Transcripts
1. INTRODUCTION: Let's draw Van Gogh's
Starry Night painting and markers with Nora Connelly. Hi, I'm nor Connolly. In this class, you will learn about Vincent van
Gogh and his life. We will learn about
post-impressionism and the painting we will cover, which is Van Gogh's
Starry Night. We will sketch an
outline in pencil and utilize alcohol markers to
render in color starry night. One of Van Gogh's
most famous paintings in six easy steps. The steps are one supplies we are using to print the painting. Three, sketch the landscape
for different techniques. Five, render or draw out in
markers, and six details. So come along and have some fun.
2. PROJECT: In this section, we're going
to cover the projects. The project that
you can do based on this class is from one of
these two reference photos. On the right we have Van
Gogh's Starry Night, and on the left we have
Van Gogh's sunflowers. In this class. Mind you, we're going
to cover Starry Night. But if you feel like
drawing some flowers, There's also Van Gogh's
yellow sunflowers. You can draw, paint,
watercolor or marker, your own rendition
of Starry Night or Van Gogh's sunflowers. Both Starry Night and
the sunflower images are available as an attachment in this class is profiles section. I have also provided
you with a sketch, outline for your starry night for this starry night class
to help you get started, which we cover in this class, both in the sketching section and in the marker sex section. Finally, once you're done with your sketch and your
marker drawing, or if you've used
watercolor or paints, you can take your
image and upload it to a site such as red
bubble or society six. That's red bubble.com
or society six.com. And then you can make
a bag out of it. For instance, like
I did here with my painting of Starry
Night in acrylics. Now in this class
we're going to move on and cover how to
draw Starry Night.
3. SUPPLIES: Markers can be fun. There are different
types of markers that we will be able to
use in this class. For instance, these markers on this image show
different types of nibs. There's a brush type marker on one end and a wedge on another. Or there are wide tip, median tip and fine tip nips. And there are also refills
for certain types of markers, which we don't show here. But if you want to
get those, you can. Some paper choices you can use are different
types of paper, just from regular paper to watercolor paper
to marker paper. And they all cost the
difference amounts. And they all have different
performance types. I recommend using marker paper. And finally, you will
get better with practice and application of
using your markers. Next, we will talk about
starry nights marker colors. For the trees. In the image, you will use greens and
browns for the hills. A light brown or dark
brown or dark green, and a dark blue for the town. Recommended colors are
yellows, light blues, such as a sky blue and
cerulean blue and orange, red and a gray. And then for the skies, part of the image
of a starry night, you can use different
types of blues, from light blues to dark blues. For the stars, yellows
in a variety of colors. Or if you only have one, just stick to yellow and possibly an orange to make
the definition details. And finally, for the details
of the overall piece, once we sketch the
outline of Starry Night, we will utilize black to go
over that, those outlines. And if you don't want to
do that, that's fine too. This is starry night, the image. It can be found in the
description section of the class, and I recommend you print it out so that you have a
reference photo in front of you when you draw it on your own and follow
with the class.
4. SKETCHING: Starry Night is a painting
by Vincent van Gogh. In this painting, it shows a
small town called San Remi, under a night sky of
swirling stars and the moon. There's a large cypress tree, which I'm drawing now to
the left of the painting. In this painting, paint
is applied thickly. He painted it in an
insane asylum in 18 89. In this sketch, I start out
by drawing the cypress tree to give us a place to start from and a point of reference. Then I'm going to
apply the background, rolling hills, that
feature in the distance. Then I will move to painting,
to drawing, sketching. Rather first, the actual
town to the right. And above the mountains, I will move to the stars. Sketching is used to set
in place things that will be helpful to help
us apply the paint, or in our case, utilize
our markers and have a place to place the colors on. When we render our colors. Vincent Van Gogh's Starry Night is a post impressionistic
painting. Post impressionists
push the boundaries further than the impressionists. The Impressionist movement
is an area that is marked by Monet,
Degas, and Renoir. Post-impressionism came
after impressionism. The error for
post-impressionism is 18 85. Up until 1910. What are some of the styles and characteristics of
post-impressionism? There are light and shadows, colors in their art that they learned from the impressionists. But their goal was
to add new ideas, to try new subjects
and techniques, perspectives, shapes, and show their thoughts and emotions through their art. This is the new world of
Modern Art opened up by the impressionism
impressionists and taken a step further by
the post impressionists.
5. MARKER RENDERING (DRAWING OUT): Now that we sketched out
a quick freehand drawing, we're going to
finish our work by rendering it in
color with markers. Here we start out with the yellow marker and
start out with the stars. How do you use your markers? It's important to familiarize yourself with the
different nibs. Test the colors of your markers on a different paper first, to see what color you are using. Markers may bleed
through certain papers. So put another loose sheet behind the one
you're working on. You slow strokes
like we do here. Short strokes in a circular
motion for the stars. And then we move on
to the house. Lights. Try to work from light to dark. Next we move on to
the cypress tree. We're going to use
an olive green. Another type of green, a light brown, and even some black at towards
the end to fill it in. To finalize, once you've
used your markers, you can end the drawing with colored pencils to enhance
details like the stars. But here we're going to
finish with our cypress tree. And then we're going to
move on to filling out the background of the
houses with a light green. We start with a lighter color and also on the rolling hills. The reason why we
use a lighter color is when you add a
darker color over it, the light colored pops through
on the spaces that you don't leave too much
with your strokes. Next, we're going to use the
different thinner point, the fine point of the nib to draw out some of
the hills as well. And we're gonna go over
the rolling hills as well. Starry Night can be
seen at the moment, which is the Museum of Modern
Art here in New York City. Here on the cypress
tree, as I mentioned, we're going to make short
strokes in the downward motion. On the cypress tree in black. We're going to use some
of the black also to outline some of the hills as well as the
background mountains. We make an outline
on the houses, the church and the other houses to the right of the painting. Van Gogh lived from 18 53 up
until 18 90. He was Dutch. Yet afterwards he
moved to France. He's considered one of the greatest post-impressionist
artists of all time. He is striking colors,
emphatic brushwork, which we are imitating
here, and contoured forms. His work powerfully influence the current of expressionism
in modern art. The houses can be outlined with the roof and the base
of the house in black. Here we use black for the rolling hills as
well in the background. So that they can stand out. If you need to refer to
the painting which I have provided in the
details of the class. Next we move on to the clouds, adding yellow for
the background. Inch short brush strokes. As you can see here, I'm using a brush marker, which we have
described previously. There are different
types of markers, Starry Night details. These are the stars
and you can see that the glow of the moon is also very apparent with
the circular motion. Some facts then go discovered painting after many
failed professions, such as art dealer
and even preacher. Most of Van Gogh's 800
plus paintings were created in the last
ten years of his life. He aimed to express his thoughts
and emotions in his art. Hence, the emotion
can be seen by the short brush strokes and the swirling motion of
the clouds and the stars. He worked tirelessly day and
night with little money. Van Gogh's paintings are
filled with color and swirling images portraying an
intensity of feelings. Starry Night facts. Then go painted Starry
Night in Saint-Remy, France in June of 18 89, well played with
depression and at St. Paul's asylum in
southern France. And yes, he did cut off his ear, as you will see in one of his paintings later
on in this class. He did do that after an
argument with Paul Gauguin. Were, they were trying to build an artist's commune in the countryside of
our old friends. Yet he committed
himself to an asylum afterwards as he could
barely care for himself. Next, we use some
dark green marker on the rolling hills and also on the background of the,
of the mountains. We try and fill in as many
of the brush strokes. Here we see Theo, Vincent Van Gogh's brother, who he was very close to. Next, we use some light blue
or Cerulean blue in the sky. And we go over the
yellow brushstrokes with blue so that we fill in some
of the blank whitespaces. As you can see, it's
starting to come together. The painting, this image
is a very famous image. What is the meaning of it? The meaning of
Starry Night can be derived from the
large cypress tree. It's a symbol of graveyards,
morning and death. The stars on the other hand, are symbols of dreaming
heaven and yet also death. We keep filling out
the sky with the light blue following the
short strokes. And in the motion of
a circular motion, following the clouds in yellow and outlining the stars
a little bit as well. To give some definition
to the painting. I will also use some light
blue on the mountains to give some context and some
depth to the painting. Mountains. Finally, I utilize a dark blue on the
background of the mountains. And going over the
light blue that I used previously to fill out
some of the whitespace. Short brushstrokes
are again used. You can use as many different
colors in blue as you have, maybe two or three, so that it can give
some different contrast to the color scheme. Starry Night was painted from
memory and not outdoors, as was Van Gogh's preference. This might explain why this painting in
particular so powerful. It's so much more
powerful than some of his other works in
this time period. I go over again with
a different type of blue with a nib that
has a brush marker. This will give this will
give a little bit of depth. Finally, I choose to use some light-blue on their
rooftops of the houses. But I'm going to go over
them with a gray as well. At some point. This video was sped up so that you too
could see what was going on. I pick up an orange
marker in order to define the stars with a
little bit of strokes, circular motion strokes, and make the points in the center of the star where it's hotter. And then one house
has a red rooftop, like I'm Van Gogh's painting. Finally, I use the dark blue and even darker
blue on the sky. And some of the outlines of
the dark of the lighter blue. And on some of the
lighter blue outlines. I also trying to find the
clouds in a circular motion. It is noted that
upon completion, then go deem the painting
to be a failure. He wrote to his brother Theo. He never expected it to become
famous like it is today. He also wrote to his
friend Emile Bernard, where he called the
painting of failure, believing that he had made
a mistake in going too far astray from nature
into abstraction. Although Vincent van Gogh wasn't famous during his lifetime. Today he is hailed as one of the most greatest artists
of post-impressionism, with over 800 plus
surviving oil paintings and over 1,000
watercolors and sketches. As you can see here on the left is a self
portrait of Van Gogh and another self portrait of Van Gogh with his ear cutoff. Here I use a grade
blue for some of the rolling hills to give a darkness so that they are
pushed more towards the back. But I don't want them to be
darker than the cypress tree, which I used black on so that the Cypress
Street comes forward. Then I use a light, a darker gray on
the rooftop houses and I put some lines on
so that they look like thatched houses because it's a small town and I use another gray for the rest of the houses. If you choose to use
markers or watercolors, or even painted with acrylics. This is the best
way to do it and make yourself an outline. And then you short strokes, even with pink brushes and follow the outline
of the painting. We're almost done here. Just a few more lines
on the mountains. And we should have a
finalized complete version. This painting. We're also going to add a little few touch
ups on the sky. To get rid of some
of the whitespaces. You don't have to get rid
of all of the whitespaces. I use a gold on
the moon because I want it to stand out on
some of the stars as well. This is my interpretation
of starry night. If you choose to make Starry
Night and other colors, you're welcome to do so. But here I tried to follow Van Gogh's inspiration
and make it my own. As you should do the same. Make it your own. Please feel free to attach some of your paintings to this, to the description down below.