Transcripts
1. Intro: Hey guys, my name
is Priscilla alias and today we will
talk about editing. More specifically, how to edit the perfect skin and
Photoshop and not prone to tell you that I prefer using Photoshop for skin
retouch simply because I can work with each and every detail by using Photoshop, I could do this kitten
retouched using Lightroom, but it would be a much more superficial
editing and therefore not very reliable if you're going
after high-end results. So a grab a cup of coffee and we will go through
this together. Pride after the intro.
2. The healing brush tool: So here's my photo
without any skin editing. Let's work on this. How come two layers
here on the right, I will create a new layer by clicking the plus right here, create a new layer. The first thing I'll do is I'll work with the
healing brush tool. This one right here. Get rid of the biggest
spots on the skin. Right-click the mouse and access the size of the
brush and the hardness. Usually use the hardness in 0 or close to it,
or actually size. Let's see, this is
a good size option. I'll click over the
area that I want. Substitute a new area. Start working on this. All right, here's the ring call. Get rid of this spot, pimple, whatever it is. This whole some lines. You always hit Option, click over the
area that you want to substitute the new area for. Options, substitute options. Option substitute
smaller brush here, this line here, this here
in my AI speaker Mark. I think we're good with
the bigger spots would see before and after.
5. Separating texture & color: Now I'll go to the next step. Make the skin look more even. So, I'll select both layers, Command J to duplicate them, Command E to turn them into one. Done that, I will
duplicate it again. So I have two layers
that look the same that already
have this correction. And only layer one copy blur and the other one as dextrose. Then with the blurb one, come to Filter Blur,
Gaussian Blur. Let's click over the skin here. And I need to see
it really blurry. If I use it at around 5.4, I can still see some
skin imperfections. I don't want to see
any imperfections. I guess at around 12 is good. Ten times as good. And welcome to the
texture layer here. Come to image, apply image. And here in layer,
I'll choose Blur. So I just selected
the blur layer here. Blend in, subtract
scale to offset 128. This will be a
standard value we will always use when
you're editing skin. And then with the texture layer, you will come here to
the blending mode of the layer where it
says normal and we'll, we'll bring it to linear light. Alright, I'll
create a new layer. And I'll bring it to the
middle of blur and texture. I'll name it paint. What I'll do now is
I'll actually paint. So welcome to the brush
tool here on the left. And by painting this layer, I will make my skin more even
without losing the texture of it because I just separated
the texture layer over it. The texture is over the paint with a brush
tool selected here. I'll come to opacity and I usually use it at
around nine or 10%. Don't use it too hard, otherwise, you
might lose details. You might get the skin too flat. And if you use too little, it might be quite some work, so it usually works just
fine at around ten with me. Pass it a ten. It will never be too
close to the skin, one of them at this
stage with the edit. Otherwise I won't be able
to see the overall image. And I want to see
the overall image, not the very little
details at this point. So here should be fine. Right-click the mouse
size of the brush. This should be good. Now let's work on the paint. I'll click option of select
this area for example, and I'll paint over it. So what we'll do is we'll
get my skin more even. You'll get it closer to the
color I just chose here. But then I keep substituting, I won't just one color and
use it all over the face. Otherwise, I will
lose my shadows and highlights and I
don't want that. The contrary, I
want to keep that. I just wanted to make
my skin look more even. For example, I don't want
this here just like a scar. So we'll get this
area over here. Whoops, make sure I
get the pink layer selected option with this. So the color will be more even. Don't want some of the
shadows you can get rid of this point soap. Want this shadow right
here to be so hard, soften it. The shadow here. Now here's the critical part, for example, at all this
part of my ice dark, I want them bright, so I'll get this color over here and slowly substitute it. No way. I'll make
it look natural. World with the size of the
brush, work with callers. Let's make these lines a
little bit more straight. Beautiful. Make this mark
here a little bit softer. Of choose this area here and paint over it a
little bit wider. Don't want this here, will make it look brighter. This part over here. Slowly paint it until it
looks same thing to the side. Let's get rid of this tire die. Let's make this shadow line
a little bit more straight. Much better already. The software a bit. I'll get this shadow
softer later. Also work with the eyes. I think they're a
little bit dark. I have to make them lighter, but I won't teach you how to
do that in this tutorial. If you want to learn that, I have an entire video where
I do an entire editing. I'll leave a link for that
video in the description in case that's something
that you're into. If you want to learn how
to do the full edit, you'll get access to it. Just follow the link
in the description. I think we are good
at this stage.
7. Final details whit the clone stamp tool: So now I'll select
all layers together, common J and E, and I'll call it details, because now our
work on the details that possibly are left behind now mainly work with the
constant tool opacity to about, let's see, first of
all, use it at a 100% just to get
rid of some marks. Option. Click over
the area that I want to substitute
the old for the new. Get rid of this line
so you don't need to do this as much
as I'm doing it. This is really up to
your personal taste. If you want to make
it look more natural, maybe by now this is
good enough for you. If you wanted to be really
Instagram boat or if you wanted to have that final
art magazine touch, then you might want to work on these details
up until the end, until the skin looks perfect. This process might take you
from ten minutes to an hour depending on how much
you want to work on the skin and how much
there is to be worded. At this point, I can even
get rid of this hair here. For example, here I wanted to
look a little bit lighter. So sometimes I work with constant tool instead of
using the normal mode here, I put it on light and then
I set the opacity for around 15% size of the
brush around this, for example, at this
area I want to make it lighter without
changing the texture. When I chose slide. And what the tool will
do is it will lighten the areas that are darker than the area you
are chosen from, but it won't touch
the lighter areas. Sometimes this is a good tool to use depending on what
you're working with. If I choose, for example, this dark area and I use light, and here he does nothing simply because this is a darker area than this one that I'm choosing. Mix some more minor
adjustments with the normal tools set to maybe a 100% or Dani
to work at 100%. It really depends. Sometimes when you
work at a 100%, what it can do is like
this. Don't want this. So you can either work with
your opacity at around 1012 and slowly change this. But you need to choose from
an area that is really close to the area that
you're substituting. Otherwise, the difference
will be too big. For example, here,
if I use opacity a 100% and I want to
make this lighter, I need to select an area
that's close to that instill, you'll see there's still a little bit of a
harsh difference. So you really have to
work with the opacity and see what works for each
part of your image. The beginning of this might
be a little bit hard, but soon you'll get the
feeling and understand what works with what and noodle get first her knees
your every time. Practice leads to perfection. You know, the same with the hair here and get rid of
this hair front of my face passively to around 20%. Let's make this a
little bit lighter. Lower the opacity a bit more. Then I'll do the
exact same thing with the lower part of the body. I won't do it here,
just sold the video, won't get too long, but it will do the
exact same thing. Here. I'll show you the
before and after. Before and after. In this initial
skin editing took me about 25 minutes to do.
9. Before & after - the final result: This is how much of a
difference it makes nurture. I added the rest of
the skin and the eyes. Here's the before. Here's the after. That's it. As we've seen, there
are quite a few steps to be done when you
want a high-end result, but it is not hard, it just require some
patience to work on details. Also important to mention
that this might not be the one and only way to do
skin retouching in Photoshop. It's just the way I do it. I've tested quite a
few different methods in this is the one that
worked best for me. You might find something
else that works best for you though in that's also
totally valid and fine. Anyway, I hope this video
was somehow helpful to you.