Transcripts
1. An Overview of Music NFTs: Hi everyone, and
welcome to my course on the basics of music
and FTEs and how to get from zero knowledge
and music and FTEs to your first sales
are setting up your music. And if the project I'm Alton, I'm a session guitar player, working musician,
arranger and songwriter. And I was lucky enough to be involved in the last
year with music and 50s. I was a counselor for
various projects, set up my own music
NFT community, and as well sold a
bunch of lefties. Now, I want to share
my knowledge on how the community
works, what NFT is, how the technology works
in very simple terms, and how you can get started
in setting up your profiles, in getting involved
in the community and getting your
first NFT sales. I want to assure
you that throughout this course I will take in consideration all the
possible questions and I securities you might have. And I'm going to take the logical skeptical way in a sense of getting involved
in crypto and then FTEs. So you can always
rest assured that you're not betting
anything on it. You're just getting
all the gains and just building up
on this community. So thank you and I'll
let's get started.
2. Why Music NFTs: The first topic I'd
like to address is, why would you want to get
involved in music and FTA's, if either you are a
musician, songwriter, or a working musician like me, or you are an entrepreneur who wants to get
started in a project. The first gain or music and
FTEs that you might have heard around online is people selling their
music and FDA's. But what does it mean? Selling music in FTEs means that you are creating a unique
copy of your music, attaching it to an image, a collector is buying it. So basically collectors of people who collect
music and FDA's, this is the first way
of gaining and this the first way with it
you're going to address. The second way is setting
up an NFT project. Setting up an NFT project is different from selling
music and FTA's. Because e.g. music and FTA
might be that I have my song, make an entity posters in a
marketplace, e.g. like open. See that you might heard
of somebody buys it, setting up an NFT
project meetings that I set up a complex structure. And e.g. I. Have a project on which
people by 1,000 and FTEs. And from those inequities, I will give the fundings
to children from my community to buy
musical instruments. Because it's a project
that has our goal which is more extensive
than just selling music enough to use and
financing my career. If your artists of
whatever level, if you were on a
financier album, if e.g. you have a tour or you
need some crowdfunding, if you just, our
bedroom musician who has his creativity going, or even a famous artist wants to earn money
in a different way, I give back to its
community that music and F, These are a perfect way
for you to do that. Don't think about music
and FTA's as working with stocks and working with crypto because it's
a different topic. And that krypton, how
the market goes is very related to how music and FTA's come and go and we're going
to deal with it on that. But the way that she earned a music and FTA's
is not like how you are in investing in creator
that you throw money in and you just have to wait
for it to go up and down. It's mostly a community-based
setting and it's mostly people wanting to
contribute to your art, creating relationships
with people and building up a
good foundation. It's still very experimental and it has its ups and downs. But I believe that in the
future is going to get more formal and more big
artists and more companies, record labels are
getting involved in it. So even though you might not gain just
from the beginning, if your goal is not to
aim for a short book, if you want to take
the long term game, it's good to have your music and FTE basic setup so you're ready for what comes
in the future.
3. Basic NFT Tech : With our next topic that I
want to address is having some basic technical knowledge just to break the
barrier of entry. The biggest reason
why people are scared sometimes of NFT is what
people don't understand. And FTEs is that it's still on that phase that you need to have some technical knowledge
to get started on it. It's not plug-and-play directly, but you need to know
what you're doing. So you can actually
take small steps along the way and understand
what's happening. I want to address first
what the blockchain is. You will find a ton
of resources about what the blockchain is
even better than me because there are a
ton of programmers and software engineers who have
their courses on there. But the way that I
like to explain in very simple terms is that
the blockchain, a networks, network of computers
connected together which record data and data of transactions in a single
ledger or in a single record. It's called the
blockchain because once a piece of information
is put in place, another one is put after it, and it's a chain of information. And it's safe and
secure because note, one of the computers on the network can actually alter
the data once it's put in. So when something is done
in a blockchain, it stays. There are multiple
blockchains, e.g. is the Ethereum blockchain, the solar on a blockchain. That taste is blockchain. Each blockchain,
as you might know from the stocks,
has a coin, e.g. Ethereum has a theorem coin every blockchain is treated
like a separate ecosystem. Meaning that if you're getting into music and estates, e.g. like I got it first in Solana, my network was tech first. And second, meaning that
you have to focus a lot on technology and the blockchain and then on the music
and the technology, and then expanded into
more blockchains, e.g. all my fans in the NFT
war were people that were insulin at first because this was the Blockchain
I was working at. When i, then I got
into a theorem, I was starting to get into the
music groups of bacterium. So it's still like
technology first-time music. Next, the next concept
I want to talk to you about is the Web three concepts. Now what is Web three? Web three is how people are naming the future
of the internet, where the creators are the
owners of the network. Meaning that web one was when you could
only see your website. Web two is today where you can also upload video
and interactive. Web three is when you can as well be the owner
of what's online. In very basic terms, there is not yet a proper Web
three, and that's for sure, people just use the hashtag web three on Twitter a lot just to demonstrate it is
something to aspire to. And assuming that
it's already here, but it's not already
here, it's on its steps. And the blockchain is the
foundation of Web three. Going back to LFTs. Now that we know what a
blockchain is, what is an NFT? An NFT stands for
non-fungible token and a very easy way to electric
spring and FDI is this. Supposing that we are on the Ethereum blockchain is
this network of computers. Think of an NST like a line of code which is unique
to like blockchain. Now, you attach
supposedly that line of code to an image
or an audio file. Now on that ecosystem
and on that ecosystem, only that Audi or image file
is attached to that code. And the property of the
NFT is not actually owning the image or
owning the audio, but it's owning
that line of code. If I e.g. I am on the NFT, sorry, m on the Ethereum blockchain and abiding and f t,
meaning that to me, user, which I'm registered
as a wallet address, which are going to address
later on that line of code. And I'm the sole proprietary
of that line of code which is attached to that
image or that audio file. But the thing is, I only own it inside that
blockchain and eco system, meaning that people in real
life can use your music, people can use your images. But inside that ecosystem, I have ownership of
that audio file, of that image file, or at least of the code that is attached to the
teammates or audio file. This is what makes
it non-fungible. This is what makes it
not replaceable because there can only be one
on the blockchain. The other things I want to address is talking
about a wallet. Wallet is your
everything up three on in the blockchain
is where you keep your crypto is where
you keep your LFTs. It's basically, your address is just a very
long line of code. Think about it, like your email or your bank account all in one. So the first thing
that you have to do, which could also be
part of your project, is to set up a wallet. You can set up a wallet
be multiple blockchains, but I would advise you, first set it up on the
big blockchains. So the first thing you should
do is I have linked down below some links for the
wallet you should check out. So I want you to, first
of all, to open up a well-lit and just try
the trial and error approach because you don't lose anything at first if
we're not investing money and just open up a wallet and play
with around with it. It could be either a
desktop desktop app, Sorry, what was tension? Or it could be a mobile lab, LFTs and the
blockchain at first, our tech first and the second, unfortunately
the beginning. So you have to know your
tech side and the tech side, visual and FTEs and music
and FDA's are the same. But they change in
the way that they are marketing and then changing the community they're presented, which I'm going to get
into details later. So for now, just have a
look at the dictionary, give a quick read and continue
with the lesson because of technical side and the slang
side of the NFT as a reward, it's gonna be something that you're going to
test by trial and error and just by hanging
around in the NFT community.
4. Why Collectors Buy Music NFTs: Now that we've got the
textile out of the way, I want to discuss a bit
more about the value of music and FTEs and white people
buying music inequities. Why would people
buy something that has no value in the real-world? And why would people buy
something that they can listen to and download anyway,
as I mentioned before, the NFT game is both
a game when people play to actually buy and resell it or if T
is for a higher value, but it's also a game that people play to support other people. So among the main
reasons that people will buy your music NFT or by music and FT is
from your music and FT project is first
to suppose your cost. E.g. people bought my first
music and FTEs because it wasn't the first time for me as a working musician to
problems and work on my own. As a session musician,
I get to play behind the scenes where it was the first time it was
publishing music and people were supporting
me for that. The second reason
is that, is this. Suppose another specific cause, like I was mentioning before, if you're giving their
earnings for charity, if you're using
learning for somewhere else or building a platform. Also, people read by your NF2, you see if they have some kind
of utility attached to it. Now, the term utility
is a wide term that it's also misused
most of the time. Attaching a utility to the n f, This means that people who buy your music and F D
or an F t in general, have some other gain
other than buying, reselling, or supporting e.g. what I did with my
music inequities is that when people
would buy it, I would also give
them multi-track. So anyone who bought music and FT and people
could do remixes. People could use my
guitar tracks and people could use the baselines
and everything. That was my utility. But other people who are
way smarter than that, e.g. there were people who said that whoever buys and music and FT is gonna get his
face on the cover art. And a ton of people did
that because they want to have their face and
their cupboard heart. Another reason why people
buy music and FTEs is that there are
a lot of people in the NFT community who have a lot of crypto
to spend because they've already when it
was cheap and now they have a ton of it
and it's expensive. And these people just
collect a ton of music and FTA's for the fun of it first. And to resell because the main aspect and
appending music and FTE or NFT in general, of people who want to
buy is that I'm going to buy now so that I can
sell you the future. The last reason why
people buy music and have these is because
they buy music NFT, so then people can buy
it back from them. I know it sounds funny,
but it's actually a networking way of how the music NFT communities
sometimes work. Because when you talk
to somebody, e.g. a. Tutor spacing, we have
a kind of connection. It's normally when
I publish in NF2, you are gonna be the first
person to buy it from them. They're going to be the
first person to buy your music NFT when it's
out and your waist, like a way of
marketing each other. So this is also happens in
interpreting community. Another point of advice
that I wanted to give is that they have to community
especially the music one. It's not that he
doesn't have quality, but it lacks a lot of what's
happening in the real world. So there are a ton of genres, but there's not anyone who's above the rest are
better than the rest yet, because the community
is still small. Why are there are artists
who have sold a lot, who are the leaders of
the music NFT world. And there are platforms, so actually support
artists a lot. Mothers is space for you
to do your best music, for you to do your best heart
and a combination of both. And for actually
to succeed just by the pure virtuosity or the pure artistic quality combined with your character
and what you wanna do, their, their space
for everyone and even for very good
music to be sold.
5. Introduction to The NFT Community: Now I want to introduce you to what's called as
the NFT community, the Web three community. And some on the Web
three or NFT community is the people who are
dealing with LFTs. Working in an FTA is selling, buying, and FTA's
are in simple terms, people who are doing that matching twitter and
discord and align, because that's where the music and have tea community lives. It's mostly Twitter
and then discard. Now, what's special
about the NFT community, then hefty community, especially music NFT community might or might not
be on the tech side. But there are people that are mostly hopefully what will
happen in the future. Meaning that not everybody
in the nFET community, as you might really like online, is people who are dead on, on crypto, people who
invest a lot of crypto. There are a ton
of parties there. There are a ton of people
who are just applying their knowledge from real-life
do the NFT community. And there are a ton of artists
who just want to get the best out of their art and
get some funding out of it. When I first joined
the NFT community, I actually made a
name for myself in a way by writing articles
about the NFT community. And some of the articles about the NFT community
were very skeptical and sometimes
attacking some sides of the NFT community
I didn't like. There is, of course, a site like every online
community which can be harmful in a way
like people who are hyping things to
manage projects, it's actually promise a lot. But then rug, meaning that they just sell their
LFTs and disappear. Art which is sold
as quality are. But most of the times even generative art are
generated by a computer and people don't know that there is a bad sign like every
other online community. But generally the first thing and the main thing which is
going to stick to you further enough to communities
that people who are very helpful and are very
open to collaborating. The Web three space
in general is very new and people are
still experimenting. So it's like it was in the
early days of the Internet. Or even better in a way because literally when I joined
the NFT community, I would just message people to Hayden, want to
do some together. And everybody would say
yes, most of the time, I would message the projects, even project at all,
multi-million dollar sales. And I was like, can I
do soundtrack for you, or can we collaborate? Or can I host a guitar
solo competition like I did with some
of the projects, it worked because people
want to corroborate, people wanted to help it
still and it was not, and it's still not a
shaming a way to get started in the NFT community
and ask Watson an F D. People will help out even
when it's not goodness. People who help,
because it's tradition. There is actually a
habit there to help. Now. There's a good side
and there's the bedside. But what you have to know
about the NFT community, why am I doing this
part of the lesson is because there is a certain
slang attached to it, which I've taught in
this scenario link. There is also
certain patterns of behavior which might
seem a bit odd for people that are
not on crypto, e.g. when you open Crypto Twitter or NFT Twitter to
see lots of GM, GM, GM, Good morning,
Good morning. And people sharing status. These are stories that might not make sense to you if you're not in the community. But if things seem daunting, just I want to reassure
you that if you spent two weeks or maximum
amount that you spend half an hour a
day, maximum amount. You're gonna get
how things work and you can become easily
parts of the community just by contributing to
what you're actually good at in real life and
just doing that. If you're a good designer,
you can start on that. If you're a good musician,
you can start on that. If you're a good
entrepreneur and have good ideas or
mentor or whatever, you can just transmit your
skills to the NFC community, be helpful to them and they
will be helpful to you.
6. How To Market Your Music NFTs: Soils are very important. Question is, how do you market your music in the Web
three and NFT community, and how do you get
your NFT sales? Assume that you already set
up your Twitter account. Your spend a few weeks
on Twitter spaces. And you have a general
idea of what's happening. How do you get to sales, marketing or web three, It's in many ways the opposite of marketing
and work to don't ever consider doing paid ads about your music and FT is like
you would in Instagram, you would like in Facebook
and Google with your music. The point is not to get
in playlist on Spotify. The whole point is to building a tight community of people that contribute to your music. It's best to have 100 pure
collectors than to have 100,000 listeners on Spotify bowling balls
from money-wise, which doesn't compare
it all and both in the value that they
get out of your music. Because if somebody
colors here music, meaning that means that
they like you as a person. First of all, they like your story and they're
like your music, they're like the meaning
behind it and they're willing to actually
give to that music. And also they find you like a worthwhile artists
that they can invest for you now and in the future that can actually
gain from selling your LFTs, which is something very good to do because in the end
is somebody investing, you wanted to get some gain out. I've had marketing
is basically done in an organic way and
it's mostly based on being active on Twitter and being active
on Twitter spaces, both on other spaces and
organizing your spaces, which could well be daily on a topic that
you're interested in, topic that you're very good at. And also it's based a lot in collaborating
with other people. See you collaborate
with the best visual artists that you can use, just the M Then you
collaborate with projects, you start your own projects, you just be an active
part of the community. The more you can in the
moment that you find that you have found a purpose
behind your NFT collection, you have found a while, you have found a good design. You have find the
music that goes along with the concept and everything. That is the moment which
you actually declare it. You have a mint date. You have everything set up on the logistical side and on
the technological side. And once you have your
main data analysis, you start with a more
aggressive marketing. Meaning that everything you do like your pin, post on Twitter, description, even your
cover photo anyway, your photo will be related
to your NFT release. Everything you are doing, your Twitter spaces
will always have a hook was always, ever handle. And even when you do them and you should have a party
on Twitter to the domain, it might sound weird,
but it happens. You should share
bits of your music. You should have people
be in your waitlist, whitelist or guest list. It's just people who
are allowed to meet first at sometimes
at a lower price. Be aware that the more
you give to people who, people that followed you
and to your community, the more likely you are
to attract even others. Because you have
to make a noise. It's always best to offer the best quality music to be
generous with your community and to be helpful if you
spent her two weeks and then empty space and
you create an idea, I want you to spend
tomorrow just researching on music platform so much works because on the less steps, It's very important to
have the correct metadata. It's very important to have
the right Web three SEO, and it's very
important to follow up of your community
after the sales. The important thing is
not just selling out. The important thing is,
what do you do after you still have to keep
your community engaged? You still have to give
something to people. So think about ways that you
can help your collectors. E.g. I. Gladly do
like guitar lessons for all my collectors because I wanted to give something
back for them. I gladly give them
the multi-track, think about something can do. E.g. you can give them a
percentage of secondary sales, meaning sales after
the first mint, then you can gladly do that. Just think of ways to keep
your community engaged, both in high and low times. If you do that for enough, if you're consistent
enough and you have like multiple collaboration
with other people, eventually when you
reach our mean date, it's most likely that
you're going to either sell out or sell most
of her inequities.
7. Which Blockchain To Choose: Which blockchain do I choose? I think you need to choose
the blockchain which is first most reliable and doesn't have any fluctuations in prices. And second, the blockchain
in which your communities, as I said, communities there. I mean, you don't have the
space and mostly based in technology and in the
blockchain they live in e.g. the theorem community
is most likely to be on a theorem Twitter spaces. Of course, there are emergent
cellular blends whole time. But generally a community, especially when it's
based on a project, it's based on the
chain when the project is going a reliable blockchain, which doesn't fluctuate much. And other blockchain
where your community.
8. Which Marketplace To Mint On: So how do you get about
deciding where to mentor NFT? You can choose multiple ways. The first way is to use specific marketplaces
for music and empties. The second way is to use generic marketplaces like
huge ones like open sea. And the third one is doing
it on your own website. I would suggest first going from music and FT specific
marketplaces. Because they're more refined, my, they can serve best
if the music is good, you can separate it into genres. And it would be like
most likely music lovers there who could buy your
music and have tea. However, we can also
choose other ways. If you're NFT is just
mostly fine art, like a very good painting and digital art from a friend of yours to whom you attach a
soundtrack that you did. I would recommend it in going in or affine marketplaces like e.g. Foundation, which
is a marketplace is dedicated to fine art. You can use any
marketplace as long as your community is
on the marketplace. If your communities
masturbate and rock musician, I will use a platform that's
specific to music and FDA's, because that's where most
likely rock artists will be. The marketplace depends a
lot on the blockchain is you're going to use if you
want to lose Solana, e.g. you have to use a
marketplace that use Solana. If you want to use a theorem, you have to use a marketplace
is use a theorem.
9. NFT editions or 1 on 1: There are multiple things
that are inactive. It can be, but let's assume they must simply just an
image with music attached. Now, minting and FTA's, there are two major
ways to do it. The first is doing
only a one-on-one, meaning that there exists
only one copy of the nerve t. And of course it's gonna be more expensive because
it's just that. The second way is to in
multiple addition of an NFT. At first, I will suggest
you doing the addition way. Assume that I have a song and I did 20 copies
of that song, which is 20 unique on
FTEs of that song. Of course, since it's 20 and you can have
this other song, you're going to price them
lower at a starting price. And since it's lower, you can actually sell them
to people that you know, people who are going
to support your first, people who you're talking
to an empty space, spaces. And like your music, you have to make a decision if
it's gonna be a one-on-one or you have
to make a decision is going to be an addition. I think the second is best
if you're just starting.
10. How to Price Your NFTs: Charge your NFT is based on
the value of your community. What do you think your community
will pay for your NFS? Don't just base it on
what you want to base it on what you think people would give it and
what's your thing. We're rewarded for collecting
from an artist who is either new or is
either established. But first and foremost, think about giving because the collectors are
going to come if you can provide real value and if your art is in a way not
better than the other, but stays true to where
you're actually presenting a series to the mission and
the goals and the concept.
11. Market Ups and Downs: So what to do when
times are low? By that I mean, we
need to bear market. A bear market is
basically when crypto is down and a bull market
is when crypto is up. So there's a tendency of
fluctuation and we all love it. Sometimes goes up is
I'm just going down. Most of you who are watching
this video probably have invested some money in both and after use and
invested some money in crypto sera know how
bad that can go. It's very true than when
it's a bear market. When the market is going down, people quit and FTEs for awhile, but they always get back
when the market goes up. So even if it's a dip, even if the market is
not in the right place, you still have to continue developing your community
and giving the best. The way to do that is like I
said before in this lesson, is just do the best
that you can do in real life and be helpful for
that in the NFT community. If you do music lessons, keep people entertain
and keep people aware that you are still
present in the community. Because when time comes, I want to group those up
and get back on the top. You will have more sales
and everybody else. Also, another thing is that
the crypto technology, even if it's not used ultimately for the NFT is the
blockchain technology. It's still here to
stay in a way and it's gonna get adapted either
by record labels, either by the
Internet in general. So it's always good in
good times and bad times, keep the long game running. And I'll just try to
build a community and be as helpful as you can.
12. Avoid Scams on WEB3: A very important topic in
the NFT world is security. A lot of people are being
scammed and you read the router if news of
people being scammed. And rightly so because
it happens a lot, the technologies,
new communities, new, there are no regulations. There are a lot of fake profiles on Twitter, a lot of bots. So how do you deal with that? The main thing is that you
never have to give you a phrase and you never have to comment your wallet address. If you don't need
to, don't fall prey of the Twitter giveaways when
you need to comment here, we'll address and type, sorry, tag your friend because most likely they just
won't hear well, it addresses a contact
or they might try sending things to you that
might eventually be scams. Be very aware of discord, DMs. Discord is the place where
most people get scammed. If you're close
to a mint date of a project and you guys like
suspicious messages from the Admin Center community
managers of the project that they want to give you a discount or
whatever guest list, be very suspicious of that. And also always have
a burner wallet. Burner wallet is
a quality you use for everyday
transactions in a way separate from her main
one when you keep all your crypto and you
keep all your end FDA's, it's important to have one because even if you lose
your burner wallet, you still have
your savings safe. You can also get a physical
wallet where you can save your wallet sends out and just keep it somewhere
safe in your house. Also, write down your passwords. I mean, right down
in physical paper, that's what I do and it's
what keeps them safe and maximum just give it your
brother to your mother too. Afraid to somebody who trusts
that, whatever happens, he will always have
the seed phrase. This is all about security that you need to take care off. There are also other things, but as I told you before, spending two weeks and spending a mountain and empty space, you will get used to
actually avoiding and finding the good and
differentiating it from the bed.
13. Music Legal Issues: A common question that
every musician has is that if I sell
my NFT to someone, doesn't mean they
have the rights to use my music
whenever they want. It doesn't mean that can have the multitask
and use the stems, can use it in their vetoes. The question to that
is both a simple No, but it can also be more
complex communities, still very new technologies. And there's a lot still hasn't caught up to actually
make proper regulations regarding like
music and FTEs and regarding how their
connection to record labels. But I will say this if you own the rights to your
song or if you have made a good deal with the record labels on
with their publishers, then you can use your songs and music and FDA's,
however you wish. Also giving limits to people who buy your music
and FTEs, e.g. when I saw my music enough this, I specify an unlimited data. Metadata is data your touch once you mean to your
employer and f t, which is very important that you can use my multi
tracks as you wish. You can use them in your songs. You can use a mirror to
leaders or whatever. I'm perfectly fine with that. But I could as well
have written down that. You can only have
their own FTEs, but you can't use the music. Now supposing that
I've written down the, the counties, the music
and they use the music. What can I do about that? Keeping it short? There are no tighter regulations about doing that and they
only regulations that you should consider on
the ones that you have personally with your record
labor or with your publisher. So you don't top and problems
to yourself in the future. But for the moment it's
perfectly fine to experiment. And if you're afraid of doing something like
music that you don't, it is yours but you
don't fully own. I would suggest just
starting out with music and F D is with music that
you just created, something that you're
working on and just experimental bit on that to just talk to you a record label. Because there are a ton of record labels now that are getting into music and empties. There are a ton of music projects that are
going into music. And if D is, I don't want to
give you a full reassurance you guys in how the
law works because it depends a lot
on your country. And you can also talk
to Laura about that. But it's perfectly fine to
experiment as long as you keep your thing sorting depending on the music
situation that you're on. I hope that helped.
14. Future Of Music NFTS: So how about the future
of music and FTEs? As we know, the
market fluctuate. So our NFT is here to stay
on if D is here today out. My opinion of it from
an experience in it is that even if collectibles or tart today or
something of the past, they are not as they are
now or just die out. The blockchain
technology and the whole logic behind the independence of crypto and creators getting paid directly
by their fans, I think is here to stay. Why? Because a lot of famous
artists are getting in, a lot of companies
are getting in, a lot of record labels
are getting in. The whole logic of
fans being close to the creator is
something that it's applied in today's Internet
and web to internet. And I think it's here to stay even in the future
when people get more independent about the usage of technology that
uses the Internet. So I think there,
whatever happens, it's very good to have a solid
basis on the blockchain. It's very good to
have a solid basis in the NFT community because if something is bound to
happen in the future, the people who are now part
of the university community, or the people are most
likely to be the first, to be part of the
next big thing. So start out an aim
towards a long run. And thank you so much for
being part of this lesson. And lastly, I wanted to
invite you all to join my community and discard
and follow me on Twitter. My community is called
working musician unite its aim to all
working musicians, to a musician in general,
to all songwriters. And basically artists
wanted to get started and left ears
and it's self-help, will always share information. We always share links
to important data, links to important resources. And you will most likely find all the important things that
you need to get started, including also my articles on the discord link and
on the links below. Thank you so much and I hope I was helpful to you in any way.
Altin Gjoni, Playing with feel is the key
