How to Draw and Illustration Character From Real Face

1. Introduction: Hello everyone. Welcome to our sketching and characterizing course based on real-life faces. Lots of famous cartoon and animation characters are pictured and sketch based on a real human face or an animal. If you are looking for a course that you can learn the steps to characterize a real face pretty well. This is the one for you. In this course. I'm going to teach you this sketching and characterizing step-by-step alongside coloring them. In the present course, we characterize based on nine real photos and faces. And at last, we completely characterized six of them and color them with colored pencils. You would understand the different steps of a scheduling and coloring a character very well. And of course, you would be able to do it based on real faces on your own after this course, I hope you enjoy it and good luck. 2. Tools needed: Hello to all of my dearest friends. We are here again with another tutorial course with you. In this course, we're actually going to create some more sketches. Yet we are going to create these sketches with the original picture, an image. In this part, I want to introduce you with the required tools for our course. We can start it. As all of the courses, we need pencils for our work in order to create our primary sketch. And therefore we can develop it. I advise that you choose B, two or B pencils. Because if you use these kind of pencils, you can lighten your primary sketch easier. We need B-series of pencils. And then we are going to use different kinds of are erasers. Again, I suggest that you have ectoderm racer. Also. You should definitely have TO eraser in order to erase parts that you don't want to take your hand inside of the work. Therefore, you would not make it dirty. You can actually erase everywhere with this eraser. Next thing that you need is that you should have two kinds of erasers. In addition to them. You can have a pencil eraser, a rough pencil eraser, which has a brush at the end of it. Because this way, after you've erased your work, you can just clean it with the brush that you have at the end of the pencil. So generally it would be easier for us to use these kinds of pencils. But if you don't have that and you cannot, you know, get it. You can also choose a brush. I've chosen a big brush, but you can choose any size of your brushes. After you've erased the place, you can use these brushes to take off the extra parts of the eraser, off the cardboard or paper in order to keep your work clean and neat. So it will make the work so much easier for you and your hand or your work would not get their T. We also going to need feathers. He can get any kind of failures that you want. There's no difference in the size of it or the brand of it. Then you can also have an etiquette for your work. If you wanted to start your work, you can use your acid and you definitely need some carbon for it. Based on your answer, do you can get its requirements as well? You should also have a sharp nerve because you'll definitely need it. Especially when you're working in with pencil or even when you're working with colored pencils. Another thing that I should tell you is that your colored pencil should be, should include our main colors. The brand of it doesn't matter that much. But you should pay attention that you would have the main colors. You should try and create some soft lines with them. I mean, the brand of your pencil should be in a way that you can create soft lines with them. Well, these are the main colors that you definitely need. But it's better to have 24 colors or more than that. Because this way you would actually work easier. And you don't have to create the other colors all by yourself. Just makes your work easier. Just the point is that if your pencil is a short solution is to use this tool. You can get these tools from the stationary shops. This is actually a pencil holder. You see if your pencil is a small and is short from sharpening too much. You can put it in this part and then you can hold your pencil. As a normal dc. Working with it would be so much easier. So you would not have to work with difficulty. If you have short pencils, you can definitely get these pencil holders. Alright? You can use them. If European soil gets shorter, small. Then another thing that you would require is that if you just want to sharpen the tip of your pencil, you don't want to use a sharpener. You can use cutter to do that. Therefore, this way you can just work on the tip of your pencil and sharpen it. As I'm showing you right now. You drag it until it gets as sharp as you want. This is in case you wanted to pop your pencil sharp. Yet you don't want to use a sharpener and you would definitely need paper. That right now I'm using a normal paper. You can either use pencils which are raphe because we want to place colors on top of each other or we might erase some parts. It's better to use thick papers, Not very thin ones. And it's better to play something underneath your paper. Therefore, your paper will not get ripped or would not get ruined. That's it. These were their requirements and tools that you need for this course. Gather them and let's start. 3. General form of face - initial illustration of the character's head: Hello, My dearest friends. We are back again with another tutorial session. This time, we are going to create a character based on the picture that we're seeing right here. Okay, the first thing that I should tell you is that we are going to create different models and shapes and characters that can be based on this picture. May surprise if you create several ones from one picture. Okay, This picture that we're looking at is actually our reference picture. And we are going to create different types of how we can characterize a picture. In here. If you pay attention, this is a phase which is not completely symmetrical and it's a bit asymmetrical. That's why I've chosen this phase because we can just be so creative on it. And we can have so many different styles and creating our work. So we are going to actually use this asymmetrical feature of this photo to create our own character in the best way. All right, I'm going to start my work creating the skull. This way. I'll create this skull. Then after that, the jaw to my work. Thank you. I'll say that I'm creating my face a bit more long and thin air comparing to my original picture. Then I will add a NIC to my work. I'm going to create my hairstyle in a curly shape. I can have a more attractive character. I would also want to create the forehead on my character longer than usual. Alright. Now I will have the general shape for my character's hair. This way. This is the general shape that I'm going to create for my character. In this way. I'm going to create my characters ear. Very, very simple. Just add them to my work. Although we're just seeing a little part of our ear in our original picture. But I would want to create it. And then I will determine the placement of my face components. Just as this. In this way. Just determine the placement of my characters, eyebrows, and eyes. Then after that, I would determine the placement of the nose. Obviously, I want to create a longer nose. And then after that, I will create the placement of my character's lips. Then we're going to create a bit of our characters clothes. Nick. This way. Then. The shadow which has been placed on the throat like this, below the chin. This is the general shape of her face. 4. Eyebrows and eyes of a man's face to illustrate the character: Hello, love my dearest friends. We're going to continue our work and our character. First of all, I'm going to exaggerate this asymmetrical shape of her eyebrows. I'm going to do this. Well, first of all, I create this central guideline in this way. And then I will create my character's eyes and eyebrows. It's correct that they've created this line. But because I want to create some asymmetry to my work, I just create and one of them a bit more above, and I'll create the other one in a normal way. This way. Working on our foreheads lines, we are actually emphasizing on this eyebrow that's coming a bit outward, which is a little bit more above. We are exaggerating this feature of it. We'd creating the lines of the forehead. This way. I'll just do it. Then. I will create her eyes. Now, if you pay attention, character does not have a very big eyes. We can create her eyes very small. Because if you pay attention, the eyes are not that big. And just like this, we can work on the eyes. As we've said before. Wherever we want to work on characters, we can exaggerate things. We create both eyes here. This way. Then we would work on the darkness inside of the eye. If you pay attention, you can see the lines of the forehead on this place as well. And we've reviews them in this area as well. Actually, this frontal shape is so similar as what we can see in the picture. Just created the hair a bit more current lier. Then they've created this eyebrow a bit more above two, and we've exaggerated on this asymmetrical shape of the face. Well, that's it. 5. Nose and lips to illustrate the character's head: Hello, my dear friends. We are going to continue our work on our character. This time. I want to work on my character's nose. You should consider that. You see, my character's nose is so big, especially on the tip of the nose. It's very chubby and it's very big. Therefore, as usual, I should use some exaggeration on this area. Therefore, I will create a very big nose for her. I can also make it more round. Therefore, I work would be much more cuter. Then I will create the bones of the nose. Bone lines for denotes. Then I will work on the nostrils. I'll create them. In this way. Actually applying more exaggeration in my nose area, my nasal area, actually applying more exaggeration. Then we have the lines of the forehead. And this is about the nose. I wanted to work on my character's mouth and lips. Well, on the contrary of the nose, I will create her mouth a little smaller than usual and normal. But you can also do it wise versa. I mean, you can go wild and go creative, create a smaller nose or bigger mouth. You can do. It totally depends on you. You can try different procedures. You can try it in so many different ways. And then you can choose which one is funnier based on your own taste. And which one is better? I'm just doing this, but and that doesn't mean you should come and do the exactly same as I'm doing right now. You can just test and try different methods and different shapes and then you can choose which one would be funnier and cute are for you. I'm just doing it based on my original picture. Therefore, you can see how you can proceed your work. Definitely, I will create different methods and shapes for you. I will work on the shape of the hair a little like this. And I just work on the hair a bit more to make it busier. This is a first phase that we've started to work on based on our original model. Then we obviously want to work on the neck and create a shadow on this side of the face. I mean, kind of a shading. Not necessarily shadow. But we can actually add some more darkness to this area. Depends on you. If you want, you can add these shadings if you don't want, you can eliminate them from your work. I chose to add them. 6. General face shape to illustrate the character's head: Hello, My dearest friends again. We are going to continue our work. Our original picture. Based on our original picture, we will make our work a bit more comedic. We just make it a bit further from our original picture. We want to make it more comedy. We want to see if you just play with the face components a little, how would it look like? I started my work with creating the skull, obviously as usual. My characters jaw. As you can see, first, I will create my work a bit chubby like our original photo. In this way, we have our initial primary sketch. Then we'll create the neck. Then after that, I will create the shape of the face. And in order to create the shape of my face. And based on the picture that I have, I will just deform some pictures that I have from this that you're saying right now. I mean, in order to make my work a bit more cartoony, just get it out of its ordinary shape. Because we want to create some changes into our work. I will create my character's hair. This way. Then my character's hair. If you're paying attention, short. We are actually trying to show this short sides of the hair and this Chris aren't shapes that she has on the hair. We would just try to exaggerate them and bring them into our work. For example, in here we can see it more. Currently. We're just going to create these curlies style in big waves and curls. You can also apply some exaggeration and variety in your character's hair. Even when you are working based on a picture? That totally depends on you. Let me just bring my work did this side a bit so you can see it better. Then I will just create the shape of the hair like this. Then I can create the ears. I will bring them a little bit out of the hair. This way. If you pay attention, we cannot see our characters ear too much. Yet. I can create a little bit of it. We will bring it out of the hair. We can bring it completely underneath the hair and cover it completely. This is all your choice. And you can choose either to have them, not to. This way, I will create my characters cooler. Now I tried to create the shading and the shadow on the throat. And then after that, I won't want to create my guidelines. The main one would be here and then I would create the guidelines for my face competence. I can easily determine their placement with the guidelines that I'm creating right now. My character's nose and of course, her mouth. Here we are. 7. Face components to illustrate the character's head: Hello, my dear friends. We are going to continue our work on our character. In this part, we determine the placement of the eyebrows. He should consider the shape of our characters eyebrows. You should also keep this shape. You can add it to your work or you can create them normally. Because this is one of the prominent points of my character's face, I will add it to my character. Now I will create my character's eyes. I'll create them a bit more in the corner. A bit more circularly. Just as this would also create the other eye as well. Just in this way. And then I will create inside of the eye. Just says this. And I will continue my work. Then I will add the lines at top of my islet, at the top of my upper eyelid. Actually. Then I work a bit more inside of my eyes in this way, which you can clearly see. Then I would move on to my character's nose. Differently. I will create that as well. You're saying this. We are actually creating different shapes of the face. We'd only one shape of the head. I mean, we are creating different faces, different characters with the same shape, with the same general shape of the head and face. And we're creating ebbed, funnier and more comedic phase and shape from what we can see in the picture. I would also create my character's lips. I will create the lips small. In this way. You see how much different it is from our original character, yet it has the same elements as our original character. The same time. Therefore, I'm saying you can create so many different characters. The reference of only one picture. And you can be so much creative in this. You can create so many varieties. After we've shaped our character like this, you can see it even looks younger comparing to our first character that we've created and comparing to our original picture. You see In the second time we've made it even younger. You can do all of these to your character and made her or him much more attractive. Even with less lines and without any extra work. You can create very different face comparing to the previous one, debts you've created yourself. You can have different models and different characters from only one reference picture. Like this. 8. General form of cartoon face for character illustration: Hello two alone, my dearest friends. We are back again with an tutorial. In this session, we are going to continue our work on photo. I mean, we're going to create more characters from our natural and real faces. You want to know how we can characterize these kinds of pictures. This time I want to create a more cartoony and funnier character. In order to do that, I will just change the angle of my face. If you pay attention, my face is looking this way. Then I will create my face in the completely opposite and Glenn View. I start from creating the skull as always. Then move on to my characters draw. And I'll also create that as well. Then determine the placement of the neck and her clips. Here we go. I would also determine the angle of the face as I've changed it. Because I want my work to be more different and I wanted it to be funnier. Just fun to add this spice of creativity into my work. Therefore, they cannot have a fun, cute character. I'm using this method to apply some more creativity in my work. First, I'll create the general shape of the hair. Then I will add the shape that I want to her, her. In some parts I want to create some more specific shapes. Apply what? I mean, we should apply the main features and aspects of our original photo, but we are going to make it funnier and cartoony. I will create this curly hair for her. I can just change the details as much as I want. Then after I've created this curly hair for her, I'm going to use my guidelines in order to work on the parts of her face. First of all, I would work on her ears. I just consider cute little ears for her that would look like this. Then I will create the Gino's shape for her face. This way. Now if you pay attention, as well as we've changed the direction and the angle of view of the face, we have also exaggerated some parts of the face. For example, in this area on the cheekbones, I came out. But as you can see, our original picture has some soft lines. It doesn't have very prominent cheekbones. But I did it in my character in order to make it more fun than I will determine the placement of the eyebrows, eyes, nose, and obviously her mouth. 9. Eyebrows and eyes of a cartoon face to illustrate the head of a character: Hello again, my dearest friends. We're going to continue our work on our character. Now, I am going to determine the placement of the eyebrows and eyes. I will create very funny I ever house for my character. This way. While if you look at it, our characters eyebrows would look like this. They have actually a strong curve. But here, because we want to have a very fun character, I want it to be more cartoony. Fifth, change the shape of the eyebrows again. Little. Of course, we've upgraded. We've created them in a funny or shape. I wanted to work on my my eyes with the shape of an old wall. I mean, I'm creating Oh, walls at the shape of my ice because I've turned my face AT UDL. The left part is closer to us and therefore it would be bigger and the right side is a bit further so it would look smaller. Then I would want to work inside of the eyes. I will create eyelashes for my character. Just because I wanted to be funnier. In this way. I will move on to create the darkness inside of my eye. I would actually apply some lines for below my eyes. Just trying to create our character as fun as we can. And we just give a special characteristics to her. This is the most important thing in the work that we're doing. Then these are her eyes and I just wanted to create some eyelashes for her. This way. Then for her ears. I would also add some details. I will create some earrings for her to look cuter. 10. Nose and lips of cartoon face to illustrate the character's head: Hello. To allow my dearest friends, we're going to continue our work on our character. This sign. We are going to create her nose and then hair, lips. For her nose. I will just create very fun nose. I would also create nostrils for her. And then the tip of the nose will be added here. Then I move onto her mouth and lips. Just as this create her lips. I create a small lips for her. This way. Then. I can also add some more lines around her mouth at the both sides of her mouth. Then I would just improve my work like this. I'm just adding the final details to her. As you can see, we've created a character, a cartoony character like this, based on a picture like that. We've tried to create our work funnier. This is a sample of characterizing a picture. I can even add some more lines here below her lips to create the chin. Because I want to show them my character is a bit chubby. I can also show her chin with some lines. In this way. 11. General form of head, eyebrows and eyes for character illustration: Hello, My dearest friends. I'm back again with another tutorial session for you. And in this session, we are going to create a character based on this picture. We want to make the details of our face more prominent and create a cartoony character based on this picture. And we want to show that this character is a bit mischievous and mean. We can easily do that with creating the general shape of the face. This time, I want to create a more cartoony character, which is a bit more mischievous and mean. With working on some of her permanent features. First of all, I will create my characters skull and jaw. In this way. Then I will add the details of my face. How am I going to do this? Well, first of all, I see I mean, I look at my work generally. I see where I can change these. Bill. I can't see my eyes and eyebrows are asymmetrical and one of the eyes and eyebrows on the right side are actually a bit more above comparing to the other ones. They're a bit up her. First, we're going to create our primary shape. Then we will determine the placement of the eyebrows. Like this, a bit more above its usual and normal placement. Then we will create the other eyebrow, the line that we've created. Then I will create my character's eyes like this. Bit rid with a bit of a space between them. And then I will create them. In this way. I'm going to use the lines. I will use sharper lines for my eyebrows and other parts. Because I want to show that my character is mischievous. I can use sharper lines to show that. I mean, as we've talked before, we can show the characteristics of a character with creating special shapes for the face parts. Now I want to show the age of my character, which is obviously old. Then for this lines above the eyelid, I will use crooked lines, crooked and sharp. Then I would want to work on inside of the eyes. And then I will get a help from my lines on the forehead to create more details for her. In this way, I'm continuing my work. I'm creating lines for my forehead. Just as this. 12. Hair, nose and lips to illustrate the character: Hello, I love my dearest friends. Going to continue our work on characterizing our model. This time, I want to add the Harris style to my character. For the front part of the hair. I will shape it in this way. I would have hair, hair in a different style yet in a curly way. And then I went to move to the upper part to create the hair almost completely. This way. I just continue my work. Well, as you can see, we are proceeding our work. We've curly hair. Okay? Now I want to create my character's nose. Then I will create it. First. I've determined the part of it. I made it into simpler shapes. And now I'm just going to create an induced fun way. I also create my nose a bit curb cut and not completely astray. Therefore, my character would be even more mischievous and mean. Because as I said before, here we are going to create a mischievous and main character. Based on two characteristics. We are creating different parts of the face. Then I would work on my character's lips, which should be also crooked. Even her mouth is crooked. I just give it a special shape. Therefore, I can show my character is not a good one, is not a nice character. Then some lines, I will create my characters teeth. She looks a little like Cinderella as a stepmother. Then I just add some lines around the mouth and a curved line on the chin as you've watched it. And I also create a little of my characters ears. I just wanted to show a little of them, not too much. From this model. They've created this character with different characteristics. Of course, create a more violent and mean and mischievous character and face. We'd exaggerating or making some parts more different or even adding some elements into our work. You see how that worked out. 13. General form of cartoon face for character illustration: Hello, My dearest friends. We are continuing our tutorial work. This time. I want to create a character scatter phase based on my real picture. Now for doing that, I start creating the skull. Joel, as always. Then the jaw would be placed here. Then after debt. I see that. Prominent features does she have in her face and we can work on it actually. And we can make it into a character better. Well, I can see that she has some kind of asymmetrical eyes and eyebrows. This is one of the features that I can use in my care counter. I can work on her nose or I can work on the shape of my characters, skull or jump. Well, I'm going to use two features here. And I'm going to exaggerate the, exaggerate them to create a fun character from her. First of all, I would want to work on my characters draw. I will exaggerate that. This way. If you pay attention. As you can see, it got out a little in this part. I will exaggerate it and make it more prominent. Then also for this side, I'm going to do the same. I will continue my work from this side as well. This way. Then F They're dead. I will create my characters, Nick. Then. I would create the shape of her hair. Some more exaggeration, of course, because I'm creating a Charaka better. I will create the shape of hair, hair it some more exaggeration and a different shape. Then I come down to the other part of the hair. I just continue my work. I'll do the same for this area as well. This way. I will have hair, hair. Then. I will even create a bit of the ear on this side. From this site can be shown this shape. Then I would want to work on this opera part of the hair. Alright. I want to move on and create the parts of the face. I'm going to work on him. This way. I will first determine the placement of the parts. Create a bit of my characters color. This way. 14. Cartoon face components for character illustration: Hello, loved my dearest friends. We are here. We are continuing our work on our character. This time I want to make her a bit more like it. Caricature. Or better say more like a cartoon. Creating. I want to use actually a method which includes creating ovals and putting my parts of the face inside that ovals. So I considered to be ovals. Then inside of them, I will determine the placement of the eyebrows. This way. Then I would move on to create the eyes. And I would actually work on my character's eyes. Then I would move on to create the other eyebrow. I will create that one as well. Then I will create the other eye of my character. This way I can have her eyes. If you pay attention. I've created one of the eyes a bit more above and the other one would be placed lower comparing to the other side. Because we want to make our character to look more cartoony and like a character. Our original face also have this, has this potential to place the eyes in this position. As you can see. Then I will add some more details to my work. I will darken this upper line and then I can even create some more lines below my eyes. Therefore, I can show some wrinkles and I can give more details to my characters. To give her some h, actually, even on her forehead, I can create some. Then obviously, I will work on my character's nose. I can either create a fun, chubby, big nose for her. Or we can just eliminate the element of exaggeration and you can make it a bit more normal comparing to the face. Or you can exaggerate it and create a chubby, fun nose. Then for her lips, I will have no exaggeration. I'll just create them very simply like this. This would be my character. Here we have our character highest picture because we've wanted to be more cartoony character. Here we are. 15. General form of child's face for character illustration: Hello, again, majors, friends. I'm here and back again with another tutorial session for you. In this session, we are going to create a character based on this picture that we're seeing here. We want to see what principles we should go through in order to create a character from this picture and throughout this picture. First, start with the features, prominent features, we see that our character has a very biggest skull. Therefore, we tried to transfer it on our paper by considering a skull, showing it very big and prominent. We are actually working based on a real picture. Therefore, we can just make our work go forward. So much patients in order for us to have a very cute and fun character. Started from our skull. Now, based on the features of our baby, of our character face, we can exaggerate some parts. We can make some parts figure or make some other parts of smaller. For making our character even look cuter. I will use this curve and its face. And I will show it more and bigger with more depth, obviously. Then I will consider bigger checks for it. In order to make it cuter. We will make it choppier, created with bigger cheeks. Then I will add my character's chin to it. I can create small ears or beak airs for my character, it depending on the characteristics of it. And I've considered it an ear and this type for it. We're going to have the original picture as the base of our character, but we can definitely work on the details. I mean, we are going to keep the main features. We're going to exaggerate the prominent features of it and maybe even change some details of it. I will create my character's hair. Then. I'm going to use a very random shape and style for the front part of the hair. It just makes it look cuter. Now, I can see that my character has very, very thin and narrow eyebrows. And her eyes, and her eyebrows are very, very small. Well, we can do some exaggeration on that as well. And create complete big eyes and big eyebrows for our character. Or we can go completely the other way. I mean, we can even make them smaller. I want to make bigger eyes and eyebrows for my character in order to make it cuter. Because this way it would look much cuter. I'm going to determine displacement of each face parts. And then I will start my work according to where I would want to place each of the face parts. I'm going to use my guidelines and a line for the direction and the angle of my face. I'm going to use the guidelines to create the different parts of my face and also the angle and the view of my face. Because we are characterizing our picture. Well. We can easily change anywhere that we want. We would not face any problems at all. You can actually use your own creativity and change your work in the way that will be yours. Even. As you can see, my character's hands is inside of her mouth. But I haven't created at all because even whenever you felt like it, you can eliminate any parts of your picture or you can add some more to them. There are no rules here, there are no most and most note here. You should not fear at all. You should just go so creative and go so while in order to create your own character, in your own way, more creativity and make it cuter. 16. Child face components for character illustration: Hello, My dearest friends. Well, we start our work from here and we are going to work on our characters, eyebrows and eyes. And with that, we are moving our character forward. We can create our character in the exact age that it is. The picture. Or even we can increase or decrease our characters H. Again, it depends on your own taste. We do as we like here. There are no limitations in here and you should not be afraid in order to move your work or change your work in any way. Because when you actually do this, when you change your work a little based on your picture, it actually makes your creativity to increase. You can create cuter and more different characters, which is basically our goal here. Do not be afraid to be creative or change things. I'm doing this based on my original picture, but as you can see, I'm changing it in some levels. For example, I'm creating my eyes even bigger in order to make my character look cuter. I will also create some eyelashes for my character, because my character is eyelashes. Can be seen. Actually create these eyelashes for my character to make it look even cuter. Then I will consider this light inside of my eyes, which is something that I always do in all of my characters. Then I would create my nose based on the character that I'm creating. I want to make, actually I can make a chubby nose for it, or I can make it very small, teeny-tiny nose for it. Again, I say that totally, totally depends on you. And you should not be afraid. I told you should not put any limitations for yourself. There won't be any problem. For your creations. I've chosen this shape for its nose. But if you'd like, you can create them wider than this. Or even thinner than this. No problems. As you can see, my character's mouth is open and it's hand is actually its finger is inside of it. But because I want to show you how you can eliminate effector, an element from your original picture. I will eliminate his finger here from his mouth. You can see you can do it and you would face no problems. And it would look so cute with your own personal touch and video, our own personal creativity. Do not forget that. I will create a mouth for my character. Considered it for it. Then. Just like this, we can move on with our work. We can get even some help from the lines. We can even create our characters and create some more changes to it to make it more fun and cuter. You can even create some of the lower eyelashes for our character. That just makes it so cute. Just want to eat it up. Just added some more eyelashes. So the lower eyelids and I went over the eyebrows. Just as this have done one type of characterizing this cute picture based on our main character. Like this. 17. Child cartoon face for character illustration: Hello, love my dearest friends. We are here working on another character in another session. This sign, we are going to create another character from our model. And applying some changes to the general shape and its features, I will create a new character with the same model. First of all, as usual, I start with the school, the skull of our character, because it's a baby. It's not really old. This skull would be bigger. I will consider it while I'm working on my character. Then I will add to draw to her. All right? Well, considering that our character, Cute, big ticks, we can actually exaggerate them. Or we can eliminate them. But because we want our baby character to be cuter, we can actually exaggerate this feature. We should definitely applied to our primary sketch. And it would definitely look way more cuter. Dressed like this. I will create a chubby QT phase for my baby character. Here we go. I'm actually completing the general shape of my head and face. All right. Now I want to create the shape of my character's hair is also cute. According that it has this curve on this area. I can also exaggerate this as well. I can apply this for my character's hair. Then obviously for the front part of its hair. I can use some banks. Again obviously to make it cuter. Then with some lines, I will actually improve my work. It can also do some more things. I mean, based on the features that you can see in your original model, you can eliminate them or you can exaggerate them, or you can even decrease them a bit. You can also create the ear of your character in this shape looks like a peanut, but it's cute. You can actually create them like this. Everything, almost everything depends on yourself. To know what you're going to do with your character, to know what changes you are going to make your character. This way, I will create my character's eyes. Circularity way. Then I will consider linearly eyebrows for it. Just dense. You can see. This way, I will work on my eyes. I mean inside of my eyes. But all of it would be a circle shape. I'm just going to show you that you can have so many different shapes according to your original picture. Then you can choose either one of them that you like creating your character. Alright? Now, what I'm creating here is a completely cartoony character. Animation. This was exactly my goal and I'm reaching it right now. I work on my character like this. And as you can see, my characters teeth are also showing. I can exaggerate even this part. And I will then apply it in my work. Well, I can create one over here and I can even create some of them on the lower lip if I want, but I think this one is enough. But if I want, I can always do that. Again, I emphasize that this totally depends on your own personal tastes. As you can see, our character is going toward a completely if fantasy add cartoony character. Therefore, we can apply anything in our work and you can use your imagination why you're using base for your character. This is also a model. I mean, this is also another model that you can create based on your original picture. 18. General form of man face for character illustration: Hello my dear friends. We are back again with another tutorial session for you. This session, I want to create a character based on this picture in front of vein, we are going to create different methods of characterizing and different characters of one simple picture. Our goal is to reach very unique character and a very unique face with using this picture. And we can use some exaggerations and creativity in order to create our own new characters face. Yet it should have, it should still have the main features of this picture. When you look at it, you can actually realize it's the same person, but it would be more cartoony or more characterized. Based on what I've said right now. First of all, I would want to create this skull. Then my characters jump. Well, you can create the face longer than usual and normal. Or either you can make it wider. And all of these are actually depends on what kind of design and what kind of shape you want to apply on your character. I want to try this method and this design. You can go and try any other designs that looks interesting for you. That's your own very tasty. I'm just pushing you a little guiding you through this. And I'm just giving you hints in order to turn on your own creativity. As you can see, the face of our character is a bit angry and we can actually exaggerate that in our character. This is one of its prominent features. We can either exaggerated or not. Consider it at all, or even reduce it. You can do all of them. It depends on your own personal taste. But doing these will actually help you to have too many different characters based on a simple face. Of course, according what you choose for your character. I mean, the characteristics you can defer this character. I will start my work on my character. Then. We can consider the shape of the hair all cohesive and the same way. Or we can just consider this heart-shaped for it. For my character. I went to consider the style of his hair all the same. And just the growth part of the hair would be a semi-circle. As you can see. It goes a little bit above our skull. I will create my hair in this way. Then. I will apply the eyes and the eyebrows. I mean, actually I will determine the placement of the eyes and eyebrows, also in the nose and a mouth. And last, all of them can be done with my guidelines. All right, Here we go. 19. Eyebrows and eyes and ears of a man to illustrate a character: Hello, My dearest friends. We are starting our work on a character. We want to create the shapes of the, I mean, we are going to create the face components on our work. Get some help from the guidelines. I started to work. As you can see, our character is macho, maybe a little angry and furious character. I just want to create him more stiff and match it. And I wanted him to create, be created so soft. First I will create the eyebrows like this, and I will create my eyes. The stock to the eyebrows like this. As you can see in our picture. You can also see that I mean, because we want to show that our character is angry, is a bit mad. We are going to use this shape of our eyebrows. Then I'm going to work on the other eye as well. I would work on it like this. Then they use some guidelines. We can check if our eyes are in the same place or on a straight line. In this way. I will bring my work forward, get my work forward. Now. According to my characters, eyebrows. Also going to work on the nose. We can also create some lines inside of the ears to create a general shape for inside of our ears. This way. Then we would determine the shape of the ears. We change them unless they look like this. Then obviously we can bring decide of the hair down a little. 20. The nose and lips of a man to illustrate a character: Hello, my dear friends. We are continuing our work on our character here. And we are creating our character's nose. It would just look like this. I will create some nostrils for my character, therefore, it cannot be seen in our original photo. However, while we are characterizing this photo and we're not meant to create everything that we see exactly. We are not copying the picture. I will create nostrils for my nose and I will create it in this shape. Then I would move on to my character's lips and I will create them looking like this. Because my character generally looks angry. I will create his lips lower than usual. I mean, I created and your lower shape. I can also show this anger even in my character's mouth. Well, definitely according to their characteristics. And I can see in my original photo, we've talked about that before. Based on the characteristics of a character we can create the face. Can actually show the emotions throughout the face with the shape that we create our face competence. This is actually the face that we've considered for our character. Now we can show that hair with some lines. Yet because character's hair is too short, we can just create some shape of lines inside of the hair like this. In order to show that our character's hair is completely short. 21. Plump man's face for character illustration: Hello, My dearest friends. I'm here again with another tutorial session for you. In this session, we are going to create a character based on this picture. We are going to create a characterized picture. I'm going to show you how we're going to do that. Okay, downlinks, we can work on a character in different ways. And it depends that how we want to have our outcome for our character, and we can try different methods for our character. Right now. I want to get my character out of this or due to reshape that it has and give it some kind of a volume. Instead of creating the face of my character long, I will create him a bit chubby earlier. Now, I will start with creating the skull or my character. I will create us a skull circle. Then I will add my characters, draw to it. Then I will just give some volume to it. And I'll shape it like this. Then I will create my character's chin. This shape. I will add it to my whole face. As you can see. I've got that long shape of his face out of character. And I made his face wider and Trobe year. Now I would want to create as some wide ears FOR HIM, faddish ears. Then I use my gut lines to check the placement of them and in order to be exact for creating the other side of the face, I mean, I went to create my other ear. Then. I will determine the placement of the face compartments and the hair face parts and the hair. For his here, I'm going to add some volume like this jump of the head. Then also on this side, we'll add the volume for the hair. Then from this front part of the hair, from his friend part of the head, I will create the volume of our hair. Then I will determine the placement of my eyebrows and eyes. I place the eyebrows at the same place as the top of my ear. And this would be the placement of my eyes. Nose would be placed here, almost the bottom of the ear. And this would be the placement of his mouth. Then after that, I will add his neck. When I've determined placement of my face parts, I can continue my work. We'll also create some lines inside of the ear to show that it has a depth. To create the parts inside of the ear. We'll do the same for the other ear as well. Then. I would have them in this shape. 22. Eyebrows and eyes of a man's face to illustrate the character: Hello to all of my dearest friends. Alright, we are going to continue our work here. Now. I will determine the placement of the eyebrows. Just like this. Then I would also do the same for the other eyebrow. Then I will move on to the eyes. I will get the eyes out of their ordinary shape. And I'll create them as semi-circles. I will create my eyes so close to my eyebrows so that we can keep our original pattern. As you can see in our model. The eyebrow and the eyes are almost the same. I mean, they're almost stuck together and they don't have any space between them. So I'm going to bring that into my work this way. Then. I would also create the other eye. Then I will create two lines just below my eyes. This way. Then after that, we'll move on to create inside of my eyes and I will apply the darkness that I see. Just as you can see here. Then I will work on the eyebrows a bit more and make them a bit more thicker. And then I create the shape of them going up and down at the end of them so we can get closer to the original face of our character. Say, they have a special curve at the end. So I've just created that just like this. 23. The nose and lips of a man to illustrate a character: Hello, TO love my dear friends again. We are going to continue our work on our character. This time. We're going to work on his nose and his lips. As you can see. I'm working on his nose. I'm starting to create the nose. And I create denotes a bit trickier. Comparing to a normal knows, I mean, I'm creating good a bit bigger. It would look like this. Then after that, I want to work on my character's lips. I would also work on that. Just as you can see here. I will create my character's lips a bit more straight. Therefore, I can show the shape of the face. I mean the general shape and a mote of the face. We can have him frown in our character. This is another way of creating character from our original picture. Inside of the hair. We can also work like this to show the texture of his hair. This way. Here we are. 24. Sketching the general shape of the boy's face: Hello, My dearest friends again. We are back with another tutorial session for you. In this session, we are going to create a character based on this face that you're seeing right now. First of all, I'm going to create an entity of this picture that we're seeing right now. And then we will continue with it. Okay. For starters, I would just determine what angle his face is on. Then I just consider a general shape for the face, the skull. And then I will add my jaw to my character. I just do it onto paper. As I said first I consider the angle of the face. I will start with my characters, a skull. I will create the skull. Looking like this. Then I would work on my characters. Draw. Here we go. If you pay attention. I'm just doing this according to the angles that I'm seeing in this picture. I'm just trying to transfer all the angles that I see in my own character. Then if you pay attention, you can see we have kind of an angle in our face and our head is a bit tilted, not too much, but just a little. Therefore, we should consider this while we want to create our character. Therefore, we try to create exactly what we've seen to picture this work. In order to get the angles are character's face, right? I mean, we're just doing this in order to get familiar with our character's face. Then we can start our characterizing. For creating my guidelines, I can see that even my horizontal guidelines should have kind of an angle. This would be the placement of the eyebrows, eyes, nose, and obviously at last would be the mouth. C for all parts of the face. We have this angle. Then I would at last imply, I mean, determined the placement of the mouth and the lips. At last, I would want to create my characters hat and his hair. First, I'll add the hat. Just like this into my work. I'll see where our head is going to start and where it's going to end. Before that, I will determine the placement of my ears because my hat is coming from the back of our head, coming actually out of back of our head. A little bit lower than our ear. Huge. Determined the lowest part of the nose, and then you create the ear from the lower part of the nose. We just drag it up. If you pay attention, our hair has covered a part of our ear, but right now we're just going to complete, we're just going to create the ears completely. Then we can add to hair on top of it later. Okay. Now that I've determined the placement of the ears, I can create my hat because it has came out of this part, out of, out of the back of my character's head. Then you should consider that hat is circular, so it has gone from the back of our head and it comes out from this site. I will continue from this side as well. Just like this, I will have my hat all around my head. This is the general shape of my characters hat that we've created. Now I would want to work on my character's hair this time. First. I would've applied to general placement of the hair. As you can see, my character has curly hair, although it's a hand, something cute. Yet he has some curl a beautiful hair. This way. We will create the hair as much as they can be seen. As you can see. Based on the shape of the hair, I'm working on my character. I'm just adding this. The parser. I think it's needed wherever I feel like it needs a bit more of a movement and replacement. In order to make my work looking more beautiful and better. I'll do it because we're not copying our character from this picture. We are doing good based on this picture. Therefore, wherever we feel like it, we apply some changes in our work. And we don't have to create everything that we can see. We're not going to copy anything. This way. I will create the shapes that I will see. Then I will create my characters neck. I will add it to my whole character. Then I go to create decode. And as you can see, I've created a bit of the shoulders and I will complete them again. Basically the sketch that we are creating, our basic and primary sketch, and we do not change it too much. But I will show you how we are going to create it when we are characterizing this picture. This is our main and basic shape of our character. Later we'll move on to the parts that we should rearrange. 25. Sketching eyebrows and eyes of a boy: Hello, My dearest friends. As usual, we are continuing our work on our character. Well, this time, I will work on the parts that I've determined is the placement of my eyebrows. I start from here, which is the most basic area. As I said before, we are going to create the lines. According to the eyebrow that we can see in our model. I'm creating it exactly as can be seen here. Therefore, I'll come up LED and then I go down. Then after that I'll do the same on this part. I create my eyebrows in this area according to my guidelines. This is a general shape of our work. I would want to work on the eyes. Eyes should be place a bit close to the eyebrows. First of all, we're going to create the upper eyelid, the line above the eye AUC. We even have another line above the upper eyelid that we added as well. Then I would want to work on the eye itself. Indochina ear seeing right now. Then we did direction of this. I, we will work on the other ions. Well, I mean, I'm using my guidelines from the top part of this. I create my other eye on the other side of the face that I can create the other eye as well. We are paying attention for our eyes to look exactly the same. We are also paying attention that we will just be respective about the shape of the, I mean, we should be careful to create the eye the shape that we can see in the picture. And also the same as the other eye. So I'll continue my work like this. Work inside of my eye. I will do the same for the other eye. And I will create it like this. And then after that, I will move to work on the end of my characters. I, I'll just continue my work like this. Now I would want to work inside of my eye as well. I also place a light inside of the pupil. Odd both sides. And I will do this for both eyes. If you pay attention into original model, we do not have any light inside of the pupil, but because we are actually transferring our original picture into a character, you should definitely apply that's light inside of the pupil because our should definitely have that. We always have that in our characters. I would work on this sides and this corners of the eye. And I can also create one or two of these lines below the eye. I can either create them or I can easily eliminate them. It's not that big of a deal. We'll be careful that on this sides of our face will be compatible to our eyebrows. This way. Then I would work on my eyebrows. I will create my eyebrows in the direction that the hair of it is growing. I will actually add some lines into direction of my eyebrows hair. I'll continue my work in this site. Then after that, I'll do the same for the other eyebrow as well. Then I would also create an direction on the opposite side of my eyebrow. Something that we should be careful about and we should actually do is that we should work on the upper eyelid, dark hair comparing to the lower eyelid. And then also we would work on this upper line above the eye. Then I would also work a little inside of my eye. I mean, I just give it a tag of a color just a little. Then I will want to work on this upper line above my eyelid and I will darken it this way. Then. I will just color this area inside of the eye. These are our character's eyes and eyebrows. Just want to work on the shapes of them a little bit more and then they ready to go. 26. Sketching Boy's nose, lips, and ears: Hello to my dearest friends. We are going to continue our work on our beautiful character. This time on this episode, I want to work on my character's nose. As you can clearly see, denotes up my character. Looks like an oval, almost. Therefore, I actually bring it into my work and transfer it and exaggerated in my character. We create an oval. Then we will work on it. Each shape that you can see in your face. You can transfer it into more simpler geometrical shapes in order for your work to move on easier. Just considers his nose moral like more like an oval. Then I will also determine the nostrils comparing to the shape of my character's face and his nose. As you can see, easily creating the nostrils for him. This way. Then I will continue these lines from the beginning of the eyebrows to create my nose bridge. I mean, I'll continue the lines from the tip of my eyebrows to the two fives and nose side of the nose to create my nose bridge. Then after that, I would move on to create my character's lips. And his whole mouth. As you can clearly see, my character's mouth is a bit tilted and he has a crooked smile. Therefore, I tried to rank all of them into my work. I would want to work on this lower lip. Something that you should pay attention to is that my characters live is a bit more different from the original shape. I will create my lips normal and natural way. I mean, it's a bit different from what we see in the picture because this way my character looks better. It looks cuter. Then definitely I can work on the lines around my mouth a little. Not too much. I can do it a little. I can bring some more volumes into my work. For example, you can create the volume of the cheekbones that you can see their picture. Also, we can do the same for this side. And then after that, I would work inside of my ear. I want to change the shape of the ear a little, not too much, just a little. This way. It does look better. And he looks so handsome. He is a very, very handsome character with these prominent cheekbones is different. Ears and this beautiful lips and eyes. As you can see, the face of our character is going to be complete. Almost done with him. As you can see, this part of our face is a bit darker and we can actually apply it here. This is a general shape of our character's face, which we've done it here. We could actually created a step-by-step going to shape like this. And then after that I go to create the neck and a bit of the shoulders. Then we just check our whole work. And if everything was complete, our work **** sketching is done and we can start our coloring. But first of all, this should check everything. We should go all through everything. Once more. We might need to work a little bit on the hair again, created designs. A bit more clear. Here we are. This is our character. 27. Drawing the general form of the face of the boy's character: Hello, My dearest friends again. We are going to work on characterizing this picture that we are looking at right now. For the first step, I would want to create the primary sketch. And for the first step of that, I would want to start with my characters is skull and jaw. For the starters of my work. We would also create a circle as the skull. Just something that you pay attention to is that you should consider a space around your skull in order to create the hair and the head. So try to keep that. Why you are creating your skull. Your work would not get out of the paper. Then we would move on to the neck. After creating the job. Then we add the neck. Something that we should pay attention to, is that our character's chin and his jaw has angles. We can easily show it into our character. And we can actually exaggerate those angles. Because we want our character to be funnier. Then I would look and see that. How is the placement of each part of my character's face? Then I bring it into my own sketch. I mean, I will determine the placement of the eyebrows, eyes, nose, lips, ears, and the rest of the things. Character's head is a bit tilted, as you can see. Therefore, we should also bring it into our character. Just bring that tilt into our character's head. Does a bit tilt toward left from where we stand. Now. I'll see that how are the rest of the face? And I can see the rest of the face has also they also have some angle. Therefore, I will consider this angle for all parts of my face in order to make it cuter. And in order to make it right based on my painting. Now I will create my characters ears. As you can pay attention. In our original picture, the ears are, you know, coming down on till the end of the nose. But of course in our character we can definitely change the places a little. I want my characters ears be a bit more cute and fun. I will make them like this. I would do the same for this other side. I would move to create my characters hat. This is another general part of our sketch. His hat. A hat can be a smaller or bigger, or it can have different shapes. And just in this way, we will create our head. Now I want to work on my character's hair. We can add the hair. A bit of difference. I mean, we can make a difference in the hair. Just a little, not too much. Or we can create them as the way that they are. But because I want to have cuter character, I just apply some little changes into my hair. I say in order to have a funny or character, I just changed the style of the hair just a little. As you can see, it's still curly. I've changed its shape a little. I'm even adding more hair than he has in the picture. So we apply this curly as style of the hair, just make it busier in a different style. Yet because our work is going to be colored. Basically, we're just determining the placement of our hair. We are determining where our work should be colored. Keep that in mind as well. We are creating the main sketch. And then later, we should work on the coloring of this part of this sketch. Therefore, should definitely consider that. Not to create our two dark, I mean, we shouldn't just create very dark lines, very emphasize a thick lines for our primary sketch because later we want to color it. And in order to do that, we should lighten our primary sketch because we don't want our colors to get messy or dirty. I can also create my characters, Nick and a part of his clothes that I want to be shown. This is a cooler of our shirt. Then in this way, we move on to the details. 28. Eyebrows and eyes of a boy: Hello, My dearest friends. We are going to continue our work on this character. Well, I'm going to create his eyebrows and his eyes this time. I would start from here with creating my characters eyebrow. And I'm going to do it in a shape that I feel. It's a bit more fun. I mean, I'm going to change the shapes a little in order to make it more fun. As you can see, I've just changed the shape of the eyebrows and little, not too much because I still want to keep the resemblance of my model. But I think in this shape they would be funnier and cuter. That's why I do it. Now, for my character, is I would actually create circularly eyes. I mean, I create two circles for his eyes because they make him so cute and fun. Then I'll move on to the other eye. I'll just create it the same way I did for my right eye. I want him to be symmetrical, therefore, I'll pay attention to create both sides like each other. I'm going to use my guideline to check the placement of my eyes. After I've completed them. Then I've checked it and I saw it's in the correct place. I will work inside of my eye and create my pupil, the iris, the lights and stuff the inside of the eyes, sorry. And so on. I create this pupil for my, I can either do this or we can only create the inner circle of the, I mean, we can only create the iris. Yet because our eyes are colored eyes, it's better to create both parts of the inner eye. In this, I should also create a smaller circle, smaller iris inside of the pupil. This way, as you can see. This would be better because he has colored eyes. So I advise you not to create only the pupil. Then obviously, as always as we do this as usual, I will consider a light inside of my eye. After I've determined where do I want to put it? Just in this way, it would be so easy. Even for coloring. If you want, you can make these parts of smaller or bigger that depends on you. And the way that you want to color this character that we've worked on, the characters I. We will compare it a little to the eyebrows to check their placements, to check their sizes. Then we've seen everything is okay. We can move on to the other parts. We should also check them with our guidelines from the bottom and from the top. Because if you have any problem in our work right now, we should edit it right now. Because if we color it, it will be just so insane. 29. Drawing the shape of the nose, lips and ears: Hello, My dearest friends. We're going to continue our work on our character. Obviously, this night, we are going to create our character's nose. And after that his mouth and even Ears. Alright. Now we can create dynodes of our character in so many different ways. Therefore, you can use your own creativity. Or you can just do what I'm doing right now, right here. Or you can do both in different sketches. Obviously. I'm going to shape his nose in this way. Therefore, it would be funnier and cuter. This way. I will just create his nose in a fun way. We can use the shape of the real news and little inside of our work. I mean, we can keep the main features of it, but then change it in a bit cartoony way or in a cuter way. You already look skewed, but we're going to make him even cuter in our sketch. Now, we can create our lips and our whole mouth in a linear way like this. Then we can consider a lower part and an upper apart for it to create his lower lip and upper lip after creating a linear theory mouth and display. But those parts, as you can see, are not really thick. Then can even work on the sides of the face. We come down to our jaw, make it a bit more angular. Buy the same time. We're also making it softer. Then we can work inside of the ears. As I said before. First of all, we can bring some of his hair into the ears. Into the top part of the ear. You can create any design and shape that you like inside of your ear. Or you can just do it so simple. Again, that totally depends on you and your own personal tastes. I think we can just shape our ears a little that makes him look way more fun. But again, it's your choice. You can use your creativity to do anything that you want with your character. But just be careful because you're having a model, try to keep the main features the same. Or at least similar. Even we can work inside of the ears with creating some lines to show it has a depth. We are coloring our hair. We would just work on its details. So don't be worried, not right now. Also, for the hat, we do the same. We work on its details while we are coloring, but we should just go around it once more. It's enough for our primary sketch, but when we wanted to color it, we would definitely work on its details. 30. Coloring the hat of boy character: Hello again, my dearest friends. We are here. We then another tutorial session. In this session, we are going to color our work. Now. We're going to start that with lightening and erasing my work because we are going to color this area. Therefore, I should lighten the lights and erase the ones which are unnecessary. Therefore, it wouldn't be messy, my colors would not be messy and we can have a neat and beautiful coloring. Well, considering that some lines should be completely erased and some should be lightened. First, I will do the lines that should be lightened. And then I would move on to the lines which should be completely erased. Like this. We will drag our eraser on our lines slightly to make them lighter. We lighten the lines. Wherever any part got dark. Again, I can just rotate my eraser not to get any parts messy or dirty. Well, try to erase these lines, especially in the parts where you are going to have light colors. Because you are going to have darker colors. It doesn't make that much of a difference if you lighten the lights completely or not. Now, I'm using my edit eraser to erase some lines which are unnecessary completely. As you can see, we have two ways for using our erasers. One of them is for the lines which should be completely erased and another is for the ones which should be lightened. We will erase the lines which should be completely eliminated because we don't want them to now work. At all. The most obvious ones of them are guidelines. Obviously, the lines which should be lightened or actually the main lines of our work. Just like this. We will lighten work. Then I will use my brush to erase all the extra parts of the eraser out of my work. I am going to color my work and I'm going to start from the hat. As you can see, the color of my models hat, as you can watch in the picture, is dark. We can create our hat in a brand color and use a little bit of black in it as well. But generally we are going to use different colors for our hats. Therefore, work would be generally more attractive. I'm going to show you the colors that I'm going to use. Deep brown color 376 would be my first color to be used in this area. First of all, I will go over the outer lines of my work. I mean, I'm basically doing a frame working. I will determine the shape of it. This way. Then. I will move on to the other parts of my work. Just as you can see. I will go all around my hat with this color. This is the main line that I've considered for my hat domain outer line, of course, this would be the area which has been covered by my hat. I'm going to start coloring this area from one site. I'll do this. You can color your work in a linear way. Or else I can start from the side of my work and start coloring. But right now for this edge of my work, I will do my coloring in a linear way with linear movement. Just following these lines for my coloring. You should just color your work as the same way as you're watching me doing it right now. What do we get? Part that we are going to color the hair. I mean, when we reach the hair, stopped coloring to hat, then we start working on the hair. And then we come back on the hat again. Even on this side, we color as much as we reach the hair and we do not continue that. I mean, we do not go inside of the part which should be the calling of the hair. We do not go there. Just like this. We will have a debase and foundation color for r hat. Then we apply other colors on top of it and replace the colors layer by layer on top of each other. As you can see, the same direction that I'm coloring. I'll come to this part. I will use this same direction as I did for the other part. This is a very important thing that each method Dad, you're using for your coloring, try to keep that method during all this surface that you're coloring. I mean, if you're coloring one surface, one thing we'd one method try to keep it from the first to the end of it. Because this way your work would be way more attractive. And obviously it would be better. For example, as you can see, I've colored all of the volume of my head with this same method. Now for our base tone, for our base and foundation color for the hat, I will actually add the rest of the colors to it. Enough for the Foundation. I'm going to add another dark brown to my work, which is 380. I will use EBIT of my black color on top of them. We are going to move on on our previous work. Well, I didn't want to again, I say that I didn't want to create the hash of my model and my character completely dark, as you can see in the picture. That's why I'm adding different colors of brown on it. Then I will use a little of black on top of them. I'm generally using a brown tone colors just in order to make my work a bit darker. That's why I'm going to use the black on top of it. 31. Finishing the coloring of the hat of the boy's character: Hello, My dearest friends. I'm here again with the continuous of our work. We are working on our characters hat and we are moving forward. I'm using brown color for his hat, as we can see also in the picture. I'm actually progressing my work. I'm coloring all of my work in one direction. As we are applying the color layer by layer, we are getting closer to the outcome and result that we want it last. Know, I would also add a layer of a black color into my work. On top of my previous colors. We will actually be creating darker layer. That is black. This is why I've started from my characters hat. Because when we are working on the hat, this is actually the darkest part of our character. Therefore, when we get to the face and we tried to work on it, I won't be dragging my hand on my face because it's the outer part of the whole character. In order to color it, as you can see, I'm dragging my hand on the face. So if I've applied the face first, I would just make my colors messy. But this way, it's better. We're just adding the colors layer by layer. We give the color that we want Two r hat and we move on. And this way when we do to head first, who will not create any mess. The other parts. As you can see, we should add the colors layer by layer. Right now I am adding dip black layer of my work. Then after that, I would apply another layer of brown on top of it. Therefore, my colors would not be too dark or too black. The way that you can see, I'm just adding these colors. Then again, I will use my color 376 on top of my work. Well, we should add the colors layer by layer as much as we get the color that we want. The result. Well, I'm not really fond of using all the dark colors in the work and use only one dark color even in the darkest spots. Therefore, I'm not going to darken this area to March as much as I can see in the picture. But I do not suggest you that you can use too many dark colors here. But I do not suggest that unless you want to work on bad and angry character, basically a villain, then is the time that you can use to dark colors into your work. For the characters which looks so nice and kind, it's better not to use too much dark colors. Even if you want to show a dark part like his hat that we are having here. It's better to use a combination of different colors and not make it plain black or too dark. This is my hat showing itself. I just go over my head once. I'm using my pencil to go around my hat only once in order to determine the volume of the hat. Then I would want to work on my character's hair. Because the hair is directly connected and related to the hat. Therefore, it's better to our work on both of them at the same time. Therefore, it's better that when we completed the hat, we start working on the hair and vice versa. When we've completed the hair, but couldn't come back and add a bit of details into the hat. This is it. I can even use a bit of black color. In order to make the work a bit more lively, can add a bit more of the black into our work. Just as you can see. Then obviously after that, this area, I will use a bit more of my black color. This is it. This is our black color. We can use a bit more of our brown. We can still do that. Then after we've moved on to the hair and we've completed the hair, but can always come back. And if there was any part left on the hat, we will add them, We will complete them. And then we will have our whole work. This way. 32. Coloring hair of boy: Hello, My dearest friends again, we're going to continue our work on our character's hair and we're going to start it. First of all, I start with my okra color 383, and then I'll move on to other colors. I started from the slide of my work and I just go over all the sketch that I've created. I mean, I just go around all this sketch that I've created for hair, only ones for now. Then I'll come back and I will continue my work. But the rest of the colors in this way create the pattern. Sketch for the hair. Then obviously, I will create just some curly assign different parts. This time I'm going to use the color 307. Then I would work on some parts of the hair and I will color them blonde with this scholar, not everywhere, just some parts. Just consider that our character's hair is completely curly. And we've applied that exactly on our character. Now, I'm going to use my color 352 for some parts of my hair. Then. As you can see, some parts of the hair is so dark, even in our original model, we might not see how it went on completely. But in some parts like here that is too light and you can see how it's gone. You can also see some darkness between and among these light parts in order to show the volume of the hair. When we want to do it in our character, we are actually creating this situation with different colors. Therefore, we can show the volume of our hair. From this inner part of the hair. I will color some areas so that we can show this. That character's hair has somewhat of a volume. It's definitely not just one hair. It's parts of the hair. Now, I am going to use darker colors, like brown, 376. I'm going to use it. I'm going to color the parts which are inside of the hair. Because in some parts I need this dark color. Therefore, I will add it wherever I made it. But definitely I will not do this in all the parts and all in the same way. I just do it in some parts. I just don't do it in some others. Even on the parts that I'm doing good, I will not use the same pattern. Just try to do it differently. Because definitely I do not want to use the same pattern for everywhere. Now I'm going to use the color 309 and Lidl. Then. We will not just use it everywhere as well. I just use it in some parts with different patterns. Again, as I did before. I will just progress my work part by part as you can see. And again, I'm going to use my okra color. Among these colors that we are working for it. We just move our work. With different colors. I mean, we are just switching our colors on different parts. Then I'm also going to use a bit of my color 378. These parts. Because in some parts I want my hair to be darker in some parts and in some other parts I want them to be lighter. Basically, I want to create that contrast in all over my work. Alright. Now I can again apply my brand color inside of these twists in my character's hair. Then I will use my light color 304 to create some parts on my work. Randomly. Just go back and forth on some parts randomly with my lighter color. Again, I say, just because I wanted to create that contrast in my whole work. We'll do it in order to make our getting out of that as special order. I mean, we just do it in order to make our more random and more natural. Then as it continue of my words, I will use my black color on some parts randomly to get my work out of that special order. Therefore, it would look like this. As you can see. I'm just applying it in some parts without any special order. Then again, I will use my gold color. And I will apply some patterns and shapes over here with this color. This is from this side of the hair. Then later obviously I will move on to the other side of the hair as well. All right. Now I'm just coloring this left side of the hair. Again, I insist. You should try to use different patterns for your character's hair. You should not do all of them at the same time. I want to work on my other side of my character's hair. As you can see, I'm actually using different curly patterns in order for my work not to be in the same shape. Because as you can see in natural curly hair, they don't just go in a special order. They are a bit messy and do our out-of-order random. This is what I exactly gives attraction to our work. I can even bring a lot of hair into the face just as my original model into picture. Now again, I'm going to work with my other colors and I will move on my work. Okay. Remember all the things that I've said before? You should try to create any of them, mean each one of them a different pattern. Then I will also use my black color and some parts, again randomly. Because if you pay attention, this side of our hair is generally darker comparing to the left side. So we should definitely show it in our work. Then. I will use, I will create some parts like this. You should just be careful that wherever you're working on should not be the same as the other parts. I've said at different times. I've said several times that you should use different patterns. Just keep that in mind. Here we go. Now we'll create a hair and I will actually progress them part by part. This way. I would work on other parts. 33. Continued coloring hair of boy: Hello to love managers, friends again. We are continuing work on our character's hair. He has so cute hair, so we're trying to bring that into our character. I'm actually working in different parts with different patterns. In some parts. I even use my gray color. Number Three 196. That shine and silver look. And also because we want to give different colors to this work. Definitely we would not use it everywhere. Now, I'm using the color 307. As you can see, I'm choosing different colors for different parts. It's not like that I use one color everywhere. It should differ from part to part. That's why I tried to create these different colors with these different patterns, or vice versa. Even sometimes I'm applying these colors randomly. Because our work should not get so disciplined. Shape and order. No, you should use your imagination. Why is due? You're paying attention to your model and you should just go creative. You should use dark colors next to delight ones to keep the contrast and make it look better. I continue this method until all of my work is colored. Therefore, I'm just going to move on like this. Again, as you can see, we are creating different shapes and different patterns in each part, the side and the front, the other side. This way our work actually looks more attractive and more interesting to look at. Because if it's all the same way, even you as a viewer will get bored looking at some things. So playing and all the same. Therefore, because our hair is generally light, we try to use the lighter ones. More and more we try to use golden colors. Among the other colors among our work. We would not lose that golden color of the hair. He has a golden head. Just trying to keep it. In some parts like this. Dads reviews our darker colors. We can actually add some more lines. Therefore, we can have the strong contrast here. That's what makes our work unique and different from others. So it's enough for our character's hair for now. If we wanted to add something by the end of the work, we can do it later. After you've finished all the work, we can check it again. We would definitely check it again and we edit any part that we want. I will also colors some parts that I want to bring from the head into the hair. Actually these parts are the hat among the hair. Because as you know, the hair will just cover some parts and this way it would look more natural. My head comes into the hair and even combine and mix them a little. On this part, I want to come from behind my characters ear and create a work on this part. This would look like this. I would also do the same for the other ear. I mean, I bring some hair down from the behind the ears. And I'll work a little again with my golden color. Then again, I will add some parts of the hat. Even in this area. Just like this, I'll come over here and wherever. There isn't any hair from my character, I will work on my hat. I can show it's all around his head. And at the same time, I'm showing the volume of the hair with this. My dear sprints. I think it's enough up to this level for now. For the hair under hat, of course. But later even if you want to come work on it. 34. Start coloring the skin of boy: Hello, My dearest friends. We are continuing our work on our character. This time. I'm going to work on my character's skin and I'm using the base color 330 as the foundation of my skin tone color. Then from one side I start applying my character's skin color. Then I will continue my work with the rest of the colors. Then I would apply some are colors among the hair. Because actually some of our skin is placed just underneath the hair. Therefore, we do this. As you can see. We are applying our skin tone color underneath my character's hair. Alright, I'm going to continue my coloring. Like this. Wherever it's beneath my hair, I will color and we should even darken those areas more than this. We should almost also add some shadows and shading zone it because of course, when we have the hair coming onto the face, it will create a shadow on the forehead and the rest of the skin. As we are moving on. If we pay attention to inside of the eye, that we would not apply any of our skin color inside of it. We can also not good inside of the eyebrows. Because the eyebrow has its own color. We should work on that separately. Now we are only working on our skin tone color, and we do not go inside of the eyes or eyebrows. Because we need the white color inside of the eye. We should not actually move inside of it. We move a little on the nose because denotes has the same color as our face. Also is the same for the ear. And we will move inside of the ER as well. We just move downward. We apply our color here. Dressed like this. We will actually have our base and foundation color. Then after that, we will move on to the other colors, which would be darker colors. You already know we should also work on our next color. We use the same color as we did on the face, on our neck because his neck is also from the same as skin. Therefore, we just try to color the neck with the same color. As far as we can see, the color of our shirt. Just as this. Wherever we can see our skin, I will use this color to create that skin tone color. I will darken my skin color 387, and I will create the parts where I have to create some shadows are shadings on my skin. For example, these parts beneath the hair. Should be darker. Therefore, I will use this dark color to create the shadows and shadings over here. We are working on the parts near the growing area of the hair with this scholar. Because we want to add a darker foundation color to our work. I will apply more color on the sides of the face because these are the parts near to the growing part of the hair. And these are the parts on the size of the face. And in those parts we usually have more shadings and shadows. For example, here on the forehead we have the shadow of hair coming on the forehead. Therefore, we should darken these areas. And at the edges and sides of the face left and right, we should create some volume for our face and we darkening those areas. We will achieve this goal. I will continue with my pink color. I will add my color 329, especially on these growing parts of the hair sides of the face. Just like this, I will continue toward the central face to create a very, very great combination. Now I'm going to use a bit of my okra color 383. We use it. I use it on the sides of the face and wherever it's near to the growth area of hair. Just like this. Then I will work and little inside of my ears. I will use my brown color. For this inner parts which should be darker. I will actually use them for both sides. Then. With my skin tone color, I will work on this outer parts. A bit more. Both ears. 35. Continuing to color the skin of the boy's character: Hello, My dearest friends. As you can see, we are continuing our work on our boy character. We are still creating characters, skin tone. I would want to work on this side parts as well. I will actually add a bit more pink these areas. Then for my cheekbones, I will use this color. As you can see, the chicks are really prominent in this character and in this image. As we are working on the cheekbones, we will exaggerate them a little and we show them in our character. We will work on the cheekbone here. We will create small circles next to each other to get the color and the shape that we want on the cheekbones that will actually make them a bit more prominent. We also do the same on this side. Part, which is on the cheekbone. We will do it here. Just like this with creating a small circles next to each other. And with the circular movement of our hand, we will move forward in our work until we feel like our work has enough color that we want. Improve it, I'm progress it a bit more. We debase a skin tone color. We will add some more color into this area because we want it to be more advanced for us. Also, we do it for both sides on both cheekbones. Now. We want to work on eyebrows. I mean, actually around the eyebrows. Because should add some more skin tone here. Just below our eyebrows. For this part, below the and eyebrows. I'm going to use a 387, which is a brown color. Then we will use pink color in order to create some more darkness here. Way that it gives some more color to our work. And then we will add our pink color. Pink in many parts of our face because he has a lighter skin tone. We will do that. And we go toward bones of the nose a little with our pink color. So in this way, we will create our skin tone part by part. Then we also should apply this skin tone around your eyes and again on the cheekbones. We should add some more color to these areas to make them pop out more. Then for the forehand, we will use a bit more color. Four different parts on the face. I will continue this work until we cover all these areas. We should actually apply more color on the parts which we have shadings or any kinds of shadows, for example, below the lips, below the nose, or departs near the chin and decides of the face. These all have more shadings and some kind of shadows. These parts should be darker comparing to other parts. Therefore, we should apply more color on these areas. It's enough for now for the skin tone. But if later, we wanted, we can edit it again. 36. Coloring the eyebrows and eyes of boy: Hello, My dearest friends. We are continuing our coloring and this time we want to color the eyebrows of our character. All right, I'm going to use my brown color 378 for starting my work because I want to get the base color for my eyebrows. Then from one side, I start moving up. And at the same time I apply my colors. Just as you can see. Then I move on to the other eyebrow. And I'll do the same for this one as well. Easily in this way. Then we should work darker for the lower parts of the eyebrows. Therefore, I'm going to use my color 376 for these areas because you want to make them darker. For the other eyebrow. I'll do the same. Then after that, for the upper parts of the eyebrow. I'm going to use lighter color. I can get this part with the right colors. This is my eyebrow. Actually these harmful eyebrows. As you can see, we are coloring the eyebrows perfectly. As you can see, it's not only one color, we are using a combination of colors in different parts of it. Then I will determine the ending part of my eyebrows. Then I will shape them like this. Okay. Now I want to work on my character's eyes. First demo, I start coloring around my characters. I I will do this with my brown color. With the brown color number 376. I will use it to go all around the outer part of my eye. This way. Then I will use this color to go all around the eyes as you can see. Then later we will work inside of the eyes and it will color the pupils. Just be careful while you're going around the eye, you should not get inside of the white part of the eye. You should just go straight underlying. Be careful not to go into the white part of the eye. And then we choose the black color. And we color our iris with it, except the lights inside of the eye. And again, while I'm working here, I should also be careful not to go inside of the white parts. Again, either it's the part between the pupil and the outer line of the eye. Or for the lights inside of the pupil. You should not go. Inside of the lighter parts. This way, I do a frame working with my black color for my pupil. And then I will color this black part inside of my eye. If you pay attention. The original eye, you can see the same process, the same pattern. And this way, bold my lines a bit more. Now, if you pay attention the eyes of our model, our color. We should apply this color inside of our eyes. He has colored eyes. As far as I can see. The color of his eyes is green. Therefore, I'm going to use two kinds of green colors. First, I'm going to use the color 357, which is good green. I'll use a lighter green to create some lighter parts. For this upper parts, I'm going to use the color 357. For the lower parts of the pupil. I'm going to use a color which is a bit lighter, and I will combine these two colors together. You should definitely keep the light inside of the eye and you should not go over it. Be careful because it's a small area. You should do it with so much awareness and attention. I keep the light inside of the eye and we will color the upper part of the pupil. Now, I will change my color. I picked a color 363, which is a lighter green. I'll use it for this lower part of my eye. I will add it to my work to get the colors that I exactly one of his slaves. I'll do it for both eyes. This is the color of characters. I. Then again, we'll use my dark color 376. And I will darken all around the eyes. It more, of course. But as you can see, I'm emphasizing on this upper part of my eye lid a bit more. I wanted to be darker. In order to bold my eyes a bit more. We'll actually do some principles for creating our character. But still we are not going for the realistic drawing. We are drawing characters and sometimes caricatures. Pay attention to that. 37. Coloring the nose and lips of the boy character: Hello, My dearest friends. This time we're going to work on our character's nose and his lips were actually going to apply the colors in those parts. We start with our characters nostrils. I will darken these areas a bit. I'm using my brown color Number 387, which I've also used for my skin. Then I choose a darker brown. 376. I'm just darkening my work a little. Not too much. Then I would move on to my skin color, skin tone color. Then I would work a little above the nostrils. Actually it's almost cylinder nose tip. I just add a bit more color to these areas. Also, I'll do the same for the size of the nerves. Just like this. I would want to work on the nose. Then I will even move a little on the nose bridge in the same color. Continue my work to actually determine the nose bridge a bit more. Just says this. I would want to work on my nose. There we go. With the color 392. We will go over these parts. Just a little nose parts. As you can see here. I will use my dark brown to create my nostrils and pop them even a bit more. Now I want to move on to my character's lips. Then I'm going to use my color 392. This line in the middle of my mouth. I mean the line between the lips. Then after that, for the upper part and the lower part of my character's mouth. I'm going to use a 321. In this way. Would also do the same for the lower lip. We color the central area of that. Then I would move on to the part where we have more colors on this outer line of the lips. And I also emphasize on this middle line. A bit more. Just as this we will have, our character's lips will work more on the upper lip and lower lip. This is our lips. 38. Coloring the shirt of the boy character: Hello, My dearest friends. Well, in this session that we are continuing our work on our character because we want to working on our characters clothes and shirt. I'm going to use my gray color 396. Now, first of all, go over my main lines on the edge and the size of my shirt. From both sides. I will create my quotes. His shirt. Then I will start from this side of the work and I start coloring. I'm just creating a foundation and a base color. As you can see. The picture on the left side of our model is definitely lighter. I'm working on it right now. As you can see, the right side of my model is darker. Obviously. I'm clearly going to show this. In applying my colorings. I will apply my gray color, which is base and foundation color. Then we'll use the color 348 to create this line. In the beginning of my slave, which has kind of a line over here. I'm using this gray to separate the slave from detailed part of the body. Actually separating the arm hole here. As you can see, is slide definitely exist in our work. After that, I will also apply average of this gray color interests of my work. Around a slave and around the shoulder. It will get more color. I will just start coloring now. As you can see, I'm just smoothly moving forward. I'm also moving down. Then I will color this area in the direction of my shirt. My clouds. Just like this. Then I got to a point. I will use my white color for this area in order for the colors become more cohesive. Because of that. I will bring my white color onto all the parts that I've already colored to make them more cohesive. Again, I say that for the other side of my work, I'm going to use color 300 AD because I wanted to be, I mean, I want the colors to be a little different from each other. I will also bring this color on the part which you've used dark gray. We started from this part. We assert our colorings. Just add a bit of this color to our whole work. Just as this apply the color to the whole work. I will add this to all of the shared, as I said. And then I'm going to use even darker colors, like 376. Quite a dark color. I'm just proceeding my work. I'm actually going to create a color similar to my character's heads color. Because I think in this way my work would look more attractive and more beautiful. Just as this. We're going to combine the colors with each other. To get final result that we want. We get this very complete color. I will use my black color as well in this area. But because this side is going to be our lightest part, I love this site actually not going to use it too much. I mean, I'm not going to use my black color on this side a lot because this side is supposed to be lighter site. I'll try to do the same from the other side. So first I start with my color 348. Then I just follow this same procedure. This way. Just apply the color from the top to the bottom. Then I will twist my colors. Therefore, they come tore down. Look like this. 39. Continuing to color the shirt of the boy's character: Hello to all of my dearest friends. As usual, we are continuing our work on our characters close. As you can see, we are coloring his shared or t-shirt. And we are coming from the coal are downward, toward down. And we are applying basic and foundational base and foundation color. We apply our foundation color, this direction completely. Then we get to the opposite side. Just as this debase color for our work is gray. Then I'm going to use the color 396 on top of it. Just the same way I apply the color onto my work. From the colon downward. I keep the direction of the clubs. This way. As you can see. I will use this color for all of the surface of my work. And then after that, I'll move on to the next colors, like 380. Right now I'm working with the color 300 AD. I apply one more layer of my color, this color actually into the surface. Just like this. Then move onto my next color. And I can also use my black color. Although I would apply my black color for this side even more because actually we want it to be seen darker. Therefore, we use it. Something that we should do is that we actually add an applied colors on top of each other. That our work would look more complete. Work can look more cohesive in the terms of coloring. Because this is one of the other important things for us. This way. The thing that we do for this other side is that I'm going to use my color 348. I'm going to use it to pop the sleeve and bring it a little more down this way. And then we apply some more color to our work. Then we use that on the Cola of floats. We actually apply one layer of this color on my work. And then I'm going to use the color 376. I apply it for one layer on the whole work. Just as you can see. I'm also applying this color. Then after that, I would apply my black color on top of them. Just as this. We are creating the color for our clothes. I'm going to use my characters NIC LEDs with this color, which is the base for our skin tone. So I apply some shadings just below my neck. As you can see, even in our original picture, we have some darkness in this area. A bit more comparing to the other parts. I will add some more base color. Then after that, I will use my face is colors to this area. One of them is 387, which I'm going to use here. Then f though that I'm also going to use a bit of my color 378 for this area. Little upward and a little toward my neck. Apply and add my color in these parts. Then again with my skin tone color, I come over here and I covered the whole area to make them all look more cohesive. I'll also apply some more colors beneath my lips. Actually right now we are going to work on parts which we feel like they have some extra colors. I mean, wherever we can see darker in our picture or in our own mind, we can apply the colors where it's necessary. 40. Sketching the general shape of a girl with glasses: Hello, I'm I dearest friends. We are back again with another tutorial session. This time, I'm going to create this picture for you that you're seeing right now. And I'm just going to create a primary sketch and domain phase of our character. Then we move onto characterizing it because first of all, you should get familiar and acquainted with creating its face and the face components of it. Then we can create our character, can characterize it. First of all, I would pay attention to the direction and angles of my character's face and head. Then I will create first the skull and then do jaw of her. Just do it onto paper. This is the beginning of my work and it's the skull of her. Actually applying it. This is my skull. Then I will create my jaw with the angle that I'm seeing in it. As you can clearly see, work would look like this. Then I will add them to the rest of my work. Obviously, our neck has gone underneath the hair and we can not say too much, but I should create it. Atomically. As you can see, our head is also tilted a little in this picture. And all of my face competence have this angle, dare corner raise under notice strength. I should consider this while I want to work on my character's face. So I should also work on the hair, but before that, I just create my guidelines in this specific angle. Then I would work on the other parts. The hair and the risks of my face. Okay. Now this line in the middle of our face should have some kind of a twist. And maybe it's fair to say it has some kind of a turn and tilt. I would actually show this in my work. All right. No, I will determine the placement. My character's hair. The general shape of my character hair is like this. Would actually consider it for my work. For this upper part of the hair will work on these parts which are more obvious and clear. I will add these parts actually. Then I would work on my character's hair. Wherever I feel like it's it can be seen more. I will add parts of the hair to it. Just as this I would work on different parts of the hair. We also have some kind of a messy hair in-between them. But hair, hair is almost tidy and we're going to just follow specific ordered, organized pattern. Here is almost tidy. Then I pay attention and I see I have a shape of this for our face. It has just some ups and downs, therefore, I'll create it as I can see it. Then after that, I'm going to create our hand which has gone into her mouth. I liked you to create this finger inside of the mouth. Then I create the shape of the rest of the fingers. Just in a general shape. Don't want to work on their details. Not right now. As I said before, just create a general shape for my hand. Then I will create my slave. I will add the slave to the hand. Stories actually like this. Then I will continue my work like this. This is the general shape of our character, of our sketch actually. Also, I would add some hair. This side coming down, coming all the way down. Then I create her clothes from this part. I can also do the same for this part and create some part of the shoulder. And her clothes would also create her fingers here. But as I said, generally for now. In fact, I'm just creating general shapes in the areas because right now we don't want to work on to details yet. It's correct that these two fingers are separated from each other, but we're not doing it right now. We just create the fingers close to each other because we're not copying our picture and wherever we feel like it and we feel like it's needed. We changed the shapes and forms in order for our work to become more attractive and more beautiful. This is the general shape of our hand and face and hair. Now, we are going to work on each face components separately. 41. Sketching eyebrows and eyes of girl: Hello, My dearest friends. We are going to continue our work on our character. As usual. Start with creating the eyes, the eyebrows of my character. And according to the shape that we have here, we will continue our work. Okay. Well, I will work on the general shape of my eyebrows. This way. Then I would also work on the other eyebrow. I will add it to my work based on considering That's my head is a bit tilted. I will consider a very good angle for my eyebrow. As you can see in our original sketch. Our hair is coming into the face and ending part of our eyebrow cannot be seen. This is what we see in our original mother. Therefore, I can rearrange my hair in my character a little, bring it a little bit forward and into the face. Therefore, it looks more similar to my original photo. And as then we can now see the ending part of the eyebrow room. We want to work on the hair especially we can make it better and edit it. Right now I just want to work on my face components. But just like this, we should just bring the hair a little bit forward. In order to make the volume of hair a bit more, we will increase the volume and we make it similar to our picture. I also looks more beautiful here. I wanted to work on my character's eyes. I'm going to start creating her eyes. I am doing it according to my eyebrows and my guidelines. I mean, I should pay attention to both of them. Then do it this way. This would be the primary shape of our eye and our eyebrows. Alright. I would want to work on the rest of the details here. As you can see, our character has very long eyelashes. And we are definitely going to add these long eyelashes into our work. Just this way. We will do the same for this one as well. We will work on the eyelashes. We will create the eyelashes first on the upper eyelid. And I can create a little love them under lower eyelid. Then I would work inside of my characters. I create my pupil and add it to my work. This way. Then I will create the light inside of the pupil as usual as I've done it with all of my characters. Even if you cannot see any light inside of your models pupil. You should definitely created in your character because it's a lot of the basic shapes in character creating. Try to keep that in mind. You are actually creating a character based on your module. It's not a, you're not going to copy your model exactly on your paper. Therefore, you should consider this slide inside of the pupil, India. For example. Right now, you can see we have some light inside of our work. These are my character's eyes. As we can see. Our character has also glasses. But before we want to work on the glasses, first we should work on the nose and then we should add the glasses. First of all, I'm going to darken the eyebrows and the direction that our eyebrows hair is growing. These are the eyes and eyebrows for our beautiful, beautiful character. According to our model. Based on our model. We would also work on this upper eyelid, a little like this. 42. Sketching the nose, glasses, lips and hands of girl: Hello, My dearest friends. Going to continue our work on our character. Now, we would want to work on them. Those definitely want to work on it as well. Alright. Then I will create lines that I see for my nose. Because later we will consider these lines as our guidelines. Getting help from them. I will create my character's nose. As you can see. Create. Then Australia, because we are going to create the glasses as well. We need these guidelines in order to create our glasses. All right. We've created those lines and now we are going to create the general shape of the glasses on the nose and the eyes. First of all, I create the middle line of the glasses, the part that connects two glasses together under nose. Then I will create the general shape of the glasses themselves. We just create an AR glasses as we see it in our picture. This way. Then I'll move on to this glass, to this side. I will add it to. And as you can clearly see, even my glasses has the same angle as the rest of my body parts and my face parts. Because again, my head is tilted. And then exactly in the same line, I will create the glass of the gases, the left gas, and the handle of the glasses. This is the shape of my glasses. Now I want to move to my character's lips. As you can see, the lips of my character has some kind of a deformed shape. Therefore. Now we will erase finger which has gone into the mouth. For now we'll just erase it. And then later after we've created the lips and the mouth, we will create the finger. After that again. Now we will start from this upper part of the lip. I will create the shape of the lips. I will create the cheekbones into correct placement of it. Then I'll come down. Then after that I'll move on to the lips. I will create them. This way. You can clearly see this is a place that are and let finger has been placed on the lip. We can have it like this. Then this is my characters finger inside of the mouth. I will also add the volume of the lip just below that. Definitely after that, I will work on the teeth. In this way. I will also create the lower teeth, will also create fingernail. I don't have a finger. Then. We would want to work on the rest of the fingers. Like this. As you can see, fingers are placed on the face in this shape. We tried to create the same shape and apply our fingers on our face. Just as this. Alright. Here we go with the shape of the fingers and face. Then we will erase the extra lines for this inner parts of our face. Cleaner and neater sketch. Even before I start coloring. This is the general shape of our character's face. All right. 43. Illustration of the general form face of the girl character: Hello to all of my dearest friends. We are back again with another tutorial session for you. In this episode, we are going to create this character that you see here in this picture. We're going to create a character for this picture. First of all, we should see features and the general shape of our picture and our model so that we can use them, get help from them in creating our own character. First of all, we should consider the general shape of our model's hair and how we can actually apply it in our character. Also, we would consider the same for the face, the general shape of it, and we should see what features does it have so we can use it in our benefit. First of all, I create the skull and the draw all my character. Then we will move on to creating a whole complete character. Try to make my character look a bit funnier and cuter. Because we are actually going to create a character from basically our own imagination. I'm going to work on the skull at first. Creating the characters, your work would be way more easier. Actually you're not. And copying the character gnosis all. Everything has a very simple shape and also a fun shape. I will create the general shape for my skull and my draw. And if this is my head, I should start my neck from this area. I will actually make them neck thinner. That it really should be because my character is a female. And as we said in our primary course, for female characters, we use thinner. Next. Okay? No, I am going to see what are the directions of my face. Then I made them more simpler. As you can see here. Face has been tilted a bit and some lines will be curved toward up or down. Actually decrease this angle in my character because we're not working a realistic painting. We are just decreasing these ankle to make our character look cuter and to make it more cartoony and the shape of a character not as a real-life image. We are actually free to do anything to create our own specified and unique character. Of course, based on the model. Now, after I've decreased the angle, I will consider the general shape of my character's hair. And I can also exaggerated in order to make my work look better in cuter. I consider this area as the area which our hair is growing. I will create my hair in this form and shape. I'm going to twist it even a little bit. We'll consider a complete general shape for my character. Then I will continue this shape. In here. I would also consider another twist and turn my own models hair. Then I continue day hair down. This part. I create a part for the front part of the character's face. Then I also apply another part. From here. This way, it will actually complete this shape of the hair. Alright. This time, for this part, I will separate this area. Then I bring it down their lead. I will also create some more shapes. This way. This is it. This is actually the shape that I've considered for my character's hair. But right now I'm just creating the general shape because later we are going to actually color our character. Therefore, we do not need to add too many and details right now. And in coloring, we will actually show the shape of every detail better and better. Now for making our character even cuter, we can create some parts of the hair from this side of the head and bring them down as well. I would also turned shape of my head and my face. I can get a better shape on the face for making my character look better in cuter. This is it. Now, consider that the hand of my character should also come inside of her face as we can see. Our face in our character. I can either do that or not. I mean, this is optional for you. I can choose not to create their hand inside of my face, or I can choose to bring the hand inside of my face. That's a really personal decision. Depends on your own personal taste. I chose not to do that because I wanted to look cuter. This would be the rest of the hair coming down from the other side. And we just only some simple shapes. I will actually move my work forward. I'll improve it. Then I also consider that I would want to work on my characters colon. And also her clothes. 44. Illustration of eyebrows and eyes of girl: Hello, total of my dearest friends. We're going to continue our work on our character. This time. I'm going to work on my character's eyes and eyebrows because we are creating it from, I mean, based on an original picture. First we create a general shape for our character. And we do not get into the details that much. I just create a normal shape for her eyebrows. Then I would work on the other eyebrow. I will work on this one the same way. Then. I just create a bit of a distance between this and the hair. Between the eyebrow and the hair. This is the shape of our eyebrow. For my character's eyes, I would want to consider big eyes. I can easily create it. Because I want my work to be funnier and cuter. I will create my eyes. Big shapes. But if you pay attention, I actually did general shape. The general form is, as we can see inside of our picture that we just emphasized on it, exaggerated it, and we make it better and bigger. Just changed the shape a little. So it would be more pretty. As you can see. We are actually creating this character based on an original picture. Therefore, we want to make it as cute as we can. I can create my eyes, my pupils actually completely here. Or I can just create a bit of a space between the pupil and the lower part of the eyelid. Now, I would want to work inside of the eye. I'll create it. I'll create the light inside of it. And then after that, we'll create the shape of the other eye. I will create the shine inside of the other eye as well. And of course, the pupil itself. These are our eyes and eyebrows. Just one thing that I should mention is that I want to create long eyelashes for my character. Because I want to make her more beautiful and pretty. Just as easy as this. We have a beautiful character. I can also create some more eyelashes for this lower part. Just in this way. Then of course, when we are coloring it, we can actually consider the upper eyelid bit thicker comparing to the lower eyelid. 45. Illustration of the nose and glasses and lips of the girl character: Hello to all of my dearest friends again, we are working on our character as usual, and we are just doing some characterizing for her. I want to create my character's nose. Actually, I want to make it a bit smaller than it looks. And I also want to create it a bit more finer. This way. Now this is the shape that I've considered for my nose. Now I want to create my characters glasses on her face. Way that first I will actually create the apart, which will stand under nose bridge. Then I will add the shape of the glasses to her face. Then I will add the handles to my work. Then I would want to work on this guy. Wanted to create this too. As you can see, the glasses are both on the same line. Dear a bit. Corner ways to their leaping a little, but they're in the same straight line. Obviously the glass which is more closer to us, is a bit bigger because it goes into perspective of our work. You should never forget that. Then I will create the handles of the frame. This is the shape of the glasses. Alright. Now I want to work on my character's lips. For her lips, I'm going to work too simple. I want to create very, very simple lips for her, but at the same time, I want to make it a bit more cuter. It would be simple, yet still cubed. And in that character shape, I create this funny shape, this cube shape for my character's lips. All right, my dear friends. This is beautiful character that we've created. Now. You should pay attention and we should work on her colors and details. You can definitely start from this side. And just create a part of your jackets. Kohler. We can show that behind the hair. We can have a volume of our body. And also we can do the same for this side. We can show that she has a body. She's not just the head and we have a volume for our body. Then we can bring the hair that we've worked on in here and we can just bring them inside a little. And also we can do the same for this side. This is our beautiful character that we've created. According to what we can see in this picture. 46. Hair coloring of the girl character: Hello, My dearest friends. For a coloring character. First of all, we're going to lighten our primary sketch because we want to start our work. We wanted to start coloring our work. If we do not do this lightening, we will get our colors messy. Even we erase some lines and some parts completely. First of all, we're going to work on the hair because hair, our character has blonde hair. Therefore, we should be sure that our primary sketch is lightened enough in order not to get our work and our coloring messy and the darkness of the pencil lines would not be seen from underneath the colors, especially on her blonde hair. First of all, I will lighten hair, hair will move onto her face lines. Okay. Now we want to work on our character's face. We would also light and some lines over here. Just as this. Some lines should be completely erased that we are going to do them right now completely. It will just lighten these shapes this way. Then I'll use my eraser to erase the lines which are our guidelines. We will erase these lines completely and we will eliminate them. These are the lines that should not be seen at all in our work. We're going to just erase them completely. Just as this. Then obviously, I will take off the extra parts of the eraser of my work. Then after that, we are ready to color. Started with the color which is close to my work, to my hair actually. First of all, I choose the closest color to my blonde hair, and then I will continue. I'm going more for golden colors and some parts I will use brown and yellow as well. For the beginning of my work, I will color the lightest areas. I aside from here. And then I'll get to the other parts. The parts I want them to be the lightest. I would color them right now because later I will work on them with my white color. In this way, I will apply coloring. I will apply my color. I'm using the car 307 for the beginning of my work. Because our hair is light. We will use our yellow color for the base and foundation color of the hair. Now, I will work on the parts which I want to keep the lightest with my white color. Because when we use our white color on some parts, actually, those parts cannot accept too much color on top of them. I will completely erase the parts which I can see the pencil lies underneath. This is very, very important, especially in these light parts. If you've seen that in some parts, your pencil line can be seen from underneath. You should definitely first erase it and then you should bring your colors on it. So again, I say, I'm going to work on my lightest areas with my white color. I want to keep these areas the most blonde and the lightest. Okay. Now, I would apply my next color here for this front part of the hair. You see in here, we have kind of a darkness. I mean, it's a bit dark hair comparing to the rest of the hair. Therefore, I will start my coloring. This area of my hair. It has some twists in it. This way. I will just surprised the general shape once. Then I will start coloring in the direction that my hair is growing and it's been a styled. Move our color toward this side because our hair is twisted and turned here. And we want to show that in our work. Just like this. I will apply my colors. Again, I saying the direction of my hair growing in a styled. But you should just be considering that you should not use your colors all in the same way. I'm going to use the color 378 after that for this area, which is the growing part of the hair, which is the part that the root of the hair. I want this area to be dark. Therefore, I'm going to use it here. Anyway. I was saying that try to use different colors and get a combination of the colors as your result. Because this way you will have a beautiful contrast and your work would look so beautiful it in natural. For other parts that I want to have some more darker colors. I can use this color in some parts again. Some other parts of the hair. This way. Wherever I wanted it to be darker. I'm going to use this color. Again. I say wherever I want more darkness. I'm going to use the gold color 352 over here. And among these colors, I will use this color like this. Because we have blonde hair over here. We can use different colors for creating our hair. This way. Then I would also apply other colors on top of it and create a mixture. As I said before. 47. Continued hair coloring of the character of the girl: Hello, love my dearest friends again. We are here within the other tutorial session. And in this session, we are going to continue our work on the hair coloring. I'm using the color 387, as you can see, for continuing the coloring on our character's hair. Well, I want to work on this area which I wanted to be separated from the rest of the hair. I'm going to work on it a little and color it. I even show some parts inside of this part using a width, actually creating some lines and coloring some areas. Parse that I'm coloring now. Can be easily anywhere. Any part of the hair. Day shouldn't just look all the same. They shouldn't have any special discipline. It's better that they would be more random so your work would be more attractive. But pay attention. It should be in the direction of the hair growing and the direction that it has been styled. So you should definitely pay attention to that. I'm going to use my lighter color 307. I will also colors some parts with this scholar because she has blonde hair. Therefore, I prefer to use lighter colors. Just as this. For some parts that I want it to be too light. I will apply my white color as the base and foundation of my work. You'll see later. It should look like this. I also color this front part of the hair. Now it's the time that I pick my white color. I gave a base color to this front part of the hair, especially on some specific parts of it. In order to make them different, creates some contrast here. I will also use some of my brown color 378. Like this. Because as much as we have different colors, work would be more attractive and prettier. I use more colors in our work, is more combination of the colors, it would look better. I use my dark color to separate this front part from the back parts. And also I'm going to use it a little bit over here. Not too much. Little. Okay. Now I want to work on the back areas. For this part. I'm also going to use my yellow color, actually one of my light yellows. Then after that I'm going to use my gold color 352. And I'm going to use it a little over this area. Just give here a little bit of color as a base. Well, applying colors is something that you can definitely bring some changes and bring some changes into it. You can change different colors, you play with them, move their placement. I like to color it this way. If you don't like it, you can color it any way that you'd like. I'm going to use the car 383 in this area. And also a little over here. Again, I emphasize it depends on your own personal taste. You might not like this color, therefore, you can use the front ones. Well. You should just scatter and spread the color in different parts of your work because this way your work would look more attractive. Just be careful, I'm telling you to create different colors in different parts. Yet, you should be careful to create all the colors in all the same direction. Again, I'm using the color 387 for this upper part of the hair. This way that you can see here. Then work on this beginning part of the hair, which is on top of the other parts, I'm going to use some of my color in this area. Therefore, I can separate it from the other parts. I'm going to use this scholar in some different parts and areas as you can see here. Even I'm gonna use it a little on this ending part of the hair. Now I'm going to use my color 307 again to keep that go Linne and blonde color, which is more general in our hair. I mean, generally can be seen in our hair. Then I'm going to use my brown color 378. In some parts. Again, I emphasize that we shouldn't use all the colors in all the parts. We use some colors and some parts. Then after that, I will add some more lighter colors in some other parts. This can create a great contrast for me at the end. It can be used in some parts. You should continue coloring the hair parts by part as I'm doing right now. The procedure is the same and we should add the colors layer, bi-layer part by part to get the outcome that we want. But you'd have to choose which parts should be colored in these colors. 48. Coloring the lower part of the hair of the girl: Hello to allow my dearest friends, we're going to continue our work on our character's hair. As you can see, I'm working on different parts of the hair and I'm coloring them. I'm actually improving my work. As you can see, right now, I'm using the light color, yellow color. And then constant late. I'll combine it and mix it with other colors, which are a bit darker. Because I want to create that beautiful contrast in her hair. As you can see. I'm just applying these colors continuously, 1.5 there. Another, if attention, you can see that the hair of my character has some twists. And I'm actually going to show them. Which coloring my hair in the direction of that twist. When I call her into direction of the twist, I can show it perfectly. Wherever I can see the lines going to this direction. I'll do the same on my character. This is something that you should definitely pay attention to in order for your work to be more attractive. Now, I would work on this part which is close to my face. I would apply my color on here. Then, for example, in this part, which is under the twist of the hair, I will use a darker color like the one I'm using right now. Just in this way. Then I use my light color again to add some parts over here to make them look like this. Then I apply my color part by part, layer by layer. I just apply my colors on top of each other. We move on. Just as this. For these different parts of the hair. I will apply my general color which is 307 downtime using right now. Then I will use other colors part by part. This way. I would just color different parts. But of course I would not make all of my work look the same. I tried to color different parts with a different pattern. It would not look all the same because that way work might look so boring. Because I don't want them to look all the same and I want them to look different. I would actually do this that I call her each part with a different pattern to make my work even more interesting. Now, I'm also using different colors to make it more attractive. And again, I say, to keep that beautiful contrast in my original work. Just as this, I will. Improved my work for different parts. Now with this color, I will create a twist in this area. I will divide this area and I'll separate it. As you can see. You can work on different parts just as easy as this one. I would also emphasize some parts with this color. Just create some darker lines in my hair. As you can see. Because, well, my work would have some variety in it. I'm also going to use my color 383 a little on these areas. For some parts of course. I will use it in different parts. As I said before, I will continue this work until I get all of my hair done. In order for them to look like this. Then for these ending parts, I will consider a twist. Then I can use my brown color to work on this area. And also I can work on some parts with my gold color. In order not to make all the parts look like each other. You just have to do one of them correctly and then you can easily do the same procedure, but not the same pattern. Now I want to work on this part of the hair as well. I would apply my base and foundation color like this. Then I will cover it with other colors. Just as you can't see. 49. Continued coloring of the lower part of the hair of the girl: Hello, love my dearest friends. We are going to continue our work on our character's hair. Something that you should pay attention to is that wherever it gets closer to the neck, we will use darker colors because we can have the shading between the hair and death throat. I'm going to use the color 376. I will actually create a darkness over here. It would look like this. Then again, I will color the other parts that would look like this. Just like this. I will work in-between the hair in different parts of the hair. And I will create a curve in the opposite direction. Therefore, I can show a twist here and I can show that hair, hair is way, way. This way. I'm using my yellow color, which is actually the base color for my hair. Then I'll use the other colors on my work to have everything I want to have to color that I want at the end. Well, now I'm going to use some other colors and I'm going to add them to my work. This way. I will work on different parts of my sketch and I apply the colors that I want. We can add these colors wherever we want them to. Just pay attention to the direction of the hair. The contrast of it in different parts. Totally depends on your own personal tastes. Yet you should just go with the principles and rules on whatever part that you want to work on. You should be careful about hair being in the correct direction or hair being twisted. You should work on all of these. Therefore, your work look better and more beautiful. I will also light in this area and then again, I'll come back and I work on it with my brown color. For example. For these parts which are underneath the hair, I will use my brown color because these parts are dark as you can see. Then I will add my gold color in some parts, not everywhere. This is it my dear friends. And I will also want to work on this corner, this corner of the hair which has been left out. I will use my base color on this area. Then. I will use some other colors. This part, something that you should pay attention to is that there's a part of the hair which is connected to the head. We should work on that part a bit more. Therefore, when it combines with the face, it would be actually more clear to see. This way. I will work on it. Then. I will use some of my gold color in here because I want to blend it to the face. Sorry, I didn't want to blend it to the face. And I will use a bit of color underneath this area just for the shading of the hair. Then later when I worked on the face and I worked on to skin tone, I would make this part more complete. I wanted to work on the parts which have been left out. I actually want to cover this parts, which would be one with the face. This is about the hair. If later on it got a bit light, we can always come back on it and work on it again. 50. Start coloring the skin of a girl: Hello again. We are continuing our work on our character's face. I'm going to color my skin with my foundation and base color for her skin tone, which is 330. I start my work with this color. I will start from this part which is the side the most, and I will apply my color here and then I moved toward the center of the face. I would apply my foundation and base color. Then for my skin, I would apply some more color beneath the eyebrows, but as usual, and as we did for the other characters, we do not need to apply this color inside of the eyes or inside of the eyebrows because they have their own colors. So we should not apply this scholar in those areas. Dan, I should also apply my skin tone color inside of my glasses because obviously it's made of glass and it's transparent and you can see right through it. Therefore, you can see her skin. And I should create the color of my skin even in this area. Then again, I will use my skin tone color. Beneath my handles of my framework. All parts of the face has this face to skin. It should apply it in all parts except inside of the eyes, inside of the eyebrows, side of the mouth. As you can see, I'm applying my base and foundation color everywhere. Wherever I can see a skin. Wherever I can see her skin. I will use this color. As I've just said, and as I've just mentioned that I should work on the neck as well because we can see a skin on her neck up to the part that my clothes will start. I should create my skin tone color, even on her neck. I will also create this other glass I mean, through this glass, skin jam color. But we should not create any. I mean, we should not apply any of this color on the framework of our glasses. Be careful about that. Do not go in that part. Then I will also go on my nose. Just continue my coloring this way. We do not go inside of the eye again, I insist and I emphasize on that. We continue our skin tone color. We would also work on the forehead. And we apply our skin tones. You see my dear friends. This skin tone of our model is light. Therefore, we are actually creating a lighter skin tone for our character as well. I'm going to use my pink color 329 for this area, for her skin tone. And wherever I feel like it's needed. I will also apply this color. For example, the size of deface underneath and below our eyebrows. This part above the upper eyelid. These parts should all be worked on with this pink color. Even the corners of the eyes and obviously on her cheekbone. Even if you look at your model, you can see a major pink color on her cheekbone. I would apply this color to the majority of my face, especially on the cheekbones. Would work on this part. I'm just creating my color step-by-step and slowly, I will not suddenly apply a dark color and a big amount of DOM, large amount of them. Therefore, it would be so far away from my other colors and it would not look cohesive and I would not create any extra shine on my work because that would just ruin the whole work. So I just moved back and forth. And the step-by-step, I'm creating my collars layer by layer and slowly with so much patience, I continue with the same procedure and method until I get the colors that I want at the end. Then I would also work on the other side of the cheekbone, which is beneath my other side of the glasses. I will add some colors to it. Both sides of my face would be colored the same way, the same color. Then underneath dead lips. I will work a little bit of this scholar and also a bit this part above the lips, above the upper lip and below the nose. Then I use the color 387. And I will go over this side parts which are connected to the hair. Because on this top part of the forehead that we have the hair. And the hair is connected to the head. We can see darker colors. And I'm going to create it with this color. I will also create the shadow of the hair on my forehead. Again, with this scholar. I'm using this scholar to create all the shadings and darker shadows. Again, I say I would apply it wherever. I have the hair coming onto my face. And then even on her forehead, I will I mean, on this side of her forehead, I would apply a bit of this color. Then I would also color beneath my glasses because I would definitely have the shadow of my glasses on my face. 51. Continued coloring of the skin of the character of the girl: My dearest friends, we're going to continue our work on this character. As you can see, I'm applying the shading and the shadow below the glasses. I wanted to apply more skin tone color in this area. Then for this part which is above our glasses, also apply some shadings on my skin. And also I would do the same. For the other part. I will create a line in the same direction as my glasses, but a bit lower to create the shavings and it's correct placement. Then I would work a little on this lower part of the I mean, in this part below the glasses. Then I will work on this area which is close to the chin. I should apply a bit more color to this area in order to separate this part from the NIC. Therefore, I can have a space here and I can show that we have a volume here. In this way. I will apply my shadings. And then I would also work on the cheekbones are little. I will actually add some more color on the cheekbones, make them pop up a bit more. And also I would apply some more color below the eyes beneath them. Then do the same for this part above the eyes beneath the eyebrows. I would add some more color on it. And also a bit more on the nose bridge at the side of the eye. With the same procedure, I'll apply my color on this side as well. I would also work on this part below the nose. I will apply some more color, but Ethan nose and maybe even a bit more under Nick. And also on the part which is close today hair and we can see the shadow of the hair that has been placed on the neck. I will actually work on this part a bit more as you know, for making these shadings look more natural and making it more attractive, you should place them in their correct placement. And it actually creating this contrasts and these shadings. You can make your work and your outcome look way more better and more unique. Now on those finishing with the skin tone. But just checking it all over again to see wherever I need. Put some more color. And I can also apply a bit of the shadow of the handle of my glasses frame on my skin and my face. Just like this. Then this is my beautiful skin tone. 52. Coloring eyebrow and eye of girl: Hello, To love my dearest friends. We are going to continue our work in coloring our character. Now, I want to work on my characters eyebrows and apply the color on that area. You can see I'm using the color 387, which I've also use in my character's hair. And I'm using this scholar also for my eyebrows. Obviously in the direction that the eyebrow is growing, we should always pay attention to this stuff. I added colors to it. I will do the same for the other eyebrows. Well, I apply my color and decorate direction. Then I also use my color 378. I just apply some more color from this lower part. Then I will move on to create my character's eyes. I mean, to call our my character's eyes. First. I would work on the outer part of my eyes with my black color. I will color my eyes. And then I would also go over my eyelashes with my black color. At the same time, I go over my upper eyelid one more time and I work on it a bit more to make it darker and bolder. Then after that, I will go on the lower part of my eye, on the lower eyelid, but just too little, not too much. And I would also apply the eyelashes. Now, I will move on to create this other eye. I will work on the other eye as well. Of course as I did for the other eye. I'll create the eyelashes over here too. Then. I will darken this line for the upper eyelid and bend more to give it a volume. Then I will go on my lower eyelid a bit more. I also add D eyelashes, just like this. And I'll just move forward a little. But I do note get too much color on it. Then I will work inside of my eyes, around my pupil. And I would do the same for the other eye as well. I will add some darkness to it and for this one as well. So as you can see, because my character's eyes are colored, I will actually add two colors to them. I want to choose the color that I want to use for my pupil. My character's eyes are blue, therefore, I will use two blue colors for my eyes. One of them is 345, that I will use it for here for inside of my eye. And as always, I tried to keep the light inside of my eye and I try not to go into the white area between the eyelid and the pupil. For this part. Above, I mean, for the upper part of the eye, I will use this color more. Then. I will also use my color 300th 47 to make the colors a bit more complete. Just like this. I would also use a bit of my color 351 for this area. The area which is so near the upper eyelid, just so close to that. These are my beautiful eyes. And one other thing that we should pay attention to here is that if, if created any color or lines mistakenly in, inside of this white area, we should definitely erase them. Then move on to the next level. 53. Coloring the lips and glasses of girl: Hello to all of my dearest friends. We're going to continue our work on our character. I'm using the color 387. I want to work on my character's nose. Looking like this. I would also work on this inner part of them, those drills, we did color 378. Then I will use my skin tone color on this lower part of the nose, making it look like this. Then of course, I would want to work on the part where we have the shadow of the glass on the nose. Even we're going to work on the nose bridge. We are coloring this area into direction of the nose bridge to shape it better. We even want to work a little just beneath the nose. Now I want to work on my character's lips. And for that, I'm going to use color 321 for her lips. First of all, I'll go under line between the lips and then the upper lip. The lower lip with the colored. Just like this. After reworked on this upper lip. We would also work on the lower lip. This way. Then after that, I will use the color 392. To work on this line between the lips. I will actually work on it a little bit more. Then on this upper lip. Of course, the lower lip. I will continue my work a little on this area as well. I continue this line a bit more in order to create a beautiful smile for her. Therefore, I'd come out a little in order to show the line of the smile. Then again, I will use the previous color to add some more color to the lips. And then with the skin tone, I will color this area beneath the lips. It would look like this. This is a nose and the lips. Now I want to move on to the other parts of the character. As you can see, def frame of our glass in our character in the original picture is pink. But because in our character, our skin tone is likely pink. I will use my black color to create the frame of my glasses. Again, I say because actually in my picture you can see the frame as pink color. But in here I have this skin tone, almost pinkish. Cover all of my framework with my black color. And first I started from the connected part in the middle on the nose and then I will go around the glasses. Obviously, I will not make it too thick and I will keep it as thin as possible. Then I will go over the handles and I would also colored in black. Just as this. I would also move to the other frame. I'll work on it as well. Something that you should be careful is that you should move very carefully because and you cannot create any special change here and you are working with a dark color. Therefore, you should be very careful that where you're moving on. In this way. This is a framework of my glasses. That color. I've just changed the color because if it worked over the pink color again, I'm saying that it would just get confused with our face and it wouldn't be visible for us. That's why I've changed the color to black. It would look like this. Now I think our work is even more attractive. Alright. This is my frame of my glasses. 54. Coloring the shirt of a girl: Hello, to allow my dearest friends, we're going to continue our work on our character here. You can see character has a gene coat, jean jacket. Actually. I'm using the color 351, and generally I'm going to use blue colors overall. But right now I am using this color in order to work around my whole jacket. Then I'll continue my work. But other colors. Because our character's hair is coming on our jacket, we do not want to work a lot on our characters jacket, just enough to show she's wearing something. Now, after I've gone around my work. Other blues like 347 to color my jacket. I'm applying this 347 for my base and foundation color of the jacket. And then I'll continue my work for the rest of the colors. We add a bit more colors. We get the colors that we want and we come down as much as the end of the hair and recreate color for our jacket. This way. Then I will work on this inner part of the jacket and also the spaces that have been created between the hair parts. I will use my blue color in those spaces in order to show that our jacket beneath our hair. Like this. Because my character's hair is long. Cannot be seen too much, but we should actually created as much as we can see it. I will work on these parts where I have my character's hair. I will use my color 351. Work on these areas a bit darker in order to show the shadow of my hair under jacket. Therefore, these parts would be darker. Parts should be darker obviously. Then for her shoulders and the slave, I will also work a bit of this color in order to make these parts a bit darker. So I'll use my darker blue on these areas a bit more. Then. I will go around this part which we have the hair. Because we're having some shadows here. I would apply more colors over here. And I will do the same for this inner side as well. I would also go around this part at this side of the hair and I will add my blue color. Just like this. I am covering all the parts that are needed like this. Well, also it can work on these parts and make them curved. I mean, we can create ups and downs in here to show that the texture of this area is Fabric. And also it has a volume. Then I will use my light blue one more time. On top of it. This is my characters jackets. But again, I say that again, not work too much on our jacket because we can see a little love it. We cannot see too much of it. Therefore, still we should work on it. This is a character style. I can fork on these ending parts of my hair a little with this color. Now that my work is almost finishing completely, I can add some more color to these areas to make them ship it. Or jay can see, I work a little bit more on the hair, especially in the parts which are coming on my jacket. Obviously. You can work on the hair as much as you want. This way. Can also work a little. This area where our chin gets connected to the hair. Now our character, and we can also add a bit more color in this area to make a contrast and make it separated from my neck. This is my character. 55. Sketching the general shape of man's face: Hello to all of my dearest friends. We are back again with another tutorial session. In this session, we are going to work on our character's face. I mean, we're going to sketch this character's face first of all. And then we can completed and proceeded and improve it. Alright? First of all, I started with the general shape of my work. I will start from the skull in order to create the shape of the head. As usual. Does I'm working on the skull. I know that after that, I should add jaw of my character. Something that you should know about this character is that as you can see, our character has an angular face. I'm going to show that exactly in my character's face right now. Because we are creating a character based on our real face, on a real picture. Therefore, I'm going to work on this. Okay, Here we go. Now I want to work on my characters neck. And I would also want to add the neck to this character. Obviously, I will create the Kohler as well. We'll all be in this way. I will bring the color from the sides downward. And then I will continue from this inner part. And again, I drag it down. I would do the same for the opposite side as well. Then for the outer part of the colon, I will create a shape like this in order to show it perfectly. Then after that, I want to work on the shoulders and I would also want to create that. I'll add it to my work. Then I'll zoom out. I want to create the risks of the work a bit more. First of all, I will create my main guidelines as always as usual. Then I will create the face based on the patterns and shapes that I can see in my original work. Original picture, actually. Then move on to the rest of my face components. Obviously, first of all, I would apply their guidelines. I would apply guidelines for each of them, the placement of the eyebrows, the placement of the eyes, the nose. Then at last, the placement of my character's mouth and lips. Now I want to create the general volume of my character's hair, which is careless and messy. So we just try to create the same shape exactly. Try to make his hair a bit more tidy. And the element eliminate each part that we think is unnecessary in order to make our work look way more attractive. In this way, it'll work on the hair. Hair is messy. Yet. We just apply some more order for his hair. Do not do it exactly as we've seen the picture. Just try to get a bit more tidy. Also from this side, I would look and see where parts are better to be created and which parts are better to be eliminated. Maybe I can create this part of the hair coming into the face a little That would be fun and cute. I'm just going to create it. Then. I would work on the rest of the hair also from this site. If you zoom in, you can see that the hair is not tidy at all. It's too messy. And it doesn't have any special order yet. We just create some kind of a pattern for our hair because we are creating a fun character, acute character here, as you can see from here, if you look at it, you can consider a pattern generally in all of the hair, you just eliminate the parts coming out of this especially specific pattern. I would also determine the placement of the ears. I mean, I will determine the bottom part of the ears and if you create a guideline for it, you can see it goes through our lips. I'll did as much as it goes underneath the hair and it can be seen anymore. This way. Then for this inner part of the hair, I will work on it a little this way. Then if I want, I can't add a bit to my hair's volume in this way. Then. We can also add some of the missing has of the hair, some of the mess of the hair in these parts. And completely randomly. I just create some of these hair coming out of our specific pattern randomly. We can also do the same from this part. Also from this side. As you can see, I'm just creating some shapes here. Just add a little to the whole work. Again, I say we're just doing it so randomly, we do not use any a specific order to create this, this order it is and these mess coming out of the hair. This is a general shape of our character's face and head. I just want to work on his neck a bit more better. And then I would apply the angles and I will emphasize on two angles that I've told you. Our face has this character. 56. Sketching eyebrow and eye of man: Hello, My dearest friends. We are going to continue our work on our character. This thigh, we're going to work on our characters eyebrows and eyes. As you can see. In our face, the eyebrows are in this shape. We try to apply this shape exactly into our work. We just follow the pattern. We create our patterns based on what we see in our models picture. This is actually essential for making better characters and creating more beautiful characters. And why we are doing this should pay attention to that What special aspects and features are characters have? Because we are actually creating our character from a picture. Therefore, our reference is determined an obvious clear. So we should be careful in how we are proceeding. Our characters has glasses. This is what we actually consider. And if you pay attention, the shape of the eye is a very determined and clear shapes. So we can easily create this shape. It's simpler shapes here. Then later, we can work on it so easily. Then we can work on the eye itself. We will separated from the line above the upper eyelid. Then we will work inside of the eye and create a pupil for him. Then we will do the same for the other eye. We will create its general shape in this way. Then after that, I'll just create pupil inside of it. In this way. We can have all the shapes in simpler shapes. I mean, we can see all different parts in simpler shapes. Then we can add them to our work. First, I consider this i, and then I'll work on it. I'll do the same. For the other eye as well. I create inside of the pupil. Then for making my work even better. I will continue these sidelines. Therefore, I can connect my eyebrows to the nose bridge and I can keep all parts of my face adequate compared to each other. These are my character's eyes and eyebrows. And as you can see, part of the hair has come inside of the eyebrows. So we can continue this part of the hair and bring it onto our eyebrow. Bring it down. As much as this. We can actually apply it on our eyebrows. We can also work inside of the eyebrows and create the general shape of my eyes. I just work on it a little bit more. Then. I can erase this middle line between them. Because I want my work to be seen cleaner and you can actually divide the lines from each other, make it more clean and better looking. These are the shapes of my eyes. Hazel eyes. This way. 57. Sketching the nose, lips, glasses, mustache and beard of man: Hello, My dearest friends. We are going to continue our work on our characters. I'm going to work on my glasses, on my face. First of all, I start my work creating my glasses. I mean the gas for my glasses. This way. Then obviously, I look at the general shape of my characters gases and its frame. I would want to see how it looks like. I just created like this on my work furnace area. I'm going to continue upward. Then I create a shape like this. It has a batch of a volume. Therefore, I will add it to the rest of my work. Then I would also create the handles. And I will also create the other handle as well. To handle of our glasses can be seen a little bit more. Then I would want to create the volume of the glasses. I want to create the outer volume of the frame and then the inner part of it will be created. Then I would want to work on the nose. As you can see, our nose has some kind of a special shape. I just tried to bring it exactly into my character. I will transfer this shape to my character. First of all, I create a general shape. Then after that, I will apply it. I mean, work on it more and more until I get the shape that I want out of it. This way. I would also do the same for the other side because he shouldn't look symmetrical and I should just create both parts, both sides the same way. I would move on to my character's lips and his mouth. Then I try to see how it looks like. I would want to see how my character looks like. He has a mustache. I would also consider that as well, which looks like this. Then I would use some hatches. And I will create his most stash, just creating some short lines. And it would look like this. Then we create the upper lip. Then we move on to the lower lip as well. Like this. Then we would pay attention that the chin is exactly ending because character has also some beard. We should pay attention where we should finish the chin. Therefore, in this way, we will create our characters beard. We start from this side and we come down and we create a general volume for the beard area. Here we go. Then we would hatch it like this with very short and small lines. We will hatch this area to create that kind of a hair texture. Jess than this way. Then we use short, small lines. We would work on the beard. Again, as I said before, retry to create short small lines. My dearest friends, this is the general shape of our face for this character would look like this. It has some lot of details. I should also definitely erase the extra parts from my work. Just this part on the throat. We can also see some kind of a shadow. Also. Apply it this way. Then inside of the hair. We can use some lines to determine the direction of the hair. And also does thigh love it? Inside of the ear? Also going to use some lines in order to make it better. Of course. We should also see that our character has an earring on one of his ears, his left ear, we can see an earring. Kim easily added into our character. Just in this way. This is his neck and the color of his shirt. Therefore, he would look like this. 58. Illustration of the general form of the face of man: Hello to all of my dearest friends. I'm back again with another tutorial session for you. In this session we are going to create this character and we are going to create the image of it in our own way. We're going to start with creating this skull of my character. Obviously. As you can see, we can get the general shape of the skull and the general shape of the face so easily. Based on our work, based on our picture, we can do this. And even if you don't want to, you can create some changes into your work in order to make it more funny. Now we are going to create some differences and changes. Therefore, we can actually represent a funnier work. I mean, a cuter work at the end. Now, I would want to create the face of my character like this. Then I would create his neck. And also I will work on the shape of his clothes. I don't go into the details too much. I just grade the general shapes right now. Now, according to our picture that we are working on, we will create our general shapes. Just as you can see here. Then we'll come over here. And if we want, we can apply some changes in our work. This way should be done. I create the Kohler and then I go toward the shoulders of my character. Lastly, I'll do the same for the other side. As you can see, I'm creating his shoulders a bit smaller comparing to what we've seen to picture. It doesn't have that much broad shoulders in our character. If you pay attention, we have some designs on our character's shirt, t-shirt. Later on if you want, you can actually apply this design as well. On our characters. Shirt. Dress. As easy as this, I will work on my clouds. Then I move on to create the buttons. I'll add them. I do not create rest of my clothes. This is enough up to this part. Then I come back to my character's face. We want our character to be cuter. First of all, we start creating this sense with the shape of the hair. As you can see, our character got his hair open and just going from both sides. It's not really a tidy shape. We can even created funnier. And cuter. First of all, I create a general shape of my character in this way. Then after that, I will continue my work. My dear friends. Even for a year. I can extend the hair a bit more and I can show them a bit more. Then also, on the other side, I will bring down to hair dressed like this. Then we will have our hair. And then for beginning part of the hair to front part of the hair, I create the shape that I can see in my picture because he looks fun as it is. I'll move on with my work and I actually bring a part of my character's hair insight into his face just to make it more cute. That's it. That is my only goal. As you can see, I'm bringing my work forward. And also from this part I can bring the hair a bit more into the face to make it more similar to my model, and also to make it cuter. These was the shape of the hair, the general shape of the hair, of course. For this front part of the hair, I can even make them look cuter and funnier. Going to show you how. Show you two models into methods that you'd be free to use either of them. The first way is to create a hair like this. I bring the hair into the face. Looking shape. I'm giving it at Morris specific shape, which is obviously funnier. Then you can work on, you can work with either of them for your character. Then I will create my characters ears. I can bring the hair to zip back of my ear to behind my ear. And I will use my guideline to create the other ear. On the other side of the head. I can I'm bringing my hair behind my ear like this. 59. Illustration of eyebrow, eye shape and glasses: Hello to all of my dearest friends. We are going to continue our work on creating this character. This time we're going to work on the eyebrows, the eyes. Now I'm going to use my guidelines. And also this middle line here. I'm going to use these because I want my work be cohesive. Now first I will create the shape of the eyebrows. First of all, I should tell you that I will create my eyebrows for my character, this shape. Because we are going to color this work. We just create a primary sketch for our work. And then later with colored pencils, we will go over the details for it. In this way. I will create the eyebrows. I want to work on my character's eyes. I would want to work on the eyes like this. Then. Considering the other eye, I will use my guidance lines guidelines and I would work on the other eye as well. Just as easy as you can see here. Well, I can almost say that we are considering the eye as a shape of a semicircle. And then they've created a straight line for the bottom part of the eye and circular recurved part. Curved line for the upper eyelid and upper part of the eye. I will work on inside of my eye, the pupil, the iris. It should look like this. We are creating a very, very funny and cute character together. Then we would want to work inside. Then I will apply the shine of the eye, which is so important in this way. Then this is it. These are my characters, beautiful, beautiful eyes. Now, my character also has glasses. Therefore, I'm going to create a cute and fun glasses for him. Again, I repeat that because we are working based on a picture, can get even more ideas. I'm going to create a fun, I'm going to create fun glasses for him. And as you can see, I'm creating around glasses for him. Actually, despite what we can see in the original picture, because in original picture, He's guises has a special shape and form. But because I want my character to be cuter, I will work on it like this. This way. As you can see, came over here. And as the opposite of what it was. I've created around at glass. For my character. Then I will give some more dimension to my glasses. I will separate the glass from the frame of the glasses. In this way, I can also reduce the size of my glasses because I'm showing that a part of it is the frame. This is my glasses, dad VIF considered for our character here. Now it would look like this. We just make the handles of the frame a bit better. Then in this way, I can also create the eyebrows for my character. Then, considering the frames, I can make the glasses, make the handles of the glasses EBIT longer. 60. Illustration of the shape of the nose, lips, mustache and beard: Hello to all of my dearest friends again, we are going to continue our work on our character. And this time I want to create my character's nose. And maybe he is mustache. I create a circular area and big and funny nose for my character, which looks also a bit chubby. This way that first I will create a circle. Then I'll also apply the nostrils inside of it. Just like this. I will consider a linear mouth for my character that would look like this. As you can see. We'll create a completely linear theory mouth and completely thin lips for him. Because I want to show that he has thin lips. Now I can come over here and create some fun mustache for him. Or otherwise. I can actually eliminate all of the mustache and beard. But this time I wanted to create kind of a fun mustache for him. This way. You see how cute it looks now? It looks even cuter than it was without the mustache. That is why I chose to create one for him. Then. I can also create some beard for him. Not too much, but just a little would be enough. Or actually, we can also eliminate the beard from our face. But as I'm doing right now, you can create it. It totally depends on you, on your tastes and creativity that you want to bring into your work. Here, I thought if he has a bit of acute beard and mustache, the whole work would be cuter and funnier. But if you don't want to, you can just eliminate them from your character. It totally depends on your own personal taste. In which direction you want to progress your work. Looking like this. I believe that in this way it's even cuter with mustache and beard. And this is my beautiful fun character and not beautiful, but it looks funny and cute. Now, next, we will try to complete the primary sketch. And then after that, obviously, we want to do the coloring. 61. Coloring the left side of the hair: Hello, my dear friends. We are continuing our work on this character. Now together we are going to lighten our primary sketch in order to start coloring guy work. Now, I will lighten the parts that are needed. I will erase the part which should be completely eliminated, which are the guidelines. Actually, we don't need them anymore. I'm using my eraser to lighten or erase any part of my work. And we do this a lightning. I mean, we lighten our lines in our primary sketch in order not to get our colorings messy, we would not see these black lines from underneath our colors because that Omeka disaster always, after we've lightened them, we will come to the lines that should be completely erased. Guidelines. I've lightened lines. Now. I want to work on the parts which should be completely erased. As I said before, the guidelines are the main lines which should be completely erased. Next, we should erase the lines which have been sketched by mistake, which have been drawn by mistake. Then we just erase the lines which do not have any use for us. Then they all obviously clear off the extra parts of the eraser from our work with our brush. And this started our coloring. I wanted to start from my character's hair for my coloring. As you can see, he has almost brown hair. Therefore, I would start with the color 378 for his hair. As you can see, his hair is not too dark or too light. It's medium. Therefore, I choose this color to work on his hair. But of course later on, I will continue my work with other colors. I mean, definitely I would not use only one color on the hair or any other parts. First of all, I do a framework all around the hair with this color. I just determined the lines from both sides. And then I start from this part to color. It just like this. I will determine different parts of the hair, my color. Then I start from this part to color my work into direction of my hair growing. So I started coloring into direction that my hair has grown and it's been a styled. Okay. We have almost separated our work into different parts because their hair is really messy and it's not tidy at all. Therefore, we've created the hair by dividing it into different parts to create a good volume out of it. Now, I'm just using a background color for the hair. This way. Then I will continue my work with next colors. I'm going to use lighter colors like 387. I will use both lighter colors and dark colors in my work. But I prefer to start with this color for my character's hair. I apply some parts. I mean, I'll create some parts darker and some other parts should be lighter in this way. Alright. Now for this front part of the hair, I'm going to use different colors for this front part of the hair. I will use my color 380, which would look like this. And I would apply color on some levels. And some parts. I will actually work on this part which my hair is growing. The root of the hair would be colored with this. For the parts which are going to be separated from the root. I can also use the same color in this way. Then I will move on to create lighter colors. I'm going to use my car 383 on some parts because I have a difference in my hair. I mean, I have a difference of color in my hair and I have so much contrast in this area. I'm trying to create it with different colors, the lighter colors and darker colors. I will use lighter colors in some parts. And then I again, I just switch to color 387, darker colors. This way. 62. Continued coloring the left side of the character: Hello to my dearest friends. We are continuing our work on our boy character. I'm using the color 376, and I am using it to create the risks of the hair, this face. So I can have two different parts of the hair that I've separated. I'm going to use this scholar to actually show that separation even better. Then for the place that the hair grows, I will emphasize this color a bit more and I will use it a bit more. Then. I will use it for the other colors as well. Then I will use the color 378 for this area. Then I will give my hair base foundation color, and then I will continue my work with the rest of the colors. This way. Then I will use some lighter colors. Try not to work on the hair in a same way. Because the hair should have some differences. I mean, the hair should be different. For our work to look more attractive. Then. I would create the shape of my hair. Like this. I would work on my hair part by part. I will separate it part by part. It can both show the shape of our hair. And at the same time, work would look more attractive. And I will color this area in the direction that the hair grows and it's been a styled. Then I will use darker colors to continue our work. This way. Now we will have our hair. Actually. All types of hair will be created from different colors. They shouldn't be all the same color. As you can see, we are combining so many different colors in order to get the result that I want at the end. And in different parts I'm using different colors. As you can see with changing the colors, I am improving my work. I will create different parts of the hair color. Each one of them in different shapes, will continue coloring until we get the outcome that we want. Until work is done. We can actually color part by part. Or we can create the corners is size and edges of the hair just normally toward down. You should see which way it makes your character to look cuter and more fun. If we bring these to the back and we show that these are separated volumes, work would look even better and more attractive, even more than this. Surprise, these parts from each other only using different colors. For example, right here, I'm going to use a darker color. To continue my work. Dressed like this. I will apply different colors on top of each other. And this would look so cute because at the same time, I'm creating cute shapes for him. Because actually we are considering different parts for different shapes of the hair. This way. We will just move our work forward. I'm going to use my color 380 for some parts, of course, as you can see. Because I want them to look like this. Even you can add some lights to some parts of the hair. For doing that. You can use your white color. If you apply your white color on these areas, you can have some shine and actually some light on the hair would be even shinier and more attractive. Alright. Then we'd darker colors will create the volumes that we want. 63. Coloring the right hair: My dearest friends, we are continuing our work on our character with the color 378. I'm going to continue my work onto hair. I'm actually applying the Bayes and background color for the hair. I started with this lower part of the hair. I apply my background color here. We move to our darker colors on this lower part of the hair. Because as you can see, these parts are behind and they can be seen lists and darker. I'm going to use darker colors here. I'm using the color 376 here. I will bring the colors toward darker colors. Just as this. I will use my colors in this way. Would also use black color. My work a little, just as you can see. Again, I say we are using darker colors because we're at the bottom parts of the hair. I'm also going to use the color 380. In this way. We will make it into darker colors. Because I don't want to create strong border between my colors and strong difference between my colors. We will also use this dark color on this lower parts behind the ear. I'm using my color 376 on these areas a little because I don't want my colors to be so different, so sudden. For these upper parts, I will actually use more colors here. Just as this. I will actually darken this area a bit more. Parts which we can see some shading and shadows. The roots of the hair. Looking like this. Now in the opposite side of my work, I tried to do this same and create the colors that I want. Therefore, this would look like this. I will continue my work in this direction. You can just work on the hair like this. You can do it by hitting and tapping, or you can just create the colors cohesively like this. I mean, you can just as you can see my work, drag your hand and take it off at the end. Or you can just go back and forth and color it. The most important thing here is only to be in the direction of the hair growing and a style. This is the most important thing here. In all parts of your work, the direction should be completely clear and you shouldn't go just completely different direction which is not related to your whole work notice rule. You should be really careful about the directions. As you can see, I'm applying the colors from the top to the bottom. Now for this front part of the hair, I will use darker color. So I will have this area covered just in order to show the root of the head apart that the hair is growing bit more and make it a bit bolder. This part is obviously closer to our face, therefore, it will have a shadow and we'll create a shading for it. Look like this. And I just move forward with this same procedure and same method in my coloring. For this front parts of the hair. I will also use darker color. For the parts which are in the medulla of the hair. You can use lighter colors because also show that these parts are more prominent. And even in your model, you can see this contrast. You can create a hair into direction that I'm showing for you right here, right now. 64. Continued coloring the of the right side of the hair: Hello again, my dearest friends. I'm using to color 378 for the base and foundation color for my hair will continue. And the direction that our hair is growing and is styled. Almost as I get to the ending part of the hair. We just continue our coloring the same way. This way. In these ending part of the hair, I would apply darker colors, so I will use the color 376 on this area as well. Now for this part which is near the face, I will use darker colors. Just as this. I would work on different parts of the hair. I will actually apply different colors on it. In order to make your work even more attractive. Like what I'm doing right now. I'm using different colors in different parts of the hair. I create that contrast. I will just move on with the same color. And then later I will use darker colors on top of it. Only in some parts of the hair and don't everywhere. Now I'm going to use the color number 300 AD for this area to cover this ending part of the hair. Here we go. Then after that, I can also apply some black color up to some levels. I mean, not too much, but I can use my black color over here a little. For this lower part of the hair. Alright, can apply this color, which is obviously darker. Even if you look at your original model. Then I'm going to use it editable on this front part of the hair. The beginning part of the hair, the point that the hair is growing from. All right, so this is my character's hair. We even can continue it for coloring. And again, as always, as much you spend time on it, you will have better results with better, better details. Sorry. But I believe this is enough for now. But at the end, if I saw that I need more color in any area, I can always add more to that. But I think it's enough for now. 65. Start coloring skin: Hello, dear friends. We are going to use our skin tone color with the color 330, which is always, I mean, most of the times the base color for our skin tone. We start from one part and we apply our skin tone. In this way. We will actually move our work forward. I would also bring my color between the hair and that I've created. Because the hair is actually coming to the forehead. I have to Applies some skin tone color between them. I'd be careful not to go inside of the eyebrows because they should not be colored this way. But I would apply my color between the eyebrows, which isn't necessary. I tried to cover all apart my face. For the parts where I should have skin tone, color. I will use this pencil and I would go over all the parts that needs skin texture. Wherever I have other textures and other things, I will note apply this color, for example, inside of the eye. I would not use this scholar at all. You should be very careful with this. It's better if you prevent going inside of these parts. I would also apply this inside of my glasses because they're made of glass. So you can see through them and you can see the skin behind them. So what I'm gonna do, I would also, I would note apply my color on the part where I want to create my characters, beard, mustache. I will also go over the years and I color them in this way. Then I will use other colors on top of it. Just after I've applied some more color on my neck because it's also skin. So it should has this scholar. If you pay attention, my skin on my face has a ton of drove orange color. The skin on the face. Therefore, with the okra color 383. I will add this tonnage of orange color to my character's face, especially on the sides of the face. And even in some parts, we have pink color that we would apply later. Based on our character's skin tone, we would actually precede our work. We will create different colors on different parts of the face. As I said, I will use my AUC color on the size of the face to create that orange tonnage that we can see on the skin of the face. And I would also use EBIT of my orange color directly on my work. The color number 316 would be used on the sites to increase that orange tonnage more and get a color that I want as the result. That's what I'm doing right now. Especially again, I say on the sides of the skin, on the sides of the face, I'm using this color. I will apply this scholar onto my face. With this method that you're watching right now. I will do it wherever I feel like I need it. For this size of the phase. Near the hair, I will do this. Here we go. For the inner part of the face. I mean, for this central area of the face, I will use different colors. I would not go those parts with this color that I'm holding right now. Now, I'm going to use my pink color 329 for the cheekbone area and also for my forehead. Then we did combination of different colors. We can get a great outcome for our skin tone color in general. As easy as you've just seen. You should just sue. I mean, you should just have to pick up the correct colors for each part. You should pick the correct combination. We also use this color for Beneath the eyebrows and the nose as well. Part inside of the glasses needs more coloring, therefore, I'm applying it. And then for the shadow of our glasses, we should also have some more color because this area is darker. Because of the shadow of the glass on the skin. I would also go beneath and below my glasses, frames, and handles. 66. Continued coloring the skin: Hello again. My dearest friends are going to continue our work on our character and on his skin. As we can all see here. Work on the colors a bit more. And I'm actually applying the colors onto ears right now. Then I will use my brown color 378 and little in the inner parts of my ear. I can make those parts a bit darker in order to give them a kind of depth. And I wanted to show that they have a depth and volume. For example, for these sides of the ears, I can also use this color as well. Now, I would want to work on these parts at the sides of the face. I'm applying more color these sides of the face because I want the shadow of my hair and the shadings of my hair to be clear on the face. And also I want to separate the skin tone from the color of the hair. And as you can see, the hair has a shading, has a shadow on the face that we can actually show it. We'd working a bit more on our skin tone. One of the things that we want to show this way, these are the parts underneath the eyebrow. And we apply a bit more color on them. The parts underneath the glasses. And we also use a bit of our pink color for these parts underneath the eyebrows and even above the eyebrows. Then a bit on the cheekbones also will do the same for the deck. I'm going to use more color onto Nick. I meant that we will apply the shadings for the neck more and more. This way. 67. Eyebrow and eye coloring: Hello, My dearest friends, I'm back again. We are going to continue our work. I'm going to color the eyebrows with the number 378. I'm going to use this scholar on my eyebrows. I will color in the direction of the hair growing inside of the eyebrow. Of course. Why you are actually applying the color. In some parts like this, which includes the hair texture, you should really pay attention to the direction of your coloring. In this way. I will create the color of my eyebrow. I'll do the same for the other one. Color my eyebrow in the correct direction. Then use a bit darker color 376. To work a bit more on this area. Now, I will apply color to even the lower parts of the eyebrow. It just as you can see, these were my eyebrows. I want to move on to create my character's eyes. I want to work on that with the color, I mean, with the black color. I will continue my work here. This way. Just as you can see here. I would work on this outer part of the eye easily. Here we go. Then I would also work on the other eye. The same way. Create. I mean, I will go over and around the whole eye, especially the outer part of it. Then for this inner part of the eye, I will actually do this framework for an, a pupil and also for the darkness inside of the eye. This way. Then I would do the same for the other eye. Then after that, I will use a bit of my brown color around my eyes. The outer part of the eyes will be colored with brown. Once more. I feel paying attention. The eyes of our character are not colored and he doesn't have colored eyes. So I will use my brown color for this inner part of the eye, for his pupil and iris. That I actually use my brown color inside of this area that you're seeing right now. In this way. Then of course, be careful not to go inside of the light. Inside of the eyes. I just work on the dark parts. Inside of the eye is not delights inside of them. Be careful about this. And then I'm also working on these parts. Around the eyes. I would apply more color for these parts. Looking like this. These are our eyes. Then I can work on my eyebrows as well. We can apply more color on them. We're actually creating the volume for our eyebrow. We are showing the volume of our eyebrows because we want to do the same for both eyebrows. This is it. This is my eyebrow. 68. Coloring the glasses: Hello, My dearest friends. We are here again. We have the continuous of our work on our character. Well, now I want to work on my characters glasses. First, I want to use black color for going over the frame of my glasses. You should pay attention to that when you're using a dark color on your character's face, you should be very, very careful on your work because this is a dark color and your face has a lightest skin and light color. Therefore, the possibility of mistake will be so high in here. And if you make a mistake, it will ruin your whole work. Therefore, you should have so much more attention here. You should be really, really careful in this area. In order not to apply the colors in the wrong places. You should move on the right lines. Be really careful about that. As you can see, I worked on the outer part of my characters glass on the frame. Now for this inner part, I will start from here, like this. Now I would move to the other side. I mean, the other part of my glasses would also do the framework for this one. Just in this way. You should be really careful that movements that you do should be so precise and exact. And definitely you should go only underlines of your frame. Now, I want to color the area between the two lines of the frame. The frame itself because by now I was just creating the lines around the frame in this way. After I've paid attention and it was I mean, after I've checked it and it was correct. I can work on some other parts. After I've checked my framework. I mean, delineate, reframe working. I can just start coloring my frame. I just do the last checkups. And now I want to color inside of my frame. And we've just done that in order to see both sides of my glasses look completely the same. Now I will start from my frames handles. And first of all, I will color these areas. This way. I start from one side. I actually add the colors. In this way. Be careful that I will move exactly between my two lines. Then for this middle part of the glass, this middle part of the frame on the nose bridge, then the other glasses, the other side of the glasses. Just in this way. Move between the lines. I will actually apply the color over here. I would also color the other handle. Other point here is that because our color is black, you can see the white parts of the paper more and more they will show themselves more. In order to cover these white parts. I will also use my brown color, my dark brown color over these parts. Not too much, but I can use a little of them. Will look like this. My work will look more attractive. And at the same time, the white parts of my work can't be seen anymore. They will be all covered. Here we go. This way. I will use this color in order to cover all the white parts on my paper and make my work even more attractive, like the color of my gases even better and more attractive. I think it's enough up to this level because we don't want to overdo anything. Keep that in mind as well. I think it's enough. 69. Coloring the nose, lips, mustache and beard: Hello, My dearest friends. Going to work on the nose with the color 376. I'm going to do it with this color. I'm going to work on the nostrils Scholar. Then I will fill inside of it. Then after that, I will use this color for the sides of the nose. Then I also want to color this area, the nose tip this way. And then again, I would want to work on the nostrils with their color 376 until it looks like this. For this part. On top of the nose, I will use my color 387. Like this. I will move on to my character's lips, and I will use my color 321 on dinos. I would work on the upper lip. And because my character has mustache, I should create deliver with the mustache. I mean, while I'm working on the lip, I should consider that mustache is coming on top of it or even on some parts over it. But after I've determined the parts of the lips, then I will move on to create and color the most stash. Because this way is better. I want to work on my characters must sash. I want to use my brown color 376 to create my characters mustache. I could also use lines next to each other in the same direction, which is the direction of the hair growing. To create what I want as the most Nash. And then I would do the same on the other side of the face. Just apply the same procedure. I'll continue my work here. Then. I would also do the same for the beard area. I started from this part beneath the lips. And then from the side of my face, move downward. Just as you can see. See between the lines. I have some space. I mean, I'll create some space because I want to show that these are hair that we are working on actually for showing the texture of the work. We have to create some space between them. You do not need to work on the whole area all at once and in the same shape and way. You can actually apply some space between your lines that you're creating here. As easy as this, I would start my work. Then I would also do the same for the central middle area. Just as easy as this. I will use small and short lines. I'll cover this area. At the same time, I'm showing the volume. I'm showing that this part we have hair texture. Then for this side part, I'll do the same direction that our eyebrow is growing. And I'll come down. This was my characters beard and also his mustache, which we've created earlier. Then for the neck area, we also add to the concentration of the hair a bit more. And after that, I'm going to use my color 392 on my lips in order to just show them a bit more. Because I don't want them to get lost among all the work that we've done here on the lower lip. And then after that, the upper lip, we cover the whole area. 70. Coloring the shirt of the boy: Hello, My dearest friends. Going to continue our work on our character here. Well, now I'm going to work on my characters clothes. And I'm starting my work with blue color, which is 345. Color that I'm using for my work. Is this point that I should tell you about. My character is close, is that if you can see it has a design on it. I want to create that design on my character as well. For this color, some parts blue, and I leave some other parts white. I can get the design that I can see correctly. Start coloring from this side, from this corner. Then I leave apart white. So I've decided to create the design that I can see on his shirt. I would do the same for this other side of my shirt. I would color it here. Then on the other side, we'll also cover some parts blue and leave some parts white. Because we can see this design on both sides of the shirt. I want to use a bit of my turquoise color on it, which is 361. Because if you pay attention, the color of our shared is not completely blew. It has a bit of turquoise in it. I'm actually combining these two colors in order to create my final color. As a result. I'm going to use it for this part in order to make my work even more attractive. Now I want to create the design which I have on my shirt. I'm going to use color 344. And I would apply these shapes and designs which we can see on the shirt. Should be careful that because this is the part of the close which is folded and twisted, we cannot see any of the designs completely. We just going to create these designs part by part. Because we cannot see any parts of it completely. Recreate them randomly in different parts. As exactly we can see. In our model. We see, we cannot see any complete designs onto coal are we can see only parts of it because it's been folded. Has a twist and bolts of wrinkles. These things will actually, the things that make your work more unique and very more attractive, lot more attractive. Now, after I've done that, I will apply some darker color for the neck and the body over here. In order to show that there is a volume over here. Therefore, I would just color this area in this way. Then we will be considering the shadow of the shirt on the skin and vice versa. Therefore. In these parts we would have definitely darker colors looking like this. Okay, My dearest friends, I want to work on the rest of my shirt, my characters shared. Again, I will use my blue color on it. Generally, I will continue with all the colors that I've already used. This way. For this part of the clothes, if you pay attention, some parts again are white and some other parts are blue. Enter quite exactly. Do it in here as well. Color some parts in my work, and I keep some other parts white. There it is. Like this. I would continue my work. For example. I can do this here as well. Then I can actually work on the rest of my clothes. This way. Their work will also be more attractive this way. And then wherever I have my clothes, full list, for example, the volar, my shirt, I should add some more shadings to it. And in order to do that, I will use the car 351 to create a shading over here which my Kohler has been folded. Go over it once with this color. Then I will actually use darker colors to continue my work. I'm going to use my color 344. And I apply some shadings on this area. This way. Then I will also use some of my black color on top of all of them. Now again, I will move on to create clouds. I will apply my color 361, which is a third turquoise. And I would apply it on this part that I've already colored. Blue. Look like this. I apply the color on the parts where I have done my blue color. 71. Continued coloring the shirt of the boy: Hello, My dearest friends again. We're going to continue our work on characters, quotes, his shirt. Actually. As you can clearly see, we are applying the colors and we are combining with each other. So we can get the design on our shirt and our character as well. Now I want to create the design of my shirt. In here. If you pay attention, you can see also a design of treelike that is placed here on this lower parts. First of all, I create the design of the tree. Then I will move on to the branches and other parts that I can see on my clothes. For example, in here, I apply the design of the tree. I'm just going to show a little like this. Then. I'm going to use delete leaves pattern on top of it, as I can see in my original model. If you pay attention, I've twisted this area. I've turned it because our clothes is made of fabric. And fabric cannot have a completely strict and straight lines. We should consider that while we are working. I'm going to work on this lower part of my clouds, this area that I've left out, which includes the clouds, I will apply the rest of my colorings. Looking like this. I will apply my blue color. Then move on to use my turquoise color. I would also apply it on this area. This way. Then I will apply the design of my tree on top of it. In this way. For example, I will create another part from this side. Then I would also apply branches. Also some leaves for it. Just add some leaves to my work. This way. For my sleeves. I'm going to use the color 351. I was surprised this area look like this. Then after that, I will apply my blue color, then my turquoise on it. This way. As you can clearly see it. After I've added my blue color, I will create my turquoise scholar. I mean, I will apply my turquoise color here. I'll combine it with other colors. Then after that, I will use to design on my fabric. I'll use it to create a pattern over here. And also because I want to show that my fabric has twisted and it has a dimension. I will apply some more designs here, and I will create. 72. Finished coloring the shirt of the boy: Hello, My dearest friends. We are going to continue our work on our character. For this blue part, I'm applying my turquoise color as well. The area that I've already applied by blue color, use my turquoise. Then for this lower part, I will also do the same. First, I apply my blue color, and then later, I will add my design definite length. This way. I will move my work forward. Just says this. Then obviously I will add my turquoise color on top of my blue color because it's not all blue. This way. As you can see here. That design has also came to this white area as well. Therefore, because we wanted to make our work attractive to start from the blue part and then we drag it towards the white part. This way we will make our work even more attractive. This is the trunk of our tree. And then obviously we use the brand, we create the branches. We create our trees, leaves. This way. Just as easy as that. And as you can see, we will progress our work and improving it. Now, after we've created this design, we will move on to our sleeves color with the color 351. First, I will suppress the edge of my slave, this top area. Then I will use my color over year. I will continue coloring through this direction because I want to show that this part of the fabric has some differences with the other part. Wherever we should change the direction, we can use coloring in a different direction. Hopefully honestly. Then I will add my green. 73. Sketching the general shape of the girl's head and body: Hello, love my dearest friends. We are going to continue our work with another tutorial session. In this session, we are going to create this character that we're seeing in this picture. There is a point that I want to tell you about the works which are in a full form view. These types of characters, you have different parts of your body. Therefore, your face would be a smaller comparing to time that you're specifically working on the face. So you should really pay attention to that. I you should consider that you cannot work to March on your face and apply too much details as you do when you are only working on a face. Therefore, you should be careful about creating the different parts of your work in order to make your face in a good way. I want to create my skull in this way. Then. I would want to create actually I wouldn't want to add the jaw to my skull. Now, if you pay attention, you can see that character is holding something in her hand that I can, OR therefore, you should be careful when you're working on your sketch. I'm owning your design and drawing. You should actually put this or in the hand of your character. And you should create a hand in the way that it's reaching for this or Alright. Then we are going to create our character's body. Then we will work on the rest of the body parts. Now I want to start in creating my character's body. Something that you should pay attention to is that our character is wearing your clothes and she has a skirt. Therefore, we cannot see the whole leg. Cannot see her legs. But because I want my character to be completely perfect in that to make shapes, we will consider the primary shape of the legs and we actually create them. Right now. As you can see, one of the legs is open wide debit and it's a bit bent it. And the other one is a straight from the knee but it's turned a little. I'm just doing I'm just going to do that. I mean, create a leg of my character in this way. I will create my characters leg in this way. Then I will consider my ankle as well. Obviously, we should consider that we are right now just creating our primary sketch. And we're just creating general shapes and forms from the parts of the body. And then later on we should come back and work on them a bit more. Right now we're just creating the primary sketch just to know how our body parts should be placed in our work, in our drawing. After that, we are going to continue our work on the details then very-very face any problems, we can easily fix it. As you can see. The other hand of our character cannot be seen very well, but that's not a reason for not creating it. In our primary sketch. We should definitely consider and create it. We should do all of these works. There you can see. Less of that body part or the most of it. Now also going to create the hand that has the orange. I'm just going to create it like this. Then. I want to create my wrist hand obviously. Because we are holding its shape in our hand. We cannot see to hand completely. As you can see the or is being held in the hand. Inner coronary ways it's not completely straight. And we should also consider this. While we are creating our character. Just like this, We'll create this upper part of the or in the same design and shape that we see in the picture. Now, I can consider some more shapes and guidelines for it in order for making our shapes and our drawings in a very, very specific way. Now this is the general shape of our work, which we want to see how it's going to be applied. We should also work on the crown, which is at the top of our character's head. If you see the hair of our character has came down from this side. Just like this. It's been applied on our hand. Right now. I'm just creating a general shape. You would see how it's going to be work done. I'm not adding any details right now. This way easily. Then I would also create my characters as scared as this. We would create it under leg dance we've created. Then later I will add the details. Right now this would be the general shape of the work that we're doing. Should also this front part of the crown looking like this? And this would be the general shape of my crown on top of my character's head. And then we part by part, add the details. 74. Sketching the shape of the girl's face and hair components: Hello, My dearest friends. We are going to work on our character together. Now. We are going to start from the head area and then we would work on the other parts. I just zoom in a little. Therefore, you can see each part. Right now. We're going to create our sketch on the head and its details. As you can see, because our whole image is small, we are actually creating this picture. From a full body view. We cannot have too many details, therefore, we are going to use a general shape for our characters had an crown. But we do not move, toured so many details, but just create a general view of hair crown. And why is that? Because our work is so volume is from a full body view. We do not, we are not only working on the header specifically. If you are working on the head specifically, they could have created so many more details on her his crown or on her head itself. But because we are working on a full body view, we're not working on everything. So detailed. You should consider this for the work that you're doing in this way. Now I'm going to work on the details of my face, meaning placement of the eyebrows, MDI, then dynodes, and after that we will have my character's mouth. Now, I will create my characters ear. Then I would move on to my characters eyebrow. See, I'm just creating a general shape right now. And I'm not getting into the details, because if you want to create details in this size, you are just ruining your whole work. Now for creating the eyes and face components, it's better to use a very, very sharp tip, farrier or pencil. Because of that, I'm going to use my edit because it has a very sharp tip. And I want my work to be very elegant. I want it to be very, very fine. And I can do this with my edge it so easily. Even if you didn't want to use your edit. You can sharpen your pencil. Therefore, you can work on the details a bit better. You can use any of the tools that you have and you can get the best out of them. Because I don't want to lose any time. I've just changed my equipment, but if you want, you can sharpen your pencil enough to create these details. Do not worry about working on your sketch. As you can see, we've created the eyes very generally. Because again, I insist that we are creating it in nother size and it's a full body view. Therefore, I'm going to create just a general view of the i's. We cannot work on the details of the ions because the size of my work is a small and we can't do that. Unfortunately. I would want to work on her face a little. Like this. Then obviously, I will move on to the rest of my character. For example, right now, I'm going to work on the nose. You see, I'm creating all the parts very generally, very small because I should not get into the details at all. May ruin your work completely. The really careful about that. Again, a general mouth. Usual. It would look like this. This is her face. Now, after we work on the hair, we will have our head and we will finish our head. Actually. If you pay attention, our character has kind of a messy hair. Hair, hair is not very tidy. Try to create the same shape in our work. This way that we can actually show them with some random lines and create them miss in our hair. As you can see, we can work on the hair like this. We can continue the crown even. We will bring down their hair from this site. Work on it so easily. Then after we've created this part, below the hair, underneath the hair, we would want to work on this upper part of the work. Then we can actually add some more twist and turns to our hair in order to show its volume. 75. Sketching a girl's hand and clothes: Hello, My dearest friends again. Going to continue our work on sketching our character. I want to work on the hands, the body. Just like that. We are going to create our character's dress and clips. As you can see, our dress has some kind of a design. Therefore, we should apply it on our character. We're just creating the design. So generally we didn't get into the details that much. At least not right now. In this way, I just create a general view of the design that I can see over here. Okay? I would also work on my character's hand. And I will create it. Or it'll create the fingers own body, which are actually placed on her waist. Obviously. We also created a hand. So generally then we want to create our characters arm. We also create that. This way. Right? Now I'm working on my character's hand because I want to show that she's holding this paddle. I'm going to show the thumb here. And when my hand is going to hold something, we're just going to see the tip of your fingers Knowledge all of them. Just the tip which we can just see whole of the thumb. Then we also have to show a little bit of our palm. We are also getting a general view of our paddle that our character is holding. First we create the bottom part of the petal and then to top part of it. This way. We would also work on this upper part in this very simple way. This is it. This is my paddle. Now, we can also create some lines on the paddle. Create the texture of wood in our work, I mean, would just green some simple lines we are showing the texture of our petal, which is good. This way. Showing the texture. Then, well, let me see. If you want to, you can also create her necklace that she's wearing here. I think it's skewed, therefore, I'm just going to create it. You can choose it by your own taste. Totally depends on you. 76. Sketching the shape of a girl's skirt and legs: Hello, My dearest friends. We are going to continue our work on our character. And we are going to work on the legs and the skirt. We'll move on to our characters skirt. And we will work on that. Okay? There are some things that are tangling down. Our characters are scared and we're going to work on them as well. This way. Well, obviously, we can work on this inner design of our fabric, which creating some circles generally. This way. Then we will actually create a general design on her scared. This way. This area on top of it, we will work like this. There are some things again, tangling from it that we are going to create them as well. I mean, we can create them as well. This way. Can move on to creating these strange coming down out of this skirt. Then we can work on this area with creating lines right next to each other. Just so generally. Now we want to work on our characters leg, which can be seen. Then we can also work on that as well. In this way. We are going to get a general view of the fingers. This way. Then we would move on to the other leg. And as you can see, we are creating the other leg and the other food as well. This would be our ankle. It should be definitely created. Then we will move on to the fingers. We just get a general view out of them. Not get into the details right now. Because we are just creating a general sketch and a primary sketch. This way. 77. Illustration of the general body shape of girl character: Hello, love my dearest friends. We are back again with creating this character for you. Well, we are going to create a very cute and fun character together. Also, it should be interesting. I'm going to start, first of all, I see that my character, I mean, all of the body of my character should be placed inside of my framework. Therefore, we can just apply some changes into the sizes of different parts of the body because we are creating it in our own way. First of all, I create a bigger head for my character and a smaller one for her body. I mean, exaggerating the head. I'm actually shrinking the body because this way we will have a cuter character. We start creating the head. Then we will work on the other parts of the body. But first we should create an incomplete to hit. This is my characters as skull. Then we will add did draw to her. Then when we wanted to work on the face. We can change any part that we want. Now because we are characterizing good. I just create a thinner neck for her. Thin and small Nick for our character is one of the elements that we can use for creating a cute character. Usually we do not create anything, but it's normal and usual size when we are working on a character. As we said before, we will exaggerate everything. If you pay attention, we can only see a small part of the hand. And I can even eliminate this small part completely. And I wouldn't not created at all. And I can work on my characters clothes. Morris specifically. Then we will create this other hand, which is holding a paddle. Because our character is a little girl. Create a thin, Are. We would pay attention. That character would be so delicate and fine. It will match her characteristics. Then I would also create the paddle notes in its real way. It's a real shape. We will create a fantasy paddle for her. First, I will complete the body and then I'll come back to the paddle and complete it. For creating my character's body. I want to create this skirt here because her scared look so unique. So I'm going to use this aspect and I want to create her skirt more fun and cuter. You should pay attention that when you're working on your characters. Because we are actually showing the volumes going in and coming out is really important. I mean, when you are creating lines, you should have curves and prominent parts in order to show that these are some volumes on top of each other or next to each other. Okay. Work on her skirt like this. This is that part of the scared, which looks like roots and strings coming out. Then at last I will create my legs. I mean, her legs so thin. The shape that I'm seeing it. But at the same time, I will consider that I denote want to open her legs. As much as you can see in the picture. I will create some space between the legs out, give it an angle, but not as much as we will see in the picture. Then I will add my characters leg. I would also do the same for the other leg. Then F there that I will complete the petal, which is holding. In this way. I can easily complete my paddle. Not ordinary way. Again, as I said before, we can create a paddle even more fantasy. I mean, with a fantasy aspect, then this would be the general shape of our paddle. Note that I've created this. I've created my general shape. I will work on different parts of my character. I would work on some more details on her. Not too much because we're going to color it. And we do the most of detailing them. But I should create some details here. These are my characters fingers, which are holding the paddle. 78. Illustration of the shape of the face and hair components of girl character: Hello to all of my dearest friends. We are going to continue our work on this character. This time I want to work on my character's face. Alright? Because we were going to color our character. Let me zoom in a little. Because we are going to color our character. We would add the details later. As you can see, my character has a very, very normal and common face. But because we are going to create a character out of it, we are going to exaggerate some parts and make it a bit more cuter and unique. Therefore, I'm going to use a bit more sharper angles, which would look like this. Then we will make our character look cuter. This flower crown which we have on her head. We would want to work on this. Just as you can see. This way, I will actually work on it. Just like a hat. I would place it and apply it on my character's head. But again, I say because we are going to color this character. While I am coloring, I will add the details to it. I will create the leaves on her hat, a crown. Again, I say because we are creating a funny character. We can also create her hair funnier than we see in the picture. Clearer actually. You can just show the volume of the hair more than it really is. This way. Then why we are doing the coloring weekend completed a even more. And for this area, I can use a bit of my character's hair. I can actually bring some part of hair here inside of the face to even make it look cuter. Then I would come over here. And also from this side, I will add the hair this way. All right. Now again, I come back and I want to work on my character's face. I will use my guidelines. Then. I will just give some shape to my characters. Eyebrows. Day would look better. You see how cuter it will get. And then I'll work on the other eyebrow as well. Because the eyebrows of our character has the ability to become even cuter than it is right now. If you pay attention to it. Now, I want to work on her eyes. I will create my character's eyes bigger than it is. Again, we do all the things to make our character look cuter and cuter. So that's our only goal here. Then I would also work on the other eye as well. Do the same for it. Considering the other eye, I will create my guideline as always, and create the other side because I want them to be symmetrical for now. Then I want to create the parts inside of her eyes like pupil, iris, etc. And again, I say because our work is going to be colored later, I will add the details in my work because my character's eyes are black, we can easily do this. Now, move on to create my character's nose. I'll create a very, very cute nose for him, for hair, sorry. As you can see, her nose is so cute and chubby. Therefore, we can actually show it in a very cute way. It would look like this. Then for our character's lips, for her mouth. I'm going to create it like this and give it a beautiful smile at the same time. To make her kind and nice and happy. And she would have thick lips as you can see. All right, my dear friends, this is my character's face. Now for her body and her dress. We're going to talk about the things that we want to do. But because we are going to color our character, we will add the details later. Right now we're just creating the primary sketches. 79. Coloring the crown of the girl: Hello, My dearest friends. We're continuing our work on our character. First, we lighten our work. Therefore, we can start our coloring. We should lighten some parts of my primary sketches and we should erase some other parts completely. Right now. I'm just lightening the parts that should be lightened. Then I will work on the parse which should be completely erased and eliminate it. We do this because when we want to start coloring, our work would not get messy and it doesn't get any black inside of it. We should completely erase some parts. For example, this area which states underneath our character's hair should be completely erased. Then these guidelines on the face also should be completely eliminated and erased. The extra lines that we've created here should also be erased. These parts inside of the flower crown should also be erased. Then I will use my brush to clear extra parts of the eraser that has been left on our paper. Then I will start my coloring. Alright, we want to start coloring, therefore, we should start from our flower crowns. I started using different colors on top of each other. I will start with the color 366. I will use this as my first color. I will actually work on the leaves that I have on my crown. You should pay attention that you should work on this area completely randomly without any special order, because there is no special order in this area. So we should not show and create that. We should work on this area completely randomly and create the leaves. Because we want to show it's natural. As you can see. I'm creating these parts without any special order. And I am working on the leaves. This way only underlines that we've created before. I only move on the lines that we've created before around to cram. Otherwise, I do not go by any rule or any special order. I create each one of them in a different direction. So again, I say it will keep its natural aspect. We've created a framework for our crown. Now we should go and dive into the crown and create the leaves inside of it. Are also some flowers between all these leaves. You can either create them or you can eliminate them completely from your work. North, apply them here. Well, I choose not to create, buy flowers among my leaves. I want to create a crown for her, which is created all by leaves. And other thing that I can do is to color debase of my work with the color 370, which is completely light color. And I'm going to use it on all the background of my color, on all the surface of my crown. And I just apply this color on all of the surface cohesively and with the same hand pressure. Therefore, after that, I can bring different colors on top of it and create a contrast. As you can see, we have contrast network, we have darker parts on layer parts. I will apply this light color as the background color and foundation color of my work. In this way, I can create a contrast that I want. Now I'm going to choose the color 363, which is also another green. I would use it on different parts of the leaves. Not all of them, but some of them. I will create some leaves with the scholar. Then I would apply some more colors inside of them with darkening enlightening them. This shape. Because I don't want to create all of the leaves one by one because that takes so much time and it's unnecessary. First, I want to get a general volume of everything that I have here. Then I can move on to the rest of my work. Then I would also work as some other leaves in these parts with this scholar. In order to create a color contrast. I will create the leaves in different directions with this green color. Some parts should be done more and some parts should be done less. Now, we did darker color, 357. I will apply some spaces between my leaves. I mean, I will create some spaces and distance between all of my leaves to keep the contrast and create even more. For example, these leaves that have came to the face can be darker. The ones that are coming into the face can be darker. Then. We can also create some darker leaves among. This part's. Just because I want to have contrast in my coloring. I will do this. I create some of the leaves like this with my darker color. I will create some of the leaves like this with my darker color. Then I will use my color 366 on some of the leaves that I've created here. As you could see. First, I've used that darker color. Now. I'm using this slider color to add more leaves to my crown. I would actually apply it almost everywhere. Because most of my leaves can be created with this color. If we wanted to work on each leaf one-by-one, we should have spend hours on it. But this fake work has pick up some pace. And at the same time, the general shape of it and the details of it are really visible for us and we can show the volume of this beautiful leaf crown. Now I can also use other greens to create some more leaves among the others. Just to keep the contrast, which also gives my work a good volume, as well as it gives it a good coloring and shape. Makes the whole work more attractive. All right, this is our leaf crown. 80. Coloring the left side of girl's hair: Hello, dearest friends. I'm still continuing my work on my girls character. As you can see, my character's hair is black, therefore, we start coloring our hair obviously with black. I start from the left side. As you can see, our hair is wavy. Therefore, I'm going to show these curves and waves and lines. Much more simpler. I started from one side. I tried to create these curls and waves. More simpler. I'm using hitting method and also dragging the lines down to create the hair texture for her. Should pay attention that after I've created some parts, I can do two things. I can apply the light on some parts or eliminate the light in some other parts. For example, here that I'm working. I just decided to consider an area for the hares light or else we can choose apart as the light of our hair. And then we can erase it after we've even covered it. We can apply the lights in this way or elsewhere. We can keep the lights from the beginning. Yet, when you want to keep the lights, It's better to keep it. In the first stages that your colors are not too dark and there's the light, so you can erase them or you can just consider the light parts from the beginning. I would also create some shapes and lines in my hair. This way. Because my work looks way more beautiful. It gets out of that one simple shape only. Then. I would also color the rest of my areas. I would apply my lighter colors in these parts. I mean, I'm just creating some contrast. I am working on some parts darker and on some parts lighter. I'm keeping the lights in some areas or I just create them with my eraser. Actually. This variety now colors makes our hair to look way more beautiful. We would also work on the rest of the areas. We keep some parts for the lights. You can use your white color even on the parts that you've considered for lights, you can feel those areas like that. Now another way is that wherever you want the light, you can apply your white color in the parts that you want the lights to be. Then you can create colors with your black. Even if you color departs, read the White color. It doesn't contain that much color in itself. This is another way for you to keep the lights. And obviously, you should pay attention that there are other it gets closer to the neck, it would be the darkest areas. This way. We will place the colors. This way. For example, I would add some more light to this area. Then again, I use my black color to cover the areas that I want to have dark hair. And in this part, I will create some lights again. Or else you can create the lights with your erasers. He can do so many different things. And if you pay attention, you can keep your works attractiveness. In this way. I just use different colors. I can even use the color 396, which is actually a gray color. I will use it in some parts, especially year and a hair. I can add a layer of gray. In this way. Now, I can use different colors. Yet. Whichever color that you're using, it's better for you to use a different columns. I mean, it's not really good for you to use only one color in your work because that actually reduces to attractiveness of your work. And if you use multiple colors and the combination of them you're worked with, look way more attractive. I also use a bit of my color 376 inside of my hair, which is dark brown obviously. But I don't use it in all the places. I only use it in the parts that I want to have the darkest areas. I actually use this color to make boy worth darker. Yet it would not look all one plain color. 81. Hair coloring on the right side of the girl: Hello, dearest friends. We're continuing our work on our character's hair. I also want to color the other side of the hair. This way. We will start with the other area. And also we are really careful to keep the lights in some parts. In some other parts. Keep the contrast. For making our work looking more attractive. Then I will work on the edges and sides. So just as the other side, I will create some wavy lines. For the size of my character's hair. I will apply the colors like this. Then I would work on the area which is closer to my neck. I would make it darker. Then also for this part, I can have light. This way. If you pay attention. Do direction of my pencil moving from the top to the bottom. This way. Continuous this. And I would also use my white color in the parts that I've considered for the lights. Even I will use my eraser to create some extra lights. And some parts, of course, notes everywhere. Wherever I want it to be darker, I'll give it more color. Just as this. Then. I will use my gray color to go over some areas. 396, exactly as I did to the other side of my hair. I will apply the colors from the top to the bottom and in the direction that our hair is placed. Then I'll use my brown color. Some parts again. It would look way more better. Of course, wherever it's closer to the neck, it would be darker in both sides in this way. So simply and easily. Working on the hair is enough up to now. But at the end of our work, if we felt it was necessary, we can always come back and edit some parts. I think it's enough for now. Just as this. 82. Coloring the skin of girl character: Hello, My dearest friends. Going to continue our work on our character. I'm using the color 330, which is a basic skin tone for my work. I start coloring my character's face, the skin. Also, we should consider that our character has a kind of tanned skin tone. I mean, she's a bit darker. So after we've applied our basic skin tone, we should move on to darker colors and also warmer colors. Then we should pay attention that we should also apply the shadow of the leaves coming on our character's face. This way. Then we can work on the eyebrows and eyes. But not with this color. I mean, we should not get the skin tone color into our eyes or into our eyebrows at all. Then we move on to the cheekbones and below the eyes and beneath them. Then we would also work on the nose. Just like that. We will continue this work. We should consider that basically we are working on the face. It, we should apply some color on the neck because it's part of the body and it shares the same skin. We can also work around the eyes but not inside of them. Then I would also apply color on dynamic. As I said before. As you can see, we are covering all the parts which are made of a skin. Now we can move to other colors. I'm using the color 387 to give her skin little of ten. And especially under parts which are near to my character's hair. I mean, wherever my hair is near my face, I will use this color on it. In this way. I'm going to use this scholar for this area which is actually the shadow of the leaves on the face. I can use this color as well. In order to make my skin darker. Then I'm going to work on this side of the face as well. Again, this similar spots. I would also use this color on her chin. We are coming from the random of the face toward the center of the face with this color. And we are covering all the parts that needs to be covered. We can even work below the eyebrows and departs below the nose and the lips. Then I will use my orange color 316. Well, to point that whether you can recognize the colors inside of your face is very easy. The best way to do that is to look at your character without even recognizing. You should apply the colors that you can see in your face. You should just look very carefully. Then apply every color that you see on your face. That's when you can recognize the colors which are combined in the face. For example, this area we can see a very strong orange. These parts are more brown. If you pay attention, you can easily get it. In some parts we can see are basic skin tone. Therefore, we are going to use a combination of all these colors, for example, on the size which we have darker tones, making use brown colors. If you look carefully, you can get the colors so easily and so perfectly. But now, for practicing, you can always combine the different skin tones and colors for skin together to see which one is closer to the color that you desire. The skins have this basic skin tone color. Therefore, it can be used in almost all of the skins. Now again, I'm going to use my basic is skin tone in order to get all of my colors the cohesive, and give them that harmonious look out of the separation between them. Then I can have a great harmony between the colors of the face. I'm not going to change from a brown color suddenly to a light color in this way. We can just add the colors and top of each other. Combine them together. Even if you pay attention. Can see that I even applied my skin tone color on the parts which I've already used my darker colors because as I said, in this way, my colors all get cohesive together and they have a beautiful harmony. Then I'm going to use a brown color 378, for the parts, which we have the shadow of the leaves on the face. This way. I can even use this color, which are close to our faces hair. I will use it in this parts. I do it for both sides of my face. This way. I would also apply this color and little bit beneath the chin. Apply a darker shade in order for my work to be more beautiful. 83. Coloring the eyebrows and eyes of girl character: My dearest friends, we are going to continue our work on our beautiful yet dequeued character. This time, I want to work on my characters eyebrows. I'm working on it with my black color. This way I will color and the eyebrows and the direction that I've created them. Then I would move on to the other eyebrow as well. I would put some color on the other one. You can see I'm creating a good shape for my characters eyebrows. Because I'm using my black color. I will be very careful to put my color in its correct placement because it's the darkest color then I can use. So I'd be very careful with it. Then I would create the outer lines for my eye, again with my black color. And again, I'm careful to put it in the right place. Then I would also do the same for the other eye. In this way. Then I would also work on the outer corner and the lower part of the eyes. I would also work on this inner part of the eyes and the pupil. Because my eyes are dark, I mean, the color of my eyes is dark. Probably black. I can easily work on it with no fear. Then I would also work on the other eye as well. Just as this. Then obviously I create the light inside of my eye. It would look like this. Then I will darken the rest of my eye. Again, I repeat. I keep the light inside of my pupil as always. Then I will darken the rest of my pupil. I'll make it black. There is a point that you should pay attention to while you are characterizing a model. If the colors are so close to each other, you can use one color for all of them in different parts. Well, then inside of the eyebrows you can also use a bit of color 376. Again because it's really close to the color of the eyebrows. Then I would also create some eyelashes for my character's eyes. If you pay attention. The eyelashes of my model's eyes can be seen. Therefore, we can also use it for making our character more attractive and cuter. And we can even darken the upper eyelid a little bit more. 84. Coloring the nose and lips of girl character: Hello, My dearest friends. As you can see, we are going to continue our work on our character. This time. We are going to work on our character's nose with the color 387. I would work on the nose with this scholar. At first obviously. Then I would work on the nostrils. And then I would choose the color 376 to do to nostrils. I'm actually coloring inside of the nostrils with this dark color. Then I can also darken the sides of the nose and the nostrils a little. Just move on them once and then I'm going to use my skin tone color, which is 330. I would work on the nose again. This time I'm going to work on different parts of the nose. I work on them. Even I can work on the line for the nose bridge to make it more prominent, to show it better. Now I want to work on my character's lips. Hair lives has a kind of pink tonnage, as you can see it in the model. And it's also a bit reddish. So for this line in the middle between my lips, I'm going to use the color 392. In this way. Then would work on the rest of the lines. Then I would use the color 327 for the lips themselves. I mean, first I have created a line for the mouth. I mean the line between the two parts of the lips with my red color and then I chose my pink color to work on the lips. Directly. Just like this. We start from a corner and we'll start coloring. Then. We would move on to the other colors, like 321, which I am going to use right now in this way. So I would also work on the lower lip. Then again, I'm going to use the color 329 on my lips. Her lips. This is our character's lips. 85. Coloring girl clothes: Till loved my dearest friends. We're going to continue our work on our queue to character. Well, as you can see, the top part of our character's dress is white. For showing, get more fair. We should use **** gray color. I'm using the color 348. I will start my work. Although our work is light and bright, because we want to show our white color even more. We will use gray color, especially on the sides of the quotes. And also now that we have placed the hair on her dress, the shadow of the hair would be placed on the clothes and dress. And we can actually show it with this gray color, the white area. Then I can see that my work is white up to some part. And then again, it's pink than white and then again it's pink. I would note work with this much detail. I will just create it with some general colorings. How would I do that? Well, I will just start using the color that I want. Then I place a space between these rows on my dress. I start applying the color. From here. I'm using the color 327 for this area. You can also use some other colors, darker or lighter. I started from one side and I work on my colorings. Because I figure out we're going to have two colors next to each other. I would not feel the work that much. Be careful. I will also create this lower line that I want to end my design. Therefore, I would not get out of it. Then I would consider a white-space white part here. And then again, I apply my pink color. I mean, I determine this area that I need to start my colorings again. Then I choose a color 329 to go over this area once more. This way, I will actually create my character's top and dress. Then I will use the color 321 a little. This way. Then I would create the lines between my work and I move on them. Now, if you pay attention on the white lines of our work, you can see some blue polka dots. I can't use blue color and create these polka dots very, very simply. For example, I choose the color 345. I will create some lines in this way in my work. I would do the same between the next lines. In this way. You can also do this for creating these designs and becoming more similar to our photo. Again, I'm going to use the same colors that I use for this upper pink area. For this lower area. In this way, I would apply the color until depart where my line actually separated the top area. And I will continue it this way. Then. I'll use the next color, 329 for this area. Then of course, I'll use a color 321. We will actually use the colors that we used on this upper part for the lower part as well. Now, we get to this part between a top and a skirt, which is orange, and it also has some dark lines on it. Some black lines actually, and even black designs. I will use my color 316 for this area. Then I start from a corner and I start coloring my work. This way. I am coloring from top to the bottom. I mean, I'm coloring in this direction. I will apply my color completely in this area. Just like this. I work on my colors. Then I will use 314 on top of it also. I mean, I'm combining these two colors together actually. This way. As easy as you can see here. Just have to pick the correct colors in order to get the result that you want. Again, I would apply another layer of my previous color. This one. Like this, with these two colors. We actually, we are actually developing our work continuously. 86. Coloring skirt girl: Hello to my dearest friends are going to continue our work on our characters address. I want to create a design that I can see in my clothes. In her clothes. I start from this corner, from this site. I will continue my work. In this way. I will create the exact same design on my work. It's a very, very simple thing to do. Also has three lines over here. You can't see because it's on a fabric. We will pay attention to the directions lot. Then again, the previous design will be placed here. Then again, we use these three lines. Just as this want to move on to the lower part of our work. If you pay attention. In this lower part of our work, background is white. And we have some designs on our fabric. We will work on the designs and we will use our colors. You can also apply one layer of white color for its background. Then I will create the line just below these triangles that we can see here. This way. Then I will work on the triangles themselves. This way. Just like this, I will move forward and I create these designs on her clothes. Would move on to next designs of mine. If you're paying attention. I've actually eliminated these polka dots on the triangles because I don't want my work to get too busy. And all of your attention goes to the address immediately. I just want you to have a general attention to the whole character, not to some specific parts only. Again, I will create those triangles at the bottom. In this way, I make my work simpler and at the same time, we've done a simulation. We will also create these triangles upside down. This way. I'll continue creating these triangles. This is the middle part of our clothes. Which we are going to use our color 348. That is our gray color. We use it for this outer part of our clubs. We move on this outer part. Just as this, we do the same for these lower parts of the triangles, also above them. And even a little toward inside. Also from here. Then we can also use our white color on top of them. We would actually go towards the inside of the work. Also from this site. We can move and we can come toward inside. And we have a layer of white color on our background. In this way. Then I would want to create these, these ragged departs at the bottom of my characters skirt. As you can see, the color of these body parts are in little similar to our skin tone color, and at the same time, it also has light brown tonnage. We can't even also use a little of our orange or yellow color in it. So I started working with color 383. And I'll just create some lines like this. And then I create some lines in this shape. I come from the top to the bottom. Then I will add the next colors. One-by-one. I'm using the color 387 right now. I use these color, this color in some parts, and in some other parts I would not use it because I just want to give my work very interesting contrast. And some shadings. Also use the color 330, which was the background color and the foundation color of my skin tone. So I will use it in this way. Just as this will color these body parts. I'll use my dark brown 376. Some areas I just create some lines. In some parts. Not just randomly, I create some lines because I want to create a good contrast. And that's it. These were directly parts on the lower part of my work. Just very something here that for this upper part not to be too white, I would also bring some color on this area, and I just bring my color a little bit up in here in order not to leave any part white. The white of our cardboard, quite jaggedy parts we'll look attached and the upper parts would not look really light. This was the quotes. 87. Coloring hand and feet of the girl : Hello, My dearest friends. Going to continue our work on our character. This time, I'm actually going to create the color on the arms and on the legs, creating the skin tone for her. These areas. You can see, first of all, I'm going to work on my colors on this skin and then I can move with the rest of the work. I'm using the color 330, which is obviously the basic color, the basic skin tone color. Just as this, I will spread, I did color all over the arms and even the hand. This way. We would also bring the color on the fingers. Then I will use my next colors. For the lower area of my arm. I'm using the color 387, like our skin on the face. And in the lower part of the arm because it has some shadow and obviously it's been placed on the bottom. The lower areas. It should be darker. I can even use a little bit of Vibram color 376. In order to make more shadings in this lower area, my arm. I can easily use this color. Then I will cover all of them with my skin tone color because this way I can combine all of them together and make one cohesive color. I'm also using my orange color here, 316. Like the skin we had on the face. I would move on with my work dressed as this. As we go toward inside of our arm, I'm using my color 378. I will darken this area, which shows the palm of my hand, and then I'll use my color 376 on my thumb in order for it to make to show itself actually more. Wanted to stand out more than this. This is my hand and are also color our legs here are black. Lines are too dark. So first I should lighten them. Then I should start coloring because I don't want my work to look dirty, to become dirty or messy because of the black lines beneath them. Then I started my coloring with applying my basic skin tone color, which is 330. Then I would do the same. For the other leg. Then I would work. I mean, I would create the shadings with other colors. First, I'll use the color 387. I started working with that. This way. Mostly I will use it on the edges and size and obviously the bottom part of the feet. I do it for both legs and feet. Basically. I work more on the sides. And then I'll use the color 376. I go over these side parts, these edges a little. Wherever. I have the shadow of these ragged texture on my leg. I mean, these ragged texture obviously have a shadow placing on the legs. I tried to create it. I would also work on the other leg. I create some shadows as shadings. Then we switch to the color 378. I would give a bit more color to my legs. Then they would look like this. I would do it for both legs easily. Then after that, I will use the color 316. You see, I'm just following the same procedure as I did for the arms. It's not that much of a difference. Now, with the use of my basic skin tone color, I will combine all of these colors together and make them look way more cohesive. Then I will use my dark colors to determine the fingers over here. Little, not too much. My work would look more attractive. We would also work on the bottom of the feet, on the fingers and the toes, actually, some lower parts on the feet. But we are just doing them generally. We do not want to go into creating very small details because we don't want to steal the attention from the general view of our character. Also create her ankle. As you can see, we are just creating some general lines here. And again, because of the reasons that I've said, I make my ankle over this leg a bit more obvious and clear. 88. Coloring girl's paddle: Hello, My dearest friends. We are going to continue our work on our characters here. Now we are going to work on the paddle, which is inside my character's hand and I'm doing it with my colors. 378. I'm working on the wooden area in here. First of all, I do a frame working on the outer lines with my color, just as you can see right now. Then I will color inside of it. I'm going to start from this bottom part of my work. I move up just like this. I would have the handle of my panel or or then a darker color. I would go over some places and I would add color to some parts. Actually. This time I will use the color 376 for this area. In order to make some parts darker. As you can see. Well, as you can see, we are progressing with our paddle. I would just move up. Then. I would work on the edges of my paddle a bit darker. I mean, how would you use darker colors on the sides and edges? From this side mean from the top part above my finger. I will go up until I reached the paddle itself, not the handle of it. Then generally darken the color of my wooden area little more. Now we want to work on the upper part of our petal. This top part actually, again, I start from the sides and edges with the color 387. Start working on it. Then. Use the color 383. And I would place a layer of color over it. This way. I will cover the whole area cohesively with this one color. Then I'll use the color 330 to place another layer of color on my previous one. If you pay attention, the upper part of my paddle, the top part of my petal color looks so similar to a light skin tone color. So we actually do it on our petal. Now after we've done that, I can apply some lines on my wooden area, which I can see. I'll use the color 378 to create these lines, these dark lines, which are actually did textures or wood on our paddle. Now, from this top part, I'll create an upside down line in here. And another one would be placed here. Also. Some lines in here. I place, and another line next to my previous one. I just created kind of random lines here. In the end of my work, I'll bring a little bit of my black color on the handle of my paddle. In the end. Not in all parts of it. Mostly the beginning parts and the ending parts of the handle of my paddle. Just as this this is the paddle inside of her hand. 89. General illustration of the boy's body: Hello to all of my dearest friends. We are continuing our work with another tutorial session. And in this session, we are going to work on these two children and actually characterize them. In this session, I don't want to do a normal thing, do a normalised sketch based on these. I just want to go for characterizing straight ahead. Because if I do that, first I want to create simpler sketches. It will take some extra time from us. Now, first of all, I should say that because we have two characters in our work, we should pay attention about our sizes and our placements in order to keep both of our characters in our frame. We are actually going to create their bodies first. Therefore, we will figure out how we can place them in our framework and we're going to do them one by 1. First. I won't want to create the body and the head of one of them, The next to it. I'll do the same for the other. Now, for characterizing, first of all, I create my character's head. Bigger data, I can see it. I can have a funnier and cuter character. Then. Because my character is whole. I mean, I can see it from head-to-toe. I should be really careful in order to create it completely in my work, in my frame. Actually, you should be careful not to be short on space from the bottom or from the top of your frameworks on your paper. So we now we want to know how are, how are we going to characterize these children? Now, I'm just creating some general shapes and then after that, I can work on it more and create more parts of it. After I've created my head, I would want to create my characters neck. This way. Then I move on to her clothes. I will add it to my character. I don't want to add the shirt for him first. Something that you should pay attention to is that our work is actually characterizing. What we're doing here is characterizing, therefore, we are not really under pressure to create exactly what we see in our picture. We are not simulating. So our hand can be so much free in creating what we want and change the parts wherever we feel like it. Well, my character is crossing his arms over his chest. I'm just going to do the same. I'll do it exactly as I can see it here. So you can not see that much of this hand. But at the same time, you should pay attention that the shape of your arms, width of them would be the same. So you would not face any problems. Then I will add this leaves. Then I will move on to my character's shirt. And from here. I will continue my notes. Here actually would be the end of my shirt. And after that, obviously, I'm going to work on the pants, the legs, and also the shoes. Right now. I'm just creating my legs very simply. I want to work on the details of my work. I obviously work on it more. Don't worry about it right now. Just created very simply. This leg is more in front, so I can see more of it. The one in the back, I can see less of it. I don't want to have that space between the legs like I have in my picture. I just wanted to stick them together. As I wanted. Then I move onto my character's feet and I work on his legs. Justin this way. Then. I would also add this leg. And because I've just stopped two legs together, we can see this leg and this Feed More. And then later we will erase the other one which is in the back. In this way, I work on my shoes. Just as this. Now we have created a general model and a general shape for our character. But don't worry as we pursue to improve our work, we will add or edit some parts. For example, here on the pens area. We will do the work like this. It would have some kind of a shape and you don't think we're just creating some straight lines for our work. We also do the same for the shirt. We just do it like this. This is a general shape for our body. And now we will create the back part. This area. We can also work like this. Therefore, it cannot be seeing that we're just creating some lines in a similar way, in the same way. So wages changed them a little and we play with the shapes. This way. I will create the fingers far my hand. Then when we want to color, we can add the details in our work. 90. General illustration of the girl's body: Hello, My dearest friends. We're going to continue our work on characterizing our two children. Now we want to work on the general shape of our characters and of our girl character's body actually, right? Well, I start with my character's head. If I look closely, I see they are almost similar height, both from the top and from the bottom. Therefore, I create my GRS, a skull similar as we did for the boy. Tried to even created close to the boy character so we can get that feeling from the picture into our work. I work on the skull. This way. Then. I would move my characters jaw. I would actually add it to my work. This way. Then I want to work on my character is Nick. It would look like this. Then obviously, I will go to this part, which is the upper body part for my girl character. Dressing this way, I will create her upper body part. This character is also crossing over her arms. Exactly as our previous character that we've worked on. There are standing like each other. We just tried to bring it in our work as well. Just as this would create the hands, fingers. We would place this hand on the other one. Now I will create a general shape. Then I'll move on to the rest of the work. Alright? Now we can work on the placements of things so we can get to the part that we think is more attractive. As you can see, my character's hair is long and it's even coming on a part of her arm and shoulder. We will just add them. Right now. We'll just wanted to work on the rest of the body and then we can go back to the head again. From this area that we have our shirt, I will bring down my work. Just like this. I would move on toward this scared of my character. I would have all of her dress. Then. I create my character's legs after that. Just like this. Then I would do the same for the other leg. Looking like that. Then we can move to our character's shoes. I would also create that. I would also add her shoes here. I will do the same. For the other leg. I would work on my shoes. We are creating the general shapes. Now we're going to work on the shoes are little, Therefore, if we ever want to color our work, it would be easier for us. I would add this bottom area on both shoes. Then I continue with my work. As we are actually developing both of them at the same time. Now, I will create this front part of the shoe and also I just hit a trace for the placement of the shoe laces. Just add them this way. Because our shoelaces are cross, can do the same, or maybe we can even change it in our coloring stage. Well, that can differ. I mean, that's for us to choose while we want to do it. There's no limitation here for you. And then I will work on this upper body parts a little bit more. Then I would make some wrinkles on this part of my shirt. Therefore, it would be more attractive. I would also do the same for this area. Just get my fabric and of its natural shape. Now, we can actually eliminate this lace part of our dress. This net area. We can do anything that you feel like it would be more beautiful in our work. Whatever changes that we like we can apply on it. So I just eliminate this part because I feel like this way my work looks better and more cute. That's your own personal choice. It's characterized and you can change anything you want here. For this part, I will make the sleeve of my shirt bit shorter. Now, as you can see, I've added a little too my characters shared because I want my, both of my characters be stuck together. I mean, I want them to actually lean on each other. Because we should actually progress both characters together. So we can actually apply the differences wherever we need them. If they have two characters for our, in our page for creating, we should develop both of them together. This way. I've just created both of my characters. And now we're moving on to the other parts. 91. Illustration of hair form of two children: 11, my dearest friends, we're going to continue our work on our characters. Now. We want to work on the heads of our characters this time. All right, First of all, I will create the general shape of the hair that I want to have for my characters. Now, obviously, I do not want to create the hair on my character to simple. I'm just going to give it fun and cute shape. This way. I will consider ashamed for the top of our head, for the front part of the hair. I would also create some shapes like these. We will work on the details when we want to color our work. I will make this part even a bit more volume dt. Now I want to work on my girls character and I also want to create a general shape for hair, hair, as well. As you can see. I'm actually progressing both of my characters simultaneously. First I've created the both bodies, then both hares because in this way, work would find especial cohesiveness. Then obviously, for the inner part of my work, I will shape the hair this way. Bring the hair toward out. And then here I will come back in again. I should also add some hair here in the neck. Again. I say that right now we're just working on generals. And because later we wanted to be in color on it. We will create the details them. And I can also bring my hair down in this curly shape that I can see in the picture with some twists and turns. And I also can bring some part of the hair from behind of her shoulders on her back. Also do the same for this side. I can't actually create a hit from this part and bring my hair down. Then obviously from this area, I can create the rest of my hair. It's especial shape and I will bring the limb down and just curly way with some twists and turns. Just like this. I would create my hair with twists and Crohn's. This way. Now, in this area, we are, in this phase, we're just grading general shapes. Later on we would add the details to it. Now we will move on to the other parts of our character's faces. First, we determine the placement of the eyebrows. Of course. Obviously we will determine the placement of the eyes. We would do the same for the placement of the nose and my character's lips. I would do the same for both characters. Actually. I can even create. And one of my characters ears, as much as I can see it. It would be looking like this. So in this vein, I will shape my character's hair and head. For this part on the back of his head. I can also create some hair. Not so much but a little. It would look like this. And even for here, I can create just a bit of hair coming out of the back of his head in order to make it cuter. 92. Illustration of eyebrow and eye shape of two children: Hello, My dearest friends, going to continue our work on our characters here. This time, I will create a line for the direction of my character's face, for the angle of his face. And then I can create my character's eyes and eyebrows. First I'll consider a very simple eyebrows for my character. Because my character is a trialed. D eyebrows would be very, very simple. There it is. I just give it a shape. Therefore, it would look cuter. That's what we want as well. I will create my work here. Now. For my character's eyes. I will choose the shape of the eye. The same as my girls character. I mean, because these two characters look alike and they have generally the same shape, I'm going to create the same shape for their eyes. With the difference that I'm going to create some eyelashes for my girl character, but I won't do it for my boy character. As a matter of fact, my character would look more cute. I will choose this shape. This way. Then. I will just check the size of my eyes in order for them to be exactly the same size because I want the eyes to be exactly like each other to be the same. And then I will create inside of my eyes. I'm going to move on to create by girls. Eyebrows are nice. And I'll do exactly the same for the girl. First, I will determine the angle and direction of my girls character. Then we'll move on to create the eyebrows. This way. Well, i shape the eyebrows just little in order to make them more attractive and cute would look like this. I want to create my girl's character's eyes. As I said before, I create the exact same shape as I did for my boy. For my girl. The only difference would be that I will create some more eyelashes for my girl character. Day would look like this. General shape of the eye will be created. You can either you can even use other shapes too for her eyes. But because I want to keep these two similar to each other, I'm using the same shapes. I've chosen this one. Now I will add some eyelashes for my girls character in order to make her look cuter. Of course. Because I wanted to show that my character is a girl. Because I'm going to color my work. I do not get too much into the details. Later on when we want to color it, we will create more details. Obviously. I bring the eyebrows until the end of my eyes. 93. Illustration of the nose and lips of both children: Hello, My dearest friends. We are going to continue our work on our characters. And this time I want to create the nose of my characters. For the nose. First of all, I'm going to create an oval. I wouldn't know the general shape of it and how I'm gonna do it. Then I can actually start creating my character's nose. I can create a nose very cohesively this way. Then I can also place the nostrils this way. And then for my character's mouth, I will create it very simply. How am I going to do that? Well, as you can see, very, very simply, I create the upper lip. The lower lip. Therefore, I would have my mouth. When I want to color my work. We'll work on it. More specifically. Now I come onto my girl's character's face. I determine the placement of the nose. Obviously, I create a nose for my girl character, way more elegantly and thinner, finer step. Then I will add two small nostrils for her. I will have the general shape of the nose because my character is a woman, is a girl. And I wanted to keep that elegance and fineness in her. Later when we want to color it, we can actually work on the details more. For her mouth. I will create a beautiful cue to smile. But I don't want to show my characters teeth. I create her lips closed. And I make obviously more volume for her lips comparing to what I did for the boy. This way. Then I wanted to shape the shape. I would want to shape my character's face and get to the good form. Work on it a little bit more. Obviously, I'll do the same for my boy. I mean, I give it a special shape. Then when we are about to color, will obviously add more details to our work. As I said before, if you want to edit some parts or fix some parts, we can do it right now and then sketching is done. Therefore, we step into the coloring phase. If you want to change any parts, now it's the time for it. Can add, eliminate, edit, or change anything that you want. Well, in my opinion, did general shape of my work is good. Now. I can start working with this. Just a little touch ups. Day would be fine. Now we're going to move forward to the coloring phase. 94. Hair coloring on the left side of the boy: Hello, My dearest friends. Well, you're back again. We didn't know other tutorial session for you. In this session we are going to start our coloring face. I start lightening my primary sketch in order I can in order to color my work. So first I will lightened areas which should be lightened. Then I will also work on the parts which I think should be completely erased and eliminate it. So I start from this side to erase my work, to lighten my work. Then I would move to departs, which should be completely erased. Would also lightened my girl character. This way. Because when we are working on the left side, we would not drag our hand on the right side. And we can actually get our messy and dirty in order not to do that, not for that to happen. We can do this. This was the lightening face. Now, I want to work on their parts which should be completely erased. Like his hand Dad, we've actually added a part to it. So the previous one, the previous line for the arms should be erased. And also our guidelines which we've used for creating the parts of our face. Or for example, this part of the shoe, which is in the back that should be completely erased. We will erase these parts completely. Then. Further girl, you should also erase the parts wherever our hair is covering it. Then there goes the guidelines of the face that should be completely erased. This way. Also, the extra lines would be erased. Now Dad, we've erased our lines. We can start our coloring. And now that they've lightened artwork, we can go and start coloring. It's now okay. I start from the top, from my boys character's head. Then. I will choose the colors that I want to use for his hair. Something that I should tell you is that we choose a dark hair color for our character. As you can see in the picture. He has dark brown hair. So he choose that for our work to see even close to black, but it's not completely black. I will start my work with the color 376. First of all, I would move on my main lines. I go all around the hair and kinda do a framework for my hair. And then comfortably, I'll start my coloring. Because we have a parting for him. We should pay attention to the direction of the hair. So if you're working on this part, we should move to this side, to the left side in the direction that our hair goes. For our work to look better. This way, I start my coloring. Then for the parts in front of my hair, I would determine the lines a little bit more. I bring my colors actually like this from the top to develop them in this direction and in this shape. I consider this color as my base and foundation color for the hair. Just move it forward. Just like that. I come from the top to the bottom all the way down. When you get to these parts, you should get out of this straight angle and you should make your lines a bit more corner rays coming from the top to the bottom again. As we get closer to our partying on the head. As we get closer to the parting, the lines that we create will be more straight. I will use some other colors zone top of it. I'm going to use the color 382 above this color. I use it for some parts. Not everywhere. In this way. I create some random shadings. Not completely random, but we're not getting too much specific. Just like this. Step-by-step, we will add our colors. Now I'm going to use my black color, of course. Because our character's hair is dark, is in dark colors. It would obviously work on it with our black color. But as I said, we should do them layer by layer. I also apply my black color and some parts only, not everywhere. I do not want to make every verb black because I want to have a contrast and the difference in colors. In order to show that there is a volume on top of our character's head. Also, it makes it more beautiful and attractive. Progress my work in this way. I apply my colors layer by layer in this way, until our characters looks lively and comes to life. And it will get the color that we actually want. This way. 95. Hair coloring on the right side of the boy: Hello to a love my dearest friends. We're going to continue our work on coloring our character's hair. Again, I will use the color 380. Because I want to color of my character's hair. Look better. I will create some areas and some parts darker. I would apply my black color a little bit more. And then I would move on to create an actually color the other side of my character's hair. I obviously pay attention that I should work in the direction of my hair direction which it's growing. Dan, I start coloring the other side of the hair. The other part, which is placed here. And again in here. I went apply my colors like this. And then some parts. I would keep some lights. Yeah. That's right. I even keep some lights in order for my work to look more attractive because in sunburst, creating a little contrast will just Bring your work into another level. If you pay attention. Because on this side we have the light coming from this side. On the left side we have more shadings and shadows. Therefore, we have some lights on the other side and the right side. We are going to keep a light area on the hair. We can actually show the direction of the light shining on them. Okay. Now, I would apply my white color on their part that I kept for my light. I use layer of my white color on it. And then I choose a light color, which is 387. And I will go over this part to play some colors on it. Then I will add the rest of my colors. In this direction. Obviously. We will do the rest of their parts just like the other side. I mean, basically the procedure is the same except the light area which we've used, a layer of our white color and a layer of our light brown, then I will use my black color over this area. Also. Actually the point that we should consider is that this area between the two sides, I mean, the starting part of the partying on the head, known to hair should be even a bit more darker than this. It can show that the place that connects two sides of our hair together. We would color here like this. For the lower areas, these small parts which are here. We would also apply some colors because you can milk, leave them on touched. We would also do the same for this side. I start coloring here. I would also apply my basic color that views for all parts on the hair. My foundation color that I've used all over the hair, and then I use my darker colors on top of it. This way that you're seeing right now. Then obviously, I would bring my black color. These little areas. Not forget about these little parts in our work. Because these little details are actually what makes your work unique and they will make them biota full. Be careful not to forget them. Then we can also work on this area which will connect to our head and our face. Actually, the hair will connect our face. Now, for this area, we will work on our colors more. Day would look even more beautiful and more attractive. Just like this, we are actually adding colors. And we're bringing our colors toward darker colors. This way. This was our boys character's hair, which looks so cute right now. 96. Boy skin coloring: I love my dearest friends. We are back. We're continuing our work on our character. We're going to color the skin tone for our boy character. I will start with my 330, which is my base skin tone color. We will move on with this color. We'll start obviously from the side of our faces, a skin and vague cover, all his face cohesively. Like this. Then we will actually apply skin tone color, the basis skin tone color completely. Inside of our eyes. We do not apply any his skin tone color. Like this. While we will continue our work until it completely gets its color. We also color inside of the neck. This way. We'd going back and forth, we will create our skin tone color. I'm just hatching for my skin tone color, but you can also do it in so many other different ways. It depends on you. I'm just doing it because I want my work to complete faster. But as I said, you can spend Much more time for creating your skin tone. And just bring the colors on your face. Little by little. After that, our skin has got some color on it. Like this. Because the skin on our face is light. We do not want to emphasize on it too much, or we would not use too many different colors for creating our skin tone that much. Mostly we try to use Foundation and basic skin tone color of our skin. Then I will use the car 329 a little for my cheekbones. I mean, his cheek bones. Because skin on our boy's face is light. Therefore, for his cheekbones. We will use pink color just like that. And we will cover both sides of our tricks. I will apply my color on both sides of the cheeks. As you can see, I'm applying my color completely circularity and I'm adding it to my skin. Actually my face is a skin. I will apply my colors little by little. I would not apply any colors just suddenly into our work because they might actually rowing the work. We're just adding these little by little step-by-step to our work in order not to ruin any part in our work. Just like that. I would apply my cheekbones colors. Then go a little. There are face, the chin area, maybe a little bit of the neck. I'll just add my pink color. Those areas day would look like this. As you can see. They look so smooth. Even a little below the hair and on the size of my face. I will at this color. Then again, I'll move on to my skin tones, color 370. And for this area below the hair, because I would have some shadow of the hair coming onto my face. I would just add a little bit more of my color. I would also do this for inside of my ears. Then we will use our brown color 378. I will work inside of my ear. Then I can even use a little of my color 387 this time and actually apply it here on his ear. Just like that. Now for depart inside of the ear. I can also use a little of my color 378, because inside of the ear should be a little darker comparing to the other parts. And we'll call our elicit more beneath the eyes. And the colors that we've applied for our cheekbones, we will actually fade them into each other and combine them with each other. In this way. We would also use our skin tone color on some areas beneath the eyebrows and above the eyes. Just to make sure all parts are covered equally and cohesively. Just like that. Then we apply our skin color very smoothly through all the face. As you can see, it's getting more complete by the minute. Now for the neck, I will create a shadow and shading. We did color 387. I will create some shading here because it's actually the shadow of the head on the neck. Therefore, it would look like this. Then after that, I will use my 376 color for this area, just below my chin and jaw. I would want to darken this area a bit more. That would look like this. Again, I'll go on the lines of my face, on his lower lines of my face. Just move on them. Make them just a little darker to show the contrast and to show the volume. Of course. This is it. Now, I will use my color 378 and little bit more here. And I bring it on my jaw and chin area. Well, just going over these parts, I will just add some colors here. Then. I will bring my skin tone color above it in order to faded. And I actually combine it with the rest of the area. I would also go on the sides and edges of my face again. Maybe a little hair beneath day hair. Try not to overdo anything. And this is the skin tone color of our boy character. 97. Coloring the eyebrows and eyes of boy character: Hello, My dearest friends. Going to work on the wrist of our character's face here. I want to work on his eyebrows and eyes with the color 376. I would just start coloring my eyebrows. I will color the eyebrows linearly. Obviously in the direction of their growth. Day would look like this. Now, we are actually moving on the lines which we've created with our pencil or black pencil for our primary sketch. If I'm not being clear. We would also work a little bit more on the ending part of our eyebrow because we don't want it to be too thin. Now. We are also going to use a little bit of our color 378 and will actually add it to our eyebrows. This way. Now I want to work on my character's eye, and I want to work around eyes with my black color so I can make it more attractive. And we would have way more contrast. In this way. Go around my eyes with my black color to make them stand out and become more attractive. I would also work on inside of the eyes and make them dark. I'll do exactly the same for his other eye. We would work on the lines around the eye and even inside of the eye. Then we can work on the darkness inside of the eye. Looking like this. Okay. Now, for the area for the dark area inside of my eye, because eyes are really small and just occupy a small place in volume. I'm just going to use my pencil. I can work on these parts which are so thin and finance small. This way it may look more clean. I would do the same for the other eye as well, you know, for the darkness inside of my eye. I would work like this. This is inside of his eye. And something that I should tell you about is that because my character's eyes are colored, I'm going to use a turquoise color on it, 361, to make them look as beautiful as they are. Beautiful colored eyes. Not black as usual. These are his eyes and eyebrows. I will make this upper eyelid a bit more dark hair to stand out more. 98. Coloring the nose and lips of boy: Hello, I love my dearest friends. We are continuing our work on our character. This time I want to work on my character's nose. I will work on his nose here. First, I want to work a little under nose bridge and then I would want to move on to the nostrils down lower parts of the nose. I would be working on that nose tip and also the nostrils. I will add some color over here to make it look like this. Then for inside of the nostrils, I will use the color 376 to make them dark. In this way. I will call R inside of the nostrils. Then also we would work a little on the nostrils, the line around industrials actually. I will work a little on the nose bridge as well. Now move on to my character's lips. And I would also add color for her lips. And I'm using the color 321 for that for my character's lips. This way. Then I place a beautiful smile forum. I will work on the lower lip. Just as you can see. In this way. C. Then obviously after that, I would work on the upper lip. I will add it to the whole mouth. Now. I will also use color 392. I will create a line between my lips with this color. I mean, I just go over it a little in this way. And I would also do the same for the lower lip. I will use my 321 color on my upper lip a little bit more. This is my character's lips. I actually, these are my character's lips. And another point is that I would want to work on this cheekbone a little bit more. I will add some more color to it. Because the smile that we've created over here would pop out a bit more. So I have to work on the cheekbones over here. Looking like this. Then also for inside of the ear, I will use my brown color. First of all. I will shape it. Then I will use the color 378 to color inside of it and let this way. Then. I would also create a shape inside of my ear. In this way. As you can see. This is lips, nose, and our characters ears. 99. Coloring hands and shirt of the boy: Hello, My dearest friends. We are going to continue our work on our character. As you can see, my character's shirt is wind, actually. In order for our white to pop out first, we're going to use little of our gray color on some parts and then we can create the design of our shirt. But before any of that, I want to color my skin on the arms because I wanted to be more clear. And during my work I would not go inside of the arms. Therefore, I'm using my basic his skin tone color on his arms which are crossover, and also his hands and fingers. All in this way. Then I'm going to use my color 330, as I said before. For this area. As you can see, I am adding the color. Then for the lower part of the hands, I will add some shading and shadows with the color 378. Well, for example, this area which this arm is going on there, it will have some shadow and shadings. Also the lower part of this arm would be the same. I will work on the fingers a little bit more. This way. Also. I will separate the borders of my hands from each other. These were the colors for the arms and hands. Now I will use the color 348 for my character's shirt. I start from around it and I move forward. Just as you can see. Then I would work on the slaves. Also. The other slave. This way. Well, as I said, I will go all around. My shirt. Would look like this. As you can see it here. Now. I would want to work on some parts later more. The parts which are a bit folded or wrinkled and basically they have some different volumes. I'm going to use my gray color on them. As you are watching. For example, here, I let alone the arm hole also has a suing line. The parts which are separating. Wherever our hand has some shading and some shadow on the clothes forever. The shared is in the inner part of the hand. We will use our gray color for all of these parts. Also, this part below the hands. Which have got some shadows on the shirt. Then I would also create these lines for my shirt. This way. I've done it. I want to work on the design on his shirt. I'll use the color 321. Create a design that I can see on his shirt. Therefore, I only want to create these red lines which are on the shirt. The logo in the middle of it. Easily do it this way. I will create these lines and then I will fit their sizes with each other and check them together. Actually. There is a point that when you want to create these kinds of lines, you should consider your fabric. And you should have to show the texture of your fabric. How we can do that. You can just create them in this way, especially where you're close to the hands. As some I mean, on one side it should be a little bit lower and on the other side, the lines should be a little above and higher. Just to show that fabric texture. And also when we are placing the beginning of the lines, we do not create them completely straight. We can show that our fabric and our shirt has a volume. Now on the shirt because it's white. I will go over it once with our white color. Although you cannot see any specific colors. But it just makes your colors soon become more cohesive for you. The gray colors that you've placed here can actually make them look way more cohesive. Just MEG, is it a good shine? I move around and inside of my shirt once with my white color. Now for showing our hand even more, I use my dark brown color for the sides and edges of my arms and hands in order to show them a bit more. And I'm using color 376, I want my hands to pop out more than this. Because if you can see our hands cannot be seen very well this way. They might not be clear, but when I use this around, it will pop out and you can easily spot them. I would also do the same For the other hand. And this other hand. Basically we do this for both arms and both hands. And even another thing that we can do is to also create a little bit of the fingernails, just little points of them. This was our character's shirt. 100. Coloring boy pants: Hello, My dearest friends. Usually we are continuing our work on these two huge characters. This time I want to create my characters pants. In order to do that. First, I will go all around my pants and make them black. I mean, I do a frame working with my black pencil. If you pay attention, it has a striped black design on it. So the only thing that we have to do here is to create the black line straps. Then the white lines will spontaneously show themselves. Therefore, I have to use my black color to do a framework for my pants. Later. I can work on it easily. As you can see. First, I'm moving on the survey pants. Just as this. Then I would bring the lines on my work again. Now I want to create those stripes designs on my pants, which are obviously horizontal. And you can see them. Now. You can see this side of my pants. I go up. Also, I do the same at the other end, the other corner because we want to show that our pants includes a volume and it's not flat. This is the most important thing that you should pay attention to and you should consider because these lines have been actually being wrapped around his legs. And if you do not do this, I mean, if you do not bring both sides of these lines up on the corners, on this sides. We are actually going to show them flat, which cannot be acceptable. As you can see also his body is a bit turned to this side. So this side should be upper and higher. Can see it better in the lower areas. I'm going to show it to easily. As I said before, we are going to actually create some curved lines in the area. I wanted to show them on Liam and bring it down a little on this side. And editor more above on the other site. But generally, it's not as straight as you can see. It looks like a smile. And also because our legs and our whole body is turned, we even give it a bit more angle. This way. Just like that, we work on the lines. Then we will create a design for our pants. These lower lines that I've just considered some more lines for my pants because it's been folded. We are actually going to show this folded area with this part. I mean, this area should be exactly the opposite shape of the things that we've been creating from the top to this point. This way we can show that our fabric has been rank L, then fold it down here. Now I will move on to the other leg of my character and I would also create deadlines for that. And again, I say because our work, I mean our body is turned. Just show it in this shape. So you should consider all of that where you want to start your colorings. Please be careful. These are the lines for the other leg. Then I will black inside of these lines between some of them. Used my black color here, but you can also use your dark blue for this area because look at your picture and can't see it's either one of them. You just have to choose the one that you're more comfortable with. Because I've created some loans over here. I should do the same on the left leg as well. I mean, actually it's his right leg but it's the left side from where we are looking at it. And also on this folded area, can't see a part of the lines. And you can't see the other part. For this area between depends and assured. You can also create assembly line from here to there. And it will be connected to our shirt. I wanted to color inside of my lines. And then the white parts which shall themselves. You'll see. Because most of our parts are dark and black, we consider this parts which are more as black colors. As you can see, this space between the two lines are very small. They're not very big. So I want to use my black color on the part which is bigger. I start from here with coloring. First, I'll color this area for you and then you would know how to do the rest of them. I think you got it. So wherever I have more volume and Morris space between the lines, I will color it. The parts which I've created. By creating my lines would be left uncolored as in white. Just continue this work until the end of the pants. And we will have our pants here. Just in some parts are lines actually have became so thin. I'm going to use my eraser to erase between some parts. So with that contrast between the black and white, I can actually show my work. And then I'll continue. I would also erase inside of this one. You can use hatches or you can just shade them. Linares. Especially on the parts which are going to be seen as white parts. We should actually darken around them on the top and on the bottom of them. Therefore, they can actually show themselves. I will go around aparts which have to be white. I mean, I will darken the dark pints and the dark lines more. And at the same time I also determined the lines, the borders actually of them. I would also darken this line in the middle of my pants. Then I will use all of these black colors. Then I would keep all of the white colors. The white lines are being kept and uncolored. And there you would have your black colors. Black lines actually be a little patient in this matter and you would not rush through it. They would not get mixed up with each other. This way. Even if you've moved on the white lines by mistake, you can easily and definitely erase them when your eraser. Then you can just divide these stripes from each other, divide these lines from each other. Obviously because the white lines are thinner, they might get some color inside of them. But as I always said, you can always use your eraser and fix them. Just looking like this. Okay. We have his pants completely. As this was the last black area. 101. Coloring boy's feet and shoes: Hello, love my dearest friends. We are here again with another tutorial session. Obviously. In this session, we are going to color our character's feet and shoes. See how it can be made. First of all, we should color a part of this skin on the feed, which can be seen. And then later we'll move on to our character's shoes. First of all, I started my work with my basic skin tone color. I will apply it on the skin here showing on his feet. Basically applied here. Then we'll use a little bit of our brown color because we want to have a more comprehensive color. So I'm using 387 as by brown color and 330, which is the base skin tone color for my skin, will use these colors as well as we did for our neck and our hands. Now, my character's shoes are dark blue. Therefore. I will work on it with the color 344. In this way. I will start from the corner of my work. Then. I'll get to the rest of it. Now. This lower part of my shoes are white. Therefore, I tried to keep that white color. Also I will later added with my white collar as well by white pencil. But I tried to keep it right now as well. So I color this top part of the shoe. Then. I will use the color 351 a little on top of it. In order to have a better color. Have a more mature color. Then I can even use a little bit of my black color here. I will add it a little. Therefore, my color would be darker a bit more than this. This way. Now, for the lower area, which is white, I'm going to use my eraser. I will erase this lower part of his shoe. Then I will create some distance between the colored area and a white area, dark blue area, and the white area between them, I will create a line, this space and distance. And then I will make it white as well. It would look like this. And I also bring my white color inside of it. Then I would create another line for showing this white part of my work even more. Now, I move on to the other shoe. Again. For the other shoe. I will call her this area which can be seen from the other side of the shoe. I come to this front part of the shoe, depart that you can see the most. I colored this top part of the shoe. Like this. We use different colours and several colors on our work in each part for our coloring generally. In order not to work with only one color because it looks just raw and, and not very professional. I'm going to use the color 321 for this red part, the shoe. I can just use my red color for it. Just as this. Then. I'll use the color 318. And I will move on my color once. Then from above my red color, I will bring a dark blue line and I will connect the front part of my shoe, the ending part of it, although I have a red color in the middle. Now come over here. And for the next steps, I'm going to use some more colors on top of them. For example, I'm going to use the color number 351 on my dark blue. Then obviously I would add my black color on top of them exactly as I did for the other shoe. Because I want the shoes to look similar to each other. Almost the same. Then for the line on the lower part of the shoe, below the shoe, I will create a distance between the dark blue and the ground with my dark black line. As I get to the ending part of my shoe, I'll connect it to the back of the shoe. And then I will use my white color in this space that I've created here. These are our character's shoes and feet. We can also go around all of our work once more to actually show off our shoes. And it's a bit more. Can see I'm just going around him. I will also do the same for the lower part. This is it. 102. Hair coloring on the left side of the girl: Hello, two alone, my dearest friends we are continue our work on our characterizing these picture. Now we want to work on our girl character. We're going to use our color 378 to start working on hair. Hair. Well, previously we have lightened our whole primary sketch. Why we were working on the other character in order for our hand for not to get it dirty and black. The other hand, it would be ready for. Now. I start from the hair. I'll start coloring it. I started from the upper corner of my head. The left part. Then I will move forward. And if you pay attention, we will do all the works from the AP and the corners. It has two points. In this way. If you start from the upper parts and the coroner's, your work will go on and move forward more orderly with much more ordering principles. And the second thing is that if you do it this way, the rest of that, your work would not get dirty or messy? I would do it for all parts most of the times. Now, I'm going to use the color 307, which is obviously a lighter color. I will color in-between my hair. So I'm going to use color 387 for the hair because generally for the hair, we will use different colors. Because the hair actually needs much more work in order for its colors to be more mature and cohesive. So we use different colors. It can have a good combination here. We work on the colors and on the hair in the direction that our hair is growing and styled. Now I'm going to use a color 376. As you can see, my characters has do friend colors in her hair. Some parts it's dark, some parts it's lighter. We actually use it in our own work. I would apply different colors on different parts of my hair, using a darker color for this part of my hair under contrary of what I've used in the previous part, which were light. And I would also use this scholar in the middle of some other parts of the hair in-between my hair wherever I can. Sometimes I can't even do it randomly. I'm going to use even darker colors like black. And I will use it in some parts. For example, the parts at the back of the head. Apart in this front area of the hair and the head. I will add some darker colors over here for our work to be more mature, to look more mature. Then we move to the lower areas a little bit colored them. Parts which are closer to the face because usually they have some shadows and shadings. They would look even darker. I would also add my light colors here. As you can see. Character's hair includes very different colors in it. We actually add dim layer by layer in our work. I'm going to use the color 383, which is our OK. color. This way. Then we will add lighter colors to our later. Now, for our part of the hair that comes toward our neck, we should use the darkest color. Because even as you can see it in the picture, in those areas we have darkest colors. The reason is that these are the back parts of the hair. Day also have some shadows and shading on them. We can also use these colors in this front part of the hair as well. Just like this. Then I will use it on the part which goes to the back of our arm and shoulder. Looking like this. Then I will also use a little of my black color on this area, as I said, to make it darker for this inner part of the hair. And just a touch between this front part of the hair. This way. Then for these lower parts, I will use some colors, especially in the part that's our hair has twisted. I will work on some parts darker and I will keep some other parts lighter. I will also bring some of the hair downward from this side. I should use my brand color and my yellow color. After that. Then we are just playing with our colors. We're juggling them in order for our hair to be shaped completely and it would look way more better and more mature and cohesive. This is for this part of my hair, this side of my hair. I would just add some more colors to this area. Also in here. We can have some more hair going on our back. I will add a combination of my dark colors and light colors for this area. In this way. 103. Hair coloring on the right side of the girl: Hello, My dearest friends. We're going to continue our work on our character's hair. I'll start from here, and I will color the rest of my hair. This way. I would also apply my colors on this side of the hair, the right side. First of all, I will move around all love my work. I mean, I'm actually doing your frame working for all the hair. Then I can apply my colors easier and more comfortably. Now I'm going to use the color 378. And I'm just applying my colors in the direction of my hair is growing. This way. I will continue my work. I will actually progress my work and improve it. This shape. I can also bring it along the left side as well. I'll move on it a little. In this way. I will just go in the direction that my hair is growing and a styled drop is lay here. We don't have that much time. But anyway, their dad I'm going to use a color 387. This way. Then. The parts where we moved once, we will go over them again. And then I'll use my light color 307 on some parts. And then I will use the color 376, some lines and so on. So we just create our darker colors in some areas in order to make some parts darker and keep some parts lighter. Just like this. This part. I can move on it even more than this. We work on different areas. Now. I will bring the rest of the hair down. Then. I will use the yellow color on my hair because obviously we also have some light colors in the hair. Then I will move between the lines with my darker colors. Just that little, not too much. This way. Then I will use the color 352, which is a gold color. I apply it over here a little. And also I will use it on this upper areas. Even in here, I will use this color a little inside of the hair. Now, I will move to the rest of the hair. Now. We will apply the colors in different parts, will actually combine them together. We will work on them. Therefore, if you don't have a special color, there is no problem. You can actually make other colors as replacements and alternatives for your work. Do not be afraid of changing the colors because it will actually ruin your work. I mean, if you get afraid to change your colors, it will ruin your work. But as you can see, I've used even more than four or five different colors on my hair to give them more mature and better. Now, under part which is near my neck, I will work darker. In this way. Then. I would move on. My face is line because our hair would not get just once with our face. I mean, I don't want my hair to be seen as a part of the face, so I would have to separate them with a separate line. I've added a bit of a black color on the hair, which is next to the neck. I would also color this area from the top to the bottom. I will move onto line which I've placed between the face and the hair. This way. I'll just continue coloring in the direction that my hair, it is growing. Of course, the style of the hair. I bring the colors all the way toward down. Then I can also use some other lighter colors on top of them. My hair would look mature and it would be more attractive and more harmonious. This way. Four different parts. We are going to use different colors to make our hair look beautiful yet similar to our picture. From this point, we come down and lead to a bit more with our dark color. As you can see, obviously, we can actually combine other colors into our own. We just move down like this. We will apply darkness and some parts on the lines. I will fork lightly and some other parts. As I said before, I work in some parts more lightly and some other parts more dark. You can actually apply your colors as you can see and as much more as you want until you get to color that you want. I mean, you can just combine these colors, place them on top of each other more and more until you get to color that you want. And even in some parts, I would apply dark color between my lines. To make my work looking better. I would also use gold color in-between them. Now, we are working on the dress wherever we felt like. We can actually emphasize on the colors a little bit more. Forever. It was needed. 104. Coloring the skin of girl: Hello, My dearest friends. We are going to continue our work on our character. Now, before I start, I want to erase the face a little. Therefore, if there is any darkness on, it would be erased. Work would not be dirty or messy. Therefore, if you felt like your work is a bit dark based on your hand or any extra colors you might have put on there. First, you should erase your face and then you should place your colors on your face. Then it started your work. Start my work with the color 370, which is obviously the base skin tone for my work. And I started from this left area, the upper lift site. I will place my color just like this. I started from the corners, from the edges and sides of the face. And I would apply my color. And I'd be very careful not to place any colors inside of my eye. I am very careful that I would not go inside of the eye. Well, because there should definitely keep the white color inside of the I. Later you would figure out that we have other special colors for the eye itself. As you can see, I'm not also going inside of the eyebrows because obviously, the eyebrow also contains its own special colors. We are only coloring the parts which are from skin that would cover her face without her eyes and eyebrows. We are only covering disk in parts. We would not go inside of the eyebrows and eyes again, I insist because it's very important, should not do that at all. Just like this. I would also apply around the mouth knots inside of the lips. I just go around the lips. But obviously, we will go over the nose because it has a skin on it. And as you can see, our skin tone color is a light one. Therefore, we should keep our skin light. I will use my pink color, my light brown for the size of the face. Then I will use the color 329 for the cheekbone area. This way. I would work on the cheekbones. Just as you can see. I would also do the same on the other side. We'd just moving back and forth. I will apply my color, this method going back and forth. Definitely we would not apply our colors all of a sudden and with a lot of head pressure because it will actually make our words look bad and not attractive. This will ruin your work actually. Therefore, we're just going back and forth. We will add our colors various slowly and smoothly, museum to a slow hand pressure. Then I will use the brand color 378 for the edges of my face. Therefore, I can show the shadow of the hair coming on the face. And add the same time. I want to show the contrast of colors between the hair and the face. I wanted to show it actually very smoothly. I want to show the contrast in transition. And I would also do the same for the other side of the face. Both left and right should be done. So I will use this color all around my face. But at least I love it. Not too much. For my characters forehead. I'll use little of my white color, therefore, I can actually get the skin tone color more cohesive and make it one into the face. Then again, I will use my skin tone color 330. I will imply it a little more. Beneath the eyebrows. I would apply just a little bit amount of color. Then. I'll do the same below the lips. This is the skin tone of our character. 105. Coloring the eyebrows and eyes of girl: Hello, my dear friends. We are going to continue our work on our character. Now. I want to work on my characters eyebrows. We'd call our 387. I'll move on the eyebrows. This way. This sketch dad vivo ready-made. Then I will bring some darker color on my work. I can even use the color 376 on the eyebrows. Make them pop out a little bit more than this. I'm going to use it a little for this upper part of the eyebrow. In this way. Now I want to create my character's eyes. I mean, I wanted to color them actually. I also use a bit of color 378 for my characters eyebrow. We've almost used all the colors that we've had for the hair, for the eyebrows as well. Now, for our character's eyes, I'm going to use black. Then I start creating, give it my colors. This way. I come over and I work on my eyes. Her eyes actually. I darken this upper line for the eyes a little bit darker. Then I add my characters eyelashes. Just like this. Also would also create some more of my lower eyelashes. And then I move on to create the inside of my eyes and work on them as well. My character's eyes are light. I mean, she doesn't have dark eyes. Then we would apply the darkness inside of it. And obviously we will add delight inside of the eye. This way. Now move on to create my characters. Other eye. I also work on it as well. Now I move on the upper lines of my islet. I apply her eyelashes, both the upper eyelid and the lower eyelid. Then for inside of the eye. I will move like this. Then I will create the light inside of the eye. And also the darkness inside of our pupil, which should look like this. Now, I want to create the color for my eye. If you look at her eyes, color is similar to our other characters. Color. I'm going to use color 361 because I said it's similar. It has actually light colors. I apply my colors here. Then I will erase the light inside of the eye. Therefore, I would not go over it. I mean, if I have created any color in there, I would erase it. 106. Coloring the nose and lips of girl: Hello to all, love my friends here we're going to continue our work on our character. First, I'm going to use my foundation color of my skin tone and place it on my nose. This is the base color. Just like this. I will work on denosumab letter and also to nostrils. Obviously after that. Just as this, I will darken the nostrils. Then I would also work on the sides of my nose. This way. I will also go up on the nose bridge. Then I would move on to my characters live. Now for that, I'm going to use different colors. First, I am going to use the car 392 for the line between my lips, in the middle of my lips. And then I'll use the color 327, this area, upper lip. Then I'm going to use the color 329. In this way. As you can see. Also, I would use ls, l of my color 321 this way. And I would also cover around my lips, my skin tone color. They would look like this. I will move on line between my lips with my colors again in order for it to show itself more and better. Dressed like this. Now, for the upper lip, would also use my colors in this way. Then for this part below my lower lip, I will use a little of my brown color number 376, very, very little of it. Just to give it a touch. Then again, I bring my skin tone color over it. Therefore, I don't want it to show itself too much. Just a little would be enough. This way. Then. I would also like to work on the neck a little and I will make it even a bit darker. The shadow of our face placing on the neck would be a bit more obvious. So this is the face of our character. 107. Coloring girl clothes: Hello, My dearest friends. We are back again. If they continue our work on our character. As you can see, our character is wearing also a dark dress. You can either use your dark blue or your black color. Exactly like the pens of our previous character. I want to use my black color and later on I will combine it with a little bit of my dark blue on top of it. Start working. Just one thing about my character I wanted to tell you is that I do not want to create the design on a hairdresser because it will take so much time and you might get even a little bit confused and you lose your main work. Therefore, I won't do it. First. I'll work on the edges of my sleeves. I would not lose it during my coloring. Then after we work on the arms and hands, it will show itself. I will also determine this area above this other hand in order not to go inside of it and not place any extra color in there. I start from this side of my work and I apply my colors. As you can see. It has a very, very small and detailed design on her dress. And that will take too much time from us. And actually we are not going to create it at all. We are easily going to eliminate them. I will apply my color like this part by part. Because if you want to do it all at once, you might actually work on the colors without enough patience. I would also use my color 344 here on my work. And I will add it to my previous color. Because when the work has two different colors, attractiveness of it would be way more. This way I will separate the edge of my sleeve and also the edges of my hair. Now I want to work on the inner part of my work. I mean, inner part of my dress. I start coloring it. This way. I'll move all around my hair on the sides. Even if you pay attention right now. There is a part here between the hair where you can see the fabric of her dress. Therefore, I would apply it. In order not to leave it white. You should keep the direction in your coloring. I mean, from the beginning, if you choose one direction for coloring your whole dress, do not change it. Again right now for some while I've separated the hand and arm area that I'm coloring the dress, I would not go inside of the hand. My mistake. First I came here and I have determined the line for my hands. Now, I would want to use my dark blue on top of my black color as well as I did for my sleeve. Then we did combination of these two colors. Work, even becomes more attractive. Again, as you can see, I'm working on my dress part by part knows all at once. In this way. Will work on the size of my work. The edges. Then I will determine the part where my dress is separated from my hair. Therefore, we can have that beautiful contrast in our work. Now we can either color the hands or we can continue working on our dress. I choose to continue work on the dress. And then later I will move on the hands and the body. Just like this. I start from the corners and the size of my dress and I come down. I would also do it from the other side as well. I start from this corner for applying my colors. I will come down. I would apply the colors from both sides. And again, as I did for the top part of the dress, on the bottom part, I would also just separate the hand area from the address with the line. I would not go inside of the hand. I would not call her there. I can start from one side, come down all the way. As you can see. I will do my job easier this way. I come from the top to the bottom of my dress all cohesively, all in the same direction. I would move from the top to the bottom. This way. I will come down. We will work on the edges of the hand. In this way. Therefore, there won't be any space between the hand and address, any whitespace because we don't want that. Just move around. Skirt. Then we come down. Now for the edge of our scared, I would also apply my color. I will complete my lines this way. Then. I would add my dark blue all over it. We will move with our dark blue in the same direction and with the same movement as we did for our black color. From the top to the bottom. Just try to create it. In this way. Then we will erase the hands in. If we have created any lines by mistake inside of our hand, work would not get messy. Then we would work on the edges of our dress a little bit more. Just like this. We will add some more colors. I would add more dark blue to my dress to make its color look better. This is it. This is the address of our girl character. 108. Coloring the hands and feet of girl: Hello, My dearest friends. We are going to continue our work on our character. This time. I want to work on her hands, arms, and legs. First of all, because I don't want the color of virus to come inside of my arms. I will use my eraser on the edges of the hands and arms to make sure then I will start coloring. First of all, we should consider that this arm is in the front of the work. I mean, It's on the top and the other hand is on there. My work. First I will determine this hand. I'll create the fingers. Then we can move on to coloring. This way. These are her fingers. Then I start this arm from this corner point for you to show the fingers and the hands better is that if you use a little of your brown color, then I work on the edges of my fingers all in this way. Obviously because I wanted to show the difference between the fingers and also fingers will actually place a shadow on the skin underneath them. Therefore, with this, we can also show that shadow. Now, I'll continue my coloring. As you can see. We do not move on to creates so many details on the fingers or hands and we just have a general sketch because in this size we cannot get into the details so much. The only thing that we do is to determine the placement of the fingernails also in here on the fingers. Just a little. Just to show their placement. We don't want to create them all the way along. As we are using our brown color. This would be it. Now, after I've placed my skin tone color, I will color these lower parts of the hands and arms a little. I'm using a bit more darker color so I can show the shadow of our hand here. Also on this area. Hands are actually crossing over each other. Just as this. These are my character's hands now I want to work on her legs. Again. First of all, I use my eraser and go over my work in order not to make the work dirty or messy. Before I start it. Then I would apply my skin tone color on the legs. This way. I would also color the legs. Would apply basic skin tone color. And then I can move on to the other leg as well. I want both of my legs to be colored in the color of his skin. Then I would also cover the other area. Now, I'm going to use the color 378, a little on edges of my legs exactly as I did for the edges of my arms. Because this actually makes my legs to be seen batter Justin this way. Then I would also use this color, the edges of it more. I just do it for both legs. And also I will create a bit of the shadow of the dress on the legs because obviously it has a shadow. And also I'm going to use the color 387 a little. Both 40 arms and for the legs. Just to make sure I have all the correct colors. Good colors actually. This is it. 109. Girl shoes coloring: Hello, My dearest friends. We are continuing our work on our character together. And this time you want to work on our character's shoes. We're going to start. First of all, I'm going to use the color 396. And I will go all around my work in this way. Then We will move on to the colors. Just go around it. I do a framework for the shoes. And the other would look like this. I will go over the lines a little and make the colors to pop out more. Now, for the top part of my shoes, because it's white, I will apply very light layer of lemon color on it in order to show the colors better. I'm going to use the color 304. I will use a little of it. So I apply this color on my work very lightly. Just to have some background on foundation color on our, therefore, we can move on it better. Now, as you can see, it also has a red line around the shoes that I will just add it this way. Also. The other pair of the shoe. I will add this red line. Now, for the other line which is black, I will start a little bit lower from my red line and I will create my black line. Just as you can see it. Then I'll do the same for the other pair of my shoe. Would also want to add the black line. Because I also want to use my 348 color to show this bottom line. For the bottom of my shoe. I'll create another color for the bottom of my shoe so you can see it as well with my gray color. Now, for the edges, for the outer edges of the shoes, actually, I will apply a little bit of darkness. This area which my feet as actually going into the shoe. So I should darken this area a little. Then I'll get some help from my brown color and then later I will add some black to it. It would look like this. This is it. Now, for my shoe laces, I'm going to use the gray color 3484. Actually these around parts for the shoe laces, the holds for my shoelaces. Then. For the lower part of each one, I will use my black color. I mean, I've created my holes for my shoelaces and now I'm using my black color to create some lines just below them in order for them to show themselves. I want to create my shoelaces, but I'm just doing them in a straight way. I'm not creating them in this crosses that you can see in the original picture because I don't want my work to get to BZ. I want it to be more simple. Therefore, I create my shoelaces just a straight up ahead. Then. I would also use a black color, a black line actually, I'll create a black line beneath all these shoe laces in order for them to show. Then I will use my gray color. This white part on the top of our shoe, top and tip also. This way. I should also emphasize on the holes of my shoe laces. And let's add a bit more than this. Then. For this minute part of my shoe, I will also use some gray color. So it would look like this. Then. With my black color. I will show them even a little more. These are our shoes for our girl character. I can also work on the legs and feet, LSL, and the part that it's going inside of the shoe. I can also use some pink color on my legs. In order to make the colors look better. I will also use some white color. Actually add some white color in these areas because she's got a very lightest skin. I can also bring my white color on my shoes to make them more white and to get them better. We will move on the shoe laces once more. Then again. I will use my black and being nice and below my shoe laces lines, the lower lines of the shoe laces of each shoe lace. These are the shoes for our character. And I can also work on this area a little bit more. On my character is scared. Just part of her dress. Just to make it look better and more templates. Just as this.