Introduction to DaVinci Resolve

1. introduction: Hello, my name is Joseph Adam. I'm a content creator and the video editor. Editing is one of the most important steps in creating all types of videos and improving them, whether it's for movies or for social media platforms. There are many video editing softwares, but to my experience with these softwares, I consider the Vinci resolve the best of luck because it has a lot of features that other softwares does not. These features make the DaVinci Resolve software to complete software that you can rely on without the need for any extra softwares or plugins. And you can get the software for free on its official website. In this class, you will learn to use the software from scratch until you reach in advanced level. Andy will learn to edit your videos step-by-step in a simple way. Glass has multiple sections. In the first section we will create a new project, then add and organize media file is in the software. I will explain to you all the tools in each page and how to edit your videos professionally. In the second section, we will move to the next step, the color correction and color gradient step. As we will learn how to correct, change, and edit the colors to make our videos look better and more professional. In the third section, we will learn how to create a motion graphic like creating a video intro and slideshows and a bunch of other effects. In the fourth section, we will learn how to add and use visual effects like the ones we see in series and movies to our videos. Fifth section, we will learn how to edit audio files, including how to purify the sound effects to it, and a lot more. In the next and final section, we will learn to render our videos in the right quality and settings to take this class, you don't need any prior experience in video editing because this class stats with you from scratch until you reach an advanced level. All you need is a computer and the Da Vinci Resolve software which you can download from the official website for free. This class is for the ones that want to learn video editing and make a career of it. And for content creators on social media, at the end of this class, you will be able to create professional projects with impressive results using what you learned. 2. downloading the Davinci Resolve software: Hello and welcome to the da Vinci resolve course. We will start our course with how we can download the software. It's very simple. You go to Blackmagic Design.com, then you go to products and you select Da Vinci resolve and fusion software. You'll find two versions of the software. Da Vinci resolve, which is the free version, and DaVinci Resolve Studio, which is the paid version. In this course, we will work with the free version. So go ahead and download it, select your operating system. Then you get this window here, fill all the required information, then click on Register and download. You get this window. You will download sheets that's automatically if not, click here. And that's how you can download the da Vinci resolve software. That's it for this video. Thanks for watching, and I'll see you in the next video. 3. How to install the Davinci Resolve software: Hello and welcome to this video. In this video we will see how to install the Vinci Resolve software on our device. So after we download the software, we get this file here. It's a zip file, we need to extract it. So right-click on it and we slept extract here. To get this option you need to have when reared on your computer or you can use any other software that enables you to extract the zip files. Here we are. We get this executable file, so double-click on it to install the software. Wait for a moment. We get this window here and we select only the Da Vinci Resolve software. We click Install. We get this window, we click Next in order to install the software and we need to accept the terms of the licensing agreements. So we check this box to accept and we click Next. From here we step where we want to install the software. You click next and install. We wait for a moment for the software to be installed. We are now click on Finish and we click on Okay. If you go to your desktop, you will find the software's shortcut icon. Double-click on it to open the software. And that's how we install the software. That's it for this video. Thanks for watching, and I'll see you in the next video. 4. Create your first project: Hello and welcome to this video. In the former video, we saw how to install the software, and this is the software shortcuts icon on our desktop. So we double-click on it to open the software. You get this window here. You can double-click here on untitled project to start a new project. But if you do so, you want to be able to name your project. So instead we click here on New Project and we name our project before we started. We named this project first project for example. Then we click Create. Here we are our projects patient is open. This is default interface, but the software have multiple interfaces that you can choose from. We have the media interface, we use it at media files are projects. Next we have the cut interface, then the edit interface we use it. Edits are files that we have diffusion interface. Next we have the color gradient interface, edit. And the color gradient interfaces are the most important ones that you will be using extensively in your projects. Next we have the fair light interface. This one is for the audio files. And finally, we have the deliver interface which we use to render our projects. These are the software's interfaces. You can customize your interfaces. For example, we have here the timeline, the Media Player window, the media pool window. And you can adjust the size of each window to fit your screen so that you can work comfortably. And this applies to all the interfaces. So that's it for this video. Then it's watching, and I'll see you in the next video. 5. Import media files: Hello and welcome to this video. In this video we'll see how to import our media files to the software. We are at the interface, we have here at the media pool, and this is where we add our media files to. Now there's two ways to add the media files. The first one we right-click and we slept imports media. We locate the file or files we want to add and we select them. Then we click Open. We get this window, we click Change. And here we are. If you put your mouse over a video, you will see a preview of that video. We have here three dots icon. You click on it to get this window that contains information about the video, like the resolution, frame rate, etc. Now, this is the first way. Like I said, there is another way to add multiple media files. You can add images, videos, audio files all at once. This is convenient, especially if you are working on a larger project and have a lot of media files, we delete these files here. So we click on Import Media folder. I have here a folder that contains all the media files, the images, the music, and videos. I selected, and I click on Select Folder. And as you see, the folders are important to the software. Now if I access the videos folder, I will find all the videos inside of it. We click here to switch between folders. We have the images folder and the music folder. So this is how we can import file. So the software, that's it for this video. Thanks for watching, and I'll see you in the next video. 6. preview your video before adding it to timeline: Hello and welcome to this video. In this video we will see how to get a preview of your videos before you can add them to the timeline. We go to our media files folder, we access the videos folder. Here we have our videos. You can change the way your videos are displayed. From here. We have large icons, medium icons, timeline, and less preferred. This one, the medium icon menu. Now to get a preview of the video, just hover over it with the mouse. If you want to get a preview of the video in the media player window, just double-click on the video and your video will be displayed here. You can check all your videos before you add any of them to the timeline. You can click here to add all of the videos to the media player at once. So this is how you can see a preview of your videos before you add them to the timeline. That's it for this video. Thanks for watching, and I'll see you in the next video. 7. cutting videos in the preview window: Hello and welcome to this video. In the former video, we saw how to get a preview of our videos before adding them to the timeline, we double-click on the video and it will be displayed on the media player. Now we can use this feature to cut apart of the video and add it to the timeline. Instead of adding the entire video to the timeline. If you don't want to add the whole video, you can cut it and add only the part that you want to the timeline. We have this video here as an example. And let's say that we want to add only a part of this video to the timeline. So we set this cursor to the beginning of the part that we want to add to the timeline. And we set this one at the end of it. So basically, we selected the part that we want to add to the timeline. Now we drag the video to the timeline to Edit. And here are the parts of the video that we selected is added to the timeline. We can do that to anybody we have. For example, we select this part of this video. Then we drag it to the timeline. Here we are. This is a special feature in the da Vinci results software because in all of the other softwares we have to add the video to the timeline and then we can cut it and select the part that we want to keep in the timeline. But with this software, we are able to cut the video before adding it to the timeline. So that's it for this video. Thanks for watching, and I'll see you in the next video. 8. project settings: Hello and welcome to this video. In this video we will see how to set the video settings before we start the editing process in our project. To set your video settings, you click on this icon here. And this is where you set your video settings. We have here the resolution. If you found your own videos, you will know the resolution that you use. And if your quad your videos online, you set the resolution based on the video. I will go with 19201080 HD resolution. Next we have here at the timeline frame rate, this represents the number of frames per second in your project. Here we are. Now we click Save. We get this window here with like change. And here we are. Our video settings are set. So that's it for this video. Thanks for watching and I'll see you in the next video. 9. adding videos to timeline: Hello and welcome to this video. In this video we will see how to add our media files to the timeline. In this video, we will be working on the edits interface instead of the cut interface. Like I said before, you will be using the edit interface and the color gradient interface the most in your projects. This is dated interface. We have here the timeline, the media player and the media file is pool. Like I said before, you can customize and adjust the windows. Anyway, you like we have here at the Media Player. And like we saw before, we double-click on the video to see a preview of it, before we add it to the timeline. To add a video to the timeline, you can drag it from the MediaPlayer to the timeline like this. Or you can drag it directly from the media pool. When you add the video to the timeline, you can see a timeline edit in here automatically. And you see we have video and audio tracks in here. And you can add multiple videos at once if you want. You slept the videos you want and drag them to the timeline than just them any way you want. As you can see, we have here videos with audio and the way that it's audio. The ones with the audio have this green tape and DOD track, and the ones without audio have nothing in the audio track. So this is one way of adding media files to the timeline. We have another way. Let's say this. We want to add another video after this one, right here. You put the cursor at the end of the video. Then we select the video we want to add. Then we click right here on overrides clip, or we click on its shortcut, the FTM button. And who are the selected video is added directly after this video. And we keep going until we add all the videos we want. Now let's say that we want to add a video in the middle of this one. It's very simple. You set the cursor at the points where you want to add your new video. You select the video you want to add. Then you click here on Insert, clip or click on its shortcut, the F9 button. And here we are. Now if you want to replace the video you have in the timeline with another one, you select the video in the timeline, then select the one you want to replace this width and click on Replace clip, or use the shortcut F 11 button. This is how you can add videos to the timeline and how to insert a video into another one and how to replace a video on the timeline. That's it for this video. Thanks for watching and I'll see you in the next video. 10. setting the timeline tracks: Hello and welcome to this video. In this video we will talk about the timeline tracks these other objects that contains the media files. I will adjust the size of the timeline so that we can take a good look at the text. As you see, we have two tracks here, the video track and the audio track. Now we will see how to add or delete records from the timeline. We have here at the video track. You can rename the track by double-clicking here and giving it any name you want. I will name it the videos, for example. To add another track, right-click here and select, Add Correct. I just objects to get some space to see the new texts we add. We named this drag images for example. And we can add images to this drug. We can put the images here or here. You can put them anywhere you want. Now we named this track audio, and we add the LDF files to it. So this is how we can organize our timeline. We can adjust the size of the objects like this so that we can have multiple cracks visible in here. Let's click on the track and select change colors, assign a color to the selected drag. We do get to distinguish between tracks. We can arrange the timeline like this. Now, the media player will show a video than an image than a video and so on. The video track can be used for images as well. Let's click and select Add drag. If you want to add a single track. And right-click and select Add text. If you want to add multiple cracks at once, you get this window. And you said the number of objects that you want to add, video and audio tracks and where you want to add them. Below for strep or a bowl video strap or a bolt images drag. Then you click on Add graphs. Let's add two tracks. Audio tracks as well. We looked at graphs and here we are. The tracks are added right here. And to delete any track, just right-click on it and select Delete tract. So this is how you can organize your timeline tracks, which will help you keep an organized projects. So that's all about drags. Thanks for watching, and I'll see you in the next video. 11. timeline: Hello and welcome to this video. In this video we will talk about the timeline. Now this is the normal view of the timeline, but you can change it by clicking right here. We have here Timeline View Options, video view options, and audio view options. We have here two options for the timeline view and three options for the video view. Go back to the first option. It's the one I use, and we have two options for the audio view as well. You can select all three at once or any one of them on its own. In here we have the track height. You can adjust the height of the video and audio tracks. This will come in handy, especially if you have a big project with multiple cracks. You can adjust the height of the video and audio tracks based on your needs. After you are done, you click anywhere to close this window. And you can adjust the width of your drags from here. If you want to add another timeline, you click here. And then you can add your text and media files. This is helpful if you are working on multiple projects at once. If you want to remove the timeline, you click here. This is all about the timeline. Thanks for watching, and I'll see you in the next video. 12. selection tool: Hello and welcome to this video. In this video we will talk about the selection tool. We use the selection tool to select and move media files around the timeline. For example, we can shuffle these media files like that using the selection tool. You can use the selection tool to select multiple files at once. For example, we slept these two files and we can put them anywhere. We want. Just make sure that when you place your files there's enough space for them. For example, if I put this image here over the other one, a part of the image will be dropped. So instead, I need to put it in another track or make enough space for it in that Greg in case you made a mistake and replaced the file that you don't want to collect control plus C To undo your last move. And you can keep clicking and Control Z to undo your moves until you get back to the Move you want. So that's all about the selection tool. Thanks for watching and I'll see you in the next video. 13. cutting videos: Hello and welcome to this video. This video we will see how to cut our videos. First, let me delete all the media files in the timeline here to start from scratch. Now let's say that this is the video we want to cut. We double-click on it to see it in the media player. It is we click Play. Now if I want to cut off parts of it, we click Play and we wait until we get to the beginning of the part that we want to cut. Let's say from here, then we'd have this cursor up to that point. Or we can use the shortcuts by clicking either from the keyboard. Now we go to the end of that part that we want to cut. We set the cursor at that point. Or we can use the shortcuts by clicking O from the keyboard. Now the part that we want to cut a selected, we do have a video to the timeline. And this is how we can cut the video before we add it to the timeline. Now let's say that the video that we want to cut is already added to the timeline. It's very simple. We use the selection tool and we hover over the end of the video until we get this symbol. Then we get the video from the end, from the beginning keeping only the part that we want to use. We slept the space and do click Delete on the keyboard to remove it. We have another way to cut our videos, and it's better than the two ways we just sell. We click on the Trim Edit Mode button. Then we can remove the parts that we don't want and it will be replaced with the next video automatically. This is better than cutting the video and then having to remove the space that was left manually. And we can remove apart from the beginning of the video and it will be replaced with the video before it's automatically as well, leaving no space at all. Now if you want to cut apart from the middle of the video, we used the Blade Edit Mode. We click on it and we can cut any parts we want. Then we can shuffle, let's remove it or whatever we want. So this is how we can cut our videos. And of course this applies to the audios and images as well. So that's it for this video. Thanks for watching, and I'll see you in the next video. 14. unlink clips: Hello and welcome to this video. In this video we will see how to remove audio from video files. We have here this video and when we edit, it shows its audio in this track here. So to remove the audio from this video, we select both of them, then right-click and we uncheck Link clips. Now the audio is unlinked and it's removed from the video. Now we can edit each one separately. If we want to link them back, we select them both and right-click and we checked linked clips. So this is how we can remove audio from videos and swap it with any other audio file. We want. This video. Thanks for watching, and I'll see you in the next video. 15. The titles: Hello and welcome to this video. In this video we will talk about the titles. We started by going to the effects library, and we will find the title is right here. These are the titles that we have in the software. We hover over the title to get a preview of it. We select the title that we want and we drag it to the timeline. You can see the text appeared in the video here. And we can adjust the title's length. Just like videos, images and Adios. Now we will see how to adjust the text size, color, etc. We click on inspector and we get this menu here. From here we can type whatever we want. For example, we type business. Then we can use these options to adjust the text. We can select the font site from here. We have the font-face in here, and this option will vary based on the font type you select. From here, we can select the next color. We have here, the size. You can select any size you want. In here we have the dragon. It's the space between each letter. And we have here the line spacing, the space between lines. Next we have the font-style. So basically, we have here multiple options that we use to edit our texts. Anyway, we want we have the fonts case, the alignment, the anchor, then the text position. This allows you to put your texts anywhere you want on your videos. We have here the zoom and the rotation angle. You click on this arrow to go back to the default state of your option. In here we have the stroke options. If you want to add the stroke to your text, you can set the stroke color and size. You set the stroke size at 0 if you don't want to add any stroke to your text. Next we have the drop shadow options. You can set the blur, the offset, the opacity. And you can always go back to default by clicking on this round arrow here. And you can click here to remove the option all along the background options. This allows you to add a background to your text. You can set its width, its height, its corner radius, it's outlined wet, and its color, its FST, et cetera. As you see, we have a lot of options that we can use. Go ahead and try each option to get a good idea about it. And like I said, we click on the arrow to go to the default state of that option. And we can remove the option on a loan from here. So go ahead and take a look at these options. So this is the title and you can put it any way we want. Next we have here the fusion titles. It's basically a moving text. For example, it was left this one we added to the timeline. We click Play. We decrease its length. We can blame. And here it is. Take a look at all the fusion titles we have here and select the one you like. You can adjust its length and put it anywhere you want to take a look at it. And here it is. Unlike we saw. You can adjust it any way you want to use in the options in the inspector menu. So that's it for this video. Thanks for watching, and I'll see you in the next video. 16. How to create multiple texts: Hello and welcome to this video. In this video we will see how to add the text to our videos. This time we will add more than just one word. We will add multiple sentences, and we will adjust each sentence differently. First, to add a title to the timeline. Crop it to fit with the length of our video. Then we adjust it. We type the first sentence, for example, for this project. Then we click Enter to move to the next line. We typed Da Vinci resolve. In this line. We click Enter again to move to the next line. And we type video editing, for example, in here. But of course you can type whatever you want in here. Now if I wanted to change the color of the text, the change would be applied to the whole text. Same thing if I wanted to change the font. But like I said at the beginning, we want to change each sentence on its own. So we select the sentence that we want to edit, then we can change its color without affecting the rest of the text. We select the second sentence and we change its color as well. Then we selected the last sentence and we change its color. So as you see, each sentence is in a different color. We apply this to all the other options. For example, we changed the font of the first sentence. Then we changed the font of the second one. We can adjust its size. Same thing for the last sentence. We can adjust the space between the lines. And we can adjust all the texts options we saw. We just select the text. We want to apply the chain rule and we change it. So this is how we can adjust each sentence on its own. That's it for this video. Thanks for watching, and I'll see you in the next video. 17. text animation: Hello and welcome to this video. In this video we'll see how to animate our text. We have here the text that we created in the former video. And we will see how to animate it. As you see the title is in the timeline and we can move it through the Title settings. But we will move our text using the settings menu. So we select the Settings menu. We have here multiple options to use. Transform, grabbing, Dynamic, Zoom, composite, etc. Now we have two parts of our animation. The parts were the text appears and the parts where the text fade away. To show the text selection tool, we click here. Now we start with the Transform options. You have here, the Zoom position, and the more options. We'll start with the zoom option. Let's say for example, we want the video to be without text, and suddenly the text appears. We set the cursor at the beginning of the title and we set a keyframe at the zoom option. Then we set the zoom option to 0 to hide the text completely. Then we set the cursor at the points where we want the text to appear, as we said, the size that we want the text to appear in. We go back, we click play. Here, our text appears suddenly. Now if you want to adjust the speed of the appearance of the text, you click right here. You get this option here. And you can adjust its speed from here. In case this option was not available to you, you click here and deselect Transform options you used. For example, we use the zoom options so we make sure to check the Zoom x in here. Then like I said, we can adjust the animation duration from here. Now if we click Play, we notice that duration of the animation process is longer. Now, make the animation process smooth. You click on the red dots, then you click right here. You can see the line becomes curved and not straight like here. Now I click Play and you can see the animation is smoother now. And we can adjust it if we want. We click Play, and here we are. You can click on the round arrow here to remove the animation. There's slightly different way than the one we just saw. Let's say this. We want the text to appear at this point. There's no need to set a keyframe at this point. And at the beginning of the video, we just set the cursor at the points where we want it to appear. Then we set the keyframe. We put the cursor back at the beginning, and we set the zoom to 0. We click Play, and here we are. Now we move to the position option. Let's say this, we want the text to appear from the top. We set the cursor at this point. We want that set to stop here. So we set a keyframe at this position. We go back to the beginning. Then we pull the text up until it's gone. We click Play. And here we are. Text appears from the top and stuffs right here. Like I said before, we can adjust the duration of the animation from here. Make the animation smoother. Do the same. If we want the text to appear from the left. We set the cursor here. We set a keyframe. We go back to the beginning and we pull the text to the left until it's gone. We click Play, and here we are. Same thing if we want to rotate the text. You put the cursor here. We set a keyframe. We go back to the beginning, rotate the text. We click Play, and here we are. That's if you want to rotate the text from the middle. If you want to rotate the text from this site, you have to change the position of the anchor points. We remove this rotation. Now we set the position of the anchor point to the site. Now the rotation wants to be set to the middle, but to decide like this. So the rotation is made based on where the anchor points we set. Let's add a keyframe in here. We go back to the beginning. We rotate the text, we click Play, and here we are. And this applies to the rest of the options in here. Let's write a pitch. We set the cursor. Here. We add a keyframe. We go back to the beginning. We set the pitch, we click Play, and here we are. And we set its duration. From here. We will talk about the rest of the options in the next video. So that's it for this video. Thanks for watching and I'll see you in the next video. 18. How to create multiple animation texts: Hello and welcome to this video. We started talking about texts animation in the former video, and now we'll continue working on the same topic in this video, we have here the cropping options. Cropping allows us to show that sex suddenly in any direction we want. We said the cursor here. We start with crop left. We set a keyframe in here and go back to the beginning than what you just did like this until the text is fully gone. Click Play. And here we are. We're just the animation duration. From here. We click Play and here we are. We can click here to smoothen the process. We go backwards, look gray. Perfect. You can do this from the right, the top, and from the bottom. It's tried to bottom option. You said the cursor here, we set a keyframe. We go back to the beginning. We hide the text. Click Play, and here it is. We adjust its duration. Now we add some softness to the process. We add a keyframe here. You go back to the beginning. We said the softness to minus 100. And if you take a closer look, you'll notice that the text appears ingredients. You can add softness to your process if you like. Next we have here the composite options. Let's try the opacity. We set the cursor here we go back to the beginning. We set the opacity to 0 plane. And here we are. If we want the text to disappear by the end of the video, we set the cursor here, we set a keyframe. You go to the end. We said the capacity. We set the opacity to 0, we click Play, and here we are. The text appears, then disappears at the end. Take a look at the process like this. Mr. Moore, this process. We replace it with the Transform process. We add a position keyframe in here. We go to the end of the video and we lowered the texts like this. Go back quickly play. Let's increase the length of the process so that we can take a good look at it. We go back quickly plane, and here we are. So we have two animation processes, which means two lines in here, the opacity and the positions. You can select the opacity line and adjust it. So this is how we can add multiple animation processes to our text. That's it for this video. Thanks for watching, and I'll see you in the next video. 19. How to create scroll text: Hello and welcome to this video. In this video we will talk about the scroll text title. So we start by adding the scroll text title to the timeline. We adjusted to fit with the video. You click play to take a look at the scroll text title. Here it is. It looks like the end credits of a movie. Now we go to the Inspector menu. We type here, for example, Da Vinci Resolve, then video editing. Then scroll text. Can type whatever you want in here. You click Play. And here we can adjust the size of the text. We can align it to the middle or to the right. The credits are usually in the middle, so we align it to the middle. Can change the text color. You can add a shadow if you want. The background as well. Now we already saw how to do that before. You can change the font type. We duplicate the text multiple times. And like I said, you can type whatever you want in here. Now we go back with live play. And here we are, even see that the text is moving quickly based on the duration of the texts cycle. If we increase its duration, that checks will move slower than before. Let's increase this iteration even more. We click Play, and as you see, the text is lower. Now, Let's duplicate the video and edit here. Take a look. Now. It's like we have an end credits of a movie. So that's it for this video. Thanks for watching, and I'll see you in the next video. 20. fusion titles: Hello and welcome to this video. In this video we'll talk about diffusion titles. The fusion titles are animated texts that the software officers to use in a simple and easy way. We select the fusion title and you drag it to the timeline to use it. And to get a preview of the title, you just hover your mouse over it. The software offers us a lot of fusion titles to choose from. I will go with this one. So I'll drag it to the timeline. I will cut it and keep this part only I could play. And here we are. To change the text. We slept the title, then we go to the Inspector menu. We typed anything we want in here. For example, we type it in. Here it is. You can change the font type, we can adjust its size. You can adjust the spacing, the extrusion depth, and all the other settings. I can explain to you each setting because we have so many titles here and each title have different settings in here. For example, take a look at this menu when we select this title. Now, if I selected this title, take a look at the menu. Now, it's very different. So like I said before, we can type anything we want in here. For example, we have video editing. And we can select any fonts we want from here. And from here the fonts mode, and this varies depending on the font. So we select, from here, we select the text color, and we can set the rest of the settings from here. At the end here we have the Motion Blur setting. We use it to add a blur effect to the text. Like I said, we have multiple fusions x in here, each different set of settings that we can use to adjust it. You can adjust the settings until you get the results you want. We can cut the title to fit with our videos. For example, we want to cut it from here. We click here. Then we click on where we want to cut it at. We select the part that we want to remove and we click on Control plus X to remove it. We click Play, and here we are. And you can adjust its length. That's it for this video. Thanks for watching and I'll see you in the next video. 21. How to add video inside text: Hello and welcome to this video. In this video we'll see how to play a video on the text. Starts by adding a text title to the timeline. We cut it. We give this part. We have here the video that we want to play on the text. We put the text title in here. For example, we type editing in here. Then we choose a bold font. Increase its size. Perfect. Now let's play the video on the text. The video needs to be on the track above the text title. I'll put the video in this track above the text title. We select the video, then we go to the Inspector menu. We go to the composite option. And we sit the composite mode to multiply. And here we are. The video is played on the text. So that's it for this video. Thanks for watching, and I'll see you in the next video. 22. transform settings: Hello and welcome to this video. In this video we will talk about the transform settings. We select our video, then we go to the Inspector menu and do we have here the transform settings? Make sure to activate it from here. And these are all the settings in the transform menu. We have here, the Zoom setting, zone x and zoom. Why? You click and drag to adjust the zoom. And you click on this round arrow to set it back to default. Next we have the position sitting, position x and position y. Next we have the rotation angles setting the center of the rotation is the anchor points. You can rotate your video like this. Next we have the anchor point setting. We use it to change the location of the anchor points. Now if I change the anchor point here, you can see the rotation changes as well. Like I said, the anchor point is the center of the rotation. Next we have the pitch setting than the yellow setting. Next we have the flip setting. We click here to flip the video horizontally. And we click here to flip the video vertically. Let's add another video to take a good look. If I click here, we flipped the video vertically. What is up is down, and what is down is up. And you can even create an animation using the transform settings. We start by selecting the video. We said the cursor at the points where we want the zoom to start at. Then we add a keyframe. Then we set the cursor at the points where we want the zoom to end. And we adjust the zoom. We click Play, and here we are. We can reverse the process. This time we add a zoom out. Here we are. We click Play. Perfect. Like I said, we saved a starting point and an ending point to our effects. We set the cursor at the starting points, we add a keyframe, then we go to the end points and we adjust the zoom. Now let's try to position. We set the cursor at the starting point. We add a keyframe. We set the cursor at the end point, and we adjust the position. You can set the position back at this point if we want. We click Play. And here we are. The position change and went back to its predict. The position changed and went back to its original point. Now, we rotate this video, for example. We set the cursor at the starting point, keyframe and rotation angle. We set the cursor at the end, endpoint and we rotate the video. We go back to the start of the video, we click Play, and here we are. This is how we use the transform settings to animate our videos. Same thing applies to the pitch and DO settings here. That's it for this video. Thanks for watching, and I'll see you in the next video. 23. cropping footage: Hello and welcome to this video. In this video we'll see how to use the cropping settings. We will work on this video here. So we go to the Inspector menu and to the grubbing settings. Make sure it's activated. We have here multiple settings. We have the crop left, right, cropped up, and Crop button. These settings are very straightforward. Then we have the softness. We use it to soften the edges. We click on this round arrow to set the settings to its default state. We can use the crop settings to merge two videos together. We add this video. We will leave only this part. And now we merged the two videos. Sit the videos side-by-side to be cropped this video like this. Now let's say this, we want this center of the shifts that appear in here. We put this video back here. Then we go to the transform settings, the position setting, and we dropped a video here to show the middle of the ship. Then we put the video back here and we can show more than two videos as well. We add the third video. And the fourth. We get this video to fit with the rest of the videos. We just did timelines. You have a good look at all the videos. Perfect. Now we've cropped this video. And do we keep only the vehicle? We use the position, setting its position, the video in here, crop, it's a bit more. We put it at the bottom left corner. Now we've cropped the next video. We put it here. Never crop the next video. You just have to show more of the ship. Perfect, and who we are. We have four videos showing in here. We can leave this video like this, or we can change the view. Let's change the view. That's better. Perfect. So this is one of the things that we can do using the cropping settings. And of course you can add more videos to the screen if you want. Now let's see another thing that we can deal with grabbing settings. We delete these videos from the timeline and we add this video. We set a keyframe in the crop left setting. At the beginning of the video, we drag the cursor here at the end points of the effects. We drag the video. Here. We go back, we click Play, and here we are. The video closes to the right. And you can use the rest of the settings to do the same effect to all the other directions. So basically what we saw with the Position settings applies to the crop in settings as well. For example, we set a keyframe at this point. You go to the end of the video. We cropped the video. We go back, we click Play, and here we are. So that's it for this video. Thanks for watching, and I'll see you in the next video. 24. dynamic zoom: Hello and welcome to this video. In this video we will talk about the Dynamic Zoom feature. We have this video here with a still image. Now we go to the Inspector menu and we have here Dynamic Zoom. We activated. In here we have the Dynamic Zoom is, we have multiple options. Here we have linear is the m is the alt and easy in and out. We start with line here. We click Play. And here we added Linear Dynamic Zoom is applied to the video. You can click on swap to reverse the Zoom process. Now let's zoom in. Instead of zoom-out. We take a look at ECM. This option is smaller than the linear option. We take a look at the easy option. Then we have easy In and Out option. Like I said, we click on swap to reverse the Zoom process. So this is the Dynamic Zoom feature and you can always deactivated from here if you don't want to use it. So that's it for this video. Thanks for watching, and I'll see you in the next video. 25. composite: Hello and welcome to this video. In this video we'll take a look at the composite settings. We have here, the composite mode setting, which we can use to merge multiple images or videos together. So we start by selecting this video here. And when we hover over the composite modes here you can see the change, but it will not work properly until we merge the two videos we have here. So we put this video over the other one. Now when we take a look at the modes, each mode gives us a different result. And we can adjust the opacity from here to get the results we desire. We click Play and as you see, the two videos appear to be merged. So this is how we can use the composite mode setting to merge videos together. Now we'll move to top video. Replace it with this image here. We can use images with black background like this one here has effects. We selected the composite mode screen. To delete the image black background. We click Play, and here we are. We have this cool fire effect right here. And this is how we can use the composite mode selling to add effects to our videos. That's it for this video. Thanks for watching, and I'll see you in the next video. 26. speed control: Hello and welcome to this video. In this video we'll see how to fast-forward and slower videos. Now it's just your video speed. You go to the speed change settings in the inspector menu. We have this video here to work on. Like I said, we go to the speed change settings. We have here, direction setting, speed and frames per second. Then the duration setting. Now if you want to fast forward your video, you increase this number here over 100. You can use the number of box or you can use the wheel here to increase the number. If you take a look here, when we fast-forward the video, it's duration shrunk. Now it's 37 seconds long. You put the settings back to default. Now we use a direction to reverse the video. You can see now the car is moving towards the front. But if I click here, it will move to the back. And you can freeze the video from here. So we can move the video in both directions and freeze it from here. And we can fast-forward the video by increasing this number here. And slow the video by decreasing the same number. So this is how we can fast forward and slow our videos. That's it for this video. Thanks for watching, and I'll see you in the next video. 27. speed control using trim edit mode: Hello and welcome to this video. In the former video, we saw how to fast-forward and slow our videos. Now let's say that we have a big project with multiple videos on the timeline and we want to change the speed of certain video. For example, this one here. We can use the inspector menu like we saw in the former video, or we can right-click on it to get these options here. We have changed club duration, change clip speed, real-time controls, and real time curve. We click on Change Club speed. We get this window here. We increase the number 0 to increase the speed of the video, we click Change. And you can see we have some space here. Let me increase the speed so that you can take a good look. So like I said before, when we increase the speed of a video, it's duration gets front, which leaves us with this empty space here. And that requires us to select the follow-on videos and drag them to cover the empty space. And if we have a big project, it will take a lot of time and effort to cover each space manually. Now we'll go back. Right-click on the video and we select real-time controls. We get these blue arrows here and the representation of the video speed. We have here 100 per cent. We can change the speed from here. And we click on reset to 100 to put it back to its normal speed. Now if we increase the speed to 800%, same thing will happen. We will have this empty space here. So to avoid that, we use the Trim Edit Mode. Drag the video to slow it down like this. You can see that the rest of the videos adjusted deposition in the timeline automatically based on the duration of the video. Same thing, if we will speed the video, the rest of the videos would adjust their position automatically and we have no empty space here. This is very useful, especially if you have a big project with multiple videos on the timeline. You can speed up or slow your videos very easily. So this is how we can use the Trim Edit Mode to adjust the speed of our videos. That's it for this video. Thanks for watching, and I'll see you in the next video. 28. adjusting the speed of certain parts of your video: Hello and welcome to this video. In the former video, we saw how to fast-forward or slow a whole video without affecting the other videos in the timeline. Now in this video, we will see how to fast-forward a part of the video and not the whole video. We started by right-click on the video and we show the real-time controls. We click on the Trim Edit Mode. We will split the video. We set the cursor at the points where we want to split the video ads. Then you click on this arrow here. And we select Add speed points. Here are the speed points. Using the bottom points, we can put it wherever we want. And we can set the speed of the video from the top point. If we slide it to the left, will increase the speed of the video. And if we slide it to the right, we will decrease the speed of the video. As you can see, the video is low here, but when it gets to this part, it's back to its normal speed. The lower the number here, the slower the video will be. You can speed the video. Now we put the cursor here. Then right-click and select add speed points. Now, the video is split into three parts. We can adjust the speed of this part as we want. We click play. The first part is fast, second part is low, and the left part is a normal speed. And we can adjust the speed of the last parts from here. So this is how we can split our videos and adjust the speed of each part. If you want to remove the split, you put the cursor on that part, then right-click and select Clear speed points. Here we are, the parts are merged together. Same thing here to put it back to one part. And at the end, right-click and select Reset club to cancel the speed and put it back to its original state. So this is how we can speed up or slow parts of the video. That's it for this video. Thanks for watching, and I'll see you in the next video. 29. retime speed: Hello and welcome to this video. In this video we'll keep talking about how to slow and speed our videos, like we saw in the former video, we will split this video to treat bots. Speed the first spot, we slow the second and the speed the third. Now the video starts fast, then slow and fast again. Now if you take a look here, there is no smooth transition. The video is fast, then suddenly slow or slowed and suddenly fast. So we need to smooth out the transition. We do so using the real-time curve. So let's click on the video and we select query time curve. We get this line here, which look here. And we remove three timeframe. We live only in the real-time speed. We have here, these two dots where we split the video. The higher this line is, the faster the video. The first part is fast, the middle one is low, and the third part is fast. We can use this anchor point here to split the video. But the cursor there, then we click on the point to split the video. So this is another way that we can use the split our videos. Now, like I said, we need to smooth out the transition between the parts. So we click on this dot. We get these two icons here, right? One is a straight line like we have now, and the left one is a curve. We click on it. And here we are. The line is curved. We click Play. And as you see the video changes speed smoothly. We go back, we could play. Now the transition is smoother than before. Take a look at it before it slowed and suddenly fast. But when we set the line to curve, the transition is smooth. And you can adjust the line manually like this. Same thing for this dot here. We click on the dot, the nucleus on the left icon. The line is going to be now and we can adjust it manually to make it even smoother if we want. We click Play. Now. You can see there's a huge difference. So this is how we can smooth the transition between different speeds in our videos. That's it for this video. Thanks for watching, and I'll see you in the next video. 30. Introduction to video transition effectsV: Hello and welcome to this video. In this video we'll talk about the transition effects. We have these videos here in the timeline. If I hover over video, we will notice two dots appearing on the sides of the video. We can use them to add the transition effects. Now I click Play and you can see that the transition between the two videos was normal. But if I drag this dot here like this, I click Play, and here we are. There was an effect there. We can do that here as well. To make the transition look like this. We can adjust the duration of the effect and set it manually. So this is the initial transition effect that the software offers. You can use it on both sides of the video, the beginning and the end. And you can set its duration. So that's it for this video. Thanks for watching, and I'll see you in the next video. 31. Adding video transition effects: Hello and welcome to this video. In this video we will talk about the video transitions and we take a look at the video transitions offered by the software. We start by adding these two videos to the timeline. Now, if I want a video transition, I have to edit between these two videos. I hover over here to get this icon. Then I click. If I get this red sign, it means I can add the video transition. I need to get a part of these videos. I take a part of this video. We are now it's green. And I got a part of this video as well. Now when I hover over here, I get the icon, I click, I get a green sign. Now I can add the video transition. So we go to the effects library and we have here the video transitions. We have multiple options to choose from. If you want to see a preview of the video transition before you edit, just hover over it like this, and you will see a preview in the media player. Now we select the transition video. Here it is. We dragged here. We click play and hear the video. Transmission is in effect. We click on it and you click Delete from the keyboard to remove it. Now we add another one. Here it is. We click Play, and here we are. We can adjust its duration by right-click on the transition effects and we select Change transition duration. And that depends on the duration that we cut from both videos before we edit the video transition. Now if I want to increase the duration of the video transition, I can't because that's the max of the duration of the parts iPads. I want to increase its duration. I need to get more of the videos. I got more from the videos, and I add the video transition. I can decrease the duration of the video transition, but I can increase it beyond the length of the parts I got from the videos. We just its duration like this. And we have here multiple video transitions that we can choose from. So this is how we can add video transitions to our videos. Thanks for watching, and I'll see you in the next video. 32. video transition effects settings: Hello and welcome to this video. In this video we'll see how to adjust the video transitions. We have here, the video transition that we added before. We leave the cursor here. Over the video transition. Here's the video transition. Now double-click on it to go to the Inspector menu and we have the transition settings here. Now, the Settings menu here will vary dependent on the video transition you select. For example, we select the yellow arrows video transition. This is its settings menu. Now I select the smartcard video transition, and as you see it's settings menu is different. Now we go back to the arrow iris transition. The first setting we have here is a transition type. We have multiple types here, box, center, y, star, etc. For example, a select star. Next we have here the duration, like I said before, the transition duration depends on the duration of the videos we gloves before. You can decrease the duration if you want from here. Next we have the frames, then the alignments. Now the video transmission is aligned in the middle between the two videos, which is the perfect position. But we can align it to the right or to the left if we want. Take a look at it when we align it to the middle. Now take a look at it. When we align it to the left. You can align it to anywhere you want. Now, the video transition is in the shape of a star. And from here we can set how many points are in the star. We have 456 stars. You can select the one we like. Next we have offset to center setting. We use it to set out transition anywhere we want. If we want to put the settings back to its default state, we click on the rounded arrow here. Next we have the rotation. We use it to rotate the video transition. Next we have the borders setting. We use it at a border. Here, take a look at it. And we can click on the Federal Option to make it look like this. We can change the border color from here. Next we have the east setting. We set it to none. If we want to leave it as it is. You can select into make it starts in a smooth way. And we select out to end it smoothly. Then in and out to start and end the video transitions smoothly. Then we have customer to customer any way we like. Let's select ease in and out. You may not notice a difference now, but the more experience you gain, the more clear this will be. Next we have the transition curve. Just as any way you like. And you can use the keyframes here to adjust these settings. For example, we set the cursor here. We set the keyframe in the rotation setting. We rotate the video transition. We click Play, and here it is. This, this is how we can adjust our video transitions. That's it for this video. Thanks for watching and I'll see you in the next video. 33. video transition effects curve editor: Hello and welcome to this video. Continue with the transition videos. And in this video we will talk about the Curve Editor. We saw how to adjust our video transitions. And the Curve Editor is another way to adjust them. We click on the icon on the lower right edge of the video transition to get this option here, we click here to open the editor, which is the timeline, so we can take a good look at it. We have two points in the Curve Editor, the inter points and the exit points. We can adjust the line from here. We can adjust this manually like this as well. You can see the video transition changing. We click play. Like I said, we adjusted mentally to get the result that we want. Click here to put it back to its default state. We can add a keyframe here. And we adjusted any way we like. We click Play and you can see how the video transition looks now. So that's all about the graph editor. Thanks for watching, and I'll see you in the next video. 34. setting video transition effects presets: Hello and welcome to this video. In the former video we talked about the Curve Editor. And in this video we will see how to save our adjustments to apply to other video transitions instead of doing the whole process all over. It's very simple. Let's click on the video transition. Then we click on Create Transition presets. We get this window here. We choose a name for the preset. We click. Okay. Then we go to the video transitions menu. We get this menu here named user. Here we find the B set that we just saved. Then we add it anywhere we want. So that's it for this video. Thanks for watching, and I'll see you in the next video. 35. Double exposure effect: Hello and welcome to this video. In this video we will see how to create the double exposure effect. We have this video here as an example. It is included for you to use. Now we will add the other video to use it as a background. We put it above the character video. We selected. Then we go to the inspector window, we go to composite and we select lightened in the composite mode. Here we are. The background is added inside the character. Here's some parts outside the character. So it goes to the color page. We showed clips. We select our clip and we decrease the saturation to 0. It's painted background in white and covered those white spots. We go back to the edit page, we click Play, and here we are. Now we add another video. We put it above the character video. We select it. Then we go to the Inspector window and we select lighten in the composite mode. We click plane, and here we are. We have another example to work on. Now some videos will not be easy, like the example we saw before. We add the video, then we select lightened in the composite mode. As you can see, we have a problem here. The video is spilled to the background. And that is because the background is not White. So to fix that, we go to the color page, select the clip. And it will reduce the saturation to 0. As you can see, it's still not fixed. So just again like this, until the background becomes white. Perfect, you go back to the edit page. We click Play, and here we are. This is how you can fix this problem. So that's it for this video. Thanks for watching and I'll see you in the next video. 36. ghost effect: Hello and welcome to this video. In this video we will see how to create a very cool effect. We will work on this video here. We start by duplicating the video. We direct the top video here so that the video is don't be identical. Then we go to the Inspector window and we reduce the videos opacity like this. You can see the second video is visible. Now. We click Play, and here we are. We have this cool effect here. Now, it's very easy and very simple to create. You can set the opacity to any level you like depending on how you want the effect to look like. Like I said, this effect is very easy to create. So that's it for this video. Thanks for watching, and I'll see you in the next video. 37. timer: Hello and welcome to this video. In this video we will talk about the timer. We will see how to add a timer to our videos. We start by adding this video to this track. Now go to the effects library. We go to type this menu and we add the text selected to get its settings in here. Now let's click on the text box and we select timecode. And here we are. We have a timer in here. Now right-click on the text title and we select Change Club duration. You set the duration to 30 seconds. We set it to 30 seconds. We click change. Now we click Play and the timer starts. And of course we can set it to any iteration we want. Since we've set the timer to seconds only, we need to remove the hours and the minutes from here. So we click here to go to diffusion page. We select the template node. Then what's left modifiers. We select the timecode on templates setting. We select controlled setting. And in here we have the hours, the minutes, seconds, and frames. Uncheck the hours and the minutes. Now we have only the seconds and frames left. We go back and we can change the timers size. You can change its font. We select this font. We can change its color. I'll keep it in white. Now we can set the dragon, It's the space between the numbers. We go back to this page, we click Play, and here we are. The timer starts. And now we have the seconds and frames only. That's it for this video. Thanks for watching, and I'll see you in the next video. 38. adjust volume: Hello and welcome to this video. In this video we will see how to adjust the volume in our videos. Now there are two ways to do that. The first way is by selecting the audio file in the audio track. Then we go to the inspector window. We get the volume setting here and we use it to decrease or increase the volume. You can see the volume level is represented in the audio track. This is the first way. The second way to adjust the volume is by using the mixer. Now there is a difference between the Inspector and the mixer that we need to be aware of. We have here our audio file in the audio track, and we will split it to three parts. Now we can select any parts we want and adjust its volume separately using the inspector. For example, we select the first part. We decrease its volume and as you see, the other parts are left intact. We only adjusted the volume in the first part. Now, if we use the mixer, we played the audio. You can see the volume is represented in DOD one channel. If we decrease the volume, it will be decreased for the whole video, not just the selected parts. And as you see, the volume level when we use the mixer is not represented in the audio track like when we use the inspector. Because the mixer adjust the volume in the whole track, which means that any audio file we have in this track will be affected by the change. So this is the difference between the mixer and the inspector. So that's it for this video. Thanks for watching, and I'll see you in the next video. 39. adjusting the volume at the start and end of clip: Hello and welcome to this video. In this video we will see how to adjust the volume at the start and at the end of the video. For example, we can start the video with lower volume and set it to increase as the video play to give a cool effect. We start by selecting the audio file in the audio track. As you can see when we select the audio file will get a dot at the starts and another at the end. We can drag it like this to adjust the volume at the start of the audio file. You take log again. We can adjust this line to set the volume anyway, we like we set it like this. You click play. And here we are. Like I said, we can set the volume anyway, we like. And of course this applies to the end of the audio file as well. You can set it in a way that the volume starts to drop by the end of the video to give a cold effects. So that's it for this video. Thanks for watching, and I'll see you in the next video. 40. color page: Hello and welcome to this video. In this video, we will start talking about the color correction process. After you finish editing your videos and adding on the effects and video transitions and texts, etc. You start color grading your videos. Videos that you want to calibrate to the timeline. Then you go to the color interface. The videos that we added to the timeline in the edit interface would be right here. We can select any value we want, and we can navigate the videos using this cursor here. Like I said before, you can customize the interface anyway, like dependent on how you like your screen to look like. You can even remove some parts of the interface, make room for others. You click on gallery to remove it and give more room to the media player. You can remove the clips as well. By clicking on clubs here. And you click on timeline to remove the timeline as well. I'll keep the timeline and remove the gloves so that I get more space. And like I said, we can navigate the clips using the terminal. I will bring the gallery back as well. Next we have here the lots. In here. We have the media pool. It's contains our media files. In here we have the nodes. We use it to calibrate our videos and we will see all about it in the coming videos. In here we have the color grading tools. We have here multiple tools that we use to calculate our videos. You have your multiple menus and we will take a look at each one in the coming videos. So that's it for this video. Thanks for watching and I'll see you in the next video. 41. Nodes: Hello and welcome to this video. In this video we will talk about the nodes. Now in some other softwares like the Adobe Premiere software, it works with layers. But the da Vinci resolve software works with nodes. We have here the first node. This node shows us the original state of our video. We still haven't made any adjustments to it. And the node, this will be at the end here. We'll show the final state of our video. After we make our adjustments. We add a new node by clicking Alt plus S from the keyboard. Like I said, the first node shows us the default state of our video. Now we select the Senate node. We just our video. This is just a random adjustments, just an example like this. So as you can see here, the first node shows us our video as its original state. And the second one shows our video with the adjustment that we just made. And the last node chose the final look of our video. We want to just our video even more. We add another node and we'll make another adjustment. Each time we want to make a new adjustment to our video, we add a new node. Like I said, the final node shows the final adjustments, so that will be the final look of our video. We click here to deactivate the note and remove the adjustments that we made in it. So this is the original logo of our video. Then it looked like this. And then like this. You can position the nose anyway you like. So each time you want to make a new adjustment to add a new node and adjust your video. And like I said, the final node, of course, will show the final look of our video. To remove the notoriously, you select it and click Delete on the keyboard. And of course that will delete any investment that was made on that note. You can delete the notes in any order you want. If you have multiple nodes in your screen, they will take space. So you may want to adjust their size to save space. For example, at multiple nodes in here. And as you see, we might need more space in here. So to fix that, we adjust the size of the nodes. We go here and we adjust their size from here. Now we can organize them anyway. We want, for example, we organize them like this. And of course, like I said, you can organize them any way you want. As you can see, this looks way better than before. So we just decided nodes from here. And the bigger your project, the more nodes you will have and you will not be able to see all of them. So you just decides to be able to see all of them and save space. So that's it for this video and watching, and I'll see you in the next video. 42. Naming nodes: Hello and welcome to this video. We keep talking about the notes. Now if you want to add a new node between existing nodes, you just select the node that you want to add the new one after. Then click Alt S to add the new node. For example, will select this one. Then we'll click on plus S. And here we add, the new node is added in here. Now I'll add multiple nodes in here. I will organize them like this. Now let's say that we made an adjustment with each node. Now, if I wanted to know which adjustments I made using that note, I have to select the note and take a look at it. And if I have a big project with multiple nodes, that will take time and effort. So to avoid that, we named each node so that we know which is which. For example, if we use this note to adjust the contrast, we right-click on it, we slept node label and rename its contrast. So now we know that we use this node to adjust the contrast. Now if we want to just contrast, we will go directly to it. For example, when there's no light. And this one shadow and so on. Like I said, if we have a lot of nodes, we named each node so as we can tell which is which to make things easier and save time and effort. So that's it for this video. Thanks for watching, and I'll see you in the next video. 43. Add effects to nodes: Hello and welcome to this video. We are still working on the nodes. Like I said before, to add a new node, you click Alt plus S from the keyboard. And to delete a node selected and click Delete from the keyboard. There is another way to add nodes in here. We right-click and we select Add note. We get this menu with six types of nodes. We will talk about each one of them in the coming videos. Now we add three nodes in here. And we will see how to remove an adjustment from a node. Make any adjustments on these nodes. This is just an example. Now we make adjustments on the second one. And the third one. Now we made an adjustment in each one of the nodes. Now to remove the adjustments, we can remove the whole note. But let's say that I want to keep the note to replace the adjustments or for whatever reason. I select the node. Then I go to color, reset and I click on selected. Now great. It's shortcut is Shift plus hm. Now the adjustment is removed from the norm. There was an icon here that's gone. The icon men, that's an adjustment was added to the node. You can do that to any node that you want to reset. Select the node, the new go-to color reset, and you click on selected node grade. Under the changes I made and go back. I have adjustments on the nodes. Now. Now there's another way to reset the nodes. We select the node, then we go to color reset, and this time we click on grades and keep notes. We use this option to reset all the nodes at once. Now instead of resetting the nodes, we want to delete all of them. We go to color resets and we click on grades and nodes are, the nodes are gone. And we have here only the primary node of the video left. This is how we can reset the single node or all the nodes at once and how we can remove them. That's it for this video. Thanks for watching and I'll see you in the next video. 44. connect nodes: Hello and welcome to this video. In this video we will see how to connect and disconnect nodes. As you see, we have here a line that connects the nodes. And this is the line that shows us the final hour video. I'll add some adjustments. These nodes here. For example, like this. Now let's say that we wanted to see the final look of our video without the adjustment that we did in this node. It's very simple. We take this line and we can take this node with this one here, disconnecting the node that we want to see the look of the video without. You can see that this line turns red, which tells us that this note will be disconnected. And here we are. The adjustment that was made on this node is gone from the video. Now I can see how my video it looks like without this adjustments. You can keep this note here in case we wanted to use it later, or we can remove it by clicking Delete from the keyboard. We can disconnect this node as well if you want to. The adjustments on this node is removed from the video as well. If we want to reconnect the note again, we drag it over the line until the land becomes yellow and we'll leave it there. Now it's adjustments is back on the video. Same thing for this node here. This is how we can connect and disconnect nodes. As you see, the line connecting the node starts here and ends here. If you hover over the light until it becomes blue and then drag it like this. It is connected. Adjustments made will not be shown because it's not connected. If you disconnect the line from the beginning as well, the adjustments will not be shown. So make sure that your nodes are connected from the beginning and from DNH. Now the nodes are connected and all the adjustments are in effect. So that's it for this video. Thanks for watching, and I'll see you in the next video. 45. parallel nodes: Hello and welcome to this video. In this video we will talk about the parallel line notes and see how to add two nodes at once. Like we said before, we want to add a new node. We click Alt S from the keyboard. Or we can right-click and we select add nodes. We have here multiple options. We have here the parallel mixer. We select it. We drag it over the lines connected. Now we select the node, we click Alt plus S to add a new one. You put it up here. Now we connected to nodes to the beginning point. And we connect this node to the mixer. So here we have two nodes, and now we can add our adjustments to them. Now you may think that this is too much work to just add two nodes. Don't worry, there is a much simpler way. I will delete these nodes. Now we go to Color nodes and we select, Add Parallel lines. And here we are. The nodes and the mixer are added and connected in a single claim. We want to add two nodes. We need the mixer to connect them. Otherwise, we can play them at once. This is how we can add parallel nodes and then we will see why do we need them in the coming videos. That's it for this video. Thanks for watching, and I'll see you in the next video. 46. splitter combiner nodes: Hello and welcome to this video. We keep talking about denotes. We start by going into color nodes and we select Add splitter, combiner. Note its shortcut is Alt plus y. Here we are. We get these three nodes here. They are connected and ready to use. We already talked about the parallel nodes, and you may think it's the same. We just have three nodes here instead of two, but that's not the case. These three nodes here represent the RGB channels, the three color channels, red, green, and blue. Like we have here, red, green, and blue. If I just did this note here, I will adjust the color ramp. As you can see here in the splitter, you can see the order. We have red, green, and blue. Like I said, we use the first node, just the red color in the video. And we use the second one to adjust the color green in the video. And we use the third node to just the blue color. So we use these three nodes to just the RGB channels in our videos. That's it for this video. Thanks for watching and I'll see you in the next video. 47. combine nodes: Hello and welcome to this video. We keep talking about the nodes in this video and we will see how to combine those together. You start by adding two more nodes in here. We adjust each node. These adjustments are just examples. I'll put the nose like this to organize them. Now if we want to add more adjustments, we need to add more nodes. We add more nodes in here. Now we have here six nodes in total. And we may add more dependent on what we want, which will add a lot of nodes in here. So to save space, we need to combine some notes together. For example, let's let these two nodes then right-click and select, Create compound. Now, here we add the two nodes are combined. Same thing for these three nodes here. We select them, right-click and we say, let's create compound no. Now if we want to adjust the notes that we combined for whatever reason, we right-click on the node and we select Show homebound note here at the nose. Now we can just them any way we like. Then right-click and do is lift exist compound note to go back. Same thing here. Right-click on the compound known with lecture compound node. We get the notes, we make our adjustments and writes, collect and we slept, exit compound note to go back. Now, we no longer want to combine the nodes. We right-click on it and we select decomposed compound node. And here we are. This is how we can combine those to save space and keep our project organized. That's it for this video that's watching. And I'll see you in the next video. 48. share nodes: Hello and welcome to this video. In this video we will see how to share nodes between videos. We have the first video here. Now we add a new node. You make an adjustment. Adjustment. This is just an example. Now let's say this. We want to apply the same adjustment to this video. It's very simple. We shared this node with the video. We right-click on the node, then we select Save As shared node. Now the note is named chaired know. You can double-click on it to change its name. Now we'll select the video we want to show the node width. Then right-click on the last node we have here, and we select Add Node. We will find the shape note down here that already shared node before. That's why I have here showed node 12. Now we select the shape node and the same adjustments will be applied to this video. After you shoot a note, the software automatically log sets, and now you can't add any more adjustments to this note. In case you wanted to make adjustments to that node, you right-click on it and you uncheck log note. Now you can make any adjustments you want to debt note. And the adjustments that you make on this node will be applied to both videos now. So this is how we can share nodes between videos. That's it for this video and watching. And I'll see you in the next video. 49. timeline: Hello and welcome to this very, we keep talking about the notes. You may think that this is taking too long, but the notes are very important parts of the software and you need to know all about. You might have noticed that whenever we make any adjustments, it's applied only to the video, we select it. But you may have multiple videos that you want to adjust at the same time. You can do that. And it's very simple. We have here two pages in the node space. We have the clip, and if we click here, we get the timeline page. You can choose your page from here as well, between clip and timeline. Now that we are at the timeline page, we click Alt plus S to add a new node. Now what you've just the mid-tones colors, for example. You can see the video is now a bit reddish. Just the shadow and the highlight to make it more red. Of course, this adjustment is just an example. It has nothing to do with color correction. I'm just trying to show the difference. Now let's take a look at the other videos in the timeline and SEC, the same adjustment is applied to all the videos in the timeline. So this is how we can just all the videos in the timeline. Instead of adjusting each video on its own. We click on the rounded arrow here to reset the settings. Or we can right-click on the node and select reset, no grade. So that's it for this video. Thanks for watching, and I'll see you in the next video. 50. group nodes: Hello and welcome to this video. In the form of videos, we saw how to apply adjustments to each node, and we also saw how to apply adjustments to all the videos and the timeline. Now in this video we'll see how to apply adjustments to multiple videos. First we go to the clip Paige here. We can see the clips that we have here. Now we select the videos that we want to adjust and add them to a group. We hold control and we select the videos we want to use. Then right-click on them and we select add into a new group. We named the group. For example, for this project. Now if we go to group, we will find it. Here it is. First project. Now go here and we slept group breed club. Now we can make any adjustments we want. Example, it just highlights and shadows. You can see in the video is a bit bluish. Now the adjustments we just made, our applied to all the videos in the group. In case you wanted to know what your videos are edited group, it's the ones with this icon right here. To remove a video from the group, you right-click on it and this electron move from group. And to add a video to the group, you right-click on the video and select add into current group. Now the video is edited group, like I said, to remove it, right-click and select and move from group. This is how we can apply adjustments to select the videos. You will get this. Often. You will have similar videos that you want to adjust. And this will come in handy to save you a lot of time and effort. Instead of having to work on each video separately, which takes a lot of time and effort. So this is how you can work on multiple videos at once. If you want to delete the group, you right-click on one of the videos, then go to the group and you select the rule. In this case first projects, then you select delete, click Delete, and the group is removed. So that's it for this video. Thanks for watching, and I'll see you in the next video. 51. scopes: Hello and welcome to this video. In the former videos, we have been talking about the notes and we saw all about it. Now in this video we'll talk about the Lumetri Scopes. The Lumetri Scopes, unlike maps that helps us correct colors. To access the Lumetri Scopes, we click here. We have your multiple types of scopes. We will cover all of them. We start with the parade. We use the parade to gauge the temperature of the colors. Next we have the waveform. We use it to gauge the light exposure. We have the lights on the top and the shadow on the bottom. Next we have the vector scope. We use the vector scope to see the density of the colors. Next we have the histogram. We use it to balance the colors. If you want to show all the scopes at once, you click here. And here we are. We have here a window that shows us all the scopes. So these are the scopes that we use the correct colors. That's it for this video. Thanks for watching, and I'll see you in the next video. 52. primaries menu first part: Hello and welcome to this video. We are still talking about the primary menu. And in this video we will take a look at these settings here. It starts with the color blue setting. We use the color boost setting to boost the colors in our videos. Take a look at the video. After we boosted its colors. You can boost the colors at any rate you want. After boosted the colors, you can see that the white color in the video turned a bit goldman, like it's sunset. You can always double-click on the setting to reset it. Next we have the shadow setting. We use it to adjust the shadows in the video. Next we have the highlights setting. We use it to adjust the brightness of the video. Next we have the saturation setting. We use it to just the saturation of the video colors. And here we have the here. So these are the settings here and how to use them to color correct your videos. That's it for this video. Thanks for watching and I'll see you in the next video. 53. primaries menu second part: Hello and welcome to this video. In this video we'll talk about the primary menu and how to use it to correct colors in your videos, we have here four wheels. We have the left will adjust the shadow, then the Ghana. When we adjust the mid tones, then the gain will adjust the highlights. And last we have the offset, we'll we use left with just the dark spots. And we use the gamma will to adjust the mid tones, which are the spots between dark and light. Then we use the gain weight to adjust the highlights, which are the brightest spots. We have two wills in each option. We use the first week to grab the colors. And these fuels are connected to each other. For example, we adjust the colors in the highlights like this. Then we do the same to the midtones and shadows as well. Take a look at the video now. And we click on this arrow here to reset the settings. We have here. The second, we'll use the first week to adjust colors and the seventh week, just the rate of the settings. For example, here we can increase or decrease the highlights. When we adjust the settings, we can see that it's represented on the scopes. And always make sure that the settings are not too high or too low. We can adjust the mid tones here and the shadows from here. So this is the video before the adjustments, and this is after we adjusted it using the brand name is these leaves are very important and we use them to correctly the colors in our videos. So that's it for this video. Thanks for watching, and I'll see you in the next video. 54. primaries menu third part: Hello and welcome to this video. In this video we will talk about these settings here. We start with the temp setting. We use the term setting to adjust the temperature of the colors. High temperature is represented with orange and red, and low temperature is represented with blue color. For example, if we increase the temperature, the image will become orange. And if we decrease the temperature, the image becomes blue. The video now looks like it's sharp in a cold place. And in here it looks like it's hot in the desert or someplace. We double-click on the setting to reset it. Next we have here the tent. This allows us to adjust the temperature of the colors on a lower scale. It's represented by green and pink colors. Next we have here the contrast setting. We use it to adjust the contrast of our video. Next we have the pivot setting. We will talk in details later. Finally, we have here the mid detail setting. The setting is very important. It allows us to increase the quality of our video, increase it like this. And you can see the video is more intense now. This is before and this is after. When we increase it, the details and our video becomes more clear. So this is all about these settings and how we can use them. That's it for this video. Thanks for watching, and I'll see you in the next video. 55. exposure: Hello and welcome to this video. In this video we'll see how to color correct our videos. And the first thing we will talk about is the exposure and how to set the right amounts of exposure to our variance. We have this value here as an example. We will correct exposure. We start by showing the waveform here. This we can see the exposure. As you can see, the exposure is focused in the center and very low in the top and the bottom. So we need to balance it and we do that using the highlights and the shadows. We go to the primaries menu, specifically the game wheel, which is the highlight. And we increase its levels to increase the exposure in the job here. As you see, the more we increase the highlights here, the more exposure we have here on the top. Now we decrease the shadows. You can see the exposure now. And take a look at the video before and after. In decrease the shadows a bit more. The video looks better now. As you can see, the exposure is in the right amount, lower than 1023 and higher than 0. So this is how we correct the exposure in our videos using the waveform. Now we move to work on another video. You can see that the highlights are set perfectly, but do we need to decrease the shadows? We decrease the shadows. You add the video looks better than before. You don't always have to correct the highlights and the shadows in some videos. In some videos you will only have to predict one of them and sometimes none of them dependent on what you want your video to look like. Use the waveform to read the exposure in your video and take a look at we're setting needs to be adjusted. So that's it for this video. Thanks for watching, and I'll see you in the next video. 56. auto exposure: Hello and welcome to this video. In this video we will see a different way to correct the exposure in our videos. In the former video we saw how to manually correct exposure. Now we will see an automatic way to do that. We will use the same video we used before. Like I said before, to correct the exposure. We adjust the highlights and the shadows. Will find this icon here in the highlights and the shadows selling a plus sign with a white dot here. And a plus sign with the black dots here. We click on this icon and then we click on the brightest spot in our video. For example, with live here. And as you see, the video is automatically adjusted. Now click on this icon and we click on the darkest spot in the video. For example here. And you add the exposure in our video is corrected automatically. Take a look at the video before and after. You can use this way in all of your videos. You just select the prices spot and the darkest spot in your videos. And in case you thought that description is not the best results, you can then adjust the highlights and the shadows manually to get the results you want. Now we move to work on the next video. Same thing. We click on this icon, then we click on the brightest spot on the video. Then we click on this icon and we click on the darkest spot on the video. Perfect. Or the videos exposure is corrected automatically. You can see this built into them too dark. So we'll fix that by selecting a different spot. For example here. That's a little better. So this is how we can correct the exposure in our videos in an automatic way that I always advise you to use the manual way to get a better and more professional results. But for a quick results, this way is very useful. That's it for this video. Thanks for watching and I'll see you in the next video. 57. white balance: Hello and welcome to this video. In this video we'll see how to fix the white balance in our videos. Now the first thing we saw in the color correction process without the exposure. Now we see how to fix the white balance. First we name this node exposure. Then we add a new node and we name it white balance. This is so this we keep things organized. Now to fix the white balance, we click on the white balance icon in here. As we click on it, it moves from here to the maps. Now we click on a white spot in the video. As you see we have here multiple white spots in our video. Here or here. But this part here is not perfectly white because this spot here presumably reflects the sun. So make sure to select the spots that are supposed to be in white. For example, the white spot in the car or the line on the road here. We slept this white spots in the car here. And you are, the white balance is fixed. The results may not be clear. But if you take a look at the waveform here, you can see the difference before and after we fix the white balance. We will repeat the process and this time we'll click on this white line here. You can see the difference now. Before and after. But the results when we selected the white spot in the car was better. So we select it again. Now we move to another video. If you'd like to keep things organized, make sure to name your notes. Now we select the white balance tool. And we click on this white spots. And here we are. This is the video before and after. So this is how we can fix the white balance in our videos. Now we will see how to fix the white balance manually. We reset the nose is removed. The adjustments we made. We click here and we select bars. We get these settings here that we use to fix the white balance. Now we go to the scopes and we slept parade. From here. You see the colors. You can see the colors are not balanced, so we need to balance them. We do this from here. You just the green color and the blue. Then the red. Now it's good. The colors are balanced. If you look at the video before and after. Now the white color is better at like before the white balance was off in here. You can set the brightness from here. When we adjust the settings, we just did three colors at the same time. We can adjust the shadow from here. So this is how we can fix the white balance manually in our videos. That's it for this video. Thanks for watching, and I'll see you in the next video. 58. contrast and saturation: Hello and welcome to this video. In this video we will see another step in color correction, which is setting the contrast and the saturation. We start by adding a new node. We name is contrast and saturation. Now we'll increase the contrast in our video. We don't increase too much, we increase it just slightly to get a good result. This is a good result here. You can increase it to get the results you like. Like I said, just make sure to not increase it too much. Take a look at the waveform. If we increase the contrast too much, it shows on the waveform. So we need to keep it within range below 1023 and higher than 0. That is a safe range. Now we move to work on the saturation. We increase the saturation. Take a look at the car color before and after we increase the saturation. The color is more saturated and feels more alive. So this is how we correct the contrast and desaturation in our videos. Look at the video before and after. Now we will work on the next video. We add a new node. Increase the contrast. You can see the video is looking different now. We adjust the saturation as well. When you increase the saturation, you need to pay attention to some colors in your video. For example, as you can see, the red color here is too saturated. Especially here. Same thing for the green color in here. So make sure to keep things balanced. Now the video looks good. The red color and the green color as separated perfectly. Look at the video before and after. So now the saturation and the contrast or corrected. Like I said before, make sure to keep your saturation and contrast within the safe range. You can see the video is way better than before. So that's it for this video. Thanks for watching, and I'll see you in the next video. 59. curves: Hello and welcome to this video. In this video we'll talk about the curves menu and how to use it in color correcting our videos. We have here the curves histogram. We have multiple histograms here, each with its own purpose. This is the menu here. We have custom, us hue. You've said UBS, loon, loon via set, set the set and set V as Loon. We will cover each one in detail in the coming videos. In here we have the RGB colors. Now in histogram, we have here two main dots. The top one represents the highlights and the lower one represents the shadows. If we lowered the Start Here, we will decrease the highlights. You can see that in the scopes. And if we put it here, we increase the highlights. Now we'll put it back to its default place. And in here we have the shadows. Like I said, we put this dot here, we increase the shadows. And if we pull it up here, we decrease the shadows in the video. In the middle here we have the midterms. There's no dove in here, but you can add one. You click on the line to the data. And we can use it to just the micelles. Micelles are the spots between the highlights and the shadows. The highlights are shown up here in the scope and the shadows are down here. If you want to reset everything, you click on this arrow right here. You'll notice that we have multiple colors in the histogram here. And these are the colors shown here. The main colors, red, blue, green, and white. When we adjust the histogram, we are editing all the colors. But let's say this. We want to adjust the single color, the color red, for example. Unlink the colors from here. Then we select the color red. And now we can adjust it low. And we can select any color suggested separately. Now we have the colors that one more thing, I would remove the dots, we added two, just the mid-tones. Now if we adjusted the highlights, we are adjusting the mid tones as well. So to make sure that when you adjust the highlights or the shadows, the mid tones, the add a dot in the middle. Now you can adjust the shadows any way you like without affecting the metals. We have the highlights up here than the mid tones in the middle and the shadows down here. That's it for this video. Thanks for watching, and I'll see you in the next video. 60. hue vs hue: Hello and welcome to this video. In this video we will talk about the uveitis here in the curves. You access the USU by clicking here, or you can select it from this menu. We use the USU to adjust colors. When you are at the USU and you hover over the media player, you will see the mouse icon is changed to this icon. This allows us to select any color we want just by clicking on it. For example, we click here and the color is selected. Now why is the color here? Let's do three dots instead of just one. These three dots represent the gradients of the color. The color is based between these two dots here, and we use the middle data to change the color. We can select another color. This one, for example. It is selected. And we use the middle dot to adjust it. You can broaden the gradients range of the selected color if you want. We can select any color we want. To unselect any color. We right-click on the data room of it. And if we want to unselect all the colors at once, we click right here. The color red is represented on both sides here. If we select it, you can see the first dot here and the other here. So now this is not the middle done. This is, and we use it to adjust the color. We need to widen the gradient range to change the whole color. That's better. We have here another video to work on. We will change the color of this car. We click on the cartilage, left its color. Now if we change the color like this, you can see that we still have some green spots on the car. So we need to widen the gradient range of the color. We keep going until there are no more green spots. We are now the whole car color is changed. Like I said, the wider the gradient Grange do better. If we narrow it a bit like this, we will get some unwanted color spots in here. So make sure to widen it as far as possible. Now sometimes when we change the color of an object, we will have other objects in the image or the video that are in the same car or close to the color we are changing and it will be changed as well. So make sure to pay close attention. You can select colors manually. For example, we have the color green. So we put the first dot here, the second one here, and we put the middle dots in here. Then we change the color. And we adjust the gradient, cringe until we get the results we want. So this is how we use the USU in the curves to adjust colors. That's it for this video. Thanks for watching, and I'll see you in the next video. 61. hue vs saturation: Hello and welcome to this video. In this video we will talk about the UPS set. To access it, we click on the third dot here, which lets us set from this menu. Now we use this page to adjust the color saturation in our videos. It works in the same way as the USU. We select the color, we want to adjust its saturation. For example, the color red. You can see it's selected and we use the metadata. Is saturation. Increased, its saturation. Take a look at it before and after. Now instead of green color, we increase the saturation. This is before, and this is after. The colors are more saturated. Now, we can decrease the color saturation as well. This allows us to create a certain scene or given a certain feeling, pale colors gives us a sense of seconds and saturated colors look alive and gives us a sense of happiness and optimism. Now we move to work on another video, which led to the green color. We increase its saturation and the grass looks better now. We select the blue color as well and we increase its saturation. Same thing here. This is the video before and after. We use the youth is set to adjust the saturation of the colors in our variance. That's it for this video. Thanks for watching, and I'll see you in the next video. 62. hue vs luma: Hello and welcome to this video. In this video we will talk about the uterus luma. In here we can adjust the luminance in our videos. We start by selecting the color red. And it will pull up the middle dot to increase its luminous. Or we pull it down to decrease the luminance. Same thing for the green color. We selected an increase or decrease its luminous. We move to the next video. We select the green color and we increase its luminous. In the UV is set when we increase the saturation, the grass lock screen and more alive, but in the UV is low. When we increase the luminance, the grass looks pale. So we use the UV is known to increase or decrease the colors dominance in our videos. So that's it for this video. Thanks for watching, and I'll see you in the next video. 63. luma vs saturation: Hello and welcome to this video. In this video we'll talk about the luminance versus saturation. We use it to adjust the saturation of the luminance and our video. You can see that this histogram is different than the ones we saw before. We have the shadows here. On the left. We have the highlights. On the right. We have the mid tones in the middle here. Now if we increase the highlights, you can see that this area here is more saturated. And if we decrease the highlights, skylights less blue. So this guy here represent the highlights but a bright spot. And here we have a dark spot or shadows, but if we increase the shadows, you can see the building becomes more saturated. And if we decrease, it will decrease the saturation of the building. So this is how we adjust the saturation in bright and dark spots. And this is a very important tool to use to make your video more professional. We have the midterms in the middle. We add a dot here, and we adjust the midtone spot here. This is the mid-tone spot in our video and you can see how it changes. So this is how we can adjust the saturation of the highlights and shadows in our videos. Now you may think that these menus are all the same, but if you've tried them and give them a goal, you will get the hang of it. And now each menu and what it's used for. So that's it for this video. Thanks for watching and I'll see you on the next video. 64. saturation vs saturation: Hello and welcome to this video. In this video we will talk about the set fit a set which we use to adjust the saturation and our videos. We have on the left here the least saturated spots in the video. And on the right, we have the most saturated spots individually. Venice and saturation in your videos, you increase the saturation in the dark spots like this. And here we have a balanced situation in our video. Some videos may have dark spots and more saturated spots that we can balance the saturation like this. We can decrease the saturation in the bright spots like this to make sure that the video saturation is balanced perfectly. This is simple to just advance the situation in our videos. That's it for this video. Thanks for watching and I'll see you in the next video. 65. saturation vs luma: Hello and welcome to this video. In this video we will talk about the saturation versus Luminal many. We use it to adjust the luminance of the saturation and our videos. Same as we saw with the former menu. We use it to control the details in the video as well. For example, the less luminous we have here, the better despite details will look. If we increase the luminance of the details will disappear from here. We use this menu to just imbalance the luminance of the saturation in our videos. That's it for this video. Thanks for watching and I'll see you in the next video. 66. qualifier: Hello and welcome to this video. In this video we will talk about the qualifier. To access the quantifier, we click here. We get these settings here. We have the hue, saturation and luminance. Now we use the qualifier for a lot of things. One of them is to adjust character skin. In our videos, we have multiple menus here. We have HSL, the RGB, the luminance, and 3D. We will talk about the HSL, which contains these settings here, the hue, saturation and luminance. Now we use the qualifier to select the skin color and we use the huge set its gradients range. For example, we can see the gradients and the color of this character's skin here. Next we have the color saturation. And down here we have its luminance. We use the picker tool to select the color. Picker, subtract, remove colors, and the picker edge, add more colors. Then we have here the match Venus. We use it to adjust the color we selected. Now let's say, for example, that we want to adjust the color of this character. We use the picker to select the skin color. Select the color. You can see here in the note that we have only a part of the face selected. We click here to see the selected parts. As you can see, we haven't selected the whole face. And to fix that, we need to widen the color range. So we click on the picker and we select these parts to add them. Perfect. Now we have selected the color range. We can adjust the range from here as well. We adjusted until we get the range we like. Perfect. We can just saturation as well to get the results we want. We said the luminance as well. You can always use the picker, subtract, remove a color that you don't need. Just be careful sometimes you might remove more than you want. Now that we have selected the color, we will use the match VNets to finish all the adjustments. First of all, click on highlights BW to see the colors in black and whites. Now we still have some spots that we need to fix. We need this whole area to be white and this whole area to be black. So we increase the d noise. Then we use the clean black to play in the black area. Here we are. These white spots here are fading away. Next we use the clean white to remove the black spots in the white area. Next we have the blur, the blur radius. We use it at a bit of blur. And we have here the odds ratio. We want to use it. Now we click on highlight difference to go back to the normal look. And now we have selected the character skin and we can change the color or adjust the saturation and without affecting the background here. Now if we want just the background with luckier to reverse the process. And now we can adjust the background color. We go back to the character. Now we can adjust the highlight, the saturation or the hue. So it just highlights slightly. Adjust the saturation. And we just do we use them to just the skin color any way we like. This is just a small example. The character skin did not eat any adjustments. I'm just showing you what we can do using the quantifier. Click here. Now take a look at the skin before and after. So this is how we can select a character's skin and adjust it. So that's it for this video. Thanks for watching and I'll see you in the next video. 67. changing grass color using the qualifier: Hello and welcome to this video. We are still talking about the qualifier. And in this video we will work on another example. We will see how to change the color of the grass in this video. We start by using the picker tool to select the color green. We click a to see the candidates were selected. And now we use the picker tool to add the rest of the colors in the video. We adjust the gradient to get a good result. Now we said the saturation and the luminous are, the color is selected. Now we click on highlights VW to see the colors in black and white. Perfect. Now we go back. We showed the whole image, and now we start changing the color of the grass. You can see that we still have some green spots here. We use the beaker add, just let the spots. Perfect. We click Play. And here we are. The grass is in a totally different color now. And of course you can change it to any color you want. You can keep it clean and increase its saturation to make it look more alive or whatever you want. Like we saw before, to reverse the process and apply the changes to the objects, in this case the lioness. We click right here. As you can see, the changes are now applied to Linus and we can change its color any way we like. Just make sure to keep your changes normal. You can change the lightness color to green, for example, there are no green lines. This is so that you can keep your work professional. But of course it's totally up to you. If you want to let your imagination take control, feel free to do whatever you feel good about. You can still make some adjustments. Do whatever he wants. We increase the de-noise, the clean black and the clean white. We had some blur radius. That's perfect. So this is how we use the qualifier to change the color of objects in our video. That's it for this video. Thanks for watching, and I'll see you in the next video. 68. qualifier luma: Hello and welcome to this video. We are still talking about the qualifier. This time we will talk about the luma. We select it from here. As you can see, the LUMO looks like the HSL, but if you take a close look, the hue and saturation settings are active in the HSL, but in the luma are not active. We only have the luminance setting active in here. So in here we select the objects using the luminance, not the color. Of course, this only works for certain videos, and not all videos that have dark and bright spots like the video we have here. The lower area is dark and the upper area is bright. So in this video, we will select the sky and change its color. We use the picker to select the sky. To see what was selected. Perfect, the sky is selected and it's in white. And the rest of the video is in black. We adjust the luminance. We increase the clean blood to clean this area. Now the background is separated. Now we can change the color of the sky to any color we want. We can reverse the process to change the color of the city. We stick with change in disguise color only. Like I said, we use the luminance to select the objects. Now since the sky is the brightest parts of the image, we selected it. Like I said before, this tool works for videos that there are difference between dark spots and bright spots in them. So that you can select both objects easily and then change its color or adjusted any way you like. In this case, it was this guy. So that's it for this video. Thanks for watching and I'll see you in the next video. 69. qualifier RGB: Hello and welcome to this video. In the former video which talks about the qualifier using the HSL menu. Now in this video we will take a look at the RGB menu. We click here to access it, or we select RGB from here. The RGB is similar to the HSL. Just in the RGB, we use the three main colors, red, green, and blue. In some videos, it's better to use the HSL and in others, it's better to use the RGB. For example, we have this video here. We will work on it using the HSL. We select the color speaker Ed tool to select the rest of the color. Perfect. So by using the HSL, we get this great result here. Especially this, we have not used any of these settings here. Now we would try the same using the RGB. We duplicate the video to work on it. Now we select the color. Take a look at the result. Using the RGB. It's not the same as we got using the HSL. Take a look at HSL results. And here we have the RGB result. So try using the HSL and the RGB and you decide which is the best for you and your videos. Like I said, sometimes one would be better than the other. Now we will work on this video using the RGB. We will change the color of these flowers. Here. We select the color using the picker, replicate to see the yellow color only. Then we widen the color red range and the green color as well. Then the blues. Perfect. We have molecules here that we can use to soften the edges and more just the settings to get the result as we want. What's important is the result. There are multiple ways that we can use to get the same results. Now we click on highlights VW to see the colors in black and white. And we set the clean blood and the clean whites. Then we change the color of the flowers. You can select any color you want. So this is how we use the RGB to change colors in our videos. That's it for this video. Thanks for watching and I'll see you in the next video. 70. qualifier 3D: Hello and welcome to this video. In this video we will talk about the qualifier 3D menu. To exit the treaty. We click here or we slept 3D from here. We have the same settings here as the former menus, but in here we have nothing. Now we will use the 3D tool to replace the green screen. We use the picker to click on the green screen. Here it appears the color that was selected. We click on highlights VW to separate the character from the green screen. Now as you see here in the node, we have removed the character, not the green screen. So we click here to reverse the process and remove the green screen. We will change the background and there will be some leftovers from the green screen that we will clean later. We go back. We go to the edit interface. We pull this video up here. We put it on the top track. And we put below it the background. The background that we want to use. Go back to the color interface. The background is still not visible here. That's because we have to right-click on the node and we select at alpha output. Then willing to denote like this. And here are the green screen is replaced with this background. So this is how we can replace the green screen with any background we want. We have here some green-screen leftovers that we toxic and we need to clear them. So we clear them using the settings menu we have here. We are the argon. The video looks perfect now. So this is how we use the 3D menu in the qualifier to replace the green screen with any background we want. That's it for this video. Thanks for watching, and I'll see you in the next video. 71. the window menu: Hello and welcome to this video. In this video we'll see how to color correct parts of our video instead of the whole video. Because sometimes you may not want to adjust the whole video, just some parts of it. For example, we want to adjust this built-in loan. So we start by selecting the Window menu. We get this menu here with all these shapes. We will take a look at each one of them. We have first the rectangle shape. You can see in the node, the inside of the rectangle is visible while the rest of the image is not. Now, any adjustments we do will be applied to the inside of the rectangle. We can put the rectangle, anyone who wants. It can adjust its size as well. We adjust it to fit with the build and shape. Perfect. Now we make any adjustments. For example, we increase the highlights. And as you can see, the adjustment was applied to the building only. Of course, this is just a random example. Just a random adjustment. As you can see, the Jasmine stands out. So we need to adjust its gradients like this and decrease the adjustments a bit so that it matches the general look of the video. This is what's good about this feature. It helps us set the gradient of the adjustments and soften the edges. And we can reverse the process by clicking here. Now, the adjustment is applied to the whole video except the parts inside the rectangle. The process is reversed. Now, we want to remove the adjustments. We click on the rectangle. Then we click on Delete. Now we will take a look at another video. For example, we want to adjust the face of the character alone. We use the circle. We click on it and we put it on the face and adjusted to fit with the face. Then we start our adjustments, for example, we increase the highlights. Take a look at the video before and after. Again, this adjustment is just an example. And we always use the gradient to soften the edges. Like I said before, we click here to reverse the process. Let's say that we want the background to be a bit darker. We click here to apply the adjustment to the background instead of the face. And we decrease the highlights. Now as you see, the background is darker and the face of the character is intact. We click on the circle to remove the adjustment. Now we move to the next video and we will take a look at the polygon. You may think that it's the same as the rectangle, but it's not with the polygon. We can add dots to wait to change it to any shape we want. For example, we added dots here, then we adjust the shape like this. You do this to select three objects. And then we can make our adjustments. Increase the highlights, or change the colors or whatever we want. Now we will work on the next video, the curves tool. And we use it to select any shape we want. For example, we use it to select this car. You will never can adjust it. Anyway. We want we move to the final video and we select the last tool, the gradient tool. We use it to just any corner of the video. We rotate it like this to select the corners. We can make the corner darker than the other or change its color or whatever we want. Like I said, we rotate the tool to select the corner we want. So that's it for this video. Thanks for watching, and I'll see you in the next video. 72. stabilizer: Hello and welcome to this video. In this video we will see how to stabilize our videos. Now some video may be shot in a way that the video will look like it's shaken a bit. So we will see how to fix that. We access this tracker menu. We go to Window and we select stabilizer. This is our video. As you see, it's shaking a bit. Sometimes no matter how still you try to be, your hand will shake while filming. So you will need to fix that using the software. As you can see, the video is shaken a bit. Now we put the cursor at the beginning. Then we collect on stabilized. Here we add the software is analyzing the video. Now it's done. As you can see here, the video is fixed. We click Play, and here we are. The video is stabilized. So this is how we can stabilize our videos. When you stabilize the video, the software would cut apart from the edges of the video to stabilize the video. So that's it for this video. Thanks for watching and I'll see you in the next video. 73. window tracker: Hello and welcome to this video. In this video we will talk about a very important feature that helps us calibrate our videos. The tracker feature. We have this video here as an example. Now, in the former video, we access the Window menu and we use the tools here to calibrate our video. But what if our video moves like this? We need the tools to move and follow the object that we are adjusting. So we use a tracker feature. Let's say that we want to work on the character. We select it. Here it is selected. We put the cursor at the beginning. It's very important to do that. Then we go to the tracker menu. We select window from here, and in here we select the cloud cracker. Then we collect play. The tracking process starts. We put the cursor back here. We click play. And who are the character is selected even while moving. Now increase the saturation. Just the shadow, the contrast. These adjustments are just an example. Take a look at the video before and after. Now when we click Play, you can see that the adjustments follows and stick to the character perfectly. This is how we can adjust moving characters or objects. We go back to the Window menu. As you can see, we have rough edges here, which shows a difference between the character and the background. To fix that, we increase the inside and the outside as well. Now the edges are soft synth. So this is how we can create a moving object and adjusted to cancel all the adjustments we can look here. Same thing in Drucker menu. Like I said before, we use these tools here to select any objects we want in the video. For example, we select the character's face. Then we use a tracker to track the object. In this case the character's face. Here we are. We can adjust the inside and the outside settings from here as well. Then we can make our adjustments. Just the background you right-click here and select Add Node, then select Add outside. As you can see this no chose the selected objects, in this case the character's face. And the second node shows the rest of the video. In this case the character's body and the background. We select the second node. When we make an adjustment, it's applied to the character's body and the background. Here we work on the inside of the tool, and here we work on the outside of it. So that's it for this video. Thanks for watching, and I'll see you in the next video. 74. blur and sharpening: Hello and welcome to this video. In this video we will talk about the blur and the sharpening while putting to work all that we learned in the last videos. Start by going into the Window menu. We make sure that the cursor is at the beginning of the video. Then we select the character. Now we go to Drucker and start cracking the character. We go back and increase the outside and the inside. We separate the character from the background. We add an outside node here. The character and the background are separated. Now, we can adjust the background only now. Now we will use the blur. We select the background node. You go to menu. And we will make the background blurry to look like we are focusing on the character. We select the background note and we go to the blur menu. Then we increase the blur. We click Play. And here we are. Perfect. We can decrease the blur as well to make the background look sharp. In here we have the horizontal and vertical ratio. We use it to set the blurred horizontally or vertically. This effect works better with cars to make it look like the car is speeding. We set the blur from here. Now we select the character. We decrease the blur to make the character very sharp. But make sure that you don't make it too sharp edge may look unnatural. Linkage, unlike the tree RGB colors and adjust each of them individually. In here we have the sharpening. It's the opposite of the burn like we saw. Increases or decreases from here. In here we have the horizontal, vertical ratio and we have here the scaling. So this is how we can make the character and the background blurry or sharp. We use the Window menu, the tracker, and the Blur setting. I will reset the nodes. We put the cursor at the beginning. And we can increase the blur to make the whole video blurry, or decrease it to make the video sharp. So this is how we can make our whole video blurry or sharp. And we can separate objects from the background to make them blurry or sharp as well. So that's it for this video. Thanks for watching, and I'll see you in the next video. 75. luts and key: Hello and welcome to this video. In this video we'll talk about the Kimmy new and above. Let's click here to get the last menu. Now the lots are group of color gradient or color corrections and looks that are ready to use. Drag it to the MediaPlayer to apply to your video. As you can see, we have here aces, RE, Blackmagic, Design, PGI, DCI, Sony, etc. These are names of different canons. If you have video that was termed with a certain camera, you select the camera type from here. For example, we select sunny and we have here different slots. We select the one we want and drag it to the video. I don't have the video frames with the S logs, so I can supply to it. Now this helps us to color correct our videos very easily. We just use the same lines as the camera we use to fill our video. We grab the link to the video to color corrected. Since we don't have a video firms with any of these cameras, we go to the logs. We have here a group of looks that we can apply to our videos. We hover over to look to get a preview of it. Now when we select the look we want to use, we drag it to the node to use it. Now you can see the load is applied to the video. We use a gate to control the lights. For example, we decrease the key output here. We decrease it again, and we can see the lens is decreasing. And if we set it to 0, the video goes to its original log. So this is how we can control the rate of the lungs. In the video. For example, you can see that this slide is too much for this video. So if we decrease it, it will look better. So we can adjust its weight until we get the results we want. I have here Q videos in the timeline. Now let's say that all these videos are filmed using the same camera. And we want to apply the same to all of them at once. First, I'll reset this node. Now we click here to go to the timeline window, or we select timeline from here. We add a new node and we add black to it. Here we are. Take a look at all the videos, but let us apply to all of them at once. This is the video before and after we added a lot to it. So this is how you can save time and efforts and apply the same logic. All the videos in the timeline. You can put the videos you want to apply the law to in a group like we saw in former videos, and then apply the latter, then we can just erase it a lot in the video from here. So this is how to add lots and adjust the rate with the key men. That's it for this video. Thanks for watching, and I'll see you in the next video. 76. copy look: Hello and welcome to this video. In this video we'll see how to capitalize. For example, if you have colored graded your video, and now we want to apply the same color gray they needed to another video, we dealt with the wind, the whole thing. Again, you will need to capitalize. This applies to ready-to-use. Let's, or if you manually calibrated your video. We start by adding a look to this video. We need to decrease the key outputs a bit. Now let's say that we want to apply the same led to this video here. It's very simple. You select the node, then you click Control plus C, you select the video, you want to paste the link, and you click Control plus v. And here are the lattice copied and pasted to this new video. I'll reset the nodes in both videos. Now we calibrate our video manually. This is just an example. Same thing. We select the node, we click Control plus C, Then we go to the second video and we click Control plus v. And this applies to the videos that are similar to each other. Because if the videos are too different than each other, there will be no points of applying the same luck to both of them. So that's it for this video. Thanks for watching, and I'll see you in the next video. 77. clips comparison: Hello and welcome to this video. Sometimes you may have two similar videos that you want to color grade or to compare them or whatever. And you want to be able to see both of them at once. It's very simple. You click here. Then you get this menu right here. And from here it is. Let the glyphs that you want to show in the media player. We have currents, group, highlights, node's, neighbors, gloves, etc. We have multiple options here to choose from. Now we will select, select the clips. We show the gloves, I hide the cliffs to get more room on the media player. Now after we collect on selected clips, we select the first clip we want to show. Then we hold control and select the same blip that we want to show. You. Two clips are selected now, we can call it a grade one based on the other or compare them or whatever we want. And you can show more than just two clips at once. You just select the clips that you want to show and there will be shown right here. Like I said, we can compare or color grade or whatever we want to do to them. On select a clip, you hold control and you click on it to unselect it. So this is how you can show multiple videos in your media player. You click here again to cancel the feature and go back to normal view. That's it for this video that's watching and I'll see you in the next video. 78. fusion page: Hello and welcome to this video. In this video we'll talk about diffusion page. We use the Fusion page to create visual effects and motion graphics, and we will see how to do all of that in the coming videos. Now, in this video, we will take a look at the settings in the page and how to add files to it. We started with how to add files. Now there are two ways to do that. The first way is by going to the media pool. Then right-click and we select Import Media. We locate the files we want to add. Then we click Open. We get this window here the software asks us to change the project frame rate to match the frame rate of the globe was selected. So we collect change. Here we are, the media file is added. Now we drag it to the node space. And as you see, two nodes are added automatically here. The firstNode is media n, and the second one is media out. Now what does that mean? It means that in the media in, we see the original lock of the video before we make any adjustments to it. And in the media out, we see the final look of the video. And in the middle here, we add the adjustments that we want. Then when we are done, we see the final at the end here at the media out. This is one way to add media files here. This is if you have a video clip that you want to adjust. But what if you have a project that you want to add here, like the one we created in the editing page. First, I would remove these glyphs. It's very simple. We just open a project and it will be added automatically here. I'll open this project here. This is the project in the Edison page. This is the project that I have opened. I already finished editing it, and now I want to add it to the Fusion page to add some visual effects. We chose the first video because the cursor is set to the beginning here. Now to navigate between clips here, we click here to show the glyphs. And then we can select any clip we want and ingest it. And as you see, all the clips that are shown in the editing page as shown here as well. We can always hide the clubs to get more room here. We can hide the media polar as well. So here we have the node space. And in here we have the inspector window. We use it to edit the effects that we add. In here we have two media players, are two screens. Only the one on the right is visible. If you take a good look at the media, in the media, you will see these two small boxes. The one on the left represents the left screen and the one on the right represents the right screen. If we click on the left box, the video will be shown on the left screen. So now we can see the original work of the video on the left and the final look of the video on the right. We check the right box for the media outs and we check the letterbox for the media. And this gives us a before and after log. If you want to remove the screening and check the last box. In here we have the clubs timing. It's not like in the editing page where it shows the duration of the video in seconds. In here we see it in frames. How many frames we have in the Glenn, for example, this video has 272 frames. So it starts from 0 to 272. You can navigate between frames from here. So this is diffusion page. We have here, the effects bar. We will take a look at it in the coming video. Like I said, we can show or hide the clubs and the media poll if we want. So that's it for this video watching, and I'll see you in the next video. 79. add effects in the fusion page: Hello and welcome to this video. In this video we'll see how to add effects to our videos in diffusion page. Now there are three ways to add effects here. The first one is using this effects by this we have here. And as you see, we have multiple effects to choose from. And the second way is by using the effects library. We click on the Effects Library and we go to Tools. Here we have the Effects menu. You can select the effects we want to use and drag it to the node space. And to remove it, we selected and we click Delete on the keyboard. The third way is by clicking Control Plus based on the keyboard, we get the Select Tool window and you take the name of the effects you are looking for. This will be useful when you memorize the name of the effects and it will go directly to the effects you want to use. Now for example, if we type hello, here is the glow effect. We click Add and here it is added to the node space. Now with this effect, this bar here, you just drag the effect to denote space to edit. For example, we add the blur effect. And here it is. Now after we add the effects, we can see its settings here in the inspector window. We use these settings to adjust the effect. But if I tried to make any adjustments, now it will not show in the screen. That's because the effect is still not linked to the nodes. Link it with the notes. We hover over this line until it's in yellow and blue, and then we click on it. It disappears. After the light is gone, we put the effects here and willing get to the nodes. We link it to the media out and the media n nodes. Now the effect is linked and then we can adjust it using the settings in the inspector window. For example, increase the blur size. And you can see that in the screen, we activate the left screen. We just defect. And you can see the difference here. Like I said before, the right screen shows us the current and final look of the video. And the left one shows us the original state of the video. Now we hide the left screen. When we select the effect to get its settings in the inspector window. Now we can adjust this any way we want. We select the effect and we'll click Delete from the keyboard to remove it. Now, if we want a defect directly to the notes, you select the media in node, then you select the effect that you want to use. For example, we select the glow effect. Now when we click add, the effect will be added and linked automatically. This is easier than the way we saw before, but sometimes you may use this way and other times you may use the other way. Now, we can adjust defect settings. And of course we can add multiple effects in here. We drag the effect over the light and turn light is yellow and blue. Then we release the mouse button to edit. And we slept each effect to adjust its settings. So that's how we can add effects in diffusion beige. That's it for this video. Thanks for watching, and I'll see you in the next video. 80. add text in the fusion page: Hello and welcome to this video. In this video we'll see how to add text to our videos in diffusion bait. We saw how to add effects to videos in the former video. And we can use the same way to add text. Either we use the effects library or the tools window. If we use the tools window, we typed text and we selected, then we click add. We can add text using the menu here as well. Now, this menu here does not have all the facts. It only contains the most used Effects. We click here and drag the text to the nodes to edit. As you can see, after we add the texts, we get two nodes, the merge node and the text node. Like I said, we select the text icon, we drag it over the line until the light is in yellow and blue. Then we release the mouse button. You can organize the notes anyway, you like. After adding the text, we've got this icon here in the screen. And we have the text settings here in the inspector many. We type the text we want in here. For example, our type da Vinci resolve. The text appears in the screen. Now, the text will be shown through the entire video. We use the global In and Out setting to set the duration of the text appearance. For example, we want the text to start hitting and then appear at the given number a 100. Then we want it to disappear at the keyframe number 200. So we set the cursor manually to the keyframe number 100, or we type 100 in here. Now the texts will not show in this duration of the video. Then we take 200 in here. And now the text will only appear during this period. Between the keyframe 102 given 200. You can see we have the green line in this duration here. And the rest is empty. And if you want the text to appear in the whole video, you said the cursor from the beginning to the end. We have here the text settings. You can set the text color, size, font, etc. It's the same thing as we saw in the edit page. So this is how we can add text to our videos in diffusion page and how to adjust it. That's it for this video. Thanks for watching and I'll see you in the next video. 81. text animation in the fusion page: Hello and welcome to this video. In the former video, we saw how to add text to our videos. Now in this video we will see how to animate it. It's very simple. We select the text node. We select the frame where we want it to be animated. If we want to animate the text using its size, you set a keyframe here. Then we change the text size. Now we select the frame where the animation ends. In the first frame we have the small white line, which tells us that the animation starts here, and this is the frame where it will end. Now we change the text size. It will start small, then it will grow bigger. Now the animation will be between these two small white lines. We go back, we click Play. And as you see the text stat smaller than grows bigger. To remove the keyframe, you select the frame, you set the keyframe ads, then you click on the keyframe. Red means the keyframe is set in gray, means is now we can set the cracking keyframe here. Then we select the frame where the animation ends. We adjust the tracking. We click Play, and here we are. This is how we animate our texts. That's it for this video. Thanks for watching and I'll see you in the next video. 82. create background in fusion page: Hello and welcome to this video. In this video we will see how to create a background in diffusion page. We can use the background as an effect or a motion graphics and a lot more. We start by going to the background tool. We drag it to the node space. As you can see, its settings are shown in the inspector window, but it's still not visible in the screen. So we click on the rights of you to activate it. It is. Now if I change the background color, it will not work. Because we need to set the RGB colors first. Now we can change the background color. We can adjust the Alpha setting as well. We can select the background state from here. We have solid color, these are its settings. Next we have horizontal. It gives us a two-color horizontal gradient. Same thing for the second color. Next we have the vertical. It's the same as the horizontal, only its vertical. Now, next we have the four corner. It gives us four colors. One for each corner. You can change each one of them. We can set a multi-color background from here. And finally, we have the gradients. We have multiple gradient types. We have line here, reflect square, grass, radial, and ankle. You select the psyche wants to change its color. Then you change the color. Then is let the other side and change its color as well. You can set the color gradients from here. You can set the offset from here. These are the gradient type settings. We take a look at radium now. It has the same settings. The difference is that the gradient is Rahel. Now, you can set the gradients position from here. You can put the gradients anywhere he wants. He said offset from here as well. You can set the gradient size from here. So these are the radial gradient settings. You use them to adjust your gradients. So that's it for this video. Thanks for watching, and I'll see you in the next video. 83. background animation: Hello and welcome to this video. In this video we will see how to animate the background using colors. You can see the background. Note that it's still unlinked, so we need to link it. We remove the media in node. We uncheck this green box. Then we link the background note to the media out node. We check the box here to see the results in the right screen. Now we can animate the background. We start with solid color type. We select the background node. We will animate the background from the beginning. So we set a keyframe at the beginning. Are all the keyframes are in red, which means they are set. Now we put the cursor at the points where we want the background color to change. Then we change the color with the cursor here, and we change the color again. And we keep going like this. That's enough. We put the cursor at the beginning with leaf blade, and here we are. The background is changing colors. Now we will work with the horizontal type. Reset the background note. Right-click on it and we select Settings, and we select Reset, Default. We slept horizontal from here. The cursor is at the beginning. We said the color red. On this side. We add the keyframe. We said the green color to the site. We set the keyframe. Now we put the cursor here. We changed the color. We said the brightness of the colors from here. We change this color as well. We put the cursor here and we keep going. We can select colors from here as well. That's enough. We put the cursor back to the beginning blade, and here we are. The diagram is animated using colors. I would reset the node. I select the colors. I said the keyframes. I put the cursor at the end points. I changed the colors. I click Play. And as you see, the colors changed slowly now. And this applies to the rest of the types in here, vertical for corner and gradient. We can use this to create a transition effect and a lot more. So that's it for this video. Thanks for watching, and I'll see you in the next video. 84. object animation: Hello and welcome to this video. In this video we will see how to animate objects. And this is for any of you that are learning motion graphics. Here the background, note that we already saw how to edit. We click on the background tool and drag it to the node space. Then we link it with the media out node. And then we can change its color and adjusted. This is just a reminder. Now we will add an object here and animate it. We have this logo here in the media pool. We added to the node space. It's still not visible. We need to link it with the notes. We link it to the background node like this. And here it is, the logo appears in the screen. Now to transform the logo, we need to add a transform node in here. We drag the transform over the line here, and when it turns blue and green, we release the mouse button. Now the transform is added between the logo node and the merge node. We select the transform node, and now we can transform the logo any way we want using these settings here. First, we changed the background color to white. That's better. This will be like a small intro. So you put the cursor back at the beginning. We set the size key-frame, and we set the size to 0. We put the cursor here. We increase the size. Now when we go back and click Play, the logo appears from the middle like this. We can put the cursor here and we set a position key frame. We put the cursor here. Then remove the logo. Now we click Play and the logo appears from the middle, then moves to the right. So this is how we can animate a logo or any object for that matter. Reset the transform node and try a different animation. We set the cursor here. This will be the beginning point of the animation. We said an angle keyframe. We put the cursor here. We rotate the logo. We rotate it for 360 degrees. We call that. Like we saw. We can set multiple animations. We have the rotation now and for example, we changed the size of the logo now. And we change its position. Like we see, we can set multiple animations here. And this is how we can animate any objects we want. This icon here on the transform node means we have set the animation on adjustments. We can reset the nodes, remove any animation or adjustment that was made on that node. So that's it for this video, then it's watching, and I'll see you in the next video. 85. how to create an introduction: Hello and welcome to this video. In the form of videos we saw how to animate texts and objects, and we use this logo here as an example. Now in this video, we will use what we learned to create small and simple intro. We start by adding this video here. Since we will not use the video, we will delete the media in node. Now we add the background node and we link it with the media out node. Now we have background. Instead of a video. We set the background color to white. We add the logo to the node space. We need to link the logo node with the background. So we need to add a merge node. Or we can add the merge node automatically by Lincoln, the logo node with the background will like this and the software will add the merge node automatically. Now to animate the logo, we need to add a transform node. We drive the transform node and put it between the merge node and the logo node. Here we are, we have the bare ground node link to the merge node. Now, the logo node links with the merge node, with the transform node between them. So that we can animate the logo. Now we decrease the size of the logo. I will hide the media pool to get more space here. Now we need to add a text. So we need to add a text node and a merge node. We can add the merge node manually, or we drag the text node here. And the merge node will be added alongside the text node automatically. I will put the text node here to keep things organized. Now the text node is linked and ready to use which type, whatever we want in here. For example, introduction. We change the text color to black. Now we decrease the size of the logo a little bit more. We pulled the logo up here and we put the text below the logo. Now we select the transform node. We set the cursor at the beginning to study animation from the beginning of the video, we set a position keyframe. We pulled the logo up until it's gone. We select the text node. We set a position keyframe. We pull the text down here until it's gone as well. We have hidden the logo and the text. Now we put the cursor here. We select the transform node. Then we put the logo right here. We select the text node. We put the text here. We go back to the start, we click Play, and here we are. And of course we can make multiple animations here. You can adjust the size of the logo and the text or whatever you want. Example with lead to transform node, we remove the position keyframe. We said the logo size to 0. We set the size key-frame. You put the cursor here. We set the size of the logo back equally plane, and here we are. Instead of the logo drove in from the top now appears from the center. This is how we can animate the text and the logo to create a simple integral. That's it for this video. Thanks for watching, and I'll see you in the next video. 86. spline: Hello and welcome to this video. In the former video, we saw how to create simple intro. And in this video we will see how to set the duration of the animation and how to smoothen it. For example, the duration of this animation here is 12 frames. That's a bit short, so we will see how to increase its duration. We go to spline. We have here the transform animation. We have here the text animation. Make sure to open it like this. Now we slept transform animation to see its histogram. We have two dots here, the animation starting point and ending point. We select this dot, the animation and then points, and we put it at the 30th frame. Now when we click Play, you can see that the animation is longer now at its ends at the 30th frame. We can do the same for the text. We select the text animation, unselect the transform animation. We can navigate the histogram like this. This is the text animation. We select its ending point. Now it is more than the animation was left. Both dots, the starting and ending points. We get this dots here and we use it to adjust this line manually. We make it's going to be or we can select the two dots and replicate to make the line curvy automatically. We go back, we display, and the animation is smoother than before. If you have multiple options to choose from, we click here to make the line straight. Or we click here to make it curvy, which smoothens the animation. Or you can adjust it manually like we saw before. For example, we set the line like this. You can play. The animation starts slow and speeds up. At the end. You did the sensitive transform animation. We go back, we click Play. And here we are. So this is how we can set the duration of our animations and how we can smoothen them using this flight. That's it for this video. Thanks for watching, and I'll see you in the next video. 87. the tracker tool: Hello and welcome to this video. In this video we will talk about the tracker tool and we will see how to use the tracker to make the text dragon object and the move with it. We'll use this video here as an example. It is included so that you can use it to follow this video step-by-step that was left the media in node. We click Control plus space to get the Select tool menu. We typed Rucker. Here it is. We click, add and edit to the node space and we have its settings here in the inspector window. We have a small green box in the screen here. We use this box to select the objects we will track. Just let the special object and make sure to stay still object, move in one. For example, in this video, we don't select a moving car. We'll select this booth here. We go to the green box and we have the dots in the top left corner. We use it to position the box. When you move the box, you can see the object you are selecting magnify. Zoom in so that we can select the booth. We select the booth. Now we put this box around this object. We zoom out. Now we click on track forward from current time. He would add the software, drag the object. No, edit text node. We link it with the tracker node. Then we type it in here, for example, the text is not visible, so we select the node. We go to operation, and we select Match Move. Here we add the text is visible. Now. We select the text node and we adjust our texts anyway, we like, for example, we increase its size. We change its color. You put it in the center. Like I said, making adjustments. You want to the text. The cursor at the beginning. We click Play, and here we are. Text moves with the direct object. This is how we use the tracker tool to track an object. In our video. We can add an image instead of a text. We remove the text node. We select an image. I have this image here. I entered to denote space. Now we link it with the track node. We add a transform node here it's just the size of the image. Decrease the size of the image. We hide the media pool for more space. We go back to the beginning, we click Play, and here we are. The image moves with the object as well. So this is how we can track an object with a tracker tool. And we can use the text or an image to track and move with the object. That's it for this video. Thanks for watching, and I'll see you in the next video. 88. the planar tracker tool: Hello and welcome to this video. In this video we will talk about the planar tracker. We have here, the same video we used before. We select the media in node. Then we click Control Space to get this leg to window. We typed planar tracker. Here it is. Now we added. We have here It's settings, cracker, motion type outputs, and drag channel. From here we slept the motion type we want. We leave these settings here as they are. And we will select the transition in the motion type. Because it's the same we have in this video. Now I set the cursor to the start of the video. Then we select the objects we want to track. For example, this tree. We zoom in on the tree. We hold the mouse wheel and we drag to get to this tree. Then we'd like to get this dot here. We click and drag like this to add another dots and we keep going until I always let the whole tree. After we connect the dots, we get this icon here between the first and less dots. We click on it and now it's connected. Then we can adjust it. The soup is like the Pen tool that's available in a lot of softwares like the Adobe Premiere Pro and After Effects and a lot more. Now after we selected three, we zoom out to see the whole video. Now we click on track to end. Here we are. The software is tracking the object. The software track the object successfully. And this is a different way to track objects in the software than the one we saw previously. Now we click on Create planar transform to get tracking data. We get the planar transform OneNote. Now willing to this node with the planar tracker node. Here we are, and it's linked automatically with a merge node. Now edit text node. We link it with the planar transform node. We type the text here. For example, we type city. We put the text anywhere we want. Now we add a transform node here to adjust the text. We rotate the texts and alignments with the street here, increase its size a bit. We go back to the start of the video, we click Play, and here we are. The text moves with the video. The word city, it looks like it's painted on the street. Take a look at the video again. And we often see district in movies and such. So this is how to use the planar tracker. That's it for this video. Thanks for watching, and I'll see you in the next video. 89. create 3D text: Hello and welcome to this video. In this video we will see how to create a 3D text with da Vinci resolve software. Firstly, we need to have at linspace, I think is added in the node space here. Now we click on the 3D text icon and we'd read it to denote space. We check the left view box to see the 3D texts in the left screen. I will remove the media pool for more space and a better view. Now we type our text here. I will type 3D, for example. I'll zoom in a bit on the text to get a good view of it. The text is still appearing normal. It's not ingredients. Now we will add immediate out to see its final look on the right screen. You click Control plus space. We get the Select tool window. We talked media out, and we add it to denote space. We will not be able to link to 3D text node directly to the media outlet. So we need to add a 3D render node between them. So we click Control plus space. We get this lecture window which I render. We get three options here. We slept render 3D. We added and we link it with both nodes. Now check the right view in the media of node. You can see the text on the right screen, but it is still not in 3D. So select the text node because the extrusion increase the Extrusion Depth. Now the text is in 3D. We need to add some lighting to get a good look of the text. Select the render node. Then we click on Enable lighting and enable shadows. From here, we select the 3D text node, the nucleic improper space in the week type light. We get multiple options here. You can select the one you like. For me, I will go with the point light. As you can see, a merge node was added automatically between the text and the render nodes. And we have the point light. Now, let's see how to edit manually. We click on the merge greedy icon. We drag it to the node space and we put it between the treaty text node and the render node. We have here, the spotlight. You can search for the point lights and use it. Or we can use the spotlight here. We drag it here. We'll link it with the merged 3D node. We already talked about the notes in the former videos. The only difference is that this one is a merged 3D. We use it for 3D text. We have the lightened icon here. You can change its position like this. And you can see the result on the right screen. We can change its angle from here and a lot more. It's settings any way we like. We can put the lighting anywhere we want. We select the 3D text node. And we use these three settings here to move the 3D text. We have the rotate setting, we use it to rotate the 3D text. We have this gift setting because it's just the size of the 3D text. We select 3D text, note and we change its color from here. Now we remove the spotlight. At the point light. Willing it's noted with the merged 3D node. We can change its position like this and put it anywhere we want. We can add a background to the 3D text. We go to the media pool and we select the background we want to use. We added to the node space. We click here to unlink the render node, intermediate node. You put the media of node here and we'll link it with the background note. Now we can see the background, but we can see the 3D text. So we select the background note and we add a merge node between it and the media out. Note. This is a normal version that 3D merge. Now willing to render node with the merge node. The one that we just added. Here we add the text is visible now. We add the transform node here so that we can adjust the size of the background image, increase the size of the treaty text as well. And we can rotate it or put it wherever we want. We can adjust the lights position as well. Let's any lights Angular we want. So this is how we create a 3D texts and how we can add a background to it as well. That's it for this video. Thanks for watching and I'll see you in the next video. 90. change 3d text color: Hello and welcome to this video. We are still talking about the 3D text. And in this video we'll see how to adjust its size and change its inner color. We start by adding solid background. So we delete the background image node. Then we add a new background node and we link it with the transform node. Now we can change the background color. We can select horizontal or vertical or any other type in here. Example, gradients. We can set the colors like this. Now go back to solid color. That's the type we will choose. The background color to black. Now we will change the inner color of the 3D text. We select the 3D text node. We go to the shading setting, and we uncheck the Use one material option so that we can be able to use multiple materials. Take a look at 3D text. Now. We selected transform setting. We increase the scale of the texts to get a good look at it. We go back to the shading setting and now the inner color of the text is in white. We changed the background color. The text color may appear in gray here, but that is because of the shadows. If we changed the lighting angle, you can see that the inner color is annoyed. We go to the bevel material menu and we changed the inner color from here. Make sure to set the RGB colors so that you can change the colors. So this is how we can change the color of our 3D text and we can adjust the lighting angle any way we like. That's it for this video. Thanks for watching and I'll see you in the next video. 91. 3D camera: Hello and welcome to this video. We are still talking about the 3D text. And in this video we will talk about the 3D camera. The 3D camera allows us to view the 3D objects from different angles. We select the 3D camera and we drag it to denote space. Here's the 3D camera, but we need to link it to be able to see it in the screen. We click and drag until we get a Lincoln thought. Then we release the mouse. Here we are. 3d camera is linked to camera is close to the text. That is why we can only see this part of it. We just can reposition to get a better view of the text. The camera allows us to see the text from any Angular we want. You can see the texts from above, from below, from the sides, or from any angle we want. So this is how to set the 3D camera and how to control it to see 3D objects from any angle you want. That's it for this video. Thanks for watching and I'll see you in the next video. 92. adding texture to 3D text: Hello and welcome to this video. In this video we'll see how to add an image or a texture to 3D text. We select the 3D text note to see its settings. Here. We click on the typesetting and we slept image. We import the image that we want to use. You can use any image you have. Drag it to the node space. We link it with the 3D text node. And here we are. The image is added to the text. As you can see, the image does not cover the whole text. To fix that, we add a transform node between the image anode enter 3D text node. We select the transform node and we increase the size of the image to cover the whole text. We can do the same with the Bevel Material. Select image into typesetting is left image. Then we import the image we want to use. We drag it to the node space. Linkage with the 3D text node. And here we are, the image is added. We can adjust the color from here. And changing the color affects the look of the image. So this is how you can add an image or texture to your 3D text. That's it for this video. Thanks for watching, and I'll see you in the next video. 93. creating a news introduction using 3D text: Hello and welcome to this video. In this video we will see how to animate it predicts x. To create a new intro, we'll take a look at all that we learned about 3D texts in the former videos. We start by adding the background that we will use. The background is included for you to use, and of course you can use any background. Do you want? Now we add the 3D text. We add the 3D render. We need to add a merge node to link the 3D render with the media. And here it is willing to render 3D node with the merge node. Perfect. And we can see the 3D text icon here. Now we type in use here. We put it in the center. We enabled the lighting and the shadows. We slept the 3D text note. We go to the extrusion menu and we increase the extrusion depth. We need to add light in here to get a good view of the 3D text. At the point light. You can add any light you want. Here it is. With the merge node editor. Automatically organize the node space so that everything is clear. Now we check the left view into 3D text node. It just the point lights positioned to get a good view of the 3D text. We can play. And here we are. This is the background and the 3D text. Now we select the text node and we go to the shading menu, and we adjust the inner color of the text. We put the cursor here so that we can see the background color. And to make sure that we change the text color to a color that matches the background color. We uncheck the Use one material option. Then we go to the bevel material menu and we drag this picker tool to the color we have here. Now as you see, the inner color of the 3D text matches the color of the background. This is the 3D text. Now. Now we will see how to animate it. We go to Transform menu, multiple settings that we use to animate the text. Now we will rotate the text by 360 degrees. We select the frame where we want the animation to start, the starting point. For example, a frame number ten. We set a keyframe on the Y rotation. Then we select the frame where do we want the rotation to end the end endpoints? For example, framed 45. Now we rotate the text. We rotate it for 360 degrees. Like I said, we click Play and here we are. Now we go to spline. We select the Y Rotation, just discord server until we can see the whole histogram. We select these two dots. N replicates is more than the animation like we saw before. We go back, we click Play, and here we are. We can increase the animation duration a bit. As you can see, the animation is slower now. We can make a difference animation. First we need to remove the animation we just made. We go to the Y Rotation setting. Right-click on it and we slept, remove debts 3D one, y rotation. Now we select the animation starting point. We set a keyframe in the extra rotation setting. We rotate the text like the animation and then point. Then we put the text back to its normal state. We go back, we click Play, and here we are. Removed. Extra rotation keyframe. Now we said the animation starting point. We said an X translation keyframe will hide the text and the side like this. We select the animation and then point. We slide the texts back to the other side. We can explain. And here are the text appears from one side and slides to the other side. So this is how we can animate a greedy text and how to create a simple news intro. That's it for this video. Thanks for watching, and I'll see you in the next video. 94. how to create a slideshow: Hello and welcome to this video. In this video we will see how to create an animated slide show like the one we have right here. This is the whole project in diffusion page. It may look too complicated, but it's not. We will start from scratch and build our way step-by-step until we get the final results. We start by opening a new project. We name it slideshow. Here we are. Now we import the media files we will use. Will import the image and the brush. They are included for you to use. Now at the image to denote space. We put it here. Now we add the brush. We enabled the left view to see the brush on the left screen. It is. We hide the media port for more room. We need three brushes, so we'll duplicate this one. We add a transform node. We link it with the brush. The brush down here. We add another transform node. We link it with the brush note as well. We put it here. We add the third transform node. We link it with the brush as well. Then we pull it up here. Now we need to merge the brushes to see the whole shape. We add a merge node. We link it with the transform nodes. We enable the left view to see the shape. Now to make the third transform node, we need to add another merge node. We added here. And we'll link to transform node with the latest merge node. Now when these two merge nodes together, we enabled the left view and this node. And here we are. We can see the whole shape. We can select and adjust each individually. Now that we have added the brushes, we need to link them with the image. We add a new merge node here. We link it with the merge two node. Then you add a fourth merge node between the media and the media of notes. Then we'll engage with the merge tree node. Unlink the merge four and the media out notes. We enable the rights view in the ministry note to see the result. We still can see the brushes only the image. So we need to put the image in the brushes. We select the ministry node. We go to the operator setting and we select n. You add image is in the brush. Now, we link the ministry with the media out. The new enable the right view in the media out. Now we need to adjust the image. We select the media n. Then we select the color correction tool. It is added here. Now we decrease the saturation to 0. The image is in black and white. Now. Now we animate the brushes. So we select the first brush, the transformed query node. We select the animation end point. We said central keyframe. Then I'll put the cursor at the start. We pull the brush here until it's gone. Now when we click Play, and you can see the brush returns to its original position. We click Play and you can see the brush returns to its original position. The same with the second brush. This time we pull it to the other side, the left side. We click Play, and here we are. Now like the same thing to the last brush. We pulled this black. People disbursed to the right side, like the first one. We click Play, and here we are. Our slideshow is completed. We can add the text. We added six unknowns. Here. We link it with the color correction node. Merge node is added automatically. Now we type our text. For example, we type design. We increase its size. We changed the font. We add the shadow to the text. The background is in white and the text isn't white. We can see it perfectly. We add the shadow in here. We select it and we adjust its softness and it's offset. We can explain. And here we are. This is the slideshow so far. And as you see, we've created this whole notes step-by-step. And always make sure to organize your space so that everything is clear. That's it for this video. Thanks for watching, and I'll see you in the next video to create the next part of the slideshow. 95. slideshow animation: Hello and welcome to this video. We'll keep working on our slideshow, and now we will move to the edit page. This is our slideshow so far. We pulled the composition to the top track. Because we will add the background to the lower tracks. We add the background image in here and take a look at the slideshow. So far. We add the solid color to this track. We select the color we want to use. I will go with this color. We go to Settings composite and we decrease its opacity. We click Play, and here we are. Go to the effects library. Select Open Effects, then we drag the Gaussian blur to the background. Let's effects from here. Here we have the Gaussian Blur setting. We set the blur from here. We can hit play and here it is. We go back to diffusion page. We need to add some shadow. We slipped the ministry node. You click Control plus space. We get this lecture window and we type shadow. It is, we added. We go back to the edit page to select the background scanner. Copy this color number. We go to the Fusion page, then we paste the color numbers at the same color in the shadow. We go back to the edit page. We click Play, and here it is. We can adjust this color a bit. We go to the color page, select the fusion, and we increase the contrast a bit. You can increase it or not. It's up to you. You are, this is us. Here we are. This is our slideshow so far. We will animate diffusion and the background. Now. We want to animate them both in the exact same way. We select the background. We set the zoom keyframe. Select fusion. We set the zoom keyframe. We put the cursor here. We set the Zoom setting. We copy this number. We select the background and we base the number here to set the exact same Zoom. We go back, we click Play, and here we are. Now we put the cursor here. We put the background, zoom back to its original log. Same thing. In diffusion. We click Play and here is our animation. We can add another animation. We set the rotation angle keyframe for the fusion. And for the background. We put the cursor here. We set the rotation in the background. We copy this number. And we'll base it to diffusion to set the exact same rotation angle. Now I'll put the cursor here. We put diffusions rotation and due to its original state, we copy the number. And we paste it to the backgrounds rotations angle. We click Play, and this is our animation. Now, we can animate the text as well. We go to diffusion page. We select the text node. You go to Transform. We go to the rotation settings menu. We select the animation starting points. We set a key-frame, rotate the text. We slipped the animations and the point, we put the text back to its original state. Go back, we click plane, and here we are. The text is animated. We go back to the edit page. You click play, and here we are. Now you can use this template with another image if you want. All you have to do is to replace the current image. So that's it for this video. Thanks for watching, and I'll see you in the next video. 96. duplicating the slideshow: Hello and welcome to this video. We created this animated slideshow in the former videos. Now we will add another image to it. Now we select the three layers we hold Alt and drag them here to duplicate them. Now we select the next image that we will use. I will select this image here and you can select any image you want. Delete this image. We replace it with the new one. Now we select the solid color. We select the solid color layer and we change its color. We copy this color number. Now we add the Gaussian blur effect to the image. We select the composition, we go to diffusion page. Remove the image node. We add the new image linkage with the color corrector one node. Here we are, the image is changed. We select the shadow node and we change its color. We based the color number we selected earlier. Use the exact same color. Now we go back to the edit page, and here we are. We have to animate it photo slideshows. You can decrease their duration a bit. That's better. You can change the text. Let the second composition we go to diffusion page and we change the text. For example, we type astronauts. We go back to the edit page, we click Play, and here we are. The text is changed. We can adjust the size of the text if we want. This is how we can create a simple animated slideshow. And you can use this to create movie intros or TV show intros. And you can create your own slideshow to present your images. Or you can design a slide show for your clients. That's it for this video. Thanks for watching and I'll see you in the next video. 97. brightness effect: Hello and welcome to this video. In this video we will see a brightness effect that we can add to our slideshow to make it look better. Which left the second composition. We go to diffusion page. We already have the color correction node here. But if you haven't edited, you can select the media in node and then click on the character to edit. Now we select the color corrector. We select this frame. We said a brightness keyframe. We decrease the brightness. We select the fourth frame. We set the brightness like this. We select this frame and we put the brightness back to its original state. Go back, we click Play, and here we are. Take a look at it in the edit page. It's like we have a lighting effects in here. It makes the design looks better. And of course, you can make a lot of adjustments to create some cool effects. That's it for this video. Thanks for watching, and I'll see you in the next video. 98. create an animated background: Hello and welcome to this video. In this video we will see how to create an animated background. We go to this page, go to the effects library. We select the generator as menu, select contours. From here. We drag it to the stack. We click Play, and here we are. We haven't animated background. We have six different versions. You can select any version you like. You can set the number of layers here to change the animation. Now we'll take a look at the fifth version. After we select the version that we want, we click here to go to the Fusion page. Hide the media pool to get more space here. Here we have the media out node and the contours node selected contours now to get these settings here and we use them to just the background. You can still change the version from here. We set the number of layers from here. For example, we set it to 0.24. We said the cursor at the start of the video. Then we set a keyframe. We set the cursor at the animations and then frame. Then we set the layers to 4.88. For example. We go back, we click Play, and here we are. Our background is animated. We can animate the background using the offset. You can select the pattern inside here. We can select the pattern type from here. We slept radio or reflect or any type. Let's animate the background using the pattern inside. We said the cursor starts with the video. Then we select unit. We set a keyframe. We said the cursor at this frame. Then we changed the types of linear. We select this frame, then we change the type to reflect. We select this frame, then we select square root Type. We select this frame, then cross. Again. We select this frame, then we select radio. We go back, we click Play, and here we add the background changes like this. This is one way to animate the background. We can animate it using the position. We set the cursor to the start of the video. We set a position keyframe. We select this frame, then increase the position. We go back, we click Play, and here we are. If you want to remove any key-frame, you right-click on it and use select move from here. After we remove this keyframe, we still have the rest of the keyframe set. And animation looks like this. Now, like I said, we use these settings here to animate the background. We have here, the colors menu, but can change the background color. We can change the Shadows color as well. And we can set the gradient color. We can select any color we want in here. Like I said, we can select any color we want in here. Let's take a look at the sixth version. We can set the latest number, for example, which says that we can set the latest number. For example, we set it to 2.28. We set the cursor to start with the video. Then we set a keyframe. We put the cursor at animations and then frame, then we set the latest to 8.5. We click Play, and here we are. Same thing. We can change the pattern and type. For example, with linear or grass or any type we want. Now we go back to the fifth version. We change its color. Like this. We can add a text in here. At the text node, linkage with the contours node. Then we type our text. For example, which I've da Vinci in here. We select the font. Any phones we want. We select this one. We set the cursor to the start of the video. We set the size of the text to 0. We select this frame. We increase the size of the text. We go back, we click Play, and here we are. This is how we can create an animated background. Different versions that we can choose from. And we can animate them any way we like. And we can use this to create intros and a lot more. So that's it for this video. Thanks for watching, and I'll see you in the next video. 99. paint tool: Hello and welcome to this video. In this video we will see how to add animated strokes in our videos. We start by adding a background. Then we add immediate out. We enabled rights view in the media out. We changed the background color. Now we will add the stroke using the paint. So we select the background, then we click on pain to edit. When we click on paints, we get these tools here. Select the polyline stroke. Then we draw a stroke in here like this. We can change the stroke color from here. We painted in white. We go to Stroke Controls. We use them to animate the stroke. We said the closer to the start of the video. Then we sit right on keyframe. We decrease the right onto 0. We set the cursor to the animations and then points. Then we set the right tone back. We click Play, and here we are. This is one way to animate the stroke. We can change the stroke size from here. And we adjust its softness from here. We select the stroke, then we click Delete on the keyboard to remove it. Again, we use the polyline stop to draw the stuff you want in here. For example, like this. You can draw any stock you want, any shape you want. You can adjust its position as well and put it anywhere we want. Now we go to Stroke Controls. You set the right tone keyframe. We decrease it to 0. We set the cursor at the end in-frame, increase the rights on. We go back, we click Play, and here we are. This is how we can animate our stroke. We can use this to create a text or a signature or whatever we want. So that's it for this video. Thanks for watching, and I'll see you in the next video. 100. animated glow effect: Hello and welcome to this video. In this video we will see how to create this effect right here. These are the nodes that we will add. Now, open a new project. Starts by adding a background node and immediate out node. We select the background and we add the paint. We enabled the right view intermediate out. At the glow. We select the Paint node and we select the multi-drug. This enables us to draw a few shapes here, like the polyline stroke that we use to draw straight lines, then adjust them afterwards. With the multi stroke, we can draw whatever we want. We select the glow and we can adjust it using these settings here. You can always click on the arrow icon and select the stroke, then click Delete to remove it. Now we add our video. It's included for you to use. Now we add a merge node. We link it with the media out node. Now we'll link the glow with the merchant. As you can see, the background is covered in the video. So we selected and we decrease its alpha from here. Now we can see the video. We said the cursor at the start of the video. We select the node, then we select the multi stroke. You can set the strokes color from here. And we set its size and softness from here. We take a look at it to set the right size. Now we select the glow node. We said the glow. You said the gloves size. That's good. Go back to the paint. We decrease the size a bit. Perfect. We'll move this shape. Now we said the cursor at the start of the video. We draw the first shape here. Now we click on the rights era in the keyboard to move to the next frame in the video. The shape is gone now because there is no shape in this frame. Now we draw this shape around the bowl. Then we draw this shape here. Then again, we click on the right arrow key to move to the next frame in the video. Now we draw this shape. Then we go to the next frame. We draw this shape here. And here. And of course you don't have to draw the same shape I'm drawing here. You can draw whatever you want in here. It depends on your creativity and imagination. Now the next frame, we draw this shape here. And you keep going and withdraw a different shape. In each frame. We keep going frame-by-frame until we covered the whole video or in jail, you get the duration you want. Good. Now we go back, we can hit play, and here we are. Like I said, we keep going frame-by-frame. And we draw any shape or shapes we want in here, no matter how long we want. So this is how we can create the glowing animated effects. And you can change the color if you want. You can set a different color at each vein if you want. For example, like this. Now we draw another shape in a different color in the next frame, and we keep going until the end. So that's it for this video. Thanks for watching and I'll see you in the next video. 101. hoe to remove green screen: Hello and welcome to this video. In this video we will see how to remove and replace the green screen. I have this video here as an example. This video is included. You can use this video here, or you can use any green screen videos that you have. The media in the media arts are added and linked. Now it's like the media and then Control plus base to get the Select Tool window. And we type delta. We get the Delta K or two. This is one of the tools that we use to remove the green screen. We add it. We selected to get its settings here. Now we select the speaker tool and we drag it to the green screen. Then we select the darkest parts of it. Now when we release the mouse button, the green screen is gone. We turn the screen to alpha and we can see where we can see where we still have some noise that we need to take care of. It just the red like this. We still have some noise here. So we go to the mid setting and we decrease the threshold. Now it's good. We exit the alpha. We have here the clean foreground setting and the green background setting. In here we have two Blur setting. Here we have a road dilate setting. We use It's road or dilate the selected object or character. Set it like this. Now we add some blur to make sure that we don t see some noise around the character. Now that we remove the green screen, we go back to the edit page. Here we are. This is our video and the green screen is gone. Now we can replace it. We replace it with this background. It is included for you to use it if you want. We click Play and here we are. This is our video with the green screen removed and replaced. Now we go to the effects library, then Open FX, and we select the Gaussian blur effect. We drag it to the background to make it blurry. And we can adjust the blur from here. You can see that the character is more saturated than the background. To fix that with the video, then we go to the color page and we decrease the character is saturation. You go back to the edit page, we'll click Play, and here we are. The character and the background are matched. Let's add a difference. Background. It is. It's included as well. We pulled the character to the site so that we can see the breaking news sentence. We click Play, and here we are. We go to the color page and we adjust the saturation a little bit. You can color correct the video if you want. We go back, we click Play, and here we are. We add the Gaussian blur effect to the background. He said it like this. Perfect. And you are, this is how we can remove and replace the green screen. And we use these settings here to set the background and get the results we want. So that's it for this video. Thanks for watching, and I'll see you in the next video. 102. fire effect: Hello and welcome to this video. In this video we will see how to add a fire effect in here. This video is included for you to use. The notes are already edit. Now we add the fire image. Will emerge this fire image with the video to create a coal fire effect. We select the media in and we add a merge node. Then willingly the fire image with the merge node. We need to remove this black background in the image. We select the merge node. Then we go to the blend mode setting and we select screen. The background is gone. Hide the media pool for more space. Here we take a look at the video before and after we added the fire effect. We can put the fire anywhere we want. For example, we put it here, we click Play, and here we are. This is the video before, and this is the video after. The fire looks way better. So this is how we can add this fire effect. That's it for this video. Thanks for watching, and I'll see you in the next video. 103. replace a phone screen: Hello and welcome to this video. In this video we will see how to remove and replace the green screen in a phone screen. We add two videos that we will use. This is the first video. And this is the second video. We named this node mobile to know which is which. And we name this one screen. We add immediate node. Here it is. We link it with the mobile node and we enable the right view to see it in the right screen. As you can see, the phone is moving in the video. So we need to drag the green screen. We put the cursor at the start of the video. We select the mobile node. Then we add a planar tracker. We have the record icon here, and we have its soul in here. We select the click the pen tool. It's shortcut is Shift plus c. Then we zoom in on the phone. You hold the mouse wheel and we click and drag to navigate the screen. Now we select the whole screen. We started with this corner, then the next, then the next, and the next. Then we connect the dots to select the whole screen. It will add the screen is selected. Now we go to the motion type setting and we select translation rotation scale. Then we click on track to end to start tracking. The screen is trapped. We click Play, and here we are. Now we select the screen note linkage with the blender dragon node, slip, the planar tracker node. Then we go to the operational mode setting and we select corner pen. Now we have just the video to cover the phone screen. I need to make sure to cover the whole screen. We click Play to take a look at it. We still need to cover this corner here. So we zoom in. And it would fix it like this. In here as well. That's better. Zoom out. We click Play. And here we are. The green screen is replaced with this screen. Right here. You can see that there is some green-screen infliction on the hand here. So we need to fix it. We go to the color page. We go to the curves and we select the USU. We slipped the green color and we adjusted like this. That's better. So here we are. The green-screen is replaced. That's it for this video. Thanks for watching and I'll see you in the next video. 104. replace the sky in your images: Hello and welcome to this video. And this video we will see how to replace this guy in the video we have right here. Now we add the second video, the one with the new sky. We named this node city. And we name this node sky. Now we will put the sky node below the city node. We slipped the city node and we add a merge node. Now when we link this guy note with the merge node, the sky covers the buildings. That's why we need to put the sky note below the buildings. So we unlink the notes. And then we swap the sky and city nodes will link this guy node with the Merge. Then willing to sidenote with the merge node. Now, the buildings are over the sky. Now we'll replace the sky. So we select the city node, then we add luma care. The new sky is visible. Now we click on it. And here we are. The sky is replaced. We select the luma care node. We can set the Gamma from here. We sit the contract expand from here. We increase the blur slightly. Now we need to remove this edge in here. So just the channel like this. Increase the contractor bit. That's better. We collect plane and here we are. The sky is replaced. This is the video before and after. Increase the blur a bit. That's better. So this is how you can replace this guy in your videos. That's it for this video. Thanks for watching and I'll see you in the next video. 105. hologram effect: Hello and welcome to this video. In the former video, we have replaced the sky in this video. Now we will add some more effects to it. We will add the hologram effect to these buildings here. Since the video is moving and we need to drag one of these buildings here with these nodes here. Now let's let the city node. You click and drop a space to get the Select tool window. We type tracker. Here it is. We add the tracker. We have the Tracking icon in here with the cursor at the start of the video. And we select this building here. You zoom in on the building dyslexic perfectly. Here we are. We have selected this part of the building. We zoom out. Now we click on track forward to start cracking the building. The building is stretched successfully. Now we start adding the effects. These are the media files that we will use. They are included for you to use. We add the first video. It is. We link it with the tracker. We select the record, then we go to the operations setting and we select Match move. Now we add the transform node here, it just the size of the video. We hide the media pool for a better view and more space. Now we put the video over the building, just its size to fit with the building. We select the tracker and whistling screen in the Apply mode setting. We click Play and take a look at the building. Now, we add the next video. Link gets with a director like this at numerous automatically in here. We select the video node. We will put the video over this building here. And transform node is not the solution because we need to adjust the coordinates. So we will add the corner position. We edit here with the melt and we adjust the video to put it over the building. You said it like this. Now it's left to merge. Then we select screen in the Apply mode setting. We need to adjust the video a bit. That's better. We click Play and here we are. You don't have to select screen in here. You can select any mode you like. As you can see, we have multiple options to choose from. For me, I would go with screen. We put these nodes here to get some more space. Now, at the next video, when it gets with the merge two node like this emerged renamed automatically. We add a transform node in here to adjust the size of the image. We select them or story node and we select screen from here. No, it just says if the image and we put it right here, we click Play, and here we are. This is our video so far. Now we add the last video. We link it with the merge node. We add the corner position or node in here. These are notes. Can we adjust the size of the video? We hide the media pool. And we put the video on this building here. Then what's left screen in the Apply mode setting, we click Play, and here we are. This is the final look of our video. So this is how we can add these cool effects to any objects we want. In our videos, we saw how to do this, and you can use your imagination to create any design you want. So that's it for this video. Thanks for watching, and I'll see you in the next video. 106. smoke effect: Hello and welcome to this video. In this video we will see how to add steam effect to our videos. This is the video that we will work on. It's included for you to use. And we will add steam effect to make it look like it's a hot cup of coffee and they're steam coming up from it. We start by adding a first node is node in here. We link it with the media and node. You can see the same effect now. We can adjust it using these settings here. Now we will set the scene to look like it's coming from the cup. You zoom out at the polygon in here. We select this part of the cup. Now we said the steaming is in the details setting. We select the polygon and we soften the edges. You need to fix it a bit in here. That's better. The steam is added. But when we click Play, you can see that this team is not moving. So we said the cursor at the start of the video. We select the first noise node. Then we set center keyframe. We put the cursor at the end of the video. Then we'll increase the y like this. Now we click Play and here we are. The steam looks like it's coming from the cup. We select the first node is node, and we adjust its brightness to make it steam thick or thin, dependent on what we want. We can adjust its contrast as well or whatever we want. For example, we can set it like this. We've looked at here we are. The same effects is set and it looks like we have seen coming out from the coffee cup. So this is how you can add steam effects in your videos. That's it for this video. Thanks for watching, and I'll see you in the next video. 107. change eyes color: Hello and welcome to this video. In this video we will see how to change the color of the character's eyes. This is the video that we would work on. And as you see, the eye is moving. Now since the eye is moving, we need to drag it. We select the media in node, then right-click and proper space without planet cracker and we add it. We zoom in on the eye. We selected. Perfect. We zoom out. Now it's like translation, rotation scale in the motion type and we click here, it started cracking process. Who are the eyes grabbed successfully? Now we will change its color. So we add a merge node here. Then we add a background node. We link it with the merge node. We select the blender tracker and loose Let's corner bend in the operation mode. We just did, and we put it right here. Perfect. Now we select the background note and we changed the color. We opened the colors panel and we painted in red. We select the background node and we select the B-spline. It's linked to the background note automatically. Now we'll select the eye. Since the eye is round, we need circle in here. We have a dot in here. Now we just did that using this circle that we drew here. We select the planet tracker and we go to corner pain. We change the blend mode to overlay. We slept the B-spline node. And we adjust the circle a bit more to make sure it's covering the eye perfectly. Now we decrease the border width to smoothing things. Here. We select the background note, just eye color. Of course you can select any color you like. For example, we painted in black. We go back with the plague, and here we are. We've painted in red this time. We could play, and here we are. And like I said, you can select any color you like. Now we'll select the other eye. We add another planet tracker here. You zoom in on the eye. We selected zoom out. We slept translation, rotation scale, motion type. And we start tracking the eye. The eye is direct successfully. To save us time and efforts, we duplicate these nodes here. We link them with the second planet tracker. Now let's select Owner been in the planet tracker operation mode. And we adjust the circle to cover the second die. Like the second planet, Drucker was left corner pain and we select overlay in the Apply mode. Just the B-spline, slightly like this. We click Play and here we are. The eye's color is changed. We need to just the B-spline a bit more. Now it's perfect. So this is how we can change the character's eye color. And we need to make sure to adjust the edges perfectly. Like I said, you can select any color you like. You can paint both eyes in the same color or each I in a different color. It's totally up to you. So that's it for this video. Thanks for watching, and I'll see you in the next video. 108. add footage inside a character eyes: Hello and welcome to this video. In the former video, we saw how to change the character's eye color. Now, in this video, we will see how to add a video to the right instead of solid background. You may notice that the edges are rough in here. If so, select the B-spline and soften the edges a bit until you get the result you like. This makes it look a bit better. Now we select the video that we want to add. You will find these videos here included for you to use. Select any video you want to use. Now we'll drag it to denote space. We delete the background note, but the video note here, and we'll link it with the merge node with the B-spline node. Now we have a video instead of solid color background. As you can see, we can see the video clearly. So we select the planet tracker and we select normal in the outline mode. Now the video is visible. If we want to merge it with the eye, we can select overlay to make it look like this. And as you can see, we have multiple options here. You can select any one of them to get the result that you like. So this is how we can add a video to the character's eye to create a cool effect. That's it for this video. Thanks for watching and I'll see you in the next video. 109. add a hologram effect: Hello and welcome to this video. In this video we'll see how to add a hologram effect. We need to track the object that we will add the effect to. Add the planet tracker. We select the H bracket I chose to drag the eye in this video because it's the object that I thought was suitable. If you have a different videos, let the object that you think is best to track. Now we zoom in on the eye. We selected. Perfect. We zoom out. We slept translation, rotation and scale in the motion type. Then we start cracking DI. Here we are, the eyes track successfully. Now we add a merge node. We link it with the planet Drucker. We put all the nodes here to get more space. Now we add the video that we want to show in here as an effect. It's included for you to use. Here it is. We link it with the merge node. We select the planet tracker and we select corner. In the operation mode. We adjusted to cover the whole video. We select the planet Drucker. We go to Corner Pin, and we select screen in the Apply mode. We want the effect appeared on the helmets glass. So at the B-spline, you go back to the start of the video. And do we select this part here? Nevertheless, blank, and here we are. The effects appears on the Hamlet's glass. We select the B-spline node and we soften the edges. Decrease the opacity of the effects. We decrease the level from here. To make the effect look like this. We collect plane and here we are. This is how we can add the hologram effect like the one we see in the movies. That's it for this video. Thanks for watching, and I'll see you in the next video. 110. add logo to an animated object: Hello and welcome to this video. In this video we will see how to add a logo to this boat here. First, we need to track the boat. So we add the planner tracker here. We will add the logo on the sale right here. So we select the cell to track it. Perfect. Now slip translation, rotation scale and the emotion side. And we start dragging this cell. Here it is, It's tract successfully. Now we add our logo. It's included for you to use. This. We link it with the planet tracker. We select the planet tracker node and we select corner paint in the operation mode. We put the logo right here. Go back to the start of the video. We click Play, and here we add the logo moves with the sale. And it looks like it's painted on the boat. Say, we select the planet tracker. We go to coordinate plane and we change. And we can change the blend mode. We have multiple modes here. You can select any one you like. I'll keep it normal. Decrease the alpha again a little bit to make it look like this. We go back, we click play and who we are. And we can use this method to add a logo to any moving object. So that's it for this video. Thanks for watching and I'll see you in the next video. 111. remove objects from videos: Hello and welcome to this video. In this video we will see how to remove objects from videos. There is an important thing to know first, the tool that we're using in this video allows us to remove objects from videos filmed with is still unstable camera, like the one we have right here. If we want to remove objects from videos that are filmed with a moving camera, we use a different tool that is only available in the paid version of the software. So this is the video that will work on. As you see, the video is still unstable camera and we will remove the character in this video. We select the media and node, we click on proper space and we typed paint. Then we add it. We select it, and we go to the modifiers window. We select the stroke tool, and we select the Clone model. We check the cell source option. Now the way this works is that the software will glom this frame of the video to hide or remove the character. The frame is empty. There is no character, which makes it a lot easier. But even if it's not the software with the proper frame. For example, in this frame here this part is empty, so the software will clone this frame to hide the character from the spots and it keeps going until it's hides character from the entire video. We select the frame that we want to use using the source time setting. Since the frame that we want to use is at the start of the video, we set it to 0. Now we select the media in note and we drag it to the source tool. Now we go to the brush controls. We said the size and the softness of the brush. We click Play and the character appears. Now we use the brush to remove the character. And we keep going doing this until the end of the video. Like I said, we keep doing this until the end of the video. Now it's character is removed from the entire video. We click Play, and here we are. Take a look at the video before and after. The video is a little slow because it takes some time to render it. So this is how we can remove characters and objects from videos that are filled with is still unstable camera. That's it for this video. Thanks for watching and I'll see you in the next video. 112. maps animation: Hello and welcome to this video. In this video we will see how to animate a map. We have the map image here. We have the plain image right here. This is the plane, this we will move on the map. And all the images are included for you to use. Now clicking proper space to get this lecture window and we type mask paints. We add the mask pain node. We add that background note and willing kits with the mask main node. Then we'll link the background note with the media EndNote. Now we select the mask main node and we paint the planes trajectory. We use the polar line stroke tool. We paint the planes trajectory like this. Perfect. Now we go to brush controls to adjust the line. We decrease its size a bit. We remove the softness. Then we go to Stroke Controls. We increase the spacing to make the line look like a chain of dots. If you want it to be a straight line, you set the spacing back. Now we select the background node and we paint the line in whites. The track is ready. Willing to the plane node. With the merge node. We add a transform node. Here. We select the transform node and we decrease the size of the plane. Now we need to link the plane with its trajectory. So we said the cursor at the start of the video. We select the mask paint node. Then right-click here and we select Publish. Now we select the merge two node. Then right-click on the center setting and we select Beth. Now we go to the modifier window. Right-click here, and we select right-click here, and we select Connect to value. Now the plane is linked with its track. Double-click on the path one setting, you can see the displacement setting is activated. We put the cursor at the end of the video and we said that displacement like this. We go back and we click Play. And here we are. The plane is moving. We put the cursor back to the start. Now we will animate the line. So we select the mask paint node. We go to Tools window, and we will animate it using the right on-site. We set a keyframe at the start of the video. Then we set it like this. You put the cursor at the end of the video. We put the right tone setting back like this. We click Play, and here we are. The line is animated and it's moving with the plane. We need to fix the blank, we need to rotate it. We select the transform node. We set the cursor to the start of the video. We set the center keyframe and an angle keyframe. Then we rotate the plane. You move it here. And we rotate it like this. Then again, we keep going like this. Perfect. We click Play and here we are. The animation is perfect. As you can see, the plane is moving according to the trajectory we set for it. This is how we can animate the map. That's it for this video. Thanks for watching and I'll see you in the next video. 113. how to duplicate a character: Hello and welcome to this video. In this video we will see how to duplicate our image. I have this video here. I filmed myself. I was on this side. Then I move to the other side. Now we will see how to duplicate my image to make it look like there are two people in here. We set the cursor here, and we cut the video. Now we set the cursor here and we at the video again. We slept the metal parts. Then we click Control plus X to remove it. We put this part in this track. We cut this video here to be in the same duration as the other video. We delete this part. We select the top video. We go to the Inspector window, and we select video. We go to the crop in settings. The other image is in here in the lower video. So we select the top video and we grab it right like this. You can see the other image appearing in here. The image is duplicated now, but as you see, there is a clear difference between the two videos. So to fix this, we increase the softness from here. Now we click Play, and here we are. We duplicate it, the character image to make it look like we have two persons in the video. This is how you can duplicate your image in your videos. Now to be able to do this, you have to film yourself with the camera using a tripod so that the camera does not move at all. And it's better to film yourself into two positions with one shot to avoid changing anything in the background. If you filmed each position in a different video, then you merge the two videos. And of course you can duplicate your image as many times as you want, then merge them using the crop. This video is included for you to use, and that's it for this video. Thanks for watching, and I'll see you in the next video. 114. firelight page: Hello and welcome to this video. In this video we will talk about the fairy lights page. Now after we finished, it is in our videos we get to the audio editing phase in which we use the very last page. It's an audio focus page in the da DaVinci Resolve software. We click here to access the very last page. And we get all the audio files that we have in the edit page. As you can see, we have here the fusion, the Media Player window. We have the audio tracks, and we have the mixer. We can adjust the windows in the page same as the other pages to set it in the way we like best. Like I said, we have here the audio tracks. We have the arm for Record button. We use it to record new audio. Next we have the Solo button. Then the mute button. We can right-click on the track and change its color from here. We can add new text from here, mono or stereo. In here we have the editing tools. We have the selection tool, we use it to select and move audio files. Next we have the range selection mode tool. Is it selects multiple files at the same time. Next we have the edit selection mode tool. We use it to select parts of the audio files. Then we can set the duration of the selected parts from here. Next we have the Cut tool. We use it to split audio files and remove any parts we don't want. In case we removed any parts by mistake, we click Control Z to bring it back. We use Control plus Z to undo the last move we made. Next we have the snapping tool, deactivated, the snipping tool. We can put audio files over each other, which can cause an overlap in the audio. But if we activate the snipping tool, it will prevent us from doing that. So it's better to keep it activated to avoid any mistakes. It's also helps us to get audio tracks next to each other perfectly without leaving any space between them. Next, we have the length selection tool. Here we have the flex tool. Next we have the markers tool. We use it to mark any spots in the audio. You can double-click on the mask to add a note to remind you to do a certain task or whatever you need to do, or even comments on that part of the video. You can select the color from here. You select the mark, neglect the literal movement. Next we have dependency into detection tool. And in here we have the size tools. Use these two tools to set the size of the track. And in here we have the mixer. We use it to just the volume of audio files and dyslexic drag. We can increase or decrease the volume. And we use it to add audio effects. We will take a look at that in detail in the coming videos. So that's it for this video. Thanks for watching and I'll see you in the next video. 115. adjusting audio files volume: Hello and welcome to this video. In this video we'll see how to edit audio files, specifically how to adjust the volume and audio files, whether it's the whole audio or just some parts of it. We start by adding a new audio track. We set the number of tracks to one. Then we select a buffer stretch edit as the first crack. Now we add our audio file. The audio file is included for you to use if you want or you can use your own audio file. Is the music in the other files is too loud, so we click on the Solo button and drag to place alone. Here it is. Throughout history, people have been drawn to increase its volume a bit. Throughout history, people have been drawn to cities as centers of trade, culture. That's better. We adjust the track size a bit so that we get a good look of it. Is you can see we have this white line here. We is it just the volume of the whole crack? You can increase the volume or decreasing. Throughout history, people have been drawn to city. But sometimes we have parts of the ODU that's our louder or quieter than the rest of the audio. And we want to adjust that part only. For example, this part here. We go to the Inspector window, to the volume settings. We set the cursor at the start of the path. We want to adjust the volume keyframe. Then we set another volume keyframe at the end of it. Now, if we lowered this keyframe, now the volume of the part that is before this let's do one will be lowered. Instead. We need to add other keyframes inside the ones that we said before. One at the start and one at the end. Right here. Now we select the internal keyframe and we lowered the volume like this. Same thing in here. You could lower the volume all the way down to mute the selected parts. Like this part does not exist. So this is how you can adjust the volume of the selected parts in the audio file. This also allows us to remove parts of the audio that we don't meet. You click here to remove the adjustments we made. So that's it for this video. Thanks for watching, and I'll see you in the next video. 116. changing sound tones: Hello and welcome to this video. In this video we will see how to change the audio pitch. We have this audio file as an example. Take a look at it. Throughout history, people have been drawn. Now we select the audio file, then we go to the Inspector window and we use the pitch settings to adjust the pitch. For example, we decrease the semitones. We click Play. Now we increase the semitones and here we are. We can adjust this sense as well. Outfall temperature. So this is how we can adjust the audio pitch in our audio files. That's it for this video. Thanks for watching, and I'll see you in the next video. 117. noise reduction: Hello and welcome to this video. In this video we will see how to reduce the noise in our audio files with the da Vinci resolve software, we will use the Noise Reduction Filter. Now there are two ways to use the noise reduction filter. We have here this audio file as an example. I will split it to two parts. Now let's say this. We want to apply the noise reduction to both parts at the same time. It's very easy and simple. We select the mixer, then we click on effects, noise reduction and the whistling noise reduction. Now, the noise reduction will be applied to the whole track. So this is the first way to use the noise reduction. You collect the lead plugin to remove it. Now let's say this. We want to apply the noise reduction to the selected audio file only. It's very easy and simple. We go to the effects library. We select Noise Reduction, and we drag it to the audio file. Here we are, the noise reduction window appears. We select the rumble and Hess. Then we activate the Euro Speech Mode. We played the audio without the filter. Throughout history, people have been drawn to cities as centers of trade. Now we played with the filter activated throughout history, people have been trumped the city. So as you see, this filter reduces any noise that can be heard behind the main voice in our audio files. You can select the manual mode to reduce the noise manually. You use these tools here to reduce the noise manually. Adjust the filter we go to Effects. We can ingest it using these settings. We click on the Delete icon here to delete it if you want. Like I said, we use these settings to adjust it. So that's it for this video. Thanks for watching, and I'll see you in the next video. 118. sound effects: Hello and welcome to this video. In this video we'll talk about sound effects. Now to add an effect to the whole track, we go to the mixer, then effects and we click on the Add icon. We select the effect type. For example, we select delay ago. Here it is. We can adjust the effect using these tools here. We can play or stop the audio from here. We have multiple options here to choose from. We play the audio file and here we are throughout history, all tastes, cities, histories of trade, all-terrain, vehicle effect. Like I said, we use these tools to adjust the effect and to put it back to its default States. We click here. To remove the effects. We click here and we select the lids plugin. You can add any effects if you want using the same way. Take a look at all these effects to see the ones that you'd like to use. Mostly you will have to reduce the noise and set the audio level and all that. So you can add the effects from here, or you can go to the Effects Library and select the effect you want, then bracket to the audio, the effects control window. And you adjust this any way you like. Until you get the results you want. You can select Effects and click on the Delete icon to delete the effect. So that's it for this video. Thanks for watching, and I'll see you in the next video. 119. how to export your videos: Hello and welcome to this video. In this video we'll see how to render our videos. We saw how to edit our videos by current and merging our videos and a lot more than we saw how to add video transitions, text, etc, our videos. And after that, we saw how to color correct and color grade our videos. So by now, we are done with the editing and the color correcting process. And after you are done with the editing, is let the timeline that you want to render and you set its duration. For example, we set the cursor to the beginning here, and we'll right-click on it. And we slept mark m. Then we set the cursor here, right-click on it, and we slept mark out. Now we will render this part of the timeline only. If we want to render the whole timeline, we set the cursor at the end of the timeline, then right-click on it and we select mark else. Now after we are done with the color correction and color grading phase, the video is ready to be rendered. We go to the deliver beach. The video is ready. And we have here at the Render Settings, we have here multiple sides to render the video as you select the one you like. We will see how to render the video is uploaded on YouTube or show it to the screen. So we select cluster. We named the video, I'll name it for example, first project. We select the location where we want to save our video ads. This is where the video will be after it's rendered. Then we click Save. We select Render from here. In here we have video settings, audio settings, and file settings. From here we select the format of the video, select the format you like for me, I will leave it as quick time. Next we have the codec we live with, H.264. Next we have the resolution. Select the resolution that you want, but I advise you to select the 1920s ADHD, especially if you are uploading your video online. Because most of the videos at YouTube or in ten AD pixel quality. You have to remember that not everyone has fast Internet and can see videos in high-risk motions like for k or more. And you have to remember that if you films your own clips, you have to render them at the same resolution or less. Few firms your video and for k, then render it in for K. But if you felt your video in 1080 pixel, you extract it at 1080 pixels. I will select the 1920s 1080 HD resolution. Next, you can set the quality to automatic or selected manually. From here, we select the best. We leave the audio settings as they are. And after we are done, we click on Add to Render Queue. We get the render queue here. Now we click on Render. All the software is rendering the video. Now. After it is done, it will be at the location we selected area. Of course, this project here is just an example. The video is rendered now. We go to its location. And here it is. The video is named first project, we play it and here we are. This is how we render our videos after we edit and color grab them. That's it for this video, I hope that you liked this course. If you have any questions, feel free to contact me and I will be happy to answer your questions and thanks for watching.