Transcripts
1. Welcome: Hey, welcome to more. You'll fall off the mixing in FL Studio using stock
plug-ins in this one, we will be working
on our vocal tracks or making sure that our
backing sounds good, but I'm not competent
with the lead vocal. And of course, we're
working on our lead vocal making sure that
it's dominant, punchy, and present in the mix to
make it easy to follow along, please make sure you
download the updated project file up to this point
in the project section. Let's get started.
2. Vox - EQ: Hey, Welcome. In this lecture we're
going to apply vocal EQ. Vocal EQ consists
of three steps. So we're going to
start with the cut. The cut is basically removing the low-end frequencies
from the vocal. Let's go ahead and solo
the lead vocal and play. Shari call asked me
where I've been. I've been working on myself. Alright, listening
to this artist, you can hear that he has
some low tone to his voice. So we have to be very careful
with cutting the low-end, making sure we don't remove
that part of his voice. So let's add a parametric EQ
to the hook lead and play. Shoddy Karla asked me where
I've been working on myself. Shoddy called and asked
me where I've been. I've been working on myself. Alright, but obviously
you can see on the visualiser here that these some activity
on the low end. So we're going to enable
a high pass filter. And let's cut what a plague. Shoddy called and
asked me where I've been I've been
working on myself. Shoddy called and
asked me where I've been I've been
working on myself. Yeah. She's going probably
asked me who I'm with. I've been working
with the best right. Around 200 or Sounds good to me. Let's push it back a little
bit and play shot in color. Asked me where I've been
I've been working on myself, grew up shoddy call
asked me where I've been I've been
working on myself. Nice. Shoddy called and
asked me where I've been. I've been working on myself. Alright, sounds good to me. Let's use the band number four and narrow It's
adjustment a little bit, scroll up and down to narrow it. Wide eight is the mole
frequencies it's affecting. The narrator is less other
frequencies it affects. Okay, So what we're
gonna do now, doing a super
around and look for any boxes sounding frequencies, and then team those frequencies. Shoddy call asked me where I've been I've been
working on myself, shoddy gonna ask me where I am. I've been working on myself. Yeah. She probably
asked me who I with. I've been working with the best. I hardly ever rest. I worry about the
best shot in color. Asked me where I bear. I've been working on myself. Shoddy called and
asked me where I've been I've been
working on myself. Yeah. She probably
asked me who I'm with. I've been working with
the best right there, 49234, more accurate adjustment. We're going to use
this level right here. Okay, We turn it
down a little bit. We're just going
to take it and do maybe a minus three cut. And let's play shot in color. Asked me where I bet
that's narrow it. As pleasuring call
asked me where I've been I've been working
on myself. Yes. Shoddy called and asked
me where I've been. All right. Let's do it. Let's leave it at minus three, and let's use the band number
three to another sweep. Let's narrow it from a soup from shutting called and
asked me where I've been I've been working
on myself, right. They're shiny called
and asked me when I'm done self minus three, you can probably
asked me who I am, where I've been
working with the best. I hardly ever rest. Alright, That gives
us more clarity by taming those kinda
subsonic frequencies when boosted to get. That's what I normally do. Let's switch it off.
The EQ in place. Shouting call asked
me where I've been with the EQ shouting, called and asked
me where I've been I've been working
on myself. Nice. Shoddy called and
asked me where I've been I've been
working on myself. Yeah. She's going to probably
ask me who I'm with. I've been working
with the best, right? That was the second stage. Now, let's see if we can boost the top end a little bit, right? Let's use number four
and post, right? Shoddy call asked me where
I've been working on myself. Alright, let's change the
nature of these burned to order key type. Let's change it to
a higher shelf. Instead of picking band, it's gonna be a higher shelf. Alright? So everything
from this point to the end will be affected by this
adjustment. It's a shelf. Let's play shoddy call
asked me where I've been. I've been working on myself, shot in color as me we are. I've been working on myself. Yeah. She probably
asked me who I am, where I've been
working with the best. I hardly ever rest. I worry about just disabled it. I just meant shouting, called and asked me
where I've been unable it shoddy called and
asked me where I've been. And Adonis do something like Tacoma five-note
too much shouting, called and asked
me where I've been I've been working on myself. Sounds good to me and
asked me where I write that top end boost is just to
add more brightness to it. Let's save this preset just
in case we need it in future. Remember these one
artist on the saw, we might need that one. We say EQ, like yeah, EQ mean Volcker was
saved that pretty solid right there are unable or the vocal tracks,
let me call it. Asked me where I've been working on myself
and myself shouting, called and asked
me where I've been working on my cell phone, probably asked me
who I am where let's play and go forward
with the trap. Thankfully, you
worry about it best. I can deny baby. I fell for you. Can deny baby I fell for you. Oh, thank you. And never move away from you
who have been in the Bu dat. I connect the blogs and
then collect the cash. I connect the blogs. Yes, then collect the cash. Alright, I'm going to use
the same EQ setting, right? Yeah, it's the same voice and it does sound the same
to my ear, right? So what I'm gonna
do, I'm gonna drag and drop that preceded. Going to drag and
drop that preset. Again, just like this, it's going to look like this. You just drag and drop it. It shows you those settings.
Alright, let's play. Oh, I connect the blogs, turn down the volume,
then collect the cash. So maybe I'll be home. But maybe in the morning, I beyond the GIA swat it. I really don't know
what you thought it is. You'll be out of luck. Now, let's enable
the backings from the whole shouting
called and asked me where I've been I've
been working on myself. Shoddy called and asked
me where I've been. I've been working on myself. Proudly asked me who
I am, where I've been working with the best I would. Backings what we wanna do
want to make sure that all pickup trucks and not
competing with the lead vocal. So what we're gonna
do, we're going to set the high pass filter and cut off the low-end shouting call. Asked me where I've
been I've been working. We're going to go crazy with
the cut is to something like 500 and do a high
pass filter also. So what we're trying to
do now we're trying to give it a filtered effect in a way Let's play. Yes. Nice. I've been working with the best. Nice. Alright, I'm going
to save that pursuit. We're going to say
this is a begging EQ. Let's save it and it
will enable another big on track. Yes. Alright, throw in an EQ,
what are we going to do? We're going to
import that precede, gain the backing EQ. You just drag and drop
it to the plugin. Boom. Well, Let's look for more vocal tracks and
why do you buy the best I can do and not baby, I fell for you. Alright. I can deny Bay the alfalfa. You did you hear that? Once this is clear in his voice, Let's go and use the slice
tool to remove that. Again, just cut, cut from
the right and left-hand side so that the paint tool
right-click to delete. Alright, now we
could read of that. Right? Let's play. All right, we're going to apply
the backing EQ on this one also would drag
and drop that precede. Write this saves
you a lot of time because I kinda
know what I want. I've already done it
to another track. I just drag and drop it
setting, Let's play. You move away from you, right? Right. Right. I don't let my feelings
back from my view. Baby, from punished for what
are we gonna do to this one? We're going to add the delete
EQ setting through this one also from punished for my nice. Let's play. Adjust the levels. Alright, what are we going
to do to that intro? I'm going to drop or that
perimeter should eat you and import main lead
preceded setting Aidid. What I'm going to
change on this one, I'm just going to
change this top shelf boost to a low-pass. Alright? And I just did
turn it down a little bit and just cut some
of the top eight. Let's play with the volume up. Yes. Shoddy colleagues. I've been working on
myself, on mute, myself. Alright, listen to these vocals without the EQ adjustments. Without the EQ adjustments,
listen to them. Shouting colleagues me where I've been working on
myself and Johnny, me, we're almost done
with the EQ settings. Shoddy colleagues asked
me where I've been I've been working on myself,
Johnny finance me. Where would that EQ adjustment? Only they sound like they're cutting through the mix of beat because the organiser
frequencies are removed and they
are not competing. In the next lecture,
we're going to start applying a DSLR. See you in the next lecture.
3. Vox - De Esser: Hey, welcome back. In this lecture we're
going to start applying a DS to this book, okay, the pupils of the DSA, it's
to soften the sharp S is, S is sound a bit gentler
to the listener. Alright, so I'm
going to bring in an EQ just to demonstrate
something real quick. So what I'm gonna
do, I'm gonna dip the frequency number six, narrow it a little
bit around 9%, and let's push it to
something like six K. That's where you find the sharp edges of your vocal shouting call. Asked me where I've been I've
been working almost five. Shoddy called and asked me where I've been working on myself. Yeah, Nice. Let's disable the AU shoddy
column that's enabled it. Shot in color,
asked me where I've been I've been
working on myself. Shoddy called and
asked me where I've been I've been working
on myself. Yeah. She probably asked me
who I'm with wagon. Right. Just with
that deep with the S is sounds a bit softer. In FL Studio, we don't have
a designated to DSA plugin, which is a compressor
plugin designed to do this, focus on a specific band and then team that band when
it gets too aggressive, which is a bit automated, but the perimeter EQ does a
permanent adjustment to this. So let's disable it and use
a compressor to do this job. Alright, let's go
to the maximum. The maximum is basically
a mustering tube. In this case, we're
going to use it just to tame of frequencies. You remember the frequency
we selected with that issue? That's what we want to focus on. The beautiful thing
about a plugin. They already have
a DSA narrowband precede already set for us. So we're going to
start with that preceded instead of tweaking
everything from scratch, we're going to say
DSA, DSA narrowband. And as you can see, you
can select the low, the meet, the high, whichever you want
to focus on to tweak this graphic care of
is a compression tool. So this is a threshold point. And that is more like your
ratio. That's your ratio. Okay, great. So what
I'm gonna do now, I'm going to play the
track and listen to it. Shot in color. Asked me where I've been. You can see it. That's
the signal coming in. Shoddy called and
asked me where I've been I've been
working on myself. Shoddy called and asked
me where I've been. Alright, we're gonna
go aggressive with the threshold down and push down this knee and push
down the trash whole splay. Shoddy color asked
me where I've been. I've been working on myself. He's done again. Shoddy called and asked me where I've been. I've been working on myself. Let's slim this ratio. Shoddy called and asked me where I've been, just disable it. Shoddy Karla asked me
where I've been unable it shouting called and
asked me where I've been I've been
working on myself. Shoddy called and asked me where I've been working on myself. I'm proud of you asked
me who I am, where, the area where I just did
with this compression tool. It's this one, right? It's from this point to this point that does is where the compression is happening. Okay. The law, we're
not affecting it. The high when it
affecting you can also do your own adjustments
to what selected. Alright, bye. I just didn't
this low band, right? You just select on it and push the crossover maybe to something like five key if you prefer, for a bit more narrow
one and adjust this maybe to like something
like eight K, right? As you can see, you
can use this one and this low and high that will help with narrowing
that mid-band. Great, as you can see now
it's a bit tight two. Now let's see if the effect is still the same. Let's play. Shoddy. Karla asked me where I've been I've been working on myself. Shoddy called and asked
me where I disable it. Shoddy called and
asked me where I've been I've been
working on myself. Right. Still dies, but I feel like the wider selection was doing a better job.
Okay, let's play. Shoddy called and asked
me where I've been. I've been working on myself. Nice what I'm gonna do now, I'm going to take this
setting, save them. So the maximize DSA. Okay? I'm going to save them DSA and I'm gonna go
to all the lead trucks. I can deny baby, I felt that ONE left. I told you you'd body, but that never made this. Okay. I'm going to try
to maximise, right? Yeah. Okay. Pretty in
the present again, we're going to drag
the DSA Preset, boom, same setting body, but
that never makes no money. I'm in a position to flower which you're trying to
keep you Lima focus. So just let them touch
upon is the same thing. And the Maximus huge
time-saver truck and drove that certain
baby from punished for my male mammal,
my beautiful. Now that we've
cleaned the vocal, what we wanna do now
we're going to give it more dominance, Okay? The lead vocal trucks, we're going to throw in
some compression to make it sound more punchy
in your face. Because remember, this
is a lead instrument. It needs to be dominant to care. Now it's clean and
everything is fine, but it needs to take over now. So in the next lecture we're
going to start applying compression to this vocal track.
4. Vox - Compression: Welcome back. In this lecture, we're going to start
applying compression, but we're going to use the
fruity limiter compressor in this section because I want to show you the visual
side of compression. Alright, so we're going to
bring in the fruity limiter, the lead vocal
section, the hook. If you still remember,
what did I say, you can switch these limited to a compressor from limit,
click compressor. Now it's a compress it too. Okay, so the first
thing I'm going to do, I'm going to set my ratio. Typically I'll use
4214 vocals for 21. Great stuff for my attack. Well, let's do something
like 20 milliseconds, ten milliseconds, and the
release or unwanted, slow. So I want something like 80
something 8989 milliseconds. That's perfect for me. Okay,
so remember the attack, how fast the compressor
grabs the signal and compresses it to release
how fast or slow it. Let's go. Alright, so
what I'm gonna do now, I'm going to mix out this compressor
because I want you to see the effect in action. Okay, Let's plain, sharding
call asked me where I've been working on myself, shoddy call and ask me where I'm pretty sure you can see that there's
nothing going on. There is no compression
taking place. We're going to start
pushing down the threshold until we meet the pigs. And that's where you start
here in compression happening. As you can see, there's
multiple levels of pigs. We're just trying to
create some consistency. Wouldn't want to slam it and
cross this folklore anyway. So we're going to be gentle
with the compression, slightly aggressive in
the way because there's the vocal tract and the lead
has to take over in a way. Okay, so let's play and
turn down the threshold. Shoddy color asked me where I've been I've been
working on myself. Shoddy called and asked
me where I've been. I've been working
on myself and I don't see you going probably
asked me who I'm with. I've been working with the best. I hardly ever rest. Yes. I worry about it best
to dough shot in color. Asked me where I've been
I've been working on myself. Shoddy called and
asked me where I've been I've been
working on myself. Yeah. She's going probably
asked me who I'm with. I've been working with the best. I hardly ever rest. I worry about the best. Shoddy call. Asked me where I've been
I've been working on myself. Shoddy called and
asked me where I've been, I think minus 29. We can hear that
compression now. Standing down the
full color in a way, shoddy call asked
me where I've been, I've been working on myself. Alright, the average
gain reduction will say it's minus
five per cent. So we're going to use
the makeup gain now, which is this gain
knob right here, to boost five dB, making up for the gain, we
lost one of your compressor. Let's play shot in color. Asked me where I've been
I've been working on myself. Yes. Shoddy called and
asked me where I've been I've been
working on myself. It's switch off the compressor. Shoddy called and
asked me where I've been I've been
working on myself. Shoddy called and asked
me where I've been I've been working on myself
enable it shot in color, asked me where I've been. I've been working on myself. It's clear that the
Google has more power, more energy now,
more confidence. Right now, let's
play with the drums. I want to show you something
without the compressor. Let's play this Volcker. That's pay the spoke or
without the compressor. I want to show you
something amazing. A boy compress,
okay, switch it off. Shoddy colleagues asked
me where I've been. I've been working on myself, shoddy gonna ask me where
I've been working on myself. You can still hear
the vocal fight, but let's enable the compressor. Shoddy call asked me where I've been I've been
working on myself, shoddy gonna ask me
where I've been. I've been working on myself. Have you noticed that
the vocal is not higher, but it sounds more
punchy and present. It gets turned down the volume a little bit right now because it's still dominates without
a lot of volume. Let's play. Shouting. Colleagues asked me
where I've been. I've been working on myself. Turn up the volume a little bit. Shoddy column anyway, I've been, I've been working on myself. Shoddy, gotta ask
me where I've been. I've been working on myself. She won't probably
it's a long way on the wagon with the best. I hardly ever rest. I worry about a boom. Now, you can see here
this is a lead vocal. So what I'm gonna
do now, I'm going to save those settings. We want to say this
is a Lead Comp. Great stuff, save it. Shoddy call asked me where
I've been working on myself. Johnny got to ask
me where I'm at. Almost all along we've been
working with hardly ever. Worry about a month bill is
blocked me from my view. I connect the blocks. Then connect, catch
up, connect the blogs. Read this verse. We're gonna do the same thing, showing the fruity
limiter bringing that preceded the lead compressor,
drag and drop it. When it comes to
the backing vocals, I'll apply a light
compression to make them sound more consistent. Okay, For example, in this case, let's go and select this
pickup truck, right? You shot him. Karla asked me where
I've gotten caught me when I'm a Salvia, Yeah. Right. Well, with best noodle, let's start from the compressor preset and adjust from there. Yeah, yeah. Yep. Well, I bet that switch off the gain the makeup
gain must plan. Yeah, yeah. Well, welcome with best noodle. Hardly ever asked. Well, I'm a Salvia. Yeah. Well, with best noodle. Hardly ever asked. Yeah, Yeah. Right. That's like minus three and
minus to gain reduction. Obviously there's some
louder parts in a way. So I'm just going to
go light anywhere. So when I do, we're just going
to do plus two comma five. Okay, I don't want it
to be too aggressive. It's a backing track.
Yeah. Well, I'm a Salvia. Yeah, right. Let's save this
baking compression. Baking compression. Again. Then I'm going to go to all the other bacon
tracks and just throw in this precede setting
as 0s, spray the truck. That's applied, that
light compression here also from the back and play. That shoddy Collin. Alright, that transition,
if it gets way too loud, a sin it down, it's too little. Alright, let's throw in a rep to that riser efforts should have shot in college. I've been working on myself. Johnny caught me. Right? Obviously, you can go manually adjust every duplicate. Proceed. Now if dominant, consistent and punches
sounding vocals, stump to add creative effects
like reverbs and delays. And then we'll move on to order. Q. See you in the next lecture.
5. Vox - Reverb & Delay: Welcome back. In this
lecture we're going to start applying reverb and delay to this vocals were already have
reverb send tracks. We're going to create
a delay track now. Okay, so let's go ahead
to track 10 to rename it and say it delay
for our folks. That color. Let's change the column. Okay? Perfect. Let's set it to delay three. So the caudate delay,
remember time, which is time for
it's currently, let's set it to band pass. Filter effect. Let's turn down
the feedback level to 20. Let's switch off the dry
because this is centric. We just want the wet,
which is the delay. So what's the purpose of a delay on vocals is to fill up the gaps in-between and make
the tracks on more fuller and interesting
to the ear. Okay, so let's play and
send signal to that delay. Shutting colleagues new solid color asked me where I've been. I've been working
on myself shouting, right, let's go and adjust that band pass on
the delay track. I feel like it's too aggressive. So let's adjust the cut off. Right right there on
447 and let's play shouting call asked
me where I've been I've been
working on myself. Shoddy called and
asked me why I've been I've been
working on my side. I like that. Let's turn down the amount of sand. Let's play. Shoddy call asked me where I've been I've been
working on myself. I want to ask me
where I've been. I think I'm happy with 20%. Let's enable all the
vocal tracks and play. Shouting call. Asked me where I've been. I've been working on myself. Shiny called and asked me where I've been writing on myself. I'm probably right. So what I'm gonna
do now I'm going to apply to these tricks. We're going to start applying the vocal reverb to
the lead one and play. Shoddy. Karla asked me where I've been I've been working on myself. Shoddy called and
asked me where I've been I've been
working on myself. Fit a percent sounds good to me. There's a vocals. I want them
to be wet but not too wet. Shouting call asked
me where I've been I've been
working on myself. Shoddy called and asked
me where I've been. I've been working on myself. Alright, I'm wanting to start bringing other vocal tracks and apply the same 50
per cent reverb to all of them and adjust
whether he's a need. Okay. So I'm gonna do that. A person shot in color
asked me where I've been. I've been working on myself, myself shiny called
and asked me why I've been I've been
working on myself. I'm proud of you asked
me who I am way to speed up this therapist
sent a replication. I'm just going to
right-click on this. They represent adjustment
and copy this value. Go to the next vocal track. Send right-click paste value. Okay. Go to another truck, send right-click face value. So and right-click. Right-click. Please.
Failure does play. Let's play. Shoddy. Karla asked me where I've been I've been working on myself. Shawnee called and
asked me where I've been working on myself. I'm probably asked me who I am, where I've been
working with a bank. I hardly ever read. I worry about the best. I can deny baby, I fell for you. Right? So what I'm gonna do, I'm gonna copy the
delay video also and send delay to this lead
vis truck. And delay. Copy that value, right? It's 20% rate. Another lead track. On the intro also, I'm going to send apply the
same value of the delay. So let's play from this side and play as MATLAB as that. Now, I'm pretty sure you
can hear with the reverb, the vocal sound more wider, more present, more
interesting to listen to. Okay, let's switch
off the reverb and play the vocals and the trek. Let's play. Shoddy colleague asked
me where I've been. I've been working on my alright, sorry, the river hub is
still on. Let's play. Shouting. Karla asked me where I've been. I've been working on myself.
Schottky contact me. You can hear the vocal tracks, these on clean everything
but with the reverb, shouting, Karla asked
me where I've been. I've been working on myself. Johnny caught myself on
Fridays, me along way. I'm being nice Now you can
hear them more present, a bit more dominant. I feel like with our lead vocal, we can get away with something
like 40 per cent reverb, send 40 per cent
on the lid tracks straight that set and done
the lead SRX. Let's play. Shoddy. Karla asked me where I've
been working on myself. Johnny caught asked
me where I've been working on
myself. On Friday. It's me along way wagon with
hardly ever worry about it. Now. Let's see at a delay
on the vest section from the connected plugs, then collect the cash, turn down the volume,
maybe Abby home. But maybe in the
morning, I'm the owner. Are really great. I feel like the reverb is
too much for that area. This tenant dawn bit to 30%. As per month. I connect the blogs, then collect the cash. Nice Baby Abby home. Maybe in the morning. I'm the only swat it
is I really don't know what you thought it is
to be out of my my business. I feel like the
delay for that part also doesn't work that much. So let's do something
like ten per cent of the delay of the verse from the connect the blogs, then collect the cash. Baby Abby home. Maybe in the morning. I'm the only job. I really don't smooth now with a delay is close to
non-existent birthday, it's filling up the track
and the background. That's the beauty of it to get, let's listen to the hook
shot in college, right? I feel like we can get away with telling them that delay
on this one also, let's do something like 15%. Shouting colleagues. I've been, I've been
working on myself. In the next lecture,
we're going to start applying the Kuhn to some of these vocals just to
tighten the vocals of beat and make them
sound more modern. That T Pain effect, if you want to call it to
see you in the next lecture.
6. Vox - Auto Tune: Hey, welcome back.
In this lecture we're going to start applying an auto tune effects
to the lead vocal. Okay, we're going to
stick to stock plug-ins. As I promised. We'll be using the
FLP chart plugin. Follow me and go ahead
to the empty mixes slot. And let's find pitcher bone. That is the F0 picture. What this plugin does. It gives you that already qn T Pain effect if you
want to call it. Obviously it's the
stock plug-ins, so it's not super high-quality. But for beginners,
I believe you can get some decent results
with the plug-in, but I want you to focus on three main features
of this plugin. We're going to focus on the song key that will count as one. And we're going to focus
on the tone of the vocal. Listen to the vocal. This is a low male voice. So in this case, we're going
to change the gender from center to low male, which is a male voice grade. The third feature you're
going to focus on, it's the speed that is
the correction amount. But yeah, it's just
written speed k. The first area is the
more or acumen that's applied on the vocal or signal. And let's go ahead and just make sure everything
is set to minor. The song is C minor, right? Alright, C minor, low male. The correction speed,
let's just set it to 90. Since this is already qn, it's affecting the
pitch of the vocal. Let's make sure it is the first plug-in before everything. Let's make sure it's
on slot number one. To do this, you already
know that you just scroll up and down to move
and if it up and down, right, Let's go ahead
and listen to it. Shot in college. So let's set it to slow and play and push up the speed
while listening to it. Okay. Shoddy Karla asked me where
I've been working on myself. Johnny caught asked me where
I've been working on myself. On Friday. It's me a long way. I've been working with a bank. Hardly ever read about
a bad night baby Bell, who do you think do you and
never move away from you? I've been in new stopping me from the shoddy colleagues
knew where I write, change the Rakuten speed
now from super-fast, which is a 100 to nine to five, the autocorrelation, it's a
bit more accurate in a way. So let's set it to
93 and play again. Shouting colleagues.
Anyway, I've been I've been
working on myself. Johnny has me where I'm
running a long way. Right? I'm pretty
sure you can hear some of that rope
would take effect. But once again, I don't
want it to be too much as I don't want the vocal to be overwhelmed with the
origin effect is just to add some modernization to it and just tighten the
notes a little bit, get. Obviously, this
is a stop plugin. It's not decent quality. Like the third plug-ins, like your way through
qn and everything. But for starters, you can use pizza and get some
decent results. And my recommendation
is while recording, set the right amount
of oracular and record through the or acute and you'll get way
more superior results when it comes to
oracular speech, okay? And that's it for this lecture. That is how you use or qn. We're done with mixing vocals. Thank you. Thank you very much.
7. Thank You: Great stuff and Congratulation
with Dan with this module. I will see you in the next one.
Sabelo September, Music Producer, Content, Web Design
