Transcripts
1. Introduction: Hey, everyone. In this class, we're going to talk
about Suno Suno AI, and how you can use it to create complete professional
sounding songs from simple text prompts. We're gonna learn all about the platform from signing
up to creating songs, understanding the pricing
and credit system, and some tips for
mastering prompts by writing very clearly
and using metatags. We'll also develop some
practical workflow for generating music
with this tool. And lastly, we'll talk about some of the ethical things
you should think about, as in just because you can
doesn't mean you should, types of questions that
come up with this stuff. So let's dive in.
2. What Is Suno AI?: Okay. So let's talk about
Suno and what it is. So Suno is a text to
music generator that creates complete songs with vocals, lyrics, and
instrumentation. So you can tell it to
create a whole song, not just the lyrics, not just the beat, not
just the guitar part. This makes complete
and finished tracks. And it's so easy,
it's almost scary. So the company was
founded in 2023, and it's somehow
affiliated with Microsoft. I don't totally understand it, but I think it's a
partner with Microsoft, which is funny because all
the fonts on the website are very 1990s Apple, but whatever. So the main thing
that makes this different than other tools for creating songs with AI is that it does
the whole song. And there are a few
apps I've seen now that create whole songs and not just like drum loops
or this or that. But this is the most
popular at the moment, so I thought I'd dive into it. So like all AIs, Suno is using pattern
recognition to generate songs. So what this means is
that it's trying to do what is most likely
to happen, right? So that means it's going to
be very hard to get it to do something unique and
original, but not impossible. You just have to
prompt it correctly. So, if it's using
pattern recognition, it's obviously
trained on something. So let's go to another video
and talk about what Suno is trained on. M
3. What We Need to Know About Suno's Training Data: Okay, so we'll talk
more about the kind of ethics of using a tool
like this at the end. But for now, let's talk really briefly about the ethics
of how this was created. In a recent interview,
actually, in a recent lawsuit, the company said
that it was trained on basically every audio
file on the Internet. So that's a lot.
And so, of course, it's been a company has been
sued and sued and sued, and they're in 1 million
lawsuits right now, which is how we're learning
some of this stuff. Let me read you a quote.
Saying this is bad. I'm just I think it's important to know where the
training data comes from whenever we're interacting with an AI. So here's the quote. It is no secret that
the tens of millions of recordings that Suno's
model was trained on, presumably including
recordings whose rights are owned by the
plaintiffs in this case. This is from a court case. Sno wrote in a filing Thursday, adding that Sno was trained on as many recordings
as can be located. Accordingly, Suno's
training data includes essentially all music files of reasonable quality that are accessible on the open Internet. Abiding by paywalls, password
protection and the like, combined with similarly
available text descriptions. So, um, that's not awesome. I plagiarized virtually
every artist that exists, but it's a tool that exists now. You can decide whether or not
you want to use it or not, but I am going to use it for
the purposes of this class. And I'll talk to you
a little bit about my feelings towards
using it at the end. But for now, I think it's okay.
4. What Suno Can and Can't Do: Okay, let's talk
about some things that Sno can and can't do. Things that it's good at doing is generating complete
songs quickly, like it takes less
than a minute. It knows a wide range of genres. It knows a lot of lyrics. It's good at instrumental
only tracks. Also, in addition to
stuff with lyrics, it always gives you multiple
versions to choose from. I think by default,
it gives you two. You can also use it to
extend songs, create covers, upload some of your own audio and ask it to do
something based on that. For that reason, I
really like it as, like, idea generation tool. It's actually pretty
good at that. And then limitations,
things it can't do. It's not good at cloning. Like, if you said, recreate
this track exactly as it is, but with a male singer,
it's not so good at that. It's gonna change it. So
that's been a little hard for me to find ways to use
it because it's not really listening to
everything I'm asking. But there are ways around. And then other
limitations, obviously, legal copyright stuff, whatever. So you're going to hear me say there a whole bunch
throughout this class, but I'm going to
encourage you to not just use these tools to
just flat out make stuff, but to treat these tools as
a collaborative partner. I think that's where
their real value shines and lets you really
do some really cool stuff. Okay, so let's talk about
how to get Suno set up.
5. Free, Pro, and Premier Plans Compared: Okay, let's talk about
signing up for Sno. Quite easy. They have
technically three plans. There's the free, the P, and the premiere plan. The free plan lets you do
really not very much at all. So use it as a trial, but then you kind of got
to get off the free plan. If you want to do any kind of serious music
making with this, you're gonna need one
of the paid plans. And they're not very expensive. $8 a month for the pro plan. That's what I've signed up for. And that's, you know, $8 for a professional tool. If you're gonna use this a lot, that's a pretty
reasonable price. Um, and let me just say, I don't work for Suno. I don't have any connection
with them at all. So I'm not, like,
promoting them. I'm just explaining the tool. So premiere plan. Now, what are the biggest
differences between these? One of them is the credits. So you get 2,500 credits
with the Pro plan, 10,000 credits with
the Premiere plan. I'll talk about credits in just a minute in the
next video, okay? So just hold on to
credits for a minute. Um, you get commercial
use rights. That means you can
sell it what you make. You get personas and editing. You can split songs
into 12 stems. You can upload up to
8 minutes of audio, add vocals, new features,
add on credits. Priority Queue.
That's another one. So I'll talk about that when
I talk about credits, too. And honestly, the premiere plan looks really about the same, other than you get
a lot more credits. But you also get
access to Sno Studio, which isn't showing us here. So Sno Studio is its own
little audio editor. So without that, it's just
generating audio files, but with Sno Studio,
you're getting sort of a Da like thing. Okay, let's go to a new video and talk
about the credit system.
6. Understanding Suno's Credit System: Okay, let's talk about
credits really quick. So a lot of AI apps work
on a credit system. And the reason for this is that rendering AI stuff is very
expensive for these companies. Here's what I mean. When you write a prompt in
Sunu and you say, Make me a song that sounds
like I don't know, Lady Gaga, then what it does is that request gets sent
to a server somewhere, and that server
has to do a lot of work to generate
that audio file. And that is expensive. So when you buy a plan
with these companies, you get a certain
amount of credits. So it's not like a
subscription plan where you can just buy a
subscription and then do unlimited
amount of things. Some AI tools are like that. But in this one,
you get credits. Now, don't worry. The
credits are quite generous. I've never used up
mine in a month. So in the pro plan, you get 2,500 credits
a month, okay? It costs about five
credits to make a song. So 2,500 credits, you can
make 500 songs a month. That's a lot. If you
get the premiere plan, you can make 2000 songs a month. That's crazy. So, just remember about five songs
per credit, okay? And you can see over
here how many credits I have because I'm just
on the pro plan. So I have 2,340 credits, and that's just from, you know, goofing around with
it. So I have a lot. Now, credits do not roll
over, as I understand it. So if you have some leftover at the end of
the month, you lose them. You can buy what
they call top off credits to if you're close to being able to do something
and you just want a few more to finish up something
in a month, you can do that. But otherwise, the amount
of credits you get is dependent on which
plan you're on. Oh, and I forgot to
mention something. The priority queue. I was
going to mention that. That means that when you submit a request for something
to be processed, so you type a
prompt, and then you say process that, like, make that audio file, it goes to a server, and
then it waits in line. It waits in a queue. So if
you're on the free program, you're in the back of the line. If you are on any of
the paid programs, you get to zip to the
front of the line. So your stuff will
get processed faster. That's basically all that means.
7. Creating Your Account and Navigating the Interface: Okay, so once you log in and create an
account and sign up, this is what it looks
like on the inside. So let's do a quick walk
through of the features here. So first, go to the
top, go to this area. Make sure you're on simple. Okay? We'll talk about
custom in a few minutes. Okay? This shows how many
credits I have remaining, and this shows what
version of Suno I'm on. I am on Version five P Beta. You can go back to a different
version if you want. Okay, so here's where you're
going to describe a song. We'll come back to
that in just a second. You can give it some
examples for inspiration. It's got some ideas
for some tags here. And we'll
come back to that. On the left, we have home
where you create stuff, which is where we
are now, the studio, which is the thing
you have to have the highest tier to
have access to Library, which shows you everything
you've already created, search Hooks, which is
kind of a new thing, I think, where you can create
sort of a hook library. Notifications, an upgrade and
some stuff at the bottom. Over here on the right, you have what it calls
your workspace. So you can search through here, listen to things you've made. A lot of things were
just already here, kind of all this
stuff except for a few that I made just
playing around. But this is your main workspace where you can kind of
look at what's going on. Now, back to over here
where we put our prompt. We can add an audio file. We can just sing
something if we want. We can upload a song. We can add lyrics. So if we add lyrics here, we're going to type in not
the lyrics themselves, but the prompt for the lyrics. So I'm not going
to write lyrics. Uh let's go back to simple. I'm just going to
click instrumental I want this to be instrumental. And then I can add some
ideas or I can just type. Okay? So let's just type. Let's just say make a song about Bananas in the style of what's like the craziest
style you could think of? Um, Death Metal song
about bananas with a female singer and really over active drummer. How about that? Let's see what happens. So I'm
gonna click Create. And I'll do this in
real time here, okay? Like, I'm not gonna
stop and fast forward. Um, it's making. There we go. Looks like this one, be
done. Still thinking. Oh, okay, this one's done. Bananas of the
Pit. That's crazy. I guess I did tell
it rental, didn't I? That's crazy. Let's
listen to the other one. Okay, let's try changing
it just a little bit. Let's do it in the
style of Let's, like, name an artist
Taylor Swift. Style of Taylor Swift with a female singer and a
really overactive drummer. And then let's get rid of the instrumental and the
overactive drumer. Let's just say a Taylor
Swift song about bananas. Let's just do. Okay, here we go. Couldn't generate that. Your prompt contains
an artist's name. Oh, that's interesting. So because I said Taylor Swift, it can't do it. Huh,
that's interesting. Okay, I'm gonna change it
to a female pop vocal. There it goes. We'll do
this one in real time, too, just for fun. Banana queen. L. Peel back the morning. Yellow on my plate. Breakfast in a heartbeat. I'm running kind of late. Definitely has a holes in. I run in my backpack. Sweet on my mind. Pocket size sunshine. Any place. Anytime. Banana queen, I'm going bananas Ho and my
pajamas B A magic. One bits banana queen. I'm going bananas,
dripping that co like tropic banners,
Belt, feel it. Bans in the kitchen, you and me in this
food addiction. Like it in a smooth. He's spinning to his goal. Cheryl and my best
friend Secret Sweep told Up and at the counter,
cream on her lips. Turn little moments into big
time hits. One for the rush. Two for the gross,
three little bites. No, I can't move. Four in a row. I'm lost in the
taste, five, six, seven, not a crumb to wait. Banana, queen. I'm going
banana Sing it loud in my pajamas D A magic. On automatic. Banana, queen, I'm going bananatriping
that col tropic manners. Feel it, feel it,
dance in the kitchen, fewing me in this diction. La, La. Okay, that was wild.
Um, it's freaky, you know, it's freaky
what this thing can do. Let's go to a new video and talk more about generating stuff.
8. Simple Mode—Your First Song: Okay, now it's your
turn. I want you to make a song if you have
this available to you. So here's how we're
going to do it. I'm going to delete that. Make sure you go to
simple mode up here. And then write your prompt. So when you write a prompt, try to include
four things genre, mood theme, style, okay? And you can think about style
as instrumentation, also. So something like Genre
could be reggae, mood, could be happy theme
could be dancing in the moonlight and style
could be guitars, bass and drums,
something like that. So the more specific
you can, the better. I'll give you some more tips on prompt writing in a little bit. And once you're done,
click Create down here and you'll get
two songs here. Now, when you get them, you can play them.
You can like them. You can share them. And you've got some
controls over here. You can create playlists, move to a workspace, publish. Now, if you want to share this with anyone, if you
want anyone to hear it, you need to hit Publish and then save it and
then copy the link. And then someone can get to it without even logging in. You can just send
them that link. You can also delete
it or edit it. This remix edit is a little
tricky to use sometimes. I I open an editor. This is different than
the studio feature. This is just an editor. So if I say replace section, it's going to let me get into different options for
modifying the whole piece.
9. Creating Instrumentals: Okay, let's go back to
an instrumental track, since that is what
a lot of people use this for. And
let's go to home. And then create, I guess, we could have gone
just to create. So let's make it instrumental. And let's say you're making a background track
for something. So you have a I
don't know, podcast. Let's say you have a podcast, and you want background music. So just write exactly that. Just say background
music for podcast. It's a sad emotional tone. Use strings and clarinet as
a soloist. That sounds nice. Slow, somber tempo. Talk about that.
And let's try it. So instant podcast
background music. This is where I
have a little bit of a problem with
it, but that's okay. We can check it out. Sober
interlude. Let's hear. Okay, I'll stop it there,
but you get the point. That was gorgeous. Um,
I rather love that one. I might keep that.
So there you go. Crazy instant background music.
10. Introduction to Custom Mode: Alright, now let's go
over to custom mode, and this is going to give
us a lot more control. So once you get
good at using Sno, I would recommend basically
being always in custom mode. You're going to get a
lot better results. So let's look at a few
of things we have. First is that we have the
lyric prompt is open, so we can say we can either write the lyrics or
a prompt for the lyrics. I think I said
that wrong before. I'll show you how to
do that in a minute. Styles, this is the
same as before, so we can write whatever we want in terms of style and what we're looking for
advanced options. We can exclude styles. We could say, do not make
it country or whatever. We can choose the
gender of the vocalist, the lyrics mode,
manual and Auto. So this is what I was
talking about before. If we say manual, it means I'm going to type in the lyrics. If we say Auto, it
means we're going to describe some lyrics and
it's going to create them. And we've got some choices here. Weirdness is fun. I haven't experimented with
this yet, but it sounds fun. And style influence, how much
of that style do we want? We can give it a title and
tell it where to save. Now, there's a couple
more things in here that are where the real, I think, power of
this thing, lies. And that is up here in these three tabs Audio,
persona, and Inspo. So let's look at those now.
11. Using Audio and Personas: Okay, so with these
three features, if we go to the audio
tab, we can upload. So we can upload something and say, Make it
sound like this. Or we could say,
use the beat from this or copy the
harmony from this, or there's a lot you can tell it to do with the
thing that you upload. We can also record something,
so we can just say, we can just sing,
blah, blah, blah, blah blah blah blah and have it create a song out of
it. Let's try that. Hi Hi Hi. Okay. Alright, now we're
going to have it make a version of that song. Okay, that's just the
actual thing I made. Okay, so now I've got
some styles ideas here. I'm still saying a dreamy pop
song with acoustic guitar. That's cool. Let's see if it can incorporate my vocal into. Hey, Hey is the other one? Hey. Hey. Hey. That is just ridiculous. So that's the audio tab. Alright, next, let me
show you the persona tab. This one is great. This is kind of
like other AIs have this where you can
kind of create some instructions
that stay with it. So you can create a persona based on one of
the songs you've made. Let's try this. You can name it. You can write in a
whole bunch of stuff. You can say, This is what
my style is like and describe your style of music a whole bunch as
much as possible. Um and save it and
a description, and it should it doesn't need to be public
if you don't want to. It should use that when
it's creating anything new, as long as you assign the
persona to this project. And the same thing with
InspoT is inspiration. Pick a playlist of your
own songs to explore. Only your music will be
used to shape the sound. So you can't upload anything
here, but you can say, all the songs in this
playlist are really great, and I'd like to make
more stuff like that. So those are the three
options in advanced mode, custom mode. Okay.
12. Writing Effective Style Prompts: Okay, let's talk a little
bit more about writing really good prompts for Sno. So remember before I
told you about the kind of four main things that you
should have in the prompt, genre, mood,
instrumentation, and style. Now, if you're
doing vocal music, if your music is going
to have a vocalist, then think of that last
one as vocal style. That's a good place to put
in what the vocal style is. And because I'm a big advocate
for just being, like, super explicit with AI, you can just do this genre, pop. Just do it with,
like, a semicolon. Mood. Dreamy. Instrumentation,
acoustic guitar, accordion, Rhodes organ.
That would be fun. Let's say drums. Drums.
And then vocal style. Let's say, Oh, what's his name? That singer who's, like,
so distinctive Tom Waits. We could do advanced
things here. So let's say lyrics about um, taking online classes when
it's a nice day outside. And let's put the
weirdness up to a lot. And created. Let's
see what it means. This might be fun.
Right, so I put the name Tom Waits in
it, so it can't do that. So let's say vocal style Raspi. Raspi and Old. That'll be fun. Okay, so now it can make it because I didn't
say an artist's name. Okay, let's hear it. Co. Sun spills through
my bedroom blinds. Kyla says, join the call. Friends are sending
Park Bench banks. I'm staring at this way. Ding, camera ready smile. Teacher as if we're all inside there's
a game in progress. There's that weirdness.
So I'm stuck in online classes on a perfect
day blown slight away. Kind of like that. We ones
outside I'm clicking, okay. Trapped in a turtle a box. Alright, I definitely got weird. They're not kidding with
that weirdness control. Went to chaos mode, but
it was pretty cool.
13. Metatags—Structuring Your Song: Okay, next, let's talk about some extra
things you can do, some kind of hidden things
that you can do in Sno. And we're going to
start with metatags. Now, you might know
what metatags are. They're just any sort of, like, just descriptor tag. So in brackets, you can
type and create metatags. Now, what do they do? These will dictate the song's
structure, okay? So this is really cool. You can say, intro, close bracket, slow
acoustic guitar only. And then you could say Verse, drums Enter, dynamic increases, fancy way to say it gets louder. Distorted guitars
and bass enters. Let's do one more chorus. Let's say, lyrics about
grilled cheese sandwiches. And then I want to
hear the verse again, the verse again, chorus. Outro, whatever. One pro tip. I found that when it's
using the tag intro, it doesn't work awesome. So try instrumental intro. Sometimes the word intro
seems to confuse it. Okay? So you can use these tags for, um, structure, kind
of, like, flags. Like say, like, I need this to happen, I need this to happen. And there's a few more things
you can do with tags, too. You can talk about the hook, so you could say, Hook. Less than an octave in range,
lyrics about potatoes. And am I missing either? Potatoes? I don't know. That's bad word to
write. Let's say no. Yes. What is. And jelly beans in
a gang vocal style. So you can tell it
what the hook is. You can give it mood, energy, instrument,
and vocal style. All of those can be
tags at work here. I'll give you a list
of tags, if you like, so you can play
around with them. But before we go, we kind of got to hear what
this sounds like, right? This weird little
prompt we just wrote. So let's try it. Let's hear it. Intro. Slow. He coasted guitar. Less than octave and range. So potatoes and jelly
beans in a gang vote. That's really funny. Slow. It's reading the tags. Now, I think it's
reading the tags because I put all of this in the lyrics field and
not the styles field. In previous versions, you put all of that stuff
in the lyrics field. But I think now we're
supposed to put it in the style field. So let me try that again. And hopefully, it actually
interprets this and not doesn't actually sing
what I'm asking it to do. Let's see. Sounds a bit more like what
I asked. Mm hm. Got a cool guitarist. Okay, so obviously
it worked well except it's not obeying
my lyric prompt, and that's probably because
the lyrics have to go up here and the instructions
need to go down here. Another way it would
have worked before, it would have
sounded good before if I would have kept it in here, kept everything
in lyrics prompt, but turned off the
lyrics mode down here. Right now, it's in manual, so it says it's just going to sing the lyrics that
are in the blocks. So if I would have done this,
it would have done better. Anyway, let's move on. Okay.
14. Extending and Continuing Songs: Okay. In this video,
I want to talk about three different tools that are here, three
different features. The first is Extend. So if I go to I think, yeah, this is the one I sung. Hey. There we go. So this
is only 8 seconds long. Hey. Hey. Okay. No, stop. I don't want to hear meself. Okay, so let's go
here and say extend. Now we can tell it
what we wanted to keep and what we
wanted to recreate. So let's say, keep that much, recreate all that.
Alright, so let's try. Blue sky on my browser, T. Real one right beyond glass. Teacher talking
about some grass. I'm stuck on that
patch of grass. Calendar says, Join this room. Backyard says It's
extended it awful lot. Blue sky on my brows
a tag. Real right. Beyond the glass. Teacher talking
about some grass. I'm stuck on that
patch of grass. So, it took what I had, and it made something totally new out of
it and extended it. Another thing you can
do here is cover. If we go down here. If
we cover something, what we're gonna do is
change the style of it. Which will basically reimagine
the song in a new style. So we can take the
song, say cover. We can give it a whole new style and tell it
to do it again. We can say, Let's
make this metal. Let's do that, actually. Make this totally metal.
Let's see what it does. I don't know about this. This is probably going to be a mess. Here we go. Awful lot of chorus. One. Yeah. Primo. Woo. That's awesome. Okay. The third thing that
I want to point out is you can go remix and then use styles and lyrics. So you can go here, and
then you can apply one of the styles that you've
already created or the persona that you've
already created. Alright. Let's move on. A
15. Suno Studio Overview: Hey, everyone. It's me coming
to you from the future. In the class you're watching, I initially filmed a
video here saying, there's this thing
called Suno Studio, but I don't have it, so
I maybe check it out. Now I have it. So I
upgraded just so I can show you this and play around with this thing
called Suno Studio. And it's kind of incredible.
I kind of love it. Like, you can just, like, highlight something and
say, redo this section. There's a bunch of cool
features like extract the midi. The same kind of remix options that we had in the
previous section, heal edits, I think is a really unique feature that
only AI could really do. So if you make an
edit, it can fix it without me
tediously doing it. I can import whatever I want. I can bounce out as stems
so that each of these is, like, all the instruments
it can handle. If I go over here to
extract stems and all detected stems, going
to give me a bunch? I mean, the point is, this Sunho studio is really quite powerful. I'm
really impressed. See, this is all
the stems it found, and I can just say, add
them all to my session. So now I could say, I don't like this guitar part. Redo that part, that, you know? It's wild. It's quite powerful. So I'm not going to go into
any more detail about Suno Studio in this
class after this video, but I will probably make
a whole other class on using Suno Studio
because there's a lot of powerful things here, FYI.
16. Common Prompting Mistakes and Fixes: Alright, in this
section, let's talk about some prompting tips. There are some prompts for specific genres that I've discovered that can
be really helpful. We'll do that in the next video. But first, I want
to talk in general about some prompting tips. So there's kind of five things
that I came up with as, like, these are the main things that you need to know about
writing good prompts. Okay? Number one,
Don't be vague. Add specifics. The more
specifics, the better, right? If you're vague, then the AI is gonna try to
figure out what you want, and it can do an
amazingly good job. But if you're really
trying to create art, then you need to be as
specific as possible, I think. Mistake number two, conflicting
instructions, okay? Keep prompts kind
of linear, like, from beginning to end and make sure they don't,
circle back too much. Not because the computer
can't figure that out. It's because that you're
more likely to screw it up. Let me be more specific and
explain what I just meant. Like, if I said, write
something that's a pop song, it has funny lyrics, and it does, you know, a cool chord progression
in the chorus and then it's like all around
a great reggae song. This is the kind of
thing. You probably heard what I just did quickly. And if you didn't, the
thing was at the beginning, I said pop song, and at
the end, I said reggae. So just be sure that you're consistent in the
flow from beginning to end and nothing
contradicts itself. And again, if you
contradict yourself, it's not like it's gonna
explode or start on fire, it's just not going
to give you what you want. Mistake number three. When an AI makes something
on the first try, it's a first try.
And remember that. So you don't have to
listen to what it outputs, then say, That was
great. Done. Walk away. The idea is that you
iterate on it, okay? So that's why you can see Sno
here is making two, right? Like, why is it making two? Because you're supposed to pick your favorite one and
then do the cover or extend or apply a
different feature or just give it more information in the style field to kick it around and get it
exactly how you want it. So iterate. Mistake number four. Not using meta tags. Use those structure tags to get the structure
that you really want and even some of the
style and genre stuff. And mistake number five, doing too much in a single prompt. So in your prompt, focus on the genre, the sound, all of those things. Try not, don't ask it to make
like two tracks at once. Don't ask it to consider
this and consider that. Just tell it what
you want directly.
17. Genre-Specific Prompting Strategies: Alright, let's talk
about prompting with different genres. Now, I made a little list here. I'll give this to you all
as a PDF. But here we go. So if you wanted to do
something very poppy, focus on hooks, upbeat
energy, and clean production. Those types of words will get you pretty much what you want. If you want hip hop or rap, specify the beat style, whether it's using
eight oh eights. Is it trap or boom Bap or what kind of beat
or style you want. For rock, talk about guitar
types, distorted, clean. You can even talk
about guitar models if you're that much
into nerdiness. Also, talk about
the drum intensity. Is it really crazy? Is it more subdued? How do you want that? Electronic music. Types, types of synthesis, you can name types of synthesizers you can try
naming, and it'll come close. Talk about where the drops are and what buildups
should be like. For country, talk about
acoustic instruments. Talk about storytelling
when it comes to country. Think of these kind of
more abstract ideas about the genre. For jazz, you want to talk about instrumentation, the feel, specific instruments, drums on brushes,
whatever you want there. For o fi music, if you ever want something
kind of loi in there, talk about use warm
in terms of texture. Also, you can talk
about things like vinyl cracking and rubato, which means kind of be a
little loose with the tempo. Anyway, all of those
are great things, starting points for prompts
in specific genres.
18. Releasing Your Tracks: From Suno to Distribution: Alright, you made
some music with Sno. Let's talk about what
you can do with it. So, if you have either
of the top two accounts, you have commercial licenses to the music that
you create on Sno. That means you can release. For money. Um, here's how. So all you really need
to do is download it. So you can go here
and go down to Download and then download
the Wave fle, okay? Uh, the Wavefle is going to be the highest quality file that you'll need
to distribute it. Now, if you want to
get it to Apple Music and Spotify and all
of those places, all you have to do is go through a distributor like TuneCore
or something like that. I have a whole other class on how to do that, if you
want to know how to do. But just remember that you have full rights to the
songs that you make. If you're on the pro
or premiere levels, if you're on the
free one, you don't. One other thing I'll mention
while we're here that you actually can make
little music videos. So we'll take a look. I'll show it to you
in just a second. This is what it generated. It looks like it's
just a still screen. No, it's good. Light filter. Okay, so it's doing some kind of gradient
shading in the background, but otherwise, it's
just the cover art that it made by
itself, by the way. And you can give it
more instructions on cover art in that same
sub menu if you like. Down here under Create. So that's all it takes. I
mean, to distribute it, it's really just download the Wayfle and then
create an account with one of the distributors Tuncore Distro kid,
whatever you like. And then you're up and running.
19. Rights, Ownership, and Copyright: Okay, just a few more things. I want to talk really
quick about some of the legal and ethical
things around doing this. Obviously, this
is very different than someone like me who
studied my whole life and got a whole bunch of
degrees on how to make music to see this brings
up some questions. So first, let's just talk about the legal stuff that you
want to keep in mind. As you're using these things, know that there is an
ongoing lawsuit with Sno, and it's probably going to
be going on for a while. It's with the RIAA. That's the Recording Industry
Association of America. So it's possible that
Sno gets shut down. I don't think that's likely,
but it is in a lawsuit. And even if it wasn't, I would caution you to keep track of AI because all of the
copyright issues with AI create tons of problems. So I think we're
going to see a lot of platforms come and go for a little while until
the law catches up, which might be some time. And remember, AI is a tool
a tool for collaboration. I don't see it as a replacement
for any human activity. I see it as a way to
help spur my creativity. It's really good at that, and that's what I really
like using it for. Okay, now let's talk
about the ethics stuff, and let's go to a
new video for that.
20. Ethical Considerations and Best Practices: Okay, so ethics.
Should you do this? Should you use this
to make music? I've struggled a lot with this. And at first, I kind
of thought, No, because creating music
needs to be harder. And that kind of made me scratch my head 'cause I don't
think that's true. Does it make it more valuable or is it more important music if it's created through struggle instead of created through
simplicity? I don't think so. So then I was kind of into it under the assumption that no one will ever create anything
interesting with it. And now I don't believe
that to be true at all. I think there's a lot of really interesting things
that'll get made with it. So where I am now with my personal thinking is I'm
at the point of Let's use it. Let's use it as a collaborator to but I want
to make sure that we're always creating my vision
and not the AI's vision. Because remember the way
the AIs work, all AIs, the way they work,
at least right now, they are prediction
machines, right? They have a ton of data, and they know how
to predict what's the most likely thing to happen. So that means that, in theory, if everybody starts
making music with AI, after not that long, all music is going
to sound the same. Uh, it's all going to
kind of conglomerate into one supersong that
everybody is making. So we don't want to do that.
That would be very boring. So in order to make sure that doesn't happen with your music, you need to push it. You need to push
it kind of hard, and you need to get it to
work outside of its box. I think the most interesting
things we're going to get is when we start
to kind of trip up AI. But I've just
recently and kind of reluctantly came to terms with using a tool like
this as long as we're still following my
vision for the music. And as long as it feels
like a collaboration, I have yet to make anything with AI. I
haven't done it yet. Anything serious. I've made fun things like what
we've done in this class, but I haven't made any real
serious music with it yet. I have a project coming up
next month that I think I will try using it a little bit for,
and we'll see how it goes. But I am excited to try it.
21. Wrap Up: Okay. Alright, everybody. Thanks for watching. Thanks for being here. We're gonna wrap it
up there. I hope this gave you a great
introduction to making music with AI,
especially with Suno. Uh, thanks for watching. Check out some of
my other classes. Check out some of the rest
of the stuff I have here. In this class. There's always
great stuff happening. So, I will see you in
the next class. Bye.
22. Bonus Lecture: Hey, everyone. I want to learn
more about what I'm up to. You can sign up for
my email list here. And if you do that,
I'll let you know about when new
courses are released and when I make additions or changes to courses you're
already enrolled in. Also, check out on this site. I post a lot of stuff there, and I check into it every day. So please come hang
out with me in one of those two places or both,
and we'll see you there.