Guitar Lessons Beginner to Pro Part 1

1. Introduction to the Full Guitar Course: welcome to begin your free more, and this is my guitar course. You get to throw taken from my method. They need to be following this for this course. I over years of experience playing, teaching in your opposition Canada Europe, A plane well around in groups, policy studying far and my experience studying, trying to find ways speed up the process of staying from the classical that in that situation that split this way, we're modern guitar course leaves, pick and fingers first pic fingers, wolf pick and fingers together acoustic electric guitar so he'll be willing to play the guitar and you decided to play my style. You want to play? We'll be doing different. Size will be Woody's Latin America. A lot of different things will be doing the old has. It was from the beginning to the end, beginning to broke it. Our horse and you'll be learning how playing and playing whatever you like. This is a little learning how to read use, like many other teachers do with Taps Way will also combined with notes. Not at the beginning. That it was going to zoom is learning how to play well reading music so you read music playing. Either way, it's the same thing. Okay, so this is basically the introduction to that Will have small little segments of the first lesson broken down, and the same thing will do with second lesson. This is every we are publishing on our lesson, broken down into small bits of 10 so we could review each thing during the lesson on You could just take that little bit their study table. The next one. Some lessons will be You could just jump from one to the other right away. The first part will be a small reason direction being music living up to its are I got before that would be using it. Argument any. I will show you a little bit. From there. We'll start off with the lessons you speak, Fingers said. It's so just start following me here is full of lessons. You really shouldn't Therefore, thank you all that you 2. Lesson 1a - Parts of the Guitar and Tuning : Let's start off with the first part or less. Let's look at the guitar. They have what it ISS is. Our body isn't acoustic guitar. Okay, well, look at the electrical firm when it's the right more right now, isn't acoustic guitar. This is the body. Okay, we have a bridge here. This would Here's our bridge. And this piece of plastic here is a saddle. Sometimes plastics up. I have read the best, and this is the saddle with strings were saddled onto Okay, these are the pain in the stream pegs, asshole. These facts Old springs to the guitars. There we have our neck. Okay, Our next. Which is the fingerboard? Okay. Fingerboard or the fretboard friend port? Because these little Liza is he going down here? Metalized frets our fingers will be pressure on the strings. Okay. To produce a sound way Want to do we want to produce sounds that play songs played its are these Friess will be the indication of Wales Noticeable We found ourselves We'll get into that when we start reading music next next video. Okay, This video's gonna be reviewed a little bit of the guitar on to me part of its are also now . As I said, that was friends reportedly. So these 20 bags and this is the head socks off. This part here is stock to keep pace with these. Okay, if there's something for us, have a big car here by my car. Two in paints could be also called G's to machines. Two heads a lot of names for that's a pistol briefing on the guitar. The sound hole here. Obviously, when I strike rate, that's that sound hole there produces this volume that comes out so my would amplify civil . Just get into the tour. We have six strings here, which accounted from the bottom to the top. 1st 2nd 3rd 4th 5th 6th Now each string is tooled to a note. We have seven notes A B, C, D E f g, and each string has its own doing. Okay, now I'm gonna flash in front of you Page one. Where says between method now what I want to do always haven't done it. Take a screenshot of that and bring it up for yourself now to method. I do prefer it. Used a guitar in the beginning because it's hard right away to live, they hear the sounds. But if you don't have a way to indicate how this street is supposed to sound, that's what I get charged for. What you could do is to the guitar to itself. And to do that we're just gonna play six string, which is an e string. OK, I want to know my fifth string to my six drinks. What I did. You have to find the same notes. Now that note is found on the fifth fret of the six string. So here, and we'll play that on a plane. The history gold. So if they sound the same, that needs area to to each other or not. I have to go into the two pegs to do that. No. So this is how God with two faces to with three days, this is six is right here in the top. 543 two and one. You're starting off the year 654321 These are your Twinkies. This is six during the fifth straight Forestry. Okay, 3rd 2nd and first Street. I said we're gonna be tooling. See that you have an instrument of the apple zone or deficit a za four thing is your note that in the case of 16 so we're between all the strings to the sixth string. OK, so play the string Once I get my fifth string, which is a A that saved no is found on the sixth straight on the fifth fret so position and that friend usually is signed with thoughts. So some of you guys have 3579 and 12 signs That wolf is a double gone. Okay, something started. Five star started three. Okay, on the fifth fret where that thought is your account of France and council spaces. Five. You press the stop here plain. You gonna play the open street until I get the same sound. So what I did, I lowered it. And then I raised it. So I wanted to make it. Obviously not the same. No. Then I raised. So you see what? I lowered it. I did. This turned it with toward means I was lord to raise it. I'm charging the key towards that way. So kill with my thumb on the back of my next front. You don't have to put that as long as you know the direction to terminate. You'll hear when you're raising. Now what? That Put these two strings together and do my four string to my fifth straight. So we just do the business. I went to the four straight lord, forcing play the history. And even here, the fourth thing is a deep and that saved no is found on the fifth string. Fifth fret Get the same knows when I have the same nose proceed to the next train. My next three is the third straight right. That's a G string. The G on the fourth string is found on the fifth fret of four straight. Okay, now I'm gonna proceed to my second string, which is a beano. The B is found on the Thursday fourth fret once those attuned and proceeded to meet for a straight, which is an eight e is found on the second string froth. Remember, you're turning the contract itself, not having a standard to me. That's why I prefer the beginning that my students always have a guitar tuner with them in the case. This string and you could go into this with the guitar tour. So remember here at the top were raising that way. And when I keep my thumb on the back of Lucky like this So I'm right. Lower it When I turned towards me and I'm raising it when I turn towards that way on the bottom. Strange. My thumb is like this. So when I'm going out wearing, I'm raising that raised you. And when I'm turning towards me, I'm Laurie. So but remember, I want you to, uh, to get a good talk to him. It will be better for now. Okay, We'll go to the next value. 3. Lesson 1b - How to Read Music and Play : again. This is, uh, music. So here it comes face to okay. Once you take the screenshot of page to what you have to do, we're gonna start looking at what music is. So there's a brief explanation. Their music is the art of of the artifice sound expressed by soul. Okay, that's what music it's the art of. Some expressed by this sounds were written forms knows called C d E f g a and B or do any fuss. So last season, C d E f g a B is the same as door and me fossil last C or t somebody si se t I say see that this is the original name that was given was given see and read the original OK, somehow in America got changed, but anyway, doesn't matter. What's important is no, but we will be using a B C D e f g has systems. See and door are the same things. The and D are the same thing. The same nose is a different way calling. Okay, Now, um what here? What we could be was explaining what you see here. The music is written on a staff that's called the pentagram. It's a five No. Five lines and four space staff. Where okay, we put these thoughts on with these stands up, sometimes with the same without the value of the most seconds that is getting know that we're supposed to play at the beginning of the pentagram. Going to see this sort of looked like almost like a dollar sign, right? It's called a treble clef or the chief left, because it indicates that the second line from the bottom is G. So we are Medical SG and we're always going in order from space line line space lines, baseline space. So my next note up right after so going upwards being a next one after that will be a B and we'll have a seat and we'll have a D will have a E, and the line on the top is in half. If it's that I go back from the G, that's a second line underneath that will have a F underneath that will have a E. We can extend music with adding on spaces and lines on the top of the bus. They're called ledger lines. OK, so all we're doing is extended the pentagram so No, this is always because no to you instead of saying this is an E, this is the office was a difference. This is a load a little bit, right? This is another A And this higher. They all vibrate at a certain amount. Okay, But this one and this one higher one virus twice as much as this on this one might risk twice as much as this 14 times as much of this one. But the vibration is always that same. That same sound. That's what we want to indicate when we have notes. So the height of the north is indicated the higher than with notes Gold higher. No is on on the instrument, OK, lower than because of lower than it is on the instrument. There's an easy trick to remember the five lines in the four spaces we used to be when I was small, they taught us lines e g b d f with a little right with a little word play. Every good boy deserves much okay And space is spelled out the word face and they see diesel to remember those notes. It was easy. Is that the Remember everybody whether this one for the for the lions and F a c e from spaces. No, this is the music where they're found on the guitar. We'll get to that briefing Next. Video music is written inside these little bars. Like the status of the pentagram is divided into space is right. At least basic old bars were measures at the beginning of the first bar. We have a fraction a number of a fraction. That is the time signature now 4/4 isn't Tom is a common time signature. That 44 comments indicated with seat. Let's see, there will be a common time. Which four force? What is that it needs? That's how big that measures of most of these four value of notes inside. I know that right below that on that patient, you just print it out for yourself. You'll find the value of the G whole knows that half of all those four fours you could put one. Yeah, fireworks. We're like we have 1/2 note, which is to fourth quarter now, which is 1/4 and eighth owners. When a 60 mil is 1 16 What does that mean inside that space of four force, except that you have 30 seconds on the 64th 1 28 But I always inside that space that we've divided the pentagram and we could put a total. We have to put it all four force, so I can put one home note for two outs for 4/4 notes or eight else etcetera, etcetera, or I mixed them up. A slot is the total value in that space is for four. So that fraction that you find in front indicates that sick all the time signature. And it indicates the amount of value that's supposed to be a side of the bar. Okay, Very easy, very simple. 4. Lesson 1c - The 6 Strings : Okay, now that stay for your pastry You're having you like this. Probably like this. We'll see your 63 And the first rages on Always knows already. There, each friend is has its No, there The Oval Street is written Beginnings office during easel six threes. The first will be What is she? Single? That looks like Okay. At a simple losing. A little bit weird. Be small, right? They told a sharp slide on the small vehicle flats. We have a full 12 sounds. Yeah, these 12 sounds Okay. I'm not obligated by different names. We still have our seven nose in the evenings Were just adding on a sharp or flat. Was that me? That article sounds are 12 half tolls. So every time I go crazy years, I am raising the sound. Okay, The knows that don't have with single name like F or G C right there. 60 at the second fret. This one here can be cold Shar orgy flat So f sharp. Easy. F is raised g flat. Me Ziggy is Lord OK? That's basically why that moved there as two days. So another name and make it very complex. Is meeting on the pentagram. It's easy. Seven bells way Want into it that our sound f raised half or the gene or we'll just use it will just right in front of before the most on the same space from the sea lion shops World last You're right, the whole right next, who also taken next to the troubled laughed. The sound will have that no operated from polls. Also all right, next to travel on this line space and that that is that these were just small bits and pieces and giving you right now just make you understand we're going to start off with six things, right? Miss Energy is the big indication with two fingers stopping and next the index were falling . Point the song before only white usar direction down Picking, Pushing some showers up fishing in its upwards. Okay. And those arrows in the down arrow there are symbols we will encounter in the future for the same movement is the violence that are commonly used Also those also so way How do I navigate where no pens around is on our so that was 500 Got nothing to do with six strings . It's got to do with the guitar. That's music, everybody. Anybody that uses Reese musicals, Where do you find how you indicate that you? We indicate that you might put it. A survey of a number is that of a circle underneath the boat that indicates the string that you play and then a number underneath. That's that way, indicating the finger that you won't use you. We always work in positions. It's ours. Our position. He's always established where my first finger is that my first drink is on the first Friday , I first position in Constant lies. The second finger will be on the second fret there figure will come in third and fourth before, If I move my fifth position, that means my first figures is on the fifth. France 63 position. Six thing I never worked. Position six train. Do you understand that? Your friend, First maker and impossible eyes of that. That second finger, all 606 French roll strength. Third covered seven. Front end Afford for covering a friend. All right, I was first positions was very easy, friend. Fingers are our saves. First, Fred is the same thing, right? But you remember that that is a finger and remind these things. So there is a classic example of e stream over on that after a string first bush right next to our little still Nothing that's over France. Push with my finger forward. My father will not say like this will be my finger straight like this. A lot of strain. Now flash in front of you are first part of the lesson our six strings. So you a page number for the six strings. So your sixth grade and underneath. Um, I told you the first string is indicated inside school number. Underneath that is the friends zero weight gain strength. One will be the first finger threats as we're in first position. Okay, now here. 16 open way have to do with learning. Knows what we're playing exercise. So the end of extra wants me to play it four times each straight. - Stay still. My fingers My next movie, My arm upward through this are are on that over here on this side of my arm of company. Oh, yeah. If you're not raising risk, your reason your arm this way. He's a smooth for space so that they're all quarter also What was four noses before four bar. I played them and every the most myself. That's how you study notes. First way. Why plane that's left and exercise. There was. These are look like this. Have your stuff here, Right. I have members for Friesz. Draw national first restaurant. I always all four fingers. One on each. Fresh fruit string first fret about 62nd friend. Second figure figures, friend. Fourth before friend is exercise Disease. Played it right. Move my first finger down. Okay. Are you okay? And then the sand for your next thing. So this is the face that we're gonna go to the fourth to the third. Not this. Obviously. Slowly. First for your fingers. I didn't. I came down with the company's your fingers. In the direction of this were 4321 432143214321432 One is in next to his middle three. His ring for is big 432 And we will use that appear Antique sound way. Something next video. Do you think you could take a great do this over and over 5. Lesson 1d- The First 3 String Notes Twinkle Twinkle : So we've gone for a big and exercise left most on the guitar. So as we said, a number inside the circle indicates the string and a number below that. In the case of the friends, those are finger the finger in front, are the same, have in first position. So that's going to the same thing Finger and France in this case. In reality, I just think it's OK. So front, we're gonna be first string studies workout. First thing we have three goals. First finger here first friend and she was a finger on the third. Fret So e f and G always play for time even here. Play g alternating. You're up. So why you're playing? You're reading It's yourself 01301 Free right e g. That's it. Just like race My first finger when I went to my third finger. There's a rule standard. We have two or more notes on the same string. We do not raise our fingers until we change straight position. Okay? Only when we change the strength of the position we raised fingers. Okay, So this is the group of this object to move his men as minimus possible. Next is a second straight beastly. Really, There is no B, which is 1/3 line. No have seen, which is space and D, which is the fourth line. I'm talking about the music now, but it's our 13 So we see way. Okay. Now flash in front of the next page. Okay, so once you copy that screen printed it. Uh, we're gonna be on the third string. Now they're doing G street, which is the third straight again. Four times the snows of G is mystical. But second finger, second friend, I have a B for Figure Day, G g k g. Four. While you're looking at the polls and you're reading to yourselves, that will really remember, don't jump the steps of looking at those 23 Let's read them while you're playing. Now the be here in this exercise here is the same as this way that before the two tickets are it's the same. No. So what did they use at the pets? The sound that you want is the color changes a bit, you know, They say, you know, this is the sound is the color of the no is different like you hear this? Sax and guitar plays the same two statements. One is a sax are because they have a different color. Okay, no, Our next step is to play a simple a simple mama. Phonic Melody modified is a but yeah, I know Mellie play single. Single is that way. So we're not putting any other notes because I could play like, this year Way play. Simply all you have to do is read the number inside the circle that is a string and read the gravity that in the case, the favorite that will beauty, which corresponds to the French. See that we're playing in first position. So Finger and Fred are the same thing in first position. So it's easier and you have the names of the girls on top of you Could start by G de he de there are d We have 1/2 notes. So we count into this g d. What I do is when you play that a little bit, it's topping 44. I was counting 12 3/4. Your foot is counting the quarter of the value and up here reflects 234 is counting for so will you be doing? G d the d d d d d d had the whole down, up, down, up to to where your foot will recounting for quarterfinals and in constant listed the value a little to be dividing that within also each no support Don't accept the apples. Find there. So you have to come there. When? Once you've learned the ghost a little bit you start talking for 1234 for 234 So your first counting for and you're trying to put together take a little time to do that. But that is a good exercise to practise rhythm. Okay, so that's how you being into 6. Lesson 1e - The Chords G, E , C, D7 : get on to the next part of the course. Wait, courts and effect. That's what we're beauty, Of course, all these small saying That's a lesson. I really just want lessons together, one on one hour lesson put together and small saying What's in this course? So you have your diagram here. The guitar like this will be looking at a diagram of this. Okay, you're looking at its. Are you looking at France? You're looking at the strings. Okay, that's the way you have that there. So lies went down Are the strings and the spaces of Fres. OK, we have 1234 frets. Now there's an example. There you have two dogs with two fingers, and underneath are the finger rings that you abuse. So let's leave that example there. The six train going down. There's a number zero meters less playing. This thing is late, but its moment and if there's an axe, there means that will not be played. If this is really it's open to your planet. All the fifth string going down On the second fret. You're gonna have a thought there. That's your figure, and the figure is right down to the bottom of that picture. There seem to be your second finger. Then on the fourth string again on the second fret another dogs. That's maybe 1/3 1 right under each other. Everything else is zero. That's a play. Of course, if you read the court charge. Okay. Now flash on the front. Page six. Here we go with because we have four cores with your G major E minor C major and he's not. You see the syllabus? Squish those, Uh uh because it didn't take up the whole paper Suspicion a little bit more information on that base there. So the diagrams a little more square than usual, but it's still for Fres. Okay, Still six strings. You have names, of course. With three times scores of my major court, which has no just the letter without anything in front of that means. It's a major work. It's got a minus sign in front after it means it's a my report, and it's got number seven and sort of sad import. So we call it G Major to, say, major minor C major D 74 course together with four course, starting with G major chord on the six string third fret. We're gonna put our second finger on the fifth string. Second fret would put our first saver then on the first train for Frank with our third finger, just hours four times after that. Now move on to the E Meyer court. Yeah, Instead of using the 23 that we learned before, use another fingering, fingering are off. They're not some course we could move, use different things We're playing that in. This is here. It's easier. Just raise these two fingers, Keep my first finger where it is on the fifth string. Second fret and bring my third finger to four straight second front And that's not much G Raise our fingers and bring the third finger to the second friend of forced 60 place our figure on the first wave I just way moving to see Major. Once again, we're gonna have one notices. Balance is gonna keep us balanced. There's gonna stay, Remain where it is on this time is your third figures remain on the fourth string. Second fret bring our third figures fish straight off the save their friend and our first finger of the second string The first way. Now our necks is the thesis. Of course, the G seven for Rick of the Brain are the our first finger on the second string. Word is would have bring down our second fingers of the third frame. 1st 2nd and third figure to the first streak. Second friend. First on. And then finally, the one Jesus back G. So whatever it was slide forward. Four. So it's led forward by 36. I didn't raise it, and I raised those first or second finger to the side of the 63rd friend on the first to the fifth straight first. So your brightest reports at the time and then in the hospital. Three. Exercise below. You have course right, and they have these lines going down, which is just a rhythm, but it that indicates even the four in this case here. So it's four lines, so we'll be ready. The rhythm was also seeing exactly knows what you're after. What's the borders? Understand that you're playing the court four times at the beginning, you'll see this trouble class. There's a sharp sign written on the F last line about that. Is that all after sharps? Okay, so any I find inside the court will be sharp. 44 time signature that we have these five bar line with little bar line and through the sensor, that's an indication of a repeat sign. OK, what does that mean? That when I get to the first repeat side of the back end of the exercise will see there's another sign there. I just go back to that piece. I don't do it all over again. Now, if there's only 11 at the end, it means that in the beginning, that s I bars. He's far to see another repeat sign that indicates that you're repeating the same thing that's written in the first part. So the first point have 4/4 finals, so you play for quarrels. You're also same thing here talking for 1234 way four, which is written also for my whole for displaying 1234 Study that after. But first I want in this time. Of course. Time from G t e from A to Z from season seven from the G back and forth from export repeating e j g e g e g e g e C c. Once that is over with, you could try. Okay, we'll see 7. 2A Rhythm Value Exercise : Oh, well, back to this is lesson number for lessons Day A six. You have already I already uploaded. Flash Also nexus right now on days we will see some rhythm divisions. Okay, so what I have I have four time signature. We have 43 lines going now. Those straight lines before Kate Cornell's some people, right with underneath it. Also ready with the line. Okay, so you always correct. So four straight for Cornell's that have eight. Why's your old four are joined together? This is the foot of the top separately. A pills. We have 60 meals 32nd and 64th. Okay, so that means that in one more before organelles 8 16 60 else thirties for the second. My tool is this will force now. This exercise is regarding rhythm plane. So simple. You major, who is happy for counting four. So help me up. Here's 1234 everywhere play the 1st 1 The 2nd 1 This Everyone will thank you for a room with 64 finals. This is the together for the first tools I can't for one. Free for So do I ate before. So now 60 miles, Four goals in what I eat. The 32nd eat in what would be counted this way. Using these little number three letters. The 1st 3434 I had three second year olds. These are all separate, mixed together to create rhythms. I was part of this last, okay? 8. 2B Rhythm Exercises : Okay, that last number two party page seven for you. As you see a basis for Senator Two things. There is the course for stand by me as a simple with them playing there. Okay. And we have really exercise. We're going to start with the rhythm exercise first before we understand that. Well, in the next part Yeah. So let's start off with you. Have a serious of 10 rhythms. Okay? With quarterfinals, Naples will be counted. 1234 I'm gonna play the 1st 2 for you. 123 It was a slight difference from June 1st Cygnus, the therapies in a second bar exercise we had before the next we're gonna start are able on the second beat for three. For now, it was number four on this. Free for four. Number five on our way. So I had you as if I play, not strengthen continuing the movement with my wrist. My wrist is actually be inviting knows never stop that movement is the way to help. Maybe you never saw your risk. Okay, they do movements off the division of the notes. Okay, Resist number status 34 Number 8124 for you to do it over and over. You just simple common used you listen to songs I lost My right has always playing the strings are not always dividing with my right hand Not a good thing to do it Once you study a little bit of really start with scores just g just big one with number aids Well, G and E minor. So three try scores also track with the whole with the old core progression that we've learned in the last lesson. So last lesson court progression Waas the Gene minor seen aided and the savages over with that strike number eight again. So I tried on this tried number. You said that would be yours. We'll see you. 9. 2C Stand by Me Chords and Rhythm : Okay. Next part is learning place. We have our four cores that will raider G major minor C major D seven g. Oh, just a reminder for those of you that I fast he's on the video. But if you go onto the projects sections of this lesson, it's a broken system first. Well, I will be added lessons every week. There isn't our book. If we get for us palatable directly and for yourselves that fall with direct with Screenshots, I will flash off anyway. Um, way have four awards now. You think close. Look, we're four fours here. This should be a sharp sign there getting next to the left because we're in a teenager. Um What iss Also, what you have to do here is we have two wars of G two bars of a minor, one bar, see one barley said that two boys g again. We'll start at the beginning with Mars. Venus, when you finish with, will start all over. I put a simple rhythm and we can make together just for that. The 1st 1 is just easy. If you go on the pace and rhythm before reason number four just doing now then from there way finished with bars. A G. We started with you not cut off? No, it's always like that from beginning to end. Just hand it out for you. It's just to give you a little bit. Yeah, is just a sample. Make what is very, very important here. Okay, that way. Way This here I will in the future. Show you Wait. I am brains. How I played way have to get our flashing up Some written far as he could fall it along with with C He gave his life We'll see you in the next lesson. 10. 2D Twinkle Twinkle Chords and Rhythm : My next lesson here is regarding the rhythm with and file artist less number to end up with Really loves forecourt. Okay, Now what you see there is a hungry for you here. Our 60 miles. 8000. I hear you. You have a little bit different. Kind four has differently. Four. Now my nose becomes my whole being right. My 60 is double this case here. We're still down before your hands, inviting a signals as Steven Miles. You're safe quarters for now. Well, this is happening. Your foot with this. Down, down, down, down With our words And your foot Is this happier now? Down, down, down, down Down Down your foot Down, down, down, down You know you take gorgeous cores four, 34 as the cores exercise. Jeez, Now let's just settle that separately. This song playing Do it again. But this time I'll read, of course, for your soldiers off 34 with you. - The records inside of war. 1/2 of the other order way. Just there. Okay, Just one flat or there they have. It s And this is a nice for the alert will be used frequently. So it's nice this particular will be using That's abusing for learn. Really? Well, have a song. Well, um we'll see that 11. 2E C Major Chord Progression C , Amin , Dmin , G7 : Okay. Final part of the lesson today is the C major chord progression. So once again, page number eight, the bottom of the agency. Three pictures of new cores. But the exercise contains four course. See danger. A minor seven. Is he ready? That already learned that. You should know that Ready again. Here was playing. He scored four times. Okay. Repeated twice. And with the C major course. That's what Your exercises. The other girl's a minor minor and G seven. So first learned, C Major, what we're gonna do is go away with the third finger. We're bringing on the second. Fret off. What? This forever with this. That in France Off Now, our next a minor there. Come down once with all three fingers. These drops of spring on the third funeral back to this froth. Okay, now the minor. So our first finger remains where it is. Raise these two figures just a second and the third will 63 The final is from Giza to see. So drop these finished second. And instead of the first singles first singles way tries. Yeah, exercise for C way. Wait sequel Second, But that's the latest sensible exercise is what we're not. This court progression is called 16 to 5. That's the position, of course, on this major scale C major scale, and these scores are positioned on the want 1st 6 See Nature's on the first game, miners on six de miners on second and Jesus. This you see, the G A sixties is 25 Read the scale up. That's with course. Fall is called 16 to 5. A lot of jazz players, right? Using your core progressive right before this way. First majors in minor Roman numbers. Right way. That's what this is you got to this point right now is great. Have a great weekend. 12. 3A The 4th, 5th and 6th Strings : you know, back to our third lesson Right now we're working on page of B two b Method flash up music for patient right now, but the same one you like, go to the project section of this class. There's the whole book and pdf or download Download and print it for yourself with Have it your way. If all this now, this page nine would have three strings the four straight with this drink and sister ready That first was that. Now, this visit will be our first section. All six strings and notes. Natural goals in the 1st 6 so are forced. Thing is, the G string would with four times. And then we're play E which your second figure, which is the second friend also, and F, which is 1/3 friend. Okay, so third figure 30 friends. Okay. Remember the numbers inside the circle in the giga strain. The numbers underneath those indicate fingers in first position fingers and press the same position. OK, so d i e raising my second finger on that. So when we have two notes on the same string, a saddening, we do not raise your fingers So that now the fifth strain, which is the A stranger came second finger second friend of history and see third finger friend A four guys I see. And remember Alternate your pick. This is the six. Train is eastern. It's like the 1st 1 is using. Also, this is only topped lower. Okay, drop those Lorries from eat tete e So two times lower. But it's still in the stage. So you know. OK, so happy was assisting Open first finger on the first round is in half and the third finger on the third friend is a g so played for Okay. Whoa to the next video. Just be patient. 13. 3B From C of the 5th String to G of the 1st Lesson : no sign here. Here we have the bottom from see other fifth Strange just G of the first rate. So we're playing almost over those that we've learned all together now and creating almost a c major scale. It's not a complete scale yet, but they were almost okay. So we'll start off with ease just right, Right? Right over those four c is this thing Finger Dio Everything. Remember your also your picks. So which is the fourth string? Second finger? Four straight friends G through street open. Okay, first string, second fret second finger. Be straight. It is strange. First finger for us, Right, Second straight third finger, friend e bursting open. Yeah. First staying First thing of threat on G for straining third finger friend going back after first strangled a finger that e first re open a second straight third fret finger ok is satisfying. First finger for his friends is the third strange second finger. Second fret. Jesus is the four straight third finger. Third fracked for strange second fingers De forced it open and then see straight finger. Now I'm gonna play play the way symbols of playing with the county for these air all whole also played them. Once account for Frazier knows when you play for 23 this will be nice to talk for a while. That 1234 and you play the Knowles Just 34 Seen 234 So my place See? It's what already right I have for the next. For 34 Seen 23423434234 to 3 four 34234 c 23434 e 234 to 3 For 234 to free. Four e free. Four Free 46234 to free. Four, 334234234234234 Remember, alternator pick a nation Also one no down, one up. Once you've done that several times you start getting the hang of it. You play four kinds way What? The way I write notes to you playing You should be looking at the music, playing them, reading else yourself. I'm looking for that note is written music. We'll help you. Just learning how to read music while you're playing. Okay, we'll see you next lesson 14. 3C The D Major Chrod Progression Lesson : Esquire records. Here we have a deep major court progression for course years with the manger B minor E minor A seven. No. What's happening here is you see, on the minor cored picture and the E seven chord, there's something written next to is ruled third straight. What does that mean? It means that for years, note that I'm pushing on the thirsty press strain is the root neighbor. No, that is a name to the cornice thing. This is a B. Why am I telling you this? Because this type, of course, general, give a lot fretboard always remain on. My of course, was a minor. Okay, strain my record so you could play this. You've learned off course. They start off with your way when you go back to flat. So this was just a flat minor saving with He's like this. So that shops. So this that course you were out of these? Of course with the roots indicated on the third string is a minor chord with before And this was about seven court that stuff with the core progression, we have a deep major court, so we're gonna have to play see the picture we could play five strings here. Assisting won't be playing, Jake. Not what way has history will be forced open this Very strange. Okay, we're gonna have our second friend with our first finger. The second stranger, we're gonna have our third finger. All the French and the first stranger were, or second figure out a way. We're going to be minor Route three. So that's why I just before you just look at these four strings on depressing. Okay, so you have 1/4 strain. Third finger, all the four straight fourth rats, right on the third string. Fourth friendly, our fourth finger, third finger on forcing fourth finger on the first ring off. We have a second finger on the third France of the second string on first figure, the first fret on the first string. Second fret on the first wave, you hear? A minor was playing for strength. So just get the hang of moving from one to the other way already that minor. But through this here, if he was gonna stand fingering in this case here with one, do it with a red Roy, put that back in again, play the core. So from minor minor. So 16 open fifth string. Second fret. First finger 43 2nd fret second finger through struggle. But sensory open first B Minor. Minor study. For now we have to a seven cores. What will be playing like this? So you have almost 60. Open the history movement. Four strings. Second friend, first finger, First string open, second string, second fret second finger first and then we have the other is a bar. So our first finger will bar the fourth, the third and the second. Certainly not the first. See, I got sort of a bridge on my finger here. Just got a little war bonnet. So not touching. First run on the first day reports my second finger on the third friend. 77 This is way around, so we'll be using this fugitive life Be seven. Booth. I'm over my software. Different supports, right? No. When we do the court exercise below its four times in score like we did with seating for professional with progression four times and scored. We'll get to the A Sabbath. You just like to off the 1st 1 to start with you. - Okay , now, remember studied because the size of these minor from my mind from a center for the This is a 3 to 1. You like the this figure. Slide off first phase of your fingers. Okay. We'll see you in the next video for the next list. Yeah. 15. 4A B2P Guitar Lessons Knockin on Heavens Door: and welcome back to beginnings. Broke guitar lessons. This is will be taking off right where we left off, paste and splashing up in front of you. Right now we're starting center of the baby. Not having this is really a company. Cores rhythm four course g major e major. A minor As a C major, we have a repetition of three course at a time G d and a minor and then g d. C. Majors is always like that. Repeat the beginning to the end. Our rhythm structure is the same whether we used for political Blake also a signals and 60 miles while we're counting for so the writing the four B's of your foot between eight. Those 16 those The movement of your hand me down, down, down, down ups one and Jew on three and four. And every time I say enough the number it means your foot is touching floors before comes up against one on two on a free and for and you're going down, Down, down, down, down, down, down down here Just 41234 Once you learn the rhythm word actually alerted here, for sure, or for those of you who are just interested in watching this lesson only and just be popular in this way. We're gonna be taking the three core first requires G a minor. He had the art in the city in the same for a measure. And a minor is a moment myself. So GMD will be split with one Julie one Do and Dean will be three and four and then will be my 44 out. Okay, so go back to G D and C 1234 on then starts over again G d a. My energy D c. Okay, so I'll play it for you. I think this is killing the czar. Accompaniment from Bob Dylan, not guns. Rolls version as a rock G D. Is he all the time I was born here. Would be that This all you want to understand? Which How you have never stop before I suggestible listens with. Okay, I'll play for you one more time. There's not much else you have to you. You have to get fast one more time. No way, Master. That's you know something. Is Tyson those together play way? No way, Way With court progression that you have here. Listen to this song on trying to understand how sing it. I'm sorry. I can't see for copyright reasons, but anyway and then the next in the next lesson will continue with a simple exercise regarding moving across the way. 16. 4B Left Hand Exercise B2P Guitar lessons: Okay, here was still for number 10. I'll flash it up for you and the bottom of the page. You'll see this picture of Frank one of the car. So, like, tabs in this way, what we're doing and you see numbers on the past one. What's on strength? One Want to do 11234 before extreme Always moving. One forward And this is the exercise will be play. So we're gonna start off on the sixth race. The bottom state is the bottom line. There is six straight and then coming back after another one after that is coming back backwards. Points on that. So what you do is you hear your alternative. Down, up, down. I always down one side for the second fret and play. It's 34411234 Always way now what we had last do not raise, you know, raise your fingers as you saw what I do now changed. Now it is the race. 1234 Go back without repeating For one of the time playing reached one and for the second straight slide, my friend. 321 Before the third string slightly 3 to 1 before strain for finger Back on track. 3321 Okay, for straighter forefinger slide one friend that green to one. And then this six string with your forefinger slime, my friend. Always playing three to help laid off for you. This is an exercise. Okay, you get faster. No, I know upwards also. So my hand is doing this while that's going this way. Right down this way. A little bit. I do not do this with your fingers. Won't come down here some uppers. Your mom is going to accompany your fingers everywhere they go. So they go down, resembles single scientist down, not push back your hand. And you Yeah. What? We're done. No, I was always alternating my big. So sometimes you changed things. You always fall in the movement of your your fingers right now is a good exercise. Do I recommend you do it? Wayside scale sooner. So this useful for you? Please remember I think I told you about. Okay, We'll see 17. 5A The A Major Chord Progression : and welcome back to beginning to broke guitar lessons that they will be working on the A major chord progression. Is that a flash up in front of you right now? The age 11 of the B two B guitar? Remember, for those who just told you need remember, just go to the Project section of this page and you'll find Download the pdf off the whole book of the B two b method. My. It's a method that I have written. So if you want to download the whole method and bring it out for yourselves, you could fall lesson with how happened to take Screenshots every time you could do that. Otherwise, you take a screen shot and fall lesson anyway, whatever you like, whatever you prefer. So Page 11. A major chord progression. We have three you cords here. Today we have a major. We have F sharp minor with root on one and four, and we have an IV seven court. Now we have three different ways of doing the East seven corners that we start. Remember the exercise below those three pictures of the cores. Diagram of the cords is what it must be fought between four courses a four chord progression 162516 to 5 meeting first degree or at six degree, second degree and fifth degree. Of the eight major skills with four courses of a major court progression 16 to 5. I've already explained that before, in previous lessons. So for those of you are just tuning in right now for the first time looking at this lesson , uh, I'm talking about degrees of this case. If we take the images, get we have three sharps of sharp Sea Shepherd G sharp. Okay, One is the first note is a So we're gonna have a major court. That six is f sharp note. We haven't obstruct my according to be minor, okay? And five, his East seven. So it's because being call 16 to 5. Corps progression 16 to 5. Let's start with the A major chord. We're gonna be with three fingers all on the second Fret on the fourth string, the 2nd 3rd Street on the second strengths on the fourth string. First figure on the second string on the first ring story, second finger and on the second string, third finger. Okay, there were two struck the other court. The new court is the F sharp minor corrida now have sharp minor with second position bar in the 1st 3 strings on the second fret so set in position with our first finger. Okay, Bari the 1st 3 spring. So that means press the 1st 3 strings and I'm gonna put my fourth finger here on the fourth string. And that's an F sharp minor Route one and four, Route One and four Mies that I have f sharp on the first and have sharp on the fourth straight. So no f sharp is the route. It's the note that gives the name to the court. That means that this court can around on the guitar. So technically you're learning 12 minor course in this way. You just have to exercise with one first positions of F minor. Second decisions have sharp G flat. Third position is G minor way G sharp or a fly except or accept express of the Court and the other diaries and e seven chord. Now there's three fingering. Is there a simple list of the finger? Res is way have six string open, the fifth string second fret second finger and we have to force people with Okay, third string, first figure. Okay, that second string will. But first drink old. Now what am I gonna do here? I can add my fourth finger on the second string. Third, fret on. I can also add my third finger on the second. Fret off four straight. OK, so I think my forefinger Tonto, sit with the exercise in itself. We need to do this four times each corner. We're adding also the B minor court room three. We've done that in a previous lesson. So for those of you who are falling for the first time this lesson, go back and check out the B. You'll find that there's the B minor court. There's that should be in D major court progression. We picked it up back. Okay, so a b minor was I'll show you that minor. Also be minor Route three. That means on the third straight I have beat has a no, to that same thing has been around. It's always a minor core. I just have to look at that north there. Give me the name. I'm not that impressed with my forefinger Okay. Show you how you play it. So on the fourth string were second position on my first fingers on the second on the second fret. Okay, second position. Four straight. Fourth. Fracked. I have my third finger on the third string. Forced forthright at my fourth finger on the second string. Third fret at my second finger. And on the first string, second friend, I have my first finger. Let's be minor. Okay, so we're gonna play a major four times f sharp, minor, four times being minor for time E 74 times. Repeat everything one more time and finish with a major. So we'll start off counting and you're gonna be tapping your foot here four times. You count for 1234 They play one, 34 f sharp, minor. Three for two. Back in getting waiting for a sharp mind to be minor to 3 47 You see what I did with the sad? I start off with simple figuring one on the third strong. I want my forefinger down and on the four strong I put my finger down. You don't have to do that. If you could just pick one just one, but to learn them all, I recommend you do that. Okay? Before you do the exercise, you study from one court to the other. So the first would be a major on have sharp minds. See what I'm doing here, Major. I'm gonna raising my fingers. But in the meantime, I most barring the first recent first rigor. And I'm bringing my third finger to the four straight 4th 4th friend. Okay, so major studies major and minor F sharp minor B minor have sharp minor. And my hair. Here's 1/3 figure. Stay still. I'm just not Technically, you didn't have to take them off. You just have to put those two figures down there. But it's excessive to keep a bar when we don't need it. So we take it off. Okay, So sharp. Minor. Minor. Minor. Then we studied B minor. You said you studied minor. Seven miners, 27 in another way, way my seven in a way. And then we'll have e seven. And so see, what I did with not official will be minor. He sat with have the second of the first string. I'm gonna go to the fifth string and third straight down. So you study movement trying to move all your fingers together. Seven a major. So he seven on that back in a major. So you're gonna study two chords at a time, okay? And then you're gonna put together the rhythm exercise playing for on each on each bar, in each market four times each, scored two times the whole exercise and then finished with a with a 16 to 5 court. We'll see you in the next lesson. Will we start enough with C major scale? 18. 5B The C Major Scale 2 Octaves: okay. And welcome back. Now. First, flash up music again in front of his page 11. Still, we're gonna be the center of the page. We have three new knows. We have a B and C on the first string. Fifth positions, like Roman number five. That indicates the fifth positions on the first train. First, first string, fifth fret. First finger. Okay, so let me see 11 there. Okay? It's not You're not gonna see 15 that number underneath the number of the circle in the gates, the finger, The position is indicated by the rolling number, and that is when we don't use times. We use it this way. So fifth position. First string, first finger. It's a then we have our third finger. So it's on the Sabbath. Frats still first string. That's B. And our 1st 4th finger on the A threat. Okay. And that's a C. So if a b and C now, we're gonna put these three notes in with all the other notes that we've learned up until now. So if you you're looking into this lesson, you have to go back and look at the other notes that we started to look at the other lessons first. Okay, so, C major scale. We're going to start off, see, on the fifth straight third finger. Now, I'm not gonna play with Temple, right? I'm just gonna read it for so see, Major and D is a four string open. Okay, then we have a second finger. Second Fred on the fourth string, which is E f, which is the third finger. Third fret over four string G. We're gonna have the third string open. Then we're gonna put a more hand into second position, play a on the third string second fret with our first finger. We will be playing with our third finger. OK, on this still on the third string, and C is gonna be played on the third string with her fourth thing. Then we're gonna have a d on the second string. Third fret second finger, then e with four. Things are still in second string. Fifth fret. We're gonna slide toe af so we're gonna slide into third position. First fingers on the third friends after their fourth finger on the second string. So that is the sixth fret. Okay. And we have G on the first string third fret first finger with a slide into fifth position and have the A that we just did before. Okay, Then we'll have a B and C So 13 and four. Okay, so I was 5th 5th fret seventh fret and a frets. 13 and four A little backwards three. Which is the aim, which is one we're gonna slide the third position with our first finger. That's G. Okay. On the first string on the four string, we're gonna put something for them on the second string with our fourth finger on the six friends work we're gonna play, we're gonna slide e so we're sliding back into second position. So he says it's on the fifth fret of the second string with her forefinger that d, which is the third friend with the second finger. So fourth finger on the second fret if it's 50 it's not a second right fourth finger on the second straight fifth fret and then second finger on the third fret second string Still. OK, then we have seen some of the fifth fret off the third string with her fourth finger on B, which is third fingers still on the four straight for France. That's 1/3 straight four threat. Then we have a third straight second friend with our first finger. So free for me. One of the system G is okay, and we're moving our hand back into first positions have have on the third strapped third friend of the four string. We're gonna have it on the second. A friend of the four string. Okay, second fingers, three into three. Finger, second finger on then D is old. Forcing open and see Will be the fifth string. Third fret No, Play it for you all together Now do another way here What I did here here instead of slide, he's 244 On the second straight, I jump from a B and C I did one three and force and the third position that once before directly Why? Just joined this also, I'm showing this also because you can choose whatever you feel comfortable with when you have to know both. Honestly, because sometimes you're gonna need both ideas because you're playing and it's 24 that more when you got to the next nobody did you like your fourth or coming up and when you're playing that this all involving the improvising and playing music, you're gonna need these ideas. So figuring are not standard like I'm not going to show you one fingers. They do it that way. I usually show you one alternative when there is an alternative course. Sometimes figuring like that they come up with that. That's it. But I'll show you the alternatives. Are some of the attractiveness find other alternatives? Also, if you if you think logically in a movement Okay, that's the whole idea. Learn how to think logically in the movements. Now the last thing here is the C major exercise below. Okay, The C major exercise was simply the C major scale playing each need each note four times. This is the way to study. Study always all three way. Okay, you can do that to study the scale. Get temple because what's important If you have a Metro, it would be important that you use it counting four and then playing along with the temples one beat each, no supporting. Also, I can't 12341 OK, but you could also do four times. He's No. 123412 always halted in your big. So what I'm doing four times each. No, I'm doing one signal each time. All these alternating my big Remember, a good habit is to learn the scale, memorize it. So play it many times and you know what? And that is your first major key will be doing 12 major scales and B two b method. That's the first part of a lesson. I have another course where we're doing pentatonic scales. We will be looking at the pentatonic scale here also. But I will indicate you to go to the second part. Of course, when we get there, we're not there yet. But that's another another thing. But I'm just telling you, the major skills will be showing 12 major scales. Okay? And you should learn how to play them and learn them. Because there are you also your 12 major keys. Okay, so we'll see you in the next list. Take your 19. 6A Explanation of the Chromatic Scale, Accidentals and Microtonal: Welcome back. This is lesson number six. Okay, so there will be a little bit explaining the beginning, so we're gonna goto page 12 here. Now the first thing we're going to talk about is the chromatic scale. We've already discussed a little bit of this in the beginning regarding the notes on the guitar, right that each France, we have that little picture at the beginning. Phase three, you'll see it against our right, the picture of the guitar, and you have those nose with Sharps. They're in there, and that's what we're deductible. Sharps and flats. So the chromatic scale, What is it? It's 1/2 tone scale. So just 12 half tones that we have at our this position. Now what we would like to get into it without explaining too much of where the music comes from in itself, where the nose come from the past of the music. Let's just take those seven rules that we have the A B c d e f g. Let's just start off with C. So one B, C d E f g a and B again, and then we start off over with see again in between those notes. In the Western system, we have half tone. Okay, we also have court about that Right away. You have half tones. Okay, those half tones there could be called into different ways. So if you take a look at the chromatic scale, you'll see C C. Sharp, D de sharp E F f sharp, G G sharp, A, a sharp B and C as you see between E and F and B and C. I didn't see any sharp for flats. That's because there are natural half tone distance. So going back to see Andy, we have that note that's in between that we call C sharp because, or D flat. So the sharp is a symbol that raises the note well. The flat is a symbol that lowers and Notre Halftime. So one razor after on the other lowers I have toe so that no there in between committee called C sharp or D flat. So in some some cases you'll be seen it called C sharp. In some cases, you'll see it's called the flat that not to explain this a little bit better, let's just say, as I said, we have 12 half tones on guitar we have all these friends here. Okay, At each fret is half toll. So if I start off on my six strain, which is the open string is E If I press here, I am raising it 1/2 toll. So yes, I could call it is sharp, but in reality, that's just call it after this moment, I just told him between E and F and B and C, there are no sharks and even though we could say is the sharp Okay, so let's just call it f that if I raise it, press another friend up, we're gonna have f sharp or G flat because no right after a sharp would be G. So if you fall there on the on the chromatic scale notes that I'm just telling you, you'll see right after what comes after G. So we have G. We have g sharp or a flat because our next note will be a okay, that a sharp or a B flat and then being etcetera, etcetera sets off these half tones. These the called basically in harmonics okay, because they have two names. So instead of giving, like in our music system instead of giving old 12 sounds a different name like we could have said A B, C D E f g h i j k l m And but then we would have had to have a bigger staff, okay, have more lines and more spaces. It was developed in a way. So it was easier to read having the five lines and the four spaces okay. And then adding on the octaves up ahead, you know each space in line onto the staff again. So let's just say our first line was e r. Second, our first space would be f right. And you said we're right. Up with the sharp is sharp is just writing the symbol before the note. So I write the sharp signed before the north and it becomes sharp or I write it next to the treble clef next to the cleft in this case. So that is going to depend on this chaos. Now we're gonna look at the scales a little bit further on next lessons. Basically, I want you to understand what a straps of flats. Now we have a specific order for sharps and flats that are written next to the left If next to the left you find three sharps, those three shops will be f see and G Okay, Our order in itself. When I was young, they taught us to remember the order in a certain way. They gave us a little phrase to remember which was Father Charles. Goals down and ends battle. So the first letter of each word was a sharp. So Father Charles goes down the and a ends e battle be. And that was the order of Sharp. So when I would find five Sharps, I would have to remember that phrase everyone was the other would remember the phrase Father Charles goals down on O K F C G D and a right. That was my five sharps. So I didn't have to look at where those shops written right next to the right next to the cliff. I just have to remember that phrase and reminded me that phrase. But just writing backwards that phrase were reading it backwards story, battle ends and Donald goals Charles Father, that would be the flats. So to remember, the order of structure flasks just memorized that phrase there. And you'll remember order shops that I do suggest you read what I wrote in the book. Okay, so let's move ahead if you don't understand exactly about the Sharps and flats yet. Like I said, just go read it or just playback and you'll start understanding. Okay? Okay. So let's move on to the next page. There are There is an explanation there about the sharps and flats still. Okay, But you'll see. Also, there's our double sharps and double flats. All that means is when I have a double struck that I'm raising two afternoons or a double flat I am lowered into after we have also the natural sign. The natural sign brings the notes back to the natural state. So if you have a c sharp and right after you have the note see natural, I'm just gonna play the seat. Know that we've learned already. Okay, that's that. That's the on you're gonna see The micro told limitation. That's what I was saying before about the quarter tones. Our musical system, the Western usual system, has half dolls, but we tended to it for a little bit. The quarter tones those quarter totals are there and they exist now. Our instruments we have, like I said, half tools. So I don't think it's hard to get 1/4 toe. I would have to do a little thing called bending. Let's just say this is my note that I'm playing okay without dying. No e I want to get to that note there. So if I've been a string so I did much is what if you here there was another sound there and that would be that quarter toe now. It was likely that in the past a lot of classical composers didn't do musical works with quarter tones. So they had the instruments built like they had a clarinet with 1/4 tones built into him. They had lots of other incidents of quarter tones built into them. So they would use those signs that you see there for the double sharp. Just see the here. It says half sharp morning lassies, okay, or the sharp is Diaz's or sharp. Okay. And then we had the sharp and 1/2 which would be the tree. Essie's Okay, so this is basically the sharp and 1/2 which would be easier to remember. The other are the more of the Latin Italian words that that reviews under there to describe the Sharps and the flats. The quarter. Okay, now for the guitar. As I said, not having the portals exactly on the guitar, but we have to do these little bending things to get them. We would just use symbols that will see up ahead in the method. How right? You know, I want you to bend a tone and 1/2 or one in the quarter tone. You'll see with specific symbols without having to write these notes there. Okay, but there is a notation for that also. Okay, and it has been used in composition. So that's just mawr of This is called trivia for music that we won't find in our modern Blaine. But they exist. And if you go look at a piece of music from the past, you'll find that some composers that have worked with quarter tones and that had instruments constructed four The quarter totals will be using that type of notation. Okay, I was not. The Arab music tends to use the quarter tones, so you'll have guitars also built with quarter tones on them, which is a little bit harder. But let's just say if one gets interested in the in the future about border tones, you can go a research how, exactly they work on the incident. What is important now is you know that exists. Okay, this is where a lot of when was playing blues and rock. You have these little riffs that you have these North. We're not exactly writing those notes down anymore. We're just, you know, putting little symbols on top of the most to indicate how to bend to the quarter toe to toe with 1.5. Okay? And like I said, what are music is developed with the half tone systems. Okay, um, a lot off these blues is born. Let's just say when the Africans came over as slaves and they didn't have their instruments to produce, this is those typical sounds that you started getting this type of sounds here. These little This is where all this comes out. This quarter tones there. They're coming out and in our modern in our world, brought over by another population, obviously. Okay. And that's basically what we need to know about sharps and flats right now. Okay, That was a little bit of extra stuff that I put in because they existed, that we have to mention it because you need to know they exist. Those sounds are there. 20. 6B The G Major Scale: we owe based start our major scale. As I said before about the Sharps and flats, it is your right next to the key. There's a sharp sign there and it's written the center of that sharp side passes right on the last line of the pentagram. So that's an F sharp in the order of flats that gave me four of shops and give you before was Father Charles goes down and as about F was one shark that's your f sharp. So in the G major scale, we're gonna have every F that we encounter, a sharp that won't be enough natural. It will be a sharp. So we're gonna be raising. I have toe guitar. We were already learned this f here so f sharp would be here. Wear this F here on our f sharp will be here for best that when we're gonna be played in this scale here. Now the scales, I'll explain better in the next lesson how they are formed. What we need to know now is just the scale. Okay, so we're gonna practice that again. We're gonna start off on this six screen, okay? And our third finger on the third fret. That's RG Okay, Someone, gene have the fifth string Open is me B is a second finger on the history. See, third finger this note You should already know that we've already times he is a four string open another north and you should know already e second finger after sorry f sharp. That's well saying sharp if you listen to it Oh sharp and then 1/3 street second finger Be si OK d e f sharp and G. Okay, so if you listen to it kind of sounds like the c major scale, but it's in a different key. And that's the whole thing about the music. We have 12 sounds so weird. Have 12 keys, 12 scales, 12 major scales, No keys. What is a key? Me key is, uh, I was always told the key is the space we're a melody takes place. It's the room in which the Melanie's ex place there's a little bit hard to understand right now. But if you understand the scale, you understand that the key represents the scale also that I'm using. So if I'm in G major, my melody will be taking place in the G major scale. Okay, so I will have the f Sharps there now. Constructions of melodies go into several key. Sometimes let's just take a simple melody every time. Well, when we take a simple Molly, we know that we're gonna analyze the key. And it will be like you that we're talking to scale that we're talking about also. So if we say we're in C major, we're talking also about the C major scale. So the notes that construct the malady in the C major key that we go invade will be based on the C major scale, the nose, the constructive melody in a G major scale in a major key story what we could using the notes of the G major scale. So the skills are important. Also, to understand the keys, I can sing Stand by me or knocking on Heaven's Door in G major. Somebody else will do it in C major. So the course change. It's the same court progression in a different key. Now you've been working on court progressions up until now. What if we don't? We have the G major poor progression. We did the C major port progression. The D major court progression and the A major chord progression. All those corporate branches are the same type of corporate, except for the 1st 1 story are the same types of for because the G major corporation, we had a one 645 instead, after we started doing 16 to 5. Explain this already before eso. If you don't remember what 16 and all that means, go back until next to the videos before, just listen to that over again or go back into the book. You'll see the book is written there also. Okay, now the one we've been doing those core progression. But all we're really doing is the same core progression in a different key, because that except I can perform a song in one key. But somebody has a higher voice, and I do, and he will perform another key. Somebody has a lower voice, and I do. They will perform the same song and a lower key. We have 12 season disposition so 12 people can sing the same song in 12 different keys. I can sing it in three or four keys. I feel more comfortable in wonky, but let's just say I can handle three or four different types of key changes, depending on the song, of course, depending on the extension of the North, so that I have to hit. But it's the same idea when we're playing. Where do We were played keys? And that's what the scale is in itself, where the scale indicates the key also. So when was a word G major were writing the melody in with the G major scale? So we have to have enough sharp okay that, as I said, Matt Melodies tend to go into different types of moving into different types of key, so we'll have been two or three keys back together. Music is so fast, we could do a lot of things with it. Okay, the more simplistic formalities is based in one key, and we'll be working in that key. So, you know, and the basic he usually starts off in any song starts off in a key, then it moves on to other keys after, But that's the whole thing, Understanding where that song is going, that's where the improvisation will come. In learning what knows I could be playing in their on one knows I can add to make that cheek decade change again. There are a lot of different things and that's what why we learn scales? Because we will be learning how to improvise. Also, that is fundamental that you study the scales so starting a new skill does not mean that you forget about what you did before. The C major scale will become a daily practice for you. You have to do what? Every day when you sit down, the first thing you gotta do is your left time exercise. Remember this one? This is a day that you just off U C major scale, right? You do the same thing with the G major scale that every time we had under scale, you're gonna add that to your practice. You In the beginning, it takes you longer to get to the end. But the faster let's a say, the more you study, the fast he will become, So it will take you last time to study. These are all very important because we're going into improvising after and that is what I want. I want you to learn how to improvise, and you have to know your scale for that okay. Improvisation is not just something played with the year. Yes, there are people capable of playing with their ears and not knowing music. But let's just this is put it this way. If those people learned music also, what a musician would you have there if they're already good by themselves, with their years, if they knew also the scales in the keys? How many more things? But they add to what? They're what they know because that's the whole idea. That's where improvisation comes in. Learning 100 professors with scales coming, learning how to improvise with the scale. Okay, with the key in your head and knowing what you can do and what you can do, So study your scales. I'm gonna say that a lot. Okay? I'll just run over the scale again. One time for very slowly and all you have to do. If obviously you've got a study of the way we did with the C major scale, late HD each no, four times, right. And remember whether you do it four times where you just do it one time. Remember, you always have to alternate your pick. This is for a moment. Okay? Not there. So I'm gonna have to remind you. Basically, almost every video is your thumb and index Finger is your pick. Go back down, up. 21. 6C The Boogie Woogie: now right underneath there you have a new song. It's called the movie. Well, let's call it a song. It's a style, and it's more of a rift than Assam, but it could be made into a song. What is important now is we're to learn how to play it, but we're not going to stop there because our next lesson I'll show you how it played in a different way, and then I'll show you again in a different way. That's the latest. We're to start off with a simple way of learning first. That is fundamental. Okay, that's not written there. It's only written in one way there. I usually do this at home with my pupils. It's not written there how to do it, end of their waste. And I will be sure when you do it in other ways, because that's what we want to do. Also take the simple thing and they get sound a little bit better in a different way. So we're gonna take it now the way it is that the next lesson in another way of doing okay and then probably after right after that. Uh, all right. Some tabs down for you. Explain what those are after. Well, pulls facts on the video to show you how to do it again. No way. That's the only thing I'll add on what this is. Because these are things that I had on in the lesson during the lesson. I'm not just doing the body will be in that way and leave it there. I want to show you how to get it to a higher level. Okay, now is that start off? So, um, if you look at the music in itself, you'll find that a B flat in the 12345 the six bar you're gonna find 123456 park. You know, find a B flat and the knife. Forget I find it f sharp with the rip inside the bars, those sharps and flats. Okay, so what does that mean? It means that if I find that no one again in the same bar or measure whatever you wanna call it all the same line, it will remain flats. Unless I put a natural sign in front of it. Same thing with if you look at the f sharp, that's and I said, was the knife bar right? So 246 and nine. Okay, no. Yeah, the land where you haven't have shark but right at the end, you'll have another F there, and it's not ridden sharp in front of it, because if it remains in the same bar, it's automatically assume that that's a sharp but on Lee on the same line or space of that note. If it's written in the key right next to the class, that means all of our left that we find whatever slider space it's on our Sharps. If it's on Lee written next to a note in a bar on Lee on that same liner space, will the note be sharp, even if it's repeated? I think if I had the F one octave higher in that knife bar, I would have to write the shark next to it again because it would be on a knife. Israel. That's a natural because it's all just on Lee. The sound that sharp there when it's written in the bar. Okay, women moved to the next bar. That sound becomes natural automatically, and if I wanted still sharp, I would have to write it again. Okay, you say, Why not right at the beginning? Because at that point, I would have to read the F naturals all the time during the whole song. So every after that encounter, but that's not sure. I would have to be written natural. So either one has to be written in this case here B flat on that f shopper written. So if you encounter as we do in the ninth bar to EFS in that case, the first is sharp. The 2nd 1 is Sharp Falls because they're both written in the same space. But if they're not written on the same space, this is like I said before. If it's written on the ones on the space and that sharp and the other with the next ones on the line on the fifth line, that won't be sharp unless I write sharp in front of OK, that's another rule to know about destruction flats. I could extend it to the next bar, writing it in the next four. Now let's start playing this song, okay, so we're gonna have and if you'll notice even here we have a petition off finger movements , so let's just all so we're gonna have g Be okay. See what I did with my favorite saw. 320 to 3 to zero to on moving back and forward. 3 to 0 to black free 202 And that's repeated twice. It's already learning. Just a finger itself would help you to learn how to read how to play that right away. As I said, not just one of the fingering notes, their learn on regionals, the finger rings, the numbers and the indications disappeared. There will be figuring, but if I do it in a different position, if you don't know, really know you know what you're playing. Okay, so let's go over here, do it again. So we're gonna repeat that. So it's repeated for for two times this this 3 to 0 to 3 to 0 to or he being natural. Two guys go do that. 123 for the fifth bar. I want to start off with C on with the same finger movements. But on the lower strings, we're gonna have the same type of phrase. 32 0 to 3 to two. We're gonna go back to G. Okay. 3202 Okay, So, up until now, just remembering free 202 forward and then started here with 3 to 0 to backwards, you can learn the first part of this. That's called riff. Okay, Boogie Woogie. It's called that way. Her nice 13 to 0 to forward. 3 to 0 to backwards. Okay, so I'm gonna play that part again. We're gonna go ahead, starting for the first part. Okay? Now we're gonna get to this ninth bar with F sharp. Okay? You see, on top there's the cord written there. D seven. We haven't done this the C seven chord yet. So I'm not gonna work on the cords with you to the and the song. Those were put there for me. To what company? Really? When I When I do. When I teach people for anomalous teaching, the police will get itself the course in the south. We had a whole bunch of other things there, but those are just the basic course structures. Okay, so our next one would be d f sharp, a sharp. So we're not gonna go for the whole thing off like we did before. Scotty D okay, Have sharp with her fourth finger second finger back to have sharp. Then we're going to see C and then we'll go back to G again. Okay. In our last bar, we see a set of four knows that are double. So we have two notes, one on top of each other. Right? We always reading those from bottom to top. Okay, so there I have a deep and a What does that mean? That means that Suppose we played together? I say 34 times. Okay. On this what you just saw? It's on now. Isn't the power court okay? Now explain power cores. Probably in the next between the next two lessons. Okay, there will be working on it. You've seen me. You would use them already before us to understand by the video. So here is another place where we're putting the part. According I'm gonna play this all over again for you this time just to make you hear it. If you noticed my right hand in that moment, my pick movement was always down. And except for the last hour 22. 6D The E Major Chord Prgression: Okay, let's go back to page 12 on the last thing. We're gonna say this the major corporate pressure. Now, what you have here are two new chords. But we still have the famous four chords below in the exercise. And that is what we were talking about before the poor progression. And it's always the same core progressive from that one. Remember? I said 16 to 5. So any major you'll see there are four sharps there. Now you start to know what the sharps are because I told you that phrase. Father Charles goes down and ends battle. Father Charles goes down. F C, g and D. Those are my four sharps. Is that what? What does that got to do with it? It's got to do it with the chords themselves because those knows the components that make that cord will have, or either on half sharp. Okay, a c sharp, as you sharp or view shop inside the court even more than that. Okay, So if you start looking at the null step, build the court. That's another thing. You should start doing that now, like taking your C major chord way at the beginning right second last. Believe it. Waas and you have all these strings that are playing? What notes are they? There's an eager There's a seat here, isn't he? Here again, is a G is a deep so C e and G Those are those that make the C major court piano. It will be easier because we only have three fingers to play. The street knows on the guitar we have a different type of structure for legal talk is we have six more for extremes that form a polyphonic instrument. So we're gonna have repetition of certain notes. So the piano player to play the same knows I'm playing would have to start off with an E on the base and the A C than an e g a. C an octave higher and another even off the fire to get the same scores. Structure that and do it. But in the end, we're all doing a C major chord. That's what's fundamental. I could call this C major with the on the base. I won't because I'm on the guitar here, Okay, but if I wanted to be technical, I could do that for for a person who's playing another instrument to make him understand exactly the North that I played in the gorge and how they're structured to get that sight seeing type of apartment. But at the end, it's a C major chord. Okay, so let's get back to the course Drugs in e major chord progression. Here, our first is the major court. We've done a minor, which was these two fingers here, right? Sometimes we do it like this. This time I was like this. He major is just adding your first finger here on the third string. So is he from major to minor? Just one note changes it from Major to Meyer. In fact, in our try at in our court dry and I'll get into this when we explain the core is a little bit better. There's only one note when I use three notes to component or let go to composer court. I said that C major before C E and G was $3 there. Right? Okay, so here my three notes would be, uh, e g and B E g sharp B e major e. This is a being This is another Any This is a few shar this Another being sharp. Okay, With free knows that for this court here, minor is achy natural so that no there changes the court from my intimate minor major minor is it explained chords a little bit better further up ahead, but started to get used to understanding how the cords are. Triads are formed. We call the Triads. Three court. Okay, except for a dominant seventh chord with four were not just working with triumph. Still four times. Now, our next Gord C sharp minor. And you see rape. It'll there on the X ice is written Route three. You've never done C sharp minor before. Or maybe you've done it. You know you've done that. You that you've done the minor chord with the roots on the third string, which was B minor. Was this court here? Remember what I told you about this course? You that moving our hand, upper back or forth from our neck? Okay. Are Gordon remains minor to find out what court were playing, we have to look at The notes were present with our fourth here. It was being get to see sharp this where chromatic scale comes in. Be C sharp remember which b and c nd in after are no structure flats because it is a natural. And although I can say the's sharp or the sharp, which will be another thing I will explain later on here. What's important is that you understand that from being to see is a natural after, right after that, I have to see sure thing. This is where you're gonna play C sharp minor in fourth position. Okay, we're on the fourth right here. So any major armed next court is F sharp. Minor route 14 We've already done it before. It gets to the ate major. Core progression is the same court, or we're gonna goes this. We're gonna raise our fingers, except for our third relax or third slide backwards with our third. And while I'm doing that, I'm put in that famous little bar on the 1st 2 strings in second. That's the way from here. We're gonna go to our final chord and you have the picture of the final court there. Seven. So look at the way. Okay, so from here, look at that. This is the way I do. We moving my fingers there very slowly I assure you that this finger here, my second finger, which is not even being used here, it's already going there. And in the meantime, my first finger is gonna fall on that string, and then I'm gonna fix you. Obviously, this all happens in the same moment. Let's go back and forth thing back and forth from one court to the other from here. I know. There. Okay, look, my fingers right there. This was gonna go down. My first. It's gonna go down the street. This is gonna go up on straight, and this is going away. So from B 72 Major. So let's just work it out again. Major C sharp. Minor job doing here. There is another way. Places your minor first position, but I won't get a plate this way. Way C Sharp, minor, Minor seizure liner. I have minor. Seven. Once again, that's final to 34 Now is one thing I have to mention. We've done another, uh, court a stone. A seven chord with a d major chord progression with the road on the first ring, which was a seven. This one. You should remember this. You should be practicing this still. Okay, Go go back to the Legion D major corporations from here. I want to play B seven, which is one of accords in this corporate. Thank you for this. If I wanted to add, that's not there. But if I want to this core progression way another dominant seven cord form to give you a little bit of a way in a different way, a little extra sound that makes it sound more interesting when you play. So I do suggest that once you've learned the court progression and this the way that's written there to start out of that and putting that also so it just right way before the temple Or put a metre home on the computer on your phone and use it to to do it with the same speed. Okay. Want you? Of course. Of course. First thing, the court movies, and then look for progression. Okay, so I think that's about it for tonight. Okay, 23. End Videos of B2P Part 1: