Learn To Improvise Solo On Guitar Using Major And Minor Chords

1. Introduction: Hi everyone. How are you doing? I hope you're doing well. My name is beautiful frosty. I'm going to teach how to improvise on the guitar, how to play solo, to play any song using some technique and tricks I'm going to teach, such as using major chord and the minor code using the diatonic, the diatonic, the arpeggio on the guitar. This class is for everyone, not only beginners, intermediate and advanced, we will get something for this class. Because in this class, I'm going to demonstrate, by teaching, showing how you can play song. You can improvise a song on the guitar, even teaching some licks, how you can use some leaks in the part that Tony or diatonic scale. So I thank you so much. Let me jump to the first lesson. 2. How To Tune The Guitar: Hi there, Welcome back once again. In this lesson I'm going to show you how you can tune your guitar. I'm going to show you how with the app you can use to, to new data if you are a beginner. Because in adverse the way when you are advanced you can no, you can understand the sound of your string and then know how you can tune your guitar. So the app I'm using is this one. I think you can see the name. It's tuna. The name is guitar tuner. That's the app, amusing to tune my guitar. So I'm going to open the app. You can see the app and it shows if you string or string or not. It will show you. So the way we're going to go to tune, let me make it. Then we can start 0-2, and now it's not tuned them to tune the guitar. On the first screen, which is e, which is, you're going to see it to show you e arrow in green. If the arrow is in the green, they may do it to mean is it's the right one. The string is. Can you see we are against three? No, no, no, no, no, no. The auto this morning, it shows you the string. Pulling it. You can see it for myself. Now. We are ready to play. This is how you continue using detach sooner that you can download it, It's free, you download it. When you open it, you can start every spring it's going to show you on the app. Then you can adjust the string, right side or left side. All right, thank you so much. See you in the next lesson. 3. Pentatonic Scale: Hi, everyone will come back again. In this lesson, we're going to learn the pentatonic scales. We're going to learn the pentatonic scale. We're going to learn how to use to apply pentatonic scale is why. While improvising, we're going to use some examples. I will show you how you can use the scales of pentatonic while playing solo or improvising. Thank you. You're going to learn the first position of pentatonic scale. We're going to learn it playing in a ship, the ship. And I will show you how to play, even if this pan diatonic scale in this ship, a ship, we're going to play, fight, fight, fight. You don't need to play it faster. You can learn it and memorize it. How did we I'm playing it. Then later, more you play it more, you can start playing it faster, but for now, you can try to memorize the way I'm playing it. You don't need to make fast. It's on the E string. We play in the second fret, second fret, 254255. Then it will start 5-5 for four to five to the second position. Tonic skin, which is indeed the T-shaped. This is what we were playing the first position in a ship. Now, in the second position of pentatonic scale, we're going to play each ship. We start on the E string. We played 575777, then 5757. So it's this way. 574-74-7677. Memorize this shape. So that's more you practice it more. He played fast and down, up, up, down, ascending and descending. The second position in second position of pentatonic scale. In each shift. The position of pentatonic scan is in the shape thick and one is in E. Then the third one Being from the seventh fret is in D-shaped position of pentatonic scale, which is in D-shaped. Start from the seventh fret. We want to place 7, 9, 7, 9, 7, 9 6 9 7, 9 9 7 9 6 9 7, 9 7, 9 7, 7, 9, 7, 9, 7, 9, 9, 7, 9. That is the position of pentatonic scale, is no default. Position of pentatonic scale, which is in a C-shape. We're going to play it in a seashell. But anyone can call it in its own way. They can call, for example, this foot position. They can call it the second or the third position. It's like the cell. When do you play on the guitar? Everything is movable. You will find yourself coming 1-5 and the restart again, going around and around, calling this position four or other people they collect for position five is the same. All you need to know how to play it in that shape, shape of seed, shape of a ship of E, shape of D. How you're going to play pentatonic scale in those shapes. So the fourth position of pentatonic, we're going to play it in the shape of see, where we're going to play. We're going to play from the front nine. You're going to play 9991, 1911, 9999, 1199. When I tried to practice, it starts slowly. But this one ship one-by-one, then tried to play it faster. Fourth position in C-shaped. Now, when to play the fifth position, we're going to play it in the shape of a in the fifth position. I'm going to play it from the 12th. Indifferent, 12, 1214, 1411, 1411, 1414. Not after playing the fifth position, you will find the cell for coming, going back again to that first position, which is in G, ship The fifth position in E, G-sharp, the second position in that position. In addition, ended. And the fifth one in the a ship. Buck for the fistula. When lending the ship the pentatonic shape. After memorizing the way we're playing. You need to know to mix, to start. You can start from the middle, you go down if you tried to play practice. For example. I can start from the middle. Now we can play some progression using this path atonic overplaying to exercise, to do some exercise with pentatonic scale, I need you to learn also the diatonic scale, why we are playing this pentatonic scale. When we playing pentatonic scale in this G position, we're playing this way. We were paying to five to 44 to five to five. Now with the diatonic scale, which is the replay five-note in diatonic scale, pentatonic scale is five naught. In a diatonic scale, we play safe and node in pentatonic scale, it's only five naught. Now, in diatonic scale, we place seven node, which is the full scale of a major or in G. It's a food scale. So we're going to play in diatonic scale before we, like we practice this pentatonic scale. Let us lend this diatonic scale how it played. Like when we played. We always play safe and not in a major. So using the diatonic scale, we're going to play all the notes in this scale. In this G position. This short name, we want to play all the notes. The pentatonic scale we're playing this way. But four to five to five. Now with that Tony could we're going to play 45451? In the second position. Diatonic scale. We're going to play from full. Full. We want to pay for 574 576-767-7457. I started again 457 457-676-7757. So we go this way, going back, back what in each ship, the ship or the dead position, we want to place 797, 967-967-9779. If you try to be careful in these positions, are in these shapes, you want to find out that we are repeating the same node. It's like the same note, but we are trying to touch everywhere where the noughties. The fourth position, which is in this session, we're going to play diatonic this way. From landscape. We're going to play nine then. 911, 129-111-2999. If you look carefully, when a fund that we are playing all the notes in the shape, in the shape of C. We are playing all the notes which are around. Yeah, playing all the notes which are in the Dutch shape. That's that donate, which plays all the seven notes in this shape. In the fifth position of diatonic scale. We're gonna play when I started from the 12th fret, which is the ship, we're gonna play 121-411-1112 or 14, 111-514-1415. When we start to again 1411, 1411, 1115, 1415. If you were going playing, you're going to find ourselves stepping again from this position. Then we link the five position of pentatonic and the position in that Tony. So what I'm going to tell you is that you can mix. You don't need The way I'm starting. You can even start from the middle. You play a note. For note, you can mix it the way you want. For example, I want to show you an example. Then you can play anything using the tectonic and the atomic scale. The first position, I can play it here or here also. You can hear what I'm doing. You can create your own vocabulary. So I'm playing this way. It didn't atonic. I'm playing this way. Not the small vocabulary I create. You can even create your own. I play. Then I go back. So create your own vocabulary. Your own vocabulary. In this dish C-shape, what I'm playing. Now we're going to apply the pentatonic and the diatonic scale while playing solo or improvising. What I'm going to play, it will be a little bit dirty, but I will make you understand how you can apply what we learn. And remember, we're playing in auto G-sharp. We have also, we have n, we have. And then we can apply a also this way. So I wanted to show you all these positions so that I can play from yeah. And for me, it's well, we're going to start we're going to play. So we went to play this way, make it better to play this way so that we can solve for beta. We go, Wow, Yeah Remember we're going this way. So we're going to play 3456. The way of making the pentatonic sound better. See also how we can do some practice using like a beat to see how we can use this pentatonic one plane. So we're going to learn another way we can make some better. We can play to three. This way. That's the second way we can play. The third way we can play this way, this pentatonic scale. I played this, the string. And the second thing I played, the same time, I hold them steady, ended the second string. I'm playing. Remember? Because this way, I want these two strings. Then I played nice. The second one, the willful sounding Beta, so I can even mix while playing a bit. I'm going to show you an example. But for now let me try to mix you want to solve. This is an exercise you can always do in all, in all five shapes you can try to do this exercise. It will help you to master, to understand very well that these shapes then you can start playing. You can start improvising. In future lesson, we're going to improvise a lot. So you need to understand these shapes before we go or how to sound, how to sound more professional. So I started pointing this way, the way I showed you. I go back. I'm going to show you with the beat. Pledged to do this exercise up and down in any way? 4. Link Scales: Hi, today we'll come back once again. This lesson, I'm going to show you how we can link the pentatonic scale. We learned the pentatonic different position, how we can play in the five position of pentatonic scale or the diatonic scale. But I didn't show you how you can link those those scales. For example, for this first one we're going to leave monotonic scale. We're playing the well-connected with the second one. So what I'm going to show you here, I'm going to show you how you can play from here, for example, this one. You can see I'm starting from the second position, but I'm going to end in the first position. That's what I'm going to show you how you can link first position and second position. I'm going to show you how we can connect the skin of the face, the skin and the thickened skin. So the procedure I'm going to tell you, it's not like a musty, must use it. The way I'm showing you, the way the foundation I'm going to show you. But you can create your own way of linking this first position and second position. So we're gonna go this way. We're going to play from first position, we're going to play 25257, then 57. So we are already in the second position. We can playing it this way. So from there we'll leave the first position and second position. But as I told you, it's your own way. You can create your own vocabulary or your own way of linking. Only thing you have to know where the node, you will have to know the second position, where you load the fifth position where they look. So we linked the first position and second position in that belief. Now you can no, you can understand how you can link. This. Is Shaun White Plains solo improvising. You can use these two shifts. You start from here. Then you can end up in this position, or we can end up in the second position. So let me try to do a little bit the example I play here. As I told you, try to create your own way off. I show you the way, but create your own. That was the first and the second position. Now we're going to link the fourth day second position. And they did physician, this was the first one, the second position and the dead for this one start, start from that position. The second position is that from this sick dead for this one, I'm going to show you how we can link the second position and the position. As I started telling you, I'm willing to show you the root then the way you can do it, but you can create your own way, your own way of linking the second position and the position. So we're going to play the second position, then using also denote in the tenth position, we're going to play 47576767, then 579579. Here we are already in the position. You can see how we're linking these positions. But I'm using this. So y plane, you can use this node. We can do some exercise. Can you see now I'm losing the note from them into position while playing in the second position. Third position playing own position linked. We're going to see how we can start from the fist position till day last position. But for now you can link the second position and the position. You wait, we're using 457-456-7678 79579. Now we're linking to the first position, second position, second position with the position. Now we're going to link the tenth position with the fourth position. We're going to start on the seventh. Fret, 23456. We start from the seventh fret. We went up play in decibel. We have the dead position. So we went to play 7 979-117-9117, 9799. So we are linking Ted position. Position goes this way. And it did physician. So we went up playing this way, 79, 791-179-1111. So we can try a little exercise to see how we're going to apply what we're learning. I'm playing using this fourth position, then I can play this way. We can apply it. You can see I'm playing, I'm using some position. I'm playing. I'm trying to put this weight. Positional numbering the fourth position. Yet your own way of linking these three days to positive 1.2. Now we're going to link the fourth and the fifth position. And then remember the fourth position was going this way. And the fifth position. So both to see how we can link this to position one and the fifth one. So we went over this way. We can instead by 99999, let you live in. Then we go to ten. When Nine, then 9911129. So we are starting in fourth position and end up in the fifth position. Exercise. I'm playing. I'm playing also the fifth position. I'm not from them using from the fifth position. Don't blink dug deep. Mixing, giving the load from the FIFO. So create your own way of linking this position. Awesome. Now we're going to link the fifth position in the first position. We link the first position, the second position. Second position, third position. They take the position, our default position for foo in the fifth position. Now we're going to see how we can link the fifth position, going back to the first position. Fifth position, remember it goes this way. That's the fifth position. The first position remember is goes this way. Remember it was with the adult. To link these two position. We're gonna go then 14111111. Then we put 12 141-614-1111 live in 2016. So let us practice to see how we can link these two, these two position 5.1. So I was using already, in fact positional denote info position 5. Chords Exercises: Hi, there. We're going to play with someone who's playing the keyboard and the way it is a bit, we're going to play with this style of car, or down, down in C major D. And try to pause the video or, or replay many times the video so that you can play with me, play with me, take your data and tried to play. Thank you. 6. Arpeggio: Hi there, Welcome back. In this lesson, we will learn the arpeggio, the system arpeggio for the major scale. The major scale arpeggio. We're going to start with this G. G ship arpeggio. The D-shaped want to play the a, the a major. But in the G-sharp, D-sharp we play. And I remind you that when we talk about arpeggio, easy like playing one a lot. For example, I'm playing this note, a major. I played it for the goal. When I'm willing to play our page, I'm going to play the note one by playing the note wide one by one. So just ship the arpeggio we're going to play. That's the arpeggio in G shape. And therefore the arpeggio, What I want to tell you, you must know the root node because we are going to use them in soloing. After the five shapes. I'm going to show you how you can apply them while soloing. But before I tell you, you need to know the root keys, you're going to see those red.it shows the root node. That's G shape. Now for the ship, the ship we have, which is zero. And then we have the first one was this one. We can write this way, E position. And that will tell you, I will show you how you can improve these arpeggio. How you can play from one shape to another shape, how we can improve in creating your own vocabulary. I'm going to show you how you can create them for the dishes. We have. So we have the D-shaped, this shape. Now for the last scan, which is midday, for the hip, we're going to play The five skills or the five shapes, I'm going to show you how you can improve this arpeggios. How you can improve the way you are playing them. For example, for example, in this T-shape, in this, we have 15135, and then we have another 135 in the other Octavia. We have another one here. So we have 135 in this C-shape. We have another one in each ship, and then we have another one in this V-shaped. So we can link them from this 135. So it can go I still in the same node. I made this one, this, I miss them finger. I slide. You see it that way you can link the difference. In these major scale. This is the first way you can use. Then you can link it in your own way. You can even improve it. You can even prove it. You can start from me, I play dough for going straight. Getting started. You'll see it more, better. Improve it. One way. Also, another way I can show you how you can improve these arpeggios. Let me play here. So we can start. I change the note about, you know, on the guitar, everything is movable. You can attend. You can start arpeggios. You ship, you know, if you remember. You can do. You are here. You start for me. Yeah. It's a big ship. You start You see it will create your own vocabulary. Is using these tools, techniques, auto creative in other techniques. You start from here, remember these are bedroom. Now, while playing, let us play a little bit to see how can only improving our pixels. When I end up, Yeah, I was playing too much. Yeah. Remember the root key? I'm playing in this position. You see why I end up in the key? Remember the root key? While playing. I end up in the root key. So I hit play again. What's key again? I wanted to play this one. But because I'm improvising, I take it to debulk key, key again. And again. While improvising your target. Many times you targeted to know which is in the code that you are going to play. You see like, yeah. Can you understand what I did? Yeah, I do. I target the root node, which is here on this this code I'm playing discipline or earlier portal here. One while playing. And doing, I end up using those. So the root note, I don't think all the dates I play because I'm soloing. You mean by this? I'm playing a lot of dirty stuff, but I'm trying to show you how you can apply this unpaid job while improvising. Lifting the root node, which is in the red, they can take the red node. Thank you so much 7. Number System: Hi there. How are you doing? Hope you're doing well. Welcome back again to our lessons. In this lesson we're going to learn the number system. The number system on the many guitarist, pianist when they are playing, they use numbers. Instead of calling the names of the code, calling the numbers, it will be easy. For example, you are playing with them, people, they can say no one to play 145. Instead of saying we want to play C, F-Major And the G-Major. It's too long to say or too long to get. But if you use numbers, it's more easy that many guitarist and many musicians, they use numbers than names of the code. So we're going to learn this number system, how to know the number system for beginners. So if we add the major phone number system, this C major, if we are playing starting from C, which means the first is number one. For the code that we are playing. The second code in C major, D minor will be the second will be to the number systems. So when we say we want to play one to five, we will play C, D minor, and then we'll play G as five. So the number system is the way the code are following each other in a group of code. For example, if we have z, we have D minor, E minor, F major, we have G, we have a minor, we have B diminished. Then we have one. In the number system. We have two, we have three, we have four. I have five, we have six, we have 71. But two. It's better to understand the freewill, this number system because it will help you to be faster for understanding and to be faster to tell people you are playing with. If they ask you which code that you playing so we can use the same code, you will tell them the numbers. It's better than number than the name to remember the names. So you have to understand this number system. One, which is z, two, which is the E. String, four, which is five, which is G, which is a minor, seven, which is B diminished. Then back to one. So even in the other codon. So it's the same. The number system. If we were playing in 1, s code in the widget in number system will be too, is E minor three or rotate, it will be F sharp minor. Four. My last day before for will be g45 will be a. Six will be B minor. Seven would be C sharp diminished. In D. We have 1234567. Thank you so much. Let's see you on the next lesson. 8. Minor Chords: Hi there, Welcome back. Once again. We're going to learn in this lesson, or D minor chord, or the fretboard minor chord we're going to learn. Let us start by minor, F minor, as indicated. On this picture. We hold in the first fret, we hold all these green with our first finger. Then in the frame. And the Fed will hold the fief and the defaults three, minor, minor, F-sharp minor. You know that everything is movable. So if we move in the next Fred, we have immediately. And if we move again, the next Fred, we have G minor. So for me I can play F minor, G minor. Then we can play a minor minor, F-sharp minor, G minor, G-sharp minor, a minor from there, but we can go over till we finish all the fretboard using. This wasn't sure. If my let me play. Also. We have might not hold in this fifth and the fourth string. Second frame. We use the second finger ended the Fed add indicated on this picture. In mind now we can play also D minor. D minor, we call it in the first second and using our, our first finger, our second finger, as indicated on this picture. Then we have C. Might seem, I know is that we hold here from the C minor as everything is movable. And Makita, if you will, all see my way. And if we go back in the next, Fred, we have the mike. C-sharp minor, D minor. A minor, about to be all this way, but this way we have D minor, then we have C minor. And the way we would see my name and see all the freight, all this theme on the dead Fred with my first finger, second finger, hold in the second string and hold it the fourth string. And the fourth finger, all the details stream. C minor, we can order. The first finger. Can work all this string in the fridge. Then the second finger, hold the second, second finger on the second string. In the first step, in the fourth fret. Then the third finger on the fourth string, the fifth fret. And the fourth one hold the string in the fifth frame. Then we have C minor. And as everything is normal, but again, as I told you, we can move C minor, C-sharp, D-sharp minor, E minor, F minor We have using this technique even play the minor code. You can use. When you're holding all my code, this minor, you can use this way. Holding it might not quote an exercise. Before we finish this lesson. We can play the minor chord you play while for the move to another code, but only play. You can see how you are holding. Okay? You can try to play this. I don't follow any role. Yeah, it's only for exercise. I play here. Then how you jump one fret board. In the next. I can go back. I play it again to see how we are moving fast. So the first progression we're going to play, we're going to play it in a minute. Let us choose a minor. We have a minus, and then we have also a minor. We have a mine. And also here in the first and the second thread. So playing the progress regression again, we can embed, for example, E Milan, also a minor. E minor. A minor. For example, we're going to play this way. As I told you, everything is movable. And remember what I told you. For C minor, I told you see minus e from the C minor. So to look for the email, I can see minor, D minor, E minor. So if I'm holding the main idea and I don't need it to go here. I can go there if I want. Or I can play also here. We can play. You can play. Or I can pay. Everything is movable. And then many people prefer using the number system, using the name of the call. So if I play out playing 145 or one to three, saying I'm playing D minor, D sharp, mine and things like that. It's easy to remember than laying in using the name of the code. If you use the name by calling all the code a little bit difficult, but some people they use numbers can be more quicker to remember. You so much 9. Minor Scale Position: Hi there, Welcome back once again. In this lesson, we're going to see all the position of minus k. We're going to start with by this fist position. We're going to start the fifth fret. Nothing if it's a minor. Both the Shaun of minor scale. We're going to go, we're going to go in. There. We go. The sixth string, 567-815-5775. We can even go back. The first position minus kel. More practice. You do more fast, I'm going to play. You can see the position of my head. These you can use you can use the first finger as indicated in this picture. The picture you can see the first thing that you can use in your frame. You want to use the finger and you can use the formula. So we have one finger, third finger, and the forefinger. So we're going to go about doing this so that you can do faster, you can play it faster. And tried to play it. Okay, that was the fifth position of minor. Second position. We're going to play from this 77 friends in the second position. Using. The second thing. We can point to one thing though is that from here, we will use the fifth finger. We use it in night, night. Then we go to this first finger. So we stopped. We want to go 777. Then we go. You can try to practice it so that you can do faster. And it's the same the way we are playing the first, the second position, it's the same. You got to play. The way I show you these pictures, we can follow this picture. You know, the first position where you're going to start, in which Fred you want to play. Then you can go use your hand. The way it's written, you can see the numbers of the fingers. So it shows you the thing that you want to use. You can see the number of the finger. You're going to use that using the right thing on the right And if you tried to practice the first till the fifth one, fifth scale, so that you can use to scare us because we will help you to play. Do practice of the last position or the last scale is remaining, the third, the fourth, and the fifth. And when to put it, you're going to see all the position and the how you can play them. The third position, I'm going to play it faster to show you how you do it. So you start in the position 1-234-567-8910 positions that you can see those picture will help you to play tonight. So we're going to play before physicians that from 12th fret, you're going to play the fourth position. You can try to play it faster, moving plates daily more, you start playing into master door if you don't sound nice despite more you're used to this, more, you want to sound more professional. Then fifth position. In 15. 15, you count all the thread from 15. Want to start playing this way? Okay, thank you. We have all the five position tried to practice there. So we can That's soloing using these five minor pentatonic. So I'm going to show you how you can improve your skill, your minor pentatonic y plane. Okay, I'm gonna go back here in the minor fifth fret. So we will play the fifth position this way. Improving minor pentatonic scale. You can do, for example, this way. Then you go back. You can do any wound back to back to you played that way. It will help you to sound more professional. The first way you can sound beta in your skin, then you can also do this way. I'm playing, you know that we have this one here. So we can play See you've been tied up. The second way you can do it. And then you can create your own phrase. You can get your own way, for example, I think, you know, but atonic skin that's playing this way. So you can try this and try to practice it. Y plane. The second way. We can do, for example, the second and the third one and I play the second string. That can help you to sound more professional. You can create your own fears, tried to create something for you, then it will have to sound more professional. All right, thank you. Thank you so much. Something I can play something pulling this beat. Remember? So using this beat, tried to play anything, anything from this scale, we learned. Anything you can place following that. In a future update. We're going to show you how you can now start improvise how you can add more item, more spice in your playing 10. Play All over The Fretboard: Hi there. I'm going to show you how you can improvise using all different scales. What I'm going to hold Shift, I can play. Let us not by d. Then I'm going to see how we can reach beside the first technique we're going to use to play there. You can use all the code we have. For example, it's mid-plane, 145. We have one, we have four, we have five. This one. We have one, we have food. Outside. Remember we have another file we can hold. We can hold. So widely. You can play. I use yeah, playful, but I played using the pitch of the roof in D major. I feel so flight. In the other position. I was young. I know we can play this way. Then I can finish it here. So on this slide, then I did one last one. After doing this. I can go on this ship. There is a ship which is going this way, which is between this and this one. I can play. Remember, did he say, yeah, I'm playing this way. I'm one of these positions. It's like I'm in this position. So I can play Um, well, I do. Yeah, I'm already playing or page or to go to this fall I play. This is a page of the fourth, which is 5 v I played. You wanted to play to remember full name, but this is one that you can slide. These fifth string, you can slide it Yeah, I didn't didn't yet because he had just one. And this one is another four here. So we can go. Awesome. Yeah, what I'm doing in this C-shaped, I loved this way. Then I do. I hold all these three last string with my index finger and my middle finger on the fifth string. Then my pink evolve, the last stream. I tried to go down to play it. This way. I painted this way. This one E to the complaint they fulfill. Because if you can see, so here, I'm ending decision, then these partnership. So try to do this exercise. It's wonderful. File, which will help you understand the route. All demand both playing. Thank you so much 11. Tone And Semi Tone: Hi there, Welcome back once again. In this lesson we're going to learn the code construction. Code construction for constructing the board. We have from the root. For example, it has used this. From the root. We have to go one tone, that is tone And Semi Tone on the guitar, even on a piano. From the root, we need to jump one Fred to go to a full tone. So from the root, if we don't jump, it's a semitone. If we jump into full tone. So we have root, Semi dog And Semi Tone, tone. For the code construction, we go from the root two, w1 to full tang. So we're going to jump, which is the second chord in F major. So we are here on the road. On the full tone. The second code, full tone again, the dead code. Then Semi Tone, then tone, And then Semi Tone. So we have root, Semi Tone, Semi Tone. So that's the construction. So we have the tone, semitone. Semitone. If you don't jump from node to another one. If you don't jump into Semi Tone. And if you jump from one node to another node, you jump one fret or one note. It's a full node. So we have not full node, full load. If you don't jump Semi Tone or they have Tone, tone or halftone, full dawn or Tone. Semi Tone. Done. So this is how we're going to do the flexion of your chord. We have the second code. Then we have another goat. So we have dun, dun, dun, dun, dun, dun Semi Tone. Again. If dong, dong, dong, dong, dong Semi Tone. Hope this helps. Thank you so much 12. Effects Setup: Hi there. In this lesson we're going to talk about the guitar effect. You need to set up. So that gives some reverb while playing. First of all, you will step you guitar from your mixer. You make sure I did is little bit the reverb so that it says sound. It will solve night. When he play a little bit to delay or a little bit the reverb so that it sound good. And also can set the effect using your guitar. It will depend For when playing. I can add something Using my Pedro depend on for my guitar. And also we have, we can change the sound of wind playing. If I change here, these things is down. If I put it one more up, one step up. I put the volume. The second step up. You can hear the sound challenge. So you need to know which sound is going to use or which effects you're going to use wine playing different songs. Or it will depend who we are playing with the piano, you are someone who's pulling keyboard, which sound is using so that you also, you change the sound so that it can't be the same sound from keyboard and the guitar or from other Guitar TO guitar to be distinct sound. Try to challenge to put some effect, change your data using different technique than via. For example, if I play, you can hear the sound. If I change it one step up again. Here the songs can one step up again, which is different. You can hear the song disease. If I bring it, open it widely. Have for V. Let's look. Sounding sleet and have to sit you guitar effect of me from the M60 threat to sit it so that it's sound the way you wanted 13. Pinky Exercise: Hi there, Welcome back once again. In this lesson I'm going to do the pinky Exercise, pinky finger, pinky Exercise. We're going to see how we can do Exercise of it so that it can use to play solo. Why? Improvising Using Major in the minor Scale, even in other mode. So for example, when I play this, you can see this corner I'm holding, I'm holding the sea. So I'm going to practice this way. I'm trying to exercise my pinky so that it can be playing. When this wave, what being deceived. Then I play this play default. In C. When I play, I played the pinky, I jump from the full five play. I jumped one thread to deny play another freight. Bill I played. When a little one here. Full. Didn't I go back and good luck. Five, I put in the second screen. So if I go slowly, so we can even mix. I thought I knew this when I believe. So. I'm holding real tight then. I thought I believe plugging. Good. Thank you. Hold his hands 14. Lick: Hi there, Welcome back once again. In this lesson we're going to learn how to create some leaks. I'm going to teach you some leaks in the how you can create your own leaks. The fifth leaks we're going to learn, I'm playing in F major. So the first leaks is going this way. Remember, the skilled in the game major here? I'm here, I play. I'm playing. I stopped by the pinky. I started by the pinky. So I'm doing this. I do. I go back again after playing 123, I play again. I use these now during finger. The pinky. Remember what I'm playing here? Remember this one and then we have 1 h, so I'm playing. The first elite can start slowly, then later, you can start playing fast about that slowly. Secondly, we're going to learn, He's going to be swayed. Remember we have that, we have a nice way. So I can start from here. I'm not playing this second one because it can make noise while I'm playing, so I play luck. So I start from here. Remember this is a, and then we have another idea. Wow So I'm playing here. I go this way. Remember I said like a scale, but the tonic scale, awesome. I play here. Then I go back again. I slide back. So using this technique, you can create your own. Remember this is only pentatonic scale. I'm playing. Something for you, for example. I can do something like this. Instead of doing. I'm gonna do I slide. I don't come back like this. I slide. Then I India. Can you, can you listen how we can create your own flourishes? Kind of Cadet something. Finger. So you can't get it something, anything, anything you'll be up or anything you've tried to create, tried to play. I'm playing. I'm holding the shift. We are still in F. I do. So try to create dorsal, anything you can create USA. We are playing in. When I slide to us, I can come back. I made this a link. So you can do something also. Anything you hear, anything you feel you can create it. Yeah. Something like that? Slide the slide the bug. Do anything to you here. Can you hear this link also? This leak? You can hear this leak I create no, no. Soul play anything you feel. Play it on the guitar. Now I leak. They've previously, and this one I'm playing, play anything. The next leak we can learn here also. So I'm playing. Remember we have F here and I'm starting with this one. The string and the second. I do. I slide. The second is three. I play for a second. Thank you so much. 15. Seben 1: Hi there, Welcome back once again. In this lesson we're going to learn the seven step and we're going to learn, I'm going to play it in a role, to play in a major seven. We're going to learn the seven we're going to learn, we'll go this way. It's going 14151. So disabling I was playing is going this way. In a year. Luck I'm playing while I'm playing. One, I go and I come back again. Playful. Yeah, it's a backup plate. It's like I'm playing five. Remember this code for those who learned how to improvise. So we have one, select complaint. India. It's like I'm playing I'm asking a question and I give you the answer the question, Is it like this? I did answer. The answer is this one. The question is this one. Then the ASA Western? Also. Another question. So he had the question is this one? I saw. Another question Awesome. Then a question. Answer. A question is this one also. So here the question is this one. Also? Another question? Asa, question. This one. I'm playing string to Festus three. Then I play the three and the two. I play three and to the back to one and the two. I play. Now here I'm using my pinky to add some spice on 73 friends. I jumped through the window media, I jumped, jumped only two slit. And then remember what we play and we have one, we have, we have, remember we have another one. We're playing this at least about we are ending. Remember this, we are playing in this one. It's like we're playing 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 5, 1 full. It's like I'm asking a question in the I answered the question. I saw. Thank you so much 16. Seben 2: Hi there, Welcome back once again. In this lesson we're going to learn another seven. We're going to learn how to play seven, which will help us to improve our solo. The way we play solo, the way we improvise. Using 77, we're going to play with willing to play it in B, B major. You're going to play it in D major, and then we're going to play 151. So someone who played 145, we can play together using the seven dots is but one of the cell. The budget to goes this way. Then the two parts together to be swayed. So in this seven, that is the way we are asking question. We answer that question for example, this one. When we do, We played this way. Like I asked you the question. Did I respond by the question? Us a second, but not the question. The answer dot disabled and we're going to learn to play. We go this way. Be made to another image is here. We go. Well, yeah, in this position. And the one here in this position. So I jumped 123. Then I play in the fourth frame. The fourth one I played the then I played for. But I use only these two finger, one and therefore a major in this position, I play only these two. Then I use my ring finger into my pinky on the fifth string. I can even play it this way. If I'm faster, if you feel you faster gonna play Vinny. But for now, let us play. You can play 2.3. You add also Two goes this way, 33223 to the second and the third is three. The second one. I play on the phone was playing the pentatonic scale. I slide the buck with. So I asked you the question. Then I'll respond to the question. Answer the first one. I asked you the question this way. The answer, the answer, the question. The second part of the question. So try to learn these seven. It will help you a lot while playing solo. You'll be faster your finger when you have a very good exercise of being faster in playing. And some leaks we are using here in this table. You can use them in soloing. For example. Nice leaks. It's another leaks, nice one. And then remember we're playing in this position, this position, and then we're jumping to another position. So thank you so much to try to exercise these seven. It will help you. I think you did see you on the next lesson.