Transcripts
1. Intro: You know how it takes
just a minute to set up a new document or delete
default swatches, or find the right tool panel and the Window drop-down menu. Now, think of how many
designs you want to create. A lot of time and room for error that I want
to help you avoid. Hi, I'm Leanne Friedberg and I'm a professional surface
designer from Canada. I'm actually really
excited to share these to Adobe Illustrator
secrets with you, because using them can
have a huge impact on your workflow and give you
more time to make art. This course is intended for an intermediate or
advanced designer, but I'll make it accessible
for those of you with less experience by narrating
each click or selection, by sharing my own preferences. A surface pattern designer. In case you're not
quite sure how you would like to customize
your experience yet. I'll be demonstrating with Adobe Illustrator 2023 on a Mac, but encourage you to use the Discussion tab
to get or provide help on adapting these skills to other versions or
operating systems. Join me in the next class to
go over the class project.
2. Project: Because this course was
designed to save you time, the class project is simple. Just a screenshot of
what you have learned. I think it would be
really helpful to other students if you
also include a sentence or two describing
what kind of work you do and what choices you made
to optimize your workflow. To take a screenshot on a Mac, you can hit Command Shift three, windows users can hit the windows and
Print Screen button. If you don't have a Windows Key, tried Control Print Screen. If you don't have a
print screen key, trig function windows
in the space bar. And if none of these
options apply, visit the link provided in
the course description. Join me in the next video
so we can get started.
3. Secret 1: The first secret to optimize
your workflow so you can make more art is all
about workspaces. In Adobe Illustrator,
a workspace refers to the overall layout and organization of what
you see on the screen. In this video, I'll show you
some ways you can customize your workspace and
have the skills to make as many workspaces
as you need. This is often one of those things that
you hear about that either aren't sure how to do it or if it's worth the effort. Well, I'm here to show you how and insist that it's
more than worth it, especially when combined
with secret number two. Let's get started by opening adobe Illustrator
on your computer. At the top left of your screen, click on new file. Now, set up your file with your most commonly
used specifications. For me as a surface
pattern designer, I like to start with a 3,500
pixel by 3,500 pixel canvas with one art board in RGB
color mode at 300 ppi. Once you're happy with your
settings, click Create. I actually don't work with multiple panels
scattered about anymore. Especially since discovering the intuitive and robust utility of the properties panel. I addressed this in more detail in my last pattern bytes class, which of course I encourage
you to check out. I'll drop a link to it in
the course description. So you're not afraid
to make changes. Let's just save whatever you
have showing to do that, go up to the top of your
screen and click on Window, Workspace,
manage workspaces. And click on the plus sign. Name your space, whatever
you would like and click. Okay. Now had up to Window, Workspace and select essentials. And so we're all starting
with the same interface. Go back up to Window,
Workspace, Reset Essentials. Now your screen will
look like mine, and it will make this
next part easy to follow. Let's begin by
customizing the toolbar. On the left side of
your screen you'll see a vertical column
of basic tools. Click on the three
dots at the bottom of that column to
edit your toolbar. Unless you're really
familiar with the tools, I recommend switching
to list view by selecting the horizontal lines
at the top of the panel. The grayed out tools are
already on your toolbar. Take your time to
scroll the list to see if there's anything
you would want to add for easy access. The first ones I'd like to add
are these three pen tools. Add, Anchor Point tool, delete an anchor point, and the curvature tool. I'm going to select the add anchor point by clicking on it. Hold down my Shift key to
make multiple selections, and click on the other two
as well, and then release. Now I'll click on them and hold, drag them over and hover over the pen tool until
I see a blue square around the pen and then release if you accidentally let go
somewhere else on the toolbar, don't worry, you can
still move things around by selecting,
dragging, and releasing. Now, if I click and
hold that pen tool, I'll see everything that's group there and can select
any one of them. I'd like to add the
polar grid tool, which I sometimes use as a
drawing guide for Mandela's. I want this to live on its own. So I will select and hold, drag it over between two tools. You should see a horizontal
line and release. I'll do the same
for the smooth tool which I often use
when vectorizing. Take another moment
to see if there's anything else you wanted to add. I do see a couple of things
here that I don't need. So I'm going to remove them. Click and hold, drag and drop. Click and hold. Drag and drop. Take another minute
to see if there are any other changes you'd like
to make to the toolbar. If you're good, click on the three dots again to
close the tool library. Let's move on and look at the
right side of your screen. I don't use comments, so I'm going to select
the darker gray bar above the speech bubble, drag it out and release. Then select the X to close. As mentioned, I'm a
big fan of properties, so I will leave it open, but would like to
see my layers at the same time without having
to switch between tabs. So I'm going to click the
Properties tab and hold, drag it to the bottom of the screen until I
see the blue line. And then drop it so it
appears below the other tabs. I'm going to drag out
libraries and close it, knowing I can always find it in the Window drop-down
if I change my mind. Now, I'd like to add swatches even though I can access
them through properties. So I'll go up to window
and select swatches, swatches out of the
group and drop it above my layers so that
it is always visible. I'm also going to
select symbols, which I also demonstrate how to use in that
class I mentioned, but this time I want it to appear that tab
next to my layers. I will select drag, hover and wait for the blue
box to appear and drop. And I'll close those brushes. I'm pretty happy with
the way this looks for my pattern design needs. Take a few minutes and make any changes that you would like so that your workspace
better reflects your needs. Just pause the video
if you need more time. Now let's save it. Select Window, Workspace, manage workspaces plus
sign, and give it a name. Now go back to
window workspace and make sure that your newly
named workspaces there. Notice that all of
those saved illustrator did not switch which
one is active. So Essentials is still checked. Let's go ahead and
select the new one. Now, let's say you want to make an additional
workspace, e.g. I. Also designed and
greeting cards and would want my default
set a bit differently. Now, don't follow me here. I just wanted to demonstrate
something for you. So I'll hit Command N to open a new file and enter my
greeting card specs. Then I'll head to Window
and add some text tools. I would ideally
customize this further, but I'll leave it
for now because you already know how to do that. I'll quickly save it
as greeting card. Now we'll go back
to window workspace and ensure that it's saved. But notice that my first
custom workspaces checked. This means that the
topography changes I made were to my
pattern workspace, but bear with me. It's all good. I can now reset my
pattern workspace to the previously saved
version and easily toggle back and forth between
the two saved versions. As is, workspaces
are super-helpful. But wouldn't it be
great if you didn't have to toggle between them or reset them if you
accidentally mess them up just to get started
on a new design, wouldn't it be great if
all the specs that you entered just to open a new
document where automatic. One big mistake I used to
make was forgetting to switch colors spaces for
different types of work and when realize it
until it was time to submit. Well, now I have a quick
and easy solution. So let's head to the next
video to learn how to further streamline your process in a way that you may not have
known you were missing.
4. Secret 2: In case you took a break, I have an Adobe
Illustrator document open with my ideal specifications
for pattern design, including number of art boards, height and width, color
space, and resolution. I also have my preferred
workspace selected and reset the one that pairs
with these documents specs. I also know that if I make any changes to any
of these things, they will not automatically appear when I create
a new document. So this brings us to
workflows secret number two, customized
document templates. Before I start, I want to make two other time-saving
changes that do not carry between documents
when using just workspaces. But will with templates. I'm going to delete the default swatches by
selecting the first, holding down the shift
key and selecting the last release and delete. I'm going to do the same
for the default symbol's. Select Shift, select the
last release, delete. Now, I never have
to do that again, which is great because
sometimes I forget. Now this is where you can
get fancy if you'd like. Some people like to
have their logo or watermark sitting just
off their art board. Sunlight to start with
guidelines are bleeds. Some have symbols or pattern layout templates
they like to use, and others load up their most commonly used color palettes. Actually, maybe I'll do that. I'll click on my
swatches library icon, select user-defined,
and the palate I want. Then click on the folder to add the colors to my swatches panel. I'd like to keep this document
template very simple, just what you see on my screen. Feel free to pause the video
here and add all the things you want to see
automatically when you open your template to
create something new. Now let's save it as an a I T and Adobe
Illustrator template. This is the file format to
use if you want both your workspace and all other document attributes to appear
when you open it. Go up to File, save as template, name
it, and hit Save. Most of you will get
this error message. If you are not on
your own computer or not comfortable adjusting
security permissions, you can save this AIT file where you save your other files. Just make sure it's in
an easy to find folder. If this is your computer
and you're on a Mac, go back to Save as Template. And right-click on the file
area and Show in Finder. In Finder, right-click right on the templates folder
and click on Get Info. At the bottom of this window, you may need to scroll down, click on the lock to unlock it. Enter your computer login
password if prompted, change the privileges
to read and write. These privileges are only
adjusted for this subfolder. Relax by clicking on the log. Now go back to Illustrator, name your file and
save it as an AIT. I'm now gonna go back to
my greeting card file, which I added some things to, and select my saved
greeting card workspace, which I also modified a bit. Save as Template greeting card. That's it. Create as many as you need and then choose the
template you want to work from by pressing Command Shift N for a Mac or Control
Shift N for Windows. Before heading to
the next video, grabbed that screenshot
and upload it to projects. Join me in the next video
to go over next steps.
5. Next Steps: I'm so happy you
stuck with this. I know it doesn't seem like the most fun you'll ever
have using Illustrator. But the whole point is to make more time for the fun part. After you use your templates
and workspaces for a bit, I would love to hear
what you think. You can drop me a note
here in discussions, add it to your project, or even on my Instagram, my username on Instagram is just my name at the
end, free Berg. See you soon.