Transcripts
1. Introduction: Hi everyone. I'm
Sharon from Atlanta. I've been an artist
for most of my life, painting a wide variety of subject matter and in
different mediums. I've sold paintings, taken on portraits and pet
portrait commissions, and have won awards
in art competitions. Right now, my medium of
choice is watercolor. I also have fun with calligraphy
and brush lettering, which I incorporate with some
of my watercolor paintings. Today I'm excited to share some simple
watercolor techniques as a way to relax and have fun. This class is about
learning to paint in watercolor in a loose
and abstract way. We'll experiment with a few different watercolor techniques that
let the water and paint do most of the work by itself with very little
manipulation from us. Very little supplies
are needed and a detailed list
will be provided. I will demonstrate that
with an inexpensive set of watercolor paints along
with some watercolor paper, a few brushes, you can
achieve beautiful results. This class is ideal for those
just learning watercolor, but also for those with
experience that maybe want to learn a more abstract and painterly approach
to watercolor. By the end of this class, you will have created two small expressive
watercolor paintings. In addition to displaying
them on their own, I'll provide a quick demo. I'm making them into
a greeting card. I love to paint
anything botanical from realistic to slightly
loose and abstract. I find the loose and
abstract approaches a bit more relaxing. Above all else, what
I hope you achieve from this class is a skill that can provide many hours
of relaxation and enjoyment. Now that you know
a little bit more about me and the class, let's see what
we'll be creating. As I mentioned before, by the end of the class, we'll have created two small, beautiful, expressive
watercolors. They can be displayed on their own or with a few
additional steps, you can turn them
into greeting cards. Let's get started by
gathering our supplies.
2. Supplies: Keep in mind there is a
supply list provided for you. You see in this picture a
plastic and metal ruler, a 2B pencil, a kneaded eraser, a
plastic triangle, which is optional, three pieces of foam board, two cut out to accommodate
the project watercolor paper, and one cut out to
accommodate the six by nine watercolor
paper for practice. Also, a roll of painter's tape, an X-Acto knife, and a cutting surface. This is a self-healing
cutting mat. If you don't have a
self-healing cutting mat, a thick piece of
mat board will do. Be sure to have pure cotton, 140-pound cold-pressed
watercolor paper. I like this six by nine
size for small projects. I'm using an inexpensive set of watercolor paints by Prang. In addition to the paints, you'll need a few different
sizes of watercolor brushes. You'll need two
containers for water, one for dirty water, one for clean water,
an old towel, plenty of paper towels, and a couple Gelly Roll pens. These supplies are
optional and depend on how you choose to
display your projects. There are fun way to display your small works of art
without framing them. If you choose to make
the greeting card, you'll need some
double-sided tape or Elmer's craft
bond permanent tape, a rubber stamp, and an ink pad. Or you certainly could choose to write the greeting yourself, which makes it even
more personal.
3. Cutting the Paper to Size: The first thing that
we'll have to do is cut our watercolor
paper to size. Putting it in a
landscape position, we'll be simply
cutting it in half. Placing a mark at 4.5 inches, you will be able to get two watercolor projects
out of this size paper. Next, we measure out the square, that will be our painting. It'll measure four-by-four and have a quarter-inch
border around it. Always save your scraps of watercolor paper
for testing colors.
4. Preparing Your Paper: This is a cut out
piece of foam board. It's stiff and it's lightweight. It's a hard, rigid
surface that won't bend. Once our watercolor paper
is taped to the surface, it will keep our
watercolor paper from buckling when we wet it. Make sure you cut out your foam board to
accommodate the one inch painters tape around the borders of the
watercolor paper. Try as best you can to tape evenly along the lines
that you've created. Prep at least two pieces of watercolor paper
for your projects.
5. Watercolor Bleeds and Brush Strokes: Tape down a piece of the bee watercolor paper
to the foam board. Wet the white paint and a few other colors
that you would like to experiment with. Using the large flat wash brush, wet your paper with clean water. You can wet the paper
entirely or leave a section dry to experiment
with your paints on. I'll be using blue and
purple for this wash. When applying a wash, it's best to work
fairly quickly so the colors blend evenly. The white paint has
dried a bit here so I need to add
some more water. This is what is called
a wet-on-wet technique, we are applying paint
to a wet surface. When your brush is fully
loaded with pigment and water, you'll notice that
you'll get more of a watercolor bleed or spread. Here my brush is
fully loaded with water and pigment so you'll
notice how it spreads. As I dub some of the paint off, you'll notice the
less bleed I get. Experiment with some
of the other colors. While the white
paint is still wet, I'm just going to tap
in the middle with this red paint to
see what happens. I'll start to experiment
with some brushstrokes that might resemble
blades of grass. The paper here in this area
has started to dry a bit. Wetting this section
here a bit more. Practicing a few brushstrokes
with the small brush. While the paper is still wet, practice some more
brushstrokes with other colors and see
how the colors blend. Here, the redhead bled out a little bit and I want
to see what happens when I come back with some white and put it
around the red center. In this dry area, practice some brushstrokes with your small brush in leaf shapes. Simply just placing it down
on the paper on its side, produces what looks like a leaf. You can see that
placing your brush down in a certain way and
in a certain direction leaves a specific shape
like here you have the points and here it's
like around into the leaf. If you want the same leaf
on each side of the stem, then you'll have to lay your brush the same
way on each side. I strongly encourage
you to practice on a few more sheets of the
bee watercolor paper. Get to know the strokes and
shapes your brushes can make before moving on to
creating your projects.
6. Beginning Project One: Get all your supplies ready
to begin the projects. Don't forget plenty
of paper towels and a few scraps of the watercolor paper to
test your paints on. I'm using this
plastic pipette to get the water onto my
watercolor paints. You can simply use one of your watercolor brushes
to do the same thing. Just making a nice soupy mix
of my watercolor paints. Using this part of
the paint palette to mix up some colors and make some puddles of paint so that they're ready for me to use. After I have all
my paints ready, it's time to wet the watercolor
paper for our project. I want to get an even amount of water on the painting surface, avoiding any puddles on
the painting surface. Getting the light to hit
the surface just right, you can see if there
are any puddles. My first wash here
will be blue and some purples resembling the sky. You'll notice that I leave it
lighter towards the bottom where I plan to put some strokes may be
resembling blades of grass. While the paper is
still good and wet, I'll go in towards
the upper part of the painting surface with
some purple, darker blue. In the lower portion now, I'll go in with some greens
that will represent blades of grass using just the
tip of my brush, painting wispy
strokes and keeping most of them towards
the lower portion, but letting a few get up
into the blue just a bit. Putting in some darker
green, wispy strokes. Add maybe one more color, maybe just a little
bit darker green now. I apologize for the
change in lighting here. It's been a cloudy
day and some of the frames will have a
lighter look to them. Now for what I feel
is the fun part, just loading up my brush
with this white paint. It has quite a bit
of water in it, so it will bleed quite a bit. I envision these to be flowers, and it can be very
easy to overdo it. Usually less is more. I'm trying to decide just how many flower
shapes to put here. Dabbing the paint
off my brush to get a smaller shape right here. Before the paper
completely dries, I'm going back in with just
a little more white in the center of these
flower shapes. Maybe just one more right here. Now it's time to let it dry.
7. Completing Project One: Now that the painting is done, we can complete the project. These white flower shapes remind me a bit of
Queen Anne's lace. So I'll be creating a very simplified version
of these types of flowers. What I'll be doing
first is deciding which way the stems
of the flowers will go and making sure to draw
lightly with the pencil. I think it will look best
to make two flowers here, one large one and then one
smaller one behind it. I'm now sketching a
very simplified version of Queen Anne's lace. I think they also resemble
the seed part of dandelions. I'll be speeding things up
just a little bit here. Before I use my Gelly Roll pen, I'm just going to dab the pencil lines with
my kneaded eraser, leaving just a ghost
outline of them. Now it's a matter of just using the white Gelly
Roll pen to create these tendrils and dots that remind me of the
Queen Anne's lace. Using this white
Gelly Roll pen on this slightly rough surface of the watercolor paper can
be a bit challenging. Just have to have patience. Speeding up things a bit here, since it's more of the same. I'll be using this
green Gelly Roll metallic pen for the stems. I have to go back and get
this flower that I missed. I find this green pen flow is much better on the
watercolor paper. You'll notice that with
some of these stems, I have them appear like they're behind the blades of grass. Once again, I'll
speed things up, since it's more of the same. You could choose
to outline some of these blades of grass
with the Gelly Roll pen, but I think I'll probably
just leave it the way it is. To avoid pulling up any
of the watercolor paper, remove the tape very slowly. Congratulations on completing
your first project.
8. Beginning Project Two: Before starting
the next project, make sure to have all
your supplies ready. I've wet my paints and I've made the paint puddles of the
colors I plan to use. As we did with the
first project, start by wetting the
paper entirely with clean water using
the flat wash brush. Similar to the first project, I'm using a combination of
blue and purple for the wash. Starting in the
lower section and wiping some of the
paint off my brush, so there's not a
great deal of bleed. Painting wispy strokes to
resemble blades of grass and using a combination of
a few different greens. I usually like to add
a bit of yellow as it produces a nice blend
with the green colors. Getting a darker green
creates a nice contrast. Before the paint dries, we'll need to paint in our flower shapes using the same technique as we
did on our first project. I plan to make the center
of these flowers white. You can certainly choose
a different color. Remember, you can
control the bleed by how much water and pigment
are on your brush. This flower right here, I felt like the white
had bled too much so I'm going to go back in
with a little bit of purple and see what happens. I like the result I'm
getting adding this purple. I think I'll do the same thing
with these other flowers. The paper is drying
but still retains enough moisture to have
a wet and wet effect. Now it's time to let it dry.
9. Completing Project Two: Now looking at the
painting after it's dried I feel I want to have the center of these
flowers a bit wider, so I will be going back in
and adding more white paint. I'm coaxing the paint out
with a damp brush since we don't have that same
wet-on-wet watercolor bleed. I'm adding just a little bit of clean water to the center
of this flower to see if we can get a little
bit of watercolor bleed when I add
more white paint. Once again I'll be coaxing the white paint out just
a little bit around the edge here to mimic maybe a little bit
of that watercolor bleed. If you end up with a big
blob sometimes you can take your paper towel and
just dab it slightly. I still feel that this flower could use a little bit
more white in the center. It does appear to be
the star of the show. I'm deciding which way
the stems will go, and keep in mind when you are working out the
position of the stems, they should always
appear to becoming from dead center of the flower. At this point, I'll speed
things up just a bit. Just checking to
make sure the stems appear to be coming from
the center of the flower. I think I want to
change the direction of this stem on this flower. I'll also be adding just a few little
leaves to the stems. You could use the jelly roll
metallic green pen again, but I'll be using the small
brush with some green paint. To achieve a grade
down green I'm going to add just a bit of purple to this green mix I have. I want the strokes
of these stems to be thin so I'm wiping a bit
of paint off my brush, and now testing the color and the thickness
of the strokes. For me, it's easier
to start the stroke below and then move up
towards the flower. With this one, I think
I'll start just under the flower and then take the stroke down
towards the bottom. I think it looks better
here to keep the stroke in the foreground and not having it appear behind the
blades of grass. Remember you can always rotate your painting to make it easier
to make certain strokes. Now I'll add the little
leaves to the stems. Just practicing,
dabbing my brush on its side to see what
stroke I want to use. I'm trying just to use
the tip of my brush here to keep these
leaves very small. Speeding it up a bit here since sign painting
more of the same. You could choose to outline the flowers with one of
the Gelly Roll pens, but I like it just
the way it is. Just like that you've
completed your second project. Congratulations. These mini tabletop easels make a fun way to display
your projects.
10. Greeting Card Demo: With just a few
additional steps, you can create a greeting card with your finished project. Start by simply folding
one of the six by nine, be watercolor papers in half. Crease the edge well
with the edge of your plastic ruler
or plastic triangle. Simply cut along the edge of
your finished painting so that you will end up with the four-by-four painting
without the borders. Then decide where you
want your greeting to go, above the painting or below. Once you've decided where
you want the painting to go, make a line on the card so you know exactly where
to place your painting. Once you have put the
double-sided tape or the Elmer's adhesive
tape on the back of it. Using the double-sided tape or the Elmer's adhesive
permanent tape, tape right along the very edge on all sides of the
back of your painting. Then carefully place
the painting along the line that you have made
and press down firmly. Mark exactly where you want the greeting of your
rubber stamp to go. You could also write the greeting in your
own handwriting, which would make it
even more personal. Now, you have a handmade
greeting card to give someone.
11. Final Thoughts: [MUSIC] I hope you've enjoyed learning this loose
form of watercolor and hope that you will continue to explore this magical medium. [MUSIC] I would love to know if you
have any thoughts regarding what you would like to learn
in my next Skillshare class. You can leave them in
the comments section along with any other
questions you might have. Make sure to post your
finished paintings. I, as well as the
other students, will certainly
enjoy seeing them. Also, you can find me
Instagram as well as YouTube. [MUSIC] Thanks for giving me
the opportunity to share my artistic
knowledge with you. [MUSIC]