Learn Guitar Chords with Songs - The 7th Chords (part3)

1. Promotional video: Do you want to learn more than just the major and minor chords? Do you want to introduce seventh chords to a guitar playing? Hi, my name is edina and I'm a professional guitarist. In this course, we are going to learn the major seven, minor seven and the dominant seventh chord in all different shapes and positions all around the neck. Through guitar lessons. And nine, attitudes are little songs and four chord chart exercises. And the attitudes were being two different speed, von practice speed and von for speed. Every attitude will have also a guitar lesson. In this lesson, you can learn a lot of finger picking technique, soloing technique, the breadth or rectum exercises, and a lot of other things. 1234 E. And after this we are going to do some Korczak exercises that I'm going to play for you, the lead guitar. And you need to storm the courts just by reading the Chord Symbols. And after I'm going to challenge you for an ear training game, there, I'm going to play for you three different courts. And this will be either major or minor, or one of the seventh chords that you learned in this course. And you need to tell me which courts I played. Sign up for my course today and learn the seventh chord with me. 2. Little Intro: Before you start the course, I just want to say it would make me really happy if you could leave me a review. So I know how I have done with the course for you. Also, you'll see some assignments in the course if you decide to do them, I have a loop personally to each of the assignments and either give you a feedback. So I know how you have done. I hope you will enjoy this course and I'm really looking forward to see your reviews and assignments. 3. Introduction: Hi at first, thank you so much for taking up this course. And they just want to say that this is the third part of a comprehensive courts course. And it is called learn guitar chords with songs. In the first two parts, you can learn how to play the major and minor chords and also how to play a battery would and play all of these courts in all around the neck. If you do not know that already, please go and sign up for those courses. But if you know that one, this one will be a great way to carry on with your studies. I hope you will enjoy this course and you will use it to learn many, many new songs and also to use this knowledge to write your own music. 4. Learn how to Construct Chords with Intervals: So far we only looked at the major and minor chords and also hard to half a body position. But to have a little bit more freedom to play any song that you want to. And also when you're composing your own music to have a little bit more variety in your son. It is nice to use other courts as well. And to use other courts. We need to understand how do they made up and some music theory behind them. So then you will know why this chord sounds like this or that. And also via Discord, discord like this or that. And that's why we are going to learn about the internet was integrals are basically stepped between nodes and they can be matched with the notes as well. On the guitar, there are 12 nodes exist. And after they will start repeating, and then two nodes repeats than it is one octave. And the intervals can be matched with all of these nodes. And we know the distances between these nodes. And also each of the intervals have a little bit different sound. Now to understand it, let's list the sequence of the notes from the C naught. And let's see what kind of intervals we have. And often we will make up a C major and the C minor chord. And let's see if it is true. So what is the sequence of the nodes? The sequence of the nose just means when you go fret by fret, you go to a different node and they are in a sequence. So from C, It means we have C, C sharp, D, D sharp, E, F, F sharp, G, G sharp, a, B flat B. And after it repeats, now, this was 12 different nodes, so we have 12 different intervals. The first interval is the root node. The root node is the starting node of AB record and every scale as well. And that's what the cord via be. Usually. It means that if our root node is C than it will be a C chord. And it depends on what other intervals are in the sequence. We then know what kind of chord we have. Now let's match the entire was with the sequence of the nodes. So we have root node, first, minor second, major, second, minor third, major third. Perfect for flat five. Perfect five minus six, major six, minor seventh, and major seven. Now, what is important as well in these nodes is the perfect five because it occurs in so many different courts. And then it just sounds like quite nice. And to make a major chord, we use the root note, the major third, and a perfect five. Now let's have a look. What are these nodes when we match it with the C? And these add c naught, E major third, and G, perfect five. Now let's see if it is true. If the horde, a C major here. We started from the sea. So we shouldn't like really play the E on the top, but it doesn't matter so much on the sun if we play the E on the top because the E is actually inside the court. We have C, we have E, and then we have g, and then we have C again, and we have E again. That's right. You could see that only three nodes was in the cord, but some of the nodes Accord price. Now let's have a look at another chord. Let's have a look e.g. E major, and let's see if the entire was right. In this case, I listed the sequence of the nodes from the E and also I mashed it vetoed intervals. And now, or root node via B, E and after the major third, G sharp. And then we will have a perfect five, which is B. Now let's see if it is dry. We have E, B, E G-sharp, B. Again, it was only three nodes which occurred in this course. But some of the notes we're repeating. Now let's have a look at the minor chord. The minor chords are exactly three nodes as well as the major chords, but these three nodes will change. So this case VB I have root node, minor, third, and perfect five. Now, let's check if it is true. Let's hoard an E minor chord. And let's see what nodes are in. And also, let's list the nodes with the root node E and match it with the intervals. And let's see if VI, right. So notice ie, and after the minor third is g and the perfect five is B. Now let's put an E minor chord and let's see if we are right. So we have E, G, B, E. Let's see another chord which is a minor, and this will be the a minor chord. And let's list the sequence of the nodes from the a, and let's match it. We taught in Taiwan and let's see what are these nodes or root node is a minor third is C, and, or perfect five is E. Let's see if it is right. So I'm holding a minor chord and then we have a and E and May and C. And again, it was only three nodes, but some of the notes we're repeating. 5. Introduction to 7th chords: Let's learn about the seventh chords. The seventh chords are a little bit different than the major and minor chords because instead of three nodes, they consist of four. Now this case we are going to look at three different seventh chords and vom via be major seven, minor seven, dominant seven. We will also use the cage system to learn all of these courts. And also, once you learn the shapes in the first three frets of discourse, you can use the body and move it forward and you can hold it in any other places. And after, I'm going to give you some examples as well, that you can find the seventh chords. 6. Major 7th Chords: Let's look at first the major seven chord. In the major seven chord, there are four intervals and these are the root note. Major third, perfect five, and major seven. Let's make these major seventh chord on the cage system as well. So let's match at first or entire was with C. And let's see, what are these nodes. V have root node C. We have major third, E. We have perfect five, which is g, and we have major seventh, which is B. And the shape they are being. Instead of hoarding your index finger on the sea, you are opening it up. And you get this very pretty sounding chords. And in this case we have seen, we have and we have G and we have b, and we have. So we just did a major seventh chord. Let's have a look at our next chord, which is a. Now let's match or intervals with the sequence starting from the a. And we have root node a, major third, C-sharp, perfect five, E, and major seventh, G-sharp. And the shape is, we have a G-sharp, C-sharp. And let's have a look at our next chord, which is d Major seventh. Root node is d, or major is F sharp. And then the perfect Five, these a and the major seventh is C-sharp. The shape is this. You can actually hold it like a half a body if you want to. We have root node B and the a, and then C-sharp and mugshot. Or next chord is E major seventh. And we have root node E major third, G sharp, and then perfect five, B, and major seventh, D sharp. So you can word it on a way that you would like to warn your index finger, because you need to put two strings together here. And then you can order the other naught with your middle finger. We have E, and then we have, and after we have the sharp, G sharp and B. And, and our final chord is the G major seven. And in this case, root node G major CERT be perfect five, D. And the major seventh is F sharp. So we have G, the G, the B, F-sharp. Now, you can use the body to move these shapes. And probably some of the most popular shapes is the a shape. Because you can easily move this fun with the battery. This is B flat major seven, or B major seven. Lot of people are using the C-shape as well because that's very easy to ward as well. C-sharp major seventh and D major seven. And the E shape is used as a body as well. But then you need to hold it a little bit differently to make it sound nice. E.g. we can use it in the G shape in G major seven. In this case, you would like a body with your index finger. And your little finger is on the fifth fret of the a string. And after you have middle finger and ring finger. 8. Guitar Lesson on Etude 13: In 13, we will have four chords, and these will be C major seven, G major seven. And we will have a different shape for the G major seven as well, which will be this one. So this is the E shape, but we are using a battery. Then we will have F major seven. The same shape as the G major seven, but the moved everything to Fred down, and we will have an E minor chord. The beginning of the song is pretty straightforward and easy. Return buys. You just need to practice the changes because changing form from C major seventh to G major seven can be a little bit tricky to get used to it. And also changing to F major seven. Only way to hit the F major seventh on time is to be with every single finger and the same time on the court. Because if you do like this takes so much time, you really need to arrive at the same time. Otherwise, you won't be able to play the song. The difficult part of the song actually starts on the second half because the return is even hard for me. It's a little bit crazy. But let's analyze this one. So I'm talking about bad line, that the return is quite difficult. In bar nine, you will see a dotted quarter note and some of the nodes via the offbeat as well. So let's see how we can count and clap this 11234. And now let's do it with a metronome bond and 2341234. And now let's do it with music. Vaughan and do, and 341234. And now let's analyze one more bar for return virus because it's quite hard. And this will be bar 12, which will be and let's see how you can count and club this one. Bond and 2341234 and 10. Guitar Lesson on Etude 14: In Edward 14, we have four different chords, and these are a major seventh, D major seven, E major, F-sharp minor. Now we have some dotted notes in the return. Well, let's see how you can count this one and then we look at how you can play it as well. So in the first bar we will have a dotted eighth note and a 16th note. So we need to count with E and dies and it will be like this. One, E and E, N, C, E and four E. And now let's see how does it sound the music. One, E and E, and E and four E, and you have the same return in the next bar as well. So you need to count and clap it this way too. And then you can carry on playing that one. And this, we'll carry on with a lot of other bars in the music. We will also have on bar eight, a dotted quarter note. And the need to count on the way that it's 1.5 as well, and it will be 12341234. And then you have playing, the melody is you can just add an alternate picking. So it means that you play with your index and middle finger. And you can use it all the way. It's better to play from courts. So as you can see that whenever I add a melody, I'm not like changing positions. I'm just adding the melody while I'm still holding the chord. So it means that the court can ring a little bit longer, which is nicer, and it is the same. The D major seventh. Me clear sound. Much worse if I lift up my finger and I start to add everything as a single node. When I'm going into the second round of the courts, I added a scalar as verb, which is a really nice way to transition from one part to another one. And the scale is this. Then you've finished the scale instead of finishing on a node is better to finish border the on the cord because this is the core which is coming. So then you will have less movement in between. And this care is actually the F-sharp minor scale, which works very well with this kind of chord progression. And venue at playing the scale, I introduced the new technique which is called Picard or so instead of adding like an alternate free picking, so it means that you don't end up on the next thing. You need to pull up to the next. And it's good to have your thumb on the E string so you have a little bit more stability. So again, you are an alternate picking. You can start with the index and middle finger. It is your choice. And then you just like for the scale. The other thing in the song is using these ninth chords. I mean this song is bleak term for the major seventh chords, but I added some nine courts to have a little bit more flavor. And then when you add the nine courts, you need to stretch your little finger quite far away to have the right position. So if you are not familiar to stretch that March, then this will be a little bit more difficult to, to play the song. Don't. You can always use a couple and you can display the same thing and put the capo for the fourth or the fifth fret. So this kind of stretch will get much easier and you can still play the song. 12. Guitar Lesson on Etude 15: 15 is pretty straightforward written advice, although it is quite hard. When you start to play exercise. It has four cores as well. And these are the major seven, F sharp major seven, G-sharp minor, and E major. And the technique we are beam thumb, index, and then you use your middle and ring and index. Once you go to a chord value actually change or you add two bass note, then you just like end up on the next string when the term bend after freely. Same thing with all the other courts. Once you go to the second round, you start to add little melodies inside the cord. And at first you need to change a position to add the melody. And then you need to add the melody another way that you start to play the B string, which your middle finger, and then you will be in the position that you use your three fingers in the bottom three strings. In the second course, you will have a little hammer on. And you need to do it with the little finger. And a lot of people rush the hammer on. Do not rush the hammer on. The hammer on is still the same speed with all the other notes. And on the G-sharp minor you are playing a little melody. Again, you use an alternate picking, which is the index and middle finger. And you have another hammer on, on the E major chord. This hammer on via be a little bit more tricky. And what helped me to make it sound. You need to move everything a little bit back so you have a little bit more space to add the hammer on with the little finger, because if you are just behind the fret, it will be very difficult to add the hammer on. So move everything behind or move everything over to the left a little bit so you have a little bit more space with the hamate on the little finger. And the last strand will be a little bit more tricky when you get to the second chord. In the first course, you add like an extra note to the chord. Which is a pretty easy because you just need to lift up your little finger. But once you start to add this extra node to the F sharp major seven, you need to change a position. And the only way to do that one is to add the extra note with the index finger. So you need to move the index finger. You need to open up the ring finger. After you add the extra node, reaching out with the little finger, which will be a little bit of stretch as well. The other courts. And the same with the E major. 13. Minor 7th chords: Now let's learn the minor seventh chords. Again, the minor seven chords consist of four nodes. And in this case, these four intervals will be rude, not minor third, perfect five, and minor seven. And we will look at again in the cage system of these minor chords. But we will only look at three different minor chords because these are the ones which is very easy to hold in the first three frets. And of course you can use these positions and the body to push them forward and play any other chord. A minor seven. Now I listed all the nodes starting from the a, and I matched the intervals with the notes. And these will be root note, a minor third, C, perfect five, E minor seven, G. Let's see if it is right. We have a, which is the root node. And we have, and then G and C. And or next chord will be E minor seven. Actually, when I'm teaching somebody to play the guitar and they are just learning about courts. This is the first chord, the time teaching them because that's the easiest to hoard because you literally just toward OneNote on the second fret of the a string. And then you are playing the E minor seventh, which is the easiest chord toward. Now, let's match it with or intervals, the sequence of the notes. And let's see, what are these nodes. So we have root node E minor third, G, perfect five, B minor seven, D. Now let's see if it is right. We have E be the final cord via B, D minor seven. And in this case, VBA have discord. Again. You can use your warm with your index finger and you can hoard to threats together. Lady scored. You can just do it like a kind of battery, but only holding two strings at the same time. Root node D minor third, F, perfect five, a minor seven, C. Now let's have a look. If it is right, we have root node D and we have a, and then we have C and D have. 15. Guitar Lesson on Etude 16: In Edward 16, Vivian have four different chords and these will be the minor seven. A minor seven. G minor seven, which is actually the Ishay, the E minor seven shape, but we are using the battery. And then we have the minor chord. At the beginning. You need to play a melody over the courts. Usually you are holding a D minor seven chord that you would with your index finger to strings and your middle finger is on the G string. But because you are playing this melody, it will be very difficult to play Discord this way. So that's why you need to change your position. And the position will be your ring finger is on the second fret of the G string. And your middle finger first fret on the B string, and index finger first fret on the E string. Then you will be able to play the melody and the melody. You add just like picking with an alternate picking with the index and middle finger. And then you change. You do exactly the same. Then you add hoarding the G minor seven chord. You are playing the melody with an alternate picking with the index and middle finger. And the return is pretty straightforward. Or venue do the second bar, then you have a little bit of return modification. And let's have a look at the second bar, and let's count and club this return 1.2 and C and Ford. And so let's see how does that sound? Bowman and 2341234. And now let's move to the second round of this course. And in the second round we do have some return variation as well. Because we start to introduce the 16th notes in this one, because we have 16th notes, we need to count it with E. And does this VRB bond and 2341234, the mandible. Once we go to the third genre of these courts, v. Introduce triplets, which will be again a different return. And in this case, you are playing three notes per beat. If your metronome is on the quarter note. So then it will be one-two-three, one-two-three, one-two-three, one-two-three. 180 BPM. One-two-three, one-two-three, one-two-three. One-two-three, one-two-three, one-two-three. Yvonne. Then you add an extra note. You can always use your little finger in each of the court to add this extra node. And otherwise you're just holding the core shape and you are playing these arpeggios and you are playing with ring, middle, index finger. 17. Guitar Lesson on Etude 17: 17 has four chords and they are B minor seven. F sharp minor seven to a major seventh to imager. And in the very end, we have an F sharp minor seven as well. Now, this song is quite tricky. Return vice, because you need to play triplets, although you need to play triplets on a way that the metronome is only two notes per beat. The day to practice this one is to be able to count triplets with the metronome on two notes per beat. Now I'm going to show you what I mean. My metronome is on 80 BPM and I'm going to count 12, 312-312-3123. And the beeps, they are beyond von on three and on to the second triplet. And that's the only way to be on time. And you can practice this in many different speed. So let's do this at 120 bpm. One-two-three, one-two-three, one-two-three, one-two-three, one-two-three, one-two-three. Now let's see how does it sound when I start to play triplets? Now the other hard thing in the song that we will have written break. What does that mean? It means that via play 123123, but on a day, on the second bar, that the very last beat, the start of 123 as well, but in a different way. And then we need to start on the third bar on the offbeat. Now I'm going to show you what I mean. Von 23123123 bonds three. Now, this will be very, very tricky and it took me awhile to practice this and also to be really on time when I'm doing this system. But once you master it, it sounds really amazing. So let's look at it again. 12 312-312-3123. Let's do it with a metronome. Now the other hard thing in the song that each of the core, we have a pool of exercise and the pull off needs to be exactly the same speed like everything else. So if the sound like this, one stream, same with the other courts. On 3123. Once you practice all of this part, it will sound amazing together. So I hope you will enjoy this sunk. 19. Guitar Lesson on Etude 18: 18 has actually two different parts, and it has a part and B part. A part we have C major seven. Goes to a minor seven. D minor seven. E minor seven, a minor seven. And then in the B part, we have just F to G. And actually this song is quite hard to play with the fingering because you need to play stuff that your finger button before and you need to move quickly to that position. So, and also it has a lot of pool of exercises. Actually, the beginning of the song is quite easy because you just play the chords and then you pull off to transition to the next chord. And also the B part is quite easy, but after it will start to get, Consider up the hard, it will also change the return because it will be like three notes per beat when you start playing it. And the heartbeat will be to do 123. Like when you finish your pull off here, you are finishing with an open string and you need to go back really quickly to be able to play the a minor seven chord. Also, when you do second time, the D minor seventh, it's not possible to do the pull off sounding Val, if you would, the normal position, which means that you would two notes with your index finger and OneNote which your middle finger. So you need to change the position on a way that your ring finger is on the a naught, and then the middle finger is on C and index finger is on F. And this way you can do the pull off because you are still on the cord and then the cord is sounding value do the pull off. Actually the best thing is not to move so much when you do your pull offs. So when you do the pull-ups, don't lift up anything, stay in the position because the court needs to drink. Otherwise, it is a really pretty song. 20. Dominant 7th Chords: And now we arrive to a final chord, which will be the dominant seventh chord, or the seventh chord. This is a, the victim down as dumb seven or seven V. Again, going to use the cage system to look at the chord. And first, I'm just going to tell you the entire worlds which is in discord. So we have root node, major third, perfect five, and minor seven. So this court has like a really specialist sound very different from the other ones because it has this kind of dominant sand, which has the major and minor sound as well. C dominant seven. Now let's match or sequence of the nodes with intervals. We have our root node, which is C major third, E. And perfect five. G minor seven is B flat. Now, this cord via be a little bit more difficult to hoard because to put every note together, it will be harder to word it in the first few frets. So the only way to word it that you need to mute the B string, but the position via beam, starting again from the seas, which is the third fret of the a string. And then after second fret, third fret, muted. And the notes will be C, B-flat, muted, and g. This shape is actually used more in a different chord, and this is the B7. More broadly, a lot of you are using it or know it. This is actually in a lot of like Spanish flamenco songs, e.g. you can see on the mariachi. And in this case you don't have to mute anything in these different key. And if you move everything around back, then the beads cleaned will be inside the B chord, the dominant seventh chord. Next chord will be a dominant seventh. And the entire was here, the root node, a major third, C-sharp, perfect five, E minor seven, G. Now let's see what notes we have here. We have a C-sharp. Next chord will be G7. And or node, the root node, G major third, be perfect five, D minor seven, F. Now let's have a look at the notes here. We have G, we have B and D, and G and B. Our next chord shape is the E dominant seventh. Probably a lot of you already know discord because this is so common. And now let's match again or intervals with the sequence of the notes. And let's see what our doors. So we have root node E major third, G sharp, perfect five, B minor seven, D. And the core that be The G-sharp, B. And our final chord in the dominant seven chords, the D dominant seven. And let's see what are the intervals in this one. We have root node D, major third, F sharp, perfect five, and minor 7cac, F-sharp. Then you are using a battery. Most of the time. It is just used in two shapes. And these add a dominant seven so that you can easily move to this kind of shape is changing fingering as well. Because when you move it, e.g. disease, D, dominant seven, you are using your ring finger and little finger instead of the middle and ring finger. And also the other shape which is used a lot is the shape. And then you can easily move this one to seven. And here you would talk like a normal body as you would hold an F or just you add opening up feature, little finger. 22. Guitar Lesson on Etude 19: Edward 19, we arrive to the dominant seventh chord and we have four quarts in this one. And the G dominant seven, or G7, C dominant seven, or C7, A7, D7. It is in two different shapes, but I'm using the body and the first shape, the E dominant seven shape. And I'm using the dominant seventh shape, seven. And on the seventh, the return is changing a little bit. So let's have a look at how you can count and clap certain bars. So in the first bar, we have six nodes, and it will be Vaughn and 234. And the way to play it is playing an arpeggio. And what I'm doing is I'm playing with my thumb and my middle finger together. And then index middle ring and I use my ring again. And then you need to change quickly. So 1234 and Vaughn and 234. And in the second part of the courts, the return is changing a little bit. So it will be 1234. And then you are just doing me the index middle ring. Neither. Same thing, you repeat it with the other variation of the next two cards. And then you are just doing, I'm like a base and the court I like to add a little effect on this one, which is called staccato. Which means that I'm like stopping the sound. The way to do it that you just lift up a little bit your hand from the body, and then it will sound a little bit better. And after the rectum is pretty straight forward button bar nine, start to introduce the triplets. So it will be three pole at 2.3 pole at three. And let's see how does it sound with the metronome. If I'm clapping bit 32.3, polar three, and let's see it with the guitar. So after this triplet via come back in and you need to be quite comfortable changing returns in-between the song to be on time. But if you practice with the metronome, It will be no problem at all. So let's move on to our next song. 24. Guitar Lesson on Etude 20: 20 is way harder than a 2D 19, although they have the same course, but they are in the first position, so you have different shapes and it's harder to change between the shapes and before. So let's have a look at these shapes. We have G7 goes to C7, which is a type of C7, but it doesn't have the flat five, so the normal C7 would be. But this C7 appears in so many different songs, and it has the root node, the major third, and also the minor seven, but it doesn't have the perfect five. And after we have A7, D7. Now with the rhythm, I think it will be not too difficult. You just need to be able to switch between the triplets and the normal eight nodes. But otherwise, in order changing between the court and be on time is the hardest in this song. So this will be a triplet. So 12, 312-312-3123, you can just practice it with the metronome and you can put it to any speed. Just practice with every node to be the same distance being three notes per beat. 12, 312-312-3123. And after in the song, you just need to practice to be on time venue at changing between these sports. And OS sought to switch sometimes from the triplets to normal nodes. So it will be just one-two-three, one-two-three, one-two-three. One-two-three, one-two-three, one-two-three, one. 26. Guitar Lesson on Etude 21: 21 is a Rosenbaum. And I'm actually quite happy to include this song because my style is Spanish guitarists, I wanted to include something Spanish. This fear be quite tricky, especially on the first line of the nodes. On the first line of the nodes, we will have, which is only six nodes. And you need to be able to play four notes per beat. And the only way to know that you are on time if you were on the clique with the four. So it is the G sharp or a flat on the E string. So let's see if you can do that 150 BPM and you need to, of course, practice it in lots of different BPMs. 12 341-234-1234. Now, I know that I was on the clique when I hit this node. So it means I was on time. In the next part, you still carry on on the four notes per beat, but it will be kind of like 123412311e and R2, and R3 and R1 and R2 and R3, e and e and e and e. And 123-41-2312, 3 412-312-3412, 334, 123-123-4123. And actually, I'm going to add a scale on that one which is in the, a harmonic minor scale or the Phrygian dominant position. And in this care. And then pull off the last part, VFB, Roomba technique, which is a streaming technique in Spanish or flamenco guitar. And the way to do that one, I'm going to teach you, and this will be like four notes per beat at first, we need to learn the last part of this Roomba technique and it will be hit, indexing it up, index finger down via your hand is turning. And then Tom back it up. Heat index, index. You can practice it with the metronome for notes per beat, 12 341-234-1234. And now you need to go up to 80 BPM in this song. So the best way is to, just to try it. One-two-three-four, one-two-three-four, one-two-three-four, one-two-three-four. The next part of the Bloomberg technique, we'll be at the beginning and we are going to introduce a go at pay, which means that you add a heat, which your ring finger up to the guitar. But you don't need to add the heat. If you don't want to, you can just go down with the tongue. But if you want to sound a little bit more percussive, you can add the heat so it's like heat and then you go down together with the thumb. So the way to practice it that your thumb is on the E string, you are the heat and you go down. And then eventually you need to do it together. So this will be the 112 is silent. So in the two, you come back in the air to the guitar. Again, it is coming from the Br2, not from the hand. And three is going down with all the fingernails for is back with the tongue. So 1 234-123-4123, 412 341-234-1234. Now, we know at the beginning, we know the end. Let's put it together. And it will be 12341234, one-two-three-four, one-two-three-four. One-two-three-four, one-two-three-four, one-two-three-four, one-two-three-four. And the courts had a minor G7, C major seven, F major chord. And then to E seven chord. 29. Info for Chord Chart 7 and 8: Now, in the next two co-chairs exercises, I'm going to trick you a little bit because in the core chart, exercise seven, I'm going to use in the signalling more like the flattened courts, not the sharp end courts. So even though if you know the sharp end courts, this can trick you a little bit or make you a little bit confused, but it's good to practice in both ways. And after I'm going to move the song too wonky higher, and I'm going to use the sharp end versions of the course. And you will see that it will be completely different feeling, although it is the same songs, just one tone higher. 32. Ear Training Game: Guess the Chord: Before we finish our course, I would like to challenge you for ear training game. And in this game, I'm going to play for you three different courts. And these will be a major chord, minor chords, major seventh, minor seventh, or dominant seventh chords. And you need to guess what kind of course I played from just listening to the sounds. Or you can also guess what courts I played exactly. So let's play a game. I played major chords because I played, and I played minor seven chord because I played G minor seven, C minor seven, F minor seven. I played dominant seventh chords because I played B7, B7, and G7. Next, I played minor chords because I played E minor, D minor, and a minor. I played major seven chords because I played G major seven. F major seven. C major seven. I played minor chords because I played E minor, D minor, and a minor. I played minor seven chords because I play B minor seven. F sharp minor seven. A minor seven. I played major chords because I played C-sharp major, or D-flat major, E-flat major, F-sharp major. I played dominant seventh chords because I play D dominant seven. And then C7 and G7. I played major seventh chords because I played E major seven, D major seven, and a major seven. I played major seventh chords again because I played E major seven, C major seven. And G major seven. I played minor chords because I played D minor, C minor, and B minor. I played major chords because I played B-flat Major, F major. And that E major, I played dominant seventh chord because I played C dominant seven, dominant seven. And that dominant seven. I played major chords because I played a major. And C Major. I played minor seventh chord because I played B minor seven, E minor seven. And then F minor seven. I played major chords because I played C major, a major, D major. I played major seventh chords because I played the major seven, C major seven. And then a major seven. I played minor chords because I played D flat minor, or C-Sharp minor, D minor. And E minor. I played dominant seventh because I played C dominant seven. B, E7, and F7. I played major seven chords because I play E major seven, G major seven. And then a major seven. I played major chords because I play C major, E major, G-major. I played major seventh chords because I played a major seven, the major seven. And then a major seven. I played minor chords because I played a minor, F minor, E minor. I played major chords because I played B major. C major, F major. I played major courts again because I played F-major, D sharp major. And C Major. I played minor seventh chords because I play D minor seven, a minor seven. E minor seven. I played dominant seventh chords because I played G7, C7, B-flat seven. I played major course because I played a major, major. B major. I played dominant seventh chords because I played seven, G dominant seven. And a dominant seven. I played minor seven chords because I played a minor seven. D minor seven. C minor seven. I played major seventh chords because I played a major seventh. D major seven. C major seven. I played minor chords because I played minor. The minor, G minor. I played minor courts again because I played E minor, B minor. A minor. I played major chords because I played D Major, F major, G major. I played dominant seven chords because I played a dominant seventh. The dominant seventh. G dominant seventh. I played major seventh chords because I played a major seventh. D major seven, C major seven. And the last one, I played dominant seventh chords because I play these seven, A7 and B7 courts. 33. Outro: I hope you enjoyed this course. If you did, please leave a review because it will have the ranking of the course and also that people can find it through your reviews. If you would like to learn something more from me. I have a lot of other courses, e.g. you can learn Spanish guitar, strumming techniques with 19 different lessons and a lot of different exercises. And you can learn e.g. a, Roomba, flamenco triplet or as Gatto and a lot of other techniques. I have music theory course as well, which is called learn to read return. And in this course you can learn how to read return in seven different levels and 14 different exercises. Then we are going to learn how to read it and hard to clap different returns. And this will be so useful later on when you are composing your own music or if you are starting to learn something more complicated music. And 3.123 products, E and E. And finally, I have an improvisation course as well, which is called play solos in Spanish and flamenco guitar. And in this course, you are going to learn a lot of different skills and techniques to improvise over backing tracks. And I will supply you with the backing tracks as well. So you can practice this kind of scarce and you can get into improvisation and making solos in Spanish guitar. Thank you again for signing up for my course, and I hope to see you on my next course.