Transcripts
1. Welcome lesson : Hello folks, my name is
gear Felix and welcome to my new course about core
mentally and fingers typing. To learn this technique, you need to develop trace kills. First one is learn
about core triads, major or minor or
alter a bass chords, seventh chords in
several type of different chords
that we're going to use in applying
this technique, because I can see is
basically Armani. Yes, they're going
to teach you oldest step-by-step to learn
based ROM gales, musical intervals and several
other nice several jackets. And finally the
third step, he is, the approach should play
fingers, Diane chord melody, this special technique as a few special
points that we need to learn about e.g.
units technique. You need to play the
chord in the melody. So self play separately. We're going to play everything
together like this. Very nice, isn't it? So I'm going to
just approach with flying to the moon
by Frank Sinatra. And you're going to
take this knowledge, this step-by-step in a blind to other songs
sale of course, create your own arrangements,
but don't forget, do not skip lessons, okay, it's important to watch
the Armani board, chord part, musical intervals,
everything step-by-step. If you've skipped one lesson, probably you're going to miss one or two important
details that it's going to make a difference
in the end of this course. Alright, so thanks so much and see you in
lesson number one. Bye bye.
2. Why are there both sharps and flats: So now it's time to understand the difference between
sharps and flats. Okay? Sometimes we write a music chord and a note if a flattened, sometimes we write with a sharp, but how can we understand when we are going to
use a flat or a sharp? The first thing here is
think about your scale, e.g. we show our play your
music, your tongue, right? Using G major scale,
we don't have, we have all the different notes. But Gabriel, What do you
mean with different nodes? I don't want to stand. Check this out. If I write down, I see a G-minor KU and I need
to fall on the dead. The formula, the
formula is first one. The second one is a
whole step, okay? The first one should, the second one is the number
of tree is a half-step, so it's gonna be
at a sharp. Okay? The next one is going
to be a whole step. We are going to have
a C major chord. The next one, D, a
whole step again. The next one, whole step, half step, half step. So D sharp. And the last one is
a whole step, F. Okay? As you can see, I have my notes repeated two
times right here. According to the rules
in harmony and Fury, we cannot have the same
note right here. Okay? So the idea here is like change this last node to some Note
that a is the same thing. However, we flat according
to our 12 nodes. The node is right here. And if you want to A-sharp, you're going to a sharp. However, if you want a flat, going to come back
to the last note, so G sharp, okay? In this case, I want
to a sharp right here. So it's gonna be what? B flat is gonna be
the same thing. Okay, So B flat, okay, so now my, my scale is G, a, B, and C. I don't repeat nodes. However, we have another
problem is about D, D sharp. If you are in D, Let me see. Oh, sorry, I forgot to
put one right here. Okay. Too orangey. If you want a sharp,
they're going to D-sharp. However, if you want a flat, you aren't going to
C sharp or D flat. That is the same thing.
However, we need a D-sharp in. So let's see here, Any E, if we add a
sharp right here, you're going to F. But
if you add a flat here, we're going to come
back to the D sharp. So this is an idea. I'm going to erase this
and write down E flat. So I don't have repeated note. So G, a, B, C, D, E, and F. This is the idea. If you see a music in
the key of G minor with a sharp or D sharp, It's completely wrong. Okay, be careful. Let's choose another
example in this case in the major key example. So if you write
down F major scale, we are going to use the same
formula we learned before. So f, one whole step, G, One more whole step, a half step, a
sharp, a whole step. And again, there's going
to be c holds that, but again, D and
warmer hollow step. Okay, we have another
problem right here. Let me see. Here is okay, but we have the same nodes. Again, the same. Again. We need to find
another nodes that, that sounds like a sharp
and put here with a flat. Okay? So let's think. If I had a sharp and B, I'm going to play C. However, if I'm being
again and I had a flat, so it's going to
sound like a sharp. Okay, so I'm going to
erase here B flat. If you see a music, you're playing music in
the domains F major. Somebody tells you that is a sharp cord is wrong,
completely wrong. I'm exercise for you guys is
take a piece of paper and start to write every single
scale, major and minor. And if you see any kind
of situation like this, you need to erase the last node. In this case this warm and tried to find a flattened nodes. That is sounds the same.
3. Triads how important are they: The most common
chords are triad, which are built by adding
the third and fifth node. Seeing this gave a bovis
tiring nodes are roots, e.g. in C major triad built on
C contents, the road note. The third note above C, often called just the third. The fifth node above C, often colleges the fifth. Try to remember this concept. I think this is the most
important information discourse. Why? With this knowledge, you
will learn how should we provide a few chord
progressions, guitar solos and an sever? Techniques about
arrangements are looking for ways to make
musical life easier. Triads is dancer.
4. Major and minor scales: Learning major in
the minors caves. You need to follow a few steps. Step number one, right, number one to 7134567. Second part is the formula so that that whole stack in one more Homestead Act. Now you have formula
of mayors KO. So I start with one. Let's see if I want to
do a C major scale. I'm going to start with
C in node number one, but gave her, I wanna
do an F major scale, okay, so you start number one. All Gabriel wanna do
like a D major scale. So start with these simple
like that. Let's start with d. Z is a good note. This is the number one. Now we need to discover their
other nodes, right? You are indeed right now. We need to check one whole step. So don't play D sharp goes to E. Next one is a whole
step as well. So downplay F and play F sharp. Alright, next one
is a half-step. Here we are in a chart, so next step is much
more easy. G, Okay? Now we have one more whole step. So g goes to a Walmart. The last one is C-sharp. This is D major scale. Okay? When you think
about measures, KU, the first thing you
need to do is food, the seven numbers and fall. Always write down,
write down this. You need to follow deformer. Okay, It's really simple. Just do these two steps. If I want my nerves KO, I need to change
my formula, right? So it's going to be like this. Alright, whole step, half step, whole step, whole step or again, half-step and holds that. Okay, so let's try
to do D minor scale. Another one, Let's see. Let's go with E minor scale. First. One is z, alright? And I have a whole
steps, so F-sharp. Now we have a, a whole step and a half-step
right now, right? So F-sharp goes to
G. One law holds that Ji Chu a whole
step again, HUB. Be. Now it's a half-step, so we are in B has step, you just played the next node C. And the last one is, oh, respect to d. Now you have a minor
scale, E minor scale.
5. Music intervals: Musicking tariff rules are
very important for music. Even more important
is understanding and being able to apply because I need to explain
this table to you. Note that we have
several numbers. These numbers are the formulas. Let's take an example. Major second, it's from
number one to number two. Use your turn from number
one to number three. Devo of four for number one. Number four. And so
one varies right? Now, the minor
intervals with this, you will fly in the
flats, minor second, 1-2. But following the formula, let's set a flat, though. We have from one
should a second flat. Let's check another example. Monitored. Ron, one to number three flat, diminished fifth,
front, number one, Chu flat five, and so on. Always following this logic.
6. Music intervals tricks on the fretboard: You already learned how to play music intervals and
your guitar, right? So the idea here is to give a few shortcuts to
memorize dispositions. So the first shortcut is you
can find a fifth interval. Your core, you're ready to
learn. Power courthouse. All right, so probably
fairly common chord in rock and you can play
like one in five. So this interval right here, disposition is my,
my fifth interval. So it's going to play nice. And 1.5 complete using the
average singletons, e.g. B, D, F sharp, 1.5, 1.5, and so on. You can do the same thing. You are strings also. So 135. And you can keep doing this and every single street, okay? The second shortcut
is to eat interval. So on. The same note, however, is a little bit higher, right? The sound sounds really high. So the same position. You also can play with
finger number three. Okay? However, you need to remember to downplay this string in
the middle. Alright? So it's trigonal, fine. And if you play everything
in string number six, like six m, del place for me number
five, and it goes to four. Okay. So the interval, my shortcut for you and make sure dirt is a
very important interval. E.g. one, an industry
number to six fret five. Major third is a string and number five brand
for major third. Vector. And same thing, waning. Year isn't being. He is indeed. I don t need to think, oh man, I need to learn all the
notes on the fretboard. You just need to remember
this kind of shortcut, okay? If you remember
these, you can play every single interval like this. So one entry, major
third, minor third, one in almost the same thing you want to make
here is that has, that has that before this can change your finger. It's going to be easy, right? So it's finger number 31. Can it is in adverts single key. Again. You can also go to
our other streaks. So string number 51, flattery. Okay, So remember this is
tougher, is very important. One major dirt on my dirt. Again, one major third interval. Born in mine, a mine, right? That's why when you
play a C major chord, you have this major interval
right here. Alright? So that was for you already learned and it's
easier to understand. She used as example. A minor second interval. Minor second tariff
is really easy. It's a half-step. I had your notes, so E-flat, more D-sharp, e.g. and so on. Can use this every single key as well and add the single
string to array. It's going to be much more easy. However major seconds, it's
going to be one step ahead. So F-sharp. Let's change our string. So you don't play this fact right here and play the next
one is a whole step ahead. Mls shortcut for you guys
is the fourth interval. So it's the same frack, however, in different strings. So Fred number five, string number six, fret
number five, number five. So one can do this same thing
you are the strings too. So being n, 1.4, same thing here, G
and C. All right, so what intervals
are very important? We've done, you can
play chords very quickly and improve
your improvisation. So you need to
practice this, okay? So choose a few intervals and tried to find
on your fret board, I have all the notes on the fretboard in the complimentary
material of discourse. So check the first-class
and download this image.
7. Major and minor chords: First of all, I'm
going to teach you how to understand all
of this corn parts. In theory, an x-bar is going
to be practicing, okay? So first of all, we have
E major scale, F-sharp, G-sharp, sorry, E, F sharp, G sharp, a, B, C-sharp, D-sharp. However, if I want to
do an E major chord, I'm going to take notes
number 13.5, just 13.5, 1.5. And now you have the three
nodes of E major chord. Next example. Let's think
about all the scale. Let me see a major. So imager a, B, C-sharp, D, E, F-sharp, G-sharp. The same thing. Take notes number 13.5
and you gonna have your Major chord
symbol like that. Let's do some Smiley face. Simple like that. Okay, my, how to do, how to do a
minor, a minor chord. It's the same thing. Latin C, a minor, E minor scale. I'm going to have a
minor chord, 13.5. However, now you're going
to have a C and E, okay? Just measure. Gonna be a major, C-sharp, E and minor C. Alright? Do you feel like that?
8. 7th chords theory: The most common station of the bass kick,
three nodes trial. A seven chord is built by
adding an extra node to a trie. Each is an interval of
seventh above the root node. If you build a triad on c, you will use Node C, E energy. If you add a ladder, wrote a seventh above C, then you have c, E, G, B. You have just created
basic seventh chord. This one is C major
seventh chord. There are five types
of seventh chord. The first one is a
major seventh chord. The second one Major
chord with minor seven. So major chord, C, E, G minor seven. You need to use mine
or scale, so B-flat. The next one is a minor
chord with a minor seventh. So it's 135 and a minor
seven of my minor scale. So C, E flat, G, B flat. The next one is a
half-diminished chord. It's a minor seventh chord, so C E-flat than
g, n, Of course, a B-flat, but I
have a flat five, so five, G, So put a
flat and G, So G flat. And the last one, you can write like
this is better. He's a diminish, a
fully diminished chord. So it's the same thing
as the, the record. So E, C, E-flat, G-flat, B flat, but you need to
put another flat in B, so Shu flats, okay? It's not so common to
find discard emails are just a few examples of
jazz and bossa nova.
10. Suspended chords: Says means suspended,
watch, we are suspending. Here is the third of the chord. So assist you wore a sus4 chord is essentially
accord with something else. Turn off the third,
which leads to it being less stable or not defined
as major or minor, does something else can be
the second or the fourth. Check a few chord shapes.
11. 9th chords: Nice car. First thing
you should do it, write down a major scale, tries. He was example a meter scale. As you know, to
play a major chord, you need to play 13.5. So leisure 41359 squared is 1357. And number nine, denial of cork. He's frequently
using styles, leg, funk, jazz and blues.
12. 11th chords: Hello, I'm of course, same
thing as ninth chords. First thing you should do, write down a major scale, tries. Example. A major scale. As you know, to play a
major core, you need 13.5. Now that of course is 1,357.11.
13. 13th chords: 13 is the same thing
as 9.11 scored. As you know, to play and
meet her car, you need 105. 13 squared is 1357. And number 13.
14. What is a diminished and half diminished: The difference between
a diminished chord that is the same as a full and the mean score in a half-diminished chord
lies in the seventh. Note. Both our base it
on a diminished triad. One flat, three,
flat five intervals. The half-diminished chord
has a minor seventh. Eat some minor seven
chord with a flat five. The diminished chord
hasn't diminished seventh. The minor seventh is again
decrease it by a semitone, and hence is equivalent to 60. All of the theoretical
approaches different. Now it's time to learn
a few guitar shapes.
15. Dominant chords: Dominant chord is a chord
that you're going to use when you want to
prepare to some other core, I have my target is
a major seven chord. And now I'm going to
use a dominant chord, preparing to finish
in this card. Okay, So what do you need to do? Just count 55 nodes, e.g. E, F, G, a, and B. Is it? So B7 chord, it's
a dominant chord. In measure seven. Always gonna be a major
chord with minor seven. Let's do another example. Now my dominant chord
is let me see blue. My targets. These are
scale is a major way, so it's a major, major, major seven chord. Okay? So let's
count it into five, a, B, C, D, E. All right, So you haven't
dominant chord to eight, you can have just a major
chord or a minor chord. It's not a problem, okay? But you need to keep Major
chord, a minor seven.
16. How to memorize more than 23 major and minor chords E shape: Now it's time to play every single major and a minor chords. In string number six, we're going to apply E
major, guitar shaped. So we already learned
how to play a major. You have two options you can
play with these fingers. Are these other fingers? In these examples, I prefer, if you play with these fingers, will be easier to understand. String number six, open string. Finger number three,
fret two, string five. Stringing number
four for at you. For the last one, finger number to string a
number of tree, fret, one. You can play everything
from this B string, the second string, and E string. The first string will
be opening as well. Did you hear is to thinking
E major every single time? So if I play E major right here and I want to go
a half step ahead, I'm going to have F major chord. However, we have a little
problem right here. My open streets. Okay? That's why I go to put my finger number
one. The next fret. We can hold average
single string will be a barrel core is the same thing if I
shrink like this. Ghost fret right here. Alright. One half step ahead. F-sharp, one step ahead. Zhi, and you can
keep doing this. So let's practice. E.g. if I want to play
at a major chord, stop the video right now and
try to find a major chord. Applying this E major technique, you should play exactly
the right notes. You're going to
find right here in the middle of your guitar. So let's count E major. One half step ahead. F major, F-sharp major, major, G-sharp major major. Another example, tract
fine, be major chord. So you're going to find B
major chord right here. Fret number seven. So E major, F-sharp major, G major, G-sharp major, a major sharp major. B major can do this step-by-step
in every single key. Last example, let's try to
find a C-sharp major chord. You can play exactly right here. Threaten number nine. So let's count E
major chord, F sharp, G sharp, a sharp, C sharp. Now it's time to
find a minor chord. So it's exactly the same idea. However, we found minor chord. You already know how
to play E minor. However, I usually like to
give you a little shortcut. Try to play with these
two fingers right here. We're going to be
easy to understand. So everything will be
open strings, right? However, finger number three, you need to play frack
number to string five and finger number four, fret to string a number four. So you can imagine a kind
of goes flat right here. I have step ahead. We're going to have F minor. However, we have a little
issue about open strings, so, so the score
would be F minor. Step ahead, F-sharp minor. And you can keep doing this. All right? To blame all the strings. Alright, so difficult
court for beginners. So let's try a few examples and see if you want to
send them really well. E minor chord, where can
I play a minor chord? You should play exactly
the right nodes who are going to
plate right here. Fret number five. So the minor, F minor, F-sharp minor, G minor, sharp minor,
E minor chord. Where can I play B minor chord? To play exactly the right notes are going to play right here. In fret number seven. So minor, F minor,
F-sharp minor, G minor, F sharp minor, E minor, F sharp minor, B minor. The last example,
let's try to find D sharp minor presentation will be a little bit difficult, but the idea is the same. Exactly the right notes you're
going to find right here. In front number 11 in the
end of your fretboard. So let's count E minor, F minor, F-sharp minor, G minor sharp minor, E minor, F sharp minor, B minor, C minor, C-sharp minor, D minor, and finally, D-sharp minor. Stretch applied this
technique in practice a lot, one or two weeks, you're probably
playing African type of major and minor chords.
17. How to memorize more than 23 major and minor chords very quickly (A shape): Now it's time to
find several chords applying a guitar shaped. What do you mean If that
if you play a major chord, you can read Preach
the same guitar shape. Step-by-step fretboard. So a major chord. I'm going to play string
a number of files. Open strain, finger number one, threat to drink for
seemed to number two, fret two, string, tree, and finger number three
for at shoestring YouTube. If it play one-half step ahead, I'm going to play a sharp major. However, have a little problem. My open string. So I need to change
this guitar shape. You can play like this. Same guitar shape wherever
we fingered 23.4, okay? With my finger number one, my suppose open string, okay? Now I have a sharp major. Applying the same guitar
shaped as a major. You can play a major
like this as well. However, they're going
to have an open string, you can imagine, goes
for at right here. Alright? So Amy, sure. A sharp major. One-half step ahead. Same thing. Be major, and you
can keep doing this. Alright, so let's practice. You already learned
a dark shade. Try to find D major, D major Reno here. However, applying the
idea of this egg shape, This video, and try to find, if you play exactly
the right notes, you're going to have HR, C, C-sharp, and
finally, D major. It's very important
to practice with me. So let's try another example. Find a C-sharp major
chord. Same idea here. Alright, so we need to
count is a string, number, five is a string count
until you find C-sharp. Pause this video, and
try to do this example. If you play correctly, the C-sharp major will be
infrared number, or a. A sharp, B, C, C-sharp major. You can play like this, or you can change your three
fingers and play like this. Same thing. Example. Tried to find
an F sharp major. You should play the
exactly the right notes. You're going to find right here. The end of my friend born
and bred number nine. Let's count. A sharp. Sharp, D sharp, F sharp major. I play, my cord begins. Infrared number nine. Number one will be the most
important thing. Alright. So let's do the same thing. However, minor
chords, you already know how to play a
minor chord, right? So the idea here is to use
the same step-by-step. However, we've had
minor chord, a minor. And imagine goes
fret right here, the end of my fret board, right? So I'm going to apply this guitar shape to
the other examples. If a minor is here, a sharp minor is right here. B minor, F step ahead, C minor, step ahead. C-sharp Minor. Can
keep doing it. So let's play the
same extra side. Stop this video right
now and try to find E minor chord playing
this guitar shape. If you play exactly
the right notes, you are going to
play right here. Number seven, E minor chord. So let's count B
minor, a sharp minor, B minor, C minor, sharp minor, D minor, D minor. Let's find C minor chord. Stop this video and
try to fight it. You should play
exactly the rhinos you're going to play right here. Fred, number three. A minor, a sharp minor, B minor, C minor. It's very important to
practice type of exercise, probably one or two weeks. They're going to be able
to play every kind of major and minor chord from
deep pulled fret board. Next example, D-sharp minor. Stop this video and play. Right now. You should play exactly the right notes you're going to find right here. D-sharp minor. Track number six. So a minor, a minor, B minor, C minor, C-sharp minor, D
minor, D sharp minor.
18. The most important chord progression (2 5 1): So now it's time to give
you a few examples of 2p5. One first example,
flying to the moon at grades 5.1 is 251 of your key. This example we can
find a 251 of C major, C major chord, Chu, D minor, and G major chord. So 251. In this example, he play
with seventh chord. So D minor seven, G chord, G7, and C
major seventh floor. Another example is
exactly like you, you probably are I listened, this song is a very
famous standard. In this example, you can
find here 251. This music. The key is C major. So chew, D minor seven, G, seven, N1, c. Okay? So it's like this. Bad, bad, bad, bad, bad, bad. But Gabriel don't want to. Jazz standards anymore. Gives me another example of 2p5 one or k you can find in ordinary men
by Ozzy Osbourne, it's a very nice
song you can find in the beginning of the song. So no more lonely
night, it's all. Are you? This music is in
E major, is going to play. The harmony in the end
of the song is to five. It's F-sharp minor and B major, and come back to E major. So that's bite. You get your majors
last D-sharp. See mine are sharp.
C sharp minor. B major. A major
major again, n phi. So F-sharp minor. And you count by 25. Every single style
works really well. It's kind of a shortcut. If you don't know how to play. It's a very nice shortcut. If you are a songwriter, knee and don't
know what to play, what chord to play.
19. Walking bass : Now it's time to
teach a very nice and his core progression
in jazz music, just to Brex, I'll
let a be the right. So check this out.
Very nice, isn't it? It's very easy. You want to play the
major seventh rise right here, right? It's the major seven here. My number chew or rag. So this corn is Brad
number five on a string. Number five, sharpe,
index finger, ring finger, Fred, number
seven on a string. Before we show our
middle finger, frat number six on a string number tree
and your pinky finger, number seven is
triggered or chew. So I'm going to explain the written part
after splenic cords. Okay, so that's the first chord. The second one is E-flat
diminished chord. So it's the same
theme played before. Just want single detail. We are going to change this
two fingers right here. So edX finger's going
to stringy number tree, okay, for at number five. And your middle finger, Fred, number six on a
string, number five. Okay, simple. The core number tree is a
major core refer me receptors. So G major seventh, alright? And I'm going to play
finger number one, breath number tree on a string, number six, and a
finger number tree. And for your ring finger, in it being finger on a string, a number for entry
into Fred number four. So your middle finger, breath number tree on
a string number two. Okay, got solid. And the last two
chords is a dirty 70, A7, dirty N7 Lander. Okay, so he's finger number one, threat number five on
a string number six, single number, chew
your middle finger. Breadth number five
on it's trigonal before your ring finger, fret number six on a
string, number tree. And your pinky
finger breath number seven is tree number two. This is a 730 to play seven flat 13 is just change
your pinky finger. Okay, So instead of
fret number seven, number six, simple like that. So let's remember the courts. D major seventh, flat,
diminished chord. G major seven. A seven dirty. A7, flat dirt. Simple like that. The written part
is very important. Before we begin
the written part, I need to give you a
very nice shortcut. Usually ingest you
have your bass notes, so you play with your thumb, finger and your core board that you play with this
three or four fingers. Okay? Today's example gonna
use just three fingers. Base, core. The core, base, core for core. Okay? So one more time. When I say core, core
in the last bar, chords and chord or K. So I blame all denotes, to get an artist drinks,
should gather, Miranda. So let's play very slowly. Chord, four chord, chord. And our time, little bit fast. Score, base car B's
Scored card and core. One more time. Okay? When you learn how to play
this type of thing, VR slowly, you can gain more speed, so okay. As you can see, this groove is very nice and
very chairs as well. Alright, So Brexit
is carefully because jazz is not an easy
style for beginners. Very difficult style
for beginners. Jazz was another
classical music. It's typeof styles
are very difficult. If you just bought a lottery arccos guitar
a few weeks ago, alright, so you
need to practice.
20. Bass moving: Now it's time to teach a
very nice chord progression in a jazz style, of course. However it does except
we're going to use B minor, okay, so as you can see,
sounds very nice. You have a walking
bass, seventh chords, and very, very nice jazz
approaching, right? So let's take a closer look. The first chord is B
minor seventh chord. So the number one fret number, chew on a string. Number five, your ring
finger fret number four on a string and a for of
course, it's a pre-recorded. So number one, frack number, chew on a string, number three as well. And we feel our middle finger breath number three on
a string. Number two. Alright, so I going to teach you to the courts and FAT child records are
going to explain the radio. This morning. You're going to play
C sharp node j has a very nice approach to
my D major seventh chord. Alright, so, so Dimitris have, of course, you're not going to play with your
finger number one, read number five on
a string or five. Your ring finger for number seven on a string, number
for middle finger, Fred, number six on a string, and number three in
your pinky finger. Breath number seven and
a string number two. After this core, and
you're going to play E, E-flat diminished chord. So just changed, use
two fingers right here. I'm going to marijuana
is going to fret number five on a
string number tree. And your middle finger, Fred, number six on a string or five. It's going to sound like this. Okay, so let's play this, the beginning fairly slowly. Next bar is bleachers, a node on a string number five. Sorry, play a note in the frack number five on
a string, number six, and G major 74. Alright, G-score, uh,
here are going to play with your finger number one for number three on a
string, number six, ring finger, fret number four
on a string number four, think finger Fred, number four on a string number of tree. And your middle finger, Fred, number three on a string
number two, right? So let's play one more time. Cease to be 34. After she made herself. You play G-sharp, G
as the base array, and play a minor seven in this chord
right here we are going, you're not going to use the
Common Core shaped discourse. They're going to play
just a number chew or at number five on
a string number six. And your ring finger fret number five on a string,
number two, okay. It's up to you, but if you want, you can play open string
number tree as well. Okay. Sounds good. So let's play
everything very slowly. 34 sounds very chassis, right? So let's talk about reader. You have base, corn. This approach is
very common shares. We're going to play the
bass Wishart dump finger. Okay. So thumb finger in court, We fingered number 12
entry one more time. Okay. Once again, as you can see, I play atrophy with Tom
Angkor Thom in court. So bays in my tree fingers. Okay. But it's important to
keep this approach it through the records as well. So let's play on my time. Base corn. The corn. Maize corn, they score base, base, base, base,
base, corn. The score. Okay. As you can see, edge
played a walking bass. I play bass and base tries. As you can see, my thumb
finger is going to play two y's when I have the
walking bass, right? This type of jazz
progressions not easy, especially if you
are a beginner, so it's important to practice.
Let's play on more time. 34.
21. How to improvise guitar licks like a boss: No, I have a personal
advice for you to create your own guitar licks. Does this approach with several students and
works very well. It's very easy to
understand and to memorize the most
important nodes. The idea here is to
take a key, e.g. a. Minor. I choose
this key because a minor is in the middle
of your fret board. And it is a very simple scale because we don't have
sharps, not even flats. Alright? The first thing is find a minor on your fretboard. So we're gonna be breaking
the pattern tile. We are going to place a
minor pattern pentatonic. Alright, so it's important
to memorize this batter. The three most important nodes. We aren't going to improvise
something or create a lake is the node
of your trade. So let's think about
a minor triad, 13.5 of Yara scale. Alright, so the approach
here is the first node and the last node of our
guitar lick will be one of those tree nodes,
e.g. let's begin. Hey, that's number one. We need to find a in this
bar of the fretboard. So in here, memorize this
will be very important. My first node will be the last node of Mike
Trout Lake VBA as well. The notes in the middle. It's not super
important right now, are being partly in the future, but it's not so important
right now, okay, you are a beginner, so let's think simple. However, I just have
one simple room. Denotes in the
middle, needs to be. Okay. You cannot play unknown outside your pattern, e.g. D-sharp. It's not gonna work. C-sharp is not gonna work
because it's not in my patcher. Alright, so the first node is a gonna begin
my leg right here. Choose to say, I could choose
this one or another one, but I want to choose this one. And the nodes in
the middle should be in my, in my guitar. The pattern in the
last note would be, I'm going to play
this one right here. So that's right. I have one guitar
like right here. Let's create another
one. I have another one. Let's create a
third guitar lick. So they're going
to change my end. No, I'm not going to play
this a gonna play this one. I'm going to begin
the lake right here and finish right here. So let's try. Sounds very nice. Another device for you guys. He's trying to sing something, just seeing something
before you play. E.g. and I don't know, maybe he can find those nodes
in your guitar pattern. Sounds very nice. So I improvise a little bit. But the most important thing is analyzed that my
first note is a, in my last node is a as well. Okay? This is a very easy
step-by-step to follow your why did I choose just one part of
your fret board? It's simple just to help
you to memorize nodes. Okay? So we're
memorize tree nodes. And now we're going to
do step number two. So the not the other node
that is very important in a, in a triad, It is the
number three of our triad. So in this example, C, we need to find c in this bar. So C is right here, here. And here. Usually you're going to find two or three times the
note on your fret board. The idea here is the same. Begin my guitar lick we've seen in the last
node can be c or a, right? In the middle. The unique role that we have is Palais the nodes
of your pattern. Okay, so let's begin right here. And I'm going to my
last note to be here. Okay? So sounds very nice. Another example,
gonna begin here. And my last node will
be right here, right? So C and C, if you're watching this video, is going to look
very easy to play. But remember, takes a lot of practice to do this type
of thing easily, right? So you should practice during two tree you in form of
this type of exercise. Not just wonky, but
several Water Keys. This is going to help you to develop your years, for sure. Memorize the notes
on the fretboard and create your own guitar legs, so it takes time. The last step is think in
our fifth of our a minor. That easy. But we have another
keynote right here. You have E right here and here. So I'm going to begin my leaky me finish my leg is correct. So another example,
beginning a and finishing. Not example, finish,
began in and finishing. Remember you can do this
kind of exercising, having a single key and we have several
types of patterns. You can play. The same EDF right here
with the second pattern. It can begin in a and finishing E are beginning a
and finishing, see. Right. So it's up to you. You just need to focus in
worn off those three nodes. Hey, every single part
of your guitar neck. But my advice for you, for your true beginner is
beginning just one single bar. Nephew, memorize this
bar of your fret board. You can change. All right. Now it's
time to practice. Practice, and practice. Let me know if you have any
doubts. Thank you so much.
22. Simple triads for better solos: Our Pedro and triads
are the same thing. From this tripling, any kind of RPG you need to know to try it. And try it is the
same thing in scored. So think with me, if you want to try it. E.g. a major triad, that's the same thing
as a medial cord. We need to play one tree
in five of our scale. Today we are going to learn our patient on a string number for tree in one measure
or pages, right? From these, the first shape
is threat number eight on a string number for
breadth number nine, you on a string number tree, eight on a string number two. Okay? So you have a major triad. This is C major triad, okay? Or see our patient. And if you want to play exactly the same or
beige or however, one step ahead is
just lay the same, get that pattern one step ahead. All right, so now you
have a D major RPG. Alright? If you want to measure, if Pedro's the same thing, one hold step, right? So in C major, if you want a larger type of
chords, you need to change. These are patient, but
if you keep this shape, you have all the major
triad herbaceous. Alright? So sure, E-flat, major, G-sharp, you're a flat
meter and someone, right? Very nice exercise is play the
chords of your scale, e.g. in C major scale, you have a chord, D minor chord, E minor
chord, and so on. Right? Then, now we have a few shoe
because we need to play major and minor chords, right? In the last core of our
Orozco is a diminished chord. So we have three type of
these herbaceous major, minor and diminished, right? We already learned how to
play measure patients. Now it's time to learn
minor, diminished. Minor or aphasia is the
same thing as measured. However, you need to change
one single node, right? So instead of play Fred number nine on a
string number tree, we play fret number eight
on a string number tree. Right there. You can play like this. Morphemes street 1 "
or play like this. One finger to nose, right? And this is C minor, D minor, just one whole stack array
in the same guitar shaped. E minor. One whole step in
same guitar shape. Okay, now it's time to
Blake diminish or pages. So it's the same thing as minor. However, you need to change one single note instead of
play Fred number eight. When a string number two, you play flat number seven. Alright, so like this or like this with
your pinky finger. In now we have the
three basic types of our patients, right? From this really older
patients offshore scale. In this example, we are
going to play in C meters. So C major, E minor, F, G major minor, and diminished or patient. You can play here as well. Okay? B, D, and F. Alright. It's very important to practice this type of exercise
in memorize, this type of pattern
is going to help a lot to improvise and
play guitar solos.
23. Fly me to the moon - chords: All right guys, let's start
with the chords. Okay? I'm going to teach you
the cords, the malady, and finally the finger style, just to give you all the
details to this song, right? And of course remember that chord melody is when you play the chords
and the melody. But sometimes you can chain
one finger mother, right? Can add your guitar leaks. A walking bass. Chord progressions set of clear, regular, choose five completed. We're altering nodes in one key. You can improvise a little bit of thinking that
you just needed to take 70 or 80 per cent of the song and copy
as the original one, the other, the other 20%, I think is nice when
you put something new, some melody is something
that is your signature. I'm going to draw
this step-by-step and please learn it
step-by-step and understand its function in taking this approach and
applying other songs. This lesson discourse
is not about how to memorize flying through the middle finger,
C9 chord melody. It's about learning how to play the song and understand
all the concepts. You can take this concept, take this knowledge,
and apply your sauce. Okay, Let's go. So let's start with
the course bark. So the first one is going to be a minor chord from
minor seventh chord. So everything in the
frat number five, second chord, the
minor seventh chord. So it's a bar chord. Yeah, you have a number of tree and your middle finger, right? I'm not going to explain
every single core because we've already learned
about this court's right. So print the
complimentary material and to memorize those courts, Katie are very
important to this Song, of Songs as well. So a minor seventh chord
in a dominant chord. And we have a trick right here. We have the same guitar shapes. So D minor seven, we play the fret number
three on string number six, we're going to have G7. Next score is gonna be
C major seventh chord. So see, gordon can see dominant
chord is just a search. You remove your finger
number Chu array. So middle finger and of course
transformed to bar chord. In this case, if you have
two samples to each card, so 1234, okay? Next one is going to
be F major seven. So right here in the fret, number one on a
string number six, okay, be careful with Discord. Next one is going to
be B half-diminished. So right here, finger number
one in the frack number two. Okay. Be careful with this
one as well because it's not so fast ray. And the last one is
going to be seven. So it's a very low cores, Not a problem at all. Just blade is in this type
of music, music style. We had a lot of
movements, shrinks. And the true next
score is going to be E minor seventh chord that has the same guitar shape, S E7. Bet they're going to play
in fret on a string, number five, instead
of me on the street, number six, E7 is blamed. Three, number five, with the same shape you're going to read your have a
different chord. Alright? Next one is going to be A7. So choose two fingers. This is bar is the same fee as did they want and
replay it right here. Minor G7. So it's 1234, right? Next one is going to be
the miner salmon run learned his score gray. Very easy. One,
B7 one more time. And we have, sorry, see me or seven, right? Next one, next Barbara
going to have three chords. So minor seventh chord in a flat or this type of farming is very common jazz
in Boston or her music. Instead of you play jazz. Five chord. So E minor seven, E7. We are going to
service to this A7 to eat or to E flat cake. You can repeat this
approach step-by-step in other parts of the song
as well, the rank. Be careful because this Corvette going to use the
pinky finger right here as 13. And a second one. Oh, sorry. Third Court. So a flat 13. We're going to move one fret. An escort. We can put this example in
the bar number nine in ten. So the minor seventh chord, instead of play G7, we
bleach entertainment. Flattered. That says, Well, let's listen. Fairness isn't it?
Sounded very Jesse. The next one is gonna
be D minor seven, G7 in meters and of God, we already learned
about scored zero. We have a Jew, five,
but a minor 25. So B half-diminished
and E7, right? Then we come back to
the top of the song. Repeats exactly the same thing, but instead of goes to the ending number one
that it was embarked 11, we're going show
anything number two, that is z bar 70. So we have E minor
seventh chord, A7. You can substitute to return, or a flat 13 is up to
you array D minor, G7. Same thing. You can
put G3 and flat 13, and finally, C major chord
to end the song, right? Xamarin, it is very
nice you play. And in my opinion, you
should play the chords before you play the melody and go to the finger
style lesson. Okay, so memorize these
courts in practice a lot.
24. Learning the melody: Let's learn the melody part. So we start right here, frack number five and
a string number three. This is the first bar. In my opinion. It's nice if you start with your
finger, number two. Okay. Because fingering marijuana,
use your pinky finger. Use just two fingers. Are just one finger you can
play with for one thing. It's going to sound really
weird and it's gonna be almost impossible to play finger style with
just one finger, so racks or four fingers. This is the first bar.
Let's play one more time. 34. Next part is gonna
be five-seven, one string number 45, and
foreign string number 3253. As you can see, I can play
with my pinky finger breadths. Or if this guy right here, next bar, bar number five, we have 535 finger once, Nikki, and you can
cut my fingers. It's going to be
easier for you or you can buy your own fingers. My in my opinion, this finger reports
very important. A barn over eight. So we have this tree in. I think it's nice to
play with dressing a number of 1.2 array. So F sharp distinct shops, very important because they're
going to eat seven, okay? The main character of
the court exports gonna be re, so f, c know the C major
seventh chord, C7 before this is before
skip this bar, right? Replay case. A very dissonant note
because we have a C7. So B flat, but the
score of the song, the original one is B. And he keeps going to the
next bar to play five KB. Careful because we're
going to skip one string, skip string number for a grade. Next one is going to be 4545. So if you prefer, you can use your pinky finger. But to this board,
I think better, at least to me to play with my finger
number three, right? So we have a pulse
in porch wealth. In Bart 13, we have five
treat the minor set of core. The next 2 bar, you're going to play
753 and to the right. Then we come back to the
top of the song, okay, until the bar number
11 start off, played baryon, but
111 more time. That is the first ending. We skipped the second ending. So bar number 17
is gonna be five for staff and dream, dream. All right, so the right and the last notes at
the end of the song is gonna be 353. I played a song and it was
in three strings, right? So three number 34.5. But you can play this version. And I think he's gonna be nice if you're planning a
higher version as well. Kings sort of start right here, completing your higher notes. So you're hired. See, I think it's gonna be
nice for you to practice. All right Guys, we're
going off course, memorize this melody and play with me, should gather, okay, but the lesson and played
a song with me to Brex, it's gonna be very
important for you to go to the next level
and to the next class.
25. Fingerstyle: Now it's time to learn
cornmeal, the real Carmella. I know we spent a lot of
time learning Armani chords, musical intervals, and
several other silver jackets. But these subjects
or fear important. If you skip all these lessons, this lesson right now is going
to be really hard for you. Really, really hard. That's why they are adolescents
are still important. But if you did your homework and learn
all the step-by-step, this class is gonna
be really easy. Now it's time to go to
the core malady lesson. And I need to explain one thing about chord melody and fingers
directs the same thing. When you play a chord, it's important to
put the note of the melody inside a chord K. And usually we put
in the highest note, not in the lowest nodes. So e.g. instead of plagiarize a minor seventh chord that we
learned a few lessons ago. We play a minor seventh chord. It doubt our pink fingers so
that our, our, our notes. So the highest, know it's gonna be number five on
a string or tree. So it's gonna be very important. It's like a recipe. You need to follow this
step-by-step. Okay? So remember, check the
cord and check the melody. It's important to note of
the melody inside the core. The highest bid,
not the lowest bit. Okay guys? So we're going to play this
chord in a, play the melody. Okay, until frack number five. Here we go to D
minor seven chord. In this case, my dean should
start with bar number two, but if not before right? It's not. A pulmonary
route is very common in finger style and
cotton mallet as well. Usually people play the
chord Barnum or chew array. So sounds very nice. It's a very nice approach. And we're going to use
the regular imagine just denote off the melody is F.
And if you check right here, denote for our D
minor seventh F note. So it's going to work perfectly. So let's play again. Sounds very nice. Right? Next part, 573, and
we have recess. Okay, Same thing right here. Our, our perfect fifth
with high-speed. Our note of the melody. Next part. We have a G, F, C major seventh
chord in C Santa, that is via important that dominant core to the next chord. So five to one. That is, okay. In this case, we remove
our professors as well. The melody is two in
the third of the chord. So most of the case, the manner of the song
is going to be in the third root or in the
perfect fifth of the chord. Most of the case. Let's go, let's go to the 0. We still have the
melody right here. So we have our B
half-diminished. That's going to work perfectly
the regular position. Noting the malady. So let's
play it one more time. We have a neo mallard right
here, right when you call it.
26. Chord melody : We have a neo
mallard right here, right when you cord, so you have to treat 2.7. C7 is very important. And it's important to put D, D sharp node in
the melody, right? That's why we don't plate. You might open strings. Next part to reach you. Open string in the mire, South Korea, I'm sorry, seventh chord, same shape. So one string down, we have A7 and we
have a base approach. So open streets, C-sharp, D-sharp, sorry, D
minor seven chord, this part right here, you
can improvise a little bit. You can add a walking bass, you can change a little bit
of the base of the song. You can add your armory, you can add your legs. You can your approach, in my opinion, I think is just necessary to copy what copy? I mean, following
exactly the song 75, 80% of the song, the other two, 8%, you can put your
signature, okay? So instead of play
that P node as base in D minor seventh chord, you can other base bikinis a minor seventh because
we have minor seven D, So it's going to work perfectly as well
cases up to you guys. And here, when we go to the, I wrote the decoder
part of the chord. You can play like this. Come like I wrote them as well
or just played the flute. Next part, we are going to Z0. But this is different. Bark or right here,
but we're going to put our finger in the next fret to transform these G-Major for us, for the melody chord. And in this bar I
add, I totally agree. We don't have this guitar
lake in the original song, but you can add as well. Remember, wireless talking about unique, weightier stuff's great. Your own legs, walking bass, core chains and
things like that. It's going to improve a lot. Your fingers tight chord melody. Next part is going to be E
minor seventh chord, a flat. We don't have Melody right here, so you just keep
playing a chord. Next one. D minor seventh chord, or the courts, you, G7. But with the melody in this course really
weird, isn't it? The melody sounds really
difficult to play. After this right here would
be the melody in a cake. So you need to have a very
nice bark core right here. We have C64 cake, so be careful with the spotless plumber that one more time. Okay, be careful with this one. The next record is,
are gonna be easy. So we already know B
half-diminished in E7. Can we come back to
the top after sung to the first ending,
sterile flavor firsthand. And we go to the
second handling, that is going to be E
minor seventh chord. We have a third and a
flat 13 bar 90 team, we have very different, right? I put this or here because
the note of the melody, cadence is a D minor chord, the minor seventh chord,
but the note of the melody, that's why I put the
CNN is music interval. It's up to you as well. Key. Remember, this
lesson discourse is about teach you how to
play Carmella finger style. I don't want you to copy all my fingers styling
chord melody, okay, I need to teach you all the step-by-step for you to create your own right and apply this technique in your
address songs as well. The next part is going to be G7, but with the melody in
C, That's right here. For number five. We have the melody in
d, C-Corps, right? So let's play all the 3 bar. Very nice, isn't it? So this is how I
play cord medulla. So I hope you enjoyed
this lesson and remember, you just need to keep following the rules that
I was talking about. If you have a core, keep the melody in the highest
note of the court, not in the lowest notes. You can add your guitar licks, had your core change,
your base approach, alright, not a problem at all, but keep at least 75, 80% of the song, okay? Just to keep the original sound, if you change the treatment is going to sound a little bit weird and practice a lot because this type of
techniques, not easy. Practice with me. Come
back to the beginning of the video and play with
me several times, okay. Until you you play correctly, the sock being dry
and now such cracks.
27. Final notes: This is the last
lesson of our course. I hope you enjoy all my lessons. Thank you so much.
See you. Bye-bye.
Gabriel Felix, Music Teacher
