Realistic Colored Pencil Drawing: Face Drawing Of Woman

1. Introduction: Color pencil drawing is one of the quickest simple list, as well as most popular and most useful techniques among all other kinds of drawing. Color pencil drawing not only is considered as an independent valuable art, but also it is used in clothes designing, graphics, architecture, interior designing, et cetera. In order to create valuable artworks using color pencils, the principles of coloring and its techniques, as well as drawing shadows by coloring pencils made to be learned. And is of course, the intermediate and advanced lessons of drawing the profile of a woman. In addition to creating the pay of the skin as well as parts of a face and also giving volume q. The fingers will be taught in details using color pencils. 2. Working on the subcutaneous of iris: Hello everybody and welcome to the new video tutorial on how to draw with color pencils. And this video, I'm going to use the brand polychrome. And while you're watching this, I'm going to give you the numbers of the colors in order for you to buy them or prepared them and use them. Of course, in the other brands, you have the same color, so it is not necessary only to use this brand, you can use any other brands, okay, As you see, I have this sketch here, and there are different ways to draw that, to have this catch. But the most important fact is while you are drawing this catch with the pencil, you need to have it's very, very alighted, shouldn't be dark. And that is a really helpful later. Okay. And this is my habit to start every work with the I try to remember that you have to have something something like a tray under your hand because it is going to make your work clean. Again, let's start with the pupil. It is black. Yeah, I tried to be very, very careful. You've got to be very careful and you have to pay attention to the details that you see in the photo. Okay. It should be sort of coal. That said yes. I'm not putting a lot of pressure on the paper like this. Okay. And tried to keep those white part. Do not color that. That is the color prints a number a 199, which is black. Now in favor classic, I'm going to use a colored pencil number 360, which is the cyan. And with that tried to color the iris. It shouldn't have a lot of pressure. Very, very smooth. It is the cyan which is close to blue. It is between blue and green. You've got to be very smooth. And remember to shape the iris like it is in the original photo. It has to be circle. Remember that the beauty of the eye is very, very important. And you've got to make it circle and different angles. It is in different shapes, but what do you see? Must look round. Sometimes when you see in the other angles it is oval. Like that. Okay. Okay. This is the time that I'm going to use the color pencil number 360. Seven, I told you this favor by Faber castle that we add in this blue. Remember to keep those green parts. As you see in the center parts around it. I'm not going to color that. That's cyan that has allele dark green in it. It's remained there, but around the AI race, I have the blue color pencil number 367. It is better to draw everything in a light mode. Do not use a lot of color when it is dark. The colors you use, the dark. It is hard for you to do it continuing is very hard and then you will have to put a lot of time. But at the beginning when you're working with low pressure of the hand, it is really professional and you can work on it later. Now I'm going to use another darker blue, which is 342 of favor castle. And I'm going to give it more darkness. 3. Adding darker blue colors to the iris: And as I told you, it's not important to use just this brand. It can use any other brands, But it is better for you to test. You can choose actually colored pencil which is close to the, you can test it on the other paper and use it. And the pressure of your hand on the paper using the color pens that can give you different colors when you give it low pressure, you've got a lighter color. And when they push more, I mean, you've got a lot of pressure. You have a darker one. Now around the pupil, which is black. I'm going to give some lines. I try to use the classic colors. Makers. This is cheaper than the other ones. Sometimes I have to use their polychrome because we do not have the skin colors in the other brands. Now, I'm going to use number 344 of the classic, which is dark blue, to give the color. Knowing the color, knowing the volume can give you this talons T's awareness to use any kind of color pencils for drawing. So it is important to pay attention to the details. Now here, I'm actually doing that. The more you put time for the details, the better outcome you're going to get. If you want your work to be beautiful, more natural, it is better for you to actually give it a try by paying attention. Do not put a lot of pressure because one of the techniques which is very important is to fade the colors by blending them. Like this. You see the iris is going to be completed. There are some lines inside the IRAs. I tried chill look carefully at the original photo in order to put them vertical, horizontal lines. They are necessary. If you think that the cyan color was not enough, you can actually give it more. Try to put more time on working on the paper towel. It said. And I will try to use really low pressure of the hand, as you see, can give that cyan in those light parts. And after that, you can use that color pencil number 300, 47 again, to give that blueness in order to fade the colors of the edges of the iris and inside the iris. The difference between the classic and polychrome is how mature it is. Polychrome is waterproof and brightness is much better than that. I mean the classic ones. Now, the black color of the classic can be used. Here is really, really dark. But when you use polychrome it is lighter. So I'm going to use low pressure in order not to give a lot of darkness for D around of the iris, what would the low pressure is like? Dark gray not plaque here. To give that darkness, which is in the original photo. You can see like this even above the pupil. So just look at the original photo according to that, when you see that darkness. Okay. Anywhere tried to put that. I think here we have more darkness. Specially because of the shadows of the eyelashes above the pupil. I can see more darkness due to the shadow. And some of the lines around the pupil. Here. Yes. I told you because the quality of the classic color pencils is not like the polychrome tried to put low pressure. Okay, here I need more dark to say guess here. Therefore, I have them here. 4. Completing the iris and also working on Scleral: Okay, that said so far as you can see, the eye is getting close to that natural photo. I can use the blank in order to give darkness above the pia pill. I tried to give you the nodes that tips while giving the colors in order for you to take it. Let me use the colored pencil number 354, which is a kind of cyan. I'm going to gave a little too. These parts in the white parts of the eye, the sclera and around the iris. Even hearing this corner on this Clara, with low pressure of your hand. Try to fade your colors all the time by blending. Don't make them sharp. So if you think you hear these parts, we've got different colors, don't worry, we're going to work later. I'm going to use the light blue of classic number through a 147 here. Just a little try to make this cyan be more. And it's very important to blend the colors. I mean, when you're using the tone of blue or cyan, it depends how much you're going to use each of them. The relationship is important and you've got to be very careful about these things. That's it. Now I'm going to use the dark blue to work on the iris. Just some details here. I can't see them. Now. That classic black, I guess, is necessary to give more darkness. To give the trough shape, it is going to give away that sharp blue away. Green. Numbers 370 can be used very, very little here. And I'm going to use the poll, the Chrome number a 186, which is between the brown and orange, to draw around the pupil, give the color actually around it. Just a little. That is enough. Okay. Now I'm going to work on the outside of the eye using the polychrome color pencil number a 132, which is so useful. Actually it is the base color of this gain. Let's start with the corner. If you see the whiteness here, tried to keep it and don't let it go. Color. And the sclera to blend with that blue, don't go a lot. That is enough. The more it comes to the iris, you need to have low pressure of your hand pushing your color pencil. Like this. If you see it is not dark enough. Do not put a lot of pressure. Tried to change your color pencil. Do not put pressure because it is light. Now, I need a ladle of the purple here. In the original photo, I can see that you can use the classic purple here. Just use live. I love it. I think color pencil 333 is good, but try to give very, very low pressure to that. Here. On this Clara, it's not necessary to use it everywhere, some parts, according to the original photo, you can see around the edges because of the shadow of the eyelashes in the upper parts. Here. Side, the corner. Around the iris. It can make it more mature. It is going to look more natural. Now, I'm going to use polychrome, which is darker. It is darker Dan. Then a 132, it is a 189 because of these darker. Okay. I have the holder of the pencil because it is so short and I'm going to control it with this. So this is the color pencil number a 189 of polychrome, which is darker than a 100 authority to which was the base color of the skin. I told you I'm not going to put a lot of pressure with colored pencil number a 132. So I changed it to the color pencil number a 189, which is the same town but darker. That's it. So another color that I'm going to use these polychrome a 190, which is in the same category. It is darker and darker than a 100 89 for those darker parts. Going to use it like this as you see here. Here. And if you see some parts are not darker dots use a lot of pressure by blending the colors. You can give it more mature and nitrile look. 5. Creating the darkness of eyelids and also primary subcutaneous of skin around the eyes: Okay, and now it is time to work on the scan. Let's use the color pencil number 391 of the classic to work on. The upper eyelid. Here. Tied to keep your color pencil, tip sharp. It is a very good color because it is dark, smoothly, precisely. Tried to be patient while coloring. Take your time. Enjoy what you're doing in order to have a professional outcome. So we are going to and play that it is better for you to color them round way. And tried to keep the parts which are relied do not give more color to the parts we charge exposed to light and they have a wide, now as you know, it is lighter like as I have it here. Now. I'm going to use the color pencil, brown, 370, a two or any, any kind of color that looks, I'm going to draw this part in order not to lose this line for this line of the eyelid. Now, the color pencil 392 can be used for the darker parts here. Above the edge of the corner of the eye. That's it. This is the way I told you that I'll try to color within the round way because I am giving you a video tutorial. I hope I don't want you to actually spend a lot of time watching this. This is why I'm doing it fast bought two, you have to slow down. Be more careful, precise, and patient. So whenever you see you've got this darkest according to the original photo. Just add it, don't worry. So this is the time to use the black color and the classic color pencils to have the line of the eye shadow. I'll try not to make it a pure line, tried to fade it in order to look more natural. You see, this is a kind of technique you can use for it. Don't worry if you think it is dark because it is dark here, especially on the IL-8. Okay. Now it is time to use the colored pencil number a 132 off polychrome to give to the light parts. Here. You know, I told you this is the base color of day scan. A Honda or a 32-bit is so useful from that polychrome set off color pencils. So I'm going to give this color. These light parts, even you can just give the color up to the parts you see the fingers, not for the light parts. I told you that's when you see some parts which are light, do not give them color. Now, it is time to use this orange color numbers, 330 for giving more darkness. Here. If you look at this in the original photo, is really close to this kind of orange is close to coral orange or something like that. The more we blend colors, according to the principles. It is going to be effective on this carriage and the drawing of hours. And it makes our painting drawing look more natural and the mature at the end. That's it. Even here. After giving the color pencil number a 132 polychrome, I can use the classic color 330, which is a kind of orange here. Above here, humming above the upper eyelid, below the eye, bro. You can give this color because the tone of the skin of the face is like that. I don't color the white parts, the light parts. I don't want to give them more colors. I want to keep them because I'm going to work on them later. That's it. So with patients, you can give the colors which are necessary. Tried to cover all the parts by using the color pencils number a 132 polychrome. And after that, using this orange of classic 330 and keep the white parts, I mean, light parts with no color. Always try to keep an eye on the original photo in order to know where you need details, unit colors, dark ones, light ones, it really is effective on the outcome once you're doing. And according to that, you can see where you have value. You can actually shape that volume by using dark colors, too. Light was, or vice versa. Here within the middle and index finger, I can see we've got some orange color. This is the base color of ours, so we have to use on the skin. There are of course, some other callers that should be added. Blended to this. Don't worry if it is getting darker. We're going to add more colors. And, you know, it is going to show itself. I told you before that in all by tiny love giving the color in the round way, it is going to be neat. And it would be better. But I told you I don't have enough time. That's why I'm using this way by having the Linac way of drawing. This is because I don't want to waste your time, but you can take your time. Anyway. If your tip off your main color pencil is sharp, it is going to work the same, but when it is round way of giving the color, it is much better. So I guess that's it up to here. We're done with it. Don't forget to watch the next video. 6. Adding a darker pink color around the eyes: Hello guys again. Let's go back to see what we have done. Let's use the color pencil number 391 of the favorite classic. To complete the form of the eye. You see work on the dark parts. Giving darker tone, especially around the eye. The dark parts must get darker. By having the low and high pressure of the hand. You can have the color but do not make it so rather call because then you cannot give more color to blend. This is a really good color. The color pencil number through a 191 is it is close to the polychrome color pencil number a 190 or a 191. It is so close to death. That's the way you can compare the colors of different sets according to different sets of color pencils, you can compare which color if I'm using this color here, which one is equivalent in the tone and the color? Okay, here, the line of the lower eye shadows by using the colored pencil number 391. This is the darker, so I'm giving to this line of the eye shadow. Now down there. Here. Keep sharpening that color pencil because it is going to keep the texture on the paper. If you do not have those sharp pencils, you can see a lot of dots which are widely on the paper. And finally, you will not have as satisfying drawing. They, they are the details you have to always keep in your mind and do. So. The more darker colors we are going to give to the skin, the more mature at is going to get it is going to look so natural. Don't worry about giving the color, but it has to be according to the principles. By being careful, precise, and keeping an eye on the original photo. Even I can use this color. I can blend that with that blue in the sclera. I don't want it to be so bright. I wanted, I want it to be so mature. And I want to give it to more natural look. If you look at the original photo, you can see this color pencil number through a 191 can be given up to here, down here. Remember not to lose the lines of the fingers. And if you think they are going to be lost, tried to draw the line with this color pencil. We can see a little pause down the I started here. You can actually give it more darkness. It can be darker. And it has a layer though green that I'm going to add later. It's unnecessary to do it right now. It is so soon to give that green color. Let's use the former color which was classic 330. It is lighter. I'm going to start from here above the middle finger. And it has the yellow of this is more than the color pencil through a 191 because that's one has more red, this one has more yellow. And I can give the yellowness of the skin of the face here. So first, I tried to cover it to this and then I'm gonna use the color pencil number 391. So here these parts, I'm going to give the color pencil 330. And after that's the color constant number 391 can be given in this way. By keeping that white part, you can see that volume of the chin. So now I'm going to use the colored pencil number 392, which is brown to work on the dark parts of the upper eyelid here. It is like Indian red inside this brown is, I guess good. So you have to cover these parts, even even the parts which has the eyelashes. Don't worry. And if you see some parts which are light according predicts pose off the light, whatever it is. Just keep that because it would be easier for you to work on this later. I have here, but first of all, I have to use the color pencil number 391, and then blended with this color. In this corner I have the shadow of the fingers so it is darker. It is up to here. That's it. Yes. You have to be more patient than I am because I told you I'm not going to waste your time. So as you see, we are getting the color of the face. The more it comes down. You've got to use a less pressure and work on the corner of the eye, especially the parts you see. The darkness should be like this. So that's the color. Now, the next step is to use that classic black of debt, classic one I told you to work on the eyelashes here. According to the original photo I can see that is here. Most of the time, this line is not obvious, but in this photo because of the makeup, it is obvious so and it is not obvious, do not make it so radical like this photo. And then it is time to work on the hairs. I mean, the lashes, the eyelashes. You have to have very sharp pencil tip. So you see they are the eyelashes. Some of them are on each other, some of them are lighter, some of them are darker. Pay attention to the ceiling. Go. In O'Hara's of the eyelashes. F you want your work to look more natural and you'll want an outstanding final artwork of yours. So pay attention to the details. Keep an eye on the original photo. Be sure you're going to get it. Sometimes you see they are longer than the others. So you can give them more length. No worry. I guess is hello, they'll faker. You see I'm working under the tails because the artist must have to work under the TAESE. Remember, too sharp pen your, you know, colored pencil because you're working on a very tiny thin eyelashes that's been out for up to here, I guess. 7. Completing the back of the upper eyelid and drawing the upper eyelid lashes: Pay attention that before drawing the upper eyelashes, you need to color the skin here. The same colors, color pencil 330 and 391. You need to color this parts because the eyelashes are lying and need to be careful to color every part of the scan. And try to pay attention to have the volume here by knowing the dark and light parts. This is the time I'm going to use the colored pencil number 0 through a 191. The darkness here. And this way I can puts the volume. Yes. Always keep an eye on the original photo to know where you need the color, the dark parts, the light parts. Now, I'm going to use the black color pencil to draw the eye lashes. Just pay attention to the length and how thick or thin they are. Especially the parts which are thick and checked you to put more darkness. They're usually opera eyelashes are more than longer and thicker then the lower eyelashes. Like this. This is the way I'm going to do this. Pay attention to. We have a curve here. It goes down and rounds and it comes off. You have a kind of width, know, the thickness of the eyelashes you see unit to create. Dad tried to zoom in, I mean, the original photo in order to know the details. The more you pay attention to the details, the better your drawing would be. Some parts which are dark. I need to actually put more darkness. This is it. Again. The eyelashes, especially in the beginning of it's the line of the eyelashes so dark and you have to pay attention to that. This is why I'm working on this. Okay, take your time. Try to pay attention. Be precise. More accuracy is what an artist's needs. Now, I need the dark brown like colored pencil number 384. Coloring the part of the skin which is darker. You can use the other brown colors. But what I chose is colored pencil number 380, especially, you know, it's V01, the hairs of the eyelashes. And I guess I need the color pencil number 392, which is another brown. I'm drying. I'm coloring actually behind the eyelashes. Can make this kin on there that darker and the more ads is getting distance from the eyelashes make this parts darker. Okay. That's it. No, I want to use the color for around this color I'm in. I erase. I use a kind of blue. The color pencil number 344 or something like that. It should be darker, dark blue. And that's I tried to have the edge of the iris. And then some parts inside the eye rays. You have to fade it. Now even inside the sclera, I tried to phase the callers here. Then you can use the colors here. And here we need the color pencil number 300, 64 here. And I need a kind of dark pink, light pink, like 330 here. I can see that I want to make it mature. Especially inside the sclera. You see the eyes getting its form. The more we add colors and it is getting darker, it is going to show itself up. You have to pay attention. You've got to be patient working on this skin in order to make it show itself. Okay. Remember to sharpen your pencil all the time. And again, the same colors we used for the other parts of the scan. To color the parts reach needs actually color and the parts that are white are lighter. You've got to be very careful in order to keep the volumes. I told you before that this is as you see right now, when you call a written around way, that is the best way of, way of coloring. If in some parts of the video I'm not using aids, it is because we do not have enough time. I don't want to waste your time, but you do what I'm doing right now for coloring, it is the round circle format of coloring, which is the best way for professional actually colored pencil drawing. That's it. Just move the tip of your pen so like this in a round circle way. Now I'm using the brown color here for the upper parts. Yeah, easy. Because of lack of time. I'm sometimes I do not use the circle where your coloring, but you have your time. You have to be patient. We're careful size. By drawing a circle, round way like this. This way you are going to get to the color of this can it is close to the original photo. 8. Working on facial skin: Hello guys again, we're going to continue what we started. In order to go further and not to wait. Let's work on the base colors of the skin. Again, I'm going to mention them in order to continue. Okay. First of all, if you pay attention to the original photo, you can see that let me show you like this. We have these two color pencils to work on these parts. So you have to use the light color, the polychrome a 132, all these parts, except for the light parts. All the parts that you can see. It should be covered with this color pencil, polychrome a 132, exactly like before. So with this, you're going to be ahead of your projects. And always remember that it is very important for you to try to pay attention to the, you know, the lines of the pattern and try to erase them. Because it would be ugly at the end of the project. You can use any kind of erasers to remove that. And if you think you're going to lose the line, you can use the color pencil instead of that previous pattern. Exactly like this. So here you can start from above. The eyebrows are using now the color pencil, polychrome a 132 here. They don't want to waste your time. I don't want to make you get boards. So I am going to put everything in a nutshell. I'm showing you the parts and the other parts would be exactly like this. So try to pay attention. Now, I'm using this orange color. It is classic. Number 330. This one. I give it more darkness above that color pencil number a 132. Now I'm using this orange easily. You can color this part. And in most of the parts of the skin has this, except for the reflection of the lights. Remember that even the darker parts I'm in between the fingers are above the layer. You have to use this at the beginning. Remember that when we are coloring the light parts do not use this orange because it is dark. Remember that previously under skin, we worked and we use this orange here with the low pressure of a hand, but Veni was light here. We didn't use any of this orange. Only a 132 was used for the very light parts. So as you see, you shouldn't use actually this dark colors for the light parts of the skin. We can add the dark colors later. Don't worry about it. Pay attention that I told you before that the way I'm giving the color is for just making it faster you just use with low pressure of him tried to use a circle around way of coloring as you saw previously. I'm using it because I don't want to waste your time. I want the work to be done very soon. And you wouldn't waste your time. And that's it. Think that the color is up to here. Just always try to look at the original photo all the time. That's it. With low pressure of your hand. Exactly like this. Now, I need this classic color pencil number 330 of the orange. Here. This is really important for you to pay attention to that, to the original photo and then use the colors you have. The brand of your color pencil is not that important. You've got to take it. Pay attention that here, this light part, which is reflection of light, I am not using any color because it is easier for me to work on it later. That's it. Let me put the whole of the nose and erase the first pattern. And instead of that, I use the color pencil in order not to lose that. Pay attention to this lightness. Pay attention to the size, the width, and the length where it starts and varied. And here, up to the edge of this finger we have this whiteness and lied. Part of this can and will go into add this orange color again. That's it. So remember that we only need these two colors. Colored pencil, number a 132 of polychrome and Number 330 of the classic to cover every part. Except for the light parts. I told you that when it is lights, you shouldn't used a dark colors and the pressure of your hand should be fixed in a good way. 9. Completing the subcutaneous of facial skin and adding a darker pink color: So guys, as you see, we color all the parts using these two pans, polling chroma 132 and classic 330. And if you think that we need darkness, more darkness, some parts here, here like the other parts, we can add more. And so like this, you'd have to do this. Let's use the color pencil number through a 190 that we used before around the eye, which is the dark first tried to sharpen the color pencil and then tried to start add a darker color behind I mean, below the eye bro around the I tried to complete it. As you see with low pressure of a hand, you can add this darker color in a very, very good way. And it is going to make itself having the volume little by little, we're going to add the colors. So we started with the base color of the skin number, a 13012 polychrome and through under authority of the classic and now through a 100, 90 to work on the base color. Remember that tried to sharpen your color pencil all the time. And the way I am adding the color here is just because I'm in a hurry for you guys not to waste your time with low pressure of hand. Try to move your tip off the color pencil in the round and Seroquel way that is the best and the most professional way of coloring. Trying to show a part of it to you in order to see how I'm going to use the darkness lightness to give the volume. And after that, you can use this third color that you're using right now to cover the other parts of the skin. Remember, not to give a lot of pressure of the hand to give more color. Because when it is dense, you cannot work on that part later with very, very low pressure of the hand in a very accurate and patient bay. You can create a very good artistic work because we are going to need the other colors. The color pencil Number 4, 5, 6, 7, I mean, after these three colors. So if you put a lot of pressure and if you gave it the more color, you cannot add the other colors. This is what we have to do in order to blend more colors to make it mature, look more natural, et cetera. So if you see for these parts we need more darkness. I'm unfortunately for the light parts, for the white parts. Remember, only and only tried to use the first two colors. Because they were lied. They were the base colors and we are not supposed to give the darker colors directly. Here. When you have the contrast of light and darkness, you can see the volume. It can pop up, it can show itself in a 3D way. Remember, I'm having a theory that you have to use a lot of colors. When I see a lot of colors, I do not mean that you need to put a lot of pressure on the work in order to make it darker. Now, I mean, blend and fade the colors. What they actually mean is not to have a lot of white parts. We need to add more colors by blending and fading the colors. Let's use the color pencil number 334, the edges here we, I guess we need to fade some parts. But you see these slides. You can see that volume. Knowing the color is really important. You have to know the colors, the main colors. And the other colors you have to practice. You need to work a lot in order to know a lot of things about the colors. I told you a lot of times. Practice makes perfect. When you practice it can make, you, can make you perfect. Remember to test that color pencil on a piece of paper in order to know and get acquainted with the color. So you see that here. The volume is showing itself. Don't be in your hairy. Remember that haste makes waste. When you're in a hurry, you're going to waste a lot of thing. You're doing something artistically. Try to add the callers inch by inch and don't worry, because, uh, you are doing something that you will be proud of in the future. And always remember that the parts which are like, like this part, use the base colors. Don't worry, your work is not going to be so dark. Try to be open-minded and try to add the colors, but logically put the colors on their places. For all these parts, you can add this color, but remember, do not put a lot of pressure because this color pencils going to give the redness to this can do not have a lot of pressure. Remember that? So we are supposed to add this color to all the parts of skin. This color, which is 391 for the parts which are dark and it has redness. When you follow. And you're coloring step-by-step, it is going to be completely easier for you. And the volume, the perspective of your work is going to show themselves much better and you're going to enjoy then remember then you enjoy your work. That would be perfect. So remember I'm not going to take your time. Use this classic color pencil number 391 for the other parts. But remember that the redness that we have around the eyes, around the eyes actually here. The other part of this scheme do not have this same redness. So you see the difference here I used here I used but in a light way. But some parts, if you need, you can use that. 10. Introducing brown colors to completing skin colors: So guys, as you see, I added the color pencil number 391, which was a kind of red tone to the other part of this cane. But we see that the redness is somehow a lot. So in order to get that, we can use the color pencil number a 187 of polychrome, which is a bit thin brown and red. It is a kind of crea. I can actually make the parts which are reds neutral. So we only need this color to use for the parts which are radical, read or so dark this, I can add by blending this color that redness is going to actually remove that sharpness. And it is also going to give maturity to the skin color and it is showing itself completely natural. You see I'm not using this color pencil for the light parts, for the white parts, only the parts with more redness. Sometimes you feel like using the previous colors, color pencils, you can use them, don't worry. Okay, you're correcting because actually it is very important for you to check all the time. So I'm using the color pencil number a 187 of polychrome for the parts which are necessary, but I never uses for the light parts for those reflection of light for those volume only. To remove that as sharp redness. Adding this color to give it a more natural look. That's it. If you see that doing it so fast because I don't want the repetition happens all the time because it may take one hour of so, so you're going to get bored. I'm just showing you the steps, showing a sample of it, but the rest of it is on you because it is going to be the same process. So and after that, in the next parts, I'm going to use the other color here. It is. A very good color. Can make this kin very natural. Just don't go up, up to here to the light parts. The tonality of the color is so important to have itself as we are not going to lose the volume. And otherwise, if you use the color for the light parts here, in this white parts, if you're going to lose everything, this contrast, and if you fade actually in a good way, is going to show the volume. It is really important drawing specially with a color pencil. So you see it has this color. Now, compare this to that first red parts. So tried to cover the parts, use this one. And let me show you the picture here. The edges here. No beneath then knows these edges here, even in this shadows here. Under this part. For the parts which we see the darkness, we have to use this color pencil number a 187. But for these white light parts, do not try to use this up to here. I guess it is enough and it shouldn't gets to that. Light parts, strike, try to complete I mean, withdrawing this and after that if you're going to start the next step. So remember the tips I told you. Thank you. 11. Completing the dark colors and make volume around the eyes: So guys, hello again. We used that colored pencil number a 187 after using 390, one of the classic. Now it is time to work on the dark parts using the color pencils number 300, 78380 of those 60 colors of classic. So let's use 378 first to put the darkness. It is lighter than 300, 80. And remember to use circle coloring here. So by adding this dark colors, you can understand that some parts like here, we have really light colors. So it is time for you to use those previous color pencils to cover these parts like the color person number a 132391, to give more darkness to the radical light parts. In this way, you're going to have some natural way of showing the volume. This is why I'm going to use number a 132 here to remove I mean, to add more color to remove that lightness. If you think that you're covering more, you can use erasers to remove that. I guess I need the color pencil number a 189 here. That's it. Colored pencil number a 189, which is darker, can be added to this light parts in order to remove that radical lightness. It was not natural. Know if you compare that to the original photo, it is getting close. Don't worry if you think that by adding this, you're going to give more darkness. Now, by adding the other colors automatically, these parts are going to show themselves. So this is colored pens and number 378, F classic to give the darkness of the shadows you see in the original photo. Be patient that the popular color pencil must be sharpened all the time. I'm not going to waste your time. I'm just giving you the tips, the color pencils that you need to use in order to make your work look more mature. Mature, actually unnatural. And put low pressure of the hand because you're not going to give a lot of color to that. With low pressure of the hand, you can have lighter shadows here. Remember that you can use those previous color pencils if you think you need to add them in order to remove that. And rather called lightness. If you think some parts are too light, exactly like this. The more you go up, you need to have low pressure of the hand in order to keep the volume the paws off of, you know, between the ILA then eyebrow. Now the color pencils number 380 of the classic, which is darker than 370 eight. In order to give more darkness. Remember, we need to give the dark colors by using this color pencil number 380, which is a dark brown. In that set of classic color pencils. One of the benefits, it has, this color pencil number 380 is that it has a little tone off. Green debt can make your work look more natural and mature. It is a very good call her, let me add some colors here. I guess it is. It should be actually darker. I'm using more of the classics set of colored pencils because, you know, it is a good one. And it is a very economical color pens cell rather than the other brands. So you see the brand is GAD important. I don't say it is not important. I don't say I don't say it. It is not effective. But you, if you're artistic and do that, remember that here we can have the darkness, reuse this color around the eyes for the shadows. Now through a 178, I need to use under these ILA, I mean eyelashes here and the line in order to for this wrinkle and do this in order to get to the next level. I hope you enjoyed this godlike. 12. Creating darkness of shadows: Okay guys, we need to complete the colors for this scheme. The colors we used. Under 32, it was actually from polychrome. And then 330 of classic 300, 91 of classic 378380. Now, here, we need to cover the light parts by using the colored pencil number 330. It is so useful. Let me add the color. I used it before here for you. It is the color bids vein, pink and orange. Now I need 391 to cover that. It has a little green. So special kind of green here that I'm going to add later. I will tell you how to create that. Let's use the colors here to give the volume under the eye. I mean, all the parts here with the dark tones. In order to give the volume. Here, on there, the eye, we have the volume. You have to look at the original photo all the time to understand which part has more dark this. Now you can use colored pencil number 387 to give it away. That redness. It is dark calls so it can give enough volume. We see the same colors above the eye. So I used it on their eyebrows. I'm just giving you the number of the colors in order for you to use the same colors up to the end of this work. Remember, you have to always fade the callers By using the light color pencils here I am using numbers 330 to fade the callers in order to make it look more natural. That's it. You know, when you color around that this cheek and it can show itself pop hop and the volume is there. When you look at the original photo, you can understand where you have dark this and where to what direction it is faded. We have to pay attention to. It must be faded to a direction. You have to look at the original photo to know where it is faded. The edges here up in the direction of fading is down, up to down. Actually. The same story for above the eye, upper eyelid. Here. I use the color pencil number 330. Because the volume is showing itself. You know, use different tones to give more natural log. And the volume. Now I use the color bands and number 391, which has pink in itself. It's good to see. The volume is getting more. Let me zoom out to see. Now 380 for the ages. This process with these five colors. In order to actually color the whole parts. Even here you see beneath the nose, the dark parts here. Here. It is using the same colors. It depends on how dark it is here. But here we have a little green color, I guess. I'm going to let you know about this color in the future videos. 13. Adding color and make volume the skin of nose: Hello guys. As you watched before, we covered the parts to be needed and I'm going to let you know about the other parts. We had, the 132 of polychrome. Now we need the classic 330 to work on the other dark parts. They need RNG and the dark parts. So this is why I'm using the color pencil number 330. Here I can see the darkness on their finger. And even here between these two fingers, they are that maze. And primary colors do not use a lot of pressure of the hand. Look at the way I'm using the color. We don't see a lot of white and dark lightness on the tip of the nose. So you can cover that in order to have a little spot of white. And I told you a lot of times, don't worry about losing the light and white parts. We can use eraser. Later. Let me use the polychromy 132 colored pencil here. And then I'm using the color pencil number 330 of classic. You know, that pinkish orange. For gaining the volume of the nose. You need to move from both sides to the volume. You need to fade the colors in order to gain the volume. So move from both sides to the center in order to get what you need. So be very careful about the white parts. See the original photo in order to know where not to color and where to color. Be. Patient. Take your time. Now you can see the form of the nose. Now this is the color pencil number 391 does use a ladle of it. We're just adding some reddish color to this. Now, I'm going to use the color pencil number 387 for the whole of the nose here. We use that for this edge of the hole. Remember that these parts must be faded toward this spot. This is how you're going to form the volume of the nose here. I can use the color pencil number 391 again, that has pink in itself. That's it. You've got to be very patient and you have to be precise. I told you this is a video tutorial I'm doing is so fast in order not to take it a lot of your time. Don't forget the shadow under this finger. So I use this color for this Part 2 here. From up to down. As you see, I'm doing good so fast. You shouldn't be that fast. You can use the color pencil number 387 in order to make that reddish in color, which is red neutron, it is going to blend with the previous color and give it a more mature a color. I guess I need to remove some white parts here. So I'm using this color pencil number a 132 as you know, which is the base color. In order to remove their whiteness, don't worry about losing the white parts. We can use erasers at the end. So, you know the steps. Right? We did. I have some lurk to the original photo in order to put the callers and the right place. That is very important if you want it to be professional knowledge, just look at the original photo all the time to know the caller's, the forms that lines, patterns, et cetera. And you've got to be patient. I told you with this experience, I'm doing it so fast but not to you. You've got to work on it to get to your actually good art. Now I am going to use the colored pencil number 378th, which is Brown. Yes, I need some darkness. C are on the tip of the nose here. I guess this is darker because of the shadow. As you see, we started from the very light colors toward the dark ones. Here you see the shadow on there, this finger that sit? Yes. I guess that is the same. Here. On their finger toward between the space between actually these two fingers even I guess we need a darker colors. That's it. And I told you guys I'm doing it. So Fest. And this space is going to separate these two fingers. And the other color pencil is 300 AD, which is darker because of the shadow of this upper finger. It is on the screen. So on the edges down here we used this color pencil number 380. Now, for the edges I need to fade. That's it. So you see we worked on the nose and the eyes, so we use the colors. So, and if you pay attention to this color that we used here, if you look at the original photo, you know, they are exactly like the far-red v, have this color. Light parts, dark parts, so we can work on the other parts as well. Here and here. We need to use that contrast of light and dark in order to get the volume. So after doing these, you can use the color pencil, a 132 for working on the fingers because this king is Dawn. Now here, the light parts should be kept slides, but the parts with color, you have to use it. So remember, from here to here, and here to here, should we color because it should show its cylindrical way. Look at the pattern. You see from here we have darkness that is faded up to the light parts. And the same story from up to down, the same as 34. The finger down here, from down to up and up two down to that light line. And there are some details here on the Nichols here you can see the same story for the other fingers. So work on the actually colors of the finger exactly like the color of nodes to for it. So see you in next empty set. 14. Completing eyelashes and subcutaneous of eyebrow : Okay guys, it is time to work on the iPad Pro, but before that, let's work on the eye. As you know that we use the colored pencil black from the classic set. Now I'm going to use the black color of the polychrome here as well. Because I want it to be darker and of course it is going to look much better. You can actually make it darker. You can actually draw some lines for the eye shadows. As you see. You can work on it. So the colors we used here, we actually added more colors and the contrast by fading and blending gave the volume. Now, let's look at the eyebrow that get the original photo. You know, we have some hair lines of the eyebrows. We have some base color here too, so you can see the base color of the skin. So we have to work on the skin, but in order not to lose the line 48, Let's have some hairs here because we don't want to lose the track off the eye a row. It should be a lead l just in a way that you do not lose, depart the spot you're working on. And then we're going to cover the base tone for the skin. It is beneath the eyebrows. So let me create some more. You know, the hairs of the eyebrow. Now, it is time to use the colored pencil number 132 than to be used for all other parts of the skin. Let's work on this part of the scheme beneath the eye, bro. This is the color pencil number a 132. 132 off polychrome setup color pencils. Yes. You see because the other part of this CAN has the same color. If I didn't do the hairs, I wouldn't lose it. Now, it is time to use the other color pencil, as you remember. It is the color pens, the number 330 or 331 of the classic. And after that, we have to go for that brown color because it is almost like the color of the shadows here. And after that, with the black or very dark brown, we can have the eyebrow. So let's use the colors here for this can hear because as you know, it, it is, it is dark. Now. Let's do eight. Tried to be very neat. Remember that if you pay attention to the original photo, you see the color of the eye pro, I'm in the skin. A color beneath the IPO is fade with the eyelid. You need to remove this color by fading it, by blending the colors. First, let's do it. And after that, I will tell you how to do it. Actually how to blend and fade the colors in order to make it look more natural. 15. The second step to creating subcutaneous of eyebrows : Okay guys, as you see, I color at the base, color of the skin for the beneath eyebrow part, I used a 132 off polychrome than 330 and 331 of classic. And after that I used a little brown off 387. Now in order to get that orange color from it, to remove that, I can use the colored pencil number 370 aid to give it more brown tone. You see, I'm doing gets in order for you to just see. This is the color principle number 378. And I guess we need to fade these edge. I need other colors to add. And if you see that you do not have some colors. No matter what the brand is, you can find something that is close to the color. You can find the color anywhere. It is not important that you use just this number of this brand of polychrome, classic, whatever. It doesn't matter, just find it. An artist must create everything by himself or herself. And creativity is through simplicity. Now I guess I need a darker brown, like the color pencil number 380. In order to fade these edge of the eyebrow, just look at the original photo. I always check. Let me give you a point. Remember that I told you before that that this play of your tablet, your cell phone, laptop, whatever is, what you see is different. So according to what you see, you decide on the colors. It depends on the display, the quality of the display. They are different. I don't say that this one is better. I don't know the iPhone is better than Samsung or Samsung is better than no, it is, it is not that different to me. I mean, according to what you see, that quality of the phone, what it shows you unit to draw and color. It doesn't mean that all key you have to go with the LCD of Samsung or iPhone, know just what you see is important. You have to draw and color what you see according to your phone, your tablet. It doesn't matter. The base color of this is third. Remember that while your coloring as sometimes the tip of your pen, so is it gives some particles. And okay, When you see that you can blow that away because it is going to bring some lines there. So if you see the tip of your colored pencil is broken just with a blow. Just okay. I have some lines of the eyebrows here. Just look at the original photo all the time and decide whether to put the lines or not. That's it. If you have the color pencil number, a 190 of polychrome, you can use it. It is a kind of Indian red to add. Otherwise, if you do not have the colored pencil number a 100, Ninety off polychrome, you can use the color pencil number 392 of classic. You see it is like Indian red. So either a 190 or of a polychrome or through a 19012 classic color pencils set. You know, it, it is giving it more color and makes it vivid, natural, mature. That's it. And guys, I told you tried to practice all the time. Try to take your time. Do not being a hairy. It is getting its shape. But actually I guess we need some colors like 330 or 331 here in order to work on the forehead. I I guess it needs more work to be done here as you see, I'm, I'm coloring this for the line here. It must show itself. Even I see some wrinkles series is because of that finger on the eyebrow that appeared, those two wrinkles. So I'm working with this color pencil in order to create that. That sit, don't worry. You can take your time. And guys, remember practice makes perfect, Do it. 16. Completing the eyebrows: Now I guess I need the dark brown like number 380 in classic in order to fade the edges here. So remember that it is a little hard to blend the colors of color pencils of the mean classic sets. This is why you need to use more pressure of the hand for blending it in comparison to pull the Chrome sets. So don't worry. When ever you think you need more pressure on your hand in order to blend the colors to have a better fading. Do it. Now. I need the color of the classic. In order to create the eyebrows, you can see that you can zoom in. Just have some sudden draws, okay? Create them like this. First you need to have more pressure and then just let it go and lose it. You see, just that there's like spit some parts. First of all, it is not necessary to give they I mean, the major density and after that you can work on it. It can add inch by inch, letter by letter. Gradually. You see, I'm just throwing actually those lines. The way I'm doing. This is a very good way in order to draw the eyebrows hairs because it can look really natural. Given here. And the more we get to the actually side, you need to actually use lighter color here, I guess I need to use this brown. I can see some hairs here. Even up there. That's it. Just I always keep an eye on the original photo and after that, draw their hers that I see in the eyebrow job. I don't want to lose any detail. So an artist must have sharp eyes. I guess. I can give more redness. I can use the color pencil, 309 to 12 classic or a 190. I've pulled the Chrome in order to give more red color to this because I guess that's beneath the eyebrow hairs. I can see some red to tone. This came. Okay, that's it. Now, again, I'm going to use the black color pencil to add more hairs here. The I brew it is dark. So I'm adding more hairs here. Exactly what I'm doing. You've got to do more patients and precise. You can work on the I grew like this. This is the general form. It has. Actually, that's part. Actually an after checking that you can Reaper, you can fix, you can work on the other details in order to have a better outcome. This is what I do all the time. I work on a piece I actually, of the art and then I check hit like here, I need a shadow here with that classic black with a very, very low pressure off the hand, adding this shadow. So I I was telling you that later, I check whether I need more details to be added or not. I'm going to add and that's it. So you have to complete this. Do exactly what I told you about here, even on the forehead. And try to complete these parts and then we go for the other parts. Okay guys, Good luck. 17. Learning to create finger shadow on the face: Hello guys. After working on this came parts and the eyebrows. Oh, it is time for us to work on this shadow here beneath these fingers to separate it. Let's use the colors that we used to use here. And there's the color pencil number 330 of the classic. And now I need darker colors that we used around for, around the eye. Let's add. So the more it is getting to the left part, you need to fade them because the shadow is a right on there the finger. This color pencil I'm using is classic color pencil 387. We have the equal colors in poly chrome or the other brands. It is necessary for you to have sharp eyes in order to distinguish. Remember, it is better for you to have at least the set of colored pencil lead 48 or 60. Because if you're limited in the color, it is really harder because you need to blend the colors to make a new color. That's it. Now, I need a darker brown to give more dark. This is added here. Remember to fade that color, my blending. Because it is going to look more natural. I told you more than a thousand times, oh my God. I'm repeating everything. Maybe these on your damps. I'm sorry. In case yeah. This brown and red like classic color pencil 392, it is going to remove that very yellow color from it by giving that reddish brown here. Sometimes you think that the edge of the color is not faded. You can use the color pencil numbers 132. We actually More pressure of the hand to fade as you see it is happening because the base color of the skin is a 132, so it is going to work. The parts. Here beside the eyelashes, we need more darkness for more depth and shadow. This is why I used the black pencil, but down there, I don't need the black color is brownies. Okay, this going to do what I need. I need to do more of this because when I look at the original photo, I can feel the shadow is darker. Now. I'm gonna fade the edges of it by this time. Colored pencil number 330. Now it is a good shadow. But still I'm going to work on the detail by adding more colors. To fading is important. This is why I'm using different colors. The lighter colors do fade that. Let me tell you something. For these little shiny parts in the corner of the eye, you can use white pen fairly smoothly. You can ads, draw the things you see in the origin of photo Ferry led up. Even here in the P a pill. I can see some glossy reflection of the light which is shining. You can use white pen to add these things. You know, for wide colors, you can use erasers, sometimes, whites pencils, but for these white pen is okay. 18. Coloring the left eye: Okay, we are done with the eye. Let's work on the other parts. I'm going to work on that little part of the eye, the left eye. So I draw the brown line with the colored pencil number 387 in order not to lose the track. Even you can use some darker brown shoe then use too much darkness here to make it sharp. Now, the corner of the eye needs the color pencil number a 132. Don't use it a lot. And after that, the color pencils, 330 and 331 of classic. To add the color. For the darker parts, you can use 390 two of classic or 190 off polychrome. Thing. I need to add more here. Now. I need the cyan color, like the color pencil number 354 as we used for the sclera, the right parts. Now by blending it with the color pencil number a 132, to fade it to make it look like the sclera and the other eye. We did that before. It is going to give it the natural look like this. 19. Coloring the space under the nose: Okay, it is time to work on this whole for the nose, let's use the color constant number a 132 for the skin under the nose here. And now we need the color pencils 330 and 331, that we used a lot to cover that. Now, this is time to use the color pencil 387. To add the darkness. If necessary. You can use the color pencil number, a 190 off polychrome. To give it more red. I can add darker browns like 300 AD, but do not just give it more thickness just here as a line here. So I think if you pay attention, the shadow is here around the nose tip. You can see that in the original photo on this cane here. By just having this line you can separate, gave the perspective from that chin over there and the nose here. This same colors that we used before. 330, 330. One. You can use the polychrome a 132 if you do not have classic. Again, I'm gonna use a colored pencil number, a 190 here of polychrome, which is 392. It has a little red in itself. So you see the shadow is going to look itself and into faded toward down. This is the color pencil number 380 of the classic or any other kind of dark brown in order to give more darkness to this shadow, tried to use dat circled round format of coloring. It is better for you to have a better texture of the skin. I'm not using it because I don't want to waste your time, but you have your time, you can do it. You can cover it in a very natural way to give it that texture here we have the shadow here, here. Then this parts again, again and again and again. I told you don't worry about those white or light spots because if you covered that we'd some callers accidentally, you can use erasers at the end to remove that. If you have followed. You can understand that we got the tones of the colors from the skin. But there are some parts that we need, some other colors that we have to pay attention in order to gain that. And remember this shatter. If you think that the shadow is not enough, you can use black color, but veto wary, very low pressure of the hand. But you need to fade it downward. So you know that we haven't colored the skin of left part, left cheek. So when we work on it, you can see the volume notch better. So here, there are some other parts that we haven't color. We can use those darker colors. After a 132330 and 330 won 387300 AD, you can add those colors to these light parts, even the color pencil number through a 178 to cover for the parts that we haven't worked on. There is a very important note. You need to gain the volume of the nose. I'm going to tell you how to do it. Everyone to have a kind of Google. You know, like here, you really need to fade the colors. Then we have the reflection of the light. The colors must get faded towards that light parts. In this way, you can gain the volume, whether it is a nose or some other parts like this. And as you were in the previous videos, try to keep the light parts, but in case you lost some parts, you will then have hard time to create that because you can use erasers, Kotter's to regain those wide parts. Don't worry about those parts. So but you know that this, this kind of lights that you see on the tip of the nose, it is better for you to keep it because it is easier for you. Now. I'm using a 132 with other they'll high pressure of my hand in order to cover these parts, you should do this from here. The base a 132. And remember that we have some dark parts here. And after that, we need to work on the other parts like the lips. Good luck. 20. Use green pencil to completing the skin and subcutaneous of upper lip: Okay. As you see, we worked on most parts except for lips, darkness, and the fingers. So let's zoom in in order to see the, you know, by sharp eyes, you can see that, you know, give more dark. Does we need to work on this? Can, if you want to make kids more natural, we need lego of green color. The color pencil 370 or 363 in classic, sometimes 300, 66 event. We can actually add that color pencil number 370 around the eye. Here. In the shadows. We can add them. You see that the color is going to form its color and the natural way because it is too pink by giving this green, you can have and create good mature skin. The low pressure of hand, it is not necessary to cover all the parts only and only the parts that are dark. I'm looking at the original photo. You have to look at the original photo only for the dark parts, for the edges, for the shadows, you can add this green color. Maybe it is surprising for a lot of guys to see that I'm using the green color, but that's it. This is the art of blending the color in order to get to the original photo, but use it very, very, very precisely. In order to have a good one. If you need darker green, we can have the colored pencil number 372, which is a darker green on there. I hear in this shadow for the dark parts, I feel like using it. Adding green color can make your skin gets more mature. It should be in a very good way, low pressure off hand. In colourful, actually words, you know, you can see how majority got in comparison to what it used to look. We can use different callers For colorful works in order to give that mature minus 2. The skin. Even. For Penn coloring, we use Event pen. There. It is very important how much you're going to use if you use a lot of green, dad would ruin your color of the skin. When I ask you to use the colors, it should be appropriate. It should be and the appropriate a proper amount. And order not to give it more or less. You have to be really careful about adding the colors. After adding this. Let me zoom in in order for you to look at the work better. After adding the green color. I'm gonna work on the lip. The base color is, I guess 319 classic. Very smooth. The low pressure. Of the hand. In polychrome it is a 119 in classic of these 319. So whether you're using polychrome, you can use a 119. And in classic 319, remember to remove. That's a pattern that you used. I mean, drew with a pencil. It is better to remove that. Then we do it faster, but you have to be patient. You have to take your time. And knowing this circle way, round way. And then color that. We have a wide edge for the lips, around the lips. Then I mean, at the end we can work on that. If you can. You can leave those light white lines. But if it is not possible for you, you can work on it later. So you see how I'm going to use fading. Adding the amount of color. You see. You should fade leads from this line between the upper and lower lips. And now when I go up word, I use less color. And from this line, when I go downward, I have to actually fade that an opposite way. Like this. I'm going to use a darker pink, which is number 329 in classic. For the darker pinks. I'm giving more darkness to the pink here. One of the most important things for drawing the Lib is the edge line of the lab. Do not have the lines, straight lines for the around or lines. It is better for you to fade that with the other part of the skin. It is going to make it look more natural. Some people prefer to draw the lines, but it is going to give it something like artificial look. You have some lines here, you can add them right now or later. Those lines, vertical lines. You have to work on the details of the lip sooner or later. Here. I need the brown 378 for that darker parts. You see here you can see a ladle, darkness like shadow here. You know, as you see, we're giving darkness is step-by-step. First, we start from the light colors, and then we are going to add darker colors. And fading is done all the time, blending colors, fading them in order to give that natural look. Again. On working on the upper lip, specially the dark parts. For working on the details of the lip. I'm going to take your time a lot to I can work on this live for more than two or three hours. But because it is a video tutorial, I'm going to do that fast. I'm doing that fast. I don't want this video tutorial to be boring. The most important thing for me to teach you here is how to blend and choose the callers and how to draw them. I prefer to teach you how to fish. Instead of giving you the fish. Always try to have sharp eyes. Try to look deeply at the details. When you look at the details, you can have a very good outcome. Now, I am using the color pencil number of 127. It is available. I mean, we have equivalent in polychrome. I'm going to work on the darker parts, especially on the lower lip. 21. Completing the lips: We shouldn't lose this line between the upper and the lower lip. Okay. We need to have the color pencil number 319 for the lower lip as well. You need to gain the volume and the lower lip. From the line down word, you need to fade downward. And from the lowest part upward you should fade it in order to gain the volume, especially for the lower lived at most of the time has volume. So from the line between the upper and lower lip, downward and from the lowest barred owl, barred fading. You can see I tried to keep these lights reflection of the light here and later. Fading this. For one of the most important things in color pencil drawing. If you look at the professional artists works, that how they are going to draw very naturally is that they are working on the vault EU and blending of the color in a very good way. As you can see here, we are working on the volume of the lower live in a very good way. The more you work on the volume, the better your work will be. Actually. Here we have some texture and details here. I tried to look at the original photo all the time to create them. Later. I'm going to use the Carter or eraser, I mean electric eraser to draw these lines which are light or white. I can use the color pencil number 330 here. Because the lipstick is some kind of purple. Maybe. With adding this color, we can get to that lipstick color. That's it. We haven't worked on this came here yet. Later. I'm going to cover that as well. Now. I need more pink color in order to show more volume here. This darker color is used for the line between the upper and lower lip. By adding more colors here, the volume can show itself more naturally. The colored pencil number 387, which was a brown that we used before for the other parts we can use here. There comes that white color pencil. In order to fade. The callers. To sharpen the parts that dotted parts are going to get away. It is so smooth. You need to have more pressure of the hand in order to fade the colors, as well as removed those dots. And that's it. Now, again, I'm adding more darkness here. Alito, color of the color pencil 331 can be used here because it has more pink. The Kola Peninsula number 319 has more purple in it. Or some lines here. You see how natural the lid is showing itself. Now, we need read. Lie, I mean, color here. With the colored pencil number 392. We can add darkness to this line here and here. And the lines here. Later. I'm going to work on that light glossy lines in order for you to see how it is going to look. Here we have the lib for the conditions of the live and the forms of the line between the upper and lower lip. I used black color, tried to play with it. And after that, use brown color to fade, that. You can use the colored pencil number a 190 from polychrome to fade it downward. Actually, you can work on your drawing for hours. This I told you is a video tutorial that is only for you to get aware of the techniques and the colors. The more you work on it, the more beautiful, the more natural. It is going to look exactly like this. The next step is for working on the glossy part of the lip. Remember to gain the volume. Remember to fade the colors, especially for the lines. Like here. Let me add the shadows. And after that the details and those important things are going to be used. I'm going to show you how the details are gonna be given, especially those reflection of the light on the lip, the light line around the upper and lower lip, the shadows, texture of the skin, et cetera. I hope guys, you enjoyed this video and don't forget to watch the next episode. Good luck. 22. Creating facial lights with cutter and erasers: Okay guys, we have some reflection. Some Colossi lies around the eye in the corner, around the lip. And we're going to use their medical corner. Because it is like the pencil, it has different tips. And we can use the mono 0 like trick eraser to work on these parts. Just look at this. With low pressure of the hand. You can add these lights, these white parts. And if you think concert doesn't work for that, you can use the electric eraser or even white pen. It depends on the white spot there. In my point of view, contraries proper for this event, for this upper part. On the eyelid, the upper eyelid I can see some white spots, some white dots. It is really easy to create them with this counter. If you feel it is too sharp, it is radical. You can use the color pencil to remove that. Here I can see some lines. You can add some white lines here by the Carter. Okay. I don't want to add more of it. For this tip. I mean, around the corner I can use electric eraser. Remember to sharpen the tip of the eraser here. In order to have a better outcome. Like this. Do not use a lot of pressure of the hand. It should be really narrow. Now for the line around the lab, for the upper parts, I can use the electric eraser because it is too much. Be very careful. It is not up to the end of it. And on the lip I can use the Cod her for these reflection of the lights. And the lower lip. You see the shape is finding itself. This is a very helping medical Kotter. It is helping us a lot. After creating these light lines with the carter. You can fade the callers. By fading that you can give it even more natural look. Try to pay attention and puts those glossy lines on the place according to the original photo. Because we worked on the others spots which were light reflection of light. And in this way the harmony of reflection is good, okay, Now, even upper lip, I can see some lines here and here like that. Now that called a pencil number 319 can be used in order to fade the colors. And in this way it is not going to look fake or artificial. And fading is really important in color pencil drawing. Even you can add some dark lines beside those allies to make them showed them themselves better. As you see here. Now. I am going to use the electric eraser for the tip of the nose. I see this part here, the white spots, which is the reflection of light. Exactly like this. Let me rotate it. Even on the vertical part of the nose. I can see that there no, it shouldn't be in a harmony just spot by spot with low density. You can add that, play with that. In order not to have organized actually line it should be something natural. Then you can use colors to fade in order to look natural. That's it. They were actually the lights with the Carter where the electric actually eraser. And this is how we are creating those of whites, little lines. You know, with low pressure of hand, it is not necessary for you to fade them, but if it is sharp, you are supposed to work on it's fading. A kid do the same thing for the other parts to see you in the next level. 23. Creating shadow on the skin behind the lips: Hello guys. So as you see, we've finished this part. We added those tiny darkness in order to have a very good look. Now, we need to work on the darkness here. Let's start with the color pencils, brown, 300, 80. Let's start with that. We need to add the darkness. You see, it is going to get faded downward. After adding actually the darkness. First of all, we need to have all parts of the skin be covered. Bid the colored pencil number a 132. Don't forget that. That's what we need here. Try to fade this color with the edge of the lip. Even down here, below the nose. I can add this color. Now. I need that color pencil of 300 76, which is a very dark brown with low pressure on hand. I'm going to add a layer of shadow here. This part is far as, you know, the more it comes down, it is going to be lighter. I'm doing it very fast. Remember the way I told you to color with circled round VEI of movement. The color pencil, you're going to have a better texture and better outcome. You can work on as single part of your work for hours. And I told you it is better for you to practice a lot. So you're going to know yourself, you're going to know the colors, the patterns. You can. By practicing by more exercise, you can get much better. You can get professional event. Here. I need to add more. This same story is going to be done for the whole parts of the finger and hand. I'm not going to waste your time. But this little part, actually, I'm going to show you what callers aren't necessarily here and how you're going to at the colors here. Now. The green color like 359. We can add it here. The added adult added a lot. It should work. More nice trod. As I told you before, this green color is going to give it maturity. Now the color pencil black is used here. Exact found the edge between the little finger and this gain. And no, here, you know, the more it comes down, it must get Fader. Now, I can use the polychrome number a 190. I want to add it. It is going to fade the shadows here. And by blending that, it is going to look like they actually are original photo. You can use the black pulley Chrome here to add more darkness. Sometimes it is necessary for you to work those basic colors for this skin. You can't use them. Now. I use the browns from that classic set of colored pencils. This is used in order to fade the colors here. I am going to give a good look to the shadow here. Yes. K. With this same callers, like a 132 and 330 of the classic. It can fade the edges here. Let me rotate. And I want the direction of my coloring to have different position in order to have the balance. One of the reasons of having these kind of direction is the way I color in a fast way. But when you're using actually round circle way of coloring, you will have actually not a problem like this. Okay? All the parts that we need this, we have to work on it. And after that, darker browns and black can be added. In order to create this shadow, you have to do this. Okay? I don't want to take your time. There is a little shadow here. You can do it yourself. I just wanted to show you the step-by-step out and the category of the colors you're supposed to use in order to have this shadow. 24. Creating dark space of background: Okay guys, this is the shadow there. Now for putting the darkness in the corner, you can use a dark brown here, like they're colored pencil number 376 here. This should put it in organized harmony way. You should call her that steadily. This way. After, you know this, you have to use a darker brown or black given to add to this part to have a better actually dark color here, exactly like the photo you see the original force. It should be the same all the parts. Now, I'm using the classic black colored pencil. You can use polychrome as that. So it is very important than the base color is used. Something like dark brown is used. You know, the details that I told you during the project from the beginning, you have to pay attention to them. You've got to put them into practice. The theories not just important, you have to put it into practice in order to do it. Practically. The other dark parts between these two fingers because we see more darkness here. So when it comes to the tip of your finger, you have to use less pressure of your hand because it is not That's dark as it is in the middle of it. Like this. Here. And here. That's it. It should be dark as it is. It is separated from the skip. Now. The other brown color to fade, it is a lighter brown than the previous one. I'm using it in order to fade color. The most important thing in these kinds of painting is to pay attention to the volume. The perspectives. By fading the color, you can gain the volume. You can show that something is 3D. So it is, I guess the end of it, the only thing As to use the medical coder for some shiny little glossy spots and dots here. Like that. Given this, we used actually electric eraser before. Now I use the Carter for those very detailed, those textures. This contour, this medical culture is really helping you. It is so useful you can do a lot of things with this. And let me fade this line around the lip. Okay. So guys, that's it. The only thing which remained is the fingers. You're going to use the same colors like a 132, 330, 331, et cetera. They are for the base and you know what to do for the rest of it. I hope you enjoyed this course. And remember, practice makes perfect and pay attention to there the tails. See you later and that lock. 25. The subcutaneous of fingers skin: Hello everybody. Now it is time to work on the fingers and afford the base color like the face. We are going to use the polychrome a 132 from polychrome. As I mentioned, you can use the same color in classic or other brands of the actually color pencils. So I need to sharpen the pencil in order to have a better neat way of actually coloring. So as you can see in the original photo, there are some parts which are glossy. The reflection of the light is there. Let me zoom in for you to look at it better in order to gain the volume of the finger. Like these parts need to be uncolored. You shouldn't color that, you know, from here up to down, you should call her. And from down parts to the middle part I'm in today's reflection on live. Do you need to color? So let me actually have this color pencil number a 132 in order to see what is happening. Of course, we have other colors in order to make HD more mature. And in order to make it look completely like the original photo, for all the fingers, you can use the same color. And I've actually, you should keep that velocity part uncolored. And some parts which are exposed to the shadow unit to actually put more pressure on the hand in order to give it more color. As you see now, the volume of this finger is showing itself. Remember that it is very important to gain the volume by color. So we have some green kills on the knuckles of the fingers. And no later I'm going to work on them. Now. I'm only and only focusing on the base color of the fingers skin. That's it. Let me just color this part in order for you to look at it and learn how to color it? No. There's some wrinkles on the call. I just want it here in order not to lose. You're going to read this. If you use your IQ, you can easily find the colors in order to color the whole fingers. In the end, it is not really heart. If you focus, if you use your ICU. And they told you it's not hard at all. 26. Adding complementary colors to finger skin : As you know, we have sharpened our pen, so I'm in the color pencil in order to work on the parts, we had more callers in order to cover the parts which need more color. This way. Actually, we are not going to remain any paper unreached. We are drawing and coloring. As you see in the original photo, we have a reflection of the light here, a glossy line here, that is exposed to the light. It's not necessary not to color it at all. Sometimes you can actually have the eraser for that. Now, I'm going to use the color pencil number 330 from classic colored pencils set. That is for the next step, let me sharpen the color pencil. We need to actually give that color pencil number 130 to the base color to get mature. Let me sharpen it. It is colored pencil number 330 of the classic color pencil. As you see, it is pinkish orange. It has a little orange in it. I'm adding this Over the color pencil, a 132. That one was polychrome set. This is 330 of their classic sit. Try to fill in those blanks, especially from button to RP. And of course from the upper line up to mid. If you think it is getting darker than the actual MH, don't to worry because you're going to fix it later. That's it. You can do it freely in a simple way, I mean, easily. So as you see the formats of the finger, its volume, the color. They are, they are getting shaped. Now. I'm going to use the color person number 392 from classic, which is kind of brown. I'm just going to use it, use it a little. Just for the parts which are really dark like the parts which are close to the shadows. Right here. This is the color prints the number 392 from classic. Okay. Even here at the tip of the finger below the fingernail and the shadow parts here we can have the volume tangible. That's it. Okay. 300 AD three of classic is the other color pencil. We're going to blend it a little. As you remember, we used it in the phase in order to remove that derived the cold redness of this kit. So from the classic color pencils used a color pencil number 383. In order to get the now, again, I need the color pencil of a 132 of the polychrome, an order to give it more color. Little by little. Gaining the volume of the finger. You can feel that volume, that perspective of the finger. So don't worry about actually making the color darker data. We can work on it. Here with the white color pencil. I can actually blend the colors in order to fade. In that same time, I can have that glossy line, which is white. And for the light parts I can use actually the white colored pencil, either classic or polychrome. The worry. And sometimes you can use the eraser if you think in it, a kick. That's it. For giving the darkness to some parts. I can use. The color pencil. Number. Actually should be a 189 of polychrome, which is darker than the 132. That is very useful. I mean this color pencil number a 189. I can use it for I mean, the line around the fingernail. Even down there to give it more darkness because it is close to the shadow. It has a shadow. And i is a good way to blend the colors and fade them. Sometimes you think that the colors you have used actually are not enough. You can use them again. I can, for example, use colored pencil number 380 three again, because I guess we need more of it. So don't worry, sometimes you feel you do not have enough color of what do you have used. You can use it again. Because you can remove the redness. You can actually use the same color, actually coloring for the other parts. And actually for the fingernails. You can use two or three callers, like the 321326390 to start from the colored pencil number 321. Lead swore a kinase it. And after that we can work on the glossy part if it is possible for you, you can keep it on color. Otherwise you can work on it later. Remember to keep the four of the nail here. Let me color it from op, up to the part which has glossy shine. And the same I am going to call her from down to up. And I tried to keep that line. As you see. Like that. That's it. This is the first color, 321. Let me give this green color here. Now. 326, which is a darker. I'm going to give it more maturity. Remember, it must be darker than the previous color. It should be a darker red. You can use according to the colors you have in your color pencil. For blending, you can use the color pencil numbers 320 Chu to fade the color and give it a more natural look. Ok. This time, I'm going to use the color pencils 382, which is brown and red together. For the darker parts. If you look at the original photo, you can see that here. For the darker parts, I can use this color pencil number 392 in classic, which is close to a 192 off polychrome. That's it. You can use either of them. Now, I am going to use that color pencil, 225 of polychrome, which is close to that one, gave it more darkness. Polychrome actually has a better way for covering on it. You know, the fingernail has a curve on itself. So remember you have to color in a way to create that volume, which is a curve from the darker parts to the lighter parts. You can have that. So as you see, you can see the correctness it is felt. You can work on it. Sometimes. You're going to actually give more colors to the darker parts and remember to fade them. Okay, let's work on the other parts of the skin of the finger. That's it. Remember that you need to use the colors, the same colors for the fingers. Remember to fade them or when you are adding colors by blending you have to fade them. You see, I'm working gun that finger. You know, in this way I can blend them. And in this way the colors are faded. And that is what a professional painter, artist master. And don't worry about that line which is glossy, which is the reflection of the light. I told you a lot of times that you can work on it later. You can use the eraser, the white pencil, the color the color pencil wide, or the white pan, as well as the Carter or I don't know, eraser. Remember, when you're adding colors to these parts, those lights, shiny parts can show themselves. You see when you just gave more colors, if you keep looking at the original photo, you can see everything is okay. Now I'm going to use the color pencil 392 of the classic to give more darkness with brown, you can use other brown colors as well. There are different browns. 376378, which has less red, Nelson it in classic. Actually, if you do not have the classic, you can use the callers equal to this. You can were occurring these lines. When it is dark. You can give darkness that it. I need to use a 132 of the polychrome in order to fade and blend the colors. In this way, colors are mixed and it would be so natural. Now I want to use the color pencil a 189, to blend it in a way to give it the perspective, that volume of the finger must be actually shown. At the end. You can use the color pencil number 319, which is a kind of purple. You can add it to the finger. It should be very little with low pressure of the hand. In order to give it maturity. The same story can be don, the, the thing I did you can use for the other fingers. And after that we can work on the wrinkles of the knuckles and of course the volumes, as well as the eraser and Qatari using for the light parts. Okay. Thank you for watching. 27. Coloring the polish of nail: Hello guys is you see I use the same procedure for coloring the fingers. I did two of them. You can use the same for the fingers. Now I'm going to work on the Nikon Zander wrinkles here I can use the color prints, a number, a 190 of polychrome or other browns. Actually, the popping up. There are some volumes. You need to do it smoothly. I tried to give it more darkness to have a darker tonality. In order to have the contrast with the face, you can use it in a lighter way or darker gray. But remember, you need to actually give the wrinkles in a way that it shouldn't cut, that actually finger, it should be there. If you use more wrinkles, you can give, I hope, more age to your subject, which is that correctly, this young face, you need young fingers. Let me zoom in for you to know what I'm doing exactly. They are the parts to work on. We have some darkness here. Let's put it in the way they are. That's it. Like this. We have some shadows here than there. You can use the column plus a number, a 190 or other brown color in classic color pencils set. And after that, you can use some erasers in order to work on the details for those light parts. That's it. If you wanted to give more perspective, you can. We're now I'm using the eraser. I look at the original photo. I tried to give the lightness that should there be in harmony. They shouldn't be identical. Because it would then look natural. Do not give it red light this little by little lower tonight. Yes. I have some lightness between those wrinkles. Tried to remove the remaining of the eraser here. You can blow. They are those light spots we need. Yes. No. Keep looking at the original photo. If you need more lightness, more white parts. You can use the Kotter or white pen in order to create them. So in the ring finger we have some light spots. And that's the way we are creating that. That's the way we are creating those white parts. If you think the white parts are not actually good, you can fade the colors by blending using the color pencil number a 132, working on the edges, they are not separated. Now, this is the time I'm going to use the courtyard for those bright lines. So I'm creating them with the medical cover. Some of them are the pr. Actually, we are removing some layers here by the Kadoorie in order to create that right parse event in this part on the narco. The same story. That is the way you can work on the other fingers to do you can give the light parts, those shiny parts, glossy lines. On the other fingers, it is not that hard, is the same as we did on these two fingers. Now that's it. Let me zoom back. Again. I'm using the color pencil number a 132 in order to fade the colors to give it that Schrodinger shouldn't create the artificial reflection of light for those light lines. And I use the color principle number 392 to our current that darker parts for the shadows down there. As you see even this corner. It means when you look at the original photo, you can see that K, V a little. And in this side we have a ladle. 28. How to create finger joints and light on the fingers: Okay. Here we have some hair lines here. We use the color pencils 387. The way you see there her in this corner. Try to keep your color pencil sharp. I mean, to sharpen that. This is the light part. Do that. And also here I can see some hair I am going to create. Now you should shake them toward the skin. Shadow of the thing. Shem be given here. Don't actually move. You're actually colored pencil in a way that it is going to give more actually hairs. And to the places they don't really need it. Now, I need a darker color pencil, 376, for the darker parts. The previous one was for the lights actually base for it. And now this is four. The dark was exactly the direction should be in a way that the form is in the direction of the hair. Here in the corner is here we need some darkness to pay attention to the border of the finger and the hair. And no, do not have color on the face. Just on the parts that you need. Actually the hair and you see in the original photo. If you think your brown is not dark enough, you can use a darker one. Like I don't know. You can use Event the classic black or very dark blue. Here. I'm using the black color. In order to give more darkness. I'm going to give it actually the dark tests exactly the way it is. Now in the photo. Like this. The parts with darker colors. To be given darkness, even the edges can't see. Starters. It should be like that if you think you're proud, can be used. You can use that even that very light for the first one, several 187, let me rotate. In order to be in the right positions. Here, we have some lid of hair lines that sit. And this is the time to fade the colors by blending them, we used 34 different colors. This is why you have to blend them in order not to see the sharpness of an individual color. Those brown colors as well as the black Hawaiian, need to be faded and the parts in order to have natural look. And that's at the end. You can use the polychrome, the black color of all the Chrome, because it has more darkness to cover the parts that need it. 29. Drawing the hair and completing the work: That's it. Just a little of this polychrome black for some flux of the hair. This scene, this way, the flux of the hair are separated and are truly at the end. We have to use the cut her in order to have those light. I mean, white lines here. With the tip of the catheter. You can have some of them. According to what the photo, the original photo shows us. Like this. As you have seen before. We have done a lot of things with the cutter and it is possible to do that. Okay. Actually think it is done and only these two fingers are remained. You can do the same thing we did for these two colored fingers on these uncolored. Let me show you that. You see the fingers are darker in order to have the contrast. So let's work on the details. Like the white spots here. I can use the white pen. Let me zoom in. Look at it. And after that, you can use the tip of your finger in order to fade and blend that. Just a tap. As important, don't put them in harmony in the eyelid between the eyelashes I can see some of them. You see the shiny. And then the tip of the finger to blend the color to fade them. Even down here, we have some of them. And if you think it is too much, you can use your color pencil in order to fade them. Exactly like this. Let me check where else actually needs it. I think we need you can use this electric eraser in order to create the other white spots like this. That is good for creating that. On the tip of the nose around the lips, we can't some white parts even for the reflection of the light here under the eyebrow. Oh, you can create that as well. That's it. Again. You can use the color pencil to create it. I hope you enjoyed the work. I hope you'll learn the things you had to. I'm going to color these two other fingers and I will show you actually completed work because it is repetition of the finger. I'm not going to waste your time. These two fingers would be your homework. And remember that whenever you are creating some white parts, tried to fake them using the color pencils, specially those we used for the base color. Now I'm using a 132 of polychrome. That is the whole work. I hope you enjoyed it. Do the things they told you, follow the tips and remember to fade the colors, blend them. Like what I am doing right now for the white parts are not removing the white node, white lines. I'm in the shiny parts. I'm trying to just fade them in order to make it look natural. I hope you enjoyed the whole course and that was its. Remember to see the completed photo at the end. Okay guys. That was the and and good luck.