TV Writing: Writing TV Episodes + TV Pilot Scripts

1. TV Writing intro with website resources: Hey, I'm Jordan mio, a TV writer, producer, and show runner, and this course is all about TV writing. In my career, I've been fortunate enough to have two TV pilots produced, and I've written about a dozen others. I've had pitch meetings with Emmy winning producers, and I've had my TV scripts land at three arcs, Netflix, HP OMX, and many other production companies and studios. I've also written spec scripts of 30 Rock, it's Os Sonny, and Philadelphia, the Goldbergs, and several other shows. In this course, we'll cover how to write a spec script of a TV series and how to write your own TV pilot. Writing television is something I love doing, and I have a tremendous passion for it. And in this course, I'll teach you how to write a TV show. If you're writing a drama or a comedy, I'll teach you the steps needed to write your own TV episode. It doesn't matter if it's your first time writing a TV show or if you have some experience. I'll show you how to write a great script. Now, let's get right to it and have some fun TV writing. For free student resources that correlate to this course. Visit my website at www Jordan emila.com. There you can also find my ebooks, podcasts, script coverage services, and a whole lot more. My website offers one on one writing sessions and group courses over Zoom. Can teach you to write your first movie, TV show or how to write and produce your series or film. I have clients who work nine to five jobs, and have had ideas for movies or TV shows for years, but they just haven't taken the action to put their ideas into a script. And I can guide you on how to do that and make sure you finish it. You can find more information on my website at WWW Jordan emola.com. 2. TV Pilot Vs Spec Scripts: So when TV, there are two different kinds of scripts. You can write. A TV pilot which has an original idea or a spec script of an existing show. When producers and showrunner is asked prescript samples, they may ask for one of these two things, or one of each. Because I want to, Let's go over writing a spec script for an existing show first, I written spec scripts for the Goldbergs, Broad City. It's Always Sunny in Philadelphia, AP Bio, 30 Rock, Crazy Ex-Girlfriend and Parks and Recreation. Let's go over how to write a spec of an existing Show. We'll go over each of these in more depth. But here's a quick overview. Number one, you want to watch and research the show. Number to write dozens of ideas for different storylines. Number three, choose your best ideas and write the Script. Number four, rewrite and do table Reads. Number five, submit. Let's go over number one first, watch and research. When you find a Show, you want to Spec, watch the show all the time. Watch every single episode of the show. Not only will this help, you know the voices of the characters and tone of the show? You'll know what storylines have been done before writing a spec scripts can be so much FUN because you deep dive into the characters and you get to know the show in and out. You not only become a fan, you become obsessed with it. When I wrote my 30 Rock spec, I printed out Wikipedia pages of all the characters and highlighted certain things that could be part of my spec script. You want to learn everything about the show in and out. When you spec where to show, you wanna find a show that's relatively new. Tried to find a show and its first season or maybe entering its second season. This is the sweet spot of Spec writing because you can watch all the Episodes of that Show and a relatively small amount of time. If you choose a show like The Simpsons, for example, it might take you two years to watch every single episode. When I wrote my Broad City spec, it was just after season one ended. So everyone who knew the Show New the tone because there was only one season, shows contains tones. So it's always good to find a show. It's only a year or two when brainstorm storyline ideas. As you watch the show, You want to brainstorm a bunch of storylines for each character so you can pick and choose later. Also, when you watch the show, take notes, look for things that no one else is thinking about. As you study the show, you'll begin to see the show differently. Also take note of how many storylines they have. Because in your script, you want to have the same amount of storylines that they do. When I wrote my 30 Rock spec, I noticed there were three or four storylines for each episode. Sometimes characters like Jenna and Tracy would team up together. But Liz usually always had the a story. And you want to figure out your a Story, be Story, see Story, etcetera. The, a story is usually the most important and has given to the main character. If you watch Frasier, the most significant Story of every episode, the a story goes to Frazier and SpongeBob Square pants. The a story is usually about SpongeBob Square pants. Most of the stories in the office or about Michael, most of the a stories and Breaking Bad, or about Walter White. Study how many storylines the show you're specking has. And every single show is different. Most comedies, having a Story be Story, see Story, but not all of them. Phil Rosenthal, the creator of Everybody Loves Raymond, points out in his book, you're lucky you are funny. That Episodes of Raymond usually only had an a story and every member of the family is involved in that story. Fill felt that be stories weren't needed and half-hour sitcoms, and you only need a strong a story. Most sitcoms tend to have a B Story and a C Story, at least. They might also have a D Story or E Story for supporting characters. A lot of times those D stories and stories are called runners. And they might be a quick running gag that comes in fast and leaves throughout the episode. Also take note as the letters get closer to Z, the less important the story is. You're a story, is a story that drives everything else. And you should put the most time towards the a story. Whatever show you wanna spec, right? See if you can find an actual script event. Usually you can find the pilot script of most TV shows by using Google. And you want to Google the name of the show script PDF. So for example, when I wrote an episode of The Goldbergs, I just googled the Goldbergs Script PDF. And the second result gave me the Script that I could download. You'll notice a lot of Pilot Scripts. By the way, the title may have changed. If you look at the Goldbergs, for example, the title is How the **** am I normal? They changed it to the Goldbergs in production before the series aired. New girl was also called chicks and Dix. Then they changed the show to new girl. A few years back. I wrote a TV pilot first titled grandma knows everything. But people kept remembering it as grandma knows best. So I changed the title to that And then a producer who I signed with was pitching the show to HBO Max. And she wanted to change the title, too bad *** grandma. So we changed it to badass grandma. Alright, let's get back the structure. Know how many acts the show has calmed down into different parts, which are called X. Each act is about nine to 15 pages long. The best way to think about this is acts take place between the commercials for network TV. Every time there's an act break, there's a commercial. For streaming services. You may not have commercials, but you'll usually notice the show will fade out and then fade into a new scene that starts a different act. Tv dramas today consists of five acts. Five acts is pretty standard for all one-hour dramas and one-hour scripted shows. Comedies tend to be two or three acts, but there's some comedy. He's now with four acts. Traditional sitcoms like Sanford and Son on the family. And I Love Lucy usually only had two acts, but as TV changes, so two structure of shows. This is why it's important to know your show and the amount of Acts. If you submit your spec script to a professional, they're going to want to know you did your research, you have the correct amount of wax. Here's the structure of an episode of 30 Rock. If you were watching it on NBC. Besides acts, most shows start with a cold open or a teaser. These are essentially the same thing, but in sitcoms, they usually called cold opens, and in dramas they're called teasers. This is the first scene that grabs the attention of the audience. Something that hooks us in. If you watch poker face or a CSI type of show. The first scene is usually if someone getting murdered in this hooks in the audience right away, then the story will unfold itself and go into act one. The office was now in for amazing cold opens like that time twice, made everyone believed there was a fire in the office just so he could see how people would react. At the end of every act, there's usually some kind of cliff hanger to make the audience stick around. If it's network TV, there'll be a commercial break as well. After an act one, a network show would have a commercial and then go into act two. And then after E2, another commercial, which would go into act three and so forth and so on. Lastly, many shows will end with a tag like the cold open. This is usually a short scene and it helps wrap up a small storyline. Or it could be a hint of what can happen in the next episode. Or it gives us one more Laugh. If it's a sitcom. If you've ever wondered what sitcoms means, sitcom is short for situational comedy. Also, if you're reading a multi-camera pilot or a single cam pilot, the line spacing may change. Single cam pilots and dramas usually tend to be written in single-space. But multi-camera pilots are usually double-spaced within their dialogue, by the way. So, you know, multi-camera sitcoms are shows that usually have a laugh track. Shows like Friends, I Love Lucy, the Big Bang Theory, The Jeffersons, all those shows that have an audience when you're watching the show. Those are multi cams. Shows that don't have those are usually a single camps shows like The Office, Arrested Development, VIP, 30 Rock, AP, Bio, Parks and Recreation. All those are single cam sitcoms and there is no live audience with multi-camera, you tend to stay with the same sets always. But in single cams, you can move around a lot more and there's more flexibility with where scenes and locations have to be. I've attached my TV Pilot. Grandma knows everything as I originally wrote it as a single cam. But when I tried to get hired for the frasier reboot, I also made a multi cam version of it. It's the same script, but you can see how the format is different. With single cam being single-space and multi-camera being double-space. You want to find sample scripts, the shows you're specking because you want to know the structure of the Show. You want to know the acts. What's the page count usually? Do they have a cold open? Do they not have a cold open? Finding a script of the actual show is really the only way to know this. Also, if you happen to live in Los Angeles or New York City, go to the WGA library and ask prescriptive shows. They usually have more than once you can find online and they'll have several episodes of several shows. I've gone there and spent days just reading scripts Old and New from Sanford and Son. And I Love Lucy to that 70 Show and Everybody Loves Raymond. Okay, Last but not least, know the characters. You might have a good sense of them already. If you've watched the show a lot that you're specking, you really want to master their voice and hear how they talk, even when you're sleeping at night. Let those characters hot you and your dreams. Because you'll think of some really good ideas that way. When I wrote my 30 Rock episode, I got obsessed with 30 Rock for a month. As I wrote my script. Nobody knew more about 30 Rock than I did when I wrote that script. As you watch the show, write down corks and little things that character say that may spark an idea for you. So for example, in 30 Rock, I took note that Tracy Jordan talked about his kid named George Foreman After I learned that, I wrote an idea that eventually became my Tracy Jordan storyline. My storyline is Tracy refuses permission to let his son, George Foreman, take a sex ed class. Instead, Tracy makes an educational film teaching kids about the birds, the beads, and how to get it on. When I wrote a Broad City episode, I watched every episode of Broad City three times. Again, I wrote it just after season one ended. There was only ten Episodes to watch, but I watched all ten of those Episodes three times within a week. The time you spend writing your spec script is totally up to you. But you want to do a bunch of research and brainstorm and write down ideas. As you watch the show. You want to have 30 or 40 storylines to choose from, then you can start writing those 30 or 40 storylines can be terrible. Sometimes a terrible idea, sparks and other idea that's actually really good. When you first start brainstorming storylines. Don't judge yourself. And don't judge Rewriting too hard. Just try to have FUN. When you're watching your favorite show. You're having FUN. Also have FUN when you're writing it. For my writing group, I presented about 30 pages every five weeks. And if I write a spec, I usually start writing it when I have three weeks left to my deadline. I spent the first few days watching the TV show as much as I can. And then I spent about two-and-a-half weeks actually writing the Script. You want to have a Spec episode that can last for a long time. But it all depends on the show. Really. Many shows back in the 90s and 2000s will last about ten seasons, but most shows today average about five seasons. Now, let's talk about writing a TV pilot. First things first, when you write TV pilot, you want to find your concept. You might have a general idea. Right now what you're concept is, if you don't, that's okay. And I think this lesson will help you pinpoint or at least brainstorm a concept that you really like. One really helpful way to think about your concept is to find your hook. What's your hook? Hook is something that makes it unique and hooks in your audience, maybe that's why they call it a hook. So for example, the hook in the Goldbergs is that it takes place in the 1880s and every episode is about something in the '80s. The hook for Dharma and Greg was a couple of meets each other and Mary's each other on the same day, and now their lives are changed forever. The hook for Wilfred was about a talking dog who was also a person. Try to find a hook that will make you stand out from piles of Scripts. After you find your hook. Let's talk about the logline. A logline is a very short synopsis of your idea that you can easily pitch to cast crew managers, producers, whoever make your logline 30 words or less, your logline might change later. But for today, write something down. If you want a better idea of a logline, use IMDB and look for the short synopsis that's written for every show and movie. You want to logline that grabs people's attention and it's quick and catchy. The logline for my series Monster Therapy is monsters and their spouses were kind of relationship issues and marriage Therapy. This is exactly what I said to people as a pitched it to them. I would then give examples like how Jason's wife wants to replace his old ratty hockey mask, or how the children of the corn grew up. Another adults with the corn, they're sick of living in the corn. Take your time with brainstorming concept and logline. Feel free to grab a notebook and just sit down and write down a bunch of ideas that intrigue. You. Don't be hard on yourself. This should be fine. Just take a scrap piece of paper and write something down. A lot of times, if you want to write good stuff, you need to brainstorm and write some bad stuff first. And that might mean writing some really bad log lines before you find a logline that you like to tell you a quick story. I remember a few years ago was trying to write a new script. And I knew I wanted to write something with a musical element, but that's all I had. So I took a scrap sheet of paper and I kept Writing possible log lines until the whole sheet of paper was filled. I didn't judge myself as I did it. Most of them were about old people in music. And then finally I landed on one logline that I really loved and that became the thing I wrote. The title of that script is called punk rock grandpa. And the logline is a dying old man, has his best last year of his life when he starts a punk rock band with his teenage grandson and they become rock stars. After you have a logline and a concept, think about what can happen in the series. It could be cool moments, story arcs, a joke, whatever keeps your brain thinking about it more and more, and wanting to write more ideas down and write them down as you go. Often as you'll think about even more ideas to add. You wanna give examples of what can happen in other episodes. So think of several ideas for several episodes. After you have a main character. It often helps to think of dozens of storylines for that character. Then choose one of those storylines for your pilot. You want to have a strong a storyline for your main character in the pilot. This storyline should also be a good, strong introduction for your audience. Your storyline and you're series idea has to grab our attention. We'll dive more into writing later, but make sure the first ten pages of your pilot episode are amazing. You're concept to. You want to make sure you keep the reader hooked. If you're writing a thriller, battery, some amazing throws right away. For example, I don't remember exactly what happened in the pilot episode of 24, but I do remember when I was a kid, there was so much action and thrills in net series that everyone was talking about it when it first came out. You want that, you want to have the Show that has everyone talking about it right away. If you're writing a comedy, make sure you have some big laughs and make them often. If you're reading a drama, make sure there's a lot of drama. You also want to have memorable characters too. But think about it like this. Your script has to be so good that a producer reads it and shares it with everyone in their office. You want people to talk about it. That's how you get meetings and get through the door by being so good that whoever reads your script talks about it. And they want to see it getting made. Before moving on, write down some storyline ideas for your spec script or write down. So potential log lines for your TV pilot 3. Character Development: In this section of the course, Let's talk about characters. If you're writing a spec script of a show, you probably know the characters already, but it's still good to take notes and make sure whatever storyline your writing is consistent with the character. If you're writing a pilot, I've attached the character questionnaire. You can use these questions to if you're writing a spec script. But these questions will come more in handy for those who are writing a TV pilot. I wanted to go over the questions in the character questionnaire. You should be answering these questions for every main character you have in your story. And this will really help inspire ideas and goals for your character and you'll know them past, present, and future pretty much after you answer these questions. And what's great about this question as well is if you ever get stuck writing and your key can't figure out how to move your story forward. It always helps me to look back at these questions and it always inspires ideas. I'll sometimes come up with a different, different angle or I'll be like, Oh, the character we respond this way. This really helps, you know, their dialogue as well and just, you know, the character in and out after you answer these questions thoroughly. So let's just, let's just dive right into them. So first question is, what is their full name? So do they have a middle name? Do they have is just first and last name. Every character is different, but you want to include their firstName and lastName at the very least. Number two, how old are they? Are they 30s, 20s, teens, or whatever. Every, every character should have an H. Number three, what is their physical description? So this could be their height, their weight, the way they present themselves, the way they dress, their hair? Do they have long hair? Do they have short hair or they bald? I think, really think about physically when you see them, what do they look like? This will really help paint the picture in your head of what this character looks like. So feel free to go crazy on this. Write a whole paragraph, or just write a sentence that really paints a picture. Number four, what is their marital status? Are they single? Are they married? Are they are they are they straight or gay or whatever their romantic or not. So romantic relationship is. If they have any, put that down. This could be, could be one word. It could be a sentence totally up to you. Could be a lot more. Number five, what was their childhood like? So think about what they're what they're like from ages five to 15. I think a lot of times too. Did they have siblings? Are they Are they the oldest sibling and their family? Are they the youngest sibling? Are they an only child? I think growing up with siblings or being a sibling can really shape who you are. So think about that. Also. Where did they grow up? Did they, did they live in the same city when they were a kid or do they move around a lot? They have the same childhood home. You want to spend a good probably paragraph or more on that question. What was your childhood like? Number six, what is their current occupation and what were their past jobs? So think about where they work right now and then think about how they got there. That's kinda what it really helps me. They could be working at the same job for the past ten years and maybe they love it or maybe they hate it, maybe they're sick of it and they wish they went to other jobs. Maybe the job hot, maybe every six months they got a different job. And so they're very experienced in a lot of different different things because they worked out all those past jobs. I generally like to go like ten years. I think about where they're at today and then every job they had the past ten years. And, you know, you could you could do bullet point, bullet points for this one, you could do paragraphs, totally up to you, whatever helps you pretty much just how when you answer these questions as you want to think about how this is going to help you in the future. Number seven, what was their education? Do they get a PhD? Did they get a bachelor's? Did they just pass the fifth grade and then stop there and never went to middle school. Every character is different. If a kid, they're probably still in school. If they're in their '50s, they probably they probably done with school or maybe they're not. Maybe they're going back now to get a degree. So think about that. Number eight. What are their hobbies? Do they play any sports? Think about maybe they don't play sports currently, but maybe they did. Maybe they played hockey for 12 years and then quit. I think there's a lot of amazing female hockey players that quit after college because the pH F isn't big enough yet, but hopefully it will be in a few years. But you want to think about that. You want to think about sports they did play in the past. It's sports, sports they currently play or other hobbies. Maybe they knit. Maybe they like to make music at night. Whatever whatever shapes them into who they are. I think about that. Again, this can be paragraph this could be Different bullet points. Maybe they play several sports. So you bullet point every sport they played and when they started planning it and when they stop playing it, or maybe they just started playing it. Anyways. Number nine, what is their favorite book? Movie and album. Okay. Technically it's just three questions. I get it, but just just do a quick sentence for boat for all three. I answered these really fast. I put a book and I put a movie, then I put an album. This question is relatively quick for me. For most characters. Number ten, they could, they could just be in the movies and books and not listen to music, maybe whatever. Number ten, what is a typical Saturday night for the character? So think about what they do on Saturday nights. Maybe their home bodies and they just stayed home with their family and read books and not listen to music. Or maybe they go out and party every single Saturday. They go downtown. They spent a bunch of money and they loved music. They go to concerts all the time. Every, everyone's different. And maybe depends how old they are to think about what they do in different on a Saturday night. This question actually helps me way more than I think it would be for them, right when I answered the question. To answer it, it really inspires ideas for me, at least. Alright, number 11, what is their biggest regret in life? Wow, that's a, that's a big question. You take your time on that. It's usually this is usually a paragraph for me, but I really have to, as a thinker, a lot of times where maybe you know the answer right away at the bat, but yeah, what is their biggest regret in life? Number 11. Number 12, who or what does the character love? This could be family members, this could be activities, this could be the friends. Think about all the things they love on a daily basis. On the opposite of that, number 13, who or what does the character hate? And guess what? These two things could be the same. They could, they could love their sister and also hate their sister at the same time. So think about that. Could be completely different answers to these two questions, or they could be connected. Number 14, who or what does the character fear? Maybe it's something in their past. Maybe it's maybe they're making things up in their brain for the future. I think a lot of people fear things that never happen. So maybe they're one of those people. They could also fear the antagonist. Whoever the antagonist or whatever the antagonist is in your movie, they can also fear that, alright, number 15, What is the character's internal motivation? What they need, and what is the characters external motivation, what they think they need. Again, I know this is kinda two questions in one, but there's a really helped define your character. Usually, I like to think about it like this. The internal motivation is usually what they get at the end of the story. Something they earned or something they don't realize that they need or something they appreciate. They might appreciate their family a whole lot more at the end of the story, like if you look at home alone, e.g. that's something they they don't they don't think they need, but they get at the end of the story. The external motivation is usually the goal, something they're going after the entire story. And they could get both of these things at the end of their move, at the end of the story. Totally up to you. But yeah, what they need and then what they think they need. Again, this is usually the goal. If that helps you. Number 16, what is the character's fatal flaw? Great characters have great flaws, especially fatal flaws. So think about, think about your favorite characters to, I like to think about I like to think about Michael from the office. He had a bunch of laws, but it made him a great character though and made me want to watch them every week. So lists a bunch of flaws that your characters hats. And if you don't know what the most fatal is, just maybe write five or six flaws and it'd be like This is the big one. This is the one that's the most fatal. Alright, moving on, number 17. What is the character secrets? Yeah, think about, think about their biggest secret. Could be small, could be big. You know, every character is different. If it is big than it probably could push your story, push the story forward. So yeah, think about that. This is usually, there's usually a paragraph for me or sentence and then I had to keep thinking about it and go deeper. So make it a paragraph. But yeah. Take your time with that. Number 17. Number 18, how does the character speak? So this could be determined by environment. This can be determined by their education too. Growing up in Montreal, Canada, how they speak could be French and English. Maybe they mix up words freshman English, French, and English. If they grew up in Montreal. If they grew up in Gainesville, Florida, they speak, they probably don't speak French. So think about how they speak. Think about their dialogue, their vocabulary as well. If they're well-educated, Frederick Frazier's are very well-educated man. And the way that Frazier speaks, the words he uses or not, words that most common folk use. You would never see, I don't know. Charlie Chaplin use the same words as well. That's terrible example because Charlie Chaplin doesn't talk. But you get what I'm saying. How do they speak? Think about their vocabulary, where they grew up, all that stuff. Number 19, What is the character's goal in the story? Alright, so characters, so what's pushing the story forward? Pretty much what do they, what are they going after? Sometimes they might not know right, right off the bat. Next one they might be forming their goal. The goal might come to them or something. But usually in act two, they're going after their goal. And then an act three, they accomplish their goal. So think about that. This is very influential on your story. Number 20, is the character active and achieving their goal? Well, if they're the main character, the protagonist, they very well should be. If they're not the main character, maybe they are, maybe they're not, maybe they're just along for the ride. But usually the main character is active in achieving their goal, especially in the second act. Again, they might, they might be hesitating in the first act. They might not know what their goal is. But in the second act, main characters, protagonists, they go after their goal. They become active and achieving it, especially in act two and at the end of Act three. Alright, so number 23, what is the transformation arc of the character? So how characters start in the big stories is not how they end. Great stories have great arcs for their, for their main characters. Think, could think about that. I'm trying to think of a really good example. Okay, I'm Michael from The Godfather. His arc, e.g. at the beginning of that movie, he didn't want to be involved in the family business. He was the brother that didn't do a lot of Godfather things. But then at the end of the movie, guys who becomes the godfather, the one who didn't want to. So that's a great main character because it's a great arc. So think about, think about the arcs and how they grow throughout the story. Okay, Number 24, who are what helps the character change? This could be their friends, could be their family, it could be, could be the antagonist. Can be a lot of things. But think about throughout the story if things are going to influence and push your character, different directions make them change. And this will, this has to do with their arc. So these two questions are very much connected. So think about all the things that make them change out the story. Number 25, who is the characters mentor? They don't need. They don't need a mentor, but a lot of great characters do. Luke Skywalker had Obi-Wan, Kenobi, dodgeball that they had patches or Houlihan coat coach. Mentor is don't actually have to appear again in Act One. A lot of times they appear in act two, and then they might die before act three, depending on the story. But yeah, they don't need a mentor, but this does, this does help me and inspires my story. If I give them a mentor or at least think about maybe they had a mentor in the past and then that mentor died. And we don't we never see that mentor. Everyone's different. Alright, Number 26. Does the character have any conflicting personality traits? This is a great question. And think about this because the way they may want to act is not the way that they do. But yeah, this really will help. This really will help you. In terms of how they respond. Yeah, think about things that they're fighting with internally. A lot of times that helps with that question. Number 27, what is the character missing in their life? A lot of times this has to do with their goal to maybe there's something the goal thereafter is what they're missing in their life. But think about that, you know, maybe, maybe they there are widowed. So they're looking for love again or companionship. At least. Maybe. They always wanted to become a blackjack dealer and they never did. And before they die, they want to become a blackjack dealer. So they're like That's what's missing in my life. Just spit balling ideas out there, but think about what they're missing in their life. This a question again, I go to a lot when I'm stuck on the story. And it's kinda helps me inspire whatever I answer it will inspire the story. Alright, next and last question. What is the first image or the character? What does this tell us about them? This is essential, I think because whoever reads your story there, read it. And the first scene or the first image of the first, how they see your character first is going to paint the picture in their head or who this character is and what they do. So do all these questions for all your main characters and it's going to help you so much has you write. And it'll inspire a lot as you write and you'll come up with a lot of ideas to have fun with these. There's some work, but it's fun work. And it helps her story immensely 4. Writing the Script: Now that you know what your idea is, now it's time to write the script. If you need screenwriting software, there's a ton of free script writing software out there. My screen reading software of choice is right or duet. And you can write your first three projects for free at residue at.com. Pretty much all script writing software uses the same keyboard strokes to move things around. Press the Enter key to change between action, dialogue and character. If you're new to script writing software, just dive in. It's not that hard to figure out. And you can find tutorial videos on YouTube. Usually, you'll be able to master the basics after writing with it for 5 min. Here's some advice for brainstorming ideas. Rule of ten. If you're having trouble writing a scene, I'm a big believer of the rule of ten. I think I heard Jerry Seinfeld first talk about this, but I've heard many others talk about it too. It's where you brainstorm ten things. And then you will find that one thing that works. When I'm stuck on a scene, I'll brainstorm ten things that could happen. Some of them are good ideas, some of them are terrible. But I do find that one I like after I brainstorm ten. Don't put pressure on yourself to make all your ideas, good ideas. Sometimes writing down a few bad ideas, you know, won't work. Watson sparked good idea that will work. Determine what your main character wants. If you get stuck in a scene, especially with dialogue, think about what your characters want in that scene. Show. Don't tell. If you ever find a character saying something the audience needs to know. See if you can find a way to show it. Be disciplined about your writing. If you want to complete your story, you have to be disciplined about your writing. And here's a few things that can help that writing a little bit every day will go a long way. Some people take ten years to write one thing because they say they never have the time. But all your excuses are not going to move your story forward. If you write a little bit every day, you'll have a lot done after a month. And it will make it easier on your brain to remember what you have done so far and where you're going. Five-minutes a day rule. I'm a big fan of the five-minutes a day rule, and I often tell this to my friends a lot. Before you go to bed each night, make sure you wrote for at least five-minutes. And five-minutes isn't asking too much of yourself. And many times, five-minutes will become a lot longer if you become inspired and if you don't, after five-minutes, just try it again tomorrow. You have to treat the creative process like a muscle. Muscles have muscle memory, work that muscle every day. If you wait a week for right, spend half your time thinking about what you already done instead of moving forward, find a ritual that helps you, right? See if you can find the time of the day that works best for you. I always recommend mornings before you go to work because this way, you'll think about your writing throughout the day. Keep the file open on your computer. Keep your writing file open on your computer constantly. This will make you think about your story more and more. Make it the last thing you look at, and the first thing you look at when you open your computer, keep moving forward. Rewriting is always easier than writing, but here's the thing. You're going to rewrite anyway, once you get to the end of your story and finish a first draft, only then you'll have a grand picture of your entire story. The best thing to do for your story is to get to the end of the story and then rewrite, set times to write and do nothing else. We live in a world where distractions are so easy. And this makes writing hard, e-mails, text messages, phone calls. And just to remind is being curious about random things can distract us. But what often helps me as setting a timer on my phone and making sure I don't check my email or phone until the timer goes off. I often will do 1 h blocks. And for that period of time, I will only write. If I mind wants to Google something. I won't Google it unless it's research for my story. If it's not, then it can wait till later. If I don't have time to do 1 h, then I'll set a timer for 20 min or even five or 10 min if it's late at night and I haven't written yet that day, stick to your deadlines. It's so easy for us to say we'll do it later and then later becomes never. Keep your goals in check. You're always keep your main character's goal and check. Let the a story drive the narrative and never stray too far away from your protagonist goal. It's also your goal to finish the story. Celebrate when you finish. Take a few hours to celebrate when you finished your first draft. Maybe go to dinner or say a movie you want to see. You might still have a lot of work ahead of you. But once you get to the very end, you'll have a better idea of your whole story. And finishing a first draft is a huge accomplishment. So many people think of ideas and never take the action. You took the action. And yes, there may be work ahead, but there was also worked behind you. So be proud. You did it. Keep the first draft just for you? Once you get a first draft done, I recommend taking a few days to a couple of weeks off, but don't take too much time off, you still want to keep the momentum going. You might have several ideas that you want to change or some scenes that are not good, but you wrote them just to keep the story moving forward. Rework those scenes before you send another draft to other people, set a date to get it out into the world. What's the point of writing something? It was going to sit on a shelf or stand your computer forever. But if you set a date to get it out into the world, or at least try to get it published. This will drive you to make sure it gets better and better with every revision. A table read is when you get a group of actors or friends together and assign character roles to all of them and have them act out the entire script. You can do this in your living room or do it on Zoom if it's more convenient for everyone. The good thing about having a table read in real life is if it's a comedy, you can hear the laughs. But either way, you'll be able to feel the flow and feel what scenes that are too short and what scenes are too long. You'll feel the rhythm of the whole script. Kill your darlings. After each table read, it's time to cut anything that doesn't work. For writers, we call this kill your darlings or kill your babies. There may be a line of dialogue or whole scene. It just doesn't work and you need to cut it to make the script better. You might rewrite something or just cut an idea altogether. Often, the more simple something is, the better it is. So any scenes that may be confusing or complicated, make them simple. Try out different actors. After you do your first table read, rewrite the script and make it better. Then do another table read. It may be beneficial to you to have a whole new group of friends or actors the second time around, or at least switch the rows up. You never know what different actors will bring to your characters. Sometimes actors even mess up their dialogue, but the way they say it or the sound they make is so unique and funny that I will change the script to what they did. Listen to all the notes. But follow your heart when applying them. After every read. Ask for notes from your friends. Ask questions, but more importantly, watch the actors and your friends as they read it. Don't be part of the table. Read, just take it in and ask for notes from everyone there. Sometimes people are shy with giving notes. But once they start with OneNote, then OneNote leads to another and another. When you get notes, trust your instincts. You're going to get a lot of notes from a lot of people. Some of those ideas, maybe you're really good and you may want to apply them. But some nodes might just be terrible. You can get a good note and a terrible note from the same person. I wrote down all my notes from different people. But I usually only apply about 20% to 40% of the notes I get. Today. Brainstorm your concept for your series. Think about how many episodes you want for the first season and start to write your first draft for your first episode. 5. Table Reads and Rewriting: Welcome to me or no meal. I'm your host ************, and I'm so excited. We are first to contestants. I'm audience of teams and teachers during class. Please welcome the President of your student government and Junior. Was he walks on stage and you've probably seen him in the back alley. He's known as installer and it's all more. Once we combine making deals and cooking all into one show, you. The rules of the games are easy. Every suitcase as an ingredient that you use because a meal or makes them more too delicious meal with their ingredients wins the game. Oh, I'm still going to cooking. You're going down the secret ingredient. It only using greens down to the suitcase. Worst case model. Steven. The audience go wild as Carlos exits carrying several suitcases, should I really be the only person doing this sentence would have to get the job done. Well, I guess that's true. Okay. After reading a draft or two of the Script or scripts, now it's time to do a Table Read. A Table Read is when you get a group of actors or friends together and assign character roles to all of them and have them act out the entire script. You can do this in your living room or do it on Zoom if it's more convenient for everyone. The good thing about having a Table Read and real life is if it's a comedy, you can hear the labs. But either way, you'll be able to feel the flow and feel what scenes are too short and what scenes are too long. You'll feel the rhythm of the whole script. Kill your darlings. After each Table Read is time to cut anything that doesn't work. For writers, we call this kill your darlings or kill your babies. There may be a line of dialogue or whole scene that just doesn't work and you need to cut it to make the Script better. You might rewrite something or just cut an idea altogether. Often, the more simple something is, the better it is. Any scenes that may be confusing or complicated. Make them simple. Try out different actors. After you do your first Table Read, rewrite the Script and make it better. Then do another Table Read. It may be beneficial to you to have a whole new group of friends or actors the second time around, or at least switch the rows up. You never know what different actors will bring to your characters. Sometimes actors even mess up their dialogue, but the way they say it or the sound they make is so unique and funny that I will change the Script to what they did. Listen to all the notes. But follow your heart when applying them. After every Read. Asked for notes from your friends, ask questions. But more importantly, watch the actors and your friends as they read it. Don't be part of the Table. Read, just take it in. See if the jokes work and if the pace works. And ask for notes from everyone there, sometimes people are shy with giving notes. But once they start with OneNote than one node leads to another and another. When you get notes, trust your instincts. You're going to get a lot of notes from a lot of people. Some of those ideas, maybe you're really good and you may want to apply them. But some nodes might just be terrible. You can get a good note and a terrible note from the same person. I write down all my notes from different people, but I usually only apply about 20 to 40% of the notes I get 6. Pitching Your TV Show: So you found the producers interested in buying your script and they want to meet you. Here's how to have a great meeting. Don't be late. Think of Murphy's Law. If something can go wrong, then it will go wrong. If you're in Los Angeles, you know, there's got to be traffic. It doesn't matter if it's 11:00 P.M. on a Wednesday, there's still traffic somewhere. La is the city of traffic. For feature screenplays. You usually don't need to prepare a pitch because the script is already done and they read the script already, hopefully. But if you're meeting with them about a TV show and then get to the meeting location super early. Find a coffee shop nearby and keep practicing your pitch. I plan on having future classes about pitching, so click on my profile to check those out later. Well, my friend and writing partner jared summers and I had a meeting at 3 yd about our TV show, romantically hopeless. Based on a web series I created. We arrived at the three arts building super early, found a restaurant next door and practice our pitch. So we had it memorized. Practice makes pitches perfect. And many times people ask questions during your pitch. So you need to remember how to get back on track with the pitch. If they interrupt you with a question, if the company office has a waiting room, you can arrive 10 min early, but I want to go earlier than that. More than 10 min makes you seem weird and desperate. And if you are desperate, that's fine. But don't act like it. If you're weird, then this will probably work for you. Our weirdness makes us unique and memorable, but don't be crazy, weird, just basic weird. If you don't live in LA, by the way, good for you. Since the pandemic, you don't need to live in LA anymore. You can ask for a virtual meeting. Real life meetings versus virtual meetings. Zoom meetings are now commonplace. So many of us work from home now or in a hybrid working environment. And it's more accessible than ever to be a screenwriter and another city. If this was before 2020, I would say you have to be in LA, but not anymore. What should you wear? So luckily, writers aren't expected to wear a suit, but you also don't want to dress up like a complete slob. I want to wear a t-shirt, but I would aim for business casual. It's okay if you're better dressed than them, but don't come in with a tuxedo. You want to show that you're professional and want to make a good impression. It's okay to be nervous. As long as you're likable, it's okay to be nervous. If you are, if you are, you can tell them you're nervous. They actually liked this item meeting wants with an Emmy winning comedy producer who loved my TV show idea. Grandma knows best. She was one of the most successful people I've ever met. And her long career of working at successful sitcoms made me nervous. She won an Emmy and worked in a bunch of shows and I loved, I think she could tell I was nervous, but before I went into my pitch, I told her I was nervous. And that's kinda helped ease the room. I can't remember exactly what she told me, but it was something like you don't need to be nervous. And that helped me. Also. It's important to be likable. It's better to be nervous and likable than to be complaining and unlikable. In general, don't say anything negative about anything. Even if you saw terrible movie The night before, I wouldn't complain about this. Because you never know if they have connections to someone who worked on that movie. If they mentioned a movie they don't like, you can agree with them and you want to find common ground. But for the most part, B, positive people like to work with positive people. Let's talk about general meetings. Know the difference between a general meeting and a meeting where you're selling the script. Sometimes producers will like your script and just ask for a general, this is a meeting where they just want to get to know you. Sometimes you'll get a general meeting before you get another meeting where you saw the script. And a lot of times you might just get a general meeting and knocking and meeting when you saw this grabs. A lot of times. They'll tell you a few minutes ends in the meeting that the script you sent isn't what they want to make right now, but they liked your writing style and voice. Take this as a win. You're still meeting with them. And the fact that you're there means they already like you and they probably want to keep you around for something else. I'll talk about this with my own experience later. Smalltalk and rapport. Don't jump into a meeting right away by talking about your script. Buyers want to make sure you're not crazy first. They want to make sure they get along with you first and they like you. Maybe prepare a few interesting and unique questions. People love talking about their accomplishments. So feel free to ask about those. Let them bring up the script. When you first meet, don't bring up the script right away. Ask how they're doing or find something in their office or environment to talk about are even better. Talk about them. If they produced a movie you like to talk about it, give them a compliment. Again, I recommend the book how to make friends and influence people. And in this book talks about how everyone loves compliments. You want to have good banter. Don't talk way more than them, but just have a conversation. When the time is ready. They'll bring up the script. They'll say something like, Okay, well let's talk about your screenplay. Listened to their notes, and don't disagree with them in the meeting. If you disagree with the note, it's not going to help the situation if you say you disagree right there and then for now, say, I'll think about it, or even better, sometimes they'll have a note you actually will agree with. You can tell them that's a great note. And say something like, I will definitely apply that if they pay for your meal or drink, that's a good sign. Many times a producer will suggest a coffee shop somewhere. It's just a good mutual safe place for everyone. I've had about 50% of my meetings at coffee shops. They suggest if they offer to pay for your drink or meal, say yes and enjoy it. Who doesn't love free things? When I option a Christmas screenplay a few years ago, the producer Paige, my lunch and drink. He also loved the script, told me his plan to produce it and brought the contract there and a check and a nice envelope. It's strange, but the times have had producers pay for my meals or drinks. It's a good sign that they'll give you money soon. There's been a few times where I paid my own food and drink and the script ended up going nowhere with them. This may not always be the case, but it's something I noticed. Four more good tips. I would look at the book, good in a room by Stephanie Palmer. You can also listen to the audio book version. Come in with more ideas. Sometimes our producer isn't interested in making the script. You sent them, but they like your writing. So they want to meet with the writer. They sometimes will ask for a general meeting, or sometimes they don't tell you what the general meeting and you think they want your script, but really they just want to meet you because they may have something for you in the future. The first screenplay I ever sold, I met with a producer who read and lights another one of my screenplays. That one was called Man, I feel like a woman. It was about two female stand-up comedians who cross dress to prove women can be just as funny as men, but they're alter egos become more famous than there. But he immediately told me in the meeting that the script wasn't right for him. It caught me off guard at first. But the director, like my writing voice and asked me about other scripts. I wrote several screenplays before this. And again, the logline for each of those. He wasn't in love with any of those either. Then I told them about the one I was currently working on. I told them I was working on a feel-good comedy about a boy trying to kill himself. I only had the first act finished, and I told them what happened in the story so far. And he loved this idea. And when I told him, I finished that script a couple of months after that meeting and he option the script after I sent them a complete draft a year-and-a-half later when the option was about to end. I actually forgot about it until I got my first five-fingered check in the mail and the script sold. We'll talk about the differences between operating and selling in the next lesson when we talk about money. But for all your meetings, remember this, leave the meeting on a positive note. About 95% of the meetings I've had with producers are fun, especially because they've already read the script and they like it. But every now and again, you might meet a producer who might be a ******. Really think about if you want to work with that person, especially if they want to rewrite, if they gave you a bad first impression, then you may want to shop the script around elsewhere, but always end the meeting on a positive note. Say it was nice meeting now, even if it wasn't. And even if they are Du Shi, You can still do this. Have fun. If you had fun during a meeting, then chances are they had fun too. Even if you start the meeting with being nervous, eventually, you can get out of being nervous and just have fun in the meeting. People in this industry want to work with other people who are font. This industry is often filled with long hours and it's easier when you work with fun people 7. SkillShare Superpeer Coaching Promo: Hey, if you're interested in one on one coaching sessions, I'd love to help you during your creative process to make sure your project gets finished. You're interested, you can book a session on SkillShare using their new Super purer feature. To book a coaching session, just click on my SkillShare profile and click Book Now. These coaching sessions can be weekly or bi weekly, whichever you prefer. I offer coaching sessions on writing movies, TV shows, web series, producing your own film or series, and much more. I can coach you once a week or every two weeks to make sure you stay on track and create the accountability you need to finish your story and project. Contact me to book your first session now. Thank you, and now back to your regularly scheduled course. H. 8. Romantically Hopeless Table Read: Give a better idea of how table reads work. I've added one of my own here. That's where my TV pilot, my friend jerk summers, and I wrote based on my web series, romantically hopeless. The script is attached if you want to read along. Romantically hopeless pilot written by Jordan hemiola and Jared summers. Alright, told open exterior elementary school playground, day, recess is in session, fill and fill. A five-year-old is a scrawny kindergartener with thick glasses. He walks up to Victoria five, Juan Hill holds up a flower. Hi Victoria. Pick this flower for you. Thank you. You're so sweet. Do you think someday you can be my first kiss. I'm so excited for my first kiss. My dad told me it's romantic. I don't want to kiss you. Anyone but you. Five, another kindergartener over here is the conversation anymore. What about me? I haven't been to yet. Yes. Anyone else except for Phil. Can we do that? Bob and Victoria share their first kiss. Other kids see this. I want my first kid. Boys form a line in front of fill. They take turns getting their first kiss from Victoria. So groovy. Who else except for Phil, wants to kiss me. Jump in line for their first calf. Mantis hurts. But Philip Garrett, Garrett won't quit. I'll find that romantic thing is soon. Interior radio station studio night. Now 45 sits with a multi-line phone and a microphone nearby. Samantha, operate the soundboard. The clock on the wall reads 03:45 A.M. Phil is on the air. And that happened 39 years ago today, my entire kindergarten class, except for me and the teacher is Victoria. After that, did you get your first kiss 17 years later? Sympathetic, but I am not surprised. It's 03:45 A.M. time for my favorite new Wednesday segment. That's right. It's with a date would fill Wednesday. First-person who calls us, wins a date with me will know the rules. Yes, we do unfortunately, owe me $1 for every minute we do the segment without getting a phone call, the clock starts now. Some Angeles starts at time or fail stares at the phone. I know it's I know it's now 03:46 A.M. on a Wednesday morning. But there's no better time to win a date with me. Come on, come on, audience. I went $47. Let's go for a new record. Felt mom needs fixed or current. Anybody anybody can call? I just want a date with me. I'll pay for half of it. The phone rings. Oh, right. That's what I'm talking about. No. I was gonna get food delivered to the studio. Hello. Puts the color on the air. It's Victoria, but all grown up. Color. Congratulations, you've won a date on romantically hopeless. Did I went? That was easy. So you're going to date me. Yes. I'd love to. Don't you want to see what I look like first? No, I am game. You're better looking at NFL. Yeah, that's true. I can tell but I can tell by your voice. You don't recognize my voice, should I? It's Victoria. I feel really sorry that I didn't kiss you that day. I want to make it up to you with a date. You do really well in your contract. Yeah. I must do anything for love and I have to talk about it on the radio. Wonderful. Can you pick me up around noon? Stay on the line, Victoria, and we'll get your address. I'm going on a date with a girl at never kissed me. And hold open X1 interior. My mom is this gets sold food restaurants, fail, Eugene and not can you do the bile is really quick actually. Oh, sure. Yeah, My bad. Alright, bias, main character. So 45, the world's biggest hopeless romantic and a dorky, lovable leader. He's an AM radio show host from 03:00 A.M. to 07:00 A.M. Samantha at 22, fills board operator and production assistant. She's a millennial who drinks on the job and give a ****. Karen, 25 hills younger sister, quirky, doesn't know what she wants to do with their lives and has a crush on back. That 34 fills roommate. He's the most naive and nicest guy in New York City. Jerome, 27, fills cool friend. He runs a family soul food restaurant with his parents in Harlem. Eugene fills oldest friend. He's short, Husky, and owns a funeral home. Cool. We get to move on with X1. X1 interior. My mom has biscuits, soul food, restaurant day, still, Eugene and Karen eat breakfast. I think there's a reason she didn't kiss you? I think reuniting on AM radio is romantic. Only old people at creepy people and weirdos listen to his station. Jerome enters from the kitchen with a plate of biscuits. That'll be fine. Just kinda be positive. It's only one. Don't see what could go wrong. You remember that time you dated a blind woman and she's still find you ugly? Yes, I do. Remember the 36 woman, women who gave you the less just be friends speech. I sadly remember every speech in explicit detail. Thank you. Karen. Remember that woman who you found out had a *****? Yes. I bumped into Michelle last week. She's gonna be a father-son. That enters the restaurant with the springiness step holding a Manila envelope. It's happening. It's finally happening. I'm getting a divorce. I wouldn't be a free single man. That's great news, Zack. All I gotta do is go to prison and get the paper side. I'm so happy for you. It's about time. Drum parents, pops and mama Walker 50s enter from the kitchen with several suitcases. Well, kids were off to the land of jazz and whiskey. What land is that? It's St. Louis and we've talked a lot of whiskey. I can't believe my parents want me to run this place all by myself, who do respect to help me figure it out somewhere on vacation. Now, you know the rules. If there's an emergency, then you owe us a new restaurant. Oh, I gotta go to I gotta pick up my hot date. Does she have a venous pumps is only one way to find out. Exteriors treat tonight. Hello, pulls up to a building with a gate and guard posts filthy. It's correctional officer Carl 40th fill shows him a piece of paper. Excuse me, sir. I'm I'm looking for this address. Can you help me? You got the right address. Were you looking for Victoria, Angus mean violent Vicky. I hope not. Make sense. She's getting released today. Released. A gate opens and three women walkout fills childhood crush is no longer Victoria. She is now violent. Vicky. She wants her to other selamat, Cindy and Mindy 30s, early, rugged and bad at free at last. Thank God Almighty, I am sorry. We're all very proud of you. Violent Vicky. Please. Don't murder anyone. No promises, Carl. Promises. She walked over to sales car and get some shotgun. Cindy and Mindy, getting the back. Good luck man. I hope you're not the first one she murders. Hill is preached the **** out. Why didn't you tell me you were in prison? Would you have come to pick me up? No. I didn't tell you. Yeah. Don't ask. By the way, these are my friends, Cindy and Mindy, and they just got released to this that both on the radio. Yeah, Be nice to the fool. He's taken me out on a sexy estate later, another car pulls up next to Phil, exact car. What are you doing here? I'm going on a date with three prison chicks. Can you handle three prison checks? I don't know if I can handle one. Good luck, buddy. Try not to get Shanks. Interior prison visiting room day that sits at a table across from Brooke 36 right here. Freckles and intimidate. Please brought just assign them so it can be a free man. I'll sign the divorce papers, but under one condition. Anything I want your big sweet fat did one more time right here, right now in the Kangxi. Did they clean it after people do it? I haven't had your **** in mind. I married you for that juicy piece of meat. And just wants the right one last time and then you'll sign it just once more. She put your pinky out. He's takes some thinking yet. Prison promise. Interior my mom has biscuits day violent, the heat, Cindy and Mindy pig out on fulfills bell, Jerome and Eugene talk. What happened to your hot date? I didn't tell you to bring him here so I could feed jail bars. Look, Victoria and I are gonna go on a date later to an arcade, but they were hungry. So you brought them here. They were talking in the car about how they wanted jobs to become working members of society and you need help around here. I'm Dan, like a dead clown. When do we start? I hear job. I like money. Could you start today? Yes, sir. Oh, by the way, because you're cute friend. Cindy rests her hand on eugene shoulder. Mindy snuggle the other side of him. Eugene is Yeah. What's your name? Doll face Eugene Lipschitz knew James do lacked about women talk a lot. Yeah, We just love soccer lot. Chocolate makes us *****. Do like Honi thing. ***** things are my favorites. Interior time to go visit room day. Back in Brooklyn, do it hard and my candy? Yes. Yes. You're telling me you liked this farewell, Derek. You're telling me the hasta la vista, my long strong slog. Oh, yeah. I'm killing you. Like finding how much am I killing you? No response. She falls over on the ground. Did you come end of S1, S2, interior arcade at night fill in violent Vicki play whack-a-mole on their date. Like to use my fist instead of a mallet. It's more bloody. Ask them good with their fifth ship books. She, Mrs. a. Mole and it goes in the hole. You think you can get away from me. I'll show you stupid chipmunk. It's actually whack-a-mole, not like a chipmunk. She reaches into the hole and pull that the more toward snap and it breaks the game where my tickets. Did you just kill that mole, reaches into the hole again and grab the entire role of tickets. Look how many tickets I want sweet shakes. Yeah, That's sure is a lot of tickets you sure showed that mole. They walk they walk through the prize section, they see several trophies and one is a boo, boo, the Hannah Barbera character. I'm going to give you this because you're my boo, boo, and I'll always be a yogi. So sweet. Thank you, yogi. She sees an employee. Yeah. Ticket mofo. How many tickets for this trophy? Yes. I'm afraid we can't accept you tickets. You broke the whack-a-mole. Well, I guess it's for free then come on. I got another place I want to go to. She picks up the trophy. You can't just leave. Second mofo. Look what I did to those chipmunks. Imagine what I could do to you. Please enjoy your Trophy. Trophy. Interior. My mom has biscuits night night, Sunday and Monday. Clean the tables during supervisors. Nicely done. Keep up the good work, ladies. Jerome, walk to the kitchen to count inventory and overhears Cindy and Mindy talking. This is total easy street with a dope like that. As boss. I know rats speaking a dope rear wheel that takes out a bag. Oh, yeah. As long as we keep running game on him, we have it made a pound. Jerome is not pleased. Than the outside door opens. You might be the fool. Eugene enters. Hello ladies. Hey, tertiary phase. What are you doing here? I wanted to bring you these Eugene unveils to miniature statues and Cindy and Mindy made out of chocolate. Oh crap on a stick. That's a minim Indiana many Cindy scope from shackle. You must really like us, don't you? I also got you roses and candles. Eugene grabbed bags of flowers and handle. That's a lot. I also went to bed, Bath and Body Works and got you some body works. You can grab another bag from BB BW. If you like me, like I like you. Maybe someday we could be boyfriend and girlfriend. That's what you want. How about this? How about if you get us an apartment and pay our rent every month and then one of us will become your girlfriend. Really? Sure about this? He pulls me to the side. Monday were criminals who's going to rent to us. And if Eugene wants to pay our rent, let's take advantage of it. That's our honey bunches of cuteness. Exterior, gun store night fill and violent. Vicki, pick out guns together. What do you think about this gun? From what I understand about guns, if it's Shruti than it's good. Hey, I didn't just come here to buy a gun. You didn't come here to shoot me. Did you know silly Mendeley? I, um, I actually came here to ask you a question. What's that? Violent Vicki gets down on one knee. I know we've only been dating for a day. What I should've kissed you 39 years ago. She reaches into her pants and takes out a ring box somewhere. I always thought I'd be doing this part. Boom, read ever? Philip, Garrett. Garrett, Will you marry me? Really? We haven't even known each other for 24 h. Yes. Wonderful. I knew you'd say yes. Now, can you buy the guns and put them in your name? Anything for my future wife. Pill looks at the cashier. These 11 guns, please. Interior filling tax department days that prize Karen is consoling in the deck of death. It's not the tick of dust its place. I killed her. Don't blame yourself. She tried to kill you to matter of fact, that's why she was in prison. I miss the good old days. I'm a bad person. You're not a bad person. It's just good people kill other people with their ****. Dale and violent the apartment. Hey guys, we got some big news. My wife is dead. Congrats, but now you get all the freedom you wanted. No, I feel like we've all been there. Wait, are you serious? How? My backup death. You killed her with your ****. That's how did this happen? I was just trying to give her what she wanted and oh God. And now I got to plan awake at Eugene funeral home is cremating are right now. I can list the big news you have. Maybe it'll cheer us up. Victoria and I got engaged. I proposed or weddings tomorrow morning. I'm the new woman for the rest of life. Violent. Vicki stares at Karen with an evil where y was yours. Me. Interior, my mom is this gets stake. Cindy and Mindy enter Jerome has a table full of hot delicious food on the counter. Hey boss, the school looks bomb. What's the occasion? I just thought I'd cook something yummy for my two favorite employees. That's Zhu, Cindy and Mindy start eating. But first a few rules I wanted to go over. From now on whenever you eat will becoming out of your paycheck. Cindy Mindy, stop eating. And I'm going to need you to clean the toilets and bathrooms from now on in bus tables every 20 min and you'll be doing the dishes. Jerome points to a heaping pile of dirty dishes. I laid off the dishwasher this morning seeing that I have YouTube here to help out. Not chill anymore. Exterior Hudson River day. Karen Parks your card Zack has earned on his lap and the passenger seat. This cool with you. Do you think I can have some alone time with her to say goodbye? Oh, sure. All wait in the car and try to think of what is to stop fills wedding. Zach exit the car and gets the car and walks towards the Hudson River. Remember when we used to come here and threatened to take my life away, appear falls from his eyes. Times. Times. Two mobsters carrying a body bag next to them and throw the bag in the river. You see nothing? Yeah. No, I know the drill. My wife did the same thing. What do you do in here anyway? I killed my wife by penetrating too hard, so I decided to throw her ashes in the rubber. That's a good idea. We should cremate people before we chuck them into the room. And I know a dude, his name is Eugene Lipschitz. That smart getting rid of the evidence for the tip guy. Carrier radio station studio night, fill is on the radio with violent Vicki. Samantha drinks from a wine bottle. Yes, it's romantically hopeless. The show where we talk about our many problems finding love, but not today. Today I found my true love. That's right. That's right. Boo, boo. Oh boy. Yep. She was a prison chick, but it was always meant to be we're getting married right away where Dharma and Greg in it. Sound any older, fill the phone rings till picks up. Hello, color. Did you call it a congratulated us on our engagement? No. I'm asking you to back out. Are you insane? Hey, listen, craft-based, you call here one more time and tell him to back out. I'm going to track you down and I'm going to pull your scrotum from your throat. And then I'm going to decorate my wedding cake with the juice of your scrotum. Yes, ma'am. You by the caller hangs up. There's been a lot of violence scrotum talk today. Let's just stop telling people to call in. It's talking about something else. Okay. Well, where do you want to get married? Yeah. Where is the party hats? Let's get wasted on Phil's dad. Oh, I got it all picked out. It's the perfect spot. This place is magical like Disneyworld minus the fun. Where's that? Riker's Island? Oh ****, no. Getting wasted at home. The prison. You see, almost my entire family's there, at least my friends and family, which just select half my family. Can't we go somewhere more romantic like literally anywhere else? No. There's island is romantic. Yeah. For those who like to get murdered before getting their cake. But for my wedding day, I always dreamt of a place that was a more elegant than a prison. I am picking up what you're putting down, but I'm putting it back down. She gives them an extra violent look. Okay? Okay. If it means that much to you will get buried in prison. That's my boo boo bear will be something interior. My mom has biscuits, kitchen day, Cindy and Mindy scrub dishes. I thought this job was easy. All this work is worse than the work we have in the joint. I know this is torture compared to home. Back door opens and Eugene enters. Ladies, you're all set. I did it. What did you do? Sugar nipples. I got you. Already. It's been less than a day. I decided to just give you my apartment. I live in my funeral home for the time being. I just moved all my stuff out. Holy crap, that was fast. I also went to ikea where I bought and built new furniture and I decorated the house with Feng shui, four rooms and installed new carpeting. So about our deal. Who wants to be my girlfriend? Indian? Many look at each other. I promise I will be with my girlfriend every waking second. Kiss her every hour. On the hour, I will love her like crackers. Go ahead. Mindy would be his girlfriend. Idea. You'll be his girlfriend. Went to who's got my type? My top, either have to be somebody's tie. Your name starts with a C. So alphabetically, you go first. Okay. How about this? Let's both be his girlfriend. She turns to Eugene. Eugene sweetheart, you would rather have two women instead of one, right? No, I'm cool with one. Haven't you ever heard of double or nothing? No. One is fine with me. I'm already at nothing. The job Cindy, real smart move. Okay. It's really give us to give us till the morning and I promise one of us will be your girlfriend. Okay. It's been nine years anyway. What's another day? But then after that, I'm going to be like every breath you to be watching you. Eugene exit. Sunday and Monday are passed. What are we going to do? That dude is clear that a wet tampon. I know. I know. We don't have money to leave the state and he's not going to leave us alone. Not to mention our new boss, Sergeant **** hole. Mindy, there's only one solution. Only one thing that'll fix this. We need to go back to prison. End of act two. Act three, interior recurs or Riker's that we're going for. Let's go record. All right. Karen, Zach, Jerome, Eugene, Cindy, and Mindy stand at the altar of the Christian church. You can't do that. She is that crazy nuts. Okay. This may be my only chance to get married, Karen. I have to give it a shot gun, but you probably will get shot. She's not gonna shoot me with the 11 guns that are in my name to this isn't right. You didn't even invite mom and dad get out of this one. You still can't. Just give her a chance. Victoria is my cellmate, soulmate. You guys talk some sense into my brother. Actually thinks she's out of his league. I'm into and if she makes you happy bunny, then go for it. Do you think Cindy or Mindy will marry me to Cali? I hope so. Here comes the bride plays violin. Vicki walks down the aisle. She seems to be looking for some someone in attendance. She reaches the as she reaches the end of the aisle. You look stunning. I always do boo-boo the priest to begin the ceremony. Dearly beloved. We are gathered here today to witness Father. Let's just get to the bowels. Shall we enough to ever jabber? Of course, of course. So please don't murder me. The groom like to go first, So yes, I would. Victoria La Verne Angus, You are my favorite listener that I've ever had. The kiss we're about to have is meant to be, I'll always be your boo-boo in, you'll always be my yogi violin. Vicky, keep searching the audience. Where is she? I don't think she's here. Yeah. I don't see her anywhere. Who are you looking for? Don't you want to hear my vows? And others prisoner yells out. What do you mean? She did? She got killed. Vicki looked at back. Who did you can oh, you're talking about Brook. You killed my prison life. Your your one now, I thought she was my wife. Killed both of our why? I guess I'm having this wedding for her. I wanted to make her jealous, so she'd wait for me. I knew you were too good for me. Becky is outraged. You kill the best prison wife I've ever had, and I've had prison wives. I'm sorry, I felt horrible. Well, now I gotta kill. Yeah. She feels the priests Bible and chases after Zach. He runs towards the coffee. No, Don't leave me with a Bible. Somebody else faster, Zach, she's quickly than she looks. Alarms go off. Correctional officers run into the ceremony. Quick. Now's your chance to go back to prison, get the shin kept. Victoria, you you still want to get married, right? Violent. Vicki gets a few feet towns and Anzac that the Bible suddenly Cindy Shanxi gene. Was that for. Mindy grabbed the shank and then Shanks to Rome. Why why don't I do. Thanks for making us work too hard. Bendy grabbed the shank back and shank spill. That's for all the times I had to listen to you in solitary confinement. Mindy grabs the shank and it's about to shank Karen when Karen grabs a Shank from her dress, don't even think about shaking me. I came prepared. What the ****, Karen, you think I'm going to go to a prison? When would that ashamed, I'm Indian tear and try to shake each other. Let's Dance. Prison chick, violin. Vicki sees them and yell to another prisoner. Number five, past me, my Shank. Finally, Vicky's fifth prison wife, passenger a shag. I had a feeling I was going to get stabbed. The other prisoners start chanting. Shag fish. Correctional officers roster every direction. One officer handcuffs Cindy, another officer tuples Mindy, takes six officers to stop buying. And Vicki, we're putting you back in prison right now. We did it. Thank God, we don't have to end up with these fools. And I've asked three, tag interior radio station studio night. The quantum law reads 03:09 A.M. Samantha drinks the 40 fill is on the air. You're listening to romantically hopeless. So this week, everybody in my wedding party got shank. No surprise there. And learn how much loved Hurts. Literally. Always does for you. Phil fields has been on the phone ring, fill puts the collar on the air. It's Cameron and Zach. Color. You're on the air. It's your sister and Zach. What's going on, guys? Not everybody in your wedding party got shamed. I didn't get shamed. Yeah. And I got beat with a Bible before I got shamed. Well, yeah. So sorry to my prison audience listening. Yes, my sister did not get yanked. Don't tell them that. I can bring it up. If you didn't want my prison audience to know. I'm gonna get my sleep. It's okay. Karen, you can have one of my 11 guns 9. The Goldbergs Table Read: The Goldberg hot for teacher, like Jordan. Holdover, interior hockey, write de Berry plays hockey, out-of-memory, watching a stance on one sport my brother, his dad, loved more than any other scores. A point breach here. Did you see that serious street day they ran plays street hockey with other kids, who is the only sport my dad would get off his chair and watch us play outside their scores a point Marie share score. Did you see that your house today, Marion Barry wants to fliers game on TV. I don't place his Game Boy. If suppliers are on TV, nothing else matters. The player's score very, very unmarried share. Of course, you saw that we all saw that tradition until the fourth year. Here at kitchen table for Z practice. You can say, Oh yes, the master work. All weekend. I spent all weekend with my children. All weekend, but I sat on my ***. What the children He's right, mom. There was a rocky marathon on CD. We all watched all three of them pointing them out. We've gone to every home opener since Barry was too, they're not going to sell out. I don't know about that, Marie. That's not what it says in the paper vessels that he's taken to Murray, the headline reads, players home opener sold out. Sold out. How did they be sold out? Because we made it to this daily of last year. Of course they would sell out. You could go to the women's volleyball tournament. For that. I'm not going to watch volleyball. I'm a man. Well, there's always next year. Next year. Do you know how long that is? Our year. You Laura? We can't wait to next year. This is the one judicial we have. You spent all weekend sitting on your *** of bonding with Adam, abolish your favorite child. You're not my favorite point, Murray. You won't you won't miss him. Alright. We'll find a way to get tickets. I don't know, but I promised you on Friday night, you're asked will be sitting and Veteran's Stadium in a cold open and I'm tangled up inside. But nonetheless that feel the need to say, I just drew the future but the past. Every day. Your school day out and talks to his best friend chat crime, who was October 6, 1980, something like the rest of my class, I was dreading another school week. Why didn't one of these comes too fast to five days after the weekend, I'd always the hardest responses because everyday practice out there. We are reading, writing, right, buddy, written. Written in words. Why didn't even call it arithmetic? Why don't we just call it math? Spellcheck didn't exist. So because of the three R's rule, we didn't know arithmetic was actually our arithmetic, which my mom wouldn't make read so much of on this weekend. And that's when we saw her, mrs. Costello 22 enter. She's a bombshell body, long, dark hair model, looks in the skin of an exotic dancer. Hi kids might even disgust. Hello, Mr. Mrs. Henderson has kidney stone solving your substitute teacher for this week. I was never happier for someone to experience. Castello writes a problem on the board. I didn't know teachers could be this hot. She makes Brooks shield would like Alice. I thought we would start today off of my favorite subjects, rithmetic, God bless. Jerry. Furniture store De Maria talks today. Very embed won't get off my back until we get tickets for the kid. You could trade somebody. You mean like trade one of my kids for a ticket? I mean, why don't we probably one of the customers, the couch for a pair of Degas couch. That's a terrible deal on my part. I'm not going to sell a couch for hockey tickets. What about old Blue? Blue was a couch from 1978 that nobody wanted. He looked great, but it felt like sitting on a bag of porcupine. That piece of crap. You know, there's an idea. Interior school classroom day, mrs. Costello has a problem on the board, so it would be cleaner. The answer boys raised their hand. I was head over heels from the South L0, unfortunately. All right. See it looks at the attendance sheet. Is there an atom Goldberg? She said my name. She said my name. I felt like a teenage girl, a new kids on the block concerts. Say if arithmetic. So what's the answer? Adam? Is totally made me forget the answer. Just had it. I didn't do the work. Why did I only use my brain? You have the answer. Spread muscles, Mirsky whispers from behind them every night to 92 Yes, I'm a genius. He talks to a male customers, sits on old blue while I was in trying to impress my teacher, my father was trying to sell was trying his best to sell some crap. Why do you think is the most painful sinning experiences I've ever had? The scary, right? You don't buy furniture for the wave field? Yeah. You buy it the way it looks, right? Yes. So it's like a woman as long as she looks good, doesn't matter what she does. A woman Oh, sorry, Miss. I didn't see you there. Hi, this man's wife. Are you implying that he only married me for my books? I sure did. But then you lost your looks in Gale, do that. You need to lose your attitude. You need to lose some weight. Customer sends something pickers with his wife. You've never what? Never want to have sex anymore because that's how it feels. You to like this couch goes back, you know, we don't want your couch. Don't tell him we don't want it. But seriously, No, we don't want this gap is unbearable. It's kind of true so bad that it makes me miss standing up. Various bedroom day very listens to the radio while my dad was trying to treat all blue bearing that is homeless. Read you the 29th color now and you can win tickets to the wires season opener very curiously down. Suppose gradualism. Yes. You are the 28th color. Oh, so close to 29. What do I dial so fast? Mode, erica enters still trying to get this ticket. No. I'm calling the radio station requests. Come on. I leave. Of course, I'm trying to witness. Well, I just so happen to hear that gate land is having escape competition tomorrow. The first place wins. Third row seats really, erika, whole supply are very sensitive as a singing and skate contest. And I know a certain rapper named bake tasty would be perfect for it. You know, it with Erica didn't sell very well, is that the competition was for kids. Rip the bottom half of that red, ages six to ten. Why is the bottom part ripped off? Due to fliers? Now it's a trend. Good morning. Studies and eat Pac-Man Syria with Erica and pops the kitchen table. Beverly enters the next day. I was so excited to see him. He's got Stella. I woke up an hour early to study for so I could spend some time with her and get her. Why are you studying during breakfast? Geography quiz? I never knew my little snip of solution that rod on, that's geology. Geography is the study, but world. Oh, potato, tomato. Happy before school. I don't know what's wrong with being happy. To be happy. Maybe it's just school is cool. Yeah. Where are you an anti-drug commercial. Excellence me, I had to fail before it was too late. Runs out of the room. The past four years, he's always left at 07:57. Plus he forgot to give me Honey. I'm sure it's nothing. He stayed in his room all day yesterday after school. He didn't even play video games. Something is off. I need to know what it is. Don't get involved. Yeah. Weird if he wants to I can't do that. Eric, I want you to go to his school and find out what you want me to go spy on my little brush. It's not it's obtaining secret information without your brother knowing. That's what spying is. What do I get out of it? You can party without a curfew for the next two weeks. From today. This Costello passes out the quizzes. You all did a marvelous job of this morning's quizzes. She gives the quiz back to and you have an a plus. Thank you. Do I mean, obviously you don't need to take the quiz, but great job grading them. She continues to have some business. She stopped telling me Great job. So I wanted to congratulate half the boys who got an a plus for some gold stars. And never happens. Still. I didn't care. I knew I was afraid. She places gold stars on a board with all the students names I haven't season starts cooking. She made my star for everyone else. I mean, she wants me to get over here. It gets out of a weird look. She doesn't want me shut up. My MS. Costello writes on the board at upstairs with her in daydreams. I was so sure of myself. I knew she was my special someone. Future together, dream sequence to know for you by modern English. Hands and walk into a movie theater to see rocky for Adam and mrs. Costello, flirtatious, we play an ad fed with transformers, choice, exchange presses Our one-year anniversary, she gets him Super Mario Brothers, little bit stellar compliments, add them as she helps him film one of his home movies. They laughed romantically and say, fight with lightsabers, sparks fly. Where you are you hearing classroom? Yeah. Daydreams and Erica walks in the hallway or headphones playing belt for you until she takes them off. She looks in the classroom to see atom trapped in a state of imaginary harm about a live teacher grab that one. I do. Skating rink day, Emily Marie out of the Erica and pops in a crowd, was a teenager, hosts a kid's skating competition into numbers, humiliate my older brother again to support his. Family, gathered in the audience to watch Barry state for hockey. Though are some amazing performances by seven year old Nikki and nine-year-olds. That, and now let's give a big round of applause for our last column. Contested 16-year-old, big tasty married nurses play on a boom box, funky beats, laugh because he wraps in states with sunglasses and parachute pants. I'll be tasty. That's what I say. I'm a flat pan all the way. Escape like a butterfly rash, like a beat. If you see someone hot, it's probably meet. Amazing. He never skated and wrapped better and know all the girls in the house safe bay, very points for the crowd. Only bad response in the house, say tasty. What's that spell? Interior of the two children lineup was opposed to the crowd. What does show we've had here with our three competitors, just the winter apprentice here. Well, it's not a coupon for freeze. Good thing. Nope. It's between suzanne, the ground chairs, and the Goldberg's and acute kids who apparently hates Susie. Judges. And he opens the envelope in his hand. What do you mean, Nikki? Once you get your take on big case t10 actually want that's what I do. This is why I was home opener. The host gets there the envelope for the tickets, he rips it open and C's third row seats. Marie, cheers that a record for this VHS camera. Holy crap. My son was actually good at something. I never believed in pretty tasty until today. I can't believe this. That is my grandson. Very stuffs and tickets in his back pocket AND gates whose family is so talented. Talented. You make it look like crap. System of pets. Alright, sounds to go back. Mickey ICs for living nightmare. I said ages six to ten. Yeah. I would've computed competed If I knew that was going to be Hey, I have an idea, I want to split the tickets. 5050. We couldn't do that. That's very celebrates with the Goldberg take escapes from behind them. Hey, tasty, big. Can I talk to you over here to congratulate you? Listen, I hope you enjoy the hockey game, even though you wanted to tickets in a kid's content? Probably they're like yeah, right. A little man, like this contest was freely for kids. Next time. So I thought Susan steals the envelope, but a very back pocket. She takes the tickets out and puts the envelope back in atoms bedroom at night, Adam in his pajamas, walks in his room brushing his teeth when he sees Aragon, is that, I know your secret. What's the route? You're hot for, teacher? What, what's easier? What are you talking about? Not bragging to spy on you. And I thought, Oh God, please don't tell mom. Where did she give you I'll double it. Curfew for the next two weeks balls. I can't double that. Only 11, don't worry. I'm not going to tell her, You know, why? Because you're my brother and I know what it's like. You do you've met Ms. Castillo? Me. It's your crush was Mr. Puppy Florida. You had a crush on a guy whose last name was Bardo. Favorite on hold on My Parade. Mr. Butler was reality teacher of my heart. I left the ninth grade because I knew I would never take biology. I'm sorry, where he just started frogs. Don't want to hear this. There's bedroom Mary and Mary tariff barriers or McPartland for the tickets. How do you lose the tickets you more I don't know. Do any envelope. We've been searching for hours. You must have dropped them in the parking lot. They're probably long gone, but now it's got to be another way to get tickets. And how do we do with that interior kitchen knife? But we talked to Eric and Erika kept her word, but this didn't stop. I know when you're lying to me, I'm not lying. Know what buying looks like. I'm going to have to use big gun. That really turns to Pops eating a sandwich. I'm the big guns. How long did the big guns, if anything? I'm too old gun. Your living room today, the very end, marine listened to the radio one day before the game. The only chance my dad and brother had left the ticket was the race. If you're the 29 color and can answer three questions about the flyers, you could win our last pair of tickets to tomorrow's game. Now, read thousand phone. Hello, You are the one ai is color. Color. That was easy. And who are we talking to? Murray Goldberg. Well, Murray, you are only three questions away from two tickets to the fliers home opener. All right. What's the first question? What was the first year the flyers won the Stanley Cup. 1974, correct? Second question. What year did the flyers join the NHL? 1969. And this is your life question, Murray, what radio station is the greatest radio station in Philadelphia? 107.1 blow away. Any site. Would have been the great moment and Goldberg's histories, that one. Oh, I'm sorry, Marie. That is the wrong answer. We're looking for our state. 107.1, the wave motions with this fight. Why do you look like you're canoeing? I'm sorry, Murray. This is 88.3. The river. Specifically heard 10711 the way, what's the difference? You both leaders see music. We play play rock alternative music, better luck next time. No way they hang up very yells and angry. That's why I couldn't do, because you remember, you all still create waves. And you're always listens to 107.1. The way mom doesn't listen different way moms is the one I got. How many radio stations or bodies of water and interior items? Bedroom, Hey, I'm draws in a notebook when Pops visits. We've talked quickly shut this notebook. Sure. What can I do for your mom's a little concerned about you and I I guess Erica isn't growing rat you out, so she got me involved. You tell me what's going on in school. Like a woman issues. Mommy know this about them. Now. This is a different woman and another girl. Yeah. She's older. How much are we talking about here? Eight grid, dare I say 97317. What kind of school is this? She's not ready to just send a teacher. I mean, she's not a student. She's my sensitive teacher, had them open. So this notebook to reveal hearts, inside the heart it reads speak Mr. And Mrs. Adam Costello. Actually, it's the man's land. I know, but I don't know what firstName teacher, but I don't think you have a chance in **** with her. Years older than me, you always have accommodations. It's ageless unless it's illegal. Prompts, please don't tell mom since I don't think you're going to marry this woman. Sure. I'll make something up to tell you about it. Okay, Thanks. Class in Murray and Beverly bedroom day Marie dresses for work and talks about really, but not selling. Well, I'm a secret about me drove her. I told Erica remember without curfew and she still didn't budge. You did what? I know. She and my dad know something. I don't why is this whole family insists on keeping this secret from me. The kid is doing good in school. How is that a bad thing? It's not a bad thing. It's just weird. Bev alone, leave it alone and something is going on. Why don't we forgot to pack his lunch before I made it this morning. So this will give me a reason to treat him. You don't need to visit a kid at school. He can buy lunch. Going to find omega, my homemade turkey. And with families, you do make a good turkey and Swiss. Anyways, any luck with the ticket? Know, very still can't find them and nobody wants that **** couch. It looks like we're gonna go to this stadium tonight, try to find some scalp Helpers are illegal and dangerous. Do you remember what happened to Betty Anderson's kid when he got stabbed by a scalper? I'm not going to get stabbed by a scalper. You save that. Now, let's see what happens in school class or anatomy chats here. Mr. Costello, she grades tests. Finally, I understand the police when they say every little thing she does is matched with a percent to a knock on the door? Definitely. Yeah. Hi. I'm Miss Mrs. Henderson. Just pass kidney sounds uncovering for her. Oh, well, Hi mama. Last giggles. If Emily, please don't say, please say hi, Adam Goldberg. Goldberg penalty points to add them. Here to drop off my little pumpkin plan for getting your team to take the glass cables Louder. Oh, thank you. No problem. Since been locked inside is the last laugh. I mean, I'm sure he's not doing anything. Probably. You play your Roman, ruin my fantasies and humiliated me. There's only one thing I could do. Adam stands on top of this desk. Hey, I may imagine playing Star Wars with Ms. Costello, but who does it? The class still labs, still laugh at me. We all know every boy and here Laser. No one cared that much about geography until she was here. Check your Whitman. Cat. Cat is paranoid. What? No. Are you crazy? I might be crazy, but I don't care. Ms. Castillo, you were one of the most stunning woman I've ever seen. You are heaven on earth. And the way you write your cursor could take any man's breath away. Amazing and radiant substitute teacher. Anyone could have all eyes on an atom, feels even more humiliated and it sinks. And Ms. Costello was at a loss for words. Just as shocked as you were saying. Three exterior Veteran's Stadium, de Berry and Marie watch people walk into the stadium back in the '80s, we didn't have Ticketmaster or even movie. Does anybody have spare tickets where the foliar they missed the first time I've ever been through without scalpers. Does anyone know or I can find a good scalper, fires them, stop cracking down and scholars, every single static dam that Anderson kit has to be somewhat. I have an idea if you want to attract scalpers, think like a scalper outside there and sodium, Marion Barry have signs that read, I need tickets to dig into. We need tickets. Someone here has to have tickets and security guard while it's up to Marie, excuse me, what the **** do you think you're doing? We're trying to get tickets. I don't think so. It looks like you're trying to no, I need tickets. That's why my site says, I need ticket every scalp with science and I realize that, but I'm really not sure you're not. What kind of idiot tried to find scalp or by acting on his calendar. With me right now, you do interior designer night, Adam and pops sit in a booth and three milkshakes. Moms will everyone I have a crush on her. Everyone. There was a fourth most embarrassing thing she's ever done to me. I'm sorry, kept their worst part is that it was Ms. Casa was less than school and I'm never gonna see her again. I don't put his head down in shame, anger, and sadness. It'll pass. Everything does. I'm thinking about mrs. Costello. I swear he just heard her voice longer. Seen as Costello sitting at the diner, she walked through their table. That's your teacher. Said. She reaches the table. Is okay. I talked to her grandson alone for a second. Of course. Take all the time you need. I'll be on the can. Hi, Adam. Hi, Ms. Gazelle. I just wanted to tell you that what you said this afternoon was the kindest, most amazing thing any man has ever said to me. It took a lot of bravery to say what you said. I'm not I'm not the woman for you, but I don't want to. You're going to have some wonderful, some gravity. Can't resist that one we will face. She gave him a kiss on the cheek. And kids like you deserves all the gold stars in the world. Really good. So I know. So it was nice to meet you, Mr. Goldberg. Maybe I'll see you a long, long time now and a galaxy far, far away. And walks away, Adam Smith and then rubs his right cheek. I'm never going to wash his cheek again. The end of Melt With You fades as mrs. Costello walks out the door. I never saw him discuss L again after that, Never forgotten her. Pop Watson sent from the bathroom hallway while I was an interior jail cell day. But Marion Barry are in the stadium security jail. I can't believe this. All you had to do was buy tickets last weekend and this never would have happened. Hey, I'm sorry. Okay. I didn't think we'd end up in hockey shales year you let me down. Hey, you're the moron who lost the tickets. We could be sitting in the third row right now. I know sometimes I really am memorial. Murray sees how hard barrier is taking this. Hey, maybe I'm a moron to where you get it. Sometimes. If it means anything to you, you are really amazing and Netscape competition. Banks. I'm sorry, I couldn't sell that couch. And I assume the river was the wave. I thought for sure you listen to the river and that's okay. For future reference. I listened to 96.9. The steam seems pretty funny. We've kept the promise. What products you promised me you might ask would be seeing the game has already started and we can see it. My *** is sitting inside. Sure Is. It sure is. Regardless of them. Wait a minute. It's Diana who got the third question wrong on 88.3, the river. Yeah, that's me as well, frank, about security guard calls Frank and other security dart frog, remember that passes that 88.3. The river was one of the boy one the way up here. Well, what do you do? This game really means that much to you too. I think we can help you out. The policy says you got to stay here until the end of the game. Can still watch it on TV, wrinkles in a giant TV and all that. It can't believe you got the question wrong. Hey, we'll print all the vendors. And if what you want is really just some beer. After I turn the game on, they put the TV on and Frank Rose Marie, the remote AC player's score, Marion Barry chair. You're a kitchen knife ever really talks to Erica? My brother and I learned that sometimes our parents or my brother and I learned that sometimes our parents his appointments. But that doesn't mean they don't look bad. You should we told you not to get involved. Never win for him. He had two I'm his mother. This kind of view when He can forgive me. I think to McCain, it's going to take more than an atom and pop centers to house. And i'm, I'm so sorry. I know I shouldn't have come to your classroom and embarrassed. I made you this cake. A cake. Grades. I'm sorry, pumpkin added smiles. Well, it's okay. You sure? Yeah. Are you sure you want to? Yeah. I'm sure something happened when I was approximate it all better. Well, what is it? You have to tell me? Leave this one alone. Okay. Fine. You don't have to tell me as long as we can. I'm not going out with some unlucky believe that it was stuck it out with some pods. All this content. And then Beverly kisses Adams right sheets. Attack, interior jail cell night, game is over, but Marion Barry watch scantily dressed, scantily dressed women play volleyball on TV, popcorn, nachos, hotdogs, and pretzels. Yeah. Jail Man. This is hard. You're telling me. Can you pass the bachelor's very passes very nachos. I got to admit. I really loved women's volleyball. Me to tell your mom speak in a month. Did you call her yet? No, I forgot one color now. I'm going to give it a couple hours. Let's just hang out here for 10. Thank You + Summer Course Promo: Thank you so much for watching this course. I really appreciate it. If you're interested in one on one coaching sessions, I'd love to help you during your creative process to make sure your project gets finished. These sessions are $45 for 45 minutes. If you're interested, you can e mail me at Jordan period emola@gmail.com. These coaching sessions can be weekly or bi weekly, whichever you prefer. I offer coaching sessions on writing movies, TV shows, web series, producing your own film or series, and much more. I can coach you over Zoom once a week or every two weeks, to make sure you stay on track and create the accountability you need to finish your story and project. Contact me to book your first session now. Also, this summer, I'm hosting a summer screenplay course where I'll be teaching students how to write a movie in one season. I've spent many summers over the past 17 years writing summer screenplays, where I write the first draft of a movie during the summer season where I am in America. Starting June 20 to September 19, I'll be teaching and hosting 60 minute teaching sessions with groups of students on Zoom, teaching several students how to write a screenplay. You'll be responsible for writing about ten pages a week, and I'll guide you to keep your story moving forward. This course costs $395. And by September 19, you'll have a finished draft of a feature film screenplay. Once a week we'll meet, and I'll be giving instructions on story structure. And we'll be interacting with each other to see where our stories are going. Talking out your story and your writing helps immensely. And having a group of writers who are along the journey with you creates amazing accountability and discipline. Again, you can e mail me at JORDAN period mla@gmail.com. I'd love to help you write a screenplay this summer. Also, my website offers services like script coverage and links to my podcast and other courses. Thank you again and write on. Okay.