Transcripts
1. Introduction: Hi, everyone. I'm Yash, and I welcome you to the class on landscape painting demos. If you've ever wanted to
paint beautiful landscapes, but didn't know where to begin, you're in
the right place. In this class, I'll guide you through easy
to follow painting demos that break down full scenes into simple
manageable steps, even if you've never picked
up a paint brush before. We'll explore how
to paint skies, trees, mountains, and
foregrounds layer by layer. So you'll understand
not just how to paint, but why each element matters in building a
balanced composition. All you need is some
basic painting material, a creative mindset,
and a little patience. And by the end of this class, you'll have complete landscape paintings you'll be proud of. So let's get started, and I'll see you in
the first lesson.
2. Landscape Painting Demo: I've taken some water and
some white and touch of blue, just the least touch of blue. And let's come over
here and just drop in some color to these
far off mountains. Get some over there, and
another one comes off like that. And some over here. Over here, it's going to
get lighter in value, so just playing with
colors and don't need to get a whole
lot of detail over here because these
are very, very far. Drop it in in those blank areas, maybe some over here, too. Just getting that overall
effect at this point. You don't want it to be
in one single color. Just like that. Now it's some white. I'll
just go over here and just lighten the top of these
far off mountains. Just that. I'll use more of that white and make some subtle
changes like that. And maybe over here too.
Just dropping it in. Just looking for
that overall effect, throw it to get too detailed and make sure that
you're using a lighter color, and you're using the
right color like blue and not any warm color when you're representing a
mountain that is that far. I've taken in more of blue. Let's move here and indicate just indicates some
things happening there. That. To make it look
natural. That's it. I give all those
cracks and breaks. Not a drastic change. I've just added some blue. Just, you know, playing some of those things over here, too. I just went into
some darker blue. That is I've added more
of blue this time. And just like that,
and just a touch. Indicating some basic stuff. I don't want it to
be too detailed. You can smudge it,
blur it by tapping it. I'll come this side
and just drop in some more of that thing. I make sure that you
use very little paint, especially if you're
painting in oil, so you make sure that
your backdrop is dry. Today, I'm using watercolors, so it'll dry quick. Can some over here. I've added some water to just
get that flow in the paint. There and maybe something
comes off like that. I've wiped off my brush. Just come over here and
indicate some basic stuff. I'm indicating that there is
something happening there. Okay, like that. I'm gonna take in some white, and I'll drop it in over
here, indicate some snow. And it also helps to
blend the colors. Something like that
over there, and then the pile of snow. And maybe some there. Whether that
separates those two. I can fairly blend it. And over here adding some
dark part of the snow, making sure that I cover up
my sketch, only in this part. At least amount of blue and
white indicate some mist. We there? I've switched to
an angular brush, I'm just gonna make it look like that so that it helps
me to get those edges. Crisp This is almost
in the midground. So I'll take in some more white. I'll take in more of
white and just, you know, this in, press the brush
harder on the surface, and that will get darker. The paint which is there inside the brush will
start coming out. I'll go over here too. I'll just getting that crisp patche. Some of it there.
Dropping it in there. Being super loose there
because I'll have some snow. Now, I just went
ahead and took in a dark color. Apply it there. I know it's not that dark. So I'll take in some
white and just throw it in so that there is
some separation. Snow with a very soft blue
color that is almost white. And I indicate some
snow action there. Just tapping it gently. I like that. And some over here, too, just tapping it. This, ensure that
the backdrop is dry. Tap it very gently, and
then if you can just blend it and get those extra stuff. I'll just change the
angle, for the angles. Tapping it in. But this will have more
detail compared to that. Something like that. And over here, we'll have
just change the shape a bit. And I'll just throw in
some of those highlights. And over here, I'll just make
this is totally up to you. And just like that to make
it look very natural. Sometimes it's
going to get thick, sometimes thin, sometimes
there is no paint. Sometimes there is
too much paint. Look over there, too much paint. And just fog the angles
in something like that. Leave a lot of negative
space. That'll help. Give a light tap. I'll
go into some blue, just add in that separation. Then just go like that
and then like that. And maybe over here, too. And just like that
over here and there. I'll take in some
highlight color. Just gonna drop it in there, some snow action again. Look at that. This is going to get detailed compared
to these two. As you come to the foreground, you have to add
more of detailings. Just tapping it and
following the angles, change the angle if you
want, but follow that. Something like that.
Just tapping it. Just touching the surface, creating some lines,
dots, commas. That will make it look nice. I'll take in more of this blue. And some water. And I'll just go ahead and
sculpt in this mountain. I'll just get those fine edges. I've added some
brown to my color. I'll just, you know, drop
in some of these stuff. And this is not completely wet, so I can still go
ahead and drop in. This is just a best coat. So I'll just do this now. Okay, something like that.
And maybe over here, too, it's gonna
come off like that, skip some spots, and just go with this to make it
to take the paint off. And I just go there. This
is a rocky mountain. Just gonna blend them
then and there itself. That. Now, just go ahead and
create another layer. We hold the brush loose
and some of it here too. Wipe off my brush and just
indicate some cracks, just by tapping it with
whatever paint is left over. I'll go ahead and highlight
these after that dry. Over here, we'll have a tree
growing in the foreground. So just add in very minute detailings
so that the plank spots which are seen through the tree will have some
detailings like that and just, you know, much it
just like that. Then be some over here. Gonna tap it. For detailing, I'm using the
detailed round brush. You could even make use
of the liner brush. Just gonna tap it.
Just gonna tap it. And we're here to
create sharp edges. Crisp and sharp edges. Okay. And over here, I'll just drop in another layer and just start tapping this in. Now, I've just added
in more of white. Come over here and
pale it touching it. Okay. And she give the sheep
to this mountain. Then maybe some over
here, skip some spots. Tap it very gently,
very lightly. With some lighter
colour on my palette. I just come over here and drop in some water or
stuff like that. I like that over there. In more of water.
Something like that. Some mist that. That also adds depth. Now, it's some blue and brown. I'll over here and just drop
it in using angular brush. You could make use even after
three quarter inch brush. Adding some water,
taking more of brown. D look that Just like
Something like that. Now to this color, I've
added in some cad yaluw. And let's go over here and
just drop in another land. Something like that, and it
goes off just like that. Typing it. In some places, I'll go a bit bright, using the number two fan brush. So ten, I've made a
detailed round brush, angular brush, and now
I'm using the fan brush. Just grating it like that. And I'm using watercolor paper. Come over here and
just darken it. Now, the detailed round brush, I'll go ahead and
drop in indication of a few trees tree line over here. Okay, something like that, and maybe it's over here too. Just share in that detailing. Make them look like
they're grouped. That over there and then
maybe some over there too. Blending the bottom,
pushing it upward. That's another way to
paint these type of trees, go back to the darker
color just it in. Like that. Mye some
over here, too. Now I'll take up that
color. I'll be over here. There lives a highlight there, I'm just gonna tap it indicating all those
cracks and stuff. Then some over here, too. Just indicating something. What's off my thrush. Let's go ahead and give you
more drop in more details. Okay, something like
that, and some here too. You know, we added
in a bit of water. Just a bit of water. Sort of give the connection
between these two. Stings. With a turquoise color, I'll just come over here
and drop in just a bit like that because that's not going
to be in one single color. Something over there. Just make sure that you use a lighter color
than the backdrop. Right? And tap it. Don't over blend. Tapping it, leaving some
of those texture intact. And over here, too, just gonna
give it some connection. But you can be super loose. She just like that. Maybe
another one over there. Hmm. Well now, let's
go ahead and drop in another tree line over here. I like that. I need some of it there, too. I'll just drop in
a bit of highlight there just for the sake of
adding some separation. Make sure that each
tree touches another. So now let's go ahead and
highlight these grass. On the brush. And some of here. We'll have some trees growing
on. Over here. Now, it's some blue and black, I'll just come over here and
throw up in a tree trunk. Something comes off like that, and I've used water to
thin down the paint. So, and he's gonna
pull it off like that. And in the limbs
and the branches. And then maybe another
one comes over there, that adds in depth. I switched over to a
scrip and a brush, and I'll just drop
in some fine limbs. So there. I like that,
and maybe another one. I'll highlight this
tree with some leaves. And maybe this one's gonna
have limb over here too. You just bring it like that. If I bring it like
this, it's okay. Another one comes off like
that. Another one there. And just like. Now, I added some black
and carry yellow. Let's come over here and, you know, just drop in. Just some leaves, the foliage. Some over there maybe
some over here, too. As I come here, make it look
brighter so that it stands out against that dark blue. Just strapping it.
And as I come down, I'll get I'll change
the angle of the brush. Now, the very tip of the brush, I'll just go ahead over
here and just start tapping in some leaves. Just very lightly. This
creates the overall effect. Taking more of that paint. I'm just going to tap it. We thought I'd get those
individual leaves there. Well, let's go ahead island. So birds flying the sky. Okay, now let's go ahead
and drop in some flowers. Here, create some
individual flowers. We have some over here, too. Just tap it and just show
there. Skip some spots. Some over here, too. Now,
let's go ahead and add in some darker colour over here. And just tap. Here, too. Okay. Okay, that adds some
contrast and just over there. And I over here. Maybe
the shade of the tree. With this, I come to the
end of this painting. I hope you've enjoyed it, and thanks for watching.
3. Landscape Village Painting Demo: Mash. Today, let's paint
a village scene and we'll start off with
some cobalt blue, and just a touch
of titanium wide. Today, I'm painting an acrylic, so I've added some
water to this. Let's come right over
here and drop in the sky and we'll have a
cliff rolling out there. Take some white,
do it like that. Penetrate that into
the bushes there. And I've taken considerably a bigger brush that is a
three quarter inch brush, and it works pretty
good for this. So there we go. We
have a beautiful sky. And for a cliff, I will take some blue and white. Want to be very misty one. Let's come with no
shot darken that. Always use cooler colors for elements which are
in the background. And I'm using a manipulative
flat patch for this. Just making the top of
that cliff, a bit dark. Now I'll go back to my
misty color that is white. Drop it. And blended considerably
well and leaving some of that top as dark as possible. Now I've cleaned that brush, the same manipulated flat brush. Let's come right over
here with some brown, yellow ochre and just
a touch of blue, cobalt blue, which I used in
the sky and for this cliff. Let's strop that
color over here. Make sure you make
it pretty rough. Now I'll take in some white. I just come immediately
should go real quick, as this is acrylics
that drive very fast. Brting up some of that
spots, giving some light. So I've wiped off my brush.
I've not cleaned it. I've just wiped it
off, and I've taken in loca and titanium white. Let's come right over there. I'm just concentrating on the highlights as
of now. P sit in. Look at that. Going pretty rough.
Now and later on, we'll make everything
fit together. It so I've mixed this
color with this. I'll show you how it looks. It looks like this.
And with that color, let's come over here and drop in the shadow. We
should darken that. Yeah, there we go. Trying to cover up my sketch
to make it look realistic. So now, I've taken in
some blue and brown. Look at that, it gives you
almost like a charcoal color. And let's come right over
here and drop in this one. Maybe the house was
painted in this color. And we'll leave some space
for the door. Fair enough. So now we mix up
some brown and blue. And let's come right over
here and drop in that shadow. Maybe it's covered by
the house next to it. Landing it considerably well. And we'll go with some black
for more detailings in the shadow than the blush. You should darken up there. Do get that separation. So now I have taken some water, added some white
and yellow cha to that. Let's compare
it with there. Grabbing some yellow ocho. Trying to make it look very
unique and very irregular. Taking some more water. That? No, that will be separated by a shadow
colour, definitely. So now I've taken in some brown and chairs
attach blue to that. Let's come right over here
and drop in that color. Now I've taken in
some black and brown flatten that trash and
I've not added water. Be very careful. You want
this to be pretty accurate. Okay. And over here, we shall
drop in some more of that. I've not cleaned the brush nor I've wiped it,
going directly. Just pull it down. Almost like a dry brush blending and
just place it in there. That's the door of that house. So now I've wiped off my
brush and let's come with there and drop in the shadows
using dry brush blending. Dry brush blending is a very effective
method in acrylics. Look at that. Let's go ahead and paint
the entrance of this house. For this, I'm adding water because I want that
to be very crisp, very fine detailed edge. Okay, that over
there. I want that. And it's pretty easy to get. Now, let's come
over here and just drop in some shadows over here, too, because the light
coming across from the left. Blended. Okay. And some shadows is gonna come off there, too. With there, I'm not adding
water because that's quite far when compared to this fall the angles of the shadows and have the reference of
what is there above. And some shadows
gonna come over here, too, of the shed over there. Just blend it off. Just go over it again and
get that natural effect. That, it's that easy. Let's go and paint a
window in this house. Now I've taken my
number two fan brush, and let's drop in
some textures on this roof on the roof of
this house. Look at that? Creates gorgeous effects. You could make use of the
tree and texture brush also. In fact, blue is
mixed in this pile of paint because I want it to reflect the
sky to some extent. Okay, it looks like
that as of now. And at the top, I'll use some black because that's
also in the shadow. At the top, just to
create some variations. Gonna grab in some
black and drop in that. Now, I'll take my tree
and texture brush and just drop in the land. Right. And now let's go and drop in some shadows of trees over here. Randomly doing it. I'm using the manipulator
brush for this. I need to soften this. Just the outer edges. Just out edges have
to be softened. Using the dry brush
blending for that. And you'll have some
shadow over here, too. Maybe there is a tree
behind the scene. Now we'll mix up some
warm green color by taking in some brown, ochre, lime mellow, sap
green, touch of blue. And let's come right
over here and just drop in a push or a two. Now, immediately, I will
go with some plaque and just add in some
shadow because light will not be equally
distributed on this et's come right over here and drop in some
more greenery in this village. Hey, look at that
change in cool. Automatically because I
did not lean my brush, it'll definitely help us. Meanwhile, let's
take in some black and apply the shadow
and yeah, shadow. Right over there.
And darken this. Now I've taken in some
soft peach color. And let's come right over there and drop in something
over there. And that is gonna be the land. You bring that over here to
very lightly and very gently. Now, let's go with
some black and brown, not exactly black, some
brown, black and blue. And on the out part,
let's use some brown. Sort of indicating that some
actions happening up there. I'll just blur it off. Now let's take in some white on the tree and texture brush
just drop on some of that textures of hay
fall the angles. So now let's go ahead and
drop in some stones and rocks over here
right in the top. Make it very irregular and creating all sorts
of shapes and effects, making it very rough, in fact, and we'll go ahead and drop in the shadows of these rocks. That that just like that. And some over here, too, and here the strokes
will get smaller. Comparatively smaller.
Look at that. The places where I did not
paint that light color. There also, if I do this, it'll indicate some rocks. Hmm. Now, let's go ahead and
apply some textures over here with a tray and texture
brush and going very slow. Skip some spots. Just trying to blend
that into the shadow. No, my line of brush. I'll take in some black and brown and drop in to
support for this. Now I've added some water
so that the paint flows. Just adding some interest. And moreover, we need to
add some more of that. I've loaded thick paint so that I can sustain over
here for a long time. And let them not be in perfect lines. They're
just like that. And here we fairly m Let's
come over here and drop in. Look at that I had. Oh, yeah.
Look at that. I get that. And another one over there. That would be
comparatively shorter. And something over
here, too. Hmm. Now, let's come over here
and drop in some sticks. Convert that into a
mid tone color. Yeah. Let's come over here and drop in some bigger ones
in the foreground. I'm purposely wiggling
the brush so that it gives me that natural effect. And now, let's go ahead and brighten some of
these in some areas. I cover up completely. Look at that? I gonna place it
directly above that, ensuring that some of that is shown, some of
that is intact. And just a blow there. Barely touching the surface and going very quick will help. Something over here. But the corner, don't
follow any patterns. Now with some white
and yellow ochre. Let's come right over
there and drop in some cloud action.
Let's turn the brush. Go back, blend them, luring the bottom
of those clouds, using the tree and texture
brush for a change. But for that, I've ensured that the sky is completely dry. Now let's come
over here and just push and drop in
some highlights. Not everywhere. Just
here and there. Make it look very natural. Skip some spots that will help. There. And let's go ahead and apply some textures in
the form of highlights. Just tapping it very lightly. And now let's go ahead
and top in a tree. I've added some water
so that the paint flows again another branch,
maybe another one. And in the meanwhile,
let's go over here and start topping in some textures on these bushes
and trees right over there. Using the tree and
texture brush for this. Now we'll go ahead and apply
some highlights over here. Just a bit, not much. Here, also I'm using the
mutilated flat brush. Turn the brush and
create some parts, subparts, just by a
few brush strokes. Now we'll go ahead and drop
in the leaves of this tree. Just tapping it with a
manipulative flat brush. Stip some spots and
just do it like that. Turn the brush.
4. Landscape Island Painting: Colors required
for this painting are titanium white,
Prussian blue, orange, burnt sienna, sap green, lime yellow, black
and yellow ochre. And we'll set the palette
aside and place in. So today, I'm painting
Rocky Beach Island. So we'll start off with some white and touch
with Prussian blue. I've added some water,
just a bit of water, and I've taken a tree
and texture brush. And let's come over
here at the top. Let's drop in the sky. Today, I'm looking for
a very vibrant sky. Fair enough? As you
come downwards, I'll add in some white, and that automatically lightens up. The sky. Look at that, that color is penetrating into the mountain, and that's okay. And just try to even
out that piece of land or water load in
heavy amount of white. Looking for a very
contrast to sky. At the same time, I want
it to be very vibrant. Let's come out over here, too, and just drop in the
other part of the sky. Now I pick up a color which
is in between this and this and also trying to add in some plotos
clouds and turn the brush, and the other side
is loaded too. And you can use three
quarter inch brush for that matter. And let's
come right over here. Immediately, I'm
doing this because I want the blending to
happen very accurately, and let's paint in the clouds. The main aim when
you're painting clouds is to blend the
bottom of the cloud. And that cloud action continues
all the way up till here. Look glad it's that easy. But if you're painting in oils, you can blend it
anytime you want, maybe in a couple of
days before it dries. And some things can
come over here, too, just some light indications
of cloud action. Well, that's just like that. Still using the
tree texture brush. Now, I'm using the flat brush. I've taken some water,
as you can see. And let's go some
mid tone color. I'll take it some
burn Siena touch of blue, Prussian blue. Touch of maybe a very little
amount of black, some loca. Mix it to his side.
Mostly Bonsiana and just a bit of white. We get some mid too color. Tick in that color on the brush, let's come right over here. And let's place in our mountain. So I lost some of my
sketch. That's okay. I can get it back when I'm
blocking in the color. Trying to bend them, keeping
them as rough as possible. And now I'll darken
up that color a bit. And that's come right over here. And the angle of the brush
is equally important. Now I'm gonna add
in more of black. It's been high time since I
dipped my brush in water, so dip the brush in water, and that's too much of water. I'm gonna grab in
more of burnt Siana. Well, let's drop
in another mound. Something like that. Now, on that same tree and
texture brush, I'll take in some sap green, some limel and mostly black. And whatever color is gonna
get mixed over there. And it's come right over here. Pretty straightforward painting. Let's paint in the
greenery over there. Take in some thick paint
and make them very uneven. Don't follow any patterns. I'm trying to blend them into the mountains. Let me
pick up the palate. And now with my number
eight fan brush, I'll take in some
white, some blue, maybe mostly blue
and some sap green, and some limelu Make that
seascape green, mostly blue. And adding more of white. Look at that. That seascape
an is mixed on the palette, owed in full of paint. And let's pick a spot
with the fair enough. And let's drop in the sea. And as we go over there, the sky is going
to get reflected. So I'll add in more of blue. That's going to
complement the painting, and I'm blending this
and the paint is wet. Now I've cleaned my brush, and let's come right
over here and place in the land and blend
in with the water. Then I add in more of white, using the number
eight fan brush. I grab in that the loco. No, I load in heavy amount of. We're white and the loco. Maybe as you go further back, the loco will show
up just a bit. These smooth strokes will enable blending the
dry brush blending. Maybe that'll go all
the way up till there. The painting looks
like that as of now. And now, I'll go into
some black burn Sienna. And let's come right
over here and drop in the textures on these mountains using a
tree and texture brush. So this is a new
modified flat brush. I'm gonna grab in some
of that same color from a tree and texture brush I
switched over to this brush. And over here, I'm ensuring that I deliberately
skip some spots. Look that just like that. Textures and details
continue over here, too. So we want that grainy
and cracky ish texture. So more of the blocking in part, the better the
painting is gonna get, especially when you are
painting mountains, foliage and stuff like that. And now I have to be even
careful because I'm going to paint in a smaller
area just over there. And maybe might
bring that texture, even into the trees so that
everything fits together. Just a bit over here and there. Not much. Just a bit. And now I'll take in
some sap green and limel and some white and some yellow ochre to make it
look realistic and natural. Blow the brush full of paint. And let's come over here. Place in foliage over there, adding more of yellow ochre. Look at that. That could
corcho his effects. So if you're looking for a generalized and an overall look, then I would suggest
to go with a brush of this kind and just
a bit over here and tap it very lightly
and very, very gently. We're not required over
there. Look at that. Just a bit over here,
skip some spots, and just a bit over here, too, I added at flamloOturn the
brush in all directions, see which one works for you. And now I've taken
in very thick paint. I'm gonna gradually
decrease the pressure. Skip some spots deliberately, maybe increase the pressure
with that where we don't want it to be
that texturized. And now I added just a bit of white to that very
same pile of paint. Just to give it some
elevation in the lighting. And just a bit over here, too. Maybe there in the shadows. And now I'm going
to add in more of yoka just for some
variety, you know. And now I've mixed up some
mid tone green colour by mixing in some black into
that same pile of paint. Yeah. Greenery is gonna
come over there. And it's gonna blend
it slightly into the mountain by tapping
it a couple of times. And there's a bit
over here, too. You can brighten that spots. Okay, something went bad. And now I'll take
in some white, ca, burn sienna, some orange, let's come over here. You can place my
hand over there. And let's drop in some
individual detailings and cracks and textures
on this mountain. And I'm using the rig of brush
for this. Skip some spots. Deliberately. That is
a trick over here. Another bonus trip
is not to add water. When we reached the
here in the painting, can add in more of white. Very tip corner of the brush, trying to achieve the textures. And maybe from the top, we'll have just a bit
coming right over there. Gonna change the
flavor to yellow co it's going to
go a slight tab. Tap or two should make
it look realistic. But of course, if
the paint is dry, you can sprinkle
some water or you can spray water on the paint. So in the meanwhile,
let's come over here to this mountain and start dropping in some
more fatty tailings. Load in thick paint, given the shape
of that mountain. Let the texture of the
surface take care of that. In fact, I'm going a shade
brighter than what I want because acrylics
dry a bit dull. I now take in some brown, more of brown, almost
like a chocolate color. Let's drop in on
the opposite side, and just go to shape and create
all sorts of variations. And we don't lose that texture, and I'll take up that color
a bit and just try to create that transition between
the colors and the shapes. We can even transition
shapes by using colors. And now let's come
back to this mountain. Drop in a few more of that highlights in
the form of textures. I'm just gonna tap it. I'll be very bright. Some spots are
very, very bright. And here's another
interesting thing just gonna create
a boulder there. Look at that. Replacing
the brush and just putting it downwards
and achieving that. And now it's some gray
color by adding in more of black to that very
same color of this. So more highlights over there. And now let's take in some
black and just drop in. I've added some
water now because now we're not looking
exactly for some textures, but we're looking
for some separators. You can even make use of
a lineup brush for this. I'm just going to place in
some more of that over here. Look at that. That detailing makes it look
realistic and natural. The tree line over here is dry. So we'll go with another
coat of highlight. But this time, this
one will be less. I've taken in some
limello, sap green, and just a touch of
white and just sort of grouping them
individually using the manipulated flat brush and bring that
onto the mountain. Bit so that everything
fits together. Look at that that's the thing
what I was looking for. The more paint
you're gonna take, the less pressure
has to be applied. Look at that. It looks like that. So now, I've taken some Prussian
blue and black. Let's come right over
here and just place in the boundary where the land
ends and the water begins. The reason I had blue, I wanted something
matching from the sky. Just go over it there. And with a clean finger, just go over it once. Now, I take in some white
and just a touch of orange, and let's pick a spot. And let's drop in a boat,
something like that. Maybe that goes all
the way up till there. Just pretty much a basic sketch. And now, I'll make
it a bit curved. And let's plot this in. Amazingly modified flat brush. Now, with this brush with
which I mark the boundary, let's come right over
here this drop in. And I went into some white
with that very same brush, with that same paint,
and add in some shadows, detailings And let's drop in some partitions of that orb. With that, as they go back,
they're going to fade off and they become small. And at the bottom, they're
going to get slightly darker. You're just going to tap it. When I grab in more of
black and just a bit. And let's come right over here and just drop in
something like that, and that needs some support. So we're just gonna
place it in there. And let's place in the
support some light. Above that. And maybe in the
interior part of it, we have something else. And that one's gonna fade off. And now I'll take in some black with that very same brush. Let's drop in a tire. And now let's come over here
and just brighten up this. And maybe there is a
reflection of water. With this, I come to the
end of this painting. I hope you've enjoyed it,
and thanks for watching.
Yash GM
