How to Edit Viral Short form Content - Premiere Pro 2023 | Everything Editing | Skillshare

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How to Edit Viral Short form Content - Premiere Pro 2023

teacher avatar Everything Editing, Be Creative

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      1 PITCH VIDEO

      1:59

    • 2.

      What you need to get started

      4:18

    • 3.

      Data Management + Free preset pack

      4:53

    • 4.

      How to Start a New Project

      1:57

    • 5.

      Importing + Scene Edit Detection

      3:12

    • 6.

      Building out a Roll + Auto Reframing

      6:30

    • 7.

      Adding auto captions + Best Settings

      5:18

    • 8.

      Adding emojis to your shorts + Free preset pack

      3:51

    • 9.

      How to spice up your shorts

      2:17

    • 10.

      Adding Music to your shorts

      3:32

    • 11.

      Best Export Settings

      1:47

    • 12.

      Business Section - How to get clients - CRM

      5:50

    • 13.

      Outreach, Messagins and Pitch

      4:36

    • 14.

      Pricing, Closing and Invoicing

      3:44

    • 15.

      Retaining clients long-term

      2:41

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About This Class

Welcome to our Viral Shorts course!

Welcome to our viral shorts course! Join us as we guide you through the journey that will help you get hired a video editor!

You will learn:

  • Key editing concepts that will help you start your career
  • How to put your footage together in a roll
  • How to spice up your shorts with captions, music, emojis and more!
  • Good practices that will help you edit better and faster

Business section

You've finished your project, learnt how to edit, and then what? Don't worry! We've got your covered! You will also learn:

  • Great tips for reaching out to potential clients
  • CRM fundamentals
  • How to pitch yourself to interested parties
  • How to invoice
  • Valuable advice to retain clients long-term 

... And so much more!

Join us in this journey and together, become the editor you've always dreamt of being!

This course will be receiving updates throughout the next few months, so stay tuned for new videos and sections!

Coming up next:

  • Our top 3 favorite after effects features to level up our shorts
  • How to elevate yourself as an editor
  • Presets that will help you edit faster
  • Projects to help you apply what you are learning!

Meet Your Teacher

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Everything Editing

Be Creative

Teacher

 A group of creatives, passionate students and friends who want to inspire your creativity.

 

Here at Everything Editing, we love learning, we love discovering new technologies, coming up with crazy ideas and finding ways to make them reality. So we made it our goal to help as many people learn, create and achieve goals.

 

If we could describe ourselves with one word, we would choose "students" because above all else, that is what we are. We've attended countless classes, enrolled in many courses and studied all sorts of subjects, we know how to learn, that's why we want to help you. Our learning technique is simple "Understand, but not copy", we don't want you to copy us, but to learn from us, and that is how our courses are built. We encourag... See full profile

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Transcripts

1. 1 PITCH VIDEO: When you truly begin to understand what you can do as a video editor, once you understand the how everything changes for you to think of cooking, you go from having all these ingredients to being able to combine it into a masterful dish. Well, in this course, we'll dive into taking each ingredient of video editing and teach you how to combine them in order to create a masterpiece short form at it that we'll be engaging and striking enough to go on and get millions of views. My name is Dylan Reynolds, I'm co-founder creative therapy. I've been working in the industry for five plus years. I currently in the editor for some of the leading influencers in the social media space today, like YouTube channel ethylene x, with over 13 million subscribers. Tyler Maori, the master of script writing and storytelling, Guston son who works alongside Tony Robins and other big names. And that's just to name a few. Now, a big mistake I see a lot of editing courses make is the only teach you how to do certain effects that are trendy and your left still asking what now? Take it from me who has spent thousands of dollars in online courses and well, yes, I'll agree there has been more quality courses to be released in the past few months. They still don't cut it. That's why in this course we made it our goal not only to teach you how to edit masterful short-form videos by teaching you the fundamentals first and then the fancy tricks later. But also to teach you how to turn this skill into a career. We go through my entire process to reaching out to clients and closing clients and everything in-between. I even show you how I managed to get in front of a huge YouTuber like ethylene x with over 13 million subscribers. And we don't stop there. We also include a full bonus section and we decided to give everyone who enrolls a lifetime access to this course. That will be ever-growing. Yes, we will continue to add to this course and as we continue to evolve and as the industry continues to evolve as well. So that was a lot, but that's still isn't it. I have also created presets that we typically sell. But when you enroll in this course, you'll get those for free. Or these presets will exponentially help you speed up your edits, that's guaranteed. So if you want to build a career out of video editing, if you want to work with your favorite YouTubers, if you want to learn how to be able to craft stories that people can get attached to the enjoyed this course. Until then, I'll see you guys inside. 2. What you need to get started: Today we're gonna go over the top softwares that I use when editing short-form content in my editing workflow that helps me be significantly more efficient. So obviously starting with the first software I use is my aniline, my non-linear editing software which I personally use Premiere Pro and After Effects. So for the whole Adobe Creative Cloud, where you get to have Photoshop Premier Pro, After Effects, et cetera, the whole Adobe Suite, it costs about $52 or €52 depending on where you are per month or you can pay about $600 a year for that. Now one of the things I do to step up my short form content game is music using the right music, music that We'll go viral. And in my opinion, there's no better place for the price than epidemics. And they even have an option where if you go to the themes page inside of Epidemic Sound, they have a whole section of amazing music selected by their staff specifically for viral content on TikTok or other short form content platforms. The next software I use is called for k download. All of the platforms or softwares that I mentioned in this video will be linked below this video in the show notes for k downloader is a must, must have if you're editing shorts, especially if you're editing is a full-time job like myself, one of the clients I add it for as athlete x, which many of you already know at this point. And when I edit for ethylene x, would they like me to do is take their already posted long form content on YouTube, download it, and trim it into a short form piece of content in order to get the best quality download from YouTube where I can download a video from YouTube at the quality was uploaded whether that'd be ten ADP earned for k. I can do that using for k downloader. It's very simple. All you do is you copy the link of the video you want to download. You open fork, a downloader. You paste the link and you choose the resolution you want to download it in, and then it downloads. Now this next software specifically is mainly for the editors watching this that are editing for clients. And that's framed dot frame dot io is a small fee of $15 a month. Or you can use the free version where there's a limited amount of upload space that you have. I recommend paying the $15 a month because frame dot io makes you look and feel like such a high class professional editor. It's essentially a software where you can upload the first draft of your video or in this case your shorts. And then you can send a link to the client and the client can watch through real-time and leave revisions. In the way the revisions are left on frame dot io is it timestamps where they leave the revision so it makes your life way easier. It's super easy for them and it's an overall great positive experience for both the client and yourself. So I highly recommend using frame dot io. Next is I recommend getting Canva. Canva is an amazing app for if you want to find an animation or shapes or get creative with whatever you wanna do, canva is a great place to do that. I feel like I don't really need to explain this because I feel like most of the population by now as already using Kim. Next is storybooks. Storybooks is again a monthly fee or a onetime payment for the year, but it's totally worth it. There has been so many times when I was editing a short and I was missing B-roll from the client or maybe I couldn't find B-roll and the video that I downloaded from YouTube that I'm turning into ashore. And I needed extra footage. And I went to story blocks and it's saved my butt countless times on many, many projects, they have such high-quality stock footage and they also have templates for Premiere Pro and After Effects that you could use to really step up your edit, sorry, blocks is an overall hundred percent recommendation for me as well. So finally, my last software recommendation for you. It's not a software necessarily, it's more of a website. However, it really steps up the virality of your short form content. And you see this a lot with Mr. Beast, with Alex Mozi, I think his name is and a lot of other short-form content that's been popping off lately, and that's using gifts or gifts, however you want to say in your videos. And you can do this by using a software or a website called tenor.com and you simply come here, it's free to use you type in whatever you want and you can download it and insert it in your video will cover all this in later lessons. But I highly recommend you bookmark that website on your Google tabs. So I know it sounds like a lot and it can be overwhelming, but those are all my software recommendations. You can get started using them or you could slowly use one-by-one. But I definitely recommend you use at least two or three of the ones I mentioned in this video. Remember, all of the links to the softwares I mentioned are going to be below in the show notes. 3. Data Management + Free preset pack: So now we're going to talk about data management. And while it may not sound like the sexiest thing, it's definitely one of the most important things in the process. And I say this because organization and I repeat, get closer. Organization is crucial in editing. So a lot of people, especially beginners, will just laugh or skip this lesson. If you do, just leave the course now, do not skip this lesson. Stay, please. Stay. I'm not going to go super in-depth on data management. I'm just going to show you how I file structure out my projects and how it makes my life significantly easier and way more organized. When I'm editing something, it speeds up my process way more because when I need something I know exactly where to go to find it. I also want to add that beneath this video, I'm going to be leaving a free downloadable preset, which I normally charged. But if you're in this course, you get it for free. And it's my exact folder structure system already laid out for you, right? It implement. And that's essentially what I'm going to be going through in this video. You can copy this or you can just download the preset below and have it ready to go for every product. So essentially when you download the preset, the folder that you're going to get when you unzip it is gonna be this right here folder structure. And when you click into this, I designed it. So you have the first one that's applicable for anybody who's editing on Final Cut Pro. And the second one is for anybody who's editing on Premiere Pro. So most of you are gonna be on Premiere Pro. You can just delete this and right-click this one, rename it and put 01 for Premiere Pro. You double-click into whichever one is applicable to you. For me, it's Premier Pro, and inside you will have this, you'll have a row, B-roll sound design music, miscellaneous projects and exports. So essentially we're gonna go by this one by one. So a role, what is a row? A row is the main video. So let's say I download a video from YouTube and I want to take that video and edit it into a short that's gonna be my arrow. Once I download that, I'm going to drag and I'm going to drop it into the arrow folder. Then what I'm gonna do is B-roll. B-roll is any extra footage. So let's say e.g. I'm editing a workout short and they have a talking head like this, explaining how to do a bicep curl, but they're not actually doing a bicep curl. What I would do is I would get B-roll or stock footage from story blocks or something like that. I would download it and I would put it over the footage and I will put that in the B-roll folder. Next is sound design. So anytime you have a transition to add more depth, e.g. I. Would put a whoosh sound effect or something like that. Just to add some more depth to the edits, I would put any of those sound effects in the sound design folder. Next is music that's self-explanatory. Any music you put, you put in a music folder and miscellaneous. So what will I put miscellaneous? Well, if I download a JIF e.g. I'll put that in miscellaneous. If I create an adjustment layer, which I'll explain later, I'll put that in miscellaneous, anything like that. Next is projects. So if you double-click into projects, you'll see that you have a folder for Premiere Pro and a folder for After Effects. Now, in the next video, after this one, we're actually going to be going over how to create a new project. So this will make a lot more sense in that video. However, essentially when you create a new project, what you wanna do is you want to put your project file into the folder that's applicable for that. So e.g. if I create a project in Premier Pro, I am going to go here to projects Premiere Pro, and I'm gonna put that file, that project file in this folder in the same for After Effects. So next is exports. And I think that what I did here is very, very applicable to the real-world, especially if you're working on client projects. Because if you click on to exports, you have V1, V2, V3, v1, v2. V3 stands for version, version one, version two, et cetera. So typically when you send clients a video, they always come back with revisions. Well, the V0 V1 is usually the first draft. V2 is the revised draft, et cetera, et cetera. What I do is I'll put my first draft in V1 because it's my version one. I'll send it off to the client using frame dot IO, which we went over. They'll leave their revisions. And then what I'll do is I'll revise my project. And then when I revise that second project, I will put it in version two because it's the second version of that same video. You get the point. Sometimes they liked the first draft and you never have to make more than one version. So that's what I have here in exports, typically you never have to do more than three revisions unless you're new or you're just not aligned with the vision of the client. But that's a different discussion. So that's my folder structure. I've been editing for five plus years. I've tried many different ways of organizing my files and data management. This has by far the most practical best way to do it. And that's why I'm really proud of this honestly. I know it sounds simple, but it actually has been something that I've played with over the years, different versions, different ways of doing data management in this one is just the most practical, the quickest, and keeps everything the most organized. If you guys want this exact folder structure that I have, I will leave the download below for you to download. And just so you know, when you're downloading this preset that we're giving you, you can customize the names of any of these. So if you don't want 010203, you can just right-click Rename and you can completely name these, whatever you, this is totally customizable, It's totally up to you. This is just how I like to do it so you can change it. However, is most practical for you. 4. How to Start a New Project: So now we're going to actually open up the editing software and we're just going to quickly create a new project just so you know how to create a new project the proper way while using the folder structure preset that we provided. So all you wanna do is come down to Premier Pro. Click on that and wait for it to open. Now it's pretty self-explanatory and I'm pretty sure you can figure out how to do this. Given the big blue button on the top left, you want to get your mouse over there and just simply click on that button. Now once you click that big blue button, you'll have a new page that comes up and it's a little bit more complicated or overwhelming. Don't worry, up here on the top left, just keep your eyes at the top left. That's all you really need to do. You'll have something that says project name. What do you want to name your project? So in this course I'm, I'm using one of the shorts that I made that went viral as an example. So that was a tutorial and it was called how to add captions to your video. So for me, that's the name of this video. If you're following along and editing your own short, name it, whatever you want, I'm going to put how to add captions to your videos. Now, project location, this is where the folder structure that we gave you comes in handy. You want to come down to this drop-down arrow, click on it, then come down to choose location. Then you're going to have a pop-up. You're going to want to find where you want to save this project. I created a folder called example. Then inside here I have the folder structure that we previously went over in the last video. Once you find the folder where you have the folder structure we gave you, then you can come over to projects. Come over to Premiere Pro, because this is a Premier Pro project. And then click Choose. Now, you click Create and then a new pop-up will come up, which will be the actual Premiere Pro interface. Don't worry, we'll go over that. So if you're on a Mac, go down to Finder. And then what you're going to want to do is find where you just saved your projects. So go to the folder structure and then if you double-click on projects and then Premiere Pro, you'll see that your project is now saved in that folder. So that's how you create a new project inside of Premier Pro. It's pretty simple. 5. Importing + Scene Edit Detection: So now we're going to import our footage into Premier Pro. And then I'm going to show you a really, really amazing feature. If you're editing a short from a longer form YouTube video or just a longer-form videos. Anyways, the first thing we're gonna wanna do is go to our folder structure. Then what you're going to want to do is you're going to want to find your a role or the video that you're working with. So in my case, it's a pre-recorded video from a camera. It's not a YouTube download. I'm going to simply copy that. Then I am going to go over to my a roll folder. I'm going to click Command V on a Mac or Control V if you're on a PC. And then what's going to happen is my a roll or my main video file is going to paste into that folder. Now quickly before we import it, I'm just gonna give you a quick little rundown and Premier Pro. So down here on your bottom left, if it's the same layout as mine, you will have your media Ben. This is where you keep all of your data management. Essentially, this is where you create, you can create folders and then you can put stuff into those folders like video, music, sound effects, etc. And then up here you have your effect controls, which is like position scaling, zooming in, zooming out that kinda stuff. And then right here you'll have your actual playback. So the video, you'll actually be able to see your video right here. Down here you'll have your timeline, which is where you can edit or adjust the video. And then over here you have your essential graphics effects. All that good stuff that has the most simplistic run-down and Premier Pro possible. But now you have a general gist of what we're working with, okay, so essentially what you're gonna wanna do is the first thing you're going to want to do is come over here to import media to start, right-click, Create New button, and then type in your folder structure. So in this case, 01 underscore a role that's created. You're going to want to go to your a roll and then you're going to want to drag and drop it into that bin. Very simple. Now if you go to the drop-down arrow, you'll see that your footages here drag and drop that now into the timeline. Now you'll see everything more clearly. So again, this is your timeline Effect Controls and your actual video where you can, where you could play back. I'm going to just mute that track for now. So if you have a YouTube video and you want it to cut out all the, or you want it to show a cut every time there was a cut in the actual YouTube edit, all you do is you come to the track with the video layer on it. You right-click. You scroll down to something called seen edit detection. And then you click on that. You click, you make sure apply a cut at each detected cut point is selected and the other two are unselected. You click Analyze. Well, I have the most SPECT out MacBook Pro for what? It's taking forever. It's really good. It's really good feature when it actually works. Okay, So the scene at it detection just finished and you'll see if you zoom in. It only had one cut because I filmed it all at once. So if you have a video with multiple cuts as we explain, you'll see a lot more cuts and it'll do a lot better job of C-net at detection. Again, as I said, it's circumstantial and my case, I wouldn't really use it for this. But if I was taking a video from YouTube and turning that into a short, I would definitely use this and I usually do in my workflow. So that's how you import your footage and that's how you use the features seen edit detection. 6. Building out a Roll + Auto Reframing: Now we've officially gotten to the point where we can start sifting through our footage. In other words, going through our footage in deciding what we want to cut out and what we want to keep in. And we have to make sure that we are keeping in only the essentials. I will say it again, only the essentials of the video in order to make the point of your video because it needs to be a minute or less. So this video here is 16 min long and we're not gonna be sitting through and cutting this whole video together because most likely following along with your own video. So I'm just going to show you the principles of cutting and sifting and then leave you to get creative and edit your own viral short. So let's start sifting through and cutting and showing you the main things that you'll need to know in order to do so. So first of all, I want to talk about keyboard shortcuts to very briefly. Essentially, I mean spacebar, It's a keyboard shortcut. Backspace is a keyboard shortcut, Command C and Command V for copy and paste. That's a keyboard shortcut. Each editing software has their own keyboard shortcuts that you can customize. So for me, I set B, the keyboard shortcut B. Every time I click on that, the blade tool comes up. And what the blade tool is is essentially a tool where if I have a whole clip here and I click, then it will break or it will bleed or cut that clip into two different clips. If I click a, it will go back to my cursor. If you want to change your keyboard shortcuts, all you need to do is come up to Premier Pro, come down to Keyboard Shortcuts. And then here you will be greeted with this fancy page. We can go ahead and edit or change your keyboard shortcuts. So what I do is I select e.g. be, razor tool. So and then right here you come down to commands and then you can type in razor tool and choose whatever action you want Premier Pro to perform whenever you click that keyboard shortcut, then once you set that, all you do is you click. Okay, now going forward, whenever I say B, I'm talking about blade tool. A, I'm talking about going back to the cursor. Now for this, That's all you really need. So if you look at my audio waveforms, you can see that I'm not really talking here and I am talking here. So let's say I want to cut all that out. So I'll click B blade tool and I will cut that, and I will cut after. And I'll even cut this space out here. I'll click a to get back to my cursor. I will select the empty space, delete it backspace. I will select this empty space and click Backspace. Now I can do two things. I can click on the clip to the right and move it to the left with my mouse. Or if I go back, I can select the empty space. And when this white box fills the gap, I click Backspace or Delete. And then it will bring the two clips together. And I could do the same thing over here. Again, I'm not gonna go through this 16 minute video and actually cut this with you because most of you are likely just following along with your own short that you want to edit. So that's essentially how you cut in, sift through your footage. Sometimes what I'll do is I won't cut out any spaces. What I'll do is I'll actually go through a blank. Okay? So I write here this was a good take, so I'll lift this up to the next track, which is V2. And then let's say, okay, this part, it's a bad take, so I'm not going to use that. This is all bad take. And then this is a good Take right here. So I'll go, I'll get my blade tool and I'll cut that section out. And then I'll lifted above. And then let's say I have all of my favorite takes on the V2 track. Then what I'll do is I'll just highlight everything on the V1 track and delete it. And then I can come back to the V2 track, bring these down to the main track, and then bring these together. And then I have my favorite takes altogether. That's another way of sifting through the a role pretty quick and efficiently. That's another thing I do a lot now that you know how to cut your footage and sift through and find the best selects of your footage or the best takes of your footage in order to make it into an actual short. Well, you wanna do is you want to auto reframe it, right? Because this is all vertical at the end of the day. So what we'll do is we'll come up to this sequence button, come down to sequence settings, okay, then you'll be greeted with this pop-up. When you're greeted with this pop-up, what you wanna do is you'll want to just focus on Frame Size and for vertical, which you want to do is put 1080 by 1920. So what the 1080 by 120th is essentially turns the framing of the video into a vertical video. And what you wanna do is come down and click Okay? And then when this pop-up comes up, just click Okay. And then you'll see that the entire timeline has been turned into a vertical video. Now, there's two things we can do from here. Now let's say I want to re-frame or resize my screen because I'm too far to the right, in too far to the bottom. I can come up to, I can make sure my clip is selected and come up to the Effect Controls. I can bring this scale up. Then I can bring my position to the left. And I can bring myself up a little bit just to make sure I'm in the middle of the frame. Or I can use Premiere Pro's artificial intelligence to do this for me. The second thing I can do is I can highlight all of my clips. I can come up to effects, type in auto re-frame. And then you'll see down here you will have auto re-frame and what you wanna do is drag and drop it onto the footage. And Premier Pro will start to analyze an auto UC analyzing here at the bottom right. It will start to analyze and it will auto re-frame your footage. Now, I do want to note, take this effect with a grain of salt because sometimes it does a poor job, sometimes it does an amazing job. However, if it does a bad job, I'll show you how to simply adjust and it's done analyzing. In this case, it actually did not do a great job. So it follows me. You can see that it follows me when I'm talking. It's kinda, you could see some movement here on the frame as I'm moving my body. However, it's not positioning me to what I think is the most aesthetically pleasing. So I do want to keep that movement in there. So what I do is I come over here to the left to Effect Controls. I come down to auto re-frame. And then here you can adjust the position. So I'm going to come to re-frame scale and I'm going to zoom in a bit. And then I'm going to come up to re-frame offset, which is essentially like the position. And I'm going to move that into the framing I want. And then we have something like this. So in my opinion, this looks much, much better. So that's essentially how you can sift through your footage, choose the best selects of what you want, and that is how you can implement in use. Another, a great effect to have in your toolkit, which is auto re-frame. 7. Adding auto captions + Best Settings: Have you ever wondered how your favorite influencers, YouTubers or whatever, who posts some of the best shorts you've ever seen. They have these really engaging captions that kinda follow your words like every word you say, it pops up on screen. It's just really engaging it as different colors and all that. Well, right now I'm gonna show you how to auto transcribe and create captions with Premier Pro's ai and how it's actually really amazing, really fast. It steps up your short significantly like this is honestly a staple. I feel like you have to do in every single one of your shorts. All you need to do is you need to make sure that everything is all cut up in your timeline, which we went through the last video on how to do that, the principles of how to do that. Once you're done cutting your entire video and it's all cohesive and make sense and it's under a minute. What you wanna do is you want to come up here to the left panel, effects controls up here on the top-left to Premiere Pro. You want to scroll over to text. If you do not see texts, just come up to Window, come down to text and select that, and then it'll pop up here. Then what you wanna do is come over and click create captions, your language, you can put whatever language you want. In my case, obviously it's English, I'm assuming yours as well for speaker labeling, just put no, don't separate speakers for audio analysis. Put audio on track and just keep it at Mix. Then click Transcribe. Now that will auto-generate and Premier Pro's artificial intelligence or AI actually does an incredible job doing this. I rarely have to go back and fix mistakes, although depending on how clearly you talk or not, I often recommend that you come over to this tab at the top left and just scroll through here, and this is where you can make any revisions. Now, let's say that something is wrong. All you need to do is double-click this. And let's say this is edit instead of edits. And then I'll just delete that. I click out of the box and now it's revised. Now once you're finished revising anything that needs to be revised up here, you come up to the CC icon, which stands for create captions, and you want to click on that, then you'll be greeted with this new pop-up. And what you wanna do is click this arrow to the left of preferences and then you will get a lot of different options here. Now for format keeps subtitle, style, keep it at none for minimum length and characters. So this is essentially how long you want the sentences to be on screen. And then the minimum duration in seconds is how many seconds you want, the minimum amount you want it to be on screen for. So for minimum length and characters, I usually keep it around 20. I find it that's the best as far as analytics goes, which I've kept an eye on Analytics for months now. And I feel like I've experimented with different ones. 20s, just a sweet spot and I actually come down to minimum duration in seconds and I put that at about 2.22, 0.1. And then gap between captions, I keep that at zero lines. Make sure you're clicking single. Then come and click create captions. Now, you'll notice that now you have a new track on your timeline, and this is a subtitle tracks. So what you wanna do to edit this because it looks very generic in boring, is you want to highlight the entire track. Come up here to Essential Graphics, come over to Edit, come over to texts and change it to whatever font you want. I personally think and what I use for my videos and client videos is Montserrat. Is Montserrat extra bold? Now, as far as the size goes, I found that 90 tends to be the best, most readable, not too big. And then I come over here to alignment and I come to center text vertically, or use the second option to the right. And then that will bring it up to the screen where it's readable. Now note with TikTok and Instagram, there's usually icons here and here. So right here is the most readable for the text. Then what you'll wanna do is if you want everything to be capitalised, you come over here to the all caps option and you can click on that. I personally like it lowercase. And then here in the zone, you can further choose where you want to position the text. So if I click the middle one, it will put it in the middle of the screen, the top, it'll put it in the top of the screen, etc. I like to keep it at the bottom. And like I said, the second one to the right, then down here, you will find the appearance which is basically the color of the fill, the outline, the shadow, et cetera. Well, we're going to want to do is we're going to want to come down to shadow and we're going to want to come to the size and we're going to want to bring it up to about 55. Then what you're going to want to do is come to the blur. You're gonna want to bring that up to around 130, 140. And it just gives this really nice aesthetic, kind of blurred out shadow. Now, alternatively, you, what you can do is you can simply bring the blur down, bring this down, and then you have you see often in Mr. B's videos, which is a hard shadow, a hard outline shadow. It's really comes down to personal preference. Then if you play it back, I'll just mute it so you don't hear my audio. But if you play it back, you have the captions perfectly in place. Now, let's say you want to change the color because you see a lot of viral short content changing colors and the text. Well, let's say you wanna do that. Let's say you want super engaging. You want just engaging to be yellow. I would click on the clip, which has these words in it. I'll double-click engaging to highlight just engaging. I'll come over to Phil and I will choose a nice yellow, orange-ish. And then I'll click, okay. And now when I play it back, you'll see that it's just that one that has the change in color. And now you can go through and do this to the rest of your video of whichever word you want to highlight. But that's how you change the color and you could change it to whatever you want. So that is how you auto transcribe and caption your videos, your shorts. And that's how you can edit it in the best settings for it as well. 8. Adding emojis to your shorts + Free preset pack: I'm sure you've seen some of your favorite influencers. Youtubers are some of your favorite shorts in general, some of the most viral shorts that you've ever seen. They all have one thing in common, aside from the transcribing captions that I already taught you how to do. And that's the fact that they have animated emoji. Animated emojis tend to step up your shorts and make it a lot more likely to go viral because it increases engagement, meaning people watch it for longer. So in this video, I'm going to teach you exactly how to do that. But before we get started, the link below this video, we have another free preset for you, which is every single Apple emoji in separate folders. Every folder has 250 Apple emojis, and we're gonna give those to you for free. We usually charge $30 for this. But in this case, since you're part of this course, you get it for free. So I'm gonna show you how to add this preset inside Premiere Pro so that you can have it forever. So what's you're going to want to do is when you click on the link below, you're gonna get a zipped file. Now, right now, all I have is the first 250 going to have multiple packs with 250 emojis in each pack. Just double-click it and then unzip the file. And then inside here you'll have all of the Apple emojis. So what you're gonna wanna do is come down to the library's tab to the right and Premier Pro. And then, as you can see already, I've added some apple motives here. But for the sake of this video, you're going to want to click Create new library, name this, whatever you want. In this case, Apple emoji pack zeros 01 since it's the first pack, click Create. And then what you're gonna wanna do is go back to that pack and simply highlight every single emoji by clicking Command or Control a drag and drop it into that section. And then you will see that every single emoji is now loading into your library. So now that you just did this, basically what will happen is every single time you come back to this apple emoji pack that you just created, you will have these here in your Premiere Pro forever. Instead of having to download each emoji and bring it into the media Ben, you can just come over here to libraries and just drag and drop the emoji into your timeline. So let's say you're at this point in your timeline where you find something, where you can add an emoji to make it applicable to what the transfer or what the captions are saying. So in this case, I'm on this point where I'm saying short content. Maybe I would want to add an emoji of iPhone or computer signifying content. So I'll scroll through the Apple emoji pack and I'll find the phone, the iPhone, I'll drag and drop it onto the timeline. And then I'll just extend out the clip to fit this exact caption. And then what I'll do is I'll highlight that and I'll come over to my Effect Controls on the top-left. Then I will just move the positioning down to make the iPhone right above the captions. And then I'll move the scale down a little bit. And then you can keep it like that. So when you play it back, it looks really cool and emoji pops up with the subtitles. Now, if you want to step it up even further and make it more engaging, you can add keyframes and animate it. Very simple. All you need to do is go to the beginning of the clip where you first add the emoji, come over to the top-left effect controls as you did before. What you wanna do is you see this stopwatch here. You come over here to rotation and you come to the stopwatch and click it. And what it'll do is it'll now enable keyframing. So what you wanna do is come over here and type in 16 near rotation. And then it will rotate it to 16 degrees and then move forward a little bit in the timeline and then type in negative 16. And when you do that, you'll see a new keyframe is created. So move forward about the same amount and type in 16 again. And then do the same thing one more time, but for negative 16. And then what you wanna do is you want to highlight all of these keyframes you just created. Right-click, come to Bezier. Click on that. And now what you'll have is when you watch back, you'll have the emoji and animate side-to-side. And it makes it just a little bit more engaging. So that's how you add an animate emojis to your shorts. Make sure you don't forget to download our free preset that we're giving you in the link below. 9. How to spice up your shorts: Today we're gonna talk about one thing you can add into your shorts to absolutely spice them up and make him just go to the next level. You're gonna be super spicy like my wife. Okay, cut, take 336. So the only thing you're going to need for this is Google. And you're gonna go to Google and you're gonna go to a website called tenor.com. And then when you get there, it's essentially a GIF maker website. So what you do is you type in any JIF you want. So e.g. if we go to my Premier Pro timeline, let's say I'm talking about short content here in this specific caption. So let's say I want to add a JIF. What I'll do is I'll type in content and see what kind of gifts there are for content. Okay, so I would do this, this looks pretty funny. I would come here and I would download this, create JIF download, and then it will be in your downloads. So once I download that, I'll come back to Premiere Pro. I'll grab the JIF, which is in my downloads. Then I'll drag and drop it into usually my B-roll folder. But in this case I'll just drag and drop it into my media Ben. So once the JIF is in your media Ben, I'll drag it on top of the emoji that I created. And then I will just size it to fit the video accordingly. So I'll scale this down and then I will move the position down. And what I'll actually probably do is I'll take the actual caption and I'll change the adjustment of it. So I'll come to a central graphics, I'll come to Edit, and I'll click on the third one to the right to align it so it's above the JIF. I might actually move the emoji up as well. And then when you put that all together, you have a really engaging little clip in the short. Now, if it plays really quick like that, what you can do is you can click Option and drag to duplicate it. And then you can just do this throughout the whole thing. So then once you have afterwards as a gift, it plays through the entire time. So when I play that back, you'll see that you have the GIF come up. So when you add shifts into your shorts, it really steps up the engagement of the actual short. And there's a few little things you can do like if it looks too boring for you, like e.g. how it's just here, just straight. You can maybe change the rotation a little bit to be a little bit sideways and off center. You can even animate it like the way we animated our emoji. You can get creative with it and just add it in. So that's how you add gypsum to really spice up or up your game for shorts, again by using tener.com. And again, all the links will be below. 10. Adding Music to your shorts: Today we're gonna be talking about how to add music into your shorts. Now, I'm not going to teach what most people teach, but they're just like cut here, cut here, add the music at a transition bubble, bubble, bubble. I'm going to actually show you how to properly and professionally add your music into where it genuinely sounds really good. But first we need to find that music. So what we're gonna do is we're going to come up to our Google. We're going to type in Epidemic Sound because that's what I recommend. You can use whatever music licensing software you're using, whether that's art list or whatever. If you are using Epidemic Sound, what's great about it is you can come up here, you can go to browse, you can come to themes, and then you can scroll down and they actually have viral reels. A whole track on that in the music is absolutely superb genuinely. So I look for anything with beets or a lot of high wave forms for upbeat like engaging music. So I'm just going to start playing through some music and finding something good, Perfect. So I love, love, love this song. So I'm gonna come over here to download. I'm going to download the full mix. Now it's in my downloads. What am I going to do next? I'm going to go to my folder structure. I'm going to go to my Downloads where I downloaded the music. I'm going to copy that song. Then I'm gonna go into my music folder, and I am going to paste it. Now. I'm gonna go into my Premier Pro timeline. I'm gonna go down to the bottom left corner, to the media bin. I'm going to right-click Create New button, and then I'm going to title this zero to music. Now I'm going to drag and drop my song into that bin. And I'm going to now add this music into the timeline. So what I'm gonna do is I'm going to drag it into the timeline beneath my audio. But you'll see that the song, because the reals are only a minute long, the song is way longer than the song goes to 2 min and 57 s. So what can we do to make it fit this? Well, what most people would probably think is you just get the blade tool, you cut the end of the song, you delete it, and then there you go. No, don't do that. That is absolutely terrible. Instead, what you can do, because if you do this way, it's just gonna be like a very jarring ending to the reel and you do not want that. So what I'm gonna do first is I'm going to find out how long my short is. So let's say this one here. It's specifically about 30 s long. So I'm going to click on my song. I'm gonna go to the right over here to Essential Sound. Click on that. I'm going to click on music. I'm gonna go to duration and I'm going to click that box on. Then the clip is going to analyze. And then what you're gonna wanna do is come to target duration. And this is essentially you're telling Premiere Pro. You're telling the AI of Premiere Pro that you want it to automatically shorten this song to the lengthy Uriel. So if you're real Is a minute, then you type in a minute minds thirty-seconds. So I'm gonna come over here and I'm going to type in 30 s, 29 to be exact. And you can see that it made my song perfect to the 30-second mark. And you can see how even adds cuts and makes it seamless. It uses artificial intelligence to do this and it actually does an amazing job. So what I'm gonna do is I'm going to highlight the music. I'm gonna come to my Effect Controls. I'm going to disable the keyframing by clicking the stopwatch to where it's no longer highlighted blue. I'm going to come over to the decibels and I'm going to make this negative 30, usually negative 25. Negative 30 is the best volume, not be overpowering your actual audio. And I feel like it comes out pretty well. So that's how you add songs to your shorts, and that's how you can shorten them down to actually sound a genuinely good. 11. Best Export Settings: Ladies and gentlemen, we've officially reached the point where it's time to export our short at this point, this means you are about finished with your short and you're ready to post it, but now you need to export it and make sure that it's of the utmost quality for social media. So what you wanna do before you export is you want to come up here to sequence. You want to click Render in two out. Then that's basically going to render the whole entire timeline, which is very important. So essentially it's going to go through and ensure that all of the quality of the footage as best as it can be. And then what you're going to want to do is come up here to Export, click on that, and then you're going to have this new pop-up. You're going to have a few options here. The only ones that you really need to focus on are these four that come up first. So you're going to want to come over here to file name and name it whatever you want. So in this case, this is how to add captions to your videos. You can name the video whenever you're naming it. Then come over here to location. And let's go back to our folder structure that I gave you guys at the beginning of this course. And then when you get there, you want to come to exports V1 and click save. So now it's going to save to that version one folder that we talked about in the data management section of this course. For preset, you're gonna make sure it's set to Match Source, Adaptive high bit rate. And then for format you want it to be h.264. That's going to ensure that you have the best quality, in my opinion. Now, Premiere Pro does have social media presets that you can do. I personally think that using these specific settings have the best result. Then what you're gonna wanna do is simply come over here to Export. Click on that, and your video will start encoding and exporting. And then when it finishes, you can make your way back to the folder structure where this whole project is. And then come to exports, come to V1. And now you will have your short and it's ready to be posted to social media. 12. Business Section - How to get clients - CRM: Welcome to the business section of this course. In this video, we're going to be talking all about CRMs. For those of you that don't know, a CRM is essentially like an Excel sheet where you keep all the information of clients that you're reaching out to or that you want to reach out to. It's like your businesses outreach, like data center, I guess for lack of better words. And I like to keep my CRM in a software called notion. It's free. And basically, if you look here, I have my CRM here with all the clients that this is all for this course is sake example sake. But I listed out some of my favorite YouTubers as potential clients and then their YouTube channel. And then when I contacted them and what series or which touchpoint they're in, whether they're an e-mail sequence 123, which I'll explain all these things. And then the next time I need to send an outreach message to them. And then I have notes here on this side. Now, I am going to share this notion template with you. So you can have this exact CRM. But if you have Excel google Sheets or notion, it's super easy to create this. Essentially though I want to run you quickly through the process of how it's gonna go down. In this full business section, we're gonna be going in depth in each step really and kinda how to do everything my full process to getting a client, which includes creating this CRM, searching for the client, finding their contact information, their email address, or Instagram, whatever it is. And then finally reaching out to them in the kind of message that you should reach out to them and how much you should follow up all that good stuff. So in this video, I specifically want to show you how to find clients and how to find their email addresses, their contact information, and actually inputted into the CRM. And then in the next videos we'll talk about actually reaching out. Now, I do want to say there are two main ways I reach out. One through email and through Instagram. They both have a great open rate. Sometimes the email does go into spam. But if there are big creators, you will get lost in their Instagram DMs, which is why I like to use email. I've reached out through the biggest clients I've landed like ethylene x with 13 million subscribers. E.g. I. Reached out to them on Instagram and email and they replied to me on email after about three days and I didn't even get my message seen on Instagram. So you have to factor in the size of the creator you're trying to reach out to and then decide there if they're like under maybe 50,000 followers, I would send a DM, three Instagram, if they're over 50,000 followers or subscribers, I would send an email address which I'll show you how to find all on YouTube. So the first thing we're gonna do is go in find clients. So we have our CRM template ready, but now we need to clients inputs. So what I'd like to do is just go to my Google. I'd like to go to YouTube. And I like to, first of all, go to my subscribers. So if I go down to the left here, I have all my subscriptions if people I'm subscribed to and like to just go through here and it kinda pick someone who I think I would like to reach out to. So like maybe I've been really liking this guy's content lately, Joshua Mayo. Mayo. So I would come to his profile and once I'm at the person's profile, I'll go to the About section. And in the about section you have an option under details. For business inquiries, you can view their email address. Just click on this. And then it's gonna make you do a re-capture little. Make sure it's going to make sure that you're not a robot. Just click on submit and now you have their email address. Now this works for most of the YouTubers that I reach out to you. I'd like to start with all my subscriptions as I just mentioned, because they're people I actually genuinely like to watch their people that I would like to edit for. And then once I finish that list, outreach, I'll just scroll YouTube search page and just start reaching out to creators who have typically over 100,000 subscribers this exact way. So what I'll do is I will copy their email address budgets, just highlighting it, and then Command C to copy. Then I'll go back to where I'm hosting my CRM. So in this case, It's notion for me, for you, it might be Google sheets or Excel, whatever it is. Anyways, and then in here, let's say I create a new cell and then I'll come over here and put his name joshua male. So I'll put Joshua male. And then after that I'm gonna come all the way to the right. If you look at the top here and my CRM all the way to the right, I have the e-mail and then over here, so it's this last cell here. I'll come here and just Command V. And then it'll paste his email address. I'll make any notes like make sure to mention that he or that I like his most recent video. In the initial outreach. Maybe just a little reminder there of what I want to say. Then for the second field, which is YouTube channel, I'll go back and I'll actually highlight the link to his YouTube channel. And I'll paste it here. And then as far as if I've contacted them. So let's say I'm just about to send out the first email. So email one. And I'll put today's date because today is the damage to reach out to them, which is February 20, and then it's all filled out. So I just went through YouTube. I was literally only using YouTube and Notion. And I got a client's name. I got there linked to their YouTube channel, and then I got their email address. Literally this took what, less than a minute to do. I can now send an email which we'll cover in the next video. How to send an email. But I will now send it to him and I can possibly close a client that only took less than a minute to get his contact information. So go through subscriptions, do this and it's a great way to fill out a CRM. I recommend usually when I, if you're on the hustle, do about 50 to 100 YouTubers a day, which is a lot of work. But I would recommend just really hustling down and going through your YouTube subscriptions after that, going through the explore page and just filling this CRM with YouTubers and with their e-mail addresses and start reaching out. 13. Outreach, Messagins and Pitch: In the last video, we've talked about creating a CRM and actually inputting our information that we gathered from YouTube about our clients into the CRM. Now we're going to talk about what to do once we have that information. So we have their name and their email, which are the two most important pieces of information. Now we're going to actually reach out to those clients and Michelle, you exactly the message or pitch offer that I first start with. So what we're going to first do is go back to that CRM. We're gonna go down to joshua mayo as an example and we're going to copy his email address. Then once we copy that, we're going to go to our Gmail. Now a side note, I highly, highly recommend you pay the ten bucks a month for G Suite and create an agency or an agency and just have a work email address instead of an app Gmail, because at Gmail super unprofessional. So mine is Dylan at Reynolds media dot io, I recommend.com, but sometimes it's just impossible to get for the name you want. But definitely the main point of this is get a work email. It's literally ten bucks a month with G Suite. Once you set that up and you are in your at your Gmail, go ahead and click compose. And then what we're gonna do is we're going to copy command V, his email address. And then the subject line is going to be, I always use the same one. It's just very simple. Youtube short form editor. Okay, it's very simple. For some reason I've tried a lot of different subject lines in this one tends to just always get open. Maybe it's because they know it's from an actual person. It's straight to the point after this. I go back to my notion. And now I go above my CRM, which is my Outreach tab. I click on that, which I'll give you guys access to each one of these messages and you can kind of tailor them for you. But basically the first message is hey name. In this case, hey, Joshua wanted to reach out to you because I run a small short form content company that handles all of the video editing for creators. We're currently working on all the short form content for and then put whatever clients you're working on or that you've given free videos to. In my case, it's athlete extremity ether Tyler, Marianne Moore. Here are a few examples of my work and then put a link, it could literally be as simple as a Google Drive link to videos that you've done. And then put that link here and then follow it up with, if you're interested, I would be more than happy to edit the first short completely for free. If you like what you see, we can then move forward. I appreciate your time. Have a great day. Usually clients will respond to this and actually take you up on the free edit and it's totally fine. It takes an hour to 2 h of your time if you know what you're doing and then you create a great relationship with the client. You've provided a lot of value off the bat, and then you can pitch your price from there. So what I'm gonna do is I'm going to copy this whole first outreach. I'm gonna go and paste it and then I'm going to fill in the blank. So hey, Joshua is what I'll put. And then the rest of this I already have tailored to me. But in your case, what you would do is you would change the clients to your clients and then you would change your link to your work right here. And then all you do from there is click Send. So that is literally how you send it. And that's the pitch offer that I always start with. And then I've had the most success with. And that's how I got clients like Kathleen x. If they do not reply, the second message that I have is, hey, client's name. I hope all is well with you. I wanted to reach out in regards to my previous e-mail just to recap, I handle all the editing of shorts for creators, which you can now monetize. As I said in my previous email, if you're interested, we would be more than happy that at the first short completely for free, if you like what you see, we can move forward. I appreciate your time. Have a great day. Now. Usually, I would I would wait about five days to a week to send up a follow-up message. And then from there we'll send a third message if they don't reach out after then just saying, Hey, this is my final message. Something along the lines of this, Hey, this is my final message I'm going to send. Just wanted to follow up with you, see if you are still interested in this opportunity, something super short and sweet. And those are the three touchpoint email addresses that I send. And then once I send that, So imagine I sent the second email follow-up. I'll go back to my CRM and I would go to contacted and I would put email too because it's the second one. If they respond to me, then I'll change this and put in conversation because we're having a conversation. And that's basically the Reach Out process. So that's my three-step email process of how I actually send in structure my messaging to clients. And it's what's worked for me and it's hopefully what will work for you. So I'm going to leave these messages for you to have. I'm going to leave this notion template for you. And then you can have access to all of this. And then you can start reaching out yourself. 14. Pricing, Closing and Invoicing: Okay. So now that we talked about how to get there, how to get the client's contact. Now that we've talked about how to actually message them and what to message them, what to send them. Now we're going to talk about pricing models, closing the client and then invoicing. So first of all, let's start with pricing. It's very simple. If you want to copy my exact model, I offer usually around 30 to 40 shorts a month for about 1,500 to $2,000 a month. That's 30 to 40 shorts for 1,502 grand a month. That's for one client. That's what I do pricing across the board, so that's what I would recommend you do. Now I've been doing this for awhile, so I'm able to charge that if you're starting out and you're trying to find your first client, then I would charge a little bit less. So if you're starting out, I would charge a little bit less. Maybe I would offer a 30 shorts for a 1,000 bucks a month, but just remember, the more you progress, know your worth, and charge accordingly now, as far as now as far as closing a client, now, based off of the email sequence we sent, usually what happens is the following. They'll send you back a message and say, Hey, whatever your name is. In my case, Hey Dylan. Thanks so much for the message. Yeah, this is actually something I'd be interested in. Can you send me that free short that you're talking about? What I'll do is I'll go to their YouTube channel. I'll download the short and then I'll edit it, which you'll learn how to do in the editing or the technical section of this course. And then from there I edit it up, make it look good, and I create an actual really good piece of content and they're happy with, I send it off to them and I offer a free revisions as well. And then usually once I get to that point, they're pretty much closed. Then after that they'll ask, okay, what do you what do you charge? And then I'll tell them. I said usually for either break it down weekly. So I'll say Okay, well, for six shorts or seven shorts a week or 30 shorts a month, I charge $200 a month. And then from there we negotiate and then typically you can close for 1,502 grand a month for that amount. Then from there right after we negotiate and come up on that, I have them send me an invoice straightaway. So they already got the free edit for me, so I built up that trust. So I send all my invoices through PayPal or Stripe. You choose which one. In this case, if you're in PayPal, just go to create an invoice right here, and then from here you just choose, okay, so I'm going to charge USD, I'm going to charge 2000. And that's going to be 430 shorts, 30 shorts. Obviously, you're going to make this invoice look a lot nicer, but this is basically how you charge or how you can send an invoice through PayPal. Then you come here and you click Share Link to invoice. And then from there you just message them the link. And then you can also do the same thing and Stripe. I just started using Stripe. I personally am not a huge fan of it as of now because I live in Europe and in Europe at least the country that I'm registered and they don't let me do instant payouts. So I have to wait like three weeks before I received the money worth PayPal, it is instant. However, PayPal is their fees are terrible, so you pick and choose which one you want to do. I've had problems where PayPal is held my money. So if you want us to take the safer route, you want a longer payout, then Stripe is your call. But if you're not in Portugal or you're somewhere else in Europe or you're in the United States, I believe that you can do an instant, instant payout with stripes. Stripes. The way to go for that, I do use both Stripe and PayPal, but that's essentially what I do. That's my pricing model. That's how much I charge. That's basically how you close the client is very simple closing process once they asked for the free short. And then thirdly, as long as you can perform or as long as you can send an actual good edit. And then thirdly, send the invoice, which you could do so through PayPal business or Stripe. 15. Retaining clients long-term: Okay, so now in this final video in the business section, at least for now because we will constantly be updating this course. I want to talk about how to keep clients long term because it's great and all to close a client, but it's another thing to have to constantly do. So it's better to close clients and keep them for long term. There's a few ways to do this. One over provide constantly e.g. with one of my clients just out of the blue, sometimes I'll send them an extra short based off of a video. They came out with it. I liked it wasn't even a part of our deal. And they love it. They love that, they love that I do that. Sometimes I'll send them, give them SEO advice on certain topics that are titles for videos that might rank higher than others. Sometimes I'll, I'll just basically include free things. Sometimes I'll provide some times. Then the second thing is communication. I think it's so important in order to keep a client, you're constantly communicating. What I mean by this is communication. I think this is so important to do. You have to stay in communication with your client. You have to always follow up with them and always make sure that they're in the know-how. Don't just assume that they know things or that they think things or know of certain deadline dates or don't assume that they want certain things, communicate with them. They will appreciate it and they'll love you all the more for it. Make sure you're asking questions constantly asking questions about if they like the call to action at the end of the shorts, if they liked the colors that you're using, if you like, these things, work with them. Communications, so important, one thing that I would like to add to this, don't over-communicate. Don't blow their message box up every day, all day, just to try to keep them updated, there's a nice balance that you need to find, honestly, the third way to keep a client long term is just by delivering, delivering good results, bringing them good results and constantly trying to learn and better yourself and your service and try to grow with the company because the company is going to grow. Hopefully if you're doing the Short Form Editing, you're doing it right. Which means if you're editing this content, you should be editing it with a strategy in mind, meaning you look at their social landscape at the moment. You create shorts or edit shorts that you think will help increase engagement and their followers, their subscribers. And then in doing so, they'll grow and you'll hopefully grow with them by constantly learning new strategies. Learning new SEO strategy is learning new editing techniques. Constantly learning. This is a great way to keep a client long term. So that's all I have for this video. I hope you guys enjoyed this business section. So now we're gonna move on into the technical section and keep your eye out because we will continue to be updating this course and all sections that technical, the business, and the bonus section. So make sure you guys stay updated on the course. But for now, let's move into the technical.