Transcripts
1. Welcome: Hi, my name is George, and in today's course you will learn how to paint this beautiful landscape painting. You will be using Wonderful acrylic paints and a few brushes. You will understand how to use bold colors and how to keep them very clean. You will also have a better understanding of perspective, of color, shadows, and light. You will have a lot of fun painting this wonderful landscape, painting, the small details, as well as the large, beautiful tree. If you are new at painting, and this is your first acrylic painting, don't worry, this is a step-by-step process. You will get encouraged all the way on how to paint this exact painting. If you have painted before, then this is the opportunity to practice your skills and make a new painting. This might seem very complicated, however, it is not, it's a very simple landscape. And if you take it step-by-step, it's going to be very easy to make with all of that being said, welcome to the course.
2. Landscape brown underpainting: Ok, digging some water with the big flat brush and some brown acrylic paint and some more water, making this very, very watery. And then you can start to put it onto the canvas as you can see. Just spreading it around what water and making the color very, very thin and applying it all over the canvas. The application is not really very important. Its just so you cover all the Canvas, that's the most important thing that you need to do. And then taking some more color, especially on the edges, be careful to cover all the white of the canvas. And going on to the down side, a lower part of the canvas and moving your way fast along the edge. And then going further with some more water. And just like that, taking some more faint, applying it very fast and loose. All around the canvas. And on the left side corner, at the bottom, just continuing. And laying down the color. Perfect. Tagging some more color and some more water. And going in, covering all the canvas to its edge. You can go as fast as you slow and slow as you want on this step. Just going and spreading that water paint around. And of course going n for the top side. Now, just like that. Very, very nice and loose. And just going taking more water and calling on the edge on the left top side corner and going even more with water and faint. As soon as the paint just becomes too transparent, you can add more water and color. Going over all the canvas to make a nice even layer of paint. Very, very nice, almost there. And now the canvas is fully painted. You can go with strokes from left to right, just making the canvas uniform in paint application. You can also go from up to down, side to side to make the paint quite better. Looking at, of course, haven't even started. And the ambulances here, as in all the courses. So annoying. It's okay. It happens. And going from side to side and at the bottom. And this step is done.
3. Landscape sky and mountains sketch: As you can see, the faint has dried on the canvas completely and now making a little bit of a darker color with the same brown. And you can start to put a very nice line into the middle of the canvas. This is the horizon line. Just like that, taking some more color Egan star to make it a little bit more straight. And straight up. On the right side you can make some mountains. They'll make them very, very triangular. Tried to make them a little bit more organic by making some shapes that are not that triangular. They have a little bit of a different either curved or flat top. And going on to the left side, as you can see, with the same motions, with some darker color to make some more mountains. Don't worry if they're not looking perfect. And this is the sketch. We are doing. A brown sketch, a brown under painting. As it can see, you can start to edit and combine the two mountains and then connect them with the horizon line. Just like that, spend as much time as you want on editing those shapes. Perfect. Now you can go in and add some more paint on top. Combining and connecting the two beautiful mountain sides. Very nice. And you can go and add a little bit of a lower side to the mountain. These mountains, the big ones are a little bit, so they just go in to the side just like that. And the horizon line, the drop down lower than the horizon line. That's very important. It creates a little bit of perspective. As you go down. The things that are closer to the bottom edge are closer to the viewer. And going and editing a little bit of the mountains. This making them very nice. Taking some more water and making some more brown, You can start to lay down some clouds starting from the left with a small shape and then going down. As you can see, the shapes are very easy and abstract. They are just going on. And being careful as with the mountains, the create interesting shapes for the edges. As you can see, it just cuts out the corner. Okay. Wasn't very happy with that. So instead of doing that, we are just making the clouds as a negative painting. So you can start the see, the edge of the clouds are starting to appear. So the white parts are the clouds and the dark bars are the sky. It's very easy to do. It just go around and make some shapes, some very rounded shapes. As you can see. And you go down and you divide those shapes into more shapes. You can use the flatness of the brush and then making some small clouds on the top, breaking those edges so they don't look very, very blocky. Ok. And as you can see, the interesting shape of this cloud has started to appear. And very big cloud in the middle and then smaller clouds at the bottom as you go down towards the mountains. Very nice. Making another one. Just like that. You can start to edit the shapes. Everything to shapes is very simple. You just fuzzy up the edges. Ok, going in what, a darker brown on the mountains just to make them look more dark and intense so they don't blend in so good with the background. As you can see, refining those edges is quite important. Just like that. Very nice. And going in to the body of the mountain and going down and straightening that edge at the bottom just little bit, making the mountains intersect just a little bit more. Now to mountain, the big mountain seems like it's in front of the back Mountains and the right side. Okay. As you go down, you can start to layer a little bit of a nice zig-zag pattern, just straight lines. And as they go down, they fan out more. Just a few lines. You can start to see the zigzag. This creates a little bit of perspective. And just over here on the right side there is a beautiful V-shaped that's going to be kind of a road coming from those hills. You can also do some curved lines in between the wonderful V shapes. Ok. And going in for a small patch of trees onto the left-hand side and then to the middle, to the right side, just over there and a little bit more onto the right side, just over the hill. Now, it started to look like a hill. And there you go. With this step.
4. Landscape house tree and lake : Okay, now starting in the middle of the canvas, you can position just the small line. That will be the roof of the house. And then you can do a V-shape. And this V-shape transformed into the rooftop wall on the side of the house. Very nice barn shaped house. Who can make the lower part a little bit straight. So it seems like it's a wall. Once you've done that, this is a very simple house shape. You can put it into perspective by just going from the edge of the roof, at the middle and at the top. And put it, the lines are not straight. They go into perspective. So as you can see, they at the end of the house and the far right, they are more blows. The getter. That is little bit of perspective just over there. It's a very simple wash for the second wall in front of the building. And then making a darker brown just so you can add the roof. And then making another beautiful triangle at the middle of the house to indicate a nice roof that goes up from the house. So it's a more interesting house. If you want, you can make the roof a little bit bigger at the top and making a beautiful line. Once you've done that, as he could see, making the metal of the house just by drawing from the rooftop into middle and too beautiful doors as well as windows. And the edge that the lower edge of the house is in perspective as well as you can see, it goes a little bit up just like that. And once you've done that, don't worry too much about the sketch. You will revisit and do the shapes way better once you go into color, okay, taking some more color, you can go in just right by the house, start drawing a beautiful line that the side of the brush. So you can make a beautiful tree trunk. Very nice. And immediately just going and making another one. Dividing them up just like that. And going in and making some big, big nice color shapes. But the brown, some patches of Lee's just over there trying to leave a little bit of. Space for the birds to fly through. And going in. Be careful not to make the 3-2 round. Divide the tree into different shapes, different little shapes, and combined them like Legos. Just try to imagine a line just going around the three. If it goes straight or two, like you can identify the shape, then you have to change it and make it break it down, make something a little bit more outside and a little bit more inside. As you go along, you can look at what happens onto the canvas and the video so you can see exactly what kind of brush strokes, as well as shapes are being created. As you can see at the top left corner of the tree, there is a very, very, very elaborate line created. It's very intricate, very simple to make actually. But you have to consciously make an effort to make things organic. That is, how you keep things looking organic, ok, going down and leaving a few areas for the birds. Okay. Going into the left side and the right side, alternating in-between to keep it a little bit more organic feeling. Very nice. As you can see on the left side, it's a little bit too straight, even though it has a little bit of a fine outline. Still can be improved. Okay. Going in and adding a little bit of a shadow for the house onto the right side. And then going down and making the beautiful road. And combining and making the hill on the right side, on the left side, you can start to make the same six needs and at few bushes to them. Just like that. You can go over the barks of the three, the worry and add exactly as mentioned, a little bit more interesting shape, interesting shape to the left side of the tree. Left side, bottom corner. And it immediately stopped looking like it's a straight edge well, kind of a straight edge going in and with the roads just like that. And of course, making some, a few brush strokes for the left side just to indicate some beautiful shapes going in and continuing the road. As you can see, just going and cleaning that brush onto the canvas. And once we start to see the actual roads, and you can start to put it in. And as you go down, you can put a little bit of a shape. This will be, the lake is going to be the leg, very easy to draw. It has deeper shadows on to the ad, toward the ground meets the lake. You can start to see those darker shapes. And of course, just making the banks with some brush strokes going from the top to the bottom. You can continue to refine the edge of the road. This road connects to the house in a beautiful curve at the end. And just going in cleaning a little bit of that brush just to add some more texture. And of course, the lake reflects the beautiful three. Very simple to do. So you know that it is like now. You can also add a little bit more shadow to the edge and a few very, very straight lines to the lake. And there you go with this step as well.
5. Landscape sky: Okay, just doesn't reference. You can fake a little bit of a white paper or cardboard and have it around slaying. And so you can see how dark or how white you go. The reason for this is because you have to have both a reference for the white and of course, because you have done Brown backgrounds. Now the white seems way white. If you put just straight white on the canvas, it looks very, very intense. So you have to see it first so you don't overblow the highlights. And then you can put a little bit of blue with a little bit of brown and just a tiny bit of red. As you can see. Taking just a tiny bit of red and combining them together to make a very dark sky at the top. And just going and making that blue a little bit more purple. It's still, is blue. So take that brush, that flat, beautiful brush, and think a little bit more brown to make it a tiny bit more dark. And once you've done that, you can start to put a tiny bit more read, just a little bit. And tiny but a white just take out a little bit of depth chroma. The colorful ness of the color, very, very word Z words. And is going in with some water to make the faint Libet globally. And starting from the left side corner, you can start the block in where the darker parts of the sky and leaving the clouds untouched. As you can see, it's a very beautiful blue color, but it's very dark as well. And this is very important to have good light and beautiful colors. They have to have a base, very dark and colorful base. As you can see. And going n. By having darker blue, you now have a base to build upon and make very intense contrast. Okay? And you can move the paper just so and digging some white and some more blue, padding it with the white. And combining them together, maybe putting a little bit of a red tint to it. Taking some more wide combining and making a beautiful color. Taking some more blue, since the red was too much, maybe too much white, don't worry. Making a mess is part of the process. Mix the colors until you feel happy with them. It's very important to take time and make beautiful colors, mix them well until they look just right. As you can see, blue starts to look way better. Iq is three it up, put it onto the left side corner, and cleaning up the brush, mixing up the color a little bit more and combining the two colors together just a little bit. While the darker color is still wet. And just like that. And going in for the right hand side corner, going over the dark color just to accentuate and combine them together. And you can go a little bit over the left-hand side, foreigner, the dark color as well. To combine them and make nice, beautiful, gradient to slight that very nice and beautiful. Take a little bit more of that very dark color, combine it with the blue is like that and start to put it onto the right side. It's a little bit of a shift in the hue of the color. It has a little bit more red and a little bit more of the darker color. But the brush being, and having the last color in will have almost the same color. K, begging some more white than some more blue with the corner of the brush. And some more white. Adding it to the lower part and adding some of that purple. And making a very, very light color. Just like that, can start to add it to the side of this wonderful cloud in the middle. Just like that, I can add some more Y2, it just over there, and start adding it to the bottom of this blue shape. The sky as it goes down, it will become way, way lighter. Just like that. It can start to add leave of you marks and a few shapes for the clouds can take the white out. You now have a reference just over there. Very important. And you can take a little bit of bread and a little bit of brown and make the very dark color once again. Once you've done that, you can build a bond making the distant, the very distant mountains with this new-found color. Just beautifully editing the shapes and the edges. This has a lot of color into it. And just with that purple, you can start to see how beautiful the mountains look. You can add a little bit more brown and put just that beautiful brown onto the mountains starting from the left side. This is a different hue and it has a little bit more of a brown tenth. And you can put it onto the right side just connecting, you can start to see how much more differently. It looks, even more brown, just like that. And just going in between the three leaves, three patches of leaves. Just like that. Adding some more patches over there. Very nice. Making that beautiful straight line connecting the two mountains first, making the edges of tiny bit more interesting. And just connecting them very nicely. Just like that. And in between the three shapes, don't worry if you cover too much of the tree shapes. Those can be added later. Very nice and beautiful, making that straight edge at the lower side of the mountains. And there you go. This step is done as well.
6. Landscape a little bit of sky : Ok, aide. Taking some white and some blue and combining it onto the plate where you have some clean space, some more white and a little bit of purple, just a tiny bit of purple just to make that blue. Just a tiny bit more interesting. Okay. Very nice and beautiful. You can start to put it onto the right side part, creating some beautiful clouds. You can start to see. Just be careful to make some beautiful edges and don't make them too round. Breakdown the edges. And you can start to go down. Very nice and beautiful. And of course the ambulances back. Okay. Going in for the left-hand side, just like that, taking some more color and adding you can go a little bit over the blue as well just to make some more interesting cloud shapes. Now, making a very, very light blue with some straight up blue, don't clean the brush, it's good enough and you can block in just above the mountains, being careful to keep those nice, beautiful edges. Just over there. Very nice. A little bit more white. Mixing the color together. Just a tiny bit more. And going in on the edge of the clouds and making some more shapes around the cloud. As you can see going over the blue that you've put down previously, just to make the gradient of the sky of that a bit more luminescent instead of word? Yes. And going in, just mixing the colors together. If you're blue at the top is dry, you can add a little bit of water and do a light wash with the color. This will make the same going in and connecting over the mountains. And just going and making those edges a little bit more crisp, Very nice and going. And of course, in between the shapes of the leaves, making the blue a little bit more blue. This is very important in-between the leaves. The blue needs to be a little bit darker, even though on the outside, the color is a little bit more light. This is because once it's cut out, it becomes like a window. And it also starts to be a tiny bit to light. So it's very important to have it a little bit darker than the outside shapes around the sky. And there you go with this step.
7. Landscape clouds: Ok. Cleaning up the plate. You can start to take a little bit of brown, just a tiny bit around. Some water, some white, a little bit more white, and a little bit more brown, and some yellow. And justice, each of red or yellow. And making this very green like color nice and beautiful. Making it a little bit more the saturated by adding some brown, Very nice and some water. Mixing them together and adding them to the right part of the flouts. This will add a little bit of warmth to the clouds. The clouds are the purple one. Where you see the purple, the bluish purple, then that is where the clouds are. And of course, where there is no paint. Adding a little bit, a bit to the top side and a tiny bit to the middle clouds. Very nice. Once you've done that, you can clean up the brush with some paper towels just like that, and take that beautiful color and mix it together onto the canvas. Just like that. Mixing it a little bit together with the background being very beautiful. Clean brush, it will pick up a little bit of the blue if he, if you still have it went, if not, just do it over the web parts of the cream color. Very nice. Faking some white and adding it, adding a little bit a yellow into that white, making a very, very, very light yellow. Just putting it over here. Just like that. Very nice and beautiful. Almost pure white will do little bit of yellow. Very nice out a little bit of that green. And start block in the top of the clouds. You can start to see by moving the white paper round. This is quite yellow. Even though it looks a 100% white. That of course, working your way around just adding those beautiful clouds and being careful to make beautiful edges that paper noun and start adding the light in this. Landscape comes from the left-hand side, top left hand side. So those are going to be the most intense highlights. Adding a little bit of a cloud onto the right side, just a tiny bit and calling over the three, don't worry if it's going over the brown. The three. That was just the little bit of a sketch. So you know exactly where the tree is positioned. And going down onto the right side and making the nodded plowed can start to see how Buffy the clouds are. And taking a little bit more color going in between the clouds, just like that, and a little bit over three. It's very important to work the sky first because you will create better edges. Playing with the three and the sky. If you have the sky done first, going very fast and loose, and covering all of the beautiful cloud shapes. Adding a little bit more color, taking some more color and adding gets onto the left-hand side. And moving and putting a little bit of color onto the corner. Just that top on the left. This is with the brush, almost glean, and it picks up a little bit of blue if it doesn't just add a tiny bit of water and it will create that same effect. And going in with a little bit of blue, if you don't have it on the palette, just add it and putting it on there. This blue has a little bit of brown and a little bit over added into it. So keep that in mind. Then adding some more highlights to make the edges a little bit more puffy. Very nice. Adding some more white and putting it just onto the top of the clouds, just to the right and making some more edges, adding some more wide onto the right bark of the glue, onto the right clouds on the right side and adding some more gloves to the edge, small ones. And at the bottom, the worry about the purple and the yellow. They make the senior relook tiny bit better. Once you've done that, you can go and make the sky at the bottom just a tiny bit more light and drag the brush. That part of the sky is a little bit to blue. So just add a tiny bit of water and mix it together. What a little bit of blue and Edit over there. Okay. You can take a little bit of blue if you have it on the canvas and, or on the palate and add it to the right side of the cloud so you can make some shadows. As you can see, it starts to look like a shadow. If you put out a little bit of blue into that white, it starts to create this beautiful shadow onto the right parts lower right bark of the clouds. Don't worry too much to take a little bit of water and little bit of glue and put it on to the right part, the clouds. And there you go. This step is done as well.
8. Landscape mountains highlights: Okay, taking some brown and some blue, mixing them together. Very nice. Takings and yellow as well, and make it a tiny bit more green and some bread with little bit of yellow and a little bit of loom and making some nice green color, very muted green color. Just like that, we can start to see. This is a very, very interesting, muddy color. This will make for a beautiful base for the highlights onto the mountains. Just add them as cuts onto the mountain on the big mountains and just add and leave a little bit of the dark color showing through. Once you've done that, you can start to add a little bit more yellow and red, making it a little bit more orange. And you can start to see just that input, the same type of shape and brushstroke, just going and adding some more light onto the mountain. Just like that. Combining the two colors together and adding but the corner of the brush a little bit more. Light. Very nice, beautiful. You can go behind the tree as well. Very easy to do. And the line that connects the mountains, which is still a little bit more behind the trees, and a tiny bit more. There you go. This step is done as well.
9. Landscape dark trees : Okay, and now taking some blue, some brown, and some red to make a wonderful purple, very dark purple color. Just like that. You can now put it onto the three. This will make the three, this will be the base for the tree. It's very dark. Don't worry too much about it. It needs to be that dark in order to have very nice lights, you need to have very dark, darks. Okay? This is the time to focus in on making the shapes of the three very nice and beautiful. And of course, making them organic. So just apply with the corner of the brush, just a few beautiful marks on the right side of the 3 first. And you can go over the sky, over the mountains. Don't worry too much about that. Just leave a few areas where there are spaces for the birdies. Okay. This continuing and adding a little bit more, just like that. Basically covering exactly what it was. Once you drew it. You can put a little bit more read into it and a little bit more blue to make it even more purple is like that. I didn't get to the right side. And making those edges very nice and beautiful. Closing off a little bit of a home for the birds. And of course, dividing that make it seem more organic. Breaking down those edges. Just like that going down, you can start to see how beautiful the three starts to look. And it comes back to life. Very beautiful. Now going down. As you go down, keep in mind to have beautiful edges. And continuing where you see some marks of brown and then going into the areas that are covered up by the sky or by the mountains. Continuing with being careful to make interesting shapes for the edges. And just like that, putting some more color onto the brush and then onto the canvas. This app to top, connecting the two shapes. And then going in for smaller breakings of the edge. Very nice. Brush works. And making, rotating a little bit of the corner of the brush and making different brush marks. As you can see. You can put a little bit more onto the right side to make it a little bit bigger and into the middle of the shape, just making that and breaking the edge of the home. Very, very nice. And going in, adding a little bit more color. And there you go. This step is done as well.
10. Landscape tree color : Okay, now that the shadows are dry, but a clean plate, you can start to make with red, yellow, orange. Combining them together very beautifully. And on the left side, just adding a little bit of this intense orange red starting from the top. Again, be careful of d edges not to make them very round, make them a little bit more separated, but still keep them very loose. It's a very simple way of applying paint. You just put them on the left-hand side of the tree. You can also add a little bit into the middle of the tree. This being a branch that stands out towards the viewer and is putting a lot of gushing, beautiful, luxurious Spain. You can start to see just moving and turning around the brush will make it look different, clean, beautiful colors. Getting more yellow and adding it to create an even more intense orange can start to see it's way different. And you can put it onto the right side of the tree, but it's still on the left side of the branch. This being different. It starts to change color and the three. And it looks very nice because you now have variety of color. If it's too light, use a little bit of brown to change it up a little bit. As you can see, just adding it to the plate. And of course, it squeezes a little bit horns, very nice. And then taking some of that brown, just like that and adding it to the orange book, the scholar, you can add some variation. You've put in the lights, you've put in the darks. Now, it's time to put in the medium. Just like that, just adding Git, you can start to see it's way, way more different. And connecting a little bit of the colors together and breaking down the edges tiny bit more. And taking a little bit more reds, come over here and adding it in-between. And over the top of the brown, you've just laid down. Very nice and beautiful. Just a few more marks with some more orange is taking a little bit more yellow. And combining it with the read can now put it onto the left side. And in between there around the top. Very nice. Cleaning up a little bit of the brush and taking some more yellow. This time, cleaning up the brush better. Holding up the plate and taking some yellow and some white. Little bit more yellow and a little bit more white. Very nice and beautiful. It might be a little bit too light, but let's see, it looks quite fine with the color combining. From underneath will look much, much better. And you can start to see it's on the left side of the branch. And with some straight up yellow is putting it over there to add some more interesting color variation. Just like that. Very bold, very nice. And taking some of that Brown and adding it in between to make the colors very nice and beautiful. And you can also add some red straight up bread with some yellow and a little bit more orange, and add some more color variation in between the yellow and the other part. The red part, and the brown. Very nice. And there you go with this step as well.
11. Landscape tree highlights : Okay, now with some neon pink. If you don't have the neon pink, don't worry, just take some white, a tiny bit of white, and the red wood a little bit of yellow and make very intense red. If you have the neon pink, then you can just place on and put it on the left-hand side of the three. Just adding a little bit more yellow to the color to make it more intense. As you can see, it's a very intense color, not much different, but it's quite intense. Okay. And focusing on the left-hand side of the three. Just like that, with bold brush marks, this will seem like a highlight. Okay? You can also put a little bit on to the middle of the three just to give the impression that it is three dimensional. Thinking a little bit more neon pink and some yellow. And you can make a beautiful orange. It's a different orange and it gives the different type of effect, digging more neon pink until the color is a little bit different. And you can see it's quite a bit more, this neon pink helps the reds and the oranges be more vibrant. But if you don't have it, you can always add a little bit of white to the red and some yellow and make a lighter shade of red. Just like that, combining the colors together a little bit more on the canvas and just a tiny bit more, just making some more interesting shapes. What the color that is already on the canvas. And there you go. This step is done as well.
12. Landscape tree shadows: Okay. Now that the highlights are on, you can take a little bit of brown, wear it a tiny bit of red and yellow and make that brown, beautiful brown color for the shadows. Basically making the tree a little bit more contrast D. If that is a, we're adding a little bit more contrast. Very nice going onto the red part in-between the very dark and the reds, and adding a little bit more shadows just onto the right part, lower right bark. And we, and the branches, each individual branch. Okay? And going in, this is almost a 100% Brown. This will give the three a little bit more contrast. This will make the three look more three-dimensional, which will give a better look. Very nice and beautiful at the tops, making some shadows as well. And just over there on the left-hand side, and over a little bit of red, adding some gaps, some shadows. Very easy to do. It's just following the shape and adding the color. Going on, breaking a little bit more of the red from over there and going in on the right side, you can go on to the very, very dark purple as well. Very nice. And there you go with the step as well.
13. Landscape tree textures: And of course, wouldn't lean brush. You can go back in. If you put too much color, you can scrape it a little bit. What the brush, that beautiful brown doesn't really matter. The texture is quite nice and beautiful like that. And going in and scraping a little bit more. It just gives a different texture. Once that is done. And you have scraped all the parts that are too much, you can start to go in with the brush and edit a little bit of the shapes as well as just breaking those edges into finer ones. Just a tiny bit more with the corner of the brush here and there. This will make the three seem a little bit more texture to have a lot more leaves in breaking the left-hand side edge. And of course just a tiny bit more the left. Just like that. Taking some straight up red, if you can start to add over the brown, you've put in just a few more dabs to make it more rich. The, make the tweet look more full, half more leaves. And it's like that going into the yellow part very nicely with the straight up red. And at the top end breaking some more edges. And a few more, you can put a little bit of the finger, and there you go with this step as well.
14. Landscape land and grass : Okay. Would a clean plate you can take some white put on cardboard so you see exactly how intense and how light the color is. Take some yellow, some white, and some red, little bit of blue just to cut those, or it's a little bit and put in some more yellow, some more white, little bit of red, one tiny bit of yellow, some more red. Just combine them together. Some more white, and mix all the colors together. Now, you will have such a nice, beautiful neutral pink and start from the top right where the two mountains meat and with the same kind of press strokes like you did, the zigzags start with small lines and then define the valley in between the two dark parts. And the horizon line just by the mountain. Just like that going down and going on to the left to continue the horizon line, continuing with the zig zagging as the few lines, a few dabs vein into the distance. And right by the three, accentuating the difference in between where the trees are laying down and the distance. Wonderful. Taking more white and red, you can make deeper shade of pink is like that. And what a little bit more white, make it almost the same value as the yellow, the Muted Pink You just laid down and continuing, you can add in-between the first colours can also make the color a little bit more intense. With some red and some yellow. Then of course you can add it lee in-between those brush strokes in between the trees as well as just above the lines in between them. Don't worry if you have went over the house, this is fine. Clean up a little bit of the brush, take some yellow and makes it just over there with some beautiful blue and let a little bit of that pink to make it more meat. Very nice ahead. A little bit of why. Turn it even more light. The colors in the distance tend to be muted and light. And just like that, you can add it underneath the house. Just a tiny bit. And of course, on the left-hand side, just below the pink. Don't worry if the colors mix together and this is just fine. And of course, just above the road. Just here. Very nice. In between the thing at the top, taking a little bit more yellow and making this color a little bit more intense. Just like that. And with a little bit more white, Making it a tiny bit more yellow and died in bit more intense. You can add it on top of what you laid down. On the beautiful green, you can start to see the difference in color. Variety of color is the secret painting. One of the secrets of painting among contrast. And just layering over top of that color. Very nice and beautiful. Taking a more yellow and blue and a little bit more yellow. And it's like that and a tiny bit of white. The color will be even more intense this time and a little bit more towards the yellow. You can add it on top. You can start to see it's quite different. It's much more yellow this time. And of course, now going in just below the wrote this time and making some shapes, some lines. Tesla that can add a little bit of red and a little bit of yellow to make an orange and add it in between. This over here on the left-hand side. Just to add even more variety of color. They're fat. Now you can go just below with the same color and start to seed this green has changed so much. And it's so much more interesting. Going in at the bottom, just continuing and adding more shapes in between. The patches of color. Adding a little bit of brown to the pellet stove or they're cleaning up a little bit of the brush, taking some brown. And with that brown and a little bit of blue and yellow making a very dark green. And it's a very dark green. And you can add just a few bushes onto the left-hand side. Dividing and making the perspective even more interesting. And of course higher. It can make them smaller, smaller lines and dabs of Bain. With this beautiful dark green, then making even a darker green, blue, and brown. It can start to see just a few lines with the side of the brush. Linking few lines will add some variety and some contrast. And moving lower. As you move lower, you can make lines and little bit bigger going in and making some on the right side as well. At the top. Just a few blobs of paint making it even darker. You can start to put the shadow of the house in just below that, of course, taking some red and some yellow and some brown. But a little bit of Lue making a very dark color, very dark purple, greenish color. And adding it to the bottom side just above the road, making a little bit of a shadow just over pair. Okay. And for the house continuing, you can add this color onto the few bushes into the distance just over there on the right. Make them interesting with nice, beautiful edges. Okay? Once you've done that, you can go on to the left side, just below the mountains, there are some bushes as well. With the corner of the brush, you can make them beggar. They might be trees, there might be pushes. Just make them interesting. And just continue that shadow a little bit to the left side. It's not the shadow of the tree. It's the shadow of the land, just making a shadow on itself. Okay, divide a little bit more of the front. And putting a little bit of this dark color will let you have more intense colour in future steps. And on the right side as well. As well as going and continuing around the road. Just like that, making the shadow of the road and some more lines into the distance. Over there. Six highs and the lines. Very nice. Taking some more blue. And with that green No made you can add some more Queen. And to the, creating a beautiful line behind the three line for effect. And there you go. This step is done as well.
15. Landscape preparation for intense: Okay, with the cardboard just looking around to see that the colors are quite muted and quite dark still. You can add some straight up red onto the hill just on the left of the three. These are just a few leaves that have dropped. Just like that little bit of an autumn feel to this wonderful landscape. Missed over there. It's the fuel lines. And you can go on the right side a little bit as well with two beautiful lines. Going towards the right. You can see it starts to form a little bit of a hill. Ok? Cleaning up a little bit of the brush. Just like that. Thinking isn't some yellow, some white, and mixing them together. Even though it has a little bit of red and little bit of brown into it, it's quite perfect this way. Okay. And adding it just in front of the house as well as just below the road, just a few lines. This will add variety. And once you go into the very, very intense colors, you now have a base to put the colors n. Taking some paper towels, you can clean up the brush very nicely and taking some blue and some red to make very, very beautiful purple dark color, the ones you used for the shadows of the trees. Now, you're going to make an order two, put in a little bit of a shadow on the side of the road, just above it. Just like that shadow has started to appear, this makes the whole platform, the whole roads just sink in a little bit. And the platform where the three and the House are, but higher up. So it gives this valley look as it goes towards the river, the lake. And of course, don't forget to make the branches, the tree barks with the same color. Just adding get. As you can see, very, very dark with the side of the brush making the first three. And of course making the second three as well. Just like that. Don't worry, if it's too thick, you can always go in and put different colors, like for instance, the green of the background and cut into that three, or on the right side, you can cut in with the house. Colors. Very nice and beautiful. Adding a few more branches will make it look more interesting. Now taking some yellow that's muddy yellow and adding some highlights onto the trees. As you can see, just over there on the left-hand side. Adding a few will go along way. They go especially light on as you go down on the tree because more of the light is not obscured by the leaves. Perfect. Okay. Cleaning up the brush a little bit and taking some brown and some dark color and certain Blue. And with that, you can start to lay down a little bit of the shadow. It does have a little bit of a shadow onto the left-hand side as well, so don't worry. But the main shadow will be on the right. As you can see. Can take a little bit of the color, clean up the brush, take a little bit of that green and add it just in front of the trees. So it's downs out even more like it's light. A few patches of light would thus this screen. Now that they have a dark base, they stand out so much more. They're very small but very meaningful. There are just a few blobs. But they make a huge difference. And once you go into even more intense colors, they will go even nicer. Ok. You can add them to the right. As you can see, there is a big, big shadow onto the right side. That's going to be the shadow of tree. Making a little bit of the color that you see over there. It's a yellow, light, white, and a little bit of reds. And going in on to the bank of the lake, as well as just on the left hand side. And right by the 3s is adding a little bit of variety. Cleaning up the brush once again. And once you've cleaned up the brush, this step is done. Perfect.
16. Landscape road and shadows : Okay. Now going in and taking some white, some yellow and mixing it over this beautiful pink. Just yellow and white. Just like that. Just a little bit more yellow and a little bit more white will do. Now, this will be a beautiful ball. Color. Will be the light, the lightest lights. As you can see, you can go on to the right, onto the left side, and then add a few dabs of paint. Just their grazing light, beautiful and nice. And at the top, just adding some more lines, very fine ones almost parallel to the horizon line. And just like that, they integrate everything nicely. Can also cut into a little bit of the tree if you want, and add a little bit of a line below those 3s. Okay? Once you've done that, you can start to work on the road. Just like that. Make the curvature just nice, and then go on to the left side. Don't worry if you picked up a little bit of blue just there. It just gives an ICER feel and a better look to the road. And just like that, just adding the colour of the road, as you can see, it starts to look so much better with the road N. And as soon. But the house, it will look even better, will stand out so much more. Okay, mixing the color a little bit, just so we get rid of that. And adding a little bit of red. And it has so little bit wider and a little bit, or pink. And adding it to the row just so it's a little bit more unified, some more yellow and mixing it with the white. Just like that. You can start to add it to the road once. And a bit more. Very nice and beautiful. Cleaning up the brush just nicely with some paper towels. Once the brushes gleaned, just squeeze it tightly and clean it. Make a nice purple color. Onto the dark color you already have on the palette. It's a little bit more to the blue. So let's put a little bit more read into it. And really nice. This will be the shadow color. And the shadows will go to the rights first for the road. Just a little bit of the shadow just goes in where it meets. It's better to make them a little bit bluer. Again, add them just as small lines. This Dilbert there, the road being so flats will have a lot of shadows from the left-hand side of the hill. And it just looks so much better with the shadows. Don't worry. It looks just perfect. Okay. And now for the big shadows, just going in and adding a little bit more red just to give a little bit of variety. And you can add a just onto the bottom side of the road, cleaning up the brush once again, adding a little bit of water just to clean it even better. Perfect, squeezed to perfection and adding, taking some more white. What, a little bit of that pink. Just a tiny bit of that pink. Perfect. And look white and pink and a little bit of yellow. And a tiny bit of blue, unfortunately, doesn't really matter. You can go over in-between the dark Barthes and make them smaller and blend them a tiny bit. So don't over blend year, just what do you see? That it's not perfect. That needs a little bit of cutting. You can cut it with this color. It's a little bit lighter than the road even. And just like that, as you can see, just cutting a little bit of the shadows will make the road tiny bit more interesting. Okay. Perfect. Don't worry about the blue in the middle of the road on the right side because that will be the shadow of the tree. It's going to be an shadow quite a bit. And taking a little bit of yellow, a little bit of bread baking go nice, muted Brown. Taking some more brown. You can add it to stay in front of the, just above the shadow, just tiny bit above the shadow to make everything look interesting and unified. That blue needs a little bit of hotness to look amazing. And at the bottom of the road, just cleaning up the brush on the canvas just a tiny bit. Okay. And there you go with this step as well.
17. Landscape lake: A would a clean, beautiful palette. You can now go into bold, beautiful yellow colors for the foreground with the lake. And straight up some yellow and some white. This is almost pure yellow. What? Pure White? And it has a little bit of red. You can start to paint in the bank of the lake. Just like that. Adding a little bit more the red into the yellow and putting it just below the first color, making a little bit more of the Orange, and adding it even lower as you go down, lending a little bit of the colors together into the road course and adding a little bit more yellow, straight up yellow and onto the right side, doing the same as you go down, making it a little bit more orange. Very nice. Grassy plains. And okay. Some more red. Just like that. Adding it to the bottom of the grass. Perfect. And some white with some yellow. Mixing them together and making this beautiful color, very light color. And adding it on top just to add a little bit more variety. And on the right side as well. Very nice and beautiful. Some more reddish downs on now on the lake itself. And some more yellow on the left-hand side as well. It's nice. Recreating a mirror image of the banks. You can connect them together as well, since they will have a very, very dark line in between them. With the Brown. Now squeezing that beautiful brown and cleaning up the brush. Just like that. Squeezing and pulling some red and some brown will make for a beautiful shadow color. A little bit more to the brown side. Very nice. Can start to add up exactly where the bank and the river meet. Yes, like that. On the right side, it's a little bit higher to create that interesting depth created in all the peace. Lay nice. And moving your brush from the left to the right, you can blend a little bit of the color in. Cleaning up the brush. And taking some blue. Putting a little bit of blue, maybe more than a little bit. Onto the plate very nicely. And taking some of that blue, mixing it, put the brown and the red to make 0s then and even darker color. Now with this color, you can go and just below where you put the brown and over top a little bit and make even darker separation in between the leg and the Bank of the lay. Nice. Cleaning up the brush. A tiny bit more. Perfect. Now going in for some yellow, what a little bit of red. And adding it over top this time. And it's like that over top of the color, just blending those together. So the top of the shadow has a strong edge, sharp edge, and the bottom of the shadow doesn't have one and it has a very nice and beautiful blended edge. Ok, knowing into some more yellow you cannot the highlights on top. Perfect. Cleaning up a little bit of brush just over there. And taking some blue, the brush is clean and some white, blue and white, just like that. Putting it over there, adding a little bit of that darker color. And you can start to see the water itself. Don't go too much into the yellow part, so it doesn't blend and make green. Ok. You can add a little bit more white to it. Just over top. It mirrors the sky. So it should have it should be lighter at the bottom, at the top actually, and gets bluer at the bottom. Because the sky goes in the opposite direction. Okay. It's a mirror upside down image of the sky. Just like that. You start to see just adding a little bit more white too wet. So you can just put it over at the bottom list of there. Don't worry too much. It will create the effect. Clean up the brush very nicely. Once you've cleaned up the brush and can take some red pencil, Blue, making a very, very dark purple. Nice and dark purple. And add in the beautiful tree. Well, first, some shadows onto the banks, more shadows onto the river. Very nicely. Has to be a little bit more separated. Perfect. And going in for the left bank, the river with the same dark color was a little bit too light once we put in the blue, so the blue didn't stand up that much. Now, it's time for the three to arrive just over there, make it dark, beautiful mess. And then takes him straight up red and put it onto the left-hand side. Just a few, just a few brush marks will give the impression of a beautiful three. Just like that out a little bit more red. Try to think where it will mirror. Just over there. Perfect. And onto the right side as well. Very nice. Clean up the brush, beautifully. Cleaning it up. Very nice. Don't worry about messy. Hence, takes some yellow and some white and now add it on top of the banks, as well as in the shadow on the river. Make it a little bit more orange for the shadow, for the reflection on the river. And just like that, adding it over there. And of course, on the left-hand side, just a tiny bit. Nice. Very beautiful. You can add some more yellow and some more wide, just to add a few parts. Now if you drag your brush downwards, you can create some nice, interesting looking grass blades, let's call them. And then just going down. And there you go. This step is over.
18. Landscape house: What the small brush beautifully make a dark orange by mixing yellow and red. Close together, nice and smoothly. Perfect. Now you'd want to use this color for the rooftop of the House. Finally, working on the house. And just like that, covering all the roof of the house and making small and wonderful way of raising up in the middle of the roof. You can, you can see it just over there. Cleaning up the brush nicely, taking some blue and some white, mixing them together. Once you've mixed them together. And you can add a little bit more white. Just like that. Very nice. And you can also add them at a bit of red just to cut out that blue a little bit, make it more mu n starting from the top of the roof in the middle, creating that triangle shape with this blue. Like that. As you can see, it starts to look very flat and beautiful, just like a wall. Perfect. And for the left-hand side, you would need to make a very straight line to indicate that the wall ends there and that's the corner of the house of the bar. Okay. Going in and taking some almost pure white wet the leftovers from the brush with the blue. And just like that, with a small brush going in and making a very white wall on the left side, this side being in light, it will have a lighter color, as mentioned previously, if you want to cut out a little bit of the bark of the tree, now is the time to do with the house. It's like that. You can start to see there is a light element. It just looks like it's more enlight and just like that. Very nice. Looks perfect. Now you can make a small little line indicating the side of the door in the middle of the house with the same color you made for the wall. With some yellow and some red and some white. You can make this beautiful orange, yellow, very light color and add it to the small part in the middle of the room to indicate that this is in light as well. Protruding outside, it will be hit by the light. And as you can see, it's very simple to indicate where the small triangle leading up to brush. Once again. And taking some more of that blue. Maybe this time adding a little bit more red and making the blue of better but more intense. Okay? And underneath the wonderful rooftop, we can add some more blue and it's more red. And mixed them together to make a darker shade for the shadow. And you can add underneath the rooftop, just like that, put the corner of the brush. And this being the small flat brush. You can add just nice, beautiful shadow, as well as some interesting window at the top, especially on the left and on the right. Perfect. Okay, once that is done, and once you do that, you can also add some more shadows onto the right wall, onto the left-hand side wall. This will indicate that the tree leaves a little bit of shadow. Okay? Cleaning up the brush once again, you can take some white and mix it in with a little bit of yellow and add the light back in over the top just to take away some of that harsh shadows. And going in with the dark blue once again and making the shadow of the three just go up the house, connecting it to the land and back again with the white and the yellow and just a tiny bit of yellow. And making the shadow just a little bit more interesting. Cutting it out a little bit and making it more slim and adding more band to the to this side of the house. And cleaning up the brush. Once again, there is a lot of cleaning up the brush in this thing, some more white and adding it to the house with some pink and some red and some brown. You can add a little bit more of an interesting look to the roof. Cleaning up the brush once again, taking some more blue and making it darker. My using a little bit of red and a little bit more blue, you can add the shadow underneath the roof. Once again, very nice. Small details. Okay, going in, taking some white and mixing it, put the yellow and the blue. Just like that. Perfect. You can now add some small lines on the right of the windows. And those will create even more details for the house. And don't forget for the one at the top. Two at the same light. Perfect. Now going in with the dark brown and mixing it into the y to a little bit to make this beautiful door color. And don't forget to leave the white on the right of the door untouched. Cleaning up the brush and going into a darker color to add just a small line on the left side this time, and tall and may be in the middle as well for the Windows, make them darker. They look better if they're very dark and it seems like they look awesome. And on a beautiful line at the roof will add even more detail. Beautiful cleaning up the brush once again, you're going in for some white and mixing it with a tiny bit of blue. And we doing the lines just on the right side of the door and the windows. Very nice with the same white that you can go on the road and add a little bit more light on there as well. As you can see, it stands out, but now that the road is dry, you can add another beautiful layer on top, okay. Nicely. And let some beautiful green, just, this is just blue and yellow mixed together. A little bit more yellow than blue. And adding just here and there a few beautiful shades of this green. Just like that. This layer is done.
19. Landscape final: And here we go, cleaning up the small brush to prepare it for some beautiful colors. A little bit more details, textures and bold, beautiful colors. Taking some yellow and mixing it with a tiny bit of red, adding it to the rooftop once again, for the small triangle that is enlight. Very nice and beautiful. This being the last layer of paints. Thank you for being here. Now, mixing some beautiful green and just making it a little bit more light. Of course, the ambulance is here as well. So this is wonderful. Third ambulance. The scores unbelievable. Thinking some more white and mixing it into the beautiful green. As you can see, this green as very, very intense and beautiful. You can add it to the right and to the left with patches of color, just beautiful, beautifully laid down onto the cameras. You can find it. It can usually lay it down wherever you already have a little bit of green. And you can add it. By not covering all the green you'd have there. Just a few tiny, tiny bits of wonderful green. Now mixing a beautiful dark. This dark can be made by adding some brown and some red to some blue. And you can add some shadows. Shows like that, some beautiful lines in details, bits and bobs, especially the ones that you see on the right side. These will be the shadow of the trees as you can see. And you're going to add in the distance some lines as well. Just adding some more contrast that a distant, beautiful 20S AND lands. Okay. Once that is done, you can go in and add on the road the shadow of the tree as well, since it's not as dark as it should be, and it doesn't stand out as being the shadow of the tree. You can add some blue to it. Being on. Very close to the three. Blue is a very good color for the shadows. Okay, adding to the house a little bit of that blue just makes it more interesting. Oh no, another ambulance. Unbelievable. And as you can see, the shadows just continue on to the trees as well. And that's very nice. And on the right side, on the left side, you can add some of this blue to integrate everything much better. It just creates this wonderful effect. Ok. And just like that, going in and making the shadows and little bit more red to add them. The blue to the road. As you can see, they stand out even more as being shadowed their darker because you added some red, is a tiny bit of red and going in and mixing some beautiful yellow. This yellow can be made with a little bit of red and a little bit of green that you already did. And going in and placing the shadow into the scenery by just playing with the edges, with the sides and getting some more green and adding it here and there to break some of the large areas of color. And going in on the right side with some more lines to do exactly the same, to add variety of color. This green being a very intense green. Just a few steps, and there you go. Thank you so much for being part of this course. I hope you enjoyed it. And if you did, please leave a wonderful review and see you in the next course, have a wonderful day.
George-Daniel Tudorache, Together we will create amazing things.
