Transcripts
1. Introduction!: Hey guys, welcome to
another amazing class. Well, if you like that intro, you're going to love this class. My name is the battery and today I'm going to
teach you invest two and mixed media
painting by depicting the elements of nature
in my own waste. In pesto, meaning in paste is a technique
used in painting. Wet paint is laid on a surface, typically using a
knife or a brush. When the thick paint dries, investor provides texture and the paint appears to be
coming out of the canvas. We will create the fire, water, and the air element
using impasto. And the other element
will be created using mixed media to
give the aerial view of a forest on both
the techniques are so much fun and I can't wait to teach you all
my tips and tricks. I hope you're excited by
now to learn something new. Cia inside the glass.
2. Art Materials: Hey guys, Welcome to this video. So here I'm going to tell you all the art supplies that
you're going to need for creating this impasse to
add mixed media pieces. Okay, so first of all, you need these
four-by-four MDA poster. So this is how they look like. This is how I bought them. And then I painted on one side, white to be able to paint on it. But since we are doing impasto, which means we're
going to be laying a thick layer of paint on top of the canvases so you don't
have to do this white thing. This is mostly required
if you're going to paint on top of it with a
light coat of paint. Impasto requires a lot of pain, so this white covering
is not important. Also, I will be using a few of my old canvases that I had, which I don't like much. So I'll be using one of them
to create these paintings. So I'm just letting you know. I mean, nothing that
you need to know how, but I'm just telling you that I'll be painting on a
clean canvas like this, but I'll be using some of
my old canvases that I had. Okay, so that's the
canvas and then we're going to need peak
body acrylics, of course. So any brand is fine. I have used beans from basics and from gambling from here. So before each of
these tutorials, I will be telling you about the exact color that you need for creating
each of these pieces. Okay? And then the most important
thing is a nice though. All the bending is going to
be doing. Only with naive. I'm not going to use
any brush at all. And I am going to use this paper palette for having
all the paint on top of it. Because I feel like painting with knife is very
easy to pick up the paint from the flat surface
rather than from a plate. Okay, so that's all good. I have some tissue paper. Zebra need lots of them. So let's get started.
3. IMP - Before You Start The Class: Impasto doesn't take
too long to create, because with just a few strokes, you can create amazing textures. Going over it again may ruin
some of the older textures. So it's very important to understand when it
is right to stop. So in order to learn it right, I recommend watching each
of the lessons first. As you can see that
they are not too long. Watch it multiple
times if you need to, but at least once and
then attempt to creating. Always remember, no two people can create absolutely
same textures. So after learning the methods, paint with your
own unique strokes to create the paintings. That's all I wanted to say before you dive into the class.
4. Water Element - Intro & Colors Reqd: Everything in nature
is made up of five basic elements on Earth, water, fire, air, and space. In this video, let's
talk about water. What does he presents? Everything that is
liquid on earth. The water element is
a huge life force. Water is also known to
have healing powers 70 per cent of the Earth and our bodies are made up of water. Water has nurturing energies. You must have realized
that when you take a bath or you go swimming, the body naturally relaxes
very quickly. Water pulls out. Negativity, balances
our emotions and mix our mind
calm and focused. Okay, now let's talk about all the colors I have used to
create the water painting. I have used just three
main colors to work with. Deep Blue, Halo blue,
and viridian hue. And of course, mixed
with black and white.
5. Impasto Water: So let me start by
taking a lot of white paint on my palette knife. So the first thing
I'm doing is not a very thick layer of paint, but just enough to
cover the canvas. Alice, I'm taking
are white and blue. Just a very little touch
of payload blue to mix with white to
give a vague light. Themes of blue to the wide. Don't want to make it
like completely white. So I'm just adding little
touch of white to make it date of like a bluish
white background. And also, I like to
add the colors on the side of my Canvas so that it looks
complete on the menu. Look at it from
the side as well. Now starts the exact
painting of the waves. So I'm mixing a lot of
pillow blue with white and kind of mixing the paint and also
little bit of dark blue. The top is deep color
that I had to get out mixing all of them to create
a tip amount of paint. And I am coming on top of
my canvas and adding it. Time to add it in a swish, kind of like a spiral direction. And then on top of it, I picked up a huge amount of white band together with little bit of blue from
the remaining amount. And adding a little bit of viridian hue also to it to give a little greenish tone to my color palette and
adding it on top of it. So in pastor is all
about layering of different shades of colors
on top of each other. Here I am adding another layer on top of it and
kind of trying to squish it down so that it looks like the paint is
dripping from the top. So that is the kind of the look that and tried to give you. And you can see I'm picking up a huge quantity of paint here. You have to be generous with the amount of paint
you use here. Then with the
greenish white paint, I am trying to complete the
spiral that is going up. And then I picked up a lot of the dark color because
I want to create a contrast of the
dark and the light. I picked up. A lot of
the top is deep one with a little bit of viridian
and added it in the center. And then on top of it I'm going and adding little
bit of a wider one. When I'm picking up the white, a little bit of the color from the previous stroke is
already on my knife, right? So that color is
also helping me get this beautiful blend of
color that I'm getting. What I had to do is just pick up white at the color is
moving on its own. Also, make sure
that when you are adding a layer on top
of a previous layer, you're not putting a lot of
pressure on your canvas. Because if you do,
you're going to mix up all the colors and
you're not gonna get the texture that
I am getting here. I took out a little bit more of TOC with deep and viridian hue because the dark contrast
is also very important. So now I'm adding, going towards the top and adding with a lighter
shade of white. This, remember that when you are adding one layer
on top of another, you are not putting a lot of
pressure on the top layer. Otherwise you're going
to mix all the paint. Here. I just added
a thick layer of white on top of the
previous layer. And when I did this, I'm adding very less pressure, almost like a feather touch with my knife on top of
the previous layer. The layer that I just added
on top is very prominent. Peak. It's kind of protruding
out from the Canvas. So that is the look that I want. So make sure if we're
adding a lot of layers, you just be gentle with
the top most layer and go very gently on
Add to give the texture, to add the paint, to swish it around to give
the direction that you want. Do all of this with
a very gentle touch. Now I picked up a
little more of why it is a huge amount of
white and I'm adding on top of it to give a
very thick texture of the canvas here and all
the paint popping out. So I wanted to create
a very thick texture. So that's why I'm
adding in lots of layers of paint on top of it. And this can go on
as long you want to. I probably add like 34 layers, but you can go on doing
this as long you find it. As long you're not happy
with what you're getting. Oops, I just slipped my knife. It happens, but I love impasto. And that is only because when the when the mishap
happens like this, you're gonna get an exit and
you can just tweak around the direction of the
paint and it gives us a good finish to it. It's not going to be
a lot of problem. Yeah, you need to
have a little bit of the hand movement, right? To be able to do this. It just needs a little
bit of practice. I have done a lot of investor
paintings in the past. And so it's kind of easy for
me to give this textures. But if you're doing it
for the first time, just take it slow, gentle, and just move it up, move around the paint
and see how you feel. Because I feel when
I paint impasto, it just gives me
such a good feeling like I forget everything in the world and I can just keep painting layer of the lead. If you're doing it
for the first time, just see how you're feeling. If you're feeling fun. And because it's,
it's very important. The feeling that you get
while you're painting, It's not so much about the
outcome that you're getting. So I can keep doing
this. They died. I never get tired of doing this. So just, just keep trying and
keep seeing how you feel, how you're getting the texture. So don't fret too much for doing it first
time and you're not getting the exact texture because
everybody is going to get a different outcome by doing
the same exact technique. So don't feel too pressurized to create the exact same outcome that I'm getting. Just understand the
technique, what I'm doing, just the layers
that I'm creating, the colors that I'm
using in each of the layers and then try
doing it on your own. I'm going to push
the paint around and add some more layers
on top of it. And like unless and until I'm
satisfied with the outcome, I'll just keep doing it
because I loved doing it. So just keep watching and see
how much you want to do it. And if you're painting
along with me, just pause it after each of the strokes and
then try doing it. If you're practicing
for the first time and you will see that you are getting an amazing outcome
that you never expected. That is the beauty of
investor painting. You never know what's going on, what outcome you're
gonna get after each of the strokes because it depends on the colors
you're taking, how much amount of quantity
of paint you're taking, the direction you're taking, the movement of the night. All of these things
decide the outcome of your painting and it can
never be same for two people. So now it's almost done. I'm just having a final
look at the Canvas and seeing where add just a little bit of
touch-up here and there. Not too much, just
trying to create some extra texture
in the Canvas. So this is just an
option that instead of just getting the final
touches to the painting. So all this time, I have been using the white
on top of the blue band that I already had
existing on my knife. Now just before finishing up, I just wiped off my knife
completely clean to add a fresh dots of
white to finish up the paintings with a vibrant
look of white on the top. And that's it. We are done with
the water element. I hope you learned how to create a beautiful wave painting
with the impasto techniques. Look at it from all
the directions. Doesn't it look lovely? There is a lot of
paint on this canvas. It's looking gorgeous. It's looking even
better in real life than in the camera that
you are seeing right now. I'm in love with this creation
that I just finished. I hope you give it
a try and create this amazing guys,
gorgeous piece. Show me what you did. It's such a beautiful one. I can't wait to see what
your deal out of this.
6. Air Element - Intro & Colors Reqd: Everything in nature is made
up of five basic elements, earth, water, fire,
air, and space. In this video, let's talk about air represents everything
that is gas on. And it also has a very close
relation with human body. The area element. Our most basic
connection to life. Our body can only survive
if we breed every presents growth and is associated with movement,
joy, and happiness. When in a balanced state, air induces courage and perseverance to
achieve your course. Now let's talk about
all the colors I have used to create
the air painting. I have basically focused on creating the sky and
the clouds in it to represent the air and the colors that I've used at
turquoise tape blue, manganese blue,
purple, viridian hue, and light olive green. And of course, black and white.
7. Impasto Air: I'm starting with a lot of light paint and adding into the sky with a mix
of manganese blue. I really loved the shade of
this blue. It's very pretty. But if you don't have this one, you can use any other blue. Just, just always use
absolutely tiny bit of blue. Because right now
we are creating the lighter whitish color in the sky and not too
much of dark color. Then I picked up a
little bit of the purple and adding with a lot of white. You can see I'm using a
lot of paint in this. That's because without
using a lot of paint, you're not going to
get amazing textures. Okay, so always try to be
generous where he painting. Ambassador, I know that
most of the time we don't want to waste so much of paint
and use it on a painting. But the outcome you get, the final painting
looks gorgeous only because of the
amount of P, okay? So after the powerful, I
use a lot of pale blue to mix it up and give kind of like a beautiful did exit of the paint and the texture of the color of the
shade and everything. Yeah. Now I am using a
lot of black and mixing it with white to create
the light grayish color, which is basically the
shadow of the clouds, right? So that is what I'm
doing by adding little bit of gray
here and there. I absolutely love painting
skies and clouds with the, with the impasto
technique with my knife, because it's so unpredictable, you don't know what you're
gonna get it after. It's true. And I just love experimenting and
taking the strokes. But one of the most
important things you want to remember, well, adding the colors is not to go into many
different directions. Just try to stick to 11 foundational direction and then add little bit of texture here and there
in different directions. Okay. So shield with
a lot of white, I'm just switching
the brain around it. I have a lot of white
in my naive and trying to add some white
clouds to the canvas. Okay, now almost all
the clouds are done, are enough for the
time being it's done. And now I'm picking up
a little bit of purple and dark blue and everything and I'm trying
to create the horizon. So the land part of the painting is very less just to show that there
is a land below. So I'm just adding little
bit of paint now in the horizontal direction
to create the horizon. And on top of that, I'm
adding some viridian hue because the bottom part I
want to do mostly green. So I'm going to add
different shades of green, light green and the Dahlgren and create some field like
texture in the bottom. Here you can see I
have already added a lot of paint on the canvas. Now I'm not adding any paint, but I'm just moving the
paint around with the tip of my knife to give the desired
direction that I want. Now I'm adding just
a tiny bit of black to separate the sky
from the holidays. Now I took out a little bit of yellow because I want to
add little bit of yellow. It's actually cadmium
yellow because I want to add the yellow
along with the green. And you can see the beautiful color
combination that's happening after the yellow
and the green are mixing. It's so beyond my prediction what color is going to give me, how it's going to make some. But I loved the
unpredictability of impasto. Look at the beautiful
colors that's happening after mixing
it with the yellow. Now after the index
field as being added, I'm just adding touch-up
lag here and there to show the distant
trees and you know, one or two trees in-between. And also differentiating
between the sky and land. Okay, pretty much the
land is done and now I wiped off my a nice clean and picked up quite a
bit of white to add one final touch to the sky. Like I said, it's never
done until it's done. So I just keep doing until I feel a 100% satisfied
with the outcome. But with the previous last
layer of clouds that I added, I'm not absolutely happy
with how it turned out, so I just wanted to add like one flat texture of the Cloud. It's still a huge
amount of paint, but I just gave me the
direction that I like. Now I'm going to give
it some final touches because the sky has
become almost whitish. So I'm going to add
some bit of blue to it. So it's a mix of the halo
blue and the dark blue, as in the talk with deep. And since I already added a lot of white when I'm adding
the blue on top of it, look at the beautiful color
combination that's happening. Because the blue is
mixing up a little bit with the lower
layer of the white. So now I'm going to give
some final touch ups before finishing
off the painting. So that's it. We finished painting the air
element and I'm just having a look at it
and seeing if I can add some few fight
them that helps. And I like using
my finger to add some final textures because
we fingers also you can create amazing textures,
not just knife. Impasto can be done
with finger as well. I probably will create some
tutorial in the future, teaching you impasto
with the finger. But yeah, this is
what as of now, I hope you enjoyed painting this and low and how
to create a beautiful, gorgeous sky with
clouds and land, basically a mini landscape
with the investor technique.
8. Fire Element - Intro & Colors Reqd: Everything in nature is made
up of five basic elements. Earth, water, fire,
air, and space. In this video, let's
talk about fire. Fire is that part of nature that transform one state of
matter into another. Five is the driving force
behind all life processes. Waiting in a balanced state, fire induces power, confidence, fame, recognition, and money. The fire element
is the element of love and all affairs
of the heart. Five represents our
relationship to ourselves and to others. Okay, now let's talk
about the colors I have used to create the
fire. For the bedroom. I have used a black, teal, blue, green, and crimson red. And for the foreground for
creating the actual fire, I have used crimson, red, orange, and lemon yellow.
9. Impasto Fire - Background: Okay, so I'm starting
with a lot of black paint and by painting
the background first. Okay. So remember whenever I
paint the background, I've told you need to
use a lot of paint, like the creamy texture even. This is just to fill up
the background, okay? And here I am adding
just a little bit of blue and green mix just to give, like, I don't want
the background to be absolutely dark with a
fire burning in the front. So the fire is basically lifting up a little bit from
the dark background. So for that reason I'm
adding little bit of the other colors with whatever
I have left on my palette. I have a little bit of green, a little bit of blue letter from the previous two paintings. So I'm just trying
to use those colors. So not nothing in
particular in mind. Like I don't have any particular fascination
of color here. Whatever is left in my
palette is what I'm using. I actually want to use a
little bit more of blue. The direction doesn't matter. None of it matters. We are just painting
the background, so just my focus is
completely on just filling up the background with a lot of black mixed with little
bit of other colors. Okay, now I'm mixing a little
bit of red with a black. I am saying little bit is
because I'm not taking a lot of gray to paint the actual
vibrant fire right now. This is the file that I'm trying to blend it
with the background. So while the black is wet, I want to mix in a
little bit of red that goes inside
into the background. And once this layer dries, I am going to add the proper
vibrant layer of fire. So at this point of time, I'm not trying to paint the fire purchase the
background of it. And like I said, I wanted to add little bit
of colors in the background, so I had some green
on my palette. And now I feel
like I want to add some blue also to the
background to make the background look a
little bit more vibrant because I just don't like a
lot of black in my paintings. But just to make
the fire prominent, I'm making the background black. But again, like the fire is lifting up little bit
of the dark background so that only I'm adding little bit of
blue to the bedroom. So that is not
absolutely jet-black and has some tinge of color
in the background.
10. Impasto Fire - Foreground: Alright, so that complete
background is done and I have lifted
try not completely, but most of it is dried. So now when I paint
the fire on top of it, that Tyler is not going to blend in too much with the background. So that's why I've
let it sit for like five minutes before
doing this layer. Okay, and the three colors
that I'm going to be used mainly for the fire, or a crimson, red, orange, and lemon yellow. So I'm starting off with a lot of crimson red now and adding the red on top of the earlier rate that I had
added in upward direction. So I'm holding my
knife kind of upside down so that I can
move it towards the top as in the fire is
flowing upward from the bottom. So that is why I'm giving
this upward strokes. And with the crimson red, I introduced a little
bit of orange. So gradually we're
going to go from dark to light and then red, orange, yellow, that is
the way we're gonna do. So, yellow is going to be the topmost layer after
a red and yellow. So I'm painting the first layer and in some places
I'm adding rates, some places I'm adding orange, having fun in the process, and just adding stroke by stroke to create
the entire fire. Okay, Now it's time to add the yellow to the painting
so the yellow texture is very thick because this is a very old paint that had been lying in my stash
for a very long time. I don't use lemon yellow
much in my paintings. And, but you can
see just by adding the yellow touch
to the painting, by mixing yellow with
the red and orange. It's already starting to glow
like a real fire, right? So you lemony yellow is the most important color I
feel to create this building. Also. If your paint
is fresh, I mean, I think it's gonna be better for you because my paint is very, very thick and dry and not
letting me move it around. As you can see,
the paint is also moving along with my knife. That's only because it's
very dry, very, very dry. But that's okay. It's it's all fun in the process of experimenting with new
colors and all colors. I took out a little bit
more of lemon yellow because now it's going
to be all yellow on. And we're going to
create the top layer after the first two layers. And I'm still struggling, but it's giving me
beautiful texture because of the old paint on
what I don't know, but I'm loving the texture. See, it's so unpredictable. Again, I was actually
writing out the most to create this quiet
painting because I have red, orange, yellow is
never my color. I don't use these colors
in my paintings much. And so I was a little
scared to do this, but oh my god, I'm loving this texture that is forming after
mixing these things. So one important lesson here is when you mix colors from
the same color family. So orange, red, and
yellow are from the same color family of
the warm colors, right? You get amazing technique, textures and color combinations, kind of like the fluidity of the colors mix
with each other and create some beautiful
patterns and textures. So this is a good learning
to get from this. So you can similarly try if you want to create
something else you can take from the
family of the cool colors, maybe dark blue, medium blue, and a yellow, lemon yellow, which is the cool, cool color. And try mixing them and you will get some amazing textures
that you would never know. Yeah, I'm loving the texture
of the fire that is forming. I can actually see the fire. It seems like as a fire
coming out from my canvas. Totally love with what's
happening is I'm just going to tweak the colors here
around a little bit more. Now know the background
is already dried, so I am taking little bit
of black and blending it with the color because
I don't want it to be two separate from
the background. I wonder rate to be little bit blended with
the background black. So I'm just adding little bit of black with the same
night where I had a lot of reddish colors and blending it with
the background. So I took out some black because the black
was almost over. And now I'm gonna go
all over the background and add a layer of black
mixed with the red. And you know, adding
patches of black here and there to make the loop more by painting
look more vibrant. Now I've cleaned
up my knife from the leg and the final
touch up all the yellow, which is going to be the absolute last layer
of the paint. So I'm just adding a
little dots of yellow absolutely on the top to give the final touch of
the fire to debating. The fire element is done. I think this is my most
favorite one located. Look at it from all the sides. Look at that gorgeous textures that are popping out
from the Canvas. And it's looking like absolutely real fire
burning on my canvas. So yeah, do give it a try. I'm excited to see
what you create out of this because it's
so unpredictable, you never know what
you want to create. So just follow along
with me and try creating this beautiful
fire painting and show me what you did.
11. Earth Element - Intro & Colors Reqd: Everything in nature is made
up of five basic elements, water, fire, air, and space. In this video, let's
talk about the art. Art represents everything
that is solid on earth. The earth element is the most
powerful of all elements. The Earth is our
source of stability. Or three, presents balance and terminates center and
diagonal directions. When it is in a balanced state, it induces a feeling of
stability, peace, and harmony. Now, all you need to create
this mixed media painting is green leaves that I'm going to show you
in the next lesson, how you can create that.
12. How To Create Moss: In this video, I'm going to
show you how you can create this mixed media trees at
home in three simple steps. In step one, get a
kitchen sponge and start tearing it up like the way
I am doing in this step. All you need is some
patience and time. So put some music on
and enjoy the process. While doing this process, I felt very therapeutic, dipping my finger into this
pile of tiny sponge pieces. Wow, look at these
tiny pieces of sponge. This is what happened
after 40 minutes. Now, in step two, we are going to
add colors to it. So keep all the
tiny sponge pieces in a box and add
the paint you want. If you want, you can browse
some aerial images in Google and look at the colors of the greens that you see in the pictures and see the
color that you like. And based on that, you can decide the color that you're going to
add in this step. I'm adding a color that
I prepared by mixing sap green and chrome
yellow, both fluid acrylic. You can do this tape with
TIG body acrylics also, but you just need to add some
water along with the paint. Oh yes. In this tape, your fingers are
going to get dirty. So have fun in this process. This feels so good deep
in your fingers in paint and having color all over
your finger is just amazing. Experience it to know
what I'm talking about. Mixtures one color,
or you can also add a combination of two
colors like I have done here, by mixing some yellow with it. One color just looks
too solid to me. I am showing you the process
for only light green trees, but I use the same process for creating the dark
green trees as well. In that one, I made
it dark green color alone with a light cream to
give a shade in the colors. That's all for step two. Now let this bunch
of dry overnight. Now instead tree up to
the colors have dried. This is how the
tiny pieces look. You can see that they don't
quite look like trees. So now we're going
to tear the sponges little bit more unless we are
satisfied with the outcome. This tape can go on for
as long as you want, and this state will decide the shape of the
final trees that we're going to end up with two use in our mixed
media painting. And that's all for this lesson. I hope you learned how to create beautiful trees that you can use in your mixed
media painting.
13. Mixed Media Earth: For this mixed media, I needed right branch. So I'm headed to into my balcony where I have planned,
which is dried. So I'm going to pick up
one of the branches from it that I am going to use
it in this mixed media. So you can grab something from your balcony if you
have plans at home, or you can just pick up
something from the road. Okay. So I got the branches. I have the green leaves
created from the sponge. And I'm going to use some Dahlia patterns for creating the road of
this aerial view. Instead of Dahlia, you can
actually use some tables are small rocks if you can find before starting doing
the actual artwork, I am just trying to
arrange all the items on my Canvas to see what fits
where and how it looks. So first of all, I'll start by cutting off the branch into small parts because there's big one is not going to
fit my small canvas. Then I'm going to
just place some of the green leaves
to see what looks good where and just arrange it. Just kind of like, just give me an idea
of how I want to, how I want this
painting to look like. After adding all the
leaves on the canvas, I feel like it's a little big, so I'm just tearing off
some of the sponges into even smaller sizes that I like. And now that I have done
the entire placement and I have understood
what is looking toward. I will start gluing
it altogether. So I'm starting off by adding some favorite color
to my Canvas. And then I will start by adding the pulses on top of
it to create the road. Now after adding the complete
Dahlia onto my canvas, I am using a spoon to push it around and give it the desired shape of
the road that I want. Now after the first layer
of the road is done, I'm going to add
more blue and add more data on top of it to
create a thick texture. And a former heavy wrote that is very textured tree
and it looks very 3D. I'm going to do repeat
this tape probably once or twice by adding more blue and more Dahlia and
make it higher. Okay, this looks good. As of now, I am happy with
how the road is looking. And now I'm going to add some blue on the side and
start adding the trees. Just add it in your own way. Whatever feels good to you. There is no right
and wrong here, whichever color you
can come up with. 34 more other colors of trees. I just have dark green
and light green here, so I'm just using
them, but be creative. Feel free to add
however you like it. Create some different colors. Google real pictures and
see the colors that you like and create
something of that color. So have fun in the process. This is a, this is the most fun part of
the mixed media ads, sticking stuff together
and to make it look good by placing them
in a creative way. Okay, now I'm adding
some white color on the road that I
created using dahlia. So if you use white pebbles, then you don't have to do this. Or if you like
this yellow color, then also you don't
have to do it. It's totally your choice. Or if you want to color
it something else, maybe you want to do
it brown or black. Your call, do
however you like it, you can totally ignore
this tape as well. So the coloring is done
and this is how it looks. It's pretty wet right now, so I'm going to let it dry. And once it is dry, I am going to add another
layer of green on top of this. Okay. Now, it's been
quite a few hours and everything is tagged. The road looks good. It's dry. And now I'm going to add a second layer of greens
on top of it is just easy. It's just that it's
a little messy. So just add more blue and
more tree on top of it. Now I'm adding some trees on the side of the canvas, just, just so that it looks
like some of the trees are almost like hanging
out of the canvas. And it gives a really
nice 3D slope. So now almost all the trees are being stuck for the time being, and now it's time to
add the branches. Remember the small branches
we had at the beginning? And now I'm just going to place the branches and see
what looks good where. And again, you'll use your own creativity and see how you want to
place the branches. Maybe you want to
make them stand perpendicular on
top of the Canvas. I just want to make them
look like an aerial view as seen from the
top of a forest. And that's a look I
am trying to give. So that's why I'm not making
the branches stand out. I am trying to make
them lie down on the, on the on the canvas. But that is just how I like it. Use your own intuition, your vision, and see
how you like it. Just place it as in some
places and see how you like it and then stick
it with the DOM. So this was the second
layer of the trees that I added and now I have let it dry. So this is after the second
layer has dried a little bit, and now I'm going to add that
third layer of the trees. The more layer of
trees you add better. It looks, because it
looks more 3D, right? So I'm just going
to finish it off. This is going to
do that Absolutely last tape of this painting. And I'm just going to
add some more trees on the side and maybe a little bit more in the center
and make it look higher. And with that, I'm
going to finish it off.
14. Outro Skillshare: Well, that's it. That brings us to the end of this impasto and mixed
media painting class. I had so much fun painting these mini canvases and you
should totally give it a try. This is the final look of the paintings after
they have all dried. I hope you like them and I can't wait to see what
you come up with. Share your works, take pictures of your
finished artworks. I would love to see them. If you like this class. I appreciate you writing
a review for this class and ask me any questions in
the discussion box below. I invite you to explore all the different
classes that I've created for you
here in Skillshare. If you want to up level your painting scale and create
some amazing landscapes. If you enjoyed painting with me, feel free to follow me
on Skillshare to get notified every time I
publish a new class. If you want more, check out my painting
tutorials on my website. My ad is portfolio as well as all the other
works that I do. I appreciate all the
love and kindness from you guys in terms
of review and rating. Thank you so much
for being here. Follow me on Instagram
to keep up with the latest updates and
all the fun stuff. Thank you once again
for joining me in this class and happy painting.
Debasree Dey, Acrylic Artist & Educator
