Transcripts
1. INTRO : Hi, my name is Eric
and I'm the owner of push-pull print shop where we specialize in unique and
limited print editions. Today I'm going to
teach you how to put your design on a marshmallow
using chocolates here. The great thing about
screen printing is the versatility of the process. And a good example of that is using chocolate syrup as ink. Years ago, I traveled to many different street
fairs selling T-shirts. I used to print my logo onto marshmallows to give
away to customers. Everyone always loved
them and sometimes I think there were more
popular than the t-shirts. Printed. Marshmallows are
perfect for parties, weddings, and really just
any special occasion. Although the technique
is fairly simple, you will need to know how to get your image onto a screen using emulsion or another non
photographic stencil technique, like a paper stencil. Let's get started.
2. MATERIALS : The materials you will
need for this project are marshmallows, a silkscreen, a squeegee tape, a spray
bottle filled with water, a rag, and chocolate syrup. We're going to be printing
without holding the screen in place so we don't need any hinge clamps or
anything like that. If you were making
these for an event, wearing plastic food grade
gloves is a good idea. Now that we have our materials, Let's make the artwork.
3. ARTWORK : To create our artwork, the first thing we
wanna do is measure a few marshmallows to get an
idea of the general size. Because marshmallows
vary in size, we want to give
ourselves a border around the artwork to
make sure it will fit. You want to create
something fairly simple in terms of line work. There's only so much detail
on Marshmallow kinda comedy. I'm going to make some
drawings with a marker on transparency so I can hold them up to get
the sizing right. I'm also going to
make some examples with a computer and
a film printer. Whatever you decide to do, it is a good idea to
make several sizes of the same design to
see what works best. Bolder lines will work
better here than thinner. And it's a good idea to make several designs because you can usually fit multiple
on the same screen. Once the work is done, it's time to make our screen.
4. SCREEN MAKING : When choosing the
mesh for our screen, we want to use something
that's fairly open. So generally between
an 80 and a 156, something a little higher, a little lower will work. But the higher meshes
is going to be harder to print onto
the marshmallow. To make our screen, I'm going to use the photo emulsion method. You can also do this with a
paper or vinyl cuts tensile. When I code my screen, I'm using a 125 mesh and doing two coats
on the back of the screen, followed by one coat on
the front of the screen. This will ensure a
bit thicker stencil and more syrup being printed. When placing your
artwork on the screen, leave enough space around
the image or images so that you can easily flood
the stencil with ink. When exposing your screen, pay careful attention to make sure that it is
not underexposed. An underexposed screen
is not hard and all the way and can leach photo chemicals onto
your marshmallow. You can do this using
an exposure meter, but another tell-tale sign
of an underexposed screen is the front of the emotion will feel slimy when you're
washing it out. You can also post expose your
screen after you've already watched it out to
make sure that it is completely hardened
before printing. A good way to do this is
to place it in the sun for a few minutes until it
is completely hardened. With our screen done,
we're ready to print.
5. PRINTING : When I first show people
screen printed marshmallows, the first thing
they say to me is, how did you get that on there?
How did you print that? Even when I show people that
have printed for many years, they still have trouble
figuring out how it's done. It's actually very simple. They do make
sophisticated presses to print on cylindrical objects. But for our purposes, all we're gonna do
is take our ink, our chocolate syrup,
put it on the screen, flood the ink into the stencil. Flip it over. And
we're going to roll the marshmallow on the
screen transferring the ink. Because this method does
not involve any kind of hinge clamps or
registration system to hold the screen in place. After we're done printing
the marshmallow. We then want to take it and arrested on top something like your roll tape so that the ink does not get on the table and
make this tensile blurry. Chocolate syrup can
be pretty messy. You can also take out the designs that you're
not printing. Let's start with Happy Birthday. Using chocolate syrup as a ink can be a little
trickier because it is thinner than regular
screen printing that you buy in a store. After all, it was meant to
be eaten and not print it. I find that if you're syrup
is a little too thin, could heat it on
low and the sauce pan and add cornstarch
to thicken it up, you'll have to let the ink
cool to see how thick it gets. Another method would be
to take the syrup and put it in the fridge or the
freezer for a little bit. So that's not frozen, but it's a little firmer. So we've got our anchor ready
and we're ready to print. This is a little
on the thin side, but we're going to try
it and see what happens. We're going to add a little bit of chocolate syrup
onto the screen. Just a little bit. Then we're going to flood the
image with the ink. You can see how much lighter the ink looks in this screen. When you flip your screen over, take a look at how much ink
is actually in the stencil. If it looks thin, you're going to want
to flood it again. Generally, you're
going to probably do it twice or three times. So now we're going to roll. So you want to go
kinda slow to look, to see are transfer
to the marshmallow. Try to keep your
fingers out of the way. You can also try
experimenting with different kinds of syrup
like this strawberry flavor. This was kinda thin, so I preach killed some of it
in the freezer. You also need to feel out and adjust the pressure as you go. If the image is
coming out blurry, you are probably using
too much pressure. If the image is light, you might not be pressing
hard enough or do not have enough ink stencil and
need to flood more. Eventually, if you print
enough marshmallows, it's going to start to
clog a little bit because the marshmallow particles
get into the screen mesh. If that happens, you can just rinse it with water
and start again. This kind of printing is all
about the flood and getting an even coating of ink
to fill this tensile. Keep on checking the
back of the screen until you figure out how many
poles It's going to take. When you're done printing
cleanup is easy. Just spray it with some water
and wipe clean with a rag.
6. BONUS: Once you learn the
rolling print technique, you can use it for
other materials. Glass, candles,
bottles, and others. Cylindrical objects can be
printed using this method. You are not going
to get as clean a print as traditional
SOC screen, but for the right
simple designs, that technique works great. You want to make sure you
get the right kind of ink to stick to what
you are printing on. This is some enamel ink from Nasdaq that is
permanent on glass. The nice thing about printing on Glass is that if you
mess up the print, you can just wipe it
off and try again. In some ways it's easier
to print on glass because it is much smoother
than a marshmallow. What else will you print
on using this technique?
7. OUTRO : We've reached the
end of our lesson. Thank you for watching, and I hope that
this video opens up the world of screen printing
a little bit more for you. The versatility of screen
printing is unmatched, and printing with
chocolate syrup is a great addition to your
skills as a printmaker. Please upload your
printed marshmallows to the project gallery on the class page and feel free to contact me with any questions
or troubleshooting. If you can please
leave a review and follow my profile for
all things silkscreen, take care and have
a wonderful day.