Tendances des couleurs d'été : Apprenez à mélanger des palettes de couleurs inspirantes dans l'aquarelle | Irina Trzaskos | Skillshare
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Tendances des couleurs d'été : Apprenez à mélanger des palettes de couleurs inspirantes dans l'aquarelle

teacher avatar Irina Trzaskos, Watercolor Artist & Illustrator

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Introduction

      0:57

    • 2.

      Fournitures

      2:42

    • 3.

      Histoire de couleurs d'été 1

      7:24

    • 4.

      Histoire de couleurs d'été 2

      7:20

    • 5.

      Histoire de couleurs d'été 3

      7:10

    • 6.

      Histoire de couleurs d'été 4

      8:26

    • 7.

      Sory couleur d'été 5

      8:50

    • 8.

      Merci !

      0:38

  • --
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Généré par la communauté

Le niveau est déterminé par l'opinion majoritaire des apprenants qui ont évalué ce cours. La recommandation de l'enseignant est affichée jusqu'à ce qu'au moins 5 réponses d'apprenants soient collectées.

154

apprenants

1

projet

About This Class

Dans ce cours, je suis tellement enthousiaste à l'idée de partager avec vous les tendances de couleurs pour les prochaines années et j'ai hâte de voir ce que vous allez créer avec eux !

Au cours de la classe, nous explorerons cinq histoires de couleurs d'été à la mode et je vous apprendrai à les mélanger dans l'aquarelle. Le mélange de couleurs est une excellente pratique, il forme vos yeux et vous fait plus familier avec les couleurs que vous avez dans vos palettes de peinture.

Si vous avez un ensemble de peinture différent de moi, créez une roue de couleurs avec vos propres peintures et essayez de correspondre aux couleurs aussi proches que vous le pouvez, Si vous utilisez d'autres supports n'hésitez pas à reproduire ces palettes de couleurs dans le support que vous utilisez.

Dans le projet et les ressources de la classe, vous trouverez des documents utiles.

Mélange de couleurs heureuses !

xo Irina.

Rencontrez votre enseignant·e

Teacher Profile Image

Irina Trzaskos

Watercolor Artist & Illustrator

Top Teacher

Hello, I'm Irina Trzaskos, a watercolor artist, illustrator, and educator passionate about capturing whimsy, beauty, and storytelling through vibrant, dreamy paintings. Originally from Moldova, a small and beautiful country in Eastern Europe, I now call Coventry, Connecticut home.

I've been painting and drawing since I can remember--so much so that as a child, I often found myself in trouble for sketching on anything I could find, from books and photo albums to furniture! That early passion never faded, and today, I bring my love for artistic storytelling and watercolor magic to students worldwide.

On Skillshare, I am teaching watercolor techniques that help artists of all levels create captivating illustrations, dreamy landscapes, and enchanting compositions infused with ... Voir le profil complet

Level: All Levels

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Transcripts

1. Introduction: [MUSIC] Hi, I'm Irina Trzaskos watercolor artist and illustrator. Welcome to my watercolor channel. Here you'll find a big collection of watercolor classes for beginners [MUSIC]. In today's class, I want to share with you some colored trends for this year and how to mix them in watercolor. All my classes are filmed in real time so you can follow along. If you're new to this channel welcome, and thank you for returning. Press the "Follow" button on top, and let's get started. [MUSIC] 2. Supplies: This is called mixing class, that's why we won't have too many supplies. However, you will need watercolor paper and I recommend you choose exactly the paper you use for your illustration. When I do color research I write on both scrapes of the paper I use for my illustrations, and when I'm happy with result, I'd add it to my color journal. You can see this little formulas here for every color story. These numbers mean the number in my color palette because my colors are all numbered by the factor which made it. If you want to make your own color journal, I highly recommend it because if you need a color story for an illustration, you just open the page and choose the right mood for your illustration and have all the formulas right there. Sometimes, I write the names of the colors too and sometimes I wouldn't. Obviously, we'll need the color paint. I'm using this color paint. Artistro color paint, I'm really happy with them, it's a nontoxic. These are the numbers I was talking about. Before using the paint, I usually spray it from spray model that's why it looks so wet. When it dries, it'll crack, but it doesn't matter, it doesn't affect the quality of watercolor. From these paint, I made my own color circle and I recommend you to do the same to better understand what colors you have and how to do so I'm showing in my color basics mixing. How to make your own color wheel, I'll show in my basics of color mixing class, and I highly recommend you to do your own color circle from the paints you have, because it's very useful. I also need the paint palette only the clean one. I'll be cleaning it after every color story. I recommend you to do the same. We'll need water. I'm using three jars to make sure my brush is always clean when I go into the paint. We'll get the brush any brush you like, paper towel, and if you're taking notes, you'll need a pen or a pencil. Let's get started. 3. Summer Color Story 1: [MUSIC] In this summery colored story we'll have following colors. First, you'll have a yellow and to get the right shade of yellow we want, we'll take some deep yellow [NOISE] and mix it with a drop of its complementary violet, which is Number 34 here. This is too much violet, make sure it's not too much of it. If you've got too much like me, just add some more yellow. This is deep yellow, Number 5, and violet. We get this sand, a beautiful yellow sand color. [NOISE] Let's wash the brush in, underneath. Again, I'll put the colors I used, it's a deep yellow [NOISE] and a drop of violet. [NOISE] The next color is a warm shade of red. For this red, we'll mix permanent red, which is Number 16 here, [NOISE] clean water, with flesh color. We get this beautiful orange-red. [NOISE] I have flesh, just a shade of orange in this palette and permanent red, which is a pretty cold red but mixed together with flesh it becomes warm and soft somehow. Now we need a pink and for that, we easily just add water to our previous mix, lots of water, and we get a beautiful pitch pink. This is our pink, like a sunset in summer. Here we have the same colors and here and water, I usually draw a drop. The next color, I want to mix a beautiful blue. We'll be using brilliant blue, which is Number 30 here and it's next to turquoise. Even though [inaudible] spray, my painted water, that's why they're so water. [NOISE] To this blue we'll add its complementary, which is orange as you know from color circle theory. We get this gray, purplish gray. [NOISE] Now I need to bring it back to blue but we'll bring it with cobalt blue. I have brilliant blue, orange, and cobalt blue in this mix. [NOISE] As a result we get a warm grayish-blue. [NOISE] We don't have this color in paint palette, so it's nice to know how to mix it, [NOISE] very summery. Here we have brilliant blue. [NOISE] We absorb excess of water so you can see better over here in case you're mixing it from different paints art. Then we have orange, just a little bit to turn this blue into a gray, and then we balance everything and bringing it back to blue, with cobalt blue, this one. [NOISE] Then we need a few more shades of blue and we'll mix them in different way. [NOISE] Again as basal have a cobalt blue, which is beautiful on its own, but because it's color mixing class, I'll show you a different shade besides what you have in the paint palette. To cobalt blue red a little bit of orange, not too much. Again, we get the beautiful warm gray. Now to this gray, you see this gray is totally different, we'll add some turquoise, which is Number 51. I added too much turquoise so our previous colors got lost, so let's add some more cobalt blue [NOISE] and orange. We get this beautiful green gray-blue color. [NOISE] Here we have cobalt blue, [NOISE] orange [NOISE], and turquoise. For the next color, we just need to add water to this shade and get a very light and beautiful blue. Just like we did with the pink above. This is our summer story. Here we added to this color some water. 4. Summer Color Story 2: [MUSIC] Next color we'll be mixing in this color study is a warm gray. To get it, we'll mix some brilliant blue with orange and water. Here is our brilliant blue. [inaudible] color orange. Let's add some more orange so it's warmer , a drop of blue. I need more orange in here. It takes a while sometimes to get the balance right, but I think we've got it now. First, we have this warm, beautiful gray made of two complementary colors, blue and orange. Here we used brilliant blue, which looks so much like ultramarine. If you don't have brilliant blue or you have different paint, just use ultramarine, which is almost in every paint palette. We use brilliant blue and orange. Next color we need is a warm, soft yellow and red. We'll use flash, which is a shade of orange. Add some lemon yellow. Add water and as a result, you get a soft, beautiful yellow. What if you don't have flash in your paint palette? Flash looks like some orange mixed with a little bit of white. If you have white watercolor or whitewash, you can replicate it from another orange you have making a drop of white treat and then mixing it with lemon yellow. So here we have flash and lemon yellow. Next, we need a soft beautiful pink. I discovered that in this pink palette, if we take brilliant red and mix it with water, that's exactly what we get, a beautiful soft pink which looks very nice with these other colors. So it's just the number 15 brilliant red and water. Water, I usually just drop a drop of water like that. Next color we need is a cold red so we'll use permanent red, which is cold red. We could just use that, but let's mix it into more complex color. Then we'll take cerise, which is number 22. Make it even colder like that [NOISE]. Now, because it's still cold, let's add some flash color change. Now it's too warm, so let's add some more permanent red at cerise. Yes, this is the color we want. You can see how beautiful it looks with the gray. Here we have three colors: permanent red, cerise, which looks like a very bright magenta and flash. Make that. Another color we need is some bright but warmer red, and we'll just mix flash with cerise. This is the color we get. There're different ways to mix the same hue. So if you don't have exactly these colors, don't get desperate and just make some experiment with your own paints and mix them from what you have. We have flash and cerise and now we need a green. For green, we'll take grass green, which is number 44. That's the classic green color and we'll mix it with light green. We get this complex, beautiful, almost sage green. Very nice. Again, if you need it darker or lighter, just add. If you need it lighter, add light green or water. Here we have grass green and light green. This is our Summer Color Story [MUSIC]. 5. Summer Color Story 3: [MUSIC] This color study feels very breezy and fresh to me, and I hope you'll enjoy it too. I really like it. First color we'll be mixing, is actually not mixing. Well, it's going to be a lemon yellow with water. [MUSIC] Just like this. [MUSIC] For my next color to this lemon yellow we'll be adding cobalt blue to get a very nice green. I'm adding some more paint, so it's not too watery. [NOISE] Kids are playing outside if you can hear them. Let's add some cobalt blue to this yellow. We get this beautiful green. This I'll have to leave this watery, but it could be. Here we have lemon yellow [NOISE] and cobalt blue. As a result, is a nice fresh green. Next, we need a turquoise blue color, so we'll be mixing light blue with light green. [MUSIC] Light blue is 28 when we spread out and light green is 35. Then we get this beautiful almost glowing turquoise. [NOISE] Here is light blue and light green. I think my [inaudible] is getting crooked but it's okay. Next, we need a hue blues in our palette, not as greenish as this one. Again, we'll be using cobalt blue. [MUSIC] To make it even bluer, we'll add some ultramarine to it, which is number 31 here. [MUSIC] We get this beautiful sky blue. [NOISE] Here we have cobalt blue [NOISE] and ultramarine. [NOISE] Next, I'll mix cobalt blue with some cerise, put another shade of blue. In this mix we'll have more cobalt blue, then cerise which is a magenta. [MUSIC] [NOISE] Now we get another shade of blue, which is a little more purplish than other blues we have. However, it works great with other colors in this palette as you see. We have cobalt blue and cerise. [MUSIC] [NOISE] For the next color, we need to have the same mix but with more magenta cerise. This is got in this paint then blue. This is maybe too much. Let's add a little bit more blue. This is beautiful. This is how to [inaudible] this lavender color and you can see how beautiful it works with all other colors. Nice and fresh. Here we have cobalt blue and cerise. Always put down the first color, which is dominant in the mix. If it's more cerise than cobalt blue, then it will stay first, and here we have first cobalt blue because we have more cobalt blue in this mix. The last color is a neutral color, which we also need in this mix. It's just brown ocher, which is number 60 with some water. This one is very easy so I'll take it straight from paint pad, mix it with water, add it here. However, ours should be lighter than this. [MUSIC] To balance all this freshness and brightness, we need at least one neutral. I picked the warm one to contrast the cold shades. Here is our [inaudible] and brown ocher. This is our another summer study. [MUSIC] 6. Summer Color Story 4: [MUSIC] This summer color story is almost tropical and it's very colorful and joyful. For the first color we need just to mix some flush with water so it's not much mixing here. If you don't have flush color just make some orange wave a little bit of white and if you don't have white watercolor just add a little bit of gouache. It's still water soluble. This is just flush with water. [MUSIC] Next is green color. For our green, we'll mix some blackish green with cobalt blue, which is number 49. [MUSIC] We've cobalt blue, which is 27. I get this lush at each color a little bit more blue. [MUSIC] You instantly can see how beautiful it is next to our orange. Again, if you'll use more water, it's going to be lighter and if you use more paint, it's going to be more opaque. You can use it both ways here. What we have is blackish green with a little bit of water so you can see over here. To me, it looks like classic green if we mix it with some indigo, that's probably the color we'd get, and cobalt blue. Next color we'll mix is purple and cherry sear and we'll get a very bright magenta, because those two are both bright and vibrant. Here's our cherry sear. However we want it more purplish, so we'll mix it with purple, and then this side this purple looks almost like watercolor ink. That bright, beautiful, let's add a little more cherry sear. Here we have a color. We have cherry sear, I hope I pronounce it right, and purple which is number 22. Next, we need a very bright yellow and we can use some deep yellow with a little bit of orange or we can just if you have a sample add check gamboge and just mix it with a little bit of water and you'll get your color. This is good to use for middle silver flower. However, you'll need to compliment it with its darker version. To get the darker version, we'll add to it a little bit of cherry sear. Let's mix some gamboge [MUSIC] with cherry sear and get almost this orange-red color so this is to add shadows to this. I'll put it here too. It could be a little thicker in the paint. Let's add some more paint to see the entire depth of this color. This is the right one. See looks almost like blood orange. I have a gamboge here. You could also use deep yellow and cherry sear. Next color we'll make it's warm red. We'll just mix some permanent red with some flush. [NOISE] [MUSIC] Make sure your brush is clean every time I'm going into the paints. That's why I have a few jars of water. [MUSIC] This is red which is permanent red with flush. Permanent red is a pretty cool shade of red like Carmen and flush looks like orange mixed with some white. Next, we need a soft pink, and for that we'll just add water to our previous mix. [MUSIC] It's this mix and water. [MUSIC] The last color we need is very light green and for that, we'll be using light green. However, it's too bright so to balance its brightness and make it harmonious and other colors we have, we'll add a drop of flush, just a teeny-tiny to neutralize its brightness. I did too much of flush orange so [inaudible] more light green. This is better. It's summertime kids are playing. I'm not sure if you can hear them, but that's fine. We have light green here, and a drop of flush. This is our tropical summer story. I hope you like it. [MUSIC] 7. Summer Color Sory 5: [MUSIC] This summer color study is great if you're going to paint a colorful summer bouquet or a composition for some berries and fruits. Because of how many colors here, which would work great for such illustration. First color we'll be mixing is a beautiful deep blue and to mix it we'll be using turquoise and I'll mix it with some ultramarine [NOISE] blue. [MUSIC] As a result, we get a very bright and vibrant blue. [NOISE] Here we have turquoise [NOISE] and I took a red and blue maxine and ultramarine. [NOISE] Our next color is soft violet but light than that so for that, we'll be using, more which looks like a violet mixed with white, maybe a little bit of magenta in it, that's how it looks. To neutralize it will be adding a drop of lemon yellow to it. [NOISE] It's softer and a little bit muted and I'll add water. [inaudible] too much water so let's try to replicate the mix of the paint so it's not so watery. More with a little bit of lemon yellow. Don't put too much lemon yellow because it will turn brownish. Here we have more of [NOISE] a drop of lemon yellow and water. Next color we need is a muted yellow. It's almost like Mellon. To get it, we'll be mixing kombucha color, orange and yellow, which I already have. Once again, we'll use a complimentary color. In this case, more of because we already used it to create the harmony and allowed to a drop of that chill-out kombucha yellow. I said it's out, we get this almost yellow ocher. We used kombucha. You could all have a tears deep yellow and the drop of morph. Next thing we need a very bright, beautiful, orange and for that we'll be using orange and we'll mix it with some lemon yellow should add it more vibrancy and light. [NOISE] [MUSIC] You see it looks like an apricot. Beautiful. [MUSIC] Here we have orange. When you paint fruits or barriers, feel free for the foliage to use like blue or this morph color. It doesn't have to be necessarily green if it's a foliage. It may look very interesting if you're painting apricots, for example, orange apricots with some blue leaves, it's going to be really really beautiful. Next we'll be mixing some greens for this composition. [NOISE] For this green will be mixing is a mix of three greens, which is the leaf green, [MUSIC] olive green, and peak green. Peak green is for it to chill so it's here. But it's too much peak green. Other greens got lost so let's add more leaf green, and more olive will eventually mix, [MUSIC] and the result we have this beautiful vibrant green. I have three greens here, leaf green, olive, and peak green. Beautiful complex green color as a result. Next, we need a darker green to complement the green we have. For that we'll take blackish green. The darkest of the greens we have in the palette and we'll mix it with some leaf green to make it a little softer because it's summer. A lot of water in this sum. Here we are. It's a softened blackish-green because we use blackish green and leaf green and you can see how nice these two look together. If you are painting a leaf with this color you can add shadows or veins with this color. We have blackish green and leaf green. Also wanted to add some vibrant color to this palette, so I just used teresa which is a bright magenta color, and just mixed it with water. You can see how it adds a lot to this palette. You can use a darker on some areas and lighter in others. This is simple, just number 22, to [inaudible] or magenta if you don't have it and water. Also we needed a neutral color in this palette. We'll be using as neutral Payne's gray, which is number 61. This one if you need something for branches or some neutral areas or some maybe needle summer flower, you can use a darker or lighter and you can see how beautiful it looks all the other colors in this color story. This is just Payne's gray, we added water to it, but you can use in dark too. This is our another summer color study. 8. Thank you!: Thank you for joining me in this class. I hope you had a chance to make some colors with me. If you liked the class, please leave a review about the project or project section of the class. If you are sharing your colors on Instagram, please tag me so I can see your beautiful artwork. I'll see you in the next class. Bye. [MUSIC]