Transcripts
1. TRAILER: Tomato graphy is more than just pointing a camera and
capturing images. The cinematographers art
is visual storytelling, thinking as it's a motto, grapher gives you
the ability to use the equipment it takes to
achieve the visual narration. The scenes require a carefully
chosen camera movements and angles can heighten dramatic visualization
of the story. It carelessly picked camera
shot may distract or confuse the audience by depicting the scene
so that it's Mini, is difficult to comprehend. In firms today, camera
movement will give us starting filling in
some good, some bad. But what you don't
want to do is give the wrong idea or an
emotion to the audience when that isn't needed or to not give that very emotion
whenever it's much needed. In this course, you
are going to learn the Hollywood ways of using
camera movement to tell a visual story in a
way that portrayed the exact emotion you want
the viewer to experience. My name is Issachar, but welcome to my course. With tiers of insiders. I am confident that these costs, we get to grips with the narrative film-making
techniques you need to be a
successful filmmaker. In this course, you upgrade your narrative cinema
photography skills by learning how to deploy camera movements to tell
a story like a pro. This course is great
for beginners and intermediate photographers
who want to take their communist storytelling
skills to the next level. In this course, you'll learn
about language of camera, how to make camera Talk. Visual sentence combining is
short for visual narrative. Mini behind the use
of each camera shot, visual storytelling techniques, internally generated camera up, using camera to create suspense. So hot, in order to get
the most of this course, you will need to know
the fundamentals of females and the
knowledge of camera sides. By the hand of this course, you will be able to deploy that narrative camera
movement that next into your scene in order to make the viewer's
experience your story. The class projects, we
include creating a scene with the intentional use of visual storytelling
techniques led to discuss, Are you ready to learn the
language of the screen? Let's get started.
2. How The camera Talks : You might not notice if you move the camera out
towards you communicate something to your audience
and heavy movement and Hangzhou of your camera or communicate something
to your audience. So we have to determine exactly how to take
advantage of data. Use every single moment and every single movement to
deliver the right emotion. Many things make a good
movie, a great story, brilliant, attain fantastic
lighting and so hot. But wanting many people
forget to pay attention to, especially those new to
filmmaking is coming up. Movement in particular
are coming up. On the hand goes. Audience feel, you can
change the fleas, obviously, just by changing the angle
or the way it moves. That it's always internal
psychology of the character in the movie that the
actin of the toes isn't enough to convey when a certain camera
movement angle is adopted to accompany the
character's expression. This is when the camera is visually making this statement. One of the ways they
cannot talk is by expressing the internal fill-in are taught of the character. Sometimes they come out. Movement does not have
anything to do with what the character is
feeling or thinking. It's just doing its job. Given us clues about
what's about to happen in the scene or what's
happening in this scene. E.g. is seeing where a character is seen taking a
walk into his house. And there is a
point of view from inside a car focusing
on the character from We give us the impression that someone
is watching the character, even though we are not
seeing the person spying. An MCU tracking shot
of a character from these back makes the viewers feel like someone
is talking to him. As he suddenly stores. Chaplin looked back
and finds, no, this is the way the camera
makes you as brands the story as if you are
in the story world. Seen everyone's extra. This makes the viewer feel
like they are Aussie. All knowing God that are enormous emotions coming up
movement and non groups can generate within a
story still will only learn about a
few of them and how they work so that you
can understand how to invent your own and use them to create any form of
visual storytelling. Seen it requires some
functions of camera shots in Division item number one,
introducing and distribution. Number two, as pressing the
character's internal feelings toward our emotional state. Number three points in the viewer's attention
to something character, Hi class isn't aware of
number four happening the characters to cities they could have said in dialogue. Number five, establishing
connections. Number six, number seven. Number seven, we're
using the camera to show us how something
is perceived. Number eight, changes in situation and differences
in atmosphere. In light of that, the
subsequent lessons we'll be all about a critical breakdown
of how professionals achieve these visual analytic
techniques in that movies. So see you in the next lesson.
3. Visual Language : Mcu of a man was four rings
and he answers the core. See on him as the colors
is something that caught his attention and
drops the core shuts. One camera slowly pushes
in on his face as he removes the form from
his hair shafts to its low pushing on the phone as the character looks at it after the core implied
towards something terrible has happened
or something shocking. As helpful, it could be a
shocking good or bad news. The two push in camera movement
short make us experienced the scene with the
character as if we are the ones involved. Suspense is heightened as it is emphasized by this
low pushing shot. This camera movement help
us achieve two things. Great suspense and capture the viewer's attention to experience the moment
with the character. The POV shot of the
man on the phone also amplifies the Phillies
of the man on the screen. This POV is always invincible
because it shows us what a character in the story
fuels from what they see. Even without knowing the
context of this short, we can begin to piece together a certain logic and emotion from the
characters per session. In the above scenario, the absence of dialogue makes the scene more dramatic,
usually logical. Indexing how they come
up with a company. The character's action
to point out is internal state is regarded
as visual centers. The slope pushing POV
MCU plus c You shot used internally for visual sentence compensation
to convey meaning. Let's do a further breakdown. The MCU, short medium
close-up shots, or MCU, is a short dataframes
disorder from just above the edge down to about
midway on their torso. The idea of a medium
close-up shot is that you can still easily
register the actors, emotions, facial expressions, while retaining some
background information. The MCU shots, apples to see
demand in full action and be able to absorb everything
is hoped to see your shot. When you want to review a subject, emotions
and reactions, the close-up camera shots views the frame with a part
of your subject. If your subject is a
process and it's often face of all the different types of camera shot sizes in frame. A close-up is perfect for important moment
for a character. It blows up shot
size is near enough to register tiny
emotions but not so close that we lose visibility In does seem
to see you was used to reveal the characteristic
reaction to what he hears and how is
processing it internally, which is this colored shirts. Let the orders get
close to the character to see facial
gestures in details. Pushing it, pushing, move the
camera closer to a subject. Simple, but typically with a
totally camera movements of steady car pushes can draw the audience's attention
toward a specific. They make us also pushing
toward characters to try and infer what is occurring. Internet, this can
be a reaction, thought process or internal
conflict in that scene. It pushing on the character
space F source to express demand stocks
versus the POV shot. The POV, or point of view shot is a sequence
that is short. I see the view as
we're looking through the eyes of a
specific character. This kind of short
expressed with this low pushing shot amplifies the character's
point of view. Making a wide range
of statement about what might be going through
the character's head.
4. Internal Feelings Camera Movement 1: The way the industry
professionals engaged camera in
visual narrative is the use of visual sentences by expressing the character's
internal feelings, thoughts, or emotional state. Welcome to this lesson, where we'll explore a
deeper breakdown of visual narrative that thinks
in cinematographic, yeah, you will learn, are
the professionals use the camera creatively to convey the character's
internal feelings or emotional state. Sometimes the camera
movements are used to convey the
character state of mind, internal feelings and thoughts, process internal conflict, or express the character's
emotional state in the scene. Sometimes each slice of
lines in dialogue requires a particular camera movement
to accompany them to stress the intended
emotion in this scene. Also sometimes
character's actions and reactions in
the scene require a unique camera
movement or angle to accompany them to stress the intended emotion
in the scene. Many things can
happen in the scene. And the camera is there to
help the character's balance the expressions of their
emotions in several ways. Therefore, it is then left to the cinematographer
to know the aircraft. Coming out movements can help, or snow was in the
character's mind. This is the creative
use of the camera to convey what is going on
in the character's head. There are different ways
professionals achieve this, but to get a sense
of how it works, Let's take the
following instances, amongst other camera shots, professional cinematographers
used to portray the internationalists
of a character indices. Pushing, pulling away orbits, parallax or arc, combo, short, pushing, pushing, shot. As the camera pushes, it helps bring the
audience to realize the importance of the moment or an object being
pushed in on. It. Also add cinematic spice
to the story as it helps in building tension and amplifies the
audience's attention. It pushing shot is
an emphatic shot. The shot can be a visual cue to the audience that
this is important or listen carefully as a character test emotional
story of how he lost. These only go to cancer. Very slow push in short on the character's face
as he tells the story. You can push in on
external details such as an object and so forth. In doing so,
filmmakers can direct our attention towards
specific detail or capture a
character's thoughts, process, it's an effective way to communicate
internal conflicts. In the next lesson, we
will dig a little deeper into the pushing
camera shots technique and land out there and get in real movies to convey emotional
statement on the screen. See you there.
5. Internal Feelings Camera Movement 2: It pushing shots can be
sub two are very quick. It's going to give you
a very strong emotion and huge tension in this scene. They're pushing shots can be used for many
different theories. The following emotions and visual statement
amongst many others, are therefore, what if pushing camera shot
can be used for? The pushing shot can be used when a character is
thinking of what to do. It can be used when
a character is taken in an emotion such as
a shock, surprise, and so hot, it can be
used to when a character is realizing something or
remembering something. It can be used to express
the importance of a moment. Boosting shots can also be used when a character is
making a decision. It's can be used
when a character is processing something
deep in thought. It can be used to
establish connections between characters are
characters, and objects. It can be used when a character is thinking
of what to do. In a scene where a teenage
character just put to bed and can't afford
the responsibility. The only way she can help
the baby is to give away. But it's a hard
decision for her. She stares at it, creep, stream done eyes as the
camera pushes in on our face and
intercourse loop bush in the baby, in the crib to. This portrays a deep
psychological situation of the character as she conflicted with the truth within that, if she truly want the
best for the baby, she has to let go of
power for a postdoc, the only way to give the baby
the best life she deserves. This is a wavy make us express
conflict of the character. Taking in an emotion
such as shock, surprise, and server, where a
guy pops out a ring. Hi, girlfriend, American,
this constantly girlfriend as a shock hazard coming up
on our face and Latinos, they come up on the guy's face. Keeping the ring of time as
to go for is this great shot. The camera shot
in that situation amplified it tense moment as it helps us to feel the shock and the characters
thought processes. Remembering something,
e.g. in a same way, characters into a can't
sue at the grocery store. She freezes as the
camera slowly pushes in on our frozen phase and
the objects on the shelf. This may be triggering of
memory in the character's head. She remembers, oh, this is
sound loved that so much. Why e was alive. The camera movement in thus it functions as a memory prompted to
the character has its pushes in on the cans and simultaneously and the
characters posing as pressure. I decide this craft to weigh the profession as metagraph hotels in
fuchsia, narrative. Storytelling, realizing
some pushing shots can also help to spread the Internet
baleen of the character, when attention is prompted to something coming up on his face, will make the audience feel like the character is
realizing something, as he notices is pod objects but something like sample and just
seeing where the cops are, such in the house by piece of evidence after
tearing everywhere. Part One of them is a war and its attention is
elevated as the Communist slowly pushes in on
him and walk without a single line of dialogue was
going on in these visually. Internally they
cannot tells us that the character is paying
close attention to the wall. All that he has just
realized something more, something called attention of the world realizes something. Here's another scenario
for the realisation, isn't where a character
walks into a room. Lysis that is, prisoner
has got the camera pushes in on the character's
face and loose rule. Without a single
line of dialogue, it is visually clear that
someone or something escaped from that
establishing connection. A pushing shot can also add in establishing
the connection between characters and others
are an object or a problem. Combining camera
movement and angles can help us achieve these
shots like this. E.g. in a board
meeting where there's a CU plus locomotion intercourse
between two characters. We know the two collectors
API connection you have met before proudly something is going
on between them. A scene where a character
suddenly runs into picture. Why do we asked him
before he picks it up? They come up with using slowly on the picture and
the character. This tells us that there
is a connection between the character and the
memory of the past. May also be a painful one, or it could be edited. For instance, it could
be an amputated. So who sees is both picture when its legs as to complete it, and also be a picture of
a deceased loved one. It could even be an object from his childhood that triggers
a memory of the past, prompt him to remember. So let's continue
in the next lesson.
6. Internal Feelings Camera Movement 3: In the previous lesson, we've been up to pushing
camera movement. It's mini purples and functions in the heart of
visual narrative storytelling. This lesson, we'll
look at its opposite. Pull away or pull
out, come around. Every commercial it's, your
theme is saying something to the Odyssey intentionally
or unintentionally. And of course, you don't want
to pick up the camera and start to blast everything
where it's cops. That's why I've
created this course preparing you for the
challenges there. I'm equipping you with the essential skills you
need in order to get your shortlist ready to go for the professional visual
narrative storytelling. So let's get started. The opposite of the push and camera movement is pulled out. Unlike pushing and pulling the camera with the emphasizes, the subject, it is sort of signal to disconnect
from the characters. It can unveil the
content of the scene, setting or each character by pulling away to reveal
more of the scene. As subject grows smaller, it pullout can detach from
the scene or the entire film. The same movement
can also emphasize negative emotions like AI
solution or abandonment. The following amongst
orders or the meaning behind the use of
the pool out. Short. Short creates a sense of
disconnect from the characters. They pull out shot makes
the characters feel overwhelmed by the
world around them. It amplifies the
character sadness and loneliness can also present characters at their
most vulnerable. It can be used to present
the hint of the movie. Pull out can also
be used to present a scene from a closer view
to the extreme log view. For instance, in a scene
where a character receives a phone call as he finds out
that his parents just died, communist slowly pulls away from this MCU shot as he realizes
that he asked nobody. Now, the room is getting
bigger and it feels like everything is closing in
around pass most object. Pushing shot can
show the signs of disconnect that are subject
is more insignificant, a puny, and that the world
is closing in around them. A lot of the time, it is used to show
character sadness or that something major just
happened in their lives, that they are having a hard time wrapping
their minds around. So in a scene where a gang of
bullies attack a character, beating heart to the
grant MCU on him, line a place on the ground as the camera moves
slowly away from him. It's could be from
the overhead shot. Let's cut off from his
face on the grant, away from Him horizontally. Camera movement away from the subject halite
is helplessness. And rather than pushing in
to help us empathize with, the camera pulls away,
abandoning discernment. Also, in a scene where a character dies in
the hospital bed, the camera slowly pulls away. In that scene, the
camera movement intense. It testifies the
moment as it expresses the sense of gradually
disconnecting from the character. They pull away shot
present a scene from closer to full or
extreme, long view. Mostly in the
opening movies same. They come out sometimes start
the same from a closer view of an object to eat food
view, creating the scenes, establishing shots sometimes
at the hand of this movie, the camera moves farther
away from the point of resolution until
it fade to black.
7. Internal Feelings Camera Movement 4 Arc: Pack hub, It's parallax. This type of shots
easily as it tracks, set up a Foucault points
and the camera is rotated around in an hock to view
it from several angles. This type of shorts easily as it tracks setup
around a focal point and the camera is
rotated around in ad-hoc too few eat
from several angles. It is a camera movements that are built
around the subject. This is typically
a horizontal hack. This RB chart is the idea
where the camera moves. That is the way
to degrees around the subject and the
subject in place. A common way to use this camera technique
in film-making is to put an auto or a subject in the center with
the camera moving. I don't want it to degree
or 360 degree around. The shot keeps our
focus centralized on the subject for a
moment of intimacy. It's add dynamic movement when the character may be
standing completely still, completing a full circle with
a subject at the center. This form of camera shot can unify a group of characters
as a single unit. Again, surrounded traits. In the untouchable, the saccular tracking shot
symbolizes that default. Crime fighters, individuals
from diverse backgrounds. I've finally become a team. The cameras around them, you'll find them in space. The camera movements can
be expressed in short of food for the short
form is called semi arc, which can be achieved
as a half circle, a way to decrease of camera movement on
the character's face. Why the flu shot can
be referred to as steady state degrees
of camera movement by making a full circle
glide of the camera around the character or characters at the
center of the frame. The actual can communicate to us that the conversation
between character is getting tensed or when the
conversation becomes tense, the camera a bit
around the characters. The camera August shot is always effective
where the characters involved in the conversation
started position. It could also be used for
a person trying to get a color section or the hue
to coordinate 11 for help. How among others,
the following are the emotions the arc
camera movements can communicate to us. Our camera movements
can be used to communicate that a
character is panic. The camera movements can present a character in the
act of heroism. The actual camera
movement can also communicate to host that
character is feeling lost. Shots can also have
intensifying the moment when a character is puzzled or processes taught
very fast internet. It can also communicate to us that a character is necessity in his environment and taking
in some information to present a character as a
custodian or an authority. Act movement can be
pulled off creatively in different ways to achieve
different kinds of effects. Really see, for instance, when combined with other
camera angles and shots, it root out some eating
emotions in this scene. E.g. at shots can
be combined with cameras shots and handles
for a specific result. Axons can be
combined with CU MS. Bu Gou I R group pushing and other shots to create different
kinds of visual emotions. In the next lesson, we
will dig deeper and learn a full breakdown of how the hock shots works
in a different city. See you there.
8. Internal Feelings Camera Movement 5 Arc: Welcome to this lesson
presents a full breakdown of different meanings behind
the use of actual innocence. Let get started.
They are coming up. Movements can be
used to communicate that a character is
padding in a silhouette, an evil spirit, someone, a character, she follows it, voice calling out into
getting into a spot. She can hear the voice
becoming stronger as it stands still trying to figure out
where the bus is coming. Become a bit around to
convey the sense of panic and anxiety or to search for something without
the actual indices. You can imagine how
much detail will be left out and outlined. That's the power of
actions in action, right there. Here's
another example. The main can present a character in the
act of heroism, e.g. where a character sounds
face-to-face with the most accurate or is
probably it's good. Also be seen where
a cop pulls out of the car and the
gamma a bit around him. See you? Notice that the low angle shot helps us to express
the character as a powerful person and
when accompanied by the actual, intensifies
the moment. Present the character at
the center of the frame as the person who asked to solve
the problem at the moment, the camera movements can also communicate to us that a
character is lost, e.g. and lead to go, whew
got lost in the woods. Christ for a mommy, become a bit around her as she
stands to you on the spot, looking clueless, the camera
shot around the little girl in that scene amplifies our psychological
state at the moment. Making the audience
experience emotion which are the carbonyl shot makes us feel the sense of being lost and clueless with us. It's a bit in a full semicircle. She calls out for the shot
can ebb in intensifying the moment when a
character is puzzled or processing some thought
very fast Internet. In a scene where a character
gets to his village and suddenly finds everyone
there's product on the ground. The camera a bit around is see you face at a full circle and expands to a wide
angle shot during the character in the
middle of the dead bodies, when a high angle or overhead
shot of the scene is added, IT is the emotion making us feel sorry for the
victim and witness. The full details of
the environment. I and low angle shot
are often paired in the same scene to heighten the imbalance of power
between subjects. In a scene where a character
is looking up to the sky, interacting, which
is why natural. I've been hungry
is sweet table to present a mile below the beam. Why the ankle? From the character's
point of view, we show us the superiority of the supernatural
I've been over. I demand a high
angle is typically used to diminish a
character making a week or whatever group when a high angle approaches
90 degrees above the sockets is becomes
the over head shots and overhead shot is also known as a pet eye's view of God's eyes, which finds the
camera directly above the subject shooting
straight down. One of its uses is to capture the horrific
detail of a crime scene. It's gone also communicate
to us that a character is assessing environment and take it in some inflammation
in a certain way. Character gets to the
place where it's Chad. Abductors instructed
him to meet them with their arms up in exchange for his little girl assistance to assessing the environment and trying to figure out where the abductors mean likely come up from the camera
or Beta around him, amplifying the sense of anxiety and tension
buildup at the moment. The movement can be
pulled off creatively in a different way to achieve different kinds of
effects of filling in. For instance, when combined with other camera angles and
shot it throughtout. So eating emotions in. Another form of arc is
expressed by starting to see your camera movement shot from
the back of the character, starts to review the
character's face in C, you. This one is especially
used to introduce a character as he
assesses its environment. It's usually used to introduce someone with strong
status in this scene. Also, another one is
the combination of pushing on semicircle shot
on the character's face. This communicates a
positive state and thinking fast to come
up with a solution. The actual art can also be
a combination of an act, low angle pushing shot from MCU to see you showed
this is the one, there's the one
that's usually used. Press a character's arrow is, I go over it. Our best shot can oppose, convey a sense of
cluelessness, hopelessness, lot vulnerable in the
visual narrative. In the LAS, in about
a little girl who got lost in the woods
column for mommy. This kind of combination is the best camera at
night if choice to achieve the maximum emotion
for the moment of this scene. The ion good shot, being a vulnerability shot
combined with an arrow shot, implies a sense of intensified mixed emotions
for the character and the audience
as they experience the moment which the
character achieve, the one in that situation. These kinds of hacks or
creatively deployed to communicate different
feelings and emotions on the screen. Use desperately not for users, say can you recreate
the best artist? Cinematography works like a pro. Makes sure you study, you're seeing very well. Before you start blasting
the gears for this scene. Know what camera
shot at best used to convey the intended
emotion of the scene. And with that said, Good luck.
9. Introducing Character: In a movie scene, the camera
can be moved or hungered in such a way that
tells us something about the character. So welcome. In this lesson, you are going to learn about one of the ways theme professionals use cameras
to communicate meaning. We will explore further
about how the camera is critically deployed in order to graph, to
visualize sentence, There's a certain
camera movement the professional filmmakers use creatively when they want to especially introduce a
particular character. Also, there are
creative ways they use the camera to
distinguish characters. E.g. here is what we
see on the screen when a camera moves in
such a way that makes us feel like
it's trying to make us pay special attention to a character in a scene
where a villus light out of his truck as they
are fitted to grant, the camera picks a CU
from heat two top to review the subject in the MCU shot from a low
camera angle shot. This way we feel like
a powerful person. Alright? In that scene, the camera is deployed to
introduce the character and distinguish DC you fit
shot of the villain, create a quick suspense. The two top shot from his
feet to his face plus the MCU shirt in a low angle shot
introduces the character. The low angle shot
distinguishes and gives the character in the scene
a sense of strong power. It communicates to the screen our powerful or dangerous
deposit we just arrived is the MCU shot gives us
the opportunity to see the character's appearance
from a close perspective. Here is another scenario where a character walks
in from the camera, blow into focus, or a scene where a character
walks in from the shadow. This scene introduces a
character and distinguishes him as someone we don't
expect to see innocent. It's great. So space also seen where a character walks
in from the shadow, gives us the impression
of a shady character. A scene where a group of
people is gathered looking for a volunteer amongst them to
embark on a dangerous task. No response. Everywhere is quiet
as somebody walks in from outside
with the line out to the camera pans
fast purchasing on him to review in the crowd
steps aside for him, the theory of the low
angle shot you use. Camera angles are hall about, are we meant to receive
a character that had yet another layer of meaning to every
other camera shot. And it showed that finds itself below a subjects highlight. Looking up at a low angle shot. Low angle shot are typically used to make his subjects
look more powerful, puffer it for heroes
and villains alike, the degree can be
solved to a strip low angles at not confined
to human subjects law, but the effect is disable it and rotate
the camera horizontally, left or right,
while remaining in a freak in a fixed location. Patterns can be used to
follow a character's actions, or it'd be used to
review information. It's low-power views at spatial. Why a rapid pan items, the energy of the shot. These are known as Bonnie, is ideal for
horizontal movement, but what about the
vertical axis? Tilt it to direct the
camera upward or downward. Filmmakers use tools to capture the verticality
of the famous world. This can be used to give a character dominance
of vulnerability. It gives dominance to a character
when it's tilted up and stops at a low angle or the
character or an object. It gives vulnerability when it tilts down on a
character from the top. In a later lesson, we'll learn this
further in high angle shot that make similar to a pan, tilt can review information
like a character, certain scale
switching attention from upward or downward. Does it for this lesson. In the next one, we'll learn further about our professionals. Use the camera to craft
a visual and narrative. See you there.
10. Prompting Function: Okay, another way the
industry professionals use visual sentence is by pointing the
viewer's attention to something characters
aren't aware of. Prompt us to pay close attention to
something in this scene. As in the example
of a scene where a character is in taking
a walk into his house. And there is a
point of view from a car focusing on
the character from a file that gives us the impression that someone
is watching the character, even though we're not
seeing the person spy or an MCU tracking shot of
a character from his back, that gives us a clue that the character is being
followed About three. Another way the
industry professionals use visual centers is by having the characters to say things they could have
said in dialogue. You've heard of short naught and its importance in the field. That's where these aspects of the visual sentence
comes into play. Hitchcock often
said that cinema is a universal language because every culture in the
world can understand it. You said that with
any of these themes, you should be able
to turn the sand hope still clearly make
sense of the story. The viewer's own
native language, superseded by purely visual
concept expressed on the screen by constructing sequences of shots
that work together, you can spell out
specific ideas, just like words on the page
combined to form sentences. You can put together our
camera shots that convey in logical narrative without
a single line of dialogue. E.g. in a scene
where a character as a gun in his hand
and as it fixes, is highest on the door. The door knob twitches. It's low pushing on the character's face and
the door knob is telling us that the character
is anticipated for whatever is about to
come through that door. You know, something is about to happen because the cameras is that say you don't need a dialogue to tell
you what's going on. Another way the industry
professionals use visual sentences is
by telling stories. This tells the situation
of things in this scene. It's passed every year. They're collecting
enough information and visual cues of what is going on or why what is going on in this
scene is that way. Another way the industry
professionals use visual sentences is by using
the camera to show us. Awesome thing is
passive character or need to meet a camera
movements tracking fast face-to-face as its tracks pass him while it runs makes us feel or perceive
the intensity of the character speed towards
or away from something. Somebody walking in the
desert as the camera tracks from these back to its
front arm stops at VCU. Well, he bought pointing
up is compasses. This gives us the perception
of an adventurer on a quest, the list goes on. The camera can be manipulated
in unlimited ways to make the Audience View
involved in the story. In the subsequent lessons, we'll learn an in-depth
the meaning behind using some camera angles and
movements. See you there.
11. Changes in situation : Convinced difference in
situation of changes in the atmosphere is seen where six soldiers are typically
clearing a perimeter from ls, MCU and C u plus penny and tracking shot suddenly
coming out short, change to random
shaking and short. As enemies shots
fires rapidly from nowhere while or the sodas take a swift cover, return fire. Unfortunately,
they've just walked into a queue box situation. Or the sodas are suddenly
rounded hub and the enemy in thousands close in on them and rain non-stop
bullet onto them. Pushing Dutch angle
shot is then engage as the sodas are
k cubed inaction. In that scene, ls MCU
see u plus penny and tracking camera shot AND gate
in order to set the pace. But the outmost been a
situation where the soldiers covertly in great anticipation
of any direct MCU. See you shot on the
captain as a son, a swift pan towards the
direction of the sound. The camera I just saw
a post to this man, then is shaky handheld
camera shot to transit the cuvette situation into
a high-energy atmosphere. The Southern camera shake to
reflect the state of mind of each character as panic and defensive struggles and
amplify these things. Chaotic situation
as bullet flies from every direction
in this scene, the camera shots make
different statement about the situation of the atmosphere and the state of the character. When the shot is table, it feels like
everything is okay. But when a camera shake shot
is headed to the scene, it makes the audience view or
like something isn't right? That's what happened
in our scene as the stable shot convey, convey the change in situation or difference
in atmosphere. The heart of underworld
camera movement is often found in
high intensity. I action movies. The rapid fires and handheld camera shots
create a frantic, chaotic, and exciting field, almost as if you are the one
taking part in the action. It makes diverse field
intensity of the movement. As the sodas in the scene
becomes intense and vulnerable. The Dutch angle
shot is basically, and anytime you use slightly to the horizon of
your camera frame, and it's usually used to convey uneasy emotion that something
is not quite right. It tells us something
is wrong or something bad is
about to happen. It could be that, it could be internal conflict. And so its base color used to express a
vulnerable situation of a character in the
movie to create a sense of unease or to magnify tension.
Isaac Olowoporoku
