Transcripts
1. Welcome: Hello guys. My name is
Gibber Felix, in Id. I have a special course for you. Everything you need
to know about chords. I prepare a very nice
chord full of exercise, PDF, tricks, shortcut, and
formulas about chords. When we learn chords harmony and fury, we have two approach. You can learn chords by
memorizing the formulas. Or you can learn chords
memorize dict shapes. And in the scores going
to see both methods. Besides that, we
are going to have exercise thecal and
practical to songs, to exercise and all the
tricks and terms to master your skills and play any kind of chords in
any kind of style. So I hope you enjoy
my lessons and see you in lesson
number one. Bye bye. She like prices. When I am, I look inside your hardship box. I've been drawn into
your mind track. I wish I could eat
your cancer one. You turn back, Hey Way
got a new coupon debt. Your price less advice. Hey Way got a new
coupon rubber and debt. Your priceless advice, hey Way, I got a new coupon, Uber debt your priceless
rubber and debt. Your price less advice you.
2. Music terms: Time to learn about music terms. It's going to be a
little bit thetical, but it's going to be very important to develop your
skills on the guitar. All right, let's go. The first term I would like to talk is about the root note. When I say root note, I mean the first note
of, for example, if we are in corn, the root note to be
code minor core. The root, okay? It's the first note of your
chord or of your scale. Third of or when I say third, I mean the note number three
of your core of your scale. Let's take an example. A major court,
when I say a major third of my core,
third of my court, I mean the note number three
of my scale, in this case, it's a major chord
C shot, all right? It's just count until three. If I ask you a perfect
fifth of a core, I mean the note number
five of your court, it's just write down the scale and check
the note number five. In future lesson,
we'll learn how to write a scales of the scales. When I say sharp, I mean this hasta el body
knows on the Internet, right? But when I say sharp, I
mean one half step ahead. Okay? Or you just think
about the next threat. Okay, We have the
threats right here. I say let's move to a D sharp. I mean, the next
sharp right here. When I say let's move to
a sharp, one note ahead. All right. When I say flat is
one threat before my note. When I say, I mean D flat, I mean one before. So Fred number four. Okay, Remember
sharp is going up, Fred is going down. Just think about your 12 notes. Okay? Always think about the
12 notes because sharps and flats going to walk
through the 212 notes. Okay. Fretboard means part of our guitar can be
electrical guitar across guitar base or
anything like that. We have fret part
in the fret board, you can find the nodes. Okay. When I say fret board I mean these
parts right here. All right. Simple like that. Tablature is very important. Most of our lessons you're going to find
tablature or cord box. It's important to learn
both how to read tablature. First step are the strings. Okay? String number one. We tuning string number two is string number
three, and so on. You need to memorize
this tuning part because sometimes I
say string number one, string number two,
or sometimes I say string string and so on. Okay? And be careful because when you are going to read or
write the tablature, you need to find the
right strings. Okay? As you can see, the lowest
string that is string number six in a pot
part of your video. Okay, be careful about this. Sometimes the students
misunderstand this information and
writing the wrong position. All right, the next step is to understand the
concept of notes. When I say string number one, frag number five,
I need to check the strings and play
the string the notes. Sorry, notes number five, the frat number five on
each count, 12345, Okay? So it's simple like that. Let's take another example. If I say frat number seven
or string number four, we're going to check my
string number four right here and I'm going
to count 1234567. All right? So we're going to
take my notebook, can check the string number four and write the number
seven, all right? Simple like that.
This tablature, it's going to be very
important in our course, but we have court box as well. You're going to find court
box in the course and on the Internet and any
kind of milk book. Okay. Re box a little
bit different. We had another aspect
of our notation, you can memorize box, think about your frat work like this in the
vertical position, not the horizontal
position. Okay. If you want to take
string number six, it's going to be one. String number one is
going to be one, okay? It's just another
approach to write Music In score box,
you have two options. The first option is to put your. The number of your finger
on the frat right down box. Or you can just put a dot. Okay? It's not necessary to put every single time the number of your finger. It's an option. For example, if I want to play F number three
on string number six. Play my not right on the
chord box like this. If I want to play let's
say F number five on number five to play
my guitar right here. And right in the Or box, as you can see, it's a
little bit different. Let's take a example.
One quarter. Let's a major chord, a measure chord right here. So as you can see, I can put my finger
number one in Frag number five on string number six.
Finger number three. Frag number five on
string number five. My pink finger, one string down. Okay? And my middle
finger, one string down. However, in the frat number six. All right, I can play, this
can play with a bar chord. A bar chord. We have another symbol. So we can play like this. Okay, so now you'll learn
how to play or box. It's going to be very
important to our course. Let's talk about half
steps and whole step. Let's take a note as
example right here, frat number five on the screen. Number six, if you
want a half step, we can go to a sharp. Sharp, okay? Is the shortest
distance between note. Remember, always think about
the 12 nodes. All right? Let's say if I want
to half steps, I'm, I'm going to count 12 note, or I can count sharp
two steps as well. All right? But instead of
thinking only half steps, we have the whole step. Whole step is kind
of two half steps. Okay? So let's think about this. If we are in A and we
want a whole step, we need to think
about two half steps. 12, we are in B, Okay, so let's come back to A
and think the opposite way. G sharp, so we have a hole step. So I can say that B is one
hole step or half steps. And I can say that G is one
hole step or half steps. Okay. This type of terms and concepts is going
to help you a lot to develop your skills
and it's going to be very important
during our course.
3. Chord shapes: And begin. I need to
talk about the PDFs. We have a PDF about
the formula and a PDF about the courtships. Please print this PDF. Okay. They are very
important and you need to memorize everything inside
this piece of papers. It's important to print
because you will need to consume both pads
every single time. It's going to help a
lot during this course. Remember that you can use the same material outside
of a course as well. If you have a band
or you are composed a song or just learn a few
chords on the Internet, this PDF is going
to help you a lot. Let's talk about chord shapes. There are two approach to mastering chord
memorize formulas, and memorize guitar
shapes, or chord shapes. In this course will
cover both methods. Keep in mind, once you have
learned a chord and easily transposed two other keys
using the same guitar shapes. So let's take a example. Let's see, let's take a de
cord, this decor right here. You can play a bar chord
or like this, right? This is de cord. Let's suppose you just notice
single chord right here. This single core into
the 12 notes, right? So if you keep the
same guitar shape, you can go easily to a D sharp, just go one half step. If you keep going, you have another half step or use
the same guitar shape, you know, three cards D sharp. You can see it's very easy if you think about this approach. Okay, let's take
another example. Let's say we are in a minor, it's a minor with a
bar cord right here. So if you want a half step, you can go to sharp or you can one more half
step, you can minor. Alright. So with the
same guitar shape, I have three chords. Minor, sharp,
minor, minor, Okay. So this is one of great option however you need to be careful
dealing with open strings. Let's consider mas chord
famous acoustic guitar. Sure. Chord. Most of my students knows how to play this chord on
the acoustic guitar, I think is the first one we
learn when you buy a guitar. So let's say we want
to use the same idea, the same step by step. And go half step right here, half step ahead is
going to be C sharp. But we have an issue
about our open string. We didn't adjust the
open string, all right. We need to change
our guitar shape. And this can be an issue or not. If you want to
stand this concept, if I want to go to C sharp, I need to adjust
this open string. So it's going to play like
this a little bit difficult. But now adjust the string. I can play the shapes the same shape but the
other cords, right? This is a sharp
sharp Corps core. And so I can keep thinking
about this step by step. All right? So be careful
with open strings. If you don't have open
strings, don't worry, just change the frat. Okay? Keep the
same guitar shape. So let's see if we are in
a corn cord is very nice, red house slippers
use a lot as a cord. If you are cord right here
and we want to go to a short, just keep the senor shake
and go a step ahead. Walmart's. Walmart
is going to be measure and stick
with the shortcut. It's very important
to play chords fast and help you through
this muse process.
4. Major scales: Time to learn major scales and they are very important
to learn a chords. The first step you
need to remember that major scale have seven nodes. Okay, let's take a example. Measure scale is the
easiest one, right? Because we don't have
flats and shelves. That's why I'm going
to take measure scale as example DEF. And if you want to play right here, you
can play like this. But now how can we understand the toric part and create
order scales as well? We need to, remember we
have just seven notes here. We need to memorize the
formula of half steps and whole steps every single time you're going to
follow this formula, In this formula, you just need
to set up the first notes. In this case, we're
going to say, think I want one whole
step I'm going to go to, that's why is number two
following the formula. It's another whole step. One step is not. Now we have a half
step F note, okay? Next step is one more step, one, step two, finally a step, okay? That's why we have this C, D, E, F, G, and B, a major scale, right? But let's take this
formula of half steps and steps and try another
example, all right? So let's take a example. All right, let's set up a number one and think about
our half steps. And whole step A is
the number 11 step is one more step is short. Now is half step, just follow the formula. One more step is holes, step is short and another
whole step is short, okay? So now we have a major
scale, all right? It's important to
memorize formula. Of course. This guitar
shape right here, if you want to play
from to another. A sharp, short, sharp, A. Once again repeat
but another active. Now we're learning how
to play major scales. My advice for you guys
is a lot, first of all, you need to memorize
this formula of half step and whole step. After you memorize this, you need to pre, take a piece of paper and write down
several types of scales. You have major scale, we have, you have 12 major
scales to write down. Okay? It's very important
to pre writing and playing because this measure
scale is going to be essential to build chords. That's why I'm just
going to teach about major scale, trust me. In the next lesson
you're going to see why, just measure, Why this
scale so, so important.
5. Major, minor and power chords: It is time to learn
major minor in power chords if you
enjoy to play rock, pop metal, in gospel music. What else? Punk
rock, heavy metal. These three types of
chords are very important. All right, let's go. The first thing you
need to memorize that major chords are
triad means three, They are composed
by three notes. These notes are 13.5 of a scale. Let's a chord as example, if we play chord and
write down the morale, we're going to see
that C sharp and notes is going to be the three
notes every single time. You just need to think
about this Ko and take note number 13.5 of this K, and you're going to have the
right notes of your chord. But when we play this score,
let's take a example. This cord regular,
very nice board chord. My finger number one, okay? We going to see that I'm playing more than just
three notes, okay? But if you count all the notes, you're going to see that
I'm repeating a few notes. So let's see, string number
six and string number four. I repeating eight notes. All right? And string
number one as well? I have eight notes,
string number one. Okay? So let's see
repeating note as well. So string number five is, string number two is, okay. But if you think
about all the notes, I'm just playing three
different notes, C sharp, okay? This is the easiest way to
think about major chords. Just choose a key and take notes on number 13.5
of your major scale. That's why major scales
are so important. But let's think
about minor scale. If I want to transform
this major or minor chord, I just need to change
one single note. That's going to be my
note number three. I'm going to have a flat. Let's remember, sharp is when
you go one half step ahead, a sharp is right here. Okay? If you think about flat, go one step before a flat, okay? So memorize this short cut flat. You need to think
one note before and sharp one ahead. All right? So let's take our cord and
think about our third notes. Okay, follow this step by step. It's very, very important, take the C sharp and add a flat. If we add a flat in C sharp, we're going to cut
the two accidents. Sharps and flats are
Music accidents. We are going to have
just. All right. As you can see, measure minor
chords are almost the same. The unique difference
is one single note. Okay, let's take another example just to stick this
knowledge on your head. All right, Let's see. We have a cord decor right here. We need to write down the
scale. Measure scale, okay? And check notes, number 13.5, D, F sharp, and A. So if I want to transform
my major core in minor, I'm going to take this
note number three, shop and go half step
down my shop right here, go Fratt number six. So you're going to have this
guitar shop right here. As you can see, it's
almost the same thing. The unique difference
is note number three. Okay, You understood
the theical part, but now the practical part. It's very, very important. Sometimes we don't know
everything about the, the, we don't think about all the notes
every single time. But we memorize the shapes and can change very easily and fast. Okay. That's why it's important to learn the guitar
shapes as well. If we're thinking
about major chords, we have major chord right here. Memorize this guitar shape. It's a bar chord in my
finger, number three. Okay? I'm just press
strings number 542 or if you don't like bar chords,
you can play like this. It's the same thing, right?
Exactly the same thing. But I think this is a
little bit more difficult. This is a major chord as guitar shape, or a
string number five. I mean D, because
this first note right here is if I go to
F number seven, going to be not
number nine sharp on. Okay? Memorize
this step by step. Just keep the same guitar shape and think about your
root first note. This is measure cord on
the string number five. But most of the cases we play measure cord on the
string number six as well. We have this guitar
shape right here. You can play as bar cord
or just frag number five, string number six, all right. Same thing. A core, hard core and so on. All right, so you can
play any kind of major or the string number 5.6 but you can do the
same step by step. Two are strings as well, but let's say that it's not. You come just stick
with strings number 5.6 and you can play nine, 9% of the songs. But now we need to talk
about power chords. We have major minor, but the red number three. The power chord is very
important as well, especially if you're
playing rock and roll. Have metal and punk, all right. Power chord is not
composed by three notes, it's just two notes, one in five of your scale, okay? Let's take as example, okay, A major scale. Always write down your
major scale, okay? You need to memorize this
as soon as possible. Let's take note
number one in five. Not note, This is a power chord. You can play he metal
song with a power chord, but sometimes they put a
note, another root note. You can call root note one Or
you can call octave, Okay? Because I'm playing
the same notes another octave, all right? So you can think like this, poor is just two notes. One in five octave is
the same thing as one, so that's why I never
count as my third notes. Okay, let's take
another example. Let's take one in five D, and if we add another octave, you have another right
here, another right here. So you can stick
this chord shape, memorize this chord shape, because the same thing as the other chords measure
and minor you can use on the string number
5.699% of the songs. Of course, you have
the option to play power chords on the
order strings as well, but let's stick with
the two guitar shapes. Okay, shape number 1.2 because they are the
most important ones. Just to memorize. Major shape of string number
six is like this, a minor shape, just remove
your middle finger. Interred. Okay. On the string
number five is like this por or if your
three fingers, if you want to do some this in minor you need to change a
little bit of your fingers. You just need to move
your finger number two, the frat number six
on the string number two. This, all right? Yeah. Finally in the par cords, you have two options with just two fingers or
three fingers. Okay. It's important memorize
the theoretical parts. Yes. Well, okay. So stick with the formulas and pre take a piece of paper and
write down several times.
6. Sus 9 and sus 4: Now it's time to
learn about chord. They are very common
in pop music, okay? You can find a lot
chords and pop music. Let's start with S, nine or two. We need to think about
just three notes. Notes number 12.5 All right? You just, let's take
X example, okay? And this chord shape right here, think about note number
two is going to be B. Note number three is
going to be notes. We have our guitar
shape right here. We need to find our
note number three, if you think in a
major chord, okay? And change this
node number three, that's right here, sharp. And move to a B notes, okay? One whole step down. Now we have our S nine or
As two, if you prefer. They are almost the same. But since this scores
four beginners, let's stick with the base
and think easily, right? So we have our core right here. It's a very beautiful
red, isn't it? Let's take another example
and think about D. Let's take our major every single time
I'm thinking major, right? And I'm going to
change my note number three of my chord, F sharp, that's right here, and
transform in node number two, that's going to be a node. I just remove my finger, I have this guitar shape, okay? It's very beautiful. This is D. Nine or D. You can stick
with this pattern, this guitar shape chord, okay? And this one or all right. Remember guys, you can use the
guitar shape step by step, every single chord
you learn, okay? So let's take a example. As you can see, a nine is like this one. If I want to
transpose this score, okay, Let's say a sus nine. I need to go one whole step, half step, whole step. But I need to adjust
my open strings. Here I was playing string number five in two as open strings. I need to adjust this and go one whole step ahead as well. I'm going to play
like this, all right? Remember as nine is nine. Adjusting my open strings, okay? Can stick with
this guitar shape. Play says nine sharp. Says nine and says nine. And so one. It's easy to
understand, isn't it? Let's do the same step by step. So D nine. Let's adjust our open strings. We have open string,
open strings. Strings number 4.1 we
just need to adjust. It's going to sound like this. As you can see, bars are
very cy Music Isn't it? The jugular shapes
are very common. Says nine. Right here we
have a diss, nine, sorry. Says nine, Right here we have
a says nine sharp says 91. Just memorize guitar shape. Of course understand the concept in the theoretical part as well. Four is almost the same thing. Instead of thinking about 19.5 you just need
to think about 14.5 Let's take a
measure as example. It's just necessary to change
note number three, C sharp. My ring finger change to note, you're going to have
the S four. All right? You can stick with
this pattern on the string number
five, of course. Adjust the open string. Open string in this case
if you want a B S four, it's going to look like this
court shape right here. Adjusting my string number five. All right. Don't
forget about that. Play like this. Or you can
play a bar core, core. And put your finger in the fret number five
on string number two. So okay, this is S four, this short four, D
four, and so on. All right. We have this
shape that is very common. And we have this shape
on string number four. Looks like a D measure, but you remove your
middle finger, the third mode of D
that is short and change number four in this case. So you can use your pink F, a very concord
shape score, right? So you can use the same Ap. D is right here,
should be right here. But you need to adjust your open strings going
to look like this. One shape right
here, four sharps. Four Jesus, 4.1 right? Most of the pop songs use this to the two shapes right
here. Why do you play songs? For example, if we
think about Quinn, the beginning of
the song, you have D major core and D S four. All right. Elton John use
a lot this type of core. Okay? He plays piano. But if we think about Ron is the
same thing, right? He uses a lot. This type of progression sounds
very beautiful, isn't it? So I play just a, As four, A once
again and As nine. This type of progression. Bell.
7. Seventh chords (7th): Let's take a look
on seventh chords. They are very important in
styles such as blues, jazz, Bosanova, classical music, but funk music and a little
bit of rock as well, okay? But let's go, let's take our major chord as
example, right? Let's write down a
major scale, seven. They are not triads. They are not composed
three notes. They are composed by four. Okay? The seventh notes, right, is the note number four. We need to add notes
number 13.5 from our major chord and
add the seventh note, note number seven of your scale. In this case we have a C
sharp as No number three. We have S number five
in our number seven. Instead of put your finger right here to this other octave, we need to go to our
sharp number seven. We need to change our guitar
shape. Sound like this. Right? You have this
option to play, you measure seven of this or
you can remove this fifth. Okay, right here in the Fred number five
on street number two. So it's going to sound
like this. All right? You don't play
string number five. Okay. You guys, if you
memorize this guitar shape, you can play other
major seventh chords. Okay? So we have a major
seventh right here, a short major seven
core right here. B major seven of
core right here. And so you can keep playing
the same guitar shape, okay? So if you enjoy bosa, you can find the score
every single time. Scores very common bosa. Okay, So let's take
another example. Let's think about the measure corn on string
number five, okay? We already learned
that we need to take 13.5 we have right here. And in this case we
take note number seven. So we change our roots notes, our octave right here, okay? And put this C sharp as our note number
seven of our scale. So this is going to
be a measure of corn. Okay? Same thing. You can take this
guitar shape and play the same guitar shape in
our key sharp met seven, met seven or seven, So size, you have this shape
right here or right here. On string number six,
you have two options. String number one, sorry,
the string number five, you just have one single
option shape, okay? So as you can see,
it's important to memorize the formula,
the guitar shape. You understand the difference between major chords
and the chords, in this case seventh chord. Okay? So we have this first
type of seventh chord, a major core with
a measure seven. But now it's time to
go to the second type. It's a measure core, but with a minor set. In this case, we take our
seventh note and put a flat. Okay, so let's take a example, our new our major
seventh right here. Let's find the seventh
note in this case, you're going to
find right here in my ring finger number six. Okay? Put a flat in, you're going to have
this shape right here. This is a seven cord, okay? In this case, it's going to be a measure with a minor seven. Okay? So this cord is
very common, blue, very nice, isn't it? Let's
learn how to step by step. As you can see, we have
this option right here. Or if you want to remove
your ring finger, you can put this Perth
fifth right here. So you have this option. Okay? You can play with a
bar or just four notes. Okay? String number
6543, it's up to you. All right. This is on string number six. Now we need to learn
on string number five. Let's take our major
seventh chord, and we need to find
our seventh note. That's right here is
middle finger, C sharp. We need to put a
flat, sharpen flat. You just ignore the symbol
and you have a regular, okay, major chord
with a minor seventh. That is our tray. Okay? You have this guitar
shape you can play as a bar. Can put both fingers on the string number,
on the strings, number 5,432.1 and play the front number
five is about art. This is measured with a minor
seven string number five. And of course you can repeat the sector shape
and find the key. This is D sharp measure
with a minor seven. Sorry, major chord with
a minor seven, right? Guitar shape is
very common, blue. So if you enjoy the style, please learn these two guitar
shapes very well, right? Okay, so let's think about
the shape number three that is a minor with a minor seven. Let's take our example. We need to put flat the notes. Number 37, right? So let's go to the number three. Our middle finger right here. Sharps going to be notes. Okay, let's take
our seventh note. Right here is an octave, so let's move it to a seventh. So it's going to be right here, our seventh notes.
So she's sharp. Let's put another flat. Okay, so right here, it's going to transform notes. So in this case, I'm going to have this to shape right here. Okay? Complete backward or
with fingers like this. But I think this is
very difficult to play, or if you prefer,
every single time, you can take the perfect fifth of string number five
and move to here. Okay guys, it's a
very nice shortcut to this type of tor shape. And the other tsha as well. Let's take this in a short
cut and play our seven notes. Okay, I think this is
the most common shape. Okay. You can find this in
Boson Jazz as well. Okay. In fact, music in style. All right, so it's a very
welcome guitar shape. Yeah. If you think about all
your keys, same thing. Just move your roots notes and keep the same guitar shape. A sharp minor, minor. Let's think about the same
chord but string number five. In this case, we have a
major chord right here. Let's transform in minor. We need to remember the guitar shapes of
minor lesson. All right? We take our turn that
is F sharp and putting, so we have a minor right here. We need to take our octave that is always in
the same position. And D finger number
1.4 and move lower, right here are note
right, A major seven. We need to add a flat to
have our minus seven. It's going to be right here. It's a bar core with
minus seven right here. Okay. Our flat seven. We have minor minor seven. You can repeat this Tshe
boards on your neck. Minor seven, F
sharp minor seven. What we talk about seven chords. Most of the cases
came 99% of the case. You are going to use
these three type of Tsk. It's very important
to memorize this if you like to play pop music. Elton John, use a
lot funk music. Learning Kravitz is one of
the masters of the chords that sun comes low,
something like this, right? I can't remember but use this minor chord with
a minor seventh. And if you enjoy funk Music
all these famous styles, it's important you
learn this chord, okay? So hope you enjoy this lesson. Let's continue our course.
8. Half diminished and fully diminished chords: Let's talk about half
diminished chords and full diminished chord. Half diminished
chord, we need to think about the first note, the flat three notes. The flat five notes in
the flat seven notes. Let's take this example. A major chord, every single time we take a major
chord as example. But it's important to relate this in transform the measure, adding the flats, okay? The goal is to play a
half diminished core. All right, so one is right here. Check the second.
Not the second, but the next note
is form note number three in a flat tree. So we need to add a flat in the C sharp Stoves
going to be like this. Okay? This note right here. Next notes going to be five. Add a flat in the
note number five, so it's going to be right here. The last one is going to be, take the measure seven
notes, this one right here. Okay? And add a flat. So I need to remove
as well. Okay? So if we play, it's going to just
sound like this. We can change your fingers
to be easy for you. Okay? You can play
like this as well. It's up to you. Think about the easiest way to
play a red. Okay. Yeah, you're going to have
your half diminished chord. All right. This is
warm guitar shape, but I have a suggestion for you. Guitar shape is common, but there's another shape that
is very, very common. String six is when you
take this note right here, your flat five and
put right here, It's the same notes
but in another active, it's going
to sound like this. As you can see, I
changed my fingers. It's going to be a
little bit easier to play when you play
the song fast. Okay? Memorize these two shapes, and of course, thinking
about the guitar shapes. If you play a half
diminished here, you can play a short
half diminished here, or half diminished
here, and so on. Just keep phoning
the guitar shape, the same guitar shape. Okay? In this case we do not
have open strings. Okay, When we play the score, usually we are playing
with the fingers, right? It's not common to
play the score with a lot of distortion and pick. It's not common. But most of the
kids going to play in Bosa Jazz classical music. So you're going to play
with your fingers. If you play your fingers, you are not going to play
strings number five, All right? So do not worry
about open strings. Let's take the other shape that is very common on
a string number five. Let's take the major chord. Let's put that flat
in note number 35. Take over the salmon note and put another flat as well, right? So it's going to play like
this with this guitar shape. Okay? Not difficult. And we do not have open string as well, so
it's going to be easier. You can memorize this
guitar shape in D and play the sharp sharp, half diminished,
half diminished, short half diminished,
and so on. Okay, so we have this guitar
shaped half diminished part, but now in each word,
follow diminished, right? It's almost the same. But instead of take more note, right, we add a flat
in our seventh note, so it's going to be
a minor seventh. We add another flat, so it's a double flat. Really weird, isn't it? But we have this symbol
in music the double flat. We are here. Let's
take a as an example. We are here. You
can play like this. It's a cute, I prefer this
second shape right here. And we're going to add
flat in our seven notes. Our seven notes right here. My ring finger. I'm going to add another flat. So we're
going to play like this. It's a very strange and difficult chord for
beginners, isn't it? But it's important
in. All right. You're going to find this in Bosanova Jazz Music So you can stick with this guitar
shape right here and repeat the position, okay? Just think about the root notes. So it's going to be A sharp, B, C sharp, and so on. So every time you play
this chord box right here, you are playing a full
diminished chord. All right, on the
string number five, you have the same approach. Take notes number seven, that's right here in
my middle finger. And add another flat. It's going to be
right here in B, we're going to have
this shape right here. Okay? So just repeat
the shape and then you're going to
have the other chords. The full diminished
chords are very funny because they repeat
every single time. I mean, every one
whole step and a half, they are going to be the same. All think about this. If you are in D, we have a flat flat, we can
say that as a B. Not notes. If we play the same one half had going to be the same notes. We're going to have not here, not a flat right here, not here. In sharp or flat
note right here. As you can see,
it's the same thing if we play one more step
and a half step ahead. We're going to play this. We're going to have a
sharp or flat right here. Not F notes, B or
C flat right here. Very fun, isn't
it? This shortcut is going to help you, alright? This chart. And you can use this
short cut, okay? This one whole step and a half, just full diminished
chords, okay? Half diminished. It's not going to
work, but I hope you enjoy this lesson and now
it's time to practice. Okay, this chart
box is not easy. But if you enjoy Boson, classical music and jazz, you're going to need to
learn this very well.
9. 9ths chords: Way to think about this type of courts is thinking
about the numbers. Let's take the first
example, the nine, okay? Nine is the same thing as if you write down
your scale twice. You're going to check that
nine is the same thing as to, if you want a Me core in
the node number nine. We're going to have,
let's take a example. A, okay, a major core with nine. We need to take the three
nodes of our triad, of our Me courts and add
the note number nine. So not only guitar they
are not so common. But if you add the
seventh notes, you can find scored in jazz
and it's very common style. So let's add the
seventh note, G sharp. Yeah, Instead of play just the mirror seventh chord on the string number six,
we're going to play this, but we need to move
our fingers a little bit and play this
note right here. That's our nine. In this case, we have Sor with a seventh and a nine. Okay? Nine notes, very important. As you can see, it sounds
beautiful, isn't it? Another common guitar shape
is on string number five. We can play this major chord with minor seventh
in the nine note, right here in the
frat number five. Okay, so finger number 213.4 this far shape is
very common in blues. Jazz Funk as well. Yes, funk is very common. So you have this guitar shape very common in those styles. D is the same. You can use the guitar shapes and
transpose two other keys. Start can play sharp and so on. Right. I'm just going to
give you these two examples because these two guitar
shapes are very common. Others not so common to guitar. When we are going
to play guitar, we have an issue about
our fingers and threats. Sure, you were playing piano. We could play like ten
notes at the same time, but right here on the guitar
we have the maximum of six and a lot of
problems with the, the tubing, the
transposing nodes, and find the right nodes
in the right positions. For example, It's
not comfortable and almost impossible to
play a chord like this. It's almost impossible
hurt a line of fingers. So this is a measure with nine. With the nine, this is not common just because it is
too weird and hard to play, especially if you
are a beginner. Scores is for beginners, it's important to stick with the most important
guitar shapes, guitar formulas and
patterns for it to learn and play the songs
you like and enjoy. All right, so let's stick with the two important guitar shape. If we're thinking about nine, we have another option as well. Flat 99. Jimmy Hendrix used to take this guitar shape right here
and a sharp nine like this. You can find this guitar
shape in purple haze. Or you can take this, get our shave right here
and add a flat nine. So take this nine note and
move one note right here, flat number six instead of flat number seven,
frat number six. And you can have this flat chord that's
very common in Boson Ova. So very nice, isn't it? No time to press and
memorize this ninth chord.
10. 13th chords: Let's talk about 13 charts. We just need to think about 135 flat seven
in 13 or flat 13. We have this option, if we write down our
measure scale twice, you're going to see
that note number 13 is the same thing
as note number six. Okay, remember about
this short cut. Usually we play just
a single guitar shape on string number six is
the most common one. Let's take S example. We can take the closest
shape if we compare to 13th. So you can take the closest, it's going to be a
seven right here. And you can remove your
note number five in, put the 13 notes. Okay. But why, Gabriel, do we need to remove
note number five? Because we don't
have enough strings, threats, and fingers
to play more notes. Okay. That's why when we have a or with a
lot of extensions, I mean 139 and things like that, we need to remove the
note number five, order note number
one if you have a best player play with you. On the other hand, if you
are playing the piano, you can play
everything together. You can put like ten notes
in one single chord. So if you play are very
guys, so let's go. You have this shape right here that's very
common to 13, okay? And if you want flat 13, just put a flat in
your pink fingers instead of play F sharp,
you're going to play. So as you can see
some perfectly, we use a lot of this in jazz. We have this type of
core progression, 13 D with a nine, a measure seven, so as you
can see works perfectly.
11. Altered bass chords: It's time to talk about a base chords and they are
represented by the symbol. The idea is to change the base. Change the lowest string to another note of measure scale. Usually you have the three
options of alter base chords. I can put my lowest
note as short. We can change my to
shape and play this. Instead of play the regular. I can play with
the base in short, all usually we use this type of technique to
connect one chord to another. Smashing Pumpkins
play this type of progression very well in the
end of tonight. Tonight. In the end of the song,
he plays with the base, in short in and finishes the song with this
very nice chord progression. We have three types of inversions or alter
rate base chords, where the first thing
you need to know is the root position is when you play 13.5 of
your ski you Okay, so let's take Michels example. I'm going to use this
shape right here. I play 13.5 This is
the root position. I have the first inversion, that is when we put the third note of
your scale, the base. In this case, I can put
my shop right here. I have another thames. That is when I put my
perfect fifth on a base. Can put my right here. I can use this as base paper. Use this type of rotacially
in call, under the bridge. Use a lot. You have
the third option, that is the third inversion, that is the base in the
seventh note of your scale. I have a right here. The seventh note is sharp, can use like this. Okay. If you think in
theory, in Armory, they are going to define
the tree versions in the root position exactly
like I told you. Okay? So following the order of root third and the
perfect fifth. Okay? But if you think about
guitar, or electric guitar, you can change a little bit and adapt to your instruments
because sometimes it's really hard to play some
type of guitar shape is following this root
third and perfect fifth. From this, I'm going to give
you a few guitar shapes that are very common when you
play alternate play schor. First one is you can
play right here, is in the first position
is F sharp on a bass case, I have my measure
third right here, Basco, like this common. You have another guitar
shape that you can repeat in every kind of position just because you don't
have open string. So you can play
measure right here and play the first inversion of
the third is right here, the number three of the scale. This is the first version,
works really well. Can create very nice
progressions with that. For example, as you can see, a P one first inversion
of one number four. So engine really good. You can repeat the shape
in any kind of position. Frater, very common ones, The Red House shape. This one right here, you can find the second
inversion, second position, okay, when the lowest is
your perfect fifth, you can repeat every
single fritos. First version of first position. You can play with
the bass right here in frat number two on
a strain number five, usually you play 94 or a minor seventh chord works perfectly as well. Check this out. It's a very nice
progression to pop. Music Can stick with this chord shapes and remember
at the rules, the root position is the regular chord usually
play every single time. Okay? With the basing a root
note, the first position, the first version is with the base on the third
note of your scale. Okay? If we're thinking A, the base should be in C sharp. The second version is the base on your perfect
fifth of your scale. If you're thinking
A, the base is not. The third version is the
base on your seventh note, in this case sharp.
12. What chords can i use in a key to create a song or arrangement: Chords can be very tricky, especially if you don't know
too much about harmony. But today, I will help you out. I have a few short
cuts to help you find the best chord combinations
to your arrangement, to your songs, to your music, and to your compositions.
So let's go. First thing that you
need to memorize is the major and minor
calo. This is very easy. You just need to
follow the whole step and half step sequence. So if we think
about C Major chu, we have one whole step. Whole step once again, half step, whole step, whole step, and whole step. If you play one more, half step, you will
come back to C. So C, D, E, F, G, A, B, and finally C, and you have this kind of loop. Minor scale, it's a
little bit different. We have a different formula, so whole step half step, whole step whole step, half step. And whole step. In this case, to come back to C, we need to play one more whole
step instead of half step. So we have C, D, E flat, F, G, A flat, B flat, and finally
C once again. After you memorize
these two sequence, these two formulas, we're going to
transform everything in chords in three
type of chords. Major, minor and
diminished chord. And then we'll start to
create our combinations. But remember, I'm using just
in the example of C or A, but you can transpose this approach using the same
step by step in other keys, A, B, C, any kind
of key you want. So to this next step, we need to memorize
another formula, okay? You need to memorize
a lot of formulas, but it's not too complicated. The formula is, first
chord is major chord. The second one is minor. Third one is minor. Number four is major. Five is major. Number six is minor. And the last score that is B
is going to be diminished. So you have these seven chords, and with all seven chords, you can create a lot of nice compositions
and combinations. Most of the songs we
have in rock, pop, hea metal in most
of the styles are based only in this
diatonic approach. In sure in minor scales
that we are learning. But if you want a minor scale, we have a different pro
a different combination. So the first chord is
going to be minor. The second one diminish. Number three is
going to be major. Number four minor, five minor, six major, and seven major. You can see different chords, different protea
different formulas. So first step memorize
this formula.
13. Exercise with me: Time track to the
size a little bit. In this time we're going
to talk about shapes, play, play a lot. Okay, so the cyber
factor size is good to memorize the guitar shapes,
let's take a guitar. Okay, and let's think about, let me see, major core. We have a few options, isn't it? So let's try to play major
core in on string number six. Think about string
number six, we tune in. So we need to count
is open string is fred number one sharp flat
number two is right here. So the next step is to
think about what type of guitar shape we have
on string number six to our major quart. So take your PDF file with all the guitar shapes and
try to find a guitar shape. If you're good on that,
you're going to see that playing the guitar
shape right here. Okay, let's do the
same approach by this time on string number five. String number five,
the tuning is a, so we need to think a string
count the 12 notes, okay? So a sharp, sharp, sharp. And finally, take
a look on the PDF and what type of Gar shape
you play on a string. Or 52 major chords. You can play one with four
chords or three fingers. Okay, This type of
exercise is going to help you try to Px this
in every single. Okay, let me choose
another chord. Minor chord with a
minor seven this time. Okay? I want a chord
if we count correctly. So string number six
is F sharp sharp. It's going to be right here. So take the PDF and check what type of
guitar shape you play. Right here to a minor
chord with a minor seven. So is this one, you can play like this
or if you prefer, okay, it's up to you. So you can do this type of exercise on the
string number 65, of course, any kind of guitar shape that you
have in mind. Okay. So you can use with, with a four, with a
S nine, all right? With a measure core, with a measure seven on
the string number five, kind of court, in my opinion, you should practice exercise at least 10 minutes per
day during three months. If you practice step by
step, just 10 minutes, okay? Just 10 minutes in tres. You not have any kind
of doubts about courts, You are going to memorize
everything, all right?
14. How to break out of the cliche chord progressions: In music, certain
core progressions have become really popular. They are like familiar pets
that many songs walk down. These patterns are called cliches core progression
because they are used a lot and they can be helpful for beginners guitar
play in several ways. Cliche core progression
often consists of a basic chord that are relatively easy to
learn and play or. These make then
accessible to beginners who are still developing
their finger strength, coordination, and muscle
memory. Quick progress. Since these progression are
common and widely used, beginners can quickly find songs they enjoy that use
these core progressions. This provides a sense of motivation that helps
the student a lot. Familiarity. Main songs with cliches core progression
are well known and popular. It means beginners are likely
already familiar with then. This familiarity can
make learning and prate these songs more
enjoyable and we ward. But now, let's talk about
these progressions. The first one is the
145 progression. This is like the basic
building block of main songs. Imagine you warn
the key of snature. The one chord will be C
because it's the first one. The number four will be F, and the number five will be G because it's the number
five of our scale. In simple terms, you
might start with C, then playing FG.
And back to see. This look is very important. Lots of songs use
this progression because I felt
stable and familiar. But of course, you want
some examples, right? Twist and shot by Beatles, bumper by Rich Van
and Louis Louis by the Kingsman are great examples. Very nice, isn't it? Of course, if you're going to play
to and shell the rhythm, and the guitar shape
it can change, but it is the same is
the one, four, five one. One, C four, that is F five, that is, and come back. T one and restart this loop. But be careful with one thing. Sometimes we can change the key. Instead of play one, four, five, one in C, you can play it as in D
or E. It's up to you. If we play this in D should
sound like D major as one major four A S five and come back to the Don't forget
about these elements. Do not memorize the chords. They are always change
if you change the key. Memorize the numbers. Let's talk about the other one, one, five, six, and four. Not a super popular example. It's like a cousin of the 145. In C measure, you would
start with C then goes to G. Okay. Then place. A minor. Number six, and find goes
to F. This progression has been used in countless
songs across different genres because it's catchy and Easy to remember. For example, let me see ito. Someone like you Bodle or we
for doubt you by YouTube. You can find this
progression. Tree songs. I'm not a good singer, so I'm not going to
sing those songs. Just stop this video and
look on YouTube and you're going to find the core
progressions in different keys. Remember about this detail.
Let's listen to the sound. Let's go to number three, 1645 is our third progression. This one has a similar
vibe to the previous two, but we two list. In C measure, you start with C goes to a minor
that is number six, then goes to four and
finally goes two. It's like a otro through
familiar musical territory. Often found in pop and
rock music as well. You can name it like a
horse with no name by America or a breath you take by the police and even
where is my mind by Pix. Let's listen to the sound. Next progression is the
147 diminish and three. Okay. This one might be a bit fencing with
the Roman numerals. It's too complicated. In C major, you start DF. You can go to B the menis
that's going to be this one, very fences in finding goes to minor that is the number two. This progression has a
bit of mysterious and melancholly few and it can be found in various
styles of music. Mad word by tears for fears, house of rising s by the animals and nothing
else mattered by metalic. Let's listen in
this example of C. Very different, isn't it? That x square
progression is 1415. This one super straightforward. You start with the
chord number one, C is going to sound C then goes to four that's F. Then back to one or that C and goes to
five example of mature. It's simple very effective. Even use it in upbeat and
red sounds such as stand by me by Ben King and blue suit
shoes by Ls Presley brown, I girl by Van Morris. Let's play to this.
Core progression. Erf isn't it? Next one is one flat seven and
four progression. This is a popular
progression rock music. I see measure would
sound like C one. B flat as flat seven. The n goes to F measure. This B flat is measure, and this is a measure as well. You just have major chords
in this progression. It's important to respect the characteristic of the chord. It is a strong and dry sound. C heard in classical rock tunes such as switch by guns or roses. Don't stop believing
by joining in. No one else by coins
of the steation. I'm going to play in C, and I'm going to use the same ad as Switch mi probably you're
going to recognize. Check this out. One, two, Very cool, isn't
it? As you can see, I play one flat seven, four and come back to one. The next one is one, 625. Jazz musicians love this one. I. We start with then
goes to A minus six, then goes to minus
two and finally five. It's got a laid back vibe that works really well
in jazz standards. Similar style as well. For example, Frank, flange of me by Billy Hold
and take the train by Duke. You can find this
chord progression. Most of the case,
the jazz players, they take this progression
and add some other nodes. But the main part, the sense is keep the
same four chords. For example, if we're playing C, we can put measure seventh. And go way. Minor Rf M seven. Minor Rf m77. Very nice, isn't
it? You can create any kind of jazz slash both. Another similar
progression that you can find in jazz as well, is 1425. It's very similar,
but it's stand going to one six, you go four. You can find leaves. So you would play like C four, that is f two. Five D MG. Let's play with a Jazz accent. Four. Very fast and nice, isn't it? A a great corporate aggression
tax measure minor key. It's this one flat
six n flat seven. You can find it as
night by go chair. So if I play, it's going
to sound like this one. A flat both measures, flat seven Come back to one. So Very curious and it. You can play around
with the reading and using the
square progression, it's going to sound very nice. And the last one
that I would like to suggest is one, two, four, five. You can find help falling
love by lp Presley. If we play, would
sound like C measure. D minor F measure measure. It's a beautiful core
progression. Of course. You just need to use
your creativity to a little bit the
rhythm. Why not? These are just a few examples of cliches core progressions, but there are many
mores out there. Despite being
labeled as a cliche, it remains popular
because they sound good and invoke familiar
emotions in listeners. Next time, you are hum along to see if you can spot one of
these core progressions. Cliches core progressions are
not considered plus or copy because they are
fundamental elements of music that have
been used for centers. These progressions are likely come vocabulary
words in language. Just because many people
use the same words, doesn't mean they are copying
each other, isn't it?
15. Coldplay - Speed of sound: Now it's time to
pract with songs. Have you guided
through a few songs? Very easy. Nice songs to pre chords. Okay, so we're going to see a few major minor power chords and other chords in different
styles as well, right? So remember we need to think about the formula and
the guitar shapes, but it takes time to
memorize everything, right? So take your two PDFs with formulas and guitar shapes and perhaps a few songs that
I'm going to teach. It's going to help you a
lot. Alright, let's go, this is the intra part
and we begin right here. Fret number 5.3 on
string number two, okay? So after this, you play two
times, threat number seven, string number four, and come
back, play the same thing. However, instead of
playing fret number seven, you'll play fret number five. Repeat this session
one more time. In the last part is instead
of play Threat number five, you play that number four. Alright? As you can see, this is a very easy session. So let's play everything
together very slowly. Repeat in the last part and he begins the singing part. That is a finger number 123 and the frat number two
on the string number 432. So you're going to
play like this. As you can see, I
pick just 54321. All right, to open number one. After this, we have
finger number one, number two on a
string number five, and fret number two on
a string number four. You can pick everything, measure finger number one. Fret number two on string number three, finger number three. Fret number three on
the string number two, finger number two. Fret number two on
string number one. In this case, you
play 432.1 All right, so it's going to
sound like this, but okay, this rhythm is
exactly like this. Just six times, Okay, so I play six times
in 12 times in minor, Ok, you're going to
play this two times, six play 612 and measure six times after you
play this chord session, four times, you come back and play the Intra
one more time. After you play the Intra,
he's going to sing, Look up, I look up at night. Planets are moving at
the speed of light. So this is the second verse and you play exactly the
same chords, however, when he sings all that noise, all that sound, all those
plays that I have found. He's going to play a different
chord session measure. Finger number 4.3 in the threat number
three on the strings. Number 1.2 finger number one, frat number two,
string number five, and finger number two,
frat number three, string number six, A measure minor minor finger number one. Frat number two on
string number five. Finger number three,
frat number four, on string number four. You are pink, one string down. Okay. So fret number four, string number three,
and finger number two. Frat number three on
string number two. In this case you play
Jess 5,432.1 So, you're going to play this
court session two times. All that noise, all that sound, all those places I have found, as you can see, I
pick just down. Okay. And it's eight
times, eight times, and 60 times, 1, 2, 3, 4, 5, 6, 8, 1, 2, 3, 4, 5, 6, 8. And B minor I play 16 times. All right? So I play
this two times. I play the chorus and he sings. And the birds go
fly at the speed of sound to show you
how it all begins. And this is a different
chord session. So we have major
minor, G after this. One more time, minor. And now we have a new chord. Okay? I'm not going to repeat the chords that we already
learned in this class. The unique new chord
in this section is F sharp minor, okay? And this chord is
finger number one. Fret number two, okay? You can press all the strings, A finger number three, fret number four on the
string number five, and you are picking
one string down, fret number four on the
string number four. You can pick everything in the last chord that is the
core of the beginning. Okay. I'm going to play this
part very slowly. 1234. As you can see, the rhythm is the
same rhythm as we played during the
first verse, okay? Six times. However,
the last art, that is measure, okay, the last measure you play
more than six times, you play twice 12 times. And after this part,
you come back to the insurer and play exactly the same thing one more time. And after you play
everything one more time, you're going to play a bridge. And this bridge, before
he played this bridge, he sings, if you could see, then you want to
stand. This part. He plays F sharp. F sharp Engine. He plays two times F sharp in G. Okay, it isn't the end
of the second chorus, and we have the last
session that is the bridge. And he sings all those signs. I knew what they meant
in this section. We have measure, measure minor on the cards we
already learned, right? And we have just one
card that is measure. It's almost the same as minor. However, I play with
my finger number one, fret number one on the string number three,
finger number three. Fret number two on
string number four, and finger number two. Fret number two on the
string number five. And I pick everything. Oops. Come back and
play the same thing. I'm going to play the
entire bridge for you. 1234. We'll come back to the close and have sharp T once again, as we played a few parts before, 12 times in G, in D.
16. Gorillaz - Feel good: The first part is everything. String number four, we are going to play
open string opening again and Fred 3.4 The rhythm is pretty simple. Try to play with me. I'm going
to play a few times, 34, and once, and again one more time last time. It's important to
practice with me, okay? So the second part
of this first riff is fret number 4.3 however, this string number three, okay? So everything's going
to be all right. Pretty simple, once again
in the second part. So you're beginning
string number three, open string two times Ft number 4.3 and end this F
in fret number four, string number four, and open string string
number four. Okay? Once and again,
just a second part. Okay? One more time,
try to play with me. You're gonna play very
slowly, once again. Okay? So we're going
to play both parts, part number one, part
number two of F, number 11. More time, you can play everything with fingers
number 1.2 As you can see, hey, this is the main and you're going to play in the
most of the song. The second part, we have a few, so in this case, the minor chord,
finger number one, F number two, number one. Finger number three, string
number two, number four. Number two, number three, string number three, okay? And the fourth string
you can play open, so you need to pick 41. The second Charmin,
finger number one, F number two, string number
two, finger number three. Fret number three. String number three.
Fret number two. Finger number two, Fret
number three, Okay? You need to pick 5432. Sometimes you can play one as well because it's the same note as the string number four. Okay? The core number
three is minor, so you need to put
your finger right here in the fret number four
and do like a pod, right? So press everything and
finger number three, fret number six,
string number five. And your pinky, just
one string down. Okay? So F number six,
string number four. So we're going to
play like this. You can pick everything
and come back to a minor. So the rhythm is going to be 123-45-1234, 512-34-5123, 45bb. The last part you need to
play a little bit more, so three times the rhythm. Okay. I mean, in
the last quarter. All right, and come back to you.
17. KT Tunstall - Suddenly i see: As you can see, I played the first part and we
have the major chord. Finger number one. Number two on string number three.
Number three. Number three on the string
number two. Finger number two. Number two on number one. I play number opening. After I Next part, instead of play D, I
removed my two fingers. I put my fingers number
one or two in the front. Number three on the
string number five. First I play the
string number five. After this I play the new, that is nine is a
type of C nine. Okay? So I have next part I T number three on a string number 53
times Ft number three on a string number six. And this is the main
Ff you are going to play this during
the intro Diverse. Let's play together very
low your cages for Pxy. It's very simple.
The next part is a pre chorus and she's going to sing and everything around her is a silver pull
of light. Okay. In this part we have measure, finger number four
and number three on a string number 1.2
finger number one. Number two on a string number
five, finger number two, F number three on a
string number six, a measure that is
finger number 12.3, Everything in the
fret number two. However, we need to put finger number one on
the string number four, finger number two on
string number three, and finger number three
on string number two. This cord, we need
to pick 54321. Okay? Next cord is F sharp minor. We need to put your
finger number one in the threat number two, okay? All the chords, finger number, sorry, are all the strings. Okay? And finger number 3.4, in the fret number four. However, finger number three
on the string number five. And finger number four, you're pinky.
String number four. All right, so you
play like this, you're going to sound terrible. Play perfectly. And the last chord is B
minor, finger number one. Fret number two on the string number five.
Finger number three. Fret number four on the
string number four. Your pinky one string down, fret number four on the
string number three, and your finger number two. Fret number three on
a string number two. So be careful, it's 5432. All right, so let's
talk about the reader. You need to play
this six times, so okay, as you can
see, just six times. My advice for you guys
is count until six, okay, When you are playing. So you're going to
play this two times and after the second time, instead of come back to, you come back to However, okay? But don't play, you need to play minor minor is the same
thing as F sharp minor. Okay. However, in the frat
number three. All right. So in the last Or major. Okay. So we're going to play everything for you.
Just a second part. Okay? And you go
play the chorus. Be careful because three you need to play two
times the temple, okay? So it's 1, 2, 3, 4, 5, 6, 1, 3, 4, 5, 6, 1, 2, 3, 4, 5, 6, 1, 2, 3, 4, 5, 6. This last chord,
it's open rhythm. You can play like this
should a chorus part. It's open for improvisation. Let's talk about a chorus. We have a few new chords, minor. You already know how to play
this chord, F sharp measure. This time we're going
to play measure. So it's the same
thing as B minor. However, one string up. Okay? Sure. You already
know how to play measure. After this measure,
you come back and play minor, F sharp measure. And now you are going to play, or do you remember how to play? Minor is the same thing
as F sharp minor. However, in the
frat number three, after this, you have measure, measure is finger number one. Frat number one,
string number two. Finger number two, F number
two on a string number four. Finger number three, F number three on a
string number five, you pick 5,432.1 and
we have the chorus. Okay, So let's
talk about rhythm. You just keep playing
this all the rhythm, all the chord six times, okay? Service like this. And come back to the first part. Thank you so much. I'm so glad you trust my
knowledge. You learn. And I hope you'll follow
all my step by step, okay? And it's necessary, of course, watch this course over
again. What lessons? One more time, Okay?
These lessons for you. You can watch in time you want. And don't forget your breaks
and be patient, okay? Takes time to learn
everything about T. It's impossible to learn everything in one or two weeks. Okay? It's a learn
memorize, Okay? So remember memorize
the formulas and memorize the chord shape. They're very important as well. And please take a few times to check my
profile on the platform. I have very nice
chores about guitar, about music and problem. It's going to help you a
lot as well. You're right. So thank you so much. See you later. Bye bye.
Gabriel Felix, Music Teacher
