Transcripts
1. Introduction to Sunset on the sea: Hi friends, My name is Ally, my Sketch Illustrator ends. Watercolor is on today's class. I wanted to share with you a beautiful seascape
in the sunsets time. I decided to go with something because of beautiful
colors of the sunset. We will see that the
sounds that we have, a lot of yellow
colors, orange or red. Pink colors as well, a lot of wireless colors. We have a beautiful
contrast with the shadow and light as well. I said that this work really
represents the summer. And a part of this is
such a complex work, even if there is almost
no details on this work, it is a minimalist work. It is really complex work
because of choosing the colors, of mixing up the colors. So it is a really
interesting work if you are a beginner
and you want to develop more how to mix up colors and specifically on
this beautiful time of the day as it is sunset. So let's get started.
2. Supplies: For this class, I will use the
watercolor paper boat honk that 300 GSM watercolor pad. The beeper is
sticked to the pet. A part of this I will
use the watercolors, White Nights, that is
expense being brushes. I will use flavor that. I would like to work for
wet-in-wet technique. And then for
representing the room. Bigger shapes, I will use my
little Rubens number six, watercolor paper. It is square. And for the details, I will use my number for the
vein cheap synthetic brush. We will need some plain
water and as well, we will use a hair dryer. If you have watched any
other works of mine. So for the horizontal line, I will represent it
with a washi tape. We want to use today. Any pencil or eraser to work, as you will have me if you have all this already
is more than enough.
3. How to paint sunset clouds: First thing that's real, create the horizontal
line with this. I will take a look of
the size of the beat, or I should say Bring it. I decided that I will go nuts. Try it in the middle with
the horizontal line. I will make it a
little bit over here. So I will make it to
stay to have more seed. Painting them. Sky. I wanted to check currently. Okay. Perfect. So we can start with clean
water and tweaking the paper. What I liked the most about sausage seascape is that the colors are mixing up
gently one to another. The word coax it really
bright, lessened into stink. First, what I will do, I will go with cooler
colors that we have here and warmer
colors we have. On the horizontal line. I take ultramarine
mixing up with ruby color and having
beautiful violet colors here. I'll take more ultramarine. And even in the 3a1 blue color, to have it cooler here. And go gentle. Little by little. I take more water. Because here we
have transitions. I will take some orange colors. Yellow colors as well. I will mix up ruby color, orange with gold color. We have this kind of color. Taking more in the three and
adding cooler blues here. I'm not afraid of getting cholera because as
far as you know, if working with the
wet on wet technique, usually the colors are
getting brighter later. And this time I will take another paintbrush
that this femur to work more on details. Take this one and I
will work with all be colored with in the 3M glue. To make these kinds
of I will take more. This step is really
important to take more color and less water as we are working on the
wet on wet technique. When working on the
wet on wet technique, the color looks brighter
when it is wet. But once the paper will get, the worker will lose this brightness of this
intensity in color. So pay attention
to these details. Why we work wet on
wet and wet on dry. Because look how beautiful it, the colors are getting wanting
to another how those are mixing and creating really
beautiful transitions. Now, I'm not taking only
really dark colors, but also into
cooler colors back, I'm back to my warm colors
to intensify those. Here, I have a lot of fruit color I would
say that I have here. Scott. And I'm not afraid of adding more color. If you feel that the
paper get joint, just to leave it, don't go over. The edges will be really clearly
sooner like I have here. I will show you a
trick that you can. Actually here we
need some just like I think I'm done with my sky. I can proceed. The weird part.
4. How to paint sunset reflection on the sea, part 1: I have tried to work
with a hairdryer and now I remove my Washington. Very important that
when you remove your washi tape is that your paper is not
getting damaged. You are done. You
don't take it week. Take a really, really little by little that to assure that it is at the beginning in
an original condition. If you have any
smaller washi tape, I really advise you to go with smaller washi tape till now, what we will do
here on this scene, we will work with some
wet on wet technique. But mainly here, I will try to go more with some track
how I will do it. Now I wanted to show a really interesting way to
represent this whitespace. Here we have the
C with the waves. And the waves as far as you
see are light violet color, almost white, heterosexual
and not white, but at least it is, it has some color. What we could do is
that we can go with the 3D blue collar
job dimension. I take ruby color. I take less water. Because already. Now, what I do with this
mixture that I have here, I remove the excess of water
for my from my team niche. So it has already did the car. And what I do, I apply
the paint brush like this and create this effect. Let's take All right. This kind of effect
on the water. I'm not applying
everywhere the color. If the paper has
more details on it, like it is wavy. If it is cold pressed, then you will see
these lines are the same I will do with this
color that I have here. Okay. I will mix it up, remove the excess of water. And I created here. You have to have less
water on your brush. And here what I will do
because I put too much water. I will take with synthetics paper, I will remove the excess
of water, mixes of color. Now taking back these color, I'm going smoothly year. I can work because my paper
is dry so I can touch it. If you can attach it yet. I advise you to try your
watercolors with hairdryer. I take more violet color here. And by intensifying
this horizontal line. I go smoothly here
with the waves. I have here, and some
here in flat ground. But we'll work on this. That's where we are
going closer here, what I will do, I will take more
Morrison tron color. Also had burnt sienna. Burnt sienna. And we'll mix it with the three. And I make this shape. So here we have it. This I will take more
in the warm blue color. As I said, the color
here is coming up. Why? I wanted to intensify. And I take once again Daniel, here, I have L, So let's choose.
5. How to paint sunset reflection on the sea, part 2: So if I you see that
it is too much white, you just add more
color like I did. Now. I add the color that I choose that I
see here on the water. Because we don't have
only warm colors. Cool colors too. For the cooler colors, I've mixed up in a row, column with the Rubin. Because it looks
really beautiful here. Now with the details, I will add more
details with orange. This site, I haven't been too because here will
be super dark and I think that I will use sepia
for creating this touches. Here, I intensify these
darker shape of these. We have clear pay attention that I'm working at the work
instantly in several places. I'm not taking the work or side-by-side
working only on some of this work is completed and we need
to work as a whole. Pay attention that
this kind of effect. It is possible only
when the brush is almost dried and
has only color on it. And you're not
painting like this, but I are going like this. Here. I will add
more orange colors. Really bright ones. Go. Now what I will take it told me see, yeah. And I will represent
here in the background. I take less color, more water. I will also add some blue colors looking to make goodness. We don't have a warmer colors in the background
because of perspective. So I will take for
this here as well. And we had to pay
attention as well. Shapes that we need two
things for the shadow. I will take Payne's gray column. The first dark side is here. And then we have
some details here. Then I have them
beautiful reflections. I want to reserve. And here already I have
a shadow on the water. Then we bring it
closer here and we see as well interesting small ones. Shadow. I can't work with Docker. Hub will take some Payne's gray CPAs mouth-to-mouth
to get done. I will take Payne's
gray and see. I took more Payne's gray. I have some dark. I will come back right to here. Even though I have some details here that are so-called dark and small. Bridging hair. I will try my work
with the dryer and then I will add some touches.
6. Last details: I want to proceed
with my last duchess, and I'll take Payne's gray. I will intensify the color. I will do another. Let me get these super dark. What I have noticed, meanwhile, I was trying to work is that Because I have
added here some details, it's made that this
horizontal line to go a little bit
on another site. So I will take more
violet colors. So create this line
a little bit higher. Same, I want here to
add more warm colors. I will add to ten m red
color with a little bit, but here I will add more color. When you want to
make something like, I don't know, it is important that your
paper to stay true. If at least a smaller side
of the paper is so bad. You can make some incidences
that you won't likely. One of the people, it is true that the color is not mixing up. It is only increasing the brightness of the
work, and that's it. So I think that's now I'm
happier with the results. And what I can do
oriented toward my name. The work is finished. I think this time
I will work with white color to sign my name. Same you could do. I want to take more color? And when I take it like this is more
difficult to control. Clinton time you can
apply to with jelly. That's it. Thank
you for watching.
7. Conclusion: Dear friends, I think that
you enjoyed this class. If you have any questions, please leave a comment
to this class. You can contact me
on social media for further questions and
for quicker to reply. But if not, you can just write
down any comments below. I will be happy to answer those. Thank you for watching and
until the next time somebody.
Ala Lopatniov, Illustrator & Watercolorist
