Realistic Ink Drawing

1. Introduction: Hello and welcome to my school share class. Unrealistic ink drawing. We will be exploring the medium of felt tip or technical pen and learn helpful techniques. Improve your drawing skills. We have five exciting classes ahead of us in which will be working on the drawing of the Notre Dame Cathedral, just as an overview in the first class will provide tips for setting up complicated drawings. And together we'll start to outline the building in pencil. Next, we'll learn about Penn thicknesses and types that are suitable for different drawing tasks . We'll start outline of the cathedral lightly in ink. Next, we'll start to zoom into details on the cathedral. The architectural details we will work on in the third class will make the drawing look accurate and realistic. In the fourth class, a cover shading an ink with hatching crosshatch techniques, replied Lisa. Drawing to create depth and contrast in the last class will add details to the background. In forefront, they give the image a sense of scale in place. You can expect to learn general drawing tips as well as think specific techniques of this class. I hope you draw along with me and enjoy this class 2. Session 1 Getting Started: Hi, My name is Katie and welcome to my school shirt class. I'm an architecture student and an artist, and I have been drawing and painting, or pretty much my entire life. Our focus for this class is going to be felt Tip pen. As one of my favorite mediums in this class, we're going to learn skills. They'll bring a lot more definition and be listen to drawings. When I first started drawing in ink instead of graph, I noticed that my drawings are looking a lot more professional and defined than they did before. I hope this has the same effect in your drawing and that you really enjoy in this class. With this drawing, I will be using pig move my ground pens. You confined these and other technical pens at pretty much any fine art or craft store and also on Amazon. I recommend getting the pack with about five different tip sizes, which is indicated by the tip diameter. We'll use the point to most often, but the finer tip is great for tiny details and a larger in for shading and feeling. What we're going to be drawing in this class is the Notre Dame Cathedral in Paris. I was lucky enough to see this cathedral before the big fire, and the details were just exquisite. I think it's going to be a really bold and Iran ticking trying, and I can't wait to get started. I sectioned off the photo to 12 squares that you should replicate on your page. This will help us proportion the drawing correctly As we get started, use a ruler to make sure that your boxes are two and 3/4 inches by two inches. I'm going to be using a sheet of nine by 12 inch bristle paper, but you can absolutely work with 8.5 by love and printer paper or a sketch with paper. Next, we're going to use the grid to sketch the cathedral outline in pencil, look at where major shapes intersect the lines on the photo shown earlier and use those to form the outline. Need role in pencil. Good 3. Session 2 Starting with Ink: everyone in the session will start to move into ink with their notredame drawing. We'll start by going over the pencil lines in your thinnest pen. I'll be using a 0.5 Migron pen lately. Go over your pencil lines and pay attention to exclusions and divots. On the surface, the cathedral is not a smooth surface on the outside, and the extensive ornamentation makes it recognisable. To make this drawing look realistic and accurate, we'll need to include as much detail as possible. Take your time is you start this outline and feel free to look at blown up versions of the cathedral service. What I'm doing here is going over the outermost outline of the building first. Next, they'll outlined the major details of the front facade. This includes large windows, arches and columns. If you're not sure that your online looks correct, go back and look at the image closely before putting ink down. Because this can't be undone. Ignore the people in the forefront as blows the buildings in the background. For now, we'll go back and draw those after the main focus. The cathedral is in place, - okay , 4. Session 3 Adding Architectural Detail: everyone. In the last session, I outlined all the major elements of the building. This includes the shapes and pieces that will need further detail ing. Right now, it's a simplified version of the cathedral, and we wanted to look more realistic. Let's start to fill in the windows and heavily shaded areas with black. This begins air detail work on the facade for filling in the fully black elements. I used a 1.0 Migron pen. You could also do this with a 0.8 tip or similar sized. It's just easier to fill the hole space with a wider pen tip. - Now let's add some more detail in the windows and rails. I recommend studying an up close picture of the front beside like this one to get a feel for the type of ordinance that are there. This includes statues, gargoyles, carvings and intricate molding. I'm going to start with the small arches just below the two towers. It helps me to outline in pencil first so they can make sure the details are both in line and in perspective. Then we'll go over them in a 0.5 tipped pen 5. Session 4 Shade And Shadow: Hey, everyone. In this session, we will start to give her image some depth. And three D qualities with hatching, hatching or cross hatching is a fancy way to say repeated or overlapping lines. It's one of the ways that we shared with pens. Repeated lines are used to fill a section and will look darker or lighter, based on how much spaces between those lines, we'll be using cross hatching for darker portions and hatching technique for lighter ones. This is how we achieve a full range of values similar to shading in pencil. Here's a quick demonstration of hatching and cross matching techniques. I usually hatch Freehand and use one motion to create a line across the surface. I used diagonal lines because it suggests a shaded area where, as a straight line, might have the appearance of a linear material. A crosshatch is really just two hatches in opposite directions. You want the two line directions to be perpendicular. If you're having a hard time keeping your lines straight, use a ruler and move it just slightly for each line. Now you can see that the crosshatch looks darker than the hatch because there's two sets of lines. This is by will use it for the more heavily shaded areas that are farther from the sun. Let's start shaking the image with hatching. Start with the dark inset arches and windows. They will be blocked from sunlight and appear medium to dark value. The sunlight in this image is coming from the upper right, so all elements will be lightly shaded on the side facing us while the right side is not shaded at all. 6. Session 3 Adding Entourage: everyone, we're going to wrap up our drawing in the session with the addition of Entourage. In the world of architecture, we use the word entourage to mean anything in this earnings that gives the sense of place and scale in this image will lead people to the plaza and smaller buildings in the background because we don't want the people to take away from what we worked on with the building draw the crowd is light silhouettes and ambiguous figures, since people usually gather in. Groups draw shapes that resemble a few people together with two or three heads recognizable . Keep filling the plaza with groups like this into the bottom edges of the building or mask . Using thin a spend to draw in the background buildings, I recommend a 0.5 my grand pen. You won't need to shade any of the background images too heavily because they're not the focus of the drawing. Thanks for watching my school shirt class. I hope you learn some tips that you can continue to use in your artwork. I appreciate your comments and shares, and I hope you'll join me again for my next start class