The Secrets Of Midi & Audio Routing In Reaper With Just One Track.

1. The Secrets Of Routing In Reaper : My name is Fernando at Delano Williams and I'm here to present to you the secrets of routing. In Reebok, traditional, you need one trick to hold the data and you need another trick to output the audio information. Let's say for example, you are working on a project that requires 16 channels of midi data. You will need another 16 channels to output that midi data inflammation. And as a result, you have 32 trig channels just to output that metadata. And that's a lot of pain and very, very confusing. In this course, I'll teach you how to use just one trick to output your midi information. And once you know this secret, you have it forever. I'll teach you how to do routing with conduct prayer, as well as the reason for those who are still using reason, is there sound module? By the end of this course, you'll be able to route anything in repo with just one trick to output your midi and audio information. This will not only help you to get rid of the routing confusion that we have right here in riba. But it will help you to get up to speed and awake more efficient. Let's get started with the secrets of routing in Reaper. 2. Configuring Your Sound card: Okay guys, welcome back to the course. And in this lecture I am going to be teaching you how to connect your sound card right here in Reaper so that you can be able to use it. It will be very frustrating if you open repo and you double-click to create a new trick and you try to recall something, then you realize that you're recording is out of time. And most of the times your recordings might be out-of-sync just because you are using the wrong sound card. So what we wanna do is we want to activate our SoundCloud right here in Reaper so that we can be able to do everything in real time. So to access your sound card right here in Reaper, you just need to come here to Options and you go down to Preferences, alright? Or the other way you could do it is you could come right here where it's written 44.1 kilohertz, 24-bit wave. So you click right here and you'll get the same menu, alright? And you want to come here to the top here, and you can see here is written audio, alright? And we go something written device. If you come here to audio system, you can see we've got direct sound, alright, so we don't want to use this because this will actually give us delay issues right here in Reaper. So you'll want to come here to audio systems and you'll want to change that. And you'll wanna come right here and you'll want to choose osteo. And you can see now that we got osteo for all n for this recording, I'm actually using this sound cadre return hybrid or PAO. And I'm just going to choose that. And you can see everything is mapped in the requests sample is 4400, that's quite okay. And the requested block size is 512. And most of the times if you hear delays right here in Reaper, it is because of this value. So you just want to out at this value. So you just divide it by two. And if you divide 512 by two, it will give you 256. Alright? If you're still here, delays endure a 256. You just have to divide this value by two again, and that will give you a 128. So I'm just going to keep it at a value of five. I think that's quite good enough. So with this set now, I'm just going to come in here and hit OK. So everything now is set. So I'll see you in the next lecture and I'm going to teach you how to add your controller surface or your midi keyboard right here in repo. 3. Configuring your midi controller: Okay guys, welcome back to the course and in this lecture I'm going to show you how to connect your midi keyboard or your midi controller right here in Reaper. Okay? So if you come here to Options and you can come to Preferences, you can come here to the preferences menu, alright? Or the other way you could do it is you can come here to a region 44.1 kilohertz 24 beat wave. And you're gonna click right here, and it will give you the same menu. So if you come here to meet devices, you can see now, I don't have any immediate devices. Yeah. So anytime you plug in your USB device or whatever, it might be, a midi cable right here in Reaper, you will be able to, to see it here. So Reaper actually auto detects your midi device. Alright, so I'm just going to connect my USB right here. Okay, so I have connected my midi controller here in Reaper, but it can sit anywhere here. So probably you need to come here and say reset or midi devices. Alright, then you can see now that something just happened there and now he's appearing in here. So you can see we got to meet it in two and we go to lunch key MK 249. So that's the keyboard I'm using actually. So it's a mitochondria. So I'm just going to come in here where it's written this ebbed, and I'm just going to come in here and say enable input. Alright, probably I can come in here and say enable input for control messages as well. So I've enabled two things, have enabled the input and control surfaces. For this lecture, we're not worried about control surfaces. We just want our midi keyboard, TOEIC right here. And you can come in here mid output. Well, we're not worried too much about that. Alright, so I'm just going to hit, Apply and hit Okay. Alright, So if I can come in here and I can say insert visual instrument or a new trick. And if I can come here and double-click on conduct, and I can say no to all this information here. And I can come to you so that I can be able to see a conduct here and I can pick anything. Alright, so probably I pick this, alright, If I can start playing keys on my keyboard, you can see that if something getting in here. So if you want to connect your midi controller, this is how you do it, is very, very simple. So we're going to go ahead and start with the next lesson. Alright. 4. Docking in Reaper: Okay guys, welcome back to the course. In this lecture, we're going to be talking about docking in Reaper. Before we can explain what is ducking, I just want to explain something very important here. I just want to give you indication of why docking is very, very important in Reaper. If we can look on our reaper program here, we can see that we got this white area here. This white area is called the Arrange window. So this orange window is very, very, very, very important because we're going to be spending 90 to ninety-five percent of our time right here on the orange window. If we want to be recording vocals, we're going to be recording all our vocals right here. If we want to be recording any midi data, we're going to be recording all our midi data here. If we want to be editing any video information, we're going to be editing it right here. This is where we're going to be spending most of our time, since we're going to be spending most of our time right here on the Arrange window. We need to make sure that we make maximum use of our Arrange window Haynes, the need for dokey. Alright, so what is docking? Docking? It is a way of arranging our window panels in such a way that best suits our waking environment. If you can look down here, you can see that we go the mixer here. This is called a mixed panel. So I can move this panel all the way to the top. And if I want to move it down, I can move it down, but it cannot collapse further than that. We want this orange window to be running from the top side all the way to the bottom of the screen. This makes a panel is we can see it's a problem because it's actually blocking our range window to go all the way to the bottom. So we need to dog this mixer panel in a new position for you to be able to dock. You move your mouse cursor to waste a written mixer here. And once you are there, you click and hold. You'll click on hoard and never released and move your mouse. So once you begin to move your mouse, you realize that there's a blue rectangle shape that comes up. And this blue rectangle shape is actually showing you that you are actually shifting a window panel to a new position. So what we want to do is we want to dog our mix-up panel on the extreme left hand side of our program. So to do that, you just need to make sure that you move your mouse towards that extreme way you want to target. So we want a dog it to the left. So we're going to move this rectangle tool was that once you move it there, you realize that a blue continuous line would just appear. And that line is actually saying, Hey, now I'm in a position to help you dog that window layout that you are moving. So once you see this blue continuous line, what you do is you release your mouse button. You can see the mixes on this side. Now, before we dock this mix, a panel on the right position, I want you to practice docking. So this time around, we want to try to dog the mixer panel on the top side of our program. So to do that, you just move your mouse cursor all the way to waste written mixer here. Then you click and hold and drag. So you will see now that our blue rectangle shape if come up. So you'll keep on moving into coupon, moving it, once you see that blue continuous line, then you release your mouse button and now your mix upon is actually dogged on the top side of your program. So what we want to do is that we want to dog this mix a panel on the extreme right-hand side of our program. So to do that, we click and hold, and we move our mouse towards the right side of our window. Okay, here we go, Here we go, Here we go, Here we go, Here we go. The ones you see that blue continuous line, then you release it up there. Now, our mixer panel is now dogged on the right side of our program. So to create a new trick, why do you just need to do is you just double-click on our trig panel. Once you double-click, you create a new trick, you double-click, you create a new trick. The same applies when you come to the mixer panel, you can double-click and you can also create a new trick. And this is one good thing about Reaper. And the good thing is that each trick that you create in Reaper can be used for any purpose. So this trick, you can use it to record welcomes. You can use it to record midi data. You can use it to how the video information. You can use it to hold the JPEG files and all those kinds of things. That's the good thing about repo. You just need to tell this trick what you want it to do. The other thing that we needed that is very, very important is that we need what we call the effects browse. For us to get these effects browser, move your mouse cursor towards what we call the view menu here. Alright, so you come here to the View menu and you click, Okay. Then you go down and look forward to call the effects browser. And you'll see right here, then you click, Okay, you can see that the effects browser, dog, the cellphone topic, and this is not what we want. So we want to dock it to the extreme, right? So what you need to do is you come here with written ethics browser and you click and hold and move towards the extreme right? Okay, so once you are there, you realize that next to the mix icon there, that blue small square that appears in that shows you that, hey, I'm going to dock it next to the mixer because the mix has already dog to the right side, you release it. So we got this ethics browser. The job of the effects browser is to show you all the plugins that are installed within your system. So what else do we need? Do we need, what do we call the trach? Manage? To get the trach manager. What do we do is we go back to our view menu and we click. Then we go down and look for trek manager. Here it is. Then we click so you can see the trig manager's job done the wrong position. What you need to do is you come to the Traffic Manager, click and hold and move it towards the right side. And the ones you see, that small square on the bottom there, the new release, then it's already ready to adopt this twig money. Yeah, actually helps you to take control of all the tricks that you have right here on the track panel and on your mixer panel. Let's say for example, you go to a project that have got 128 tricks, it becomes very, very difficult to manage such kind of a project without a trach manage, for example, you might be wondering to edit just the drums. So the best way to do it is to come to your track manager in this airbag or the trucks that you are not using a dull moment and just concentrate on the tricks that you are using. So to do that, we come here to the track to track money. Yeah, we got what we call the TCP. And this is actually controlling all the tricks that are on the old trick panel. So these are all the tricks on the trig panel. If I can click this dot, you realize that all these tricks disappear. But if we can come to the mix of panel, you can realize that they're still there. That is because the tricks on the mixer panels are controlled by this column here written MCP. So if I can deactivate all these and go back to my mixer panel, you'll realize that we've got nothing. We are only left with the master trick. So that's why the trick manager does for you. Okay, so we got our trek manager, we go to our effects browser ready. We got our mixer panel already. If you close the reaper and reopen again, you might realize that they dock in panel that you have set in place might come back. But in some instances, let's say you are working with somebody in the studio. He might arrange things. He's only way or your son might come into the studio and shift things around, then you say, Oh my goodness, you have to be doing the job again and again. So there is a way that the reaper team have put in place for us. And this really helps us to save any ducting layout that we want to use. So to save our docking layout, you'll go all the way to our View menu and you'll click. Then you'll come down to is written screen sets and layout and you click. Then once you click, you get presented by this window here. If you can look on this window panel here, you can see that we've got numbers running from one all the way to ten. So it means that we got ten slots on which we can save our docking layouts. Alright, so if you want to save your docking layouts on slide number ten, you just click on cell number ten and you'll hit save. You. He said, but we don't want to save it there. So why do we wanna do is I want to save this document laid out on the first slot. So you click on the first slot and you'll come down here where it's safe. You'll be presented by this window panel that says Save Windows screen set number one. So I said, alright, then I'm going to call this one midi routine. Again, I'm going to call it middle routing, and I hit save that. Now you can see that our media routing configuration has been saved on the fifth slot. You can save as many ducking layouts is your end. Okay, Let me just close this window and let's come to the situation whereby your son even playing around. So let's say your son actually put this thing over there, the trig manager over there. Okay. Then you'll come back and you'll want to urban reaper. And do I just presented by these screens set layout and you say, Oh my goodness, whatever happened. And you be crying and say, Oh no, I have to be doing this thing all over again. Actually, in a matter of fact, you don't have to be doing it all over again. What you just need to do is you go back to View, you go back to screen sets slash layout, and you click there. Then you realize our middle routing is two in place, so you just double-click that and you realize that our docking configuration is write-back for us to use it. That's it for this lesson. I'll see you in the next lecture. 5. Setting up Reaper for routing: Okay guys, welcome back to the course. In this lecture, we're going to be sitting up Reaper in most situations when you want to recalled meet the inflammation, you have normally two tricks to control that midi data. Alright, so you'll have one trick here whereby you can record all your media information. Then you have another second trick that will be outputting the audio from the immediate data that you have on top here. You actually have two tricks, taking care of one Omid data. And this is not what we are going for in this course, in this course. So what we are actually going for is that we want to have one trick where we will record all our media data. And on the very same trick, but we're going to be outputting the audio information as well. If you've been using studio one, for example, or you are coming from Pro Tools, you realize that you have got a certain kind of routing whereby you just have one tray controlling the midi data into audio information. This is the kind of routing that we are going for in this course, alright? And once we know how to do the routing with conduct and do it, the reason I tell you can be able to route any plugin that you have and do to work well in Reaper, okay, So that's it. But before we can actually configure that, we need to make sure that some things are taken care of in Reaper, okay, First things first, what you need to do is that you need to come here to the project settings. So you click here. And when you come here, you will be presented by this panel Written Project Settings. And you can see the first tab is project settings. The second one is is media. The new good video and advanced. And we got nots, they tub that we are interested on right now is this one called advanced. When you come here to the Advanced tab, what you need to do is you need to click here with the written allow feedback in routing. And we are also presented with a warning and it says can result in lower performance, loud noises. Alright, that's okay. We're going to take care of that in a little while. So you'll come down here and you say save as D files settings are right. Okay, so that's the first thing. The second thing that we need to be taken care of, It's under Preferences. So we come here to the options menu and we click, then we come down here always written preferences. And as you can see, we are presented with the Preferences tab. And the thing that we're interested in in here is something called rewire. Alright, so to get it to you, just need to come here to the bottom where we find this search field and your type rewire. So you type Barry. Why? Do you say find under the rewire options? You got the first checkbox and is written or rewind mix a support. They explain and they say act as a rewind mixer, show you why devices and plug-in browser. If you uncheck this button, you will not be able to see reason rewire on the effects browser. So we need to make sure that this button is checked for us to be able to use a reason in Reaper again, then we come to the second option is written auto open panels when opening RealWear device, what this button does is when you create a new project or repo, automatically open your RealWear devices for you. For example, if you're using reason or repo, automatically open a blank new region file for you. The problem is, if you have studied a project and you have saved the project interlacing, you just want to come back and add something. Then once you open that project in Reaper, repo will give you a new blank reason file. It will not to open the project that you've been working on. So this becomes a problem because you need to go back to reason and relocate the file that you've been working on. So it's a two-way process. Again, the best way is that we need to uncheck this once we open our HIPAA project, even if it have arisen, rewired to eat a 2-node to open a reason, then we're going to open it manually. So the first time we're going to open it manually, then the second time we're going to use what we call the rewire boost up by J punk. I guess this is a very, very powerful Uighur plug-in and it will actually help Reaper to relocate the actual reason file that we've been working on. Okay, So we're gonna take a look into that. I'm going to teach you how to install the plug-in and how to use it in the coming lectures, you just need to make sure that this button is checked and this one is unchecked. Then you say Apply and hit. Okay, so that's it. I'll see you in the next lecture. 6. Setting up kontakt for routing: Okay guys, welcome back to the cost. And on this lecture we're going to be configuring conduct for media routing in Reaper. For us to be able to use conduct in repo, we need to add an instrument trick. So you'll come right here on your trig panel and you right-click and you choose instead of virtual instrument on new trick and you click. It eventually takes you to the instrument section. And under your instruments sections, you can see that we've got conduct there. So you double-click on conduct and you'll be presented with this panel which says build a routing confirmation. Do you want to add the following tricks for this effect? If not all of these things, we're just going to say no for now, okay? Alright, then our new Conduct would be right here for us, but you can see it's blank here. What we want to do now is we're not going to be playing any media information yet. We are just going to configure the outputs of conduct so that we can be able to receive audio in Reaper for you to add more to your outputs in conduct, you need to come here on this tab and you click that arrow there, and you come here with written outputs. Then you click there. Okay, so when you come here, you see we got only Studio One or the ball here, but we're going to be using 16 channels. So we need to make sure that we've got 16 stereo channels here for you to add more to your outputs and conduct. Come here to this small plus, and you click it and you'll come here to this quantity and you push it up all the waitlist, just push it up all the way to 64, okay? Alright, number of channels. We're going to keep it too. And we come here to sound cut, slash, horse the output. Then we come here and to make sure that you choose Katy's studio one. Okay, then you leave this unchecked and you'll come down here and say, delete existing channels before creating new channels. What we want to do is we want all this output channels to be replaced by what we are creating right here. And we come to this one way it's written, make this your default configuration. We want to make sure that this is checked so that every time we start conduct all have the very same configuration. And let's just push this one back to 64. Then you hit Okay. So as you can see, we have successfully managed to create our studio outputs. And you can see Studio one is coming on one to studio tool. It will be using channel 34, stereo three to be using channel 56 and so forth. So this is all we need to do in terms of configuring conduct for routing in Reaper. Okay, I'll see you in the next lecture. 7. Routing kontakt in reaper: Okay guys, welcome back to the course and on this lecture we're going to be rooting conduct in Reaper, the professional way. And I believe this is the moment that you've been waiting for, if you can recall, when we introduce this cost to you, I did promise you guys that we're going to be using one trick, alright, in right here in Reaper to control our, our midi data into control our audio outputting from conduct. Okay, So this is the kind of fruiting that you normally get in Studio and you can also find the very same kind of routing in Pro Tools. Okay, so this is the kind of routing that we're going for here. So we're going to be using one trick, trigger our media information through conduct. Then we're going to be using the very same trick for outputting the audio from conduct. So to do that, come here to the trig panel, right-click and you'll come here with written in set virtual instrument on the two new trick, okay, Then you click here repo automatically take you to the instrument section. Under instruments sections, you need to look for the conduct of VSD instrument. Then you just need to double-click on it. Once you double-click, you'll be given this panel here that is saying build routing confirmation. Okay? And it says, do you want to add the following tricks for this effect? Not only this Cheerio 12 outputs will be audible without further routing, okay? And we don't want nothing of that. So we're just going to say no, we're going to do it manually. Okay. Now we got conduct open. Now I'm just going to move this conduct to the extreme here, okay? Perfect. So the first thing that we need to do is we need to make sure that all this studio channels are set up. If you don't have this setup, please just go back to the, to the previous course where we are setting up conduct for routing in repo, okay, and make sure that you go through that course and set it up. Okay, So we go studio wants to do 23456. We did set it up to 64, but we're going to be using 16 channels for these costs are right. So we want to add an acoustic piano, let's say, okay, let's edit this acoustic piano. Then I'm going to close this. So we're going to be adding one instrument at a time and configuring it so that it doesn't get confusing. Okay? So the first thing that you need to do once you add your instrument here, you need to make sure that it's set to studio. And so to set it up, you just need to come here who has written Studio one and click and make sure that it's set to studio. And so the first one we needed to own studio one, and now we have to come here to the conduct routing itself. So this is the conduct we're going to call it conduct host. These trachea is hosting our conduct instrument. Okay, so we're not going to be playing anything on this one. We just need this twig to host our Kodak instrument. So we need to tell, conduct how many outputs we need folly to function, right? So come here where you've got this icon and it's written root, click on it, pull it aside. And you'll come here with written trick channels. Just make sure that you pull it all the way to 16. And he always the region must ascend. If you don't deactivate this, you're going to be hearing doubles in contexts. So we need to make sure that we uncheck that, we disable that. Make sure also that you will come here where it's written input. Just make sure you put it to none. We don't want an input coming through this trick. You just have to double-click here on the panel. And by doing so you create a new trick. You need to arm this guy, okay? So you click this button, then you right-click. And you'll come here to input midi, all midi inputs, all channels. Okay? If we can play something on our keyboard, you can realize that these, the signal they're getting in, but that signal is not triggering anything in conduct. So we need to tell this trig that look, once we press anything on our keyboard, go and trigger conduct. So that's where the magic is. You'll come back heel with written rooting for this trick. Now, you click. Let's pull it aside. We got two sections here. We got this section called saints, and we call this section called the receive. On this sense section, we're going to be sending this signal that you find here. So if you can look on this track, you can see that we got this ready input there. So that's a midi signal which is entering into the trick. But this means the signal is not triggering anything in conduct. So you need to make sure that to you. Tell this trig to say, Hey, that's input that is coming in there on this trick, send it to conduct. So the way you can do that is you can come here to the same section. You need to scroll down and choose conduct host. Then under conduct host, what is it that we want to send? We need to send immediate information to conduct player. The first settings that you see here is written audio, but we don't want to send it in audio information to conduct player. What we want to do is we want to send to the media information. Just need to click here and choose none. Because we have nothing to do here with sending audio. We want to send the midi data through these things. Right, you on the receivable should be able to get the audio into Reaper. The next thing that we need to do is we need to come here to the media inflammation. That's where it's very, very important. Okay, So under the mid section, all we're looking for is this second option where this arrow here, okay? So you need to come here with origin O and change it to one. Why are we changing it to one? Because remember, here on our conducts player, we want to set to your one to the first input here. Okay? So that's it in terms of sense. So if I can come back to my keyboard and place anything, you can see now that our conduct player is now being triggered. Okay? But the problem is that we are not hearing sound yet, and that is because we haven't configured the receive section here. To do that, we need to come here always written ed, and you'll receive and we choose conduct host again. This time, we are not interested with the media. What we want to do is that we want to receive these midi information that was sent here as an audio right here. You need to come here to post-fader and just choose preferred. If you use post-fader, sometimes you might hear some weird noises. So to get rid of that, just makes sure that you come here and choose, preferred. Then here on, on the audio section, you would click here and you go to Studio source. As you can see, we've got 12345678910, all the way to 1516 is the very same thing that you can see here. We got 12345678. So this is the configuration that we are going for by the first one is already set, which is 12. So this is how we want it to, because Studio One is on one too, is you can see. So we need to make sure that this guy is selected. Then we come here to the media section. We're going to be coming here. Whereas originally all and we click and we choose none. We don't want anything to do with meat on the receive section. So if I can come to my keyboard and play some keys, you're going to hear that now. We are getting sound on the very same trick. Okay, Perfect. So that's the first thing, and we're going to call this guide grand piano, alright? At least just called grand piano. Okay, I'll give it a second instrument. Okay, so I'm going to double-click here. Make sure that you deactivate that. Okay, then I'm going to come here. Alright, make sure you record, um, the trick and you right-click, you go to the input, midi, all midi inputs, all channels. Okay? Let's just name these and we're going to say E Piano, okay, so we're going to put in electronic piano right there. But before we continue any further, let's just put the electronic piano of our choice. I'm just going to put this one right now. Okay. Perfect. Then this one now we want it to come out right here on 34, so that's should be on CO2. So we need to come here and choose CO2. Okay, perfect. But if we can play something on the keyboard, you see there's nothing happening yet because we haven't configured it. So we need to go through the very same process that we did in the beginning. So you just need to get used to this kind of way of doing things and actually is very, very simple. So come back here to the routing section. And you just need to come here to add new sand and you'll choose conduct host. Alright, then we'd have nothing to do with the audio. So make sure that you've set it to none. Then you'll come here under me to go to the second way is this arrow and choose two now because we are on studio tool source TO 234, don't forget that. Okay, Then we are done on this section. If you can play now something you can see now we're getting input. And then on the receive section we just have to come back to conduct host again and make sure the first thing that you need to do is to deactivate this mid sole, come here to all and say none. And just make sure that you choose pre fader here. Okay, so you come here with an audio Studio Source and choose 34 because we got 34 right here. I'm just going to play something here. Then plead, beg to you so that you can actually see what I'm talking about. Alright, so let me just play something right here. So let's move on now and we're going to be adding something else. Let's add something like strings. Okay, so I'm going to create a new trachea. I'm going to call it strings. And makes sure that your amit, I'm going to unmute. And I'm gonna come down here and go to the input Mead. And I'm going to go to all midi inputs, all channels. Okay? Alright, Perfect. Then the next thing then we need to do is we need to come here to our conduct player and choose a string of our choice. I'm going to choose warm strings here. And the first thing that we need to do is to make sure that we change these two Studio three. Studio three, and it's going to be coming out here on five-sixths. Then once that done. But let's come back to our trick settings. So we go to our routing configuration and do we just drag this guy on the side and on the scenes? We're going to choose conduct host. And we're going to make sure that we sit the audio to nan. And our midsection on this guy here, we need to make sure that we own three because we own steal three. Okay, perfect. So we are done with this section. Then we got to come here to our received sections. So we got to choose conduct host. And we just need to make sure that we deactivate our Midea and choose preferred so that we avoid some noises for some reason. And then you'll have to come here to audio and chose to your source. And you got to come here to 5656 right here. Okay. Perfect. So if we can play now, you can be able to just spending on, you can hear that. Okay, So I'm going to add two more instruments just to make sure that you get this idea. Otherwise, after that, you can continue to do it by yourself. Alright, so let's see and lists it in organ here. Okay, and we omit, then we're going to come to the input midi, all midi inputs and choose all channels. Okay? And let's look for an organ. Here. Is organ, okay, here we've got an organ. And what organ are we going to be using? Well, this is not about playing. I think Let's just come here to the fist organ. And we were on three and now we've got to go to phone. Okay. So he's going to be coming here on 78. Just bear in mind. Then we come here to the routing configuration, okay? And we just need to send it to conduct hosts always sending the media. We have nothing to do with the audio. So turn that off. And here we got to we are on for right now, so we just need to make sure that we sit in the same. Okay. Then we come to the receive section and we got to add conduct hosts. And we have nothing to do with me. So make sure that it will come here and set it to none again. And here on the audio, you just need to make sure that it's t of four is on 78. So we got to go to Studio source and look for 78. Alright, if I can play now, you'll be able to hear the organ. And I'm going to add one more. Okay, Let's add a base. I'm going to add a bear is Gita, Lizzie, do have a biscuit. Alright, I'm just going to come here to this guy cardio base and I'm going to biscuit. Alright, so now we're going to be putting this guy on steel five. So this number five is actually giving you a hand of studio Chinese need to choose. So you come here and you'll come to CI or five. So I come here and I have to write base. Perfect. Then make sure your arm it. So you'll come to input meat or channels, or channels. Okay, so we've got to come here to the midi routine. Then we have to come on the scenes and choose conduct hosts. And we have nothing to do with the audio. We are interested in the mean right here, so we're going to choose it. We're going to choose the mid input number five. Yeah, okay. Then we go to add receive, conduct host, and we have to deactivate the meat here because we are not interested in the meat and we just go, we just have to come here to the Audio section and go to steal your source. And we got to make sure that he's on 910. As you can see, here's g of five is on 910. So make sure that you choose 910, alright? And you close and you'll be able to play your best day. Let's do one last one. Let's see what we can add here. Let me cut, okay, let me come to this, to this conduct library here. Then I'm going to come right here on the leads into, let's see if we can get let me get this. Okay. So I'm going to use this guy. We just need to make sure that we go to Studio six right here. Okay. So he's gonna be coming out here on 1112. Then we have to create a new trick here. And we're going to call it bleed D on this one. Um, this one. Okay, configure the meat. You go to. Input made all midi inputs or channels. Okay, Then you'll come to the routing here for this trick and make sure that you add conduct host on the audio section. We have nothing to do with that. The activate that, then come to the meeting, the last one. And we are on channel midi channel six. As you can see here, that's midi channel six. So we need to make sure that we choose midi channel six. Then come here to the edge, you'll receive your chose conduct hosts, pre fader. He just fool some reason I even go to in mid noisy see it. But just for some reason, you might experience me to noises so it makes sure that he's on pre-fader. Then deactivate the media section here. Studios secrecy. So an 1112. So you just need to make sure that you will live in 12th. Okay. So let's play that up. Okay. Let me just record my electronic piano. Okay, So this is it guys, in terms of routine conduct in Reaper, what we're going to be doing now is we're going to be configuring a reason for routine. After that, we go into program song right here in Reaper, using both the reason and conduct. Okay guys, thanks for watching. And I believe you've been learning and I believe this is the secrets that you've been awaiting for, but the secrets have been reviewed now. So just keep on practicing, keep on practicing. This is not a difficult thing at all. You can save this as a template if you want to. But I tell you what the best way to do it is just to practice how to read this thing manually. It is very, very simple, so just practice to do it. Do it, do it. The more you do it, the more you get more experienced and the more you get an understanding of how things work in terms of routing. 8. Setting up reason for routing: Okay guys, welcome back to the course and on this lecture we're going to be setting up a reason, okay? The first thing that you need to do is you need to go to Edit. And when you go to the edit, you go down to the preferences menu. Then when you are on the preferences menu, under General, you go always written default song and you just need to make sure that you go to M2 Rick selected there. That's the first thing. The second thing that we need to be taken care of is we need to go to our keyboard and control surfaces and we should deactivate any control surfaces that we are using. Alright, so now if we open a new region file by going to File and we say new, you will realize that we are presented with an empty array. There's nothing on it and this is exactly what we want. Alright? Okay, so the reason why we deactivated our control surface is because we don't want to have a double sound. We went to all these sounds to be controlled by repo. We don't want our control surfaces to be triggering any media information in reason. Okay, so that's it in terms of setting up a reason and we can now close it and we go back to Reaper. Alright. 9. Rewire booster installation: Okay guys, welcome back to the course and on this lecture we're going to be installing rewire booster, alright, by this gentleman called J Punk. We have spoken about the rewire booster before when we were setting up for EPA and we say the RealWear booster is a plug-in that is going to help us to relocate. Our reason for because every time you create a project in Reaper and you happen to have recently where to eat and the Repo open a blank new file for you. Okay, so the next time you open the very same project in Reaper, a repo continue to give you a blank new file. Then you have to go to reason and tell it where the file for that project is located. So it becomes a two-way process. It becomes a tedious job. Once you got the rewire booster installed on your machine, you can be able to tell me but to say, hey, the reason for that I used for this project is located in this location. If you've got your project files, you'll be able to see the folder for the real booster in there. Now I'm going to teach you how to install it so that when you come here to your effects browser and you'll come under categories, you should be able to see JE punk here. We don't see J punk here because there's nothing installed. So what you need to do is you need to go to your project folder and look for the folder named rewire boost. So I'm just going to come here to the location where I have it in my machine. Let's see. Let's see, let's see where do I have it? In my machine? The real-world booster is located in the report templates, and it's right here in this folder called. So I'm going to open it up. Says zipped folder. You need to right-click and you say extract here. Once you extract, you realize that you've got these two files here. Okay, so let's just read this one returned to rewire boost that. Read me file, load in your master Uighur, press the Slave Project button and finally saved slave app project file, save your master project. When you reload the master project, all this information and you can read it through. But it was a little bit complicated for for me to understand what the **** you do with it and give it to all. So ever, if you think you can sell it, go ahead, I'll get fine. We're not going to sell it. But thus goods sold is a generalist guy. He said we can use this plug-in forever, whatever reason, that's why you have it in a project file. So we come to this, to this file here retained rewire both 0 to D, D, L. So I'm going to copy this. So you need to make sure that you copy and then go to your PC, right here on this PC. Then you come here to your local disk C, then you open it and you'll come here to the project files 86, okay. Then you'll look for VST plugins. Vst plugins, you open that folder and we just paste it right inside this forward. Once you paste it, then you'll come here to the same thing. There's no j punk yet. So what you need to do now you need to go to your options. So you come here to Options and you'll come here to preferences. And under Preferences, you need to look for, let's see, we need to look for VST plugins. Then you say rescan, okay? So once you do that, you hit Okay? Alright, then you'll come back to your ethics browse. So when you come back to your FX browser, you'll go back to your categories again and check. Do we have this J Pangaea is toward or Yeah, it's under developers. Okay, so you'll come here. Now we've got J punk installed and developers. If you come here, you can see now we've got this rewire booster and a score 0.002 times 86. So we just want to create a new trick here and drag this rewire booster and just drop it on top of, of, of the trick. So this is what the rewire boost that looks like. So I'm going to teach you how to use it when it comes to rewiring recent in Reaper. That's it guys, in terms of installing the rewire booster in Reaper, thanks to this guy called J punk, he did a wonderful job in making sure that things remains tied in Reaper. 10. Routing reason 5 drums: Okay, so the first thing that we need to do is we need to come here to the track panel and we create a new trick by double-clicking. Then you have to come to your ethics browser. When you come to your ethics browser, just go to the last section. Then you'll be able to find a reason 32 there. So you just need to drag reason 32 and drop it on top of the track that you just created. Just like that. And you'll be presented with this with this panel here. So you just need to make sure that you push it to the extreme right? And the other thing that we want to do is we want to make sure that this trick Panel remain open because we're gonna be using it a whole lot. So to do that, you just need to come here to two where we have this pin icon here and make sure that you click it. So this will make sure that this panel continue to remain open no matter what we touch right here and the reason we got this trick and we're going to name it. So let's name it, reason. Reason hosts. Alright, so this trick, the purpose of this trick is that is going to be hosting our, our reason file. Okay? So what do you do after that is you gotta come here to it's written routing king. And you're good to come to. You've got to come here to always written trick channels. And you got to click right here and you just need to make sure that you pull it all the way even to 64. It doesn't matter. That ensures that we are using 64 channel tricks from reason itself. You just need to come here to this panel, window panel here and you go to Show panel. So what it does, it will open a blank new region file for us. So here we have our our region file and it's blank. Okay, this is how we want it exactly. You'll come to file the new goal to save. Then I'm just going to save this one on my desktop, okay? Alright, I'm going to save it on my desktop and I'm just going to call it. I'm going to call it a reason. Reason hosts. Again, I'm just going to call it so you're gonna give it a name of your choice. Then I'm going to save it right on the desktop. Alright, if we happen to close the reaper and we reopen Reaper, even though the project might have been completed, a repo continue to give us a blank new reason file because it assumes that you want to start a project and this is not what we want. That's the reason why we did install rewire booster. And the purpose of the rewire boost, as we have mentioned before, is that it's going to help us to relocate. Our reason for this is the time to do it. Now, what you need to do is you need to right-click here to create a new trick. So you can create a new trick here. And let's just call it rewire bolster. Okay, then after creating the trachea, just need to come here to your ethics browser. Okay, Let me just bring this, this panel here for now. So you'll come to your effects browser and you look for J punk and your developers look for J punk and you'll be able to see rewire booster. So just directly where Boston, right there on top of that trick. Okay. You'll be presented with this new window panel. Any salary where boost as 0.002. Okay, So this is the plugin that we're going to use to tell Reaper to do is locate our reason for okay. So you just need to come your way. It's written Lord slept project. So just click on that. You'll just have to go to your desktop or to the location that you saved your reason far. Okay. Then I have to come here. Mine is on the desktop and I coded the reason host alias. So just click on it and say Open. Then you'll close. Okay? So no matter whatever we do, even if we work on the project, then we close it and we have to come and open the very same project after a week. Repo automatically, give us the right file that we've been working on. Reason. Hence, it costs the job of having to to open the reaper file. Then you will have to go to reason and relocate the file. So it will be a double job. So thanks to the rewire booster because it actually makes our workflow a little bit easier. Okay, Then once we have done that, I'm just going to hide the layer where boost that because we don't need it for now. So we got to come here to the track manager. Here. We go. Here always written rewire boosters. So under the TCP and the MCP, we just want to make sure that we deactivate that so that it will not be visible on the panel and on the mixer panel. Okay, so the next thing that we want to do is we want to come here to the effects. Then we're going to say Chopin now. Alright, we need to create the drums fist. So we're going to be using drums for some reason. And I'm going to show you also how to program, how to route your, your pianos, your synth, and everything. So that if you just want to use a reason for your production purposes, you can do that as well. To create the drums, we just have to come here to Create and we go to combinator. On the combinator section. I'm just going to go here to this folder and open sticking a little bit of time. Okay, Here we go. Then I'm going to come to reason sound module. And I've got my redrawn kids located right here. So you just have to go and relocate to wherever you got your red drunk his installed in your computer. I'm going to go to the redrawn Keats and I'm gonna go to drunk his pitches, okay? Then I go to preset keys and I go to mount it out. And all Mike's. Then I'm going to go to a vintage soul funk. Then I'm just going to choose Lacey fresh, fresh B. Okay, perfect. Then I'm gonna hit Okay. Okay. So our redrawn kiss her finished loading now, then if we can come here to the mixer section, you can see that we go the kick snare, this name bottom the top throat, Tom three times, two times one. So this is all we have, but now we need to reconfigure this. But before we can configure our region file, we just need to create all these tricks that we have on the mixer channel right here in Reaper. Okay, so to do that, we just need to come here to report on the trig panel and we'll right-click. Then we say insert multiple tracks. Okay, let's go all the way to ten. We're just going to say, Okay, perfect. Then we just have to name all these tricks right here. We're not going to be using them for triggering the meat. Okay, so what do we need to do is we need to select all of them. And we click here on the button. So you right-click and you come to input and you say none, okay? Then you also have to come here. Click on the button again and you'll come to record the Disable. Okay, then we have to go back to reason and check what what channels do we have? There we go, the kick snare, snare bottom. So I'm just going to name these ones. Go the kick. And we go this name. And we go the snare bottom. Okay, let's check again. What else do we have? Then we got the tome three-to-one heads. Okay, so we're gonna go for that one. So we're gonna go for Tom three. I'm just going to copy that. Tone to tone one. What else? The other one, it was heads. Perfect. Then let's go back and check. So we've got high heads. Alright, let's just name it. The weight is so high hits right there. Okay. Then let's check. What else do we have? We've got tambourine, overheads and ambience. So we're gonna go for tumble run, tumble, run. And we go to overheads. And I'm going to write this one in kept her letters are like so. Then we got what is it? Ambience. Be the okay, let's check what S to F. And we'll go to the clip and this name. So I'm going to create a new tricks here. I'm just going to come here and duplicate this two tricks. Duplicate them just like so. And I'm going to bring the ambiance just on top of this one. And this one we're going to call it clip. Okay. Colored clay. And let's see. Yeah. And the other one is called snip. Okay. Perfect. So this is all we have in terms of the setup. We've got the kick, the snare, snare bottom. They Tom three and all these things. We need to make sure that we come here, alright, or we just need to come here to the audio from rewire. From audio from rewire is you can see here we got the required output, this output and we go the trick channels and we need to continue with the numbering process, okay? So we just need to continue this channel three. So we just need to make sure that we put three there. Then we go for four. So just take your time, Enter and rename all these things. So six and we get a 789101011121314151617, 1819 trend. That's what you need to do. So you just need to come here to audio from railway and you need to rename all these things all the way to 64. If you want to use 64 channels, if you want to use 16, just make sure you use 16, okay? Then the next thing that you wanna do is you need to come here to meet Senator uy. Just go back to reason so that I can show you. So if you can come in here, you can see always written audio output. We'd go to one all the way to 16 for now. If you want to see more, you just go here to more audio. So you can see that with good audio one to 16 here, the first group, and we go 17 to 3232 to 48, then 49 to 64. So you can use all these channels in reason for us to be able to access these tricks. We need to press Tab. So when you press Tab on your keyboard, you can be able to see at the back of your, your devices. Then we just need to, to, to come your way is the written combinator. So I'll combinatorics actually mapped to 12. Then we need to activate this. So you just pull off these cables and let's rename this. I'm just going to call it drums. I'm going to rename it to drums. And why do we need to do now, we know the first one is a Keq, so this one is actually giving us an indication. So this is the key goal number one. So we just want to reroute to everything from our mixer into the, into the, into the hardware interface. So we're just going to put our Keq, write their own number one, our snare, and number two. This one on number three, even if we don't look, it's not important that we just need to route them as they are configured right here. We come to five, this one goes to five, and this one is on six. So we just got to put it on six. Then we got this one on seven. Just put it on seven. And this one is on eight. Put it on eight. This one is a nine, just put it on. This one is on ten, just bring it to ten. This one is on 11. Just bring it on 11 and we'll go to another kibble. So they just make sure that I do bring it on top. Now, again, this one here, we just got to continue. We've got another camera there. Make sure you bring it on an empty slot. And we call it one last one. So we're going to bring it right here on 15. And this last one, we're going to bring it on 16. So we have already used all our 16 channels. So you can continue if you wanted to add more drums, you could just continue with it. But we just going to use 16 channels is good enough for the drums. Okay? Okay, so you just need to make sure that your media is set properly sold. Right-click here on the Amtrak and go to Input midi. Then you say all midi inputs, all channels. Okay? So if you can play something on the keyboard, you can see that we got a midi signal that is coming in here. Alright? Alright. So the first thing is that you're going to hear if the snare drum and the kick, because they are set to one too. But we need to configure this thing afresh, okay? Alright. And we just need to make sure that our Master sent is written must ascend. We need to make sure that we deactivate. These will remember in reason, we're rigid our drums all the way to channel 16. So we need to make sure that it's properly configured in right-hand region. So you just need to come here to meet the center to the UI and you choose the first trick, or the way up to channel 16, like this. So you just need to make sure that Let's do it again. You choose the fifth trick or shift, and you go down to channel 16 and click all of them, alright, then you right-click and you have to choose your drums. You remember, we named our combinator drums right here and reasons. So you just need to make sure that you choose drums ok, so that we can be able to see what are we dealing with? Again, we're going to be recording all our mid right on this trick. Then this truck is just going to be giving us audio so that we can be able to control the levels. Okay, so to do that, you'll come here and you click Routing. Don't know anything about the sense we are worried about the receipts. You'll come here to the receive section, then you choose reason host. Then what we're interested in is the audio here, okay? The Meat. We have nothing to do with the media. So make sure that you Usually you set the mid to none and make sure that you're also set this to pre-fader. Then you'll come here to audio. Now this is what we are interested in. Then you have to make sure that you will come here and you'll go to our cookies and mono. You will need to make sure that we said the kick drum on or so. We don't go to stereo sauce, so we go tomato sauce and we want to set it to one. Okay? So we need also to come right here and configure this guy, this snare. So to do that, just go back here. Very, very simple stuff. Come back and go to reason host. Then you got to go to your midi section and just say none. And side2 pre-fader. Okay, then here our Keq is in mono, so just go to two. Now you can, here we go, the snake right there, then let's go to snare bottom. Very same thing. Okay, So just go back and go to reason host. Okay. Maybe set it none. They instead they still prefer to. Our snail bottom is in moles, so just go to three. Okay. Perfect. Close this. Let's go to number four. We go to the top. Alright, then we just come here to reason host and co-host. And we're good to make sure that our media is set to none. And our audio is going to be mono. And right now we are on channel six. Okay? So remember that we got one channel for a reason host and we go to one channel for real our boost that. So that's why we got six. So you just say six minus two, then you get four. So you just need to make sure that you are on mono sauce fall. Okay. Perfect. So you got your tom there. You can hear. Okay. Alright, perfect. Then we go to tom to come here and receive reason host. Alright. Then makes sure that the meat is set to none. And you got pre-fader selected and you go to the audio mono source, and we are on channel seven now, minus two will go to, go to Channel five. So we're going to sit audio to five right now. And you can here we go, The Tom tool right there. Okay, Then let's go to Tom one same thing. Go to your routing settings. Reason host. Then the midsection, make sure it's none. And the preferred city to pre-fader and set this guy to pre-fader. Okay, Then on the audio section, we are on channel, what we own, channel eight minus two. So we got to put Armana sauce on channel six. Okay. Perfect. That's your first term there. Alright. Then we go to the high hats. Alright? Currently there's nothing. Even if I'm playing something here, you can see nothing is because nothing is said. Come to Your routine. Let me just pull this guy up and we don't need this guy for now. Okay, so come to this guy and pull it up a little bit and receive reason host. Then to the middle section we want to say none and set this guy to pre-fader, okay, and on this source we go to mono sauce and we're on track nine. So we say nine minus two, we're on tricks it. We'll just have to put this on channel seven. Okay? Then we go to highest now. Alright, perfect. Then we are done with the highest. Then we go to tambourine. And let's do this very same thing. And we go to add new receive and we'd go Region host on your midsection. Make sure I set it to none on the audio. Make sure you go mono. And we are on track ten, so minus two, we got to go to aid in do we got our tambourine right here. Okay. Then on the overheads, let me just quote down here, I'll get on the overheads. Go to your routing. And you just need to make sure that you go to reason host. Okay, now our overheads, our studio in HR. So our overheads are set to trick to trick. What, what, what was that? It was trach 910. So we got 910, therefore, overheads ambiance is 1112. So we just need to make sure that we got that in place. So we come to routing. Then we have chosen reason horse here. Then on the mean, do we need to make sure that we set it to none? Then on the audio output, we got to studio this time because we know overheads eyes to you in nature and in reason we do see them on the trick 910. So you just need to make sure that you would go to steal your 910 right here. Perfect. Okay. So if I can play something, if I close this and I play something, you're going to hear now the overheads are coming through here, right? You can hear them. Okay. Perfect. Then we go to the ambience, ambience the inset or is set to 1112 in reason. So you just need to come down here and add new receive reason host, and make sure your meat is set to none. Then you go to prefer the right here. Then you'll need to go to steal your sauce and we will name ten. So this one is set to 1112. Okay, so we are good to go. If I play something, okay, You can see the overheads in the ambience are coming through. Then we gotta go to clay. Clay sits 291112. So this one is set to theta and 14. So just come here, reason host and sit two Nan, this guy. Then you go to audio, then is still your source. And we're going to go to theta1 14, Dan. And we're going to come here to snip, do the very same thing. Steady to reason host. Then you got to go to meet the set it to none and audios Cheerio, then we're going to go to 1516, and that was the last one. Alright. So perfect. So everything is set up in place right now. Alright? If you wanted to record this drums, all you just need to do is you need to make sure that this guy selected and this is where you're going to be recording on drums. If you are recording life, you need to make sure that you set your midi inputs. Notice to all midi inputs, okay, you need to set it to the correct instrument that you are using for triggering the drums. If you go to your Yamaha drum set, you just need to make sure that you choose Yamaha. Jerome said, I don't have nothing at the moment. So choose Yamaha drum set. If you've got any other drunks at, just choose it, don't go to all midi inputs. Because when you go to all midi inputs, even if you, you play your keyboard, then your keyboard will be triggering the drums are the symptoms then that will be converted to bring confusion. Okay, So that being said, let's go back now. Everything is set now. So what do we need to do is I just going to record a little bit of drums here so that you can see how this goes. Okay? So I'm going to recall the draftsman. Okay, Perfect. So this is how you do it. But for now I'm just going to be deleting this. We're going to be making a song after this, after this training. Alright, for now we don't want to see all these things that we've just created. Also all these tricks we might need to see the reason host. But we don't want to see, we don't want to see all these tricks or we just need to come back to our trig manager. And we come here with reading kick, and we just hide all these guys here starting from here as well. We just need to hide all these guys. Okay. And yeah, so we got a reason. Drums sit. Now sit. Okay. So this is the most difficult one to set up, but it's not that difficult at all. So what you need to do is you need to make sure that you save it template for this. Okay? So to save a template for these, just need to come to File. You go to project templates and you'll come to save projects is template okay. You're gonna be saved in your report forward under the project templates. So I'm going to call it my work flow. Okay? I'm going to save it. Alright, let's come to reason here. Okay, then let's save a template for this guy. So you'll come here and you say Save. Save is a reason host template, reason horse template. And I'm going to put it on the desktop, alright, so you can save it to any other location that you want. Then after that, you just need to make sure that you come here to preferences. You'll come to preferences. Alright? Then you go under General. You just need to make sure that initially we set it to M2 Rick. So you just need to bring it here to build it to custom. Then you just have to open this for now and Lee locate where your file is, then you go to the desktop. I'm going to choose the reason host template. Then every time we have to start a project in reason, or every time we open the reason, it will just bring us this template so we don't have to be wasting time configuring these things again and again and again. Okay, Perfect. That's it. In terms of the drum section. 11. Routing reason 5 synth: Okay, so let's go back to Reason for now. And I'm going to be adding a piano. So I'm just going to add in an x t, and I'm going to call it grand piano. And I'm going to call it grand piano. So make sure that it's in bold so that you can be able to see it right there in in, in, in Reaper. Okay. And this time I'm going to put it on 1718, so I'm just going to write 1718 so that when I go to repo, be able to visualize it correctly. So to, to make sure that these, this grand piano that we have here is playing in Reaper. All we just need to do is we just need to create a new trick. And I'm going to call it grand piano again here. Gland p and p or no. And I'm going to do 1718 here. So I'm going to name it 1718 so that I'll be able to know exactly the channel that it t's being played. What I need to do now on this one, I need to send the meat to reason because I'm not going to be using this one. We use the this one reason host for the drums. We want to use this trick to trigger the media in reason and at the same time bringing the audio back to Reaper. Okay, so to do that, we just need to come here to our routing section here, and we go to the second section, then we want to send the media. So we do the very same thing we did with conduct. So you'll come to a reasonable cost. We are not interested in the audio now, so make sure that you send it on none. And we come here to this second mid section which is written o. And this time we're not going to put it in any of these because these channels are being used like the bus one is being used by, by the drums. So we need to make sure that we come to bus two, and we choose bus to one. We go to bus one here, and we've got bus to go to bath three and we get a bus for we use the bus one for all our children, Saul Bass, one is actually occupied. This you can see unto channel 16. So we're not going to use the bus channel one because it's used. So we have to start on bus channel too. So to do that, you just come here and you'll come here and to your media section, click then you go to bus. This is the only bus available. So go to bus to one. Then by doing so, if I can play something, let me activate this and make sure that you go to input midi, midi channels in this case. Then you can see that the mean is actually going to reason. Okay? Let's see here. Okay, we got, we got the midi is going to reason, but we don't have any audio coming out yet. So to do that, we just need to come here to Ed and you'll receive then we see a reason host. Okay. We're not worried about the need for now, so we just need to come to me and say none. Okay. Let's say this The preferred and you'll come to audio. We need it to be in studio, so you have to come to audio and you say studio, this one is going to be 1718. Okay? And we close. So that's all. But you can see we don't hear an audio. The reason being that when we ended this piano here, we did not route it. So we just need to come here to the backside of this guy and difficult to see here. But you just need to make sure that if you just click there, then you say hardware. Then you just need to make sure that the available channel is 1718 to just automatically routed to the 1718. So if you come here now, shouldn't be able to hear your radio sound, but I kinda hear this sound at all. Okay? Now, we can hear the sound at all because there's something wrong. Let's go back here to our midi center to rewire, we need to select on bus to, and we need to select the instrument that we're using in reason. So you just need to come here, right-click and remember we name it the grand piano 1718. So we come down and write Haiti's, you just choose grand piano 1718. Now you'll press your midi controller. You should be able to hear. Alright. Okay, so you got now, Okay, so you got now your grand piano coming through. Let me add another instrument. Just for the sake of practice, let me add some strings, okay, I'm going to come into n and x t again. Alright? Then I'm going to call it strings. And we're going to put them on. That was 1718. So let's put them on 19. Twinned. Allright. Perfect. And we're going to make sure that when we drag this one to 1920, okay, so it's a rooted already. Correct. Okay, Then we have to. To create a new trachea, Let's call it strings. And we say 1920, allright perfect. Then we need to make sure that we set this fixed quickly. Alright? Then we have to come to this guy here, grand p. We got to come to bus, bus two. Then we need to choose strings. 1920s. Okay, then let's go back to reason. Actually, I didn't not loaded the strings. So I'm going to look for these strings here. Resents factory sound. Let's look for strings. Strings, strings, strings, or instrument pages. And you look for strings, then you should be able to get strings. Let me use these guys, these strings here, Okay, perfect. Then we're done. So these strings are already configured right here. Then we got to come right here now and it is sent to the reason host. And we don't worry about the audio now, we need the meat, the end we are on bussed to now is on channel two. Now. We got to go to two. Then let's come here to Add and you'll receive, Let's go to here the reason host. And we want the audio, we don't want the media, so set it to none. Instead, they still prefer that. Let's come back to the audio. The audio is still your source saw. We set it to what is it? 1920s. You can see here it's 1920s, so you just need to come here, 1920s. So I can play these things. Now. I just need to deactivate this, activate this, and go to me. Do you meet it and make sure that me D, then you go all midi inputs, all channels. Okay? So I can play the strings now. Okay, perfect. Alright, now let's add base and acid or base. And the reason we need to use subtractor August. So let's create a subtractor. Then we're going to write it bears. But you know, basis in our base is only one audio output. So basis in mono actually. So we just need to make sure that we go to one tricky one channel here. So we gonna send it to a mono output and we got 20 there. So we're going to send it to 21. We're going to say base, come out on 21. Alright, then we come here and we got to tool, drag this guy and we'll put him on 21. Okay. Perfect. That's right. Then we have to create a trachea and we're going to call it base. And we say 21. Perfect, alright, then we have to come right here immediately. And we go to Channel, we go to blast to channel three, and we got to choose bears 21. Here we go. Then right here on this trick, disarm this one, Amit, and go to midi or media inputs or channels, okay? Then you go to the routing now. Alright? You go to add sent, reason host. And we don't want an audio here. And we go to me, this one, and we're going to send it to bust to channel three, because we are on channel three right there. Then you go to add new receive. Then you go to reason host. And this time is not gonna be as t is not gonna be Studios, is gonna be mono. So you go to mono and you choose 21. Alright, perfect. Then here on the media, make sure you choose none and you'll come here and choose preferred. Once you do that, you should be able to hear your best. Okay. I play but I get nothing. Nothing is coming out. The reason being is that there might be something wrong with my audio. Let's go to the audio from rewire and see if everything is okay. There are, yeah, there's no output because they ended on 20 slide. Just need to make sure that I continue setting this thing. I'm going to put it to twenty one. Twenty two. Twenty three. Twenty four. Twenty five. Twenty six. Twenty seven. Twenty eight. Twenty nine. 50. Okay. Yeah. 3132. Okay. So let's, let's assume that you are using 32 China's for now. So now if I can play my base, you should be able to hear, okay? Okay, perfect. So we got our base now, our baselines and mono. So we can also add something else. What else can we add less? And let's add an organ. From Reason. So we're going to add an organ right here. So this is actually for somebody who is using reason for all his production purposes. For an organ, I'm going to name these two organ. Is the right light or Gan. And we're going to put it, we ended on 2121. We're not going to use channel 22 anyway, so we're going to put it on 2324. So we're going to put it 2324. Okay, so let's come here and see if we've got an organ here. They see, do we have an organ? We've got an organ right here. And what organ are we going to use? Let's see. Maybe we can just use this. How ammonium, I don't know how we can use this guy here. So it's on 203024 lists come in. We can actually copy this, this setting here. Then we come here and we can just paste that. Okay, so deactivate that, activated the organ here. Trick. Then you'll come to meet on all midi inputs, select all inputs. Okay, then let's configure that. Alright, before we configure that, let's come to the reason host and make sure that this thing is two in place. And let's go down midi, send to rewire. And we need to make sure that we have. By the way, I didn't not route it again. So I'm going to route it. You can just come here. I had to interface and we have 2324 in place there. Okay, perfect. Then we come here. So we go to the next one is going to be right here on Channel four. And we're going to choose organ twenty three, twenty four. Twenty three, twenty four organ. And we're good to go again. Then we come here and let's configure this guy. So AdSense, reason, host, or D or none, midi input. Then we're going to go to bus two. And we're gonna go to what channels that is channel for salt boss John for allright. Perfect. Then we come here to add new host. Okay. Though, we are not interested in the mid, set that to none. And so they still prefer that. And on the audio we're going to go for is to your source, and it's on 2324. So you just need to come here to 2324. Alright, your clothes that you should be able to hear the organ. We've managed to use one trick for midi, for media data, and the very same trick that we used before configuring our immediate data is the very same trick that we are using for audio output. So this actually is the best workflow that you can ever have in Reaper. So all you just need to do is you just need to practice how to route this thing this way. Then after that, you will be good to go. Okay, so that's it from me. And in the next lesson, we're going to be coming up into, we're going to make a song in Reaper. 12. Reason Rack Redrum Computer routing: Okay guys, welcome back to the cost. And in this lecture we're going to be rooting the read drum computer. To do that. I'm just going to come here to the trick panel here, and I'm just going to right-click here. Alright, I'm gonna come here to it's written insert feature instrument on new trach, okay? And you can see it takes us to the instrument section right here. So I'm just going to come in here, always retained reason rake plug in, then I'm just going to double-click that. I think we just want to have this array. So I'm just going to say yes, alright? And I'm just going to click your way through written your eye. Okay? And you can see now that we've got the reason rack here, alright, so this is the reason why plugin. I'm just going to come in here and I'm just going to double-click the redrawn, compute our right, and you can see what we have here. Alright? And I'm just gonna change this pig here. So I'm just going to click here and I'm just going to take probably little rock kit. And I'm just going to come here and I'm just going to minimize this a little bit. If you're reasonable rate is too big, you just need to make sure that you can come here to zoom and make sure that it's 80 per cent. You might have it at 120, then it's going to be too big. So you want to bring it at 80% probably. Alright, so if I can now hit my drum here, you can see my drum is coming out right here on out. Alright? And if I hit this name, you can see it's coming out on the same place. So basically everything is actually coming out on the same place right here. Alright. Okay, so what we wanna do now is we want to configure this so that we can be able to have different outputs here. But before we do that, I think we just want to rename these things. Alright, so I'm just going to take the names that we have right here. And I'm going to put them right here. On the first trick, I think we went to the kick to come out there. Alright, And on the second is gonna be this name. Alright, so I'm just looking at these things that we have here. As the two, there should be a snare there. Alright? And this one should be, I think this should be a rim shot, so I'm just gonna go rim shot. And this is the tambourine, so we've got a tambourine right here, so I'm just going to call these tumble rain. Okay. And the next one after the tambourine is the Tom three. So we got the Tom three. And actually I'm going to copy this value here, right? I'm just going to paste it right here. And I'm gonna change this to Tom two, okay? And I'm going to come up a little bit and I'm going to paste the same value here, and I'm just going to say Tom one. Alright, so we go the tongue Tom, three-year term to term one in this is the high hates. Alright, so we've got the head's probably closed. Alright, so I'm just going to copy this, right? And I'm going to paste it down here. And this is called heads open. Alright? Okay, and after that, we got this ride. So the last one is right. Okay, so everything else we're going to delete. So I'm just going to select these and I'm going to hold shift and select everything. And I'm going to right-click and say Remove. Okay. Alright, so you can see everything is still coming out on the kick channel. This is not what we want. We want the kick to come out here, this name right here. Alright, if I hit this snare, you can see it's coming one to the rim. Shot is coming one to actually everything is coming 12. So what you wanna do is you wanna come here to I O device and you want to expand it a little bit, alright? And you want to disable all these red buttons here. I don't know why it comes with these on. All right, but we need to disable all these things here. So what we need to do is we need to come here to wait written flip rake, and we want to flip this end. We want to come in here and disconnect these two. We want to round this a little bit some more. Alright? So we want to take the first input, which is the kick, and we want to put it there on main output 12, then this one is actually going to come on 34. So we got stereo pairs right there. Okay, So this one comes out here, and this one here. Alright? So you just gotta bear with me as I couldn't make this. Alright? So once you've done this, you're actually done with our routing, these things. Alright, So if I can hear the kick now, you can see the kick is on one to the snake is actually on on 34. Alright? And the rim shot is on his channel. Alright. And we go the tambourine. We got the Tom three. Term three. We got Tom to here. Alright. And what is this will go, Tom one, we got a heads, we got to open heads, and we'll go to the right. Okay, so this is the routing that we need. So basically you're going to be recording all your media information right here on this reason Rick plugin, I'm just going to name it and I'm going to call it redraw them. Okay. And I'm going to call it redrawn. Redrawn kit. Okay, so with this now we are good to go. I'm just going to come in here and close this reason rake plug-in here. Alright? And we want to come here to the trick, manage and disable everything, alright, and we want to keep the rear drum kit on here. Alright, then I can come to my mixer here. We don't want a situation whereby if you want to start a new song, you have to come in and load the array drum kit. And you start these things again. You just want to save this as a template to begin with. All right? If you want to save this as a template, you just need to come here to File. You go to project templates and you can say Save Project as templates. And you can just come in here and paste the value that you copied a little bit earlier there, then you can hit Save. Alright, so now if we can actually come here to File and say new project is going to ask you save and save the project. Then you're going to say no. Let's say now you want to start a new song now, all you just need to do is you need to come here to File or right, and you go to project templates, then you can see your redrawn kid is right there. Then you can just select it. Alright, then you can see we've got our redrawn computer there. Alright. So you can play now your kit here and you can actually record all your media data here. And if you can come to the traffic manager and activate this channels, you can see that they're still here. So you can see these kick is coming out on the right channel, the rim shot is coming on the right channel and everything. It's actually good to go. Alright? Alright, so that's it in terms of routing. There are redrawn computer right here in Reaper using the reason rake plug-in. Alright, I'll see you in the next lecture. 13. Reason Rack Kong & Rhythmic Drums: All right guys, welcome back to the course and on this lecture, I'm going to teach you how to route the Kong drum design. Alright, so I've just shown you how to route your read dram computer. Alright, well we also have what we call the rhythmic. I think let's just go there and check. So I'm just going to come in here and insert new visual, instrumental, new trick. Then I'm going to come here to reason rake. And I'm just going to double-click and I'm going to say yes to all these configurations are right. If you come here now, you can see we've got rhythmic drum machine. So you just need to come in here if you don't see it and you come to instrument, and you can come to rhythmic drum machine, alright, so you can have it right here. If you flip this rack here, you can see now that we got separate outputs. So we got all the way to ATI and these are stereo pairs. Alright, so you just need to disconnect this tough year and you can actually come in here and do the same. Let me just flip this a little bit here. Alright? And I'm just going to deactivate this. Alright? So I'm just giving you an idea because you already know how to do this with a redraw them. So you just need to flip this rake again and you just connect this to the mains, alright? Just like what we did before. So there's nothing new there. Alright. Okay, so I'm just configuring these. Okay? Then you'll be able to have different outputs. And you can be able to mix this property. Alright? So if you come here, you can see now that we've got something going on there, alright, and you can see the kick is coming out right here on stereo out. And they sneeze coming here and everything is actually rooted, right? So you can actually go ahead and play something right there. Alright, then you can see now that we get our drum here recorded, okay, so it's just the same as the redrawn compute. I just wanted to show you this before we move on. With this, I'm just going to select these and I'm just going to delete it and I'm just going to come here to Kong drum design. Alright, and you can see now that everything is coming out on 12. So we just need to round this a little bit some more for you to be able to read this, you just need to come here to flip Rick, alright, and you can leave this main outputs are where they are connected right now. So you're going to take 34 and just put it on 3456, on 5678178. Alright. Okay. Let me put this cable here and this one right here, alright? And we go this one here, alright, and this one here. So if I can flip the rake, are I saw we go the kick here and we want it on 12. So this is actually good ago. And we got this nice come out on 12 as well. So you just come here ways to retain master FX. And with this selected, alright, you'll collapse this down and you'll come here with written drum output. Just change these 234. Alright, you remember we put it on 34. You can see it's coming on 34. Then you come to this one, which is the high head, alright, so you need to select it and you can come to 56. Alright, so you can see now that it's actually on 56, then you come to this append one selected and you go to 78. Alright, so you can see now that it will get the highest open, then you come to this one which is written bars. And we should put that on 910, alright. Okay, Then you'll come to this one. This should be 1112. Okay. Okay. So that's your 11th, 12th and the clip and this clip here. Okay, So the clip you want to put it on, actually paid in 14, alright. And you'll come to this one. Then you want to put it on 1516. Alright. So you can see, I'll tell you this one did not go away. We want it to go. It should be on fading fall in. I don't know why. For some reason don't want to go there. Alright, so that's basically what you need to do in terms of routing this conundrum, alright, so you just need to make sure that you collapse this and you will reassign these outputs here. And then with your Cabo sit here, you'll be good to go. So if you want to save the template for this, you can just close this, alright? And you can actually come to your trig manager, like I've shown you before, you can just deactivate all these things here, alright? And you just want to leave your rake here, okay? And probably you can name it, and you can say probably Kong drums. Alright. Perfect. Okay, with this now, you can just come in here to file and you can go to project templates and you can say seven templates. And you can say, I forgot of copies. So you can just say Kong drums. Alright, so you can just save this. So you can do this with your rhythmic drum machine as well. Alright, and list, just come in here and say new project. Alright, then we're going to say no to those changes. And if I can come in here now to File and I go to project templates and I'm going to choose Kong drums. Then you'll be able to see that everything is back here. Alright, so I can actually activate or these tricks that we have right here, alright, then you can see their bag. So if we can play something here, you can see everything is actually set for us to use it. Alright, so that's basically the, in terms of routing the kong drums or the rhythmic drum machine right here in Reaper using the reason Rick plug-in. Alright, so that's it from me. I'll see you in the next lecture. 14. Reason Rack Live Drums: Okay guys, welcome back to the course. And in this lecture, I'm going to be showing you how to route live drums right here in Reaper using the reason rake plugin, I am going to come here to our trig panel and I'm just going to right-click and I'm going to say inset visual instrumental new track. Alright Andy, to take you to the instrument section right here. And I'm just going to double-click reason wreck plug-in. Alright, so it's going to ask you all these, this time. We want to say no because we want to do it manually. Alright, perfect. And I'm just going to come to your eye and I'm just going to click right here. Alright, coming here, I am going to come here to my refuse. So I have got something called The reason drunk kids here. So I'm just going to come in here and I'm gonna go to drum kits, peaches, and I'm going to go to produce a Keats. And I'm going to choose the first one. And I'm just going to minimize this for now. Alright, so if I can come in here and start pressing, you can see now that we are actually getting input right here in, in Reaper. Alright? But what we wanna do is we want to have a little bit of control. So I'm just going to come here to show devices and I'm going to click right here. Alright, so with this drum kits, you can see we go the kick, the snare, this now, but I'm Tom three, Tom, tom one, hi-hats, tambourine, overheads. And we also have the room mic, which is called ambiance here and will go the clip in this Snape. Alright, so we want to round all these, okay, so to begin with, I'm just going to come in here and I'm just going to right-click and say Insert multiple tracks. So I'm just going to come in here and do that. And probably I can say 12. I'm not sure I'm in there. Let's see here. This is channel number is channel number 12. So we need, we need to cough tricks. So I'm just going to come in here and here's your K. Alright? And with all these selected, I'm just going to right-click right here on the record button. And I'm just going to come in here and I'm going to say input to none. So we don't want to trigger enemy do this. Alright, so we're going to be recording or our midi information right here, okay? And we just need these to receive the information. So I'm just going to look here on the mix and I'm just going to start naming these things. Okay, so I'm going to start with the kick. Alright, so we got snare and I'm just going to copy this. Alright? And I'm just going to paste it down here and I'm just going to say bottom. Alright, I'm gonna come down here. The next one is tone. And I'm just going to copy it. And I'm just going to say three there, okay? And I'm going to come in here and I'm going to say Tom two. You can see we got Tom to here and we also got Tom one. Alright. Perfect. And I'm going to come here, we've got a high heads, Alright, so I'm just going to go high. It's alright. And we got tumble run, tumble R3, and we got overheads now, so I'm just going to use caps for this. So with my shift key selected, I'm just going to go over our heads like that. Alright, then I'm gonna come in here. The next one should be a room mics. So it's called ambiance there. So you might call it ambiance or whatever you can call it. I'm going to call it rho max. Alright. And we got the clip. Clip. Okay? And we got to the, what is it, this name. Alright. Okay, so we want to come here to the reason Rick plug-in here and we want to collapse it down a little bit and make sure that you disable these things. Otherwise, we will not be able to hear this sound if these things are red. Okay? So you want to come here and flip this right here, alright? And we want to take these cables out. So just disconnect those two carbons here. If you hover your mouse over the fixed connection there you can see it's a retained connected to kick EQ. Alright, so I'm just going to take this and I'm going to put it on one. Alright? Okay. And if I hit my, my kick here, you can see still coming out here. We want the audio to come here. Alright, so we just need to come here to route. Actually, before we do that, we need to come here to the reason or EQ plug-in and we'll click root. We just want to disable must ascend. And you want to come here to trick channels and probably you want to put it to 32 or something like that. Alright. And then you can come here now to the kick and let's rotate it. You can see now these normal audio output normal. Now, you want to come here with return receipts and you'll want to come and choose the reason plugin. Alright, and you want to come in here where it's written, or do you want to change it to smaller source because the kick is in mono, so I'm just gonna put it on one, alright? And I'm just going to disable this, and I'm just going to put these two prefer to arise. So you can see now that the kick is actually good to go, then we're going to come to this name. Alright? And this is actually right here. So you can see now is region snare. So I'm just gonna put it on to our right. And if I hit this name, you can hear it, but you can see it. So we need to come here and do the same thing. So come in here, a reason rig plug-in, alright. And monocytes come to, to midi Channel nine and preferred. Okay. Then you can heat, now your snare and you can see it's coming out on two. So we've got the kick, the snare, right? Then we continue going, will come to the snare bottom. And I think this should be the snare bottom. Alright? So we're gonna put it on three, alright? And snare bottom. Okay, you can see there's nothing there. So you want to come here and you'll want to come to reason rake plugin. And you'll want to come to monitor sauce. I think we own three now, okay. And we want to put this to none, and let's choose this to prefer. Okay? And now you can see we've got this snare bottom though. It sounds a little bit the same, but we got it there. Alright, then we're going to come here to the fourth one, which is the Tom three. So I'm going to put it on a fall here. So I'm just going to come in here and alright, and I'm just going to come in here, reason, rank. And actually it's connected on false or are we just going to go Mona sauce and fall and list the activate these turn-on or right and prefer. Okay. Then if we can heat now you can see we've got Tom three coming in here. Alright. Okay, perfect. Then let's come to tom to now. So this should be TOM to yesterday's. So I'm going to put it on five. Alright? And I'm going to come to tom to routing. And we're going to come back to reason reg plugin. And we're going to come here monocytes and we're going to come to five. Alright, endless. Just activate all this stuff here. Alright? And you can see now if I press a on my keyboard, I think we'll be able to get Tom number two. So Tom number three is on G. Term number two is actually on the a key on my keyboard. Alright, so that's the mapping that we have there. Alright, let's keep on moving. So what is this? This is Tom one. So we're going to put it on six. You see how simple this thing is. Then you're going to come here to your routing here configurations. And you'll want to put these two Reason Rack plugin and you want to put these 26, alright? Okay, and let's deactivate this. And let's put this to prefer that, and let's try that. So Tom one should be on C. Here we go. So we've got 21 there, Tom and Tom three, so these are sorted. Then we're going to come here. What is this? This is hi hits, so I'm gonna put it on seven. Alright, so let's come here to the high hats and less configured. So Reason Rack plug-in and we've got it on seven. Is that right? Yeah, I suppose so. Alright, then we're going to come here and it's on seven. And if I can hit my head, I should be able to hear my hi-hats. Alright. You can hear the highest coming through there. Alright, let's go to this one and this is tumbling. Let's see. If we get it right. We should be able to get Tumbler in there. So I'm just going to put it on nine. I'm going to put it on eight actually. Alright. And we're going to come here to tambourine. And I'm just going to come in here and reason Rick. And let's put it to mono channel number eight. And we're going to deactivate these guys here. And we're going to say pre-fader. And we're going to say, yeah, that's basically what we need to do. And if I look for my temporary now, actually on the F sharp key I think is the shops C2. Guess, salt on F-sharp. Alright, so we go to Tumbler in working there. And the next one is the overheads are, this is very simple. Alright, so let's take this one and you'll get another connection there. So over iodine studio. So we have to put them on 910. Alright, so I'm just going to come in here and I'm just going to come in here. And the reason lake plug-in and let's put it on studio source this time. We're gonna go 910, alright, and we're going to just deactivate this and put it on prefer. Alright, so if I can come in here and he'd something, you can actually see that the overheads actually coming out right here. Okay, so we got the overheads done there. And let's go for this one. Should be romantic. So I'm going to take it from here to 11 and take the other cable then to 12th. Alright, so rho max should be on 11th, 12th. Okay, So here we go, reason Rick plug-in and 11th, 12th, Alright, live in 12 here. And let's put this to none and pre fader here. Alright, so if I can come back here, you can actually see that the room Mike's is also a waking here. And we're going to come to the claim of week this should be the swan on 13. Yeah, Good. Another cable here. So 1314, we're going to have the clip and we're going to come here and do this around. I'm just doing everything so that you can be able to see everything. Alright, so that's 1314, I guess. And we're going to put it to none and preferred or right here. Alright, so we got the clip, I think, ways to play piano. It's on inflate, okay? D-sharp, whatever you can call it, E-flat. Alright, so that's the clip. Then we are moving to the snip. The last one, last one, I guess we're gonna put it on 15 and we take the bottom cable and we'll put it on 16. And we're going to come right here. And we're going to say reason wreck plugin. And we're going to put it on Studio Source 1516. And we're going to say nine to this, and we're going to say, prefer to write. And we got to look now for what is this name right here. This is actually on inflate. Inflate three, I guess. Three. Alright, so after you have done this, you just want to make sure that you will have a template set. Alright, so you want to come here to do the trick manager and you want to deactivate all these things are at the end. You can remain with this. So you can rename these to probably live drums or live drunk key to whatever you can call it. Alright, so I'm just going to copy this name, okay, control C to copy it. Alright, And when I come here and I am going to go to project templates and I'm just going to say Save templates is, and I'm just going to paste it here, alright, and I'm just going to save it in here so you can save it to another location as well if you wish to, then you can open it from there. So that's not a big deal. Alright, so if I can come in here and now, and I can actually say New Project, alright, and say no to those changes. Then you can see I've got a blank new report file. So I'm going to come in here to File. And I'm going to come in here and I'm going to say project templates and I'm going to come to live drum kit. And that should come, right? And if I can activate all the stuff, then you can be able to see that we asked to sit. Alright? Okay. Okay, so that's basically it in terms of routing live drums right here in Reaper using their reason or Rick plug-in. Alright, so I'll see you in the next lecture. 15. Routing song recording : Okay guys, welcome back to the course and we're going to be taking a look at how to program one song. So to begin with, I'm going to delete all these grand pianos and all the sugars right here. So I'm just going to come here and to remove everything. Then if you can come here to the trach manager, you can be able to see that we got the kicks, the drums, so we just go the drum set. This is exactly how I want it to be. I'm not going to activate all these guys for now. I'm going to keep them deactivated. Okay. I'll come here to surveys and I'm going to call it, I'm going to call it, you are faithful in song that we're gonna be doing is called you. You are faithful. Fav for. Okay, perfect. Then I save it on my desktop and I come to the rewire booster. You go to FX browser and you say Lord slave. Then you gotta go and look for that song. You are faithful radio on my desktop and I'll open it so that every time you open this project, even after you have finished recording it, repo automatically open that file for you. I'm going to save it right now. Save. And I'm going to call it you fave four. Okay? And I'm gonna put it right on my desktop. And it's going to create is going to create what is it, a subject or a sub directory for me. So I'm going to just hit Save. Okay. Let me hate mail your elbows stuff for now. Okay. I go to the mixer, so I have to activate to arm the reason host. So we're going to record the drums right now faced free fall. Okay guys. Now we're going to be recording the piano. So we're going to use conduct for the piano. So I'm going to put my conduct piano here. We need to make sure that, uh, you just come here to your conduct hosts and make sure that you are unchecked the master there, and make sure that you got 32 or 64, whatever you can put. We have done this already. We've come here to the record and make sure that you got none right there. Okay, so I create a new trick right here, and I'm going to call it piano. Piano. And I'm gonna do this very quickly because we have done it already. Then I will come to these sounds and I'm going to look for an acoustic piano, C. And I'm going to put it in acoustic piano right there, okay, and it's on a studio one. Then I'm going to come here to configure this guy, amit, and make sure that you've got input, meat or meat inputs or channels. Then we will go to the conduct routing and I'm going to send it to use it. I'm going to send it to conduct. And I'm going to deactivate the audio. I'm going to put it on channel one right here. Then I'm gonna go to conduct as well. And I'm going to receive it on 12 is already set, right. Then we're going to say none. And we're going to say pre-fader. Okay, so we're done and we got in piano right there. So we're gonna just recorded right now. Okay. Are you ready? Okay guys, that was the piano. Okay. The idea is just to give you an idea of how these things are done, we are not making something perfect. I just want to show you something that is very important. Okay, so let's go for the best right now. Okay? We're going for the base, alright, and I'm going to look for the bass instrument right here. Let me use J Bayes. And I'm going to use this guy. Alright, let's see, let's see, let's see It's loading right now. Okay. Alright, so we need to make sure that this guy is set to studio to like that, okay, so he's going to be coming through this channel. We have already done that. Then we come here to the routing section and we're going to send it to our conduct instrument. And the audio we want to set it to none end on the media. We're going to send it to channel two. Then we go to receive conduct. Then we're going to say studio. We once TV or 34 right here because it's going to be on this channel. That's 34 right there. And we're going to set the media to none. We're going to send this guy to prefer that. We are already good to go. We on it, alright? Okay, then we have to make sure that the media is coming through right here. Meet input. Alright, effects. Are we ready? Here we go. Okay, perfect. So we got our base here. We can come to a mixer here and we can see what's going on there. Okay, So let's add some streaks. Alright. We're going to cause these. We're going to add strings right here. And we just need to make sure that we change this to me. All right. And let's just configure it quickly. So we got to conduct and we need not audio right here. We're going to send me, and we're gonna put it on channel three. And we're going to go to conduct right here. And we need t or we're going to put it five-sixths. And we need no midi input, output, input there. So we're going to send it to preferred. Okay, so we're done with this. Then we're going to open the conduct itself. And we're going to be editing. They see, we're going to be adding these three things. They see you guys on strings right here or here, this strings. Okay? Then let's try these strings here. Okay, so we're gonna put them on channel three. We already set up so we should be able to hear the strings. Okay, We are recording now. Here we go. Okay, okay guys, that's it. And now we're going to be adding at least it did lead, lead. And I think that's the last thing that we're here because that's the last thing that we're going to be adding here. So we're going to add lead lists me rooted even before I either lead because I know it's going to work. So I got to conduct right here and we're going to deactivate the audio. Then we're going to come here and we're going to use channel are we on three, so we go into channel four. Then we come here to conduct receive. We're going to go to steal your source. And on Channel four, we go to 78. So we're gonna go 78 right here. And we're going to say Nan, okay, and we're going to say prefer that just in case that we might have noises. We're done. Then we got to come to this section and we look for a lead. Actually, let's get a lead from here. And we're going to go for this guy right here, alright? And I'm going to change it to three or four. Yeah, So here we go. Perfect. And I'm going to close it because I'm not going to come back again. Alright, so we need to make sure that we, um, this guy and makes you on media sit isn't. Alright. Perfect. So we're going to be doing the lead right now and I'm just going to decrease. So are you ready? Okay. Okay. Okay, guys, that was missed this C-sharp there, right there for you. So as you can see here, we have used reason for all our drums and now we have used conduct for all our sins. Okay, So this is basically the idea. The Lord is faithful AND faithful ones in faith for you shouldn't be having these costs right in front of your eyes. But because of the faithfulness of the Lord, You got it. So we are done in terms of this recording. And what I'm gonna do right now is I am going to show you now what you do if you have to go into mixing. And remember, we're going to be bringing more tutorials for you. So just keep watching. Please subscribe. Then. You'll be able to get an update of an annual cost coming through your way. Okay, so I'm going to take this whole project and I'm going to go to File. And I'm going to say Save is again. Alright, I'm gonna say service and I'm going to say you fave full. And I'm going to call it mix. Okay. Perfect. So I'm going to call it mix just like that. Okay, so what do we need to do now is we need to make sure that we bounce all these things into wave before we mix. If we run into a problem, we have to go back to our, to our project. That's why you need to make sure that you save as a mix, okay? Otherwise, if something goes wrong, then you will not be able to go back. So we're going to balance everything right now. Let's start by bouncing our, our piano scenes and all these kind of things. Alright, so we have to come to our piano and select everything that is, does this till your format, you know, base is mono, so we're going to keep it as mono. So we're going to select the piano, strings and the lead. The lead is going to be morning as well. So we're going to select the piano and the strings. Then we're going to go to, we are going to go to freeze or render three-strikes. And we got to freeze tricks to t. And we do that wanting some selected text me sent sum from one to that's okay. So we just going to say yes. Okay, guys, so we have managed to render our tricks. Okay. It's audio. Okay, so that's all you just need to do. You just need to come here. If you have a mid data, just come here and go to Render free streaks. If it's a base, then make sure that you freeze tricks to mono, then you can be able to have in audio like this. So I'm just going to play it one more time so that you can hear that nothing changed. Everything is to enter the same thing. You can see everything is still the very same way that we didn't. It was me. Okay. That's it. And the reason why you have to mix this way is because when you are using meet, it becomes a hard time for the program to calculate everything that is happening within the media. They sustain us and all those kind of things. But once you bounce it to audio, then you actually free space for. Your computer processing, then you'll be able to hear the perfect sound. Otherwise with meat, they sound a little bit triggered at a different time, then it might not sound right in terms of mixing. So now we need to make sure that we separate these drums that are heavier. So we need to separate the drums so that they'll be able to stand in individually. Channels is audio so that we can be able to mix them. So to do that, we need to come back here to the trach manager and make sure that the reason host to Hugo, the kick activated all the way to this NAPL, all the way down. We are not using snips, so we can actually take it off while whoever we are not using, we can make sure that they are off. Okay? Alright, so this is what we have right now. So we need to select all these tricks again, all the way up to here. So all these guys, they're going to be in mono. So you right-click here on the, on one of these select by clicking. And then you hold down shift to the new select all of them. Then you click, then you'll go to Record output and make sure that you come here to waste written record output mono. So you'll click right there. Then we have to come in, configure the overheads. So come to the overheads and ambiance and you right-click and you say record output, and this one's going to be Cheerio. Alright, let's see record output. This is going to be stereo. Perfect, right? So what do we need to do now is we need to make sure that we we bring this to the beginning. And all we just need to do is to hit the record button, then everything will be recorded as audio. Okay, watch out. Okay, guys, so that's it. And this is how we go about recording these things. Okay, So this is All You Need guys in terms of programming, a songwriting Reaper, use the reason, rewire for my drums. Then I used conduct for all the sins that we played into the song. So you can choose whether you want to use a reason in your project entirely, or you want to use conduct or alone entirely. Or you can use things like addictive drums for your drums, or you can use the PDR drops for your drums. They knew when it comes to C and then you can use conduct. So you got the option to do whatever you want. So that's it for me guys. Keep on learning, keep on practicing and make the best music ever.