Swatching Your Paints In A Colour Menu Recipe Book - Intro To Colour Theory | Sahra Raward | Skillshare

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Swatching Your Paints In A Colour Menu Recipe Book - Intro To Colour Theory

teacher avatar Sahra Raward, Professional Artist

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Intro Colour Menu Book For Artists

      1:53

    • 2.

      The Book I Use

      1:44

    • 3.

      Swatching watercolour paints

      2:23

    • 4.

      Swatching Pan sets

      2:17

    • 5.

      Swatching Pan Pallets

      2:10

    • 6.

      Swatching Other Supplies

      3:23

    • 7.

      Thank you for watching, I can’t wait to see your colour menu books come to life

      0:51

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About This Class

Practical tips on swatching out your paints and creating a treasured book of colours and colour theory.

In this hands-on class, you will explore the art and science of swatching and sampling colours in your own book. This course will guide you through the essential techniques for creating an organised, visual colour library.

You will learn how to effectively sample and catalog a range of colours within a book format. Students will gain practical skills in colour mixing, matching, and rendering, along with methods for documenting and organising colour swatches. I share my process of creating a colour book, giving students the tools to build a customised resource for future design projects or artistic endeavours.

Course Highlights:

  • Introduction to colour theory 
  • Techniques for mixing and blending various pigments, paints, inks, and dyes
  • Methods for creating accurate colour swatches
  • How to document and organise swatches for easy reference and future use
  • Best practices for testing colour durability, layering, and finishing
  • Tips for creating a personalised colour sample book that reflects your unique design style

By the end of the class, you'll have a complete, beautifully organised colour swatch book and the knowledge to continue experimenting with and using colour in your creative projects.

Meet Your Teacher

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Sahra Raward

Professional Artist

Teacher
Level: Beginner

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Transcripts

1. Intro Colour Menu Book For Artists: Hi, I'm Sara and I'm an artist. Today, I wanted to share with you my menu book and how I sample out any paints that I get and paints that I'm mixing when I'm trying to figure out color scheme for an artwork. So in this book, I'll begin to show you just the different colors, how I use it and why it's so important to do it and keep everything together so that you've got it there as an easy reference for when you want to quickly pick up your paints and paint something that you know exactly what colors you've got, how to mix them and it's all here in one book. These here are some samples of a palette that I have that I use regularly in my studio. I can easily pick up this and know exactly what color and we and the hue as well. Colors sit differently in the pan to when they actually come out of the pan and onto the paper. With using this, you can see exactly which color is where it also helps when you're refilling your pans with the paint as well. You know exactly the name and the paint pick up to fill back into your pan. Here's a few more samples of different ways that I swatch out colors, especially when I'm trying to work on a new artwork and decide what color to use. I can't wait to get into this with you and we'll go through my book and see exactly what I do and what colors. It's not just for watercolor paints that you will see that I swatch out my silk paints as well as acrylic paints in here as well. Let's get into it. 2. The Book I Use: Okay. This is my color menu book. It's a 300 DSM watercolor paper is what I like to swatch everything out on. It's just a student grade pad of paper, but it is 300 DSM. It does hold up nicely. You can see here. Um, watercolor paper, 300 GSM, A five size, which is 148.5 millimeters by 210 millimeters. It's also 50 sheets in this pad. So being 300 GSM, I can paint and swatch on both sides comfortably with the paper holding out beautifully. I do like to pop a bit of color on the front, and you'll also see I am very afraid of the first page. I don't know why. I didn't get used. Probably never will. But I'd like to take you for a short little tour. Through my watercolor book and let me explain to you how I mix my colors. There's a little bit of color theory, as well as a whole lot of information about something that I use in my studio probably every day that I pick up paperbushes and paint, and I'll use this as a reference probably nearly every day. So just a quick flick through. There's lots of swatching, which we'll go through in a little more detail for you. Anyway, these are some colors, so let's get into it. Yes. 3. Swatching watercolour paints: Right, oh. This is just some very basic color swatching that I've done. When I'm swatching something, I will use a side that is very highly pigmented, going out to something with a whole lot more water. These are watercolors that I've swatched here. This method can be used for anything. As you'll see later, some of the other paints that I swatch in here as well. Very careful to make notes when I swatch. So we've got Quin aquadoneRd that brand is Daniel Smith, and we've got Parole red. So just this gives me the fairly saturated color here and going out to a lot of water and just how it reacts with the water as well. Another one here with the pirate Bow roll red, beautiful colors here. Very quick to reference and easy to pick up. Here's another one more Daniel Smith colors, Quin aquedone Rose, nthweblue. Oh, that's an art spectrum one. So it's mixed up. And then I would say, Well, these two together, I've mixed here to give me a purply color and different shades, as well. So we've got hands yellow medium in the Daniel Smith, and then these mixed together, give me these out here. So these are also giving me an idea as to how it granulates as well, and which ones are going to granulate. I'm very careful to go back and make my notes as to exactly what I do need. Here's another sample, another sample of just some paints that I've got in tubes. So Oprah pink and TarloblueGreen shade, both Daniel Smith ones and the green gold as well as Sap Green, as well. And then mixing them together, bring them into the middle, giving you some ideas of how they mix together and more how it reacts with the water on top as well. 4. Swatching Pan sets: In this section, I'm going to give you an idea of what I do just watch out my pans of watercolor paints. So this is an etchapack that's a half pan set. I've squatched out every color, mixed it through with water in each thing. So I can then grab that pan set, and this will be exactly where I know it is. Turn to the right page and I know what paint I'm using where I'm picking them up. I've also done here the actual color that was the color coding that was on the little pans when I unwrapped them. And the name. So we have a PG 36, and it's called turquoise in the echa pan. This is a keratake yamsi tambi set. So I set it up exactly how it is in the pan, so I forgot the pan sitting right beside me. These are exactly where they are in the pan. I have named them again, their number, and cadnum scarlet, Cadnum red, green, sap green. It takes a bit of time, but it's also good to get to know your paints and what they are. And it just makes it so much easier to grab the right color when you are working and you need it. Okay. Here's another one. Oops. Y. These are my liquid watercolors that I've got. It's a range of liquid watercolors by paper mill, so I know exactly where I bought it from. I do love the gold and the silver in here. They're great for Christmas. Once again, these are just a drop of the actual liquid watercolor, and in some places, Yeah, so I've popped a little water beside it, so I can see just how it reacts. A little bit of mixing as well and quite detailed notes as to what I've done in the mixing. This makes it easier. And so much easier to go back. 5. Swatching Pan Pallets: Okay, moving on to some more swatching. This is another palette that I've got. It's a mixed palette I've named, again, every color is named Art Spectrum Daniel Smith, their color, their name and the brand, as well. This is just another palette that I use that I was filling up some pans out of my favorite colors to use. This is another palette that I use. I can't remember the brand of this one. I know the palette and there again, I do know the palette, but I can't remember the brand, but there again, notes, a lot of water, the straight color and a lot of water coming through as well. Okay. Then we go on to swatching individual colors, which is what I also like to do, especially when I get new paints. I'll swatch them out and just see how they work with each other, as well as the highly pigmented piece up on the top, walking through with lots of water. So we've got Daniel Smith cascade green, Daniel Smith Pains gray, and Daniel Smith Moon glow in there. And here's another one of some paints. They're right here, my Mary blue. So that one is the potters pink. Just this one here. Um, it looks like it's going to be very nicely granulated, this one. Give a cadmium red orange, is this one. And some hookers green. Just that one. It's very nice. Really happy I'm excited to use those as well. Then we'll come back and I'll show you the other end of my book, just some more samples and some samples of different paints, as well. 6. Swatching Other Supplies: Okay, so we've gone to the back of the book now, which is where I plan to do this watching of individual colors out of the tubes, straight out of the tube. And actually, that's the one. So straight out of the tube onto here. So I grab a little bit of oh a mi. A few more colors, a few more swatches. These also move nicely. I'm getting granulation and the watermarks show you some others. It's also nice to see how they work together and how they mix together as well. Quite a lot of pages. There we go. More again. Now, these colors I can actually reactivate off the page and use them in my artwork. It's not waste at all. It's quite a bit of quinaquidone red there, which I can use in an artwork at anytime that I feel like it. Now, just to show you that not everything is always watercolor and dyes, let me show you this is some silk paints that I have swatched out. I have also used a photo of the artwork, the artwork. That's the artwork that I painted on silk. I just took a quick photo and quick printed out copy of it, then these are the notes that I made of all my colors that I used, how I mix them together, the brands, and what I did. It's not just for, um, what colors or acrylics or even oils. Silk paints will do the same. There's more silk here. This is more detail of an artwork that I did gum leaves and blossoms. I can go back to the actual artwork and know the colors that I used. Some of the techniques are used as well and the mixtures definitely what I use for the background and the mixes as well with the dilutant and things like that. Lots of notes and lots of interesting things that I can go back and if I'm lost for a style or a technique, I can always go back to this book and see what I did in other artworks and see how they work together and if it's something that I need to use in the next artwork. So I hope you find this interesting. And I'd love to see your color menu book, if you start one, share it with us in the group chat. I would love to see what you do. It's just such a good place to keep all your colors and all your swatches all in one place together. So it's easy to grab. It sits on my studio desk, and I know where everything is at a glance. There we go. I hope you've found that interesting. I can't wait to see what you create. 7. Thank you for watching, I can’t wait to see your colour menu books come to life: So there you go. I hope that you've enjoyed it, and I hope that it has inspired you to pick up your own watercolor book. It doesn't have to be the same brand as mine. An book will do that you're comfortable putting your paints onto whether they be watercolor or acrylic or even dyes, whatever you use. Sample your colors out and I'd love to see them and I'd love to see what you share with us as to how you have used your color menu book. As you know, you can get me on all the social medias. I am at Sara Ray Wood Artist. Please share what you do, and you can also have a look at my website at some of the creations that I do. Until next time, thank you again for watching.