Transcripts
1. Introduction: Hello, I'm Kelli. I'm an artist who loves
to illustrate things, make paintings, explore
different mediums. I especially loved sketchbooks. And in this class, we're going to be taken
the Stress out of sketching and just have
Fun with it together. We're going to complete a
spread in a sketchbook. And I'll take you along on the
ride from start to finish. From how I come up with
ideas to how I sketch, paint, colors, and experiment
2. Materials: What will you need
for this project? We'll be using mixed media. Something to draw on. Big sketchbook, tiny sketchbook. This is a sketchbook I made just like with some old paper. Or you can just draw on paper
if that's all you have. Now, I like a small sketch. I really liked using when
having something small was less intimidating and it takes
less time to fill up page. So that's benefit of using
a smaller sketchbook. Bigger sketchbook. Say you've been using a small sketchbook for awhile
and it's starting to feel like just too tight
and you don't have enough room to move around or to draw things at a larger scale and
get more details. That's a bigger sketchbook
is great for that. The next thing you're
going to need is whatever materials you want
to draw or paint with. So here are just some
colored pencils that are, these are actually
Prismacolor pencils. Also have these wax crayons
that I'll might use as well. If you're using paint, you'll need a palette. This one is a ceramic palette. You don't have that. You can just use some
scrap cardboard or a plate from the kitchen paint. I have some Gouache paint
that I enjoy using. So that's what we'll
be using today. Then you also need brushes. I have some medium size brushes, and I also have some
smaller brushes. Some smaller brushes. If I needed for using paint, you'll need something
to hold water. I like to use to water containers because the
first one I use first, so it gets dirty
and then this one, I'll dip my brush and after so it makes sure
it's nice and clean. Some napkin, paper towel to dry your
brush if you need it. Or clean up any message. And don't forget a pencil, whichever you prefer to use. If you don't like using
Pencils, you can use a pin
3. Coming up with Ideas and Getting Started: It can be hard to
come up with Ideas. Blank page or like just don't know what to do or too scared to start because you
don't want to mess it up. That's exactly why I
love sketchbooks because it's like low stakes, medium. It's like literally made
for making mistakes, for experimenting,
trying things out. A place to make ugly things. But ugly things can be pretty so it's really just
depends on who you are. There's a number of
ways to come up with ideas of what to draw or make, paint, create whatever
you wanna call it. Have like an itch in my head of something I want to try
out or explore more. Whether it's like
trying to figure out how to draw trees
in different ways. Or maybe I saw a picture
of a cat and like, Oh yeah, that'd be Fun
to paint some cute cats. Let's give it a go. Take a look around you
very thing in your room or in your space that you liked the look
of and want to draw. Or you have any interests or hobbies that you like a lot in, are interested in trying to draw or communicate a message. About. Third, drawing. I like to take
photographs of things and things I see things
I think are interesting. So today we'll be going through
my phone and picking out some in drawing those and using that as our
reference images. There are many, many, many ways to come up ideas. So if you're having
a tough time, I said just pick
something, try it out. If you don't like it. Something else in, try again and repeat until you have something you really,
really like doing. But anyway, there's a
point where you guys stop thinking about it
and you just got to do it
4. Sketchbooks: Show & Tell: Here are a couple
of my sketchbooks. I just wanted to share some
pages because they help you have Fun and play with
or without overthinking. Or like much stakes. Sometimes I can get
in my own head, everything I make
has to be perfect, and that's just not true. You can make mistakes. You can try things
and have them come out looking not as you intended. But yeah, the sketchbook
is a place I think we're you can just draw whatever you want and
just have Fun with it. This page was from photographs from a
weekend or so in my life. I saw chicken, I saw Frog, saw some flowers,
played some soccer. So I just looked at my phone, use those photos as references. Syndrome and my sketchbook. Now, on this page
of my sketchbook, I had just found some
old Art Supplies and then I was the deciding if
I wanted to keep it or not. So I just tried it out. It was some Colored Pencils, some like the standard
Crayola crayons in some watercolor pencils. So I just played
with them on here. That's another way you can
use your sketchbook is to test things or decide, do I liked this material? How does it mix with
other materials? You can see I use the same reference image on my phone to draw
both of these frogs, but they came out
completely different, looking based on the
colors I chose and the type of material. I used. Sort of choices in the composition of making
this one a circle. This one not making this just one color
versus a bunch of colors. First, given it a
nice happy smile, we're not including
that over here. It's a way to test things
out and see if you prefer doing something
one way over another. Alright, so this page
in my sketchbook, I actually source
the images from public domain sites that
you can find online where you're allowed to use the images for your own projects with no copyright issues. Please bug ones. I also sourced from there. This page. I actually was using
plants that were in my room or that a
mix of plants that I saw in my room or I
saw on the Internet. And I chose to simplify them in like
make them abstract and focus more on like shapes versus trying to draw
them super realistically. Keep in mind, if you're
referencing images, make sure you have the
right to use them. Be aware of copyright
laws so you don't get into any trouble.
5. Sketching: Going with the Flow: Okay, So the first
thing I'm going to do is just do some sketches
with the pencil. And I'm usually look
out my phone or my computer to use
the reference images. So now I'm just going
to sketch it out with the pencil lightly. And you can sort of simplify what you're
looking at until like general shapes and then
connect those shapes to make something more
complicated looking. So when I sketch, I usually just do
it pretty lightly. And if I mess up a
little bit, that's fine. I'll just like draw on top and try to see if I
can fix it a little more. And not everything
you draw is going to turn out exactly as you imagine. Sometimes you make ugly
things doesn't mean you're abed artists
just needs he made some you made
something that didn't turn out how
you wanted it to. You can try again another day. So let's see. I think I want to change my
ear position a little bit. Now what I'm doing this, I'm not trying to make it exact. I just want it to be somewhat resemble
what I'm trying to draw. I think sometimes a
little imperfection or if you mess up
proportion a little bit, it can add character
to your drawing. Because if you need something
to look photorealistic, why not just use the photograph? Fun of drawing is
that you can add your own sort of touch to it. So now, once I got like the rough large shapes and have like general proportions down, I'll go back over and
sort of redraw my lines, but with a little more
confidence in a bit darker. Now, I'm looking at
this, trying to see. It looks like I think his legs are crossed a little hard to
tell from a photograph, so I'm just gonna guess. But I think his
legs are crossed, something something
like that. Possibly. Not 100% sure. It's fine. Alright, I think that's
good enough for the sketch. Now, I'm going to work on another sketch
of something else. Alright, now I'm working on, but we'll see how this goes
because I don't have a super, a lot of experience
drawing boats. But we'll see what we can do. Now. I think this boat is
at a slight angle, but I'm just going to pretend I'm looking at it straight on. A little trick for proportions. If you can take a look at the base of the boat
of what you're looking at. It, they'd be like,
how many boats do I estimate would
be the size of the sale and then make the sale about let's say this is 1234. Roughly five more boats. I could do 12345. So that's one little trick I use to help me with my proportions. Now, if like in this little
bows are super detailed. So if there's a section
where I'm just like, really don't know what
the heck's going on. I'll just fudge it it pretend like I
know what's going on. And just like make
it up in my head. So let's see, I think
something's going like that. I think I see a couple of
Windows windows on here. Once you have the
general things in, that's when I usually
add some more details. And I don't mind if
I'm it's not perfect. Not what I'm not trying
to get perfection. I'm just trying to have Fun drawing and sort of
over perfecting things. Sort of loses the
for me personally, I start to lose a
little bit of the Fun. Got a boat in a cat. Because I could add little
more detail to the boat. I think I'm going to Let's go with it. Alright, next thing. Alright, now I'm going to try to draw this little
scooter I saw. I see that sort of
like at an angle. So I'm going to draw that angle. I know I have. Let's just run the
general scale. I think it's about that tall. Then coming up at this angle. I can see like handlebar
sort of section. I'm going to draw the wheel. I'm going to draw
the back wheel. So this is a little thing. I haven't. This shape above it
connects to that shape, which connects to this shape. Arcs. Then I have a seat connected. Here. You can see I'm drawing
the different planes like this is the top plane
that you sit on the side. This is the little front. If you can imagine it 3D. Write down a little handlebar, light, some sort of mirror. Everything I'm drawing is
just like circle, line. Like rectangles. Just a bunch of shapes
connected to other shapes. And basically
that's, you can draw anything by thinking
of it like that. What does this is the exhaust. I think that's what it's called. Don't quote me on that. Not a car person. Oh, and there's a little
basket back here. And I'm just drawing
basket cube. You can kinda mentioned
that's a basket. Yeah, I think that's
enough information. All right. Onto the next thing. Now I'm moving on
to the chicken. So I'm just going
to sketch the body. Then another shape for the tail, or imagined the
head would be beak. A little, wherever the
heck that thing is called Now I'm going to start
connecting these shapes to form. A chicken are lost
due to add the feet. So there's like
these two sections of feathers connected legs. And there's a link directly
behind the other leg. Then we have little feats
that stick out like this. Now, depending on
how much detail or how much you decide to stick with the
correct proportions. You can play with the style. And typically, if
you don't stick with the exact proportions
or you simplify a lot, things start to become
more simplified and abstract looking
or cartoonish, whatever you want to call it. Alright, let's add
some feathery Details. And I'm not making it exact. Just some rough ideas. Alright, it looks good to me. Now, I think I'm going to use the same reference and
draw this again and see what changing a few of the variables can
do to how it looks. All right, so I'm
just going to try again slightly different shapes. You can see this guy is
looking a bit different. This one, I tried to do a tad more realistic
in the proportions. Sort of the eyes farther from the beginning
is little smaller. The size a little
more simplified and round closer to big in a
more simplified shapes. So we'll try it
later when we add colors or paint or whatever
materials we want, will see how the color effects, how these guys turn out. Alright, let's try
drawing a flower. So I'm going to look
at my orchid photo I took and start drawing
in the big shapes. And usually flowers or plants. You can really mess up. The portions are
like doesn't have to be exact in majority
of the time, no one's going to
notice because flowers are like organic forms. Usually it comes out
looking all right. No matter if you
mess it up or not. I'm being real rough with this. I'm not sure exactly what's
connected to what here. I'm just going with
my best guess. Based on the shapes I'm seeing. These sort of connect. I think that looks good to me. Alright, so I think
I'm going to fill up this space with a little lizard. I took a photograph of Now this photo, he's kinda camouflaged into the background. So it's a little hard to see
exactly what it looks like. So I'm just going to use my imagination best
guest, figure it out. I want to make sure
it fits in here. If I draws head by itself, it might make it too
big that he falls off the page on accident. So I'm going to start by drawing the line from the
nose to the back of the tail. Then Base everything, all the proportions
off of that line. So the tail, it goes
in this wave form. Then the head
started, hopefully. Then sort of here's where
one of the legs are. Then think this is about
where's other legs are. Going to say it's about this. Wine. Make us till little longer. There's a bunch of
lines going on here, so I'm gonna erase some so
that I don't get confused. This is sort of the middle
of his back up here. This is where his leg comes out. Something like that. These weird long don't know
exactly what they look like. So we're just gonna
make that up. Sort of combined them
to look like that. Then on the other side. Same thing but just
different angle. Up here. Next arm. Oh, this one's more. Handshape. 1234. Feel like yes, 123 for I
think he has five fingers. 12345. Unsure. So we're just going to leave it looking like that
because I don't know. Then I think I only
see like the top of his shoulder over there. Alright, now let's
work on his face. Let's simplified version of him. I don't feel like drawing
all those little detail, so we're going to
leave it there. I feel like here I
can add something. So I think I'll try. I think we'll draw another
orchid in this spot, but slightly smaller scale. So I did the same orchid but picked one that's at a
slightly different angle. So you can see how it's
skewed a bit and you can see it the better tell where
there's like dementia. And I guess because you can
see the underside of things. Alright?
6. Painting: A Simple Base Layer: So now I'm going to get started
with some Gouache paint. And you can, this is the
palette I'm going to use. You can see I have some
old paint on here. And that's because Gouache can
be reactivated with water, even if it drives, which is pretty cool. Or if you want to like
very thick and painterly without having to
mix in water and wait for it to get wet again, you can just use tubes
to squeeze out paint, just like you would
with like acrylic. I'm going to start
with this brush, which is a filbert brush. I'm just going to dip
it in some water. And we're going to, I think I'll start with this and see add some
water until paint. Real ethical gets all wet. And I'm just going to paint
a Base Layer on this cat. Now, the more
liquidy your water, the less solid the
paint is gonna be. You can kind of push it
around with your brush. You can play with sort of how the ink dispersed in the water. If you layer on top, it'll keep getting darker. And if you don't want
any weird blotches, you kinda have to just push it around with the brush
until it evens out. And we'll let that dry. Now, I recommend if you're painting to start
on the left side of your sketchbook and do all the painting
you want on there. And then move on to
the right side so that you don't have to worry about while you're painting on the right side
of your sketchbook. The left side is drawing. You don't have to worry
about getting your hand in the drawing paint. And I suppose if you're
painting with their left hand, you would do the opposite. But I'm right-handed,
so that's how I do it. I'm going to switch paint now. And usually when I
clean my brushes, I have a dirty water
container in a clean one. Can usually I'll wash
first in the dirty one, then rinse and clean one, and then dry it off if I need. And that's how I do it. And you'll notice a difference. Once you paint a bunch. This one get really murky. But you'll want to have to
change out your water as fast because you can rinse
it in this one which is cleaner for the boat. I'm going to play
with thicker paint. So I'm just going to open this. If I can squeeze it
out somewhere. Next. Looks a little
darker than I want. So I'm gonna mix it with white. I'll just add a tiny
bit of water to my brush and then mix these together until I get the sort
of color I'm looking for. Okay. So I think I'm going to paint the bottom of the
boat this light blue. You can see how much thicker and opaque
that goes on there. Now if you run out of
paint on the tip of your brush, just refill it Think your brushes too thick, too big for what
you're working on. Switch to a smaller brush. I think I'll try a slightly smaller brush to
get these thinner lines. I'm just going to take
the paint off this one. If you think you're going to
use this again real soon, just let it sit. Get a smaller brush. If you think you're
won't use this sun, wash it out so it doesn't
dry on your brush. Alright, so now I'm going
to do these thinner lines. It's much easier than before. Now, this is starting to
depart from our reference. But that's okay because
I think it's cool when some somethings like
half from a reference, half from your imagination, and you can sort of change
it to be whatever you want. I think I'm going to add
the what is it called? The railing. Now, you need a thinner
brush switch again. I'm going to wash this out. In trial thinner brush. I'm going to try to do the rope. Let's try this one
out. It's pretty tiny. I think I'm gonna go
back to the bigger brush in paint on the other
side of my Spread. So I'm just painting in
the shapes on this flower. Even though my
reference is white. I don't care that much. Because I've just feel
like painting it blue. So painted blue. Just painting in
all these shapes. Mixing a tiny bit of white, whatever color you're using can make it a shade
lighter so that the petals don't blend in too easily into each other and you can
tell them apart a bit. If you feel like you're paint is not going on as
smooth as you want. Try adding a tiny bit of water. Help it glide a bit. I switched brushes
and edit a bit more white to paint this
tinier section. Now I'm going to
paint the top of the boat a greenish
color or the sale, I guess, and slowly fill in paint the base layers of all these other things
on the sketchbook. Whatever colors I feel like. Just reactivating this
green I've already used just going to put a
light layer over the sale I'm really liking this color, so I think I'll paint the
other orchid this color. I think I'll just do it. Wash over the whole thing. I can still see my Pencils. So later when we add in
color pencil or crayon, we can go developed
some of the details. But since this has, we've mixed good amount
of water with the paint, you can still see the
pencil underneath it, which we can use
as a guide later. All right, Here is the
reference I'm looking at. And to get this teal color, I'm going to mix the
blue and green I'm using together and see if we
can get something similar. A bit of green in here
that I didn't want. So I'm just going to wipe
it out as much as I can. Move it over here. It's not an exact color. I think we need less
green, more blue, and a bit of Wyatt,
but I'm happy with it. So I'm just gonna keep using it. And we're just going
to lay the color on the general blue sections
or teal I'm in that we see in the reference paint around any other colors
that are probably there. Like the whites. I think that's all the
blue I see in there. Now, for the black areas, I think I'll activate a dark
blue and see how that looks. The wheel. Funny, we'll, this is super what cell. So I think I'll take a break here and work on the other
side while that dries. So I don't risk the to what
paint bleeding together. So this looks like a Fun
Colored to use for the Lizard. So we'll try this out. And it's just yellow mixed with a tiny bit of blue or green. This rooster can, the colors can be divided into main sections, which based on a reference is
this yellowy feathers here, these dark brown feathers here. The blue of the tail, the red of this thing and
Magick around the face. Then there's another
bluish color for the beak, and then yellowy
color for the legs. So those are my main
color block sections. I'm thinking about when I'm
filling in the two chickens. And I might change the colors
depending on what I'd like. Instead of red, I might
use pink or orange. Instead of yellow. I might use this more
highlighter, green. Just to play with the colors and see what happens when you combine different colors
and just have Fun with it. I'm simplifying this guy's
overall color palette by instead of making like through these
sections the same, instead of different colors. And I'm choosing not
to make this part red. Just for an experiment, I think I might make it either pink or this yellowy color. I made the lizard. I kinda went out of the lines, but that's alright,
will just adjust. Not too worried about keeping
things perfect over here. Now you can also Layer paint
on top of other colors. You can see how layering this pink color on
top of the orange. You can see the orange a bit underneath it compared to here. And the whole things
a bit more opaque. So feel free to play
with that as well. I'm changing my brush depending
on the size I need it. So I just switched
to a bigger brush to paint in this larger area. You don't have to do that, but it can if you want, because first of all, be quicker and you'll have
less little tiny strokes. I'm just roughly Pentagon
where I went before. Alright, so I think I'll work
on the dark feathers now. This is the blue
we used earlier. I just didn't mix as
much white into it. So let's see how this works. And you can play with changing the direction
of your brush, the angle of your brush to get different strokes are
different shapes that fit. Looks pretty good. I think I'm going to change
the color tiny minute for the tail in the nose
perhaps by adding wife. All right, we'll try to
get this small spot with this brush by putting
it at an angle. Turned out pretty cool. I think I'll use this lighter
blue for this chicken. Now. Now that this green has dried, I'm gonna go in and fill all the dark areas with
this sort of blue color. You can go over Layer
paint in areas you want. Some more definition. Is a little bit of the
light blue for the mirrors. And sort of the interior of the wheels can even use it. Some of these like
gray white areas. That looks good to me. Alright, so now
I'm going to take a break and let this paint dry, and we'll come back later with pencils and crayons to
add a bit more detail. If you feel like it, you can play with layering more paint on certain
parts of your sketches. If you want to play
with that before we get into the
Pencils and stuff. So I'll see you there.
7. Drawing: Adding Imperfect Details: Now that we let our paint dry, we're going to start
layering on top with dry materials like
the Colored Pencils. These are Prisma colors
or wax crayons like this. If you don't have these
specific materials, any sort of colored pencil you have or CRAN you
have would work. If you don't have that. Just try layering paint on
top of the pink. But I'll be using these. I'm going to start
off with the scooter. I'm going to try to add some more definition in
detail by using this black. Later we'll try using
the wax crayons. Wax crayons are thicker, so it's gonna be a little
less refined or less sharp. This is going to
be more detailed because you can get it
tinier and more precise. So this is less precise
and more texts tree. So let's start with the pencil. I'm just going to start with making some lines in
places I think could stand out more like the light
and the shape of the tire. Can definitely add some lines to show the rearview mirrors. I don't know exactly how
this is going to turn out, so I'm just playing
around with it. So any of the areas I think I want to try to add a
little more definition. I'm just adding some lines. Or even if I want to add
some more details like different shapes that I did
was enabled to complete. So I could draw
these little shapes. More definition in the wheel. And I could even choose to color in whole areas that I think will look better
as this color I'm using. I could color it
all in like this. So this could come out
looking horribly wrong. But I don't know until I try. So we're just going to try it. I can always try drawing this again if I'm not happy with it. So let's work on this back. We think there's some area of shadow on this little thing. Then I can add more
definition to. We'll make sure we can see this little light. Alright, now I'm
drawing the basket. There's some bigger. So we're metal pieces I
didn't include earlier. Add in there. Then I can use the tip
of my brush to draw the, the lighter wire. So there's this
sort of rectangle. You don't have to draw
exactly on top of your guide. Just use, you can, if you realize your
pencil sketches off, you can just use the colored pencil where
you think it should go. So you don't have to
trace it exactly. I'm just going to fill in these roughly doesn't
have to be exact. Because I think a
little imperfection at some character
to the drawing. Alright, that's looking cool. Let's see what happens. If we layer on top of the green. Let's pick out a color. Sometimes drawing
lighter colors over darker colors don't
show up super well, but we'll give this a go and see how it works
out and see if we can sharpen up the sharpen and brighten up the
green area of the bike. If you notice. Areas where there's like
more of a highlight, you can focus on them,
making those brighter Or if there's areas of
paint that didn't get in completely can just color it up. And sort of pretty
seeing how the pencil and the paint layer. I think that's enough
detail for me. So I'm gonna stop there on the scooter and our bike,
whatever you want to call it. And I'm going to move on to the other little underpinning
sort of type things. We've got Started. Let's see what happens
when we take these, which are bit thicker, like I said before, to work on the orchid. So let's try a green and
see what that looks like. To add more detail, I'm just going to
add some definition to where the petals overlap. You can try rotating
your CRAN to get the best point. I think. See what happens if
I use different one. I'm going to color in some of these areas that are yellow and my reference finished
up these outlines. Now, you can also
combine Pencils. So let's see if I
have a green pencil. If I want to sharper. So here, I want these lines
to be a bit different. Can do that. So just by adding
a couple of lines and coloring in a
tiny bit of color, we added a lot of detail to the orchid that makes it a
little more recognizable. It's not exact representation, but It's close enough that people can
understand what it is. Let's layer onto this guy. So I think I'm going to draw in his little white dot and a
little line for the beak. And I'm just gonna give lines or I think
it could be helpful. Now let's see if
we add green onto the tail to help show off
some of those feathers. Now we can also sort of take a lighter color and
draw on top of that green to smooth it
out in blended. Now, let's see. I think I'll take a sort of this light orange in
color on top of the yellow. Maybe take a pink, go over the face. What happens if we do
that line with the green? I can also add some
texture and shadow. See what doing. A lighter orange over the blue. You can use line to
add some information Sort of putting this
for some darker colors are just playing around. Can even add sort of imaginary
shadow to the ground. What happens if we outline it? Sometimes this goes bad,
sometimes it works. It's kinda cool. I don't got chicken. Work on the lizard. So I'm going to, for this one, I'm going to
keep things pretty simple. Just use this green color
and see what I can do. Using a bigger brush or a
bigger like Drawing material. Keep to a loose because you
can't get as tight Details. Also makes your drawing
look a bit more loose. Take this yellow and see if I
can give it a little extra. I can barely see it. Never mind. Let's take this and see if we can give
it a little shadow. Extra dimension. Alright, let's see what
Colored Women use here. I'll just see what
happens when we use, sort of think I'm gonna a little darker
than I want. Let's try. I'm just going to color over
the pedal that's behind the other to make
it a bit darker, so it feels like
it's falling behind. I think I need to use this
because that's already there. It can't go back. So
I'll just color on top. Color and this one
with this blue. Now let's find another blue
color in the other one. Sort of gives it a
bit of dimension. With the different
shades of blue. You don't have to
refine it all the way. So I just stopped when I feel like I liked the way it looks, I think it's good enough. So that's when I stop. Alright, we got two more to do. I've been saving this guy for awhile because as nervous to do him because cats can be hard. So I don't think I'm gonna do
all his textures and stuff. I think I'm just going to add some line work to add
some sort of information. Some lines to represent
the eyes, nose, mouth, ears. Like that. Sort of what the
ears are going on. With scourged So these lines I'm adding sir, to show help show
inflammation of like what's on top of what this leg is. This is like sort
of a shadow on top of the land underneath. Since this leg
pops on top there. Sort of go like that. You can just use some
lines to show little toes. And say we want, I want the cat Colored to
be a little more solid. So let's see if there's
a color in here. I'm going to go for this teal. I'm going to see what it
looks like if I color on top here, that's kinda cool. I think I'm just
going to color over everything to make it
a little more dark. If you change the direction of your pencil to match the direction of
whatever you're drawing. The body is going this way. So I'm drawing this way and
then puts going this way. So I'm drawing this way. I think that adds some extra information in
like sort of movement. So I loved, I didn't color
in the insides of the year. So that shortest shows this is the outside nuts
inside just by having color a little
bit different. All right. Last but not least, let's work on this boat. So I kinda like how
simple this is. So I'm not going to add a lot. But I'll work on sort of making sure some of
the details are added. Color in these. This is supposed to be railing. This is exactly correct. Most likely not. But I think people
can guess that it's about it can add some little waves. Show It's boot. Alright, there we got it. We're done.
8. Next Steps: We did it. We finished
our sketchbook spread. I would love for you to upload your spread
when you're done and edit to the class
projects so we can all share what we're working on. Very excited to see those. I really appreciate you
guys taking my class. Thank you so much. And hopefully I'll see
you in the next one. And if you're not done, but I'm done, you
can keep going. You can keep layering. Tried doing paint on top of the dry materials and then
layering on top of that. The combinations are in
lists on how you can use these materials and
there's no wrong answer. You can stay in touch with me. I have a newsletter
called Art Notes, and I also make YouTube
videos at studiofunshop. Just visit my website
on my profile page. Alright, bye
Studio Funshop, Artist • Illustrator • Painter • Teacher
