray tonality through the rest of the painting. I'm going to walk more on these parts. Then we'll choose a light color. We'll add some yellow stains onto the light parts. The light reflection is more in the edges and we use this color more in these paths. If the video is too fast or is just stop the video and try to catch up, then you can continue. So then they won't be overwhelming for you. You can take these videos entirely at your own pace. Okay. While to rolling together. This dark area now, I'll work is almost finished. What we want to do. Before we finish up this painting for the day. We're going to add some more light stains into these paths, which just fade them out. Here. This is the landscape of the sunset. We save it. Now. We're going to add the image in the circle passive part out, saved. And now in this level, we had a frame that before we do any work on it. We're going to insert our photo. As you can see, we consider a possible attack for our landscape and we save it. In this style. We want to put all works in the circle frame. So we create a cycle passports out and put the other layers under this frame. And finally, we save the image. We can do this for any works. So we create a cycle frame at first, then erase the inside of the circle. Then we add our work in the beneath layer. I hope you enjoyed this lesson and I will see you in the next tutorial. Take care and bye. 14. Fantasy Landscape: Hi friends and welcome to this new lesson. I hope you all are well. In this video, we're going to create a galaxy at a spacecraft with Procreate this level, same as the previous lessons. We're going to open a new layer. Then we add colored stains on our work. This is the ground part of the screen. That is a tree over here. Just taking shape. We see everything like staying in the first level, we sketch the stains. After that, we will add details onto the stains. We're going to add black stain to the ground. Then we're going to work on the sky. Let me go back to the previous layer. We need a dark space in order to show the galaxy. Now we're going to add some dark stains on Sky because we want to show what will happen if a meteorite goes through the sky. We add darkness to this part like this. Filling in that top. Okay, and now we choose another brush. We add lights, teens in this part. There are some beautiful lights in this part that we can create. We're going to choose a suitable brush for our work. We chose a dark color and add stains in the sky. We want to show the sky in the night. We don't want to have uniform colored stains. We're going to choose a light color and make the brush tip smaller. Then we're going to, unlike stains in this part. Again, we choose another brush. We should search our brushes carefully in order to choose a useful brush for our work. E.g. this brush can be good for texture. Like that. We're going to use another brush in order to give us a better texture. Going to choose. Choose this brush. And then we'll add light and shade layers on the sky. On a new layer. Remedy on the light and the shade. Okay, so now we're going to merge these two layers. Then we're going to feed them with the smudge. Okay, and now we're going to change our brush. Okay, with this, we can add some texture onto the sky. Just like that. We'll add some light stains into these parts. We choose a lighter color and we add stains into these paths. Then we're going to choose a lighter color for this part. Then we're going to fade this part of the background is almost complete. Now we get back to the first layer in order to add more detail onto our work. We're going to work more on the tree. Designing some texture for the leaves here. Giving more of a realistic silhouette will work more on the shadow of the tree. We're adding more details on the edges in order to be more natural. You can already see in the leaves it's starting to look more realistic. We're going to work a bit on the trunk. We're just going to change your brush. So far we worked more in the tree and the shading layers. I'm just giving you a really clear silhouette. Listen nice branches that. Now we're going to work on the ground. Changing the brush. We add dark stains on the edge of the ground because we don't want the edge of the ground to be just a straight line. Shows some tufts of grass and a bit more of a natural ground. Now we're going to go back to the sky layer. Choose a brush in order to add light stains on the sky. You want to create some lights in a circular form. You need to choose a suitable brush for the lights. Okay? Galaxy is starting to come together there. Choose a lighter color. Now we're going to create a spacecraft in the sky. It using a blue color. For the spacecraft. We going to choose another brush. We've opened a new layer. We wanted to draw the space craft in this part. Just before the space craft, we're going to add details on it with a gray color. All the outlines and grids are done and ready for use if you need to practice your drawing. They will be a great help for all of these sessions. Space crafts. We're going to choose a lighter color for the outskirts of the craft. As always, we're just showing where the light is interacting with the object. Just like so. Then we're going to get the smudge tool and fade them together. The videos are too fast. You can always stop the video and try to catch up and then continue. So that way they will be overwhelming for you. All are starting to come together. Nice online. I'm going to use a darker color there, awesome windows on the spacecraft. Once again, we're going to choose a darker color. We can see we've added some windows onto the spacecraft. Now we're going to choose a lighter color and add some details to these pumps, which use a lighter color and add some light stains until these paths. Then we're going to fade them completely using that smudge tool. If you're unhappy with the placement of your spacecraft, you can change the place for spacecraft dislike. So we've put it here and we're going to add some stains with a warm color on the spacecraft. Stains should not be regular and uniform. Okay, We're going to choose a brush in order to create thunder. Again, checking out all the brushes and working on what's most suitable for you. We can change its place. It seems better in this poem. Now work is almost done. We can put the spacecraft in every place that we want. We can go back to this layer. Then we're going to insert our photo. We put our image in the cycle. As before, we can make the image bigger in order to show our work better. We can make it smaller to get more into the frame. Just like sorry. So we'll save our work. There it is. This is the galaxy landscape and space craft that we've worked on. It added light stains and showed the reflection of light. Now, we're going to choose a wet brush which is suitable for light reflection. Again, add some dark stains into these parts as well. As we can see, the reflection of my work becomes more natural. Brushes are very useful in order to share a reflection of lights. Really, really good. Now work is finished. Don't forget to practice at home. I hope you enjoyed this lesson and I'll see you in the next tutorial. Take care. Buh-bye. 15. Forest Perspective: Hello friends and welcome to this new lesson. I hope you're all well. In this lesson we're going to create a landscape of jungle. With Procreate. This level, we should choose the proper screen size I'm viewing angle that we want. We open a new layer and choose gray color. Then we're going to sketch. The viewing angle of my work is a low angle. It means the view is from down to up. There are some trees and there was light reflection in this part. The view of the trees is from down to upwards. Like this. Actually the corner of our work is dark and viewing angle is low angle. We're going to choose a medium brush and then create the trees with dark stains. After that, we're going to add details onto the stains. Just like reforming our tree trunks head. First we see our work in the form of geometric framing. Is going to have a little bit of a bubble. If you'd like. We'll add a green color to the beneath layer. Then we're going to add a light stains on the light parts with a lighter color. What you are seeing here, this is the center part of the sunshine coming through the tree canopy. The background of our work is almost done. Now we're going to add light stains in these pots. We have light stains under the trees, just like this. And what we'll do is we'll add leaves onto them. Later on. Again, we add darkness on these parts. Building up color palette here. We've added color stains into the first level. Like say, we get back to the previous layer, we're going to choose a brown color for the trunk of the trees. We change our brush and choose a proper one. Have a look through, see what you would most prefer. We had some wood texture brushes. So we're going to choose one of them that is suitable for creating the texture of wood on the trunks of the trees. We've chosen a wood texture brush. Mean clearly see the wood texture if we make the brush bigger and test it. Now we're going to a brand stays on the trunk with this brush. Don't forget to send me your assignments and practice. Going straight in with our wood texture brush. Seems like to add a couple of branches going into the foliage. As we go. You can see here you don't have to completely cover up the gray tonality behind. Really just going to help the wood texture pop out a little bit more. We're going to open a new layer. And you can message me at anytime if you have any questions, just let me know and I can guide you a little bit better. We change our brush. And now what we're going to do is we're going to draw in the branches with a little bit more detail than before. So you can see here as well, just made a clear distinction on the outline of the trunk of the tree, as well as the branches. Now we're going to choose a darker color. I'm just going to go in a little bit of shading along the side edge of the trunk. Just giving this a little bit more definition, we're going to add shading layers on the branches and draw some branches. At same time. You can already start to see how that's coming to Gandalf office tree. We're going to work with a dark color at first, and we'll add in the lighter stains later on. When you're done with your practices, please send them to me so I can guide you. Step-by-step. Defining edge of the trunks hair, starting to bring in our branches. You can probably start to notice is that we're drawing these branches towards the center. This gives the painting as a whole are more central focus point. We're going to add in shade and light layers on some of the branches later. You can see right now though, some of the branches are starting to come from the other side of the frame as well. This is getting a greater depth to our forest. Actually what we're doing right now is we're sketching the trees. The branches in the forest here, a thin, we're going to use a low hand pressure, but the lines of the trunks are thicker. You can see it's not to taper on the branches, but the trunk becomes wider at the bottom of the tree. When it goes to the perspective point, the trunk becomes thinner like this. As you know, downloadable resources are all available for you. So don't forget to download them. All the informations are in there. Okay, so we're going to add dark layers on the trunks with medium brush like this. Then we will add light and shade layers. The light should be more in the central parts. A few more branches here. That's looking good. Again, just letting Trump become wider as it comes down and taper off at the top. Now we're going to choose a darker color and work more on the branches. A little bit darker. Just like Sir. This work is really going to start to bring the branches to life a little bit more. And you can see we're starting to have a little bit of depth here. When the branch breaks off from the tree. We're going to add a light stains on the tree trunks. The outlines and the grids are done and ready for you. If you need to practice your drawing, there'll be a great help. Throughout these lessons. We're just going in the lifestyle and on each of the tree trunks. Little bit on the branches as well. Nice bit of detail. The trees are catching sunlight. That's breaking through the center of the painting there. Then once you've added in all the light, we're going to fade them with the smudge tool. You can see that starting to blend the darker and lighter colors together just a little bit. Okay. So now we're going to choose a darker color. I'm bringing in a little bit more shade onto the trunks here. And some more detail on the branches. Sending just a little bit more. We're working more on the branches here. The videos are too fast. You can always stop the video and try to catch up. Then continue. That way. They won't be overwhelming for you. Coming across empty the right side of the forest. The jungle painting. Really working on the branches of this part just to improve the overall image. A little bit more detail and make them better. When we draw branches up towards the light like this, I'll hand pressure becomes lower. It does taper out ever so slightly. For drawing parts, you can download outlines and grids to help you through this course. Either you can draw from them or print them and practice. Shade write down. We choose a darker color and add dark stains into these parts. This is the darkest area of the tree. No light is reaching. Then once we've done that, we're going to grab the smudge tool and fade them. In this way they wouldn't be too harsh. Yeah, overall painting. We've added the darkest parts now. Now we're going to choose a lighter color for the branches. As you know, practice makes perfect. Okay. Which using a wood texture brush that we're going to create texture on the trunk of these trees. You can already start to see giving the Treasury and nice texture. Now we're going to add some light stains on these paths. Let's start with the wood texture brush. In this level, we're going to start working on the leaves. But first we're going to add some leaves on the beneath layer. Then we'll be back to our layer and add the other leaves, which is a darker green color. In order to show the texture of the leaves. Can see those leaves just emerging behind the trees. Again, we choose a darker color and add dark stains on these parts. Now we'll open a new layer above this layer. Going to draw some leaves with our brush will change it from a wood texture. But it back to the studio pen. Okay, So add some leaves in this part of the frame. Since there are of course some stains in these parts. So don't forget to go to your downloadable resources and check those now. Really just going everywhere. Adding some leaves. Okay, well that's only use this palm. Also add them in these parts. Along these branches here. Keep on going. Adding in new leaves. We can create some of the leaves by tapping our pen on the screen. There's lots of different ways to do it. It's really whatever your artistic style is. I have a play around and see what you prefer. The leaves come from above in front of the camera frame from some trees that are off-screen here. Now we're going to choose a darker color. That in a little bit more detail. The riches of the leaves. The outline. We're going to work on some more leaves. Remember to add in the small leaves and the branches on the trees and frame. Add some leaves above the branches as well. Just to get them to think a little bit more. Next we're going to open a new layer and change your brush. Okay? We're going to show the reflection of the light in these pumps. You see the line glistening for the trees there. Now we can again with the reflection I'm will change our brush. We're really just focusing on the light now that's peeking through the trees. No fine. Now I really show that reflection. Smudging it out, make it a little bit gentler as it comes through the trees. So soft light from the sun, the light even more. And then we'll fade the light on this bar. Now we choose a lighter color and add light stains into this bomb. And we fade them completely. All work is finished. We're going to save the project, exporting one full, and the next we're going to go back to this part. I'm going to delete the beneath layer. Tap on, Add, then insert photo. Okay, we'll make the beneath layers smaller in order to fit the image in the circle frame completely. Like a motorcycle. Larger. Making high image. We drew a landscape of a jungle and then we put it out into the sacral frame. I'll work is finished. I hope you enjoyed this lesson and I will see you in the next tutorial. Don't forget to save. Goodbye. 16. Winter Landscape: Hi friends and welcome to this new course. I hope you all are well. In this course, we can walk with procreate and create beautiful landscapes with different colors and nights. You can see my previous work, kids, and I'm just going to scroll on my iPad to the Procreate app. There is. We open the Procreate app. Procreate app. First of all, we should open a new screen. In this step we tap on Plus. We can also use different screen sizes that we used before or create a new page with our favorite sizes. You can see the canvas options or hit this lesson. I want to open a new page with a 40 by 30 cm screen size. There it is. Dpi should be over 300. We can have 58 maximum layers. The more screen sizes, the larger the number of layers become less. It means that we can work with few layers. Okay, here we go. We've opened our screen. Now we're going to review different parts or Procreate again, just to re-familiarize ourselves, refresh all the information. So first off, these here are our tools. We can change the size of the brush and we can change the opacity from over here to undo and procreate. We hold two fingers down on the screen to undo a series of actions. To redo in Procreate, we use three fingers to tap on the screen a whole to redo a series of actions. Okay? So we use smudge to blend colors. You use eraser to remove parts we don't want. We can use it as a brush as well. Start off, these are layers which we're going to work with these open a new layer. This is our color palette. There are different palettes that we worked with them in previous lessons. These are our brushes. Over here. We can see the various models in this part. Good to explore these, get to know what your favorite brushes are. Just become very familiar with different effects they can have. Once you've got your favorite brush, we'll tap on Insert a photo to see the image that we're going to work on in this lesson. So as you can see, this is an image of a winter landscape. Was snow appropriate for the time. The predominant color of this image is PowerPoint. You can see in the trees and even in the sky and in the snow there. You want to work with that color and have that as part of our color palette. We're going to keep this layer. If you just want to spend some time studying this image, getting to know what the shapes are, what the colors are, and let your imagination rocket off from there. Let that image inspire you for this session. So I'm just going to put that to the side there and make the image smaller to see its colors and have it as a model. We want to work with our own style. Even with that, as an inspiration is mod, have your own artistic voice shining through. The first step, we're going to divide our page. Okay? So the first quarter of the page, that is going to be for the ground as our ground section and the midsection. And this places the trees. Two-thirds of the page is for the grounds and the trees. And then one-third of the page is for the sky. We can see this guy between the trees as well. So we divided our page at first. Now, you can see in the image there that you've got this guys are spiraling out and coming down to the trees. It's creating a bit of a dip there. You can see the rough shape of the landscape, the trees themselves. So you can put a bit of a placeholder in here to guide you. And next, we're going to start drawing, started sketching the trees in getting a rough idea of what each one is placed and then letting them grow from there. Once we've given them a little bit of a foundation. Then after you've done the trees are going to add in some shape for the clouds. Same as the other sketches. We should sketch different parts of the landscape at first before adding the color stains. As we don't really need the image right now. So I'm just going to hide that layer. Now we can just see our sketches. Let's go to start. Our trees and our class is all very rough. It's very basic, that's absolutely okay. That's what we want to start out with. We're just getting the foundations in. We're now going to get the basis for the color of the sky. Will choose a medium brush. This work is the same as watercolor or acrylic paint technique. Let me sketch and create a background of thirst. Then we add the details on to them later. Okay, so you want to select, Why do you want to start for me? I want to start with the clouds. I want to make the brush tip smaller. You can see this large splotchy, right? That's what made the brush tip smaller. And we add a purple layer on our work just like this, just coloring in even roughly, we use this brush from the painting menu. That's lighter, they're softer for the clouds. We want to determine really the dark and the light parts of the landscape. Totally, even with this rough blocking of we can start to see where the shadows are, where the light is coming through. That's going to really help. So we chose the light purple color, the middle of this cloud section. And some leave for the ground here, we're going to go light purple. Again, just getting in all the pinks and purples and really establishing the groundwork. Now we've added our first color layer of our work just like this. Then we're going to try our details onto this layer. Actually, we determined the place of the sky, the ground, and the trees. Now, let's get started to see the contrast of the work. Tap on Canvas. Then active reference. See that just there. That's where referenced and that on. Then tap on the image and select the image of our work. Just like that. You can insert any image that, but we're just going to keep it to our reference, reference image for now. We want to have the image here because we want to find the color codes of the sky or the other parts. And we can just keep on looking back to that as we go to keep us off shore of where the colors going, exactly what we're establishing in our groundwork to add the detail on top of later. And this is showing the color we want. We can select that from the image and put that into our own piece of work. We chose the acrylic brush to add texture onto our work. Then we start to create dark parts of the work. Totally. We can see colorful stains at first. But as we add details on stains at the end. So you can see this is gonna be the trees right here. These dark splotches will start to form our forest landscape. We add the details onto the stains. Just at the end. Bring out this. She's a little bit more. There we go. We don't want to allow it to be the same as the image exactly and copy it. We just want to use the image in order to choose the correct colors. But we create trees and different parts with our own style and don't copy exactly from the image. This is all about your artistic voice. So keep on going forever. You imagine those trees, however you see them, bring them to life in your way. And really just dive right in there with that little color detail with the dark splotches bringing the shadows now to flesh out even more, even more than before. And you've just got your reference image there as a guide, but not as absolute law. We're determining the air, the trees by adding colored stains. And those trees can be however you imagine them. Okay, I'm just going in here quite quickly and quite rough. That's how I see my trees having a little bit of a roughness to them. And really just popping out against that colorful background that you can see, the pink behind it has already started to add some nice texture to the image. There we go, maybe a little thinner one behind. Adding in some layers now by putting in that smaller brush detail. But we've determined the place of the trees and the bushes. We use a darker color for the front brushes. Now, these ones are closer to us, they're further away from the light. We really just letting the sky lighting in form, how close things are and that comes through in how much shadow those things hold. We chose the color of the ground. Just looking at that now. So we've got purple currently. But if we look on his bit lighter even, just be my reference over. We can change the place of the reference by dragging it like that. I'm going to choose a blue color with more white and gray tonality. A little bit more of that light, light color in there. Then we choose this acrylic brush. We can download different brushes from the app store and use them to speed up our performance. In digital painting. Really, this is going to depend on what your artistic style is, for which brush works for you. But there are loads and loads of options out there. Just haven't explore, have a play and you'll start to find the brushes that really feel right to you. I'm just coloring in that first stain layer, keeping it a little bit of purple behind it. We've created the first day layer of the work. Now we're adding more details onto our work. We're going to use different colors and different brushes in order to find out which one is appropriate. See here I've just gone in with almost a YC blue just to get more of that snow popping through. It's okay to mix things up and try out different things. I've chosen a lighter gray color going over the top of this blue here. But I do quite like having that purple underneath. It gives it just as richness helps build up the texture. Okay, So that's a lighter gray. Even again, just going in on top there. Actually we want to get inspiration from this image, this reference image at the top. And it's coloring to create our own landscape. So we don't copy from the image. As you can see, the way that I have colored isn't exactly the way that the image itself is. This is just how I would like to see it based on an inspiration. So you need smudge to fade these colors, even blend them together. We increase the gray tonality of the color. Just stop here just a little bit. That adds a dark color onto this part here. So you can see that it's all starting to blend together a bit more. Even does so slight changes in color just brings the piece as a whole together. Just show you that in a way, whichever you feel like, whichever you think suits you will work the best. For me, it's this darker gray tonality just to tie it all together. So we've added that darker color on this part. Darker blue now. Not even darker. Color away. Maybe care, I think that's looking good. The curvier work, how do you feel about it? You enjoying those documents? Do you want to bring in some more lighter bits? This is all yours. It's coloring back and it is yours to play with. I'm keeping the edges of the work are going to be darker than the center and what's keep much lighter. I'm doing this just to show where that light is bouncing off of the snow. And we're creating almost a vignette around the piece where the light starts to dissipate at those edges. Matching up to the trees as well without losing light the closer they come, we're bringing that into the snow itself. Now. If you zoom in, you can see there's a snowman there. We're going to create it with a light gray color. We add the stains at first, then we'll work more on it with a lighter color. This is just the stain to block out the rough skeleton, the rough shape of what our skeleton is going to be a skeleton. Snowman is going to be where it's going to be. We can just place it in the image just like so give it a little bit of some lighting on that, a little bit of light, a little bit of shade. That was a really nice way just to roughly block out where it's going to be. And again, which would make it darker on the edges there. I'm bringing it all together, really start to blend it a bit more depth and make the brush tip smaller. I think an add more dark layers in this part. It's quite a small snowman. You can see I've got fine edge around even the front of it. Really just making it pop out from the background and stand on its own standards, its own individual item in this image. We can really make that snowman a bit of a feature. Now as close to the frame as it is. It's really, however you prefer to think about paintings. If you'd like to think about it in a filmic way where it's about frames and how close to the foreground or background something is. If you want to go more classical painting and look at the layering in that way, whichever works best for you. This all about your method. There we go. I'm happy with that, the much more details. And just those little fine lines to show where the light is hitting that snowman. We add some shading layers under this part just to show it better and to make it stand out from the background. There we go. Just under that make it a little bit darker, a little bit of shading, just to really make that snowman pop. And we've changed our brush because it's a little bit smaller, but you change your brush and we're going to add shading layers on this part. I'm really just separate it from the background now to make it stand out, to make it have its own layer. So we've made that brush tip smaller and we're going to keep on going over and over with just slight differences in the color. It doesn't have to be anything dramatic. It can be just little things to give that image a bit more pop. And you can play around with this as well. I've gone with purples and blues, but maybe you want to experiment with different colors. Give it whatever feels right to you and you can always undo it. You can always pause this if your experimentation, you actually think now that's not for me. Made the brush tip smaller here. And we're going to create two would enhance for the snowman, as you can see, just two little sticks poking out for his arms and just made our brush thinner as we do this. Now I'm going to open up a new layer up here. So that's layer four. This will be separate to what's in our in majority. This isn't entirely new layer. We're going to make this color blue and then add more shading layers to the edges of the snowman. Really bringing out that detail as much as possible. And having this on a separate layer means it's not actually interacting with the paint we put there before on layer three. Now we're adding shading layers with a lighter color. I'm really just popping out that fresh snow, whereas hitting the light's hitting the side of the snowman. Go and just all around the face and the body. And let that light really to sing in the image. We go with a lighter color. They're really just bringing out even more. Okay, so that is awesome. Oh man. Stood out quite nicely against the background there. Give them a little bit more dimension to this part. Show the snowman is melted. We've got some melt, the snow on the side there, which is this color and the previous brush. In order to work more on this part, because we don't want this to be circular. This isn't a perfect snowman. This is our melted snow. Now, we'll make the color darker just in here where the snow is starting to melt and form a bit of a puddle. If a pile up of snow. That color because cohesive from snowman to melted snow. But it's now the actual form of it has changed to something else. Where else time as more circular, this is more of a square where it's just popped into one big puddle. And it's not been well, perfectly formed. We can even go in again with our darker shading colors onto the snowman itself. Just tie these two together. This is the color of our snow. You can quite good. In this layer, we're going to choose a lighter color. I'm going to change our brush because we want to add texture to the ground. Show that crunch that it has. Okay, that's looking good. So we chose a lighter color and we chose another brush. In order to add texture on our work. We're doing this just to make this more of a world, to make this a lived in scene rather than a flat image. And what I'm going to do now is we're actually going to lower the opacity a little bit. So you can sort of see through it. It's got up almost translucent quality to it. And we'll make the brush tip bigger and show the feeling of the snow with a color that has more of a gray tonality. You can see that it's gentle, but you can see the grades over the top there of hiding the layers in a very nice, very subtle way brings us well together. Even more, just those little specks of crunch. Maiden. How I want to show the feeling of the snow. We won't be able to be able to see. Crunch, see the texture of it. We're giving the snow more life. Snowflakes seem more the edges of this part towards the forest. Now we're going to add more based on our own style. So we'll hold the pen on this brush and add it into our palette. Now we're going to create a nose or the snowman seen back in here. Here's a little snowman. So we're gonna give him a nose and starch, bring his face in together. Just a nice little carrot there. And bringing that purple color. There we go, just right. I'll make the brush tip smaller and work more on its nose. Just like that. So it really just filling in, filling in the spaces now. Nice purple carrot, nice. Really already we can create something quite fantastical just in doing this basic color blocking. And from some very basic sketches of where everything is, we're actually starting to bring together quite a beautiful image. And it really is just about letting that detail happen. Okay, So I've got some lighting on top there. Bring in more of a free dimensionality to it. We'll make the color darker, but it still has gray tonality to it will create for the snow. Does that big smile? And then the eyes just up the top here. It's quite a happy snowman. Again, just going in with a little bit of shading, little bit darker on the button there. So if we think about the light is hitting the top and then the shade is coming from the bottom with a light isn't quite reaching. Very happy snowman. Just go and again with the eyes. We add some stains like dots on it slips. And we add some dots and details on these parts just up here. This little texture points where the car is rounded out. There we go. All right, I think that's already just bought it altogether much bore those little little detail points, the dots on the lips and the little curves on the carrot nose. And even in the twigs here. The size of the eraser was very big. Just reduce that. There we go. Okay, this is the ground of the work. Now we're going to work on the trees, which you can see that we've given a basic outline in our color, but we're going to open a new layer now to work on the trees. We're going to keep this color palette in order to use it in our work. So you want to keep that the pinks and purples and blues and light gray tonality. And we'll take that forward with us. It's looking quite good. So we chose this dark color, will use the acrylic brush. Then we're going to work more on the trees. Why not brush again, there is a nice dark color for the trees. But if a bluey color this time, we're just going to shake it all out, fill it all out. We also work on the back trees so that you can see the forest has got lots of dimensionality to it. It goes quite far back. It's not just one flat image. We're giving it texture and we're giving it depth. We work on the separate layer. In order to be able to work on the sky layer. We added color layer first, then details. Keeping the trees and the sky now completely separate. Going to work more on these layers. As we go. I go to the little leaves poking out the sides there. That's already that's starting to come together. I see it's alright to go in on how quite a rough blocking of your trees, because we will come back and we will integrate them into the image. But you should know exactly where you're putting them. They've got a home in the image already before you even come to them. Who we add details on the colored stains, draw trees in the background. This is our second, third of the image. Now, it's just starting to bring it together. And it helps us well that we have that similar color palette that helps bring the whole image together. There's a familiarity between each section. Okay, and if we look at our image, just here, there are some pines here. So we'll determine them with stains. Then. We're going to work on them a little bit more later on. But at least now we've got them sort of determined. There you can see the tops of the pines just they're just giving them a rough little outline. We're going to shape the pies with the acrylic brush. After we've added the stains. Then we're going, we're supposed to work more of them and add details. This gives us a nice clear image of exactly where they're gonna go. Once we've done all of our stains, we can come back to these anytime. And there'll be there waiting, ready to go? Absolutely ready to go. All right. So we've determined the place of the branches that they are uneven in this little one that's lost all its leaves. We can see what's what and where it is. First we're going to work on the back trees. And then we're going to work on the front trees. Would just go in a little bit though with us stain color that all out. We determined all of these. We've colored stains, as you can see with our dark blue hair. Not really just helps us lay a foundation for where everything's going to go. And even if you can see it in your mind, seeing it on the actual digital paper makes it fit in even better. We know we've tested it and it is actually going to work. And as we can see, the background is being completed step-by-step. And we can see the place of the trees. This is really, it's just a nice way to test out what you're picturing for your image as you go. It doesn't hurt to do this layer. Just make sure you've got a bit of separation between your back and your front trees. And then as well later this will give a nice richness to our color. We finish up the image. Have a look at that side-by-side. You can see these darker tree is really just popping as they are in the image. For this is still speaking with all autistic language. We've added all the colors, stains to our work. Just doing a little bit more there for the batteries just to fill out that space and give it that depth. We also add some shading layers behind the trees. We also determined the stains of the front bushes. You can see those just on the bottom there. A little bit shorter in that purply color. These are our front vicious. We make our page smaller in order to add stains correctly and see how much of the surface is filled. It's a good way to get a whole perspective on the image that you're working on. K. So those are our ambitious. Now we're going to add a new layer. Underneath that layer. We're going to work on the sky. In this new layer. Let's get a lighter color. Bringing some clouds ready, just highlighting the source of light in our image. Now will make the image smaller. Reference image just up there at the top. And now we're going to color the background of the work based on the color of the image. Nice snowy sky. Bringing that vignette, as we talked about earlier, we add orange now into the central part. Similarly to the image, this is a nice sunrise or sunset, and they'll go straight in with the orange. The most colors of our work include purple and red. And we showed the area of the sunset in this part. We'll color this part in orange. Some of it with a finer brush. Really just get the shape of that sunset. So you can see it's bleeding through the trees. Whereas on a separate layer, it's not covering up any of the work that it's not destroying any of it. It's just bleeding through the lines there that will color this part in blue. We're adding the blue stains on this part. We're bringing the lightest area where the sun is really breaking through the cloud cover there. That was gonna be overexposed. And we'll change our brush and work on this part. Just like so. Already, just getting that bright, bright white, bright blue. We'll change that to yellow and we'll add some stains in this part with a very light yellow color. Will just fill this area out without light stain. You can see first we're adding the stains with a medium brush. And then once we've done that, we're going to use another brush to create texture in this part. Even with the sky, it's important to bring texture in. We create the clouds in this one-third of the page. And there are some lightness in this part. It's a lovely area, really is bringing in all of that bright light on this part. Hey Jay, just get that nice stain. That bright color. Roots. Let the highlights hit every fold of the painting. Or the oranges, all the yellows let them acknowledge each other, let them fold into each other. You can see I'm using that bright yellow to just highlight the folds in the orange. I'm bringing this guy together. Bring that down a little bit more. Maybe bring some pinks here, any candy or anything. So we will work on this part with some pink. Will lower the opacity just a little bit. Now, we choose a dark color for the corner of our work. What might the color blue? And just go in on the corners there to really carry through that vignette that we are creating when we're working on the floor before we go. That looks quite nice. Already just ties together all of the thirds of the painting really nicely. Now I got a little bit more blue in there. I think we're going to use the smudge now to fade these colors completely. Just blend them in together. They're all here together, all part of the same sky. It will fade those colors together. That's a lovely makes. It starts to happen between the blue and the orange. If you can see it looks quite soft now there is a softness to the cloud cover. This much is a really wonderful tool and it will do that for your bringing a softness to your work. We're afraid the colors together. Just like that. Simple sky. And just like that, we'll complete the sky in our painting. And having a separate layer really just create the beautiful fed with the light was coming in through the trees. Lots of beautiful tools that you can use in digital painting. In this level, we've just faded the stains and add a lighter blue color. In this part. Let's go and create even more texture. It's all about the details now at this point. Now there are some lights. In this part. We're really just highlighting that with this very light blue and with a bright white, some more blue parts. You just pull out the highlights. Shadows and highlights work together. We're going to fade the stains on this part. I smudging those out. Like so. It becomes one cohesive design. Just like that. You can see it's quite nice so we fade the stains. We're going to choose this orange color. You can see here, we're going to increase the red tonality of this color. Then we're going to add some stains on these parts. This is our shadow within the Cloud. Dive right in there with the stain. And we're going to fade them again. Just blend them into the rest of the image. This crisis lovely buildup of texture within the cloud. While keeping it very nice and soft. There's a lot going on within the clouds here. As you can see, this guy is almost created. We also colored the ground. Now we're going to work more on the trees, work more on the clouds. We chose a white color and make the brush tip smaller. Just like site. Then we're going to work on some parts of the clouds in order to show the clouds better. Dreamer just make them pop out of the image. Just like so. Similar to how we got our color around the outside of the snowman and that just made it pop a little bit more. We're doing that now the clouds, we work on these parts. Next we're going to use the smudge to fade them. Just a little bit. There we go. This is our sky. Doesn't it look wonderful? Now we're going to work on the trees and then add the snowflakes. Let's get started. We've added it's darkness. Now we use a light color and a small brush to draw the trees were going into the details now. So we'll make the brush nice and smooth. You can see what we've done the trees already. It's nice blocking them out, but we want to go in a little bit more detailed. So we're going to open a new layer. And this will just separate our previous work from all detail work. And we'll change our brush and choose studio pen and make it very small. So this is just getting the nice bits of snow on top of the trees. So we're going to work on the trees here for a little while. Just highlight all of those branches there. Okay, you can already see even decided little bit of detail just does so much work. Can adjust the, just the brush sizes here. Really goes a long way. Just that added detail of this. Now, we'll go back to this layer, bring that up to the top. Now we've changed our brush. We'll go into that, a lighter brush, a little bit more texture. Beautiful. We're going to show these trees in the distance because there is a big tree in the front. So we don't focus and work on them a lot. We just show the lights of this part. We're just starting to detail the tops of the trees. As you can see, it's okay that it sort of fades out towards the Boston there as it falls into the darkness, it can begin to fade out. The tops where the lights are really reaching. That's where we really want to do. So you guys are starting to fade out that snow towards the bottom. They're not going as heavy on that. We chose a darker color to add shading layers underneath the branches. Just helping to keep all the branches separate. Don't lose any of that nice detail by going into heavy with it. You can see I'm just getting a little bit of shading with the dark color even towards the top there. Just keep them nice and separated. Similar to in the image. You can see those dark and light and it alternates like that. How are we going to work on the next tree now? This brush, it's not very soft. Actually, we chose a brush that doesn't create regular lines. It sort of tapers out from the beginning and the end. They're going with the dark color, fastness time. Just get those nice shadows and the light is beautiful. But to really bring that light out, to really highlight as much as possible you need the shadows as well as the light. There is a balance between the darks and the lights and the image. Back in there. We add some branches. Next, we're going to work on the other tree and add some light layers on the darkness there. You guys, what we'll start to see how these trees are separating from each other. They're standing out in the forest much more now. It's a little bit more detail. When we look at the image, we will find out that trees and branches and not very determined and clear. We get inspiration from the image in order to create the landscape based on our own style. It doesn't need to be dependent on the image. We should try to show the distance and depth between the back and front trees. We add more light shading layers on the front trees, but the trees on both dark and gray and the contrast them is less than the front trees, so we cannot see them clearly. We share the perspective of the work of colors that have more gray tonality without opacity. You can start to see that there. When we chose a lighter color for some branches, pay attention that we don't work linearly. It means that we don't draw very regular and clear lines. We use stains instead of lines. Let's see if this helps keep it with some life. In here. You using the faded areas as well as these detailed areas. Each one is unique. We are adding some details on this part back here. This battery without one's not got as much fade to separate it. Now we're going to work on the other tree like this. A little bit lighter. Go with the snow there. It doesn't have to be an intense amount. This knows how much you feel like I'm on this second tree, I'm just going in with just a small amount less than our first one. And it really is however you feel heavy preferred us about your artistic language. Remember, we're going to work on the other trees, the same as the previous trees. Getting in the shadow, as well as those lighter parts. We'll add the branches, just like so. And then just little bits of light with the snow is falling onto the branches. So there is a purpose to these lines. Even on stains look silly. There's a pappas to them. Okay. Just keep on going. We'll create the branches of all trees with lines. We are sketching linearly. Just really bring out all the detail in the work. So you can start to see there is a separation between the front trees and the trees. And that's ready to come through with our shading and with the stain seen back in, hit, quit, just add the branches onto this tree. We started a little bit darker this time just to get the outline of the branches. And we'll come back later on with the highlights and the shadows. Just getting the branches in there for now. Having a nice lockout, getting some perspective by zooming out. Before we come back into the detail. We create the branches of all the trees with lines. Actually we are sketching linearly. As we go. You can start to see these trees are really coming together. For the shade. Even the trunk is starting to come in, making it a little bit less neat. You can see in the image the trees themselves a little bit messy, and that's part of the joy of wild trees. The tops of the trees becomes thinner. Well there's just less branches. And they, even as you can see in the reference image, they shoot out at odd angles at the top. So I'll add that in as well to give it a little bit more realism. While keeping within or an artistic voice. There are sections to the tree that you can see in the reference image. So I'm just gonna do that, search another tree a little bit more and see how that works. Let's see if I like it. That way. Just dropped down the shade as we get further down the tree to keep in line with the loss of light as we get deeper into the woods and we get closer to the front of the image. We are going to add lights on these branches. As we go. More of a festive feel. Drawing in the trunk. And those little offshoot roost at the top. Keeping a little bit thinner at the top. As we traveled down the tree. You need a sectioning this one out and giving it a lot of life. Making the branch is much, much thicker, will add dark stains on the leaves and the branches of pines. As you can see here. A lot of stains, flushes. Okay. Now we'll show these fall trees with lines. The fall trees have more gray tonality. Just adjust dark color there. And in some of the gray tonality and the other trees, we've got it. Look more with the snow and the branches. Nice light-colored is highlighting this. Now. This is the pile of snow so we can even color out a little bit more shared out a little bit more as like a snow stain. Now you can see this is a far distance tree. It's mostly with that gray tonality, which are these fall trees that grow tonality. And we don't work on this tree a lot. Just add some branches. Really just showing off in the far distance. It doesn't need to be too detailed. Unlike the rest of these ones which are a little bit closer. So we've added quite a bit of detail to those with the shading and with the lighting. We'll do the same for this part. First, we will add dark stains, and then we'll go back in. With the lighter stains. It can be easy to get carried away on one color. Sometimes we give ourselves a method to work to actually helps us bring the image together in a cohesive way. We really, we're just showing the form of the trees as we work. You can start to see that even matter now, back to my reference image. I can see that lots of shadows in-between those branches as they get clos