Transcripts
1. Introduction: Hello, Hello everyone and
welcome to this class. Here we're going to talk
about how to plan your novel. Do you have a story idea but doesn't know
how to develop it? This is the right class for you. Here you'll learn how to take the spark of an idea to write your novel and transform it into a full length story idea. Writing a novel, it's not easy
and can be very stressful. The planning process is really important to get off
on the right foot. This course is designed
for complete beginners. So don't worry if you
have never written as complete novel before,
that's totally fine. That's why you're here. And we're going to
do this together. First, we're going to talk
about the things that you can actually plan before
the writing itself. We are going to discuss how
you can plan your characters. And I'm going to bring
a lot of questions you might want to think
about before start to write. Planning your characters is a really important
step to make him feel real for the
reader and relatable. Then we're going to talk
about this setting, how to convey the
right atmosphere depending on the
genre you're writing. And then to finish, we're going to discuss the plot. A few things you might want to consider before
you start writing. Okay, That's it. Grab your coffee and your
notebook, and let's go.
2. Types of writers: There really is no
one size fits all to plotting and planning and getting ready to
write your novel. There will be as many ways to do this as there are alters. This process is
really unique to each one of us and to each
book that we're writing. And that's the exciting
part of being a writer. The freedom that you
have to be creative to write and find your voice
and express yourself. But it's also one of the
most difficult parts. Because you don't have
a guidebook telling you how to be the very best
altered that you can be. So all we can do is share the knowledge we have and
try what works for us. That's the idea here. First, we're going to talk
about the different types of writers and different
types of processes. Then we're going to talk about the things that you can play. There are lots of different
types of writer planners. You have gliders. Planners are people who want to figure out the plot
ahead of time. So they tend to
outline your novel, they tend to notice tractor. They figured it out, characters and setting in all this stuff. They will figure these things out before they start writing. So for a plotter, prewriting is often more work
than the writing itself. Some plotters have
every tiny detail planned before they
start writing. So you've got that
type of bladder, but you also have plotters
that really just figured out the major basic plot points, a few things about
their characters. And then they move forward. Then there are painter's. Painter is someone
who prefers to write by the seat of
their pants without any planning or thinking about things before starting
the writing process. There are also people
who don't fit into the exact definition
of tensor or plotter. That's normal. Some people are e.g. what we call a planter, which is somewhere in
between water and a pencil. Where you have a basic idea of structure and you start writing, then at some point, you just start dancing. You're way out. One thing that you
really need to understand as we start talking about how
to plan your novel, is that there is no
right or wrong way. You don't have to have
everything figured out. You don't have to be ashamed of being somebody
who doesn't know anything when you
get started is truly okay to just follow
your own process. That's the important thing. Now, if you have
written novels before, what I encourage you to do is leaning the things that
have worked for you before. So think about how
this process went, what worked, what didn't work, what you want to change. And this will help you to figure it out how to
plan your next book. Think about when you were
successful in your writing. What did you do? How
you can recreate those things and think
about the problems you had. How you can solve those problems and improve your process
of writing this time. If you've never
written a novel before and this is your first
attempt, it's okay. You might not know what your writing process
looks like yet, but you can look for clues
in your life, like e.g. how you, how you organize
your day-to-day life and think about what type
of writer you might be. Okay, but you figured
it out on your way.
3. Things to consider before start writing: Now let's talk about the
things you might want to plan. The first thing is character. You can plan what your
characters look like. What's their past, what their character arc will
be like during this tori, you can plan their personality. Some people like to use the MBTI personality test to
write different characters. So you can get into it
as much as you like. But you can also have just
a couple of lines about each character if that's
what works best for you. These can look like e.g. he has green eyes and
he's a real jerk. Or you can go deep
into his backstory and know why he's a jerk
and all those things. But it's a good thing to know what people you're writing
about and how they act. So you can write
different scenes. Another thing that you
can plan is setting. So think about where your novel, it's going to be set. Is it going to be set
entirely in just one place, or are the characters moving? Think about this
because this setting, it's important to give
the vibe of your book. You might want to think about the setup and the
basic layout of the space because
your characters are going to be
moving around in it. So it might be
something that you want to decide ahead of time. Then we have the plot. The plot is really what is
going to happen in your story. The outline of what's going
to happen in your story. So this is a lot of
where you should focus your time when it comes to planning and prepping
to write your novel. There are so many
different ways and methods that you can
use to plug your novel. There's the traditional
three-act structure. There's this, save it the
cat writes about, well, there's the Snowflake Method, the plot, a group. And none of them are
alike, right and wrong. It's what works for you. Again. We will have a look at each one of them in the next class. You can also research or the methods and see what
works best for you.
4. Crafting characters: In this class we're going
to talk about how to plan your characters in
terms of who they are, what they've been through, what their character
arc will be like. That's what we're going
to be diving into today. But before we start, I'd like to remember that everyone's process is
different in individual. So if you prefer to discover your characters on the page and let them speak to you in
dialogue as it flows. That is totally fine. There are no right or wrong. There is just the path
that works for you. So it's really a
journey to discover your own process that is going to help you write faster
and write better. Here, I'm going to
talk about some of the things that
I've learned that have worked for me in the past. And I've heard other writers
talking about and talk about some of the
resources you can use to write better characters. So there are two
tools that might help you a lot in the process of planning
your characters. The first one, our
character profiles, and this second one,
our character arcs. We're going to talk about them. A character profile is really all those details
about your characters. Like you're creating a
affidavit of them so you got physical appearance
with job or they leave. What type of
relationship they have, all those details on paper. They are this age,
they are these Hide. You can get really detailed
with your character profiles. Like what's their favorite song, where they have grown up. Like you could do a full
interview with your characters, favorite themes and
stuff like that. And some people find
that extremely helpful. But also you could
do just some basic and figuring out just your
character's personality. And the other one
is character arc. Your character arc
is really more of the internal journey to
which transformation your character is
going to go through in this series are in this
book and a character arc. It's something that you could have prepared before
study, writing. Or you could discover along
the way as you write it, that it's totally fine. Again, this is also
about how much you as a writer need to know
before you start writing. There is no right or wrong, or you should, you should
do this and this and this. You just have to figure it
out what works best for you. So would it be better
to know a lot about your character life or just to figure it
out as you write it. The screenwriter and teacher, Michael heck says in his
book, writing screenplays, the cell, that character profile really come down to four things. So you have physical
characteristics, then you have their
personality than their role and their background. If people don't relate or like or enjoy reading
your characters, or if they don't have any reason to care
about your character, your book, it's probably
just going to fall flat. So this is really important. So e.g. pay attention to
the characters you have loves in the past and really analyze why you've
loved the character, what made them resonate
with you so much that it's going to elevate
your writing so much. Back to the character profile. A character profile can be just the physical
appearance of your character. So we're talking,
what color eyes, what color scheme or color hair. How much do you weigh? What is their style and any
other physical attributes? Then we could also give
some personality things. So are they, are real
confident person? Are they somebody who is
really gentle and always kind? What's their personality? What are they bringing
to the table, and how do they act in
their relationships? Then you could also
figured out what kind of job do they have if they are younger and going to
school or day of bed student, a good student, are
they responsible to? They have many
responsibilities at home. Where they have like
an absent parent, you should describe
what role do they play in their current
world right now. You also have this
idea of backgrounds. So what have they been through? If we turn to some of
our favorite fiction, we know a lot about the characters and we
understand that background. E.g. Harry Potter, we know he lost his parents at a young age. And that's what's going to make readers care
about your character, their story, what they
have been through. So thinking about your
characters before you start writing is a
really time well spent.
5. How to create a character profile in 5 steps: Regardless degenerate,
your characters must behave like real people
in real life situations. So they should make mistakes, they should have
regrets and grow emotionally or spiritually
throughout the story. As a painter, you
might want to follow Stephen King's practice of creating interesting
characters in difficult situations and writing to find out what happens. But if you are a new rider or you think you are applauded, rather than a pencil, you might want to create a character profile before
you begin writing your novel. If that's you, lend me talk you through the various elements of a character profile and what
questions you should answer. Okay, Let's start
with the basics. What is a character profile? A character profile is an in-depth life story of
a fictional character. So you can have a character
profile for your protagonist, your antagonist in each of the more important orbital
characters in your story. Character profiles
can help you write faster because you're not
working from scratch. Maintain continuity. Add Plot, Twist, add character depth, build stronger relationships
between characters. And the more detailed
the profile is, the richer your character
motivations are bound to be. Some riders delve deep
enough to actually turn each profile into
its own short story. Some add the character's
favorite cold hobby, Kirk's favorite food, fears
and childhood memories. So you have to think about some of those
things and decide which ones you think work best
for your writing process. But be careful with this
because you don't need to dump every detail
into your story. A profile is simply information designed to inform you
about your characters. It helps you to get to know them well enough to be able to reveal to the readers What's
most important for the, for the sake of the story. Remember to allow readers to deduce some things
for themselves, give them a role in the
reading experience. Avoid spoon feeding
every tiny detail about your character's life. Now let's see how to create a character profile
in five steps. Let's begin Step one, decide the characters row. So begin by deciding which
role your character role play. So will he be the
protagonist, the antagonist, the side cake, orbital,
love, interests, confident. Okay. Then you can also establish physical
characteristics. So high way body type, fitness level, hair color,
hairstyle, eye color. Does he have glasses, allergies, overall,
appearance, limitations. Decide on things like age,
current, hometown, occupation, income skills, talents, hobbies, goals, habits, best
qualities, worst qualities. Favorite book, favorite
movie, favorite possession, greatest passion,
favorite foods, best friend, worst enemy. Again, you can get as
much detail as you need. Step three, layer in
emotional characteristics. It's easy to conjure the
appearance of a character, but what your character
thinks and feels, it's what really drives him. So what compromises
his emotional makeup? So you could think
about personality. Attitude is here, introvert or an extrovert
spiritual world view. Here you can also use tools like the MBTI personality
test or the diagram. Any of those personality
tests you might want to use with your characters to decide on their
personality traits. Step four, create
a best who we are. It's shaped by our family's
background and experiences. So get to know your character
story and you will likely learn what motivated them to get out of bed every morning. So think about
birthday, birth place, and family members, childhood
education, first jobs. And step five, How is this character
involved in the story? Dig deeper, finished
with these questions. What does he want? What are his needs or desires? What or who stands in his way? What we would do? What fundamental changes
do you see coming in him? What heroic qualities need to
emerge from him to succeed? Remember, your character is going to change
throughout the story. So he has a problem internal
and external, or just one. But he needs to have
an internal struggle. And throughout the story
he's going to learn something that will help
him solve his problem. So what is your character
going to learn? Those are the basic
things you might want to think about when
creating a character. You might base your
first character on one of your best friends, or a curtain or relative, or an adult you remember
from childhood. Maybe I make sense
of all of them, regardless who you
pattern him after, develop a character
who feels real. And he could become forget.
6. How to create the setting of your novel: Now let's talk
about this setting. And before we start, let's remember that this
setting of a story can be just as memorable as a place
you've actually visit. But how to authors choose
the right settings for their stories and how
do they bring them to life? That's what we're
going to see now. First things first, what is
the setting of the story? The setting of her story
is a Literary to that establishes where and when
the plot takes place. So story's setting can be drawn from imagination or based
on historical events, as well as geographical
locations in the real world, the setting will be like the background of everything
that happens in a story, and it often contributes to
the atmosphere of the book. So this is why Romans novels are typically set
in small cozy town. If you can think about this setting in
three major layers. The first one would be
the temporal setting. So this one is about the era in which the
story takes place. So e.g. this century,
last century. Then we have the second one, which is environmental setting. This one is about the
geographical area. And the third one would be
the individual settings. So specific place within an
area where the story is set. You can combine real
time, real place, and invented or at least embellished individual
settings to ground the story in authenticity while maintaining
flexibility on details. Okay, but how do we write
setting in the book? The first thing is to
choose your setting wisely. So before you start
writing your story, makes sure the setting
fits like a glove. For some authors, this will
be easy, but for others, especially if you're doing some world-building for a
sci-fi or fantasy novel, choosing the study may
be a bit trickier. Here are a few
important questions to consider when thinking about
the setting of your novel. Exactly where and when will
your story take place? Take this time to nail
down the details. If it is contemporary, does that mean present-day
or ten years ago? If it is in a certain if it
is in a certain country, which city and town? If you have multiple settings, how long will the
character is spent in each one is deciding
a real place? And if so, how
much research will it require to convey
in good faith? If it is merely based
on a real place, how much overlap will there be? How will the setting of the story factor into
the characters, lives? Will the setting help them or prevent them from
achieving their goals? If neither than by
Tuesday, Saturday at all. Once you've answered
these questions, you can settle on
your setting and begin writing it in more detail. Number two is to focus
on what's unique. Not every element of your
setting will be worth noting. So focused on what's unique. Every city has buildings
and sidewalks, but how are they different
from every other cities? If someone links their
head out the window, what do they hear besides
traffic and birds? Does the town square
smell like bread from the local bakery or like
pollution from a nearby factory. If it helps, you can
think about your story setting almost as
another character. So just as you might fill
out a character profile, you can profile your setting to. Here are some Setting
Profile questions to get you started. What is the weather
like each season? What are the biggest
landmarks of this setting? In what sort of residences
the most people live? How do people tend to get around walking, driving another way? Why do people like or dislike leaving or visiting this area? And the most important question, how does this affect
my characters? This is where you tap into the most interesting
features of your setting by considering how your
characters will perceive and react to
what's around them. Tip number three is, use all five senses
in descriptions. As you describe each
setting of your story, makes sure you don't just
talk about how it looks. Instead, use all
five senses, sight, sound, smell, touch,
and taste if you can. This is especially
important when writing a first-person account, but also applies to other POB. You shouldn't use all of
these in every description, nor should you always rehash settings you've
already described. But as a rule of thumb, each time your characters visit a new location or experienced that location
in a new context, you should devote a paragraph
to setting the scene. Remember, the more
you show rather than tell with science-based
setting descriptions, the more you will immerse
readers in your story. Just don't go overboard
with pages and pages of detail and
you should be fine. Tip number four, develop your character's relationships
to the sighting. Once you establish the
characters in your story, you can dig into their
relationships with this setting. These relationships
can take many forms. Say your main character has lived in the same town
their entire life. They might have a
long-time fondness for it, or they could be resentful and feel trapped by the setting. Characteristic should
interact with the setting in a specific and realistic
waste for greater impact, use setting to challenge them. A system or both. One of the quickest
ways to confuse readers is to give them
too much setting detail. So tip number five is keep
your readers oriented. You don't want people to get distracted from your
plot because they are too busy trying to understand where the
action is happening. When introducing a setting, keep the descriptions concise. If you have more to
say about the setting, you can incorporate it it later. And bonus tip is
considered drawing a map, whether you're building an elaborated world
from scratch or simply wants to
be as accurate as possible when representing
a real place. A map of your
setting could help. This will give you a more concrete sense of your setting while
you're writing. There you go, the basics
and some things you might want to think about before
starting to write your novel. When it comes to the
setting of your story.
7. Things to consider when it comes to plot: Now let's talk about
plot and how you can be better prepared
to plot your novel. The first thing to
understand is that plotting is a motif step process. There are a few
different approaches when it comes to
plotting your novel. Whether you're new to fiction writing or you've
written novels before. Here's a step-by-step
guide that will help you when it comes
to plotting your novel. They will become an
effective blood. Once you have your basic
idea for your story, the second step is to
develop a story premise. One way to do this is using
the Snowflake Method. There's no flake method involves starting with a core
premise or anything and build every other aspect of narrative and character as you
flesh out the big picture. E.g. you write your premise
in one sentence and then you need to expand that sentence
into a full paragraph. It's a really good
method if you have an idea of what your
story should look like, but you don't know
much of the details. And you can research more
about the Snowflake Method. And I'm sure you're going to
find great content on this. Back to the blood.
The third step is to have a clear
central conflict. Creating a clear
central conflict will anchor your plot and give
you a narrative focus. Harry Potter is a
great example of a story with a clear
central conflict. Jk Rowling wrote seven
books all centered around a central conflict between the protagonist and
the antagonist. If this is their first novel, it's a great idea to
analyze other stories where there's a clear good
guys versus bad guy conflict. Next step is to choose
your structure. There are many ways in which you can base your blood structure. The most common is the
three-act story structure. And learning the basics to
this can help you start to piece together your plot and structure, your narrative. But you can also research
different types of blood structure and use the
one that works best for you. This can take time
and you might not have everything figured
it out just yet. That's totally fine. Just take the ideas
you have seen, ideas, character ideas, keep them safe and continue
to work on them. That's the moment to play
with your creativity. Think about things you
love seeming, books, movies, and write about that. You can mix ideas and
that's the fun in writing. Once you have your
main plot ready, it's time to start to think
about building subplots. Subplots can often be
character specific. So this is a good
time to think about the secondary characters and how each individual backstory
might come into play. The golden rule, two subplots is to remember
that they should advance your action rather
than distract from it. So remember that when
crafting subplots. Also when thinking
about your blood, remember, cause an effect. Good stories involve a
logical series of events. The progress one into the next. Makes sure that
your sins are each motivated by something
that happened before. A good driving narrative,
Sheffield dynamic. Your story arc needs to
have a sequence of events. There should be a logical
progression where one scene triggers the next and pushes the
action forward. The next step is to have
a detailed outline. If you are a plotter, you might want to
dive deep into this. If you are a tensor,
not so much, but again, you need to see
what works best for you. If you decide to outline, one idea is to catalog the main story and
individual plot points. It should be comprehensive enough that someone who
has no knowledge of your story could look
at the outline and piece together the
narrative of events. Identify your
inciting, incident, rising action, and climax. Once you have a
detailed outline, is time to tie up loose ends
and feel any plot holes. So you should go back
to what you wrote, what your outline, and see if
there's something missing. If it should be another scene
between some plot points. And remember, the outline
doesn't need to be perfect. You're just writing
this to help you too. Don't get lost as you write. And this should help
you not stress you. So yes, keep that in mind. And you also don't need
to be extremely strict with the outline if
you're writing and decide to change something,
that's totally fine. Just keep track of the
changes you're making so the editing process
will be easier. These are a few
important points you might want to think about
before start writing. I hope this helped you and
thank you for watching.