Transcripts
1. Course Expectation: Welcome to the guitar,
one-on-one instructor, nola. This course is designed
for complete beginners, was a little bit lost,
but that's okay. I'm here to guide you. And here are some of
the things that you can expect at the
end of this course. The first one is you
will get to know your instruments that
you are holding a little bit better and also
have a clearer direction of what the end of the
rope is going to work because I'm pretty
sure you're spending, you're investing your time learning all these instruments. You want something at the end. Hence, why I'm here
to guide you to have a clearer picture of what your end of the road
is going to look like. And the third one
is very important, which is identifying your
bad habits for beginner, especially you are a beginner
that's learning online. You will develop that
habit along the way. So it's very important to
identify all these bad habits. So it doesn't
demotivate you because sometime that habit
can kill you, especially when you're
playing this new instrument, they just get your hands-on. And less the more smallest,
most important one. The last one. I know the previous slide I
say it's important, but this one is also quite
important to identify what's important for you and what is not so
important for you. So I'm pretty sure as a
beginner who's learning online, you bombard it with
all these messages, all these things
that you need to learn and all this stuff. You were not so sure
which one you should start with and which one
you should just ignore. It's not so important
for you to learn. This course is designed
just for that. If it's for you, keep watching.
2. Identify Your End Goal: Welcome to the first course, identifying your end goal. So let's start off with this. Guitar has a lot of
variation, actually, most of the string instrument
has lots of variations. So the one that I'm
holding right now, it's a classical guitar. There's acoustic
guitar, there is electric guitar, bass guitar. Then you can delete. It looks about the same,
just a little bit smaller. But which one is the
right one for you? I think that's the
$1 million question. So I'm going to get in
detail one by one and explain to you what
do you need if that's what you are going for. The first one is if
your end goal is to just to play for
leisure, most probably, I would say 80% of people
who's watching this, they just want to
play for leisure. That's completely fine. If you do want to
play for leisure, I do suggest you
acoustic guitar. They look something like this. They are, instead
of nylon string, there are still sharing. The screen is a
little bit different. The fingerboard, the neck wise
is a little bit different. The sound, it produced a very different compared
to classical guitar. So if you just want
to play for leisure, then acoustic guitar is
direct checks for you. And you should start with cots. For example. Major chord Triads, those
are more simpler ones. Start there and
gradually move on to a little bit harder cards like barcodes and all
that type of stuff. And playing for leisure, the big part is
singing and strong. You want to be able to
sing and strumming guitar, I would suggest you, if you do and if your angle is just to play and
same for leisure, then you need a acoustic guitar. Electric guitar also works fine, but you would need to
buy a lot more gear like the M and other stuff. So I would suggest
acoustic guitar and start with very simple chords
like major chords, minor chords, and try It's
basically other triads caught. If you do want to
play for leisure, but sing and strumming is not
really your type of thing. You don't really like singing. You just like to be
able to play guitar, then that's what we
call finger style. So I will suggest you to
the first step is the same. You buy an acoustic guitar
for you to practice. And you have to
learn how to read. Look like this. It's just basically
number on a string. So there's six strings
in every single tab, and the number on top of
it represent the frets. So it's not so hard
for beginners is quite easy to digest compared to traditional
musical notes. If you're playing for leisure, I will suggest you to start. The second end goal. If your goal is to
start with songwriting, like you're learning
guitar because you want to try to write a song, then I would say it's a
very similar process. I would suggest you
acoustic guitar as well, because this cheaper or
classical guitar works the same. But I will say
acoustic guitar is the best for
songwriting as well. The process is about saying, you have to learn to tap
your phone, a simple card. You don't need complicated
courts to write music. You just need symbol called
the trials that I just mentioned as basically
a similar process. But on top of that, you have to ask yourself some, a little bit more
creative questions like, what type of songwriter
Do you want to be? Do you want to be
RMB songwriter? You want to be pop songwriter? Or do you want to
be hip-hop writer? Or do you want to be jess
right here, for example? So usually each genre
of music have very, they use very, very
different costs. For example, just caught
and popcorn pop song quote, I mean popcorn pop song card. They don't really use it
in the same scenario. For example, pop song, we use more major and minor chords. But just so we use a lot
of dominant seven chord. Let me avoid that jargon. What I'm saying is the
cut that different. So if you do plan to be a
jazz singer songwriter, that I will suggest you
to start looking into dominant seven
card caught down a little bit more
complicated than usual. If your angle is to become
a classical guitarist, like myself, I'm a
classic retirees. I will suggest you of course, to buy classical guitar. Classical guitar, half nylon string instead of steel strings. So their body is quite similar. Acoustic guitar comes
in a lot of variation, but classical usually
just look like. If that's the route that
you want to go for, the first thing that
you need to learn. I wouldn't say it's the first
thing you need to learn. The things that are quite
important for you to learn. How to read. Music would not like this. Instead of ten, it
will save you a lot of time and it will help you. Along the way is a
universal language for classical instrument. You need a universal language. So this is the
universal language. But why can't you just retire? Because if you just read, write, only guitarists
will understand it. For example, pianos they
wouldn't understand tear. A piano doesn't have six
strings, are Fred's. They don't musical tradition
and basically not like this. Like a universal language for every single musician
to understand. And it's quite crucial for
classical guitarist as well. The next end goal that I came up with, expand your horizon. If your endgame is just to expand your
horizon, for example, your earlier pianist, you just want to pick
up a new instruments. So you picked up guitar instead. I would suggest you, because you already have
the music base, right? So I will suggest you to
really look into guitar. Like what's the
difference between guitar and the
instrument that before? What's the difference? How do they work? And it's going to
say the journey. It's gonna be a
little bit easier for you because you already have that music knowledge base. So all you have to do
is identify the node. Get to know this guitar, gets to know how it works. Then you'll be fine. The last end goal. If you
want to play in the band, instead, I have a lot
of acoustic students. They came to me. They were like, I
have a school band, but I don't know
what that say that. Sorry. I don't know what my
mates were saying. They use a lot of jargons
that they don't understand. So it's very important if you want to
play in a band and especially communicate
with other musicians, is very important for you to
learn a lot of music theory. Not just that. Music theory helps
with a lot of things. If you are just normal player, music theory will help
you tremendously. But is it the most
important thing? Is that the step one that
you need to go through, I wouldn't say it's a step one. I would say is
step 56 like that. But if your angle is to
play in a band, then yes, you will meet to start music theory
immediately so you can communicate musician
more efficiently. Especially when it's playing in the band, as quite tricky. So you have to align
with other people, what they're doing
and all this stuff. So music theory is definitely
so much more crucial.
3. Understand Beats : So the second advice
that I would say, if you are really just
starting out, if, if you already have
the music knowledge, you can go ahead
and skip this one. But if you're just starting out, like your belly
listened to music, this is the first instrument
that you are holding. Then I strongly, strongly
suggest you to get better at p. It doesn't require a
lot of effort for this. You just need to turn on
my song clipped to it. If you're clapping doesn't
really match the song. It means your beat. You're clapping, your
baits are wrong. But if we match really well, then it means is correct. Why do you need to
get better at bit is because if b is a very
essential part of music, if you can't really
understand beat, you can't really
understand the music. And most of the
time, for example, I'm pretty sure a lot of people, they go to Google, they
want to sing this song. They want to see an
sram this Sunday. For example. Perfect by assuring cards. And then they go to the page and then they feel like
whatever they're strumming, pressing the right card, but they feel or whatever
they're strumming doesn't really sound anything
like the original song. Most probably that's
because the beat don't really know
how this beets were. This way, you can't really mesh well with whatever
you are singing. There are multiple
types of beat, which I will explain later. But let's move on to the second
that I want to say first, which is tried to listen to more variety
of songs as well. So don't just go for a pop song, pops on, pops on
because pop song, they have a very specific
way to craft this pop genre. You can go to eighties music like don't hurry,
like Footloose. You can listen to tons of
variety of sol, genre, RV jazz, and just try to feel the beat, tap it, see how it sounds
like and other type of stuff. Now let's digest all
this time signature or in a more layman term, it's called beats per bar. So every single song you have to identify what's
the beats per bar. So I'm just going to start with time signature that are
most common, which is 44. It looks like this. So 44 is very, very common. Especially in pop song, is one of the most
common types of leisure. What does it mean is you have to look at the number on top. If number on top says For it
means is four beats per bar. So instead of counting 123451234512345, you're
counting 12341234123444. They have this very smooth
sale type of feeling. It just sounds smooth. I don't know how
to explain this, but it just sounds like it's
very smooth to your ear. Once this example. Say that, but it feels
just a little bit big. And now 341234, our
song on the radio, but it does sound and say 1234. And let's move on to
another time signature, which is quite common. Assault with 3434
have this very, very light type of feeling, which is from job to job. So a song is tree for, I think some people think that a physical things they find, I debit. It has this type of feeling that this type of cell also mean
three beats per bar. So instead of counting 12341234, you're counting 1231, 2312. And now let's move on to the third most common types
of nature, which is six. So 68 sounds a lot like 44. But you will feel like there's rhyming doesn't
match the song. For his time signatures 68, they always emphasize
on the fourth beat. So it's 123456123456123456. What's an example of 60? Let me think. When I was younger, Lagarde cry occurs said he broke his own heart and I watch
as he tried to stab 123456. It has the type of
feeling once you digest, once you know how
each song sounds like and what's the types
of insurance is much easier for you to start with
your strumming pattern. And when do you need
to change the color, all that type of stuff.
4. Understand Guitar: Now this, I know this
title sounds a little bit like may have, but this is the most
common thing that I face when I'm
dealing with students. They don't really understand the instrument they are holding. So I'm not just saying understand how to
build this thing. I'm saying, where's everything and why does it work
the way they do? So usually when new student
comes in the class, I always ask them to make friends with the instruments
that you're holding. What does it mean is
that don't stranger, hold it like you're
comfortable with it. Experiment, what's the most comfortable
way for you to see? But if you don't know
what's the right way right position to sit, you can check out my other
costs that I've put out. But the most important things you have to make
friends with it. You cannot like
holding your guitar and the guitar is
slipping off your thigh. That doesn't really make sense. You have to be more
comfortable holding it with the right
position by the way. And you have to know
how does it work. This is the lowest
string and this is the highest open string. I mean, and as you go lower, that each fret, um, it's gonna sound higher and
higher, higher and higher. And also another thing that you really need to
understand as unlike piano, where every single
key, for example, E, this open string, e, you only can find
it in one place. On piano, the cell,
exactly like that. But for guitar, it does
not work like that. So if this is the open string e, you can find the same node, the sound the same on
second shrink the threat. They sound exactly the same. And also as well on
the third string, these all sound the same. And you can find it
here somewhere as well. You have to understand
this is how guitar, in order for you to have a
smooth steel from their own. If you're a stranger with the guitar that
you are holding, you're not used to holding it. You're uncomfortable doing
whatever you're doing, then it's not going to
be so much more harder. So actually make
friends with it. And it's gonna be so much
more easier for you. The next part is you have to understand the gifts as well. So for example, this is a
Cabo and what does it do? A Kippah raises
the key of a song. So instead of playing barcodes, you can just kept for
it and play open. Triads caught like usual, erases the key of a song. So for example, if you
feel like the song they're singing is way too
low, it's not for you. It's okay. Just we'd probably kept, bought and put it at the
fret that you desire. Depends on how many key
you want to erase so you can identify which Fred
do you want to put it on? And also another gear that
it's quite important is tuner. What does the tuner do? How do you use it? And if you're not so
sure how to use it, I have a course on that as well. You can take a look. And when it comes
to electric guitar, the guitar, the whole thing
is the electric guitar. Then you're going to have
to understand a little bit more because some
of the electric guitar, they have not been part. But part. You will see some
notes here and there. You have to understand
what all the nuts do and what all the EMS as well. If you have an M with
your electric guitar, is to understand
what the m does. Raise a treble, how Theresa
based things like that.
5. Get to Know Music: The next step, this
is quite simple. It's quite general. So this is going to
be a short video for this one is to understand music. I'm not saying that
you need to understand the whole music
theory or whatever. It's not that important. It is important that
to a certain extent, but it's not like
super-duper important. I'm saying you need to
understand what makes music. Music. Music is made out of melody. It's made out of B. Once it combined
two, you have music. It's very important too. Learn the basic stuff as well,
especially the language. So if you're learning
acoustic guitar, you want to play finger style, then you need to learn the tap. And if you're a classical
player like me, then you need to
learn the notes. It's very important because everything you learn
stuff from the language, even though you're learning now, I'm speaking English, that
is why you understand it. Because without the language, you don't have these things that combine you guys together. There's something missing there. I will say learning the
language is very important. And also understand
music in terms of genre. What do you like? You have to understand yourself a
little bit more as well. What's the genre that you like? What's the genre that
you should explore? And really narrow down
to what you like, because there's no right or
wrong when it comes to music.
6. Identify Your Bad Habit - Pt1: This is the most important
part out of the whole course. So you can skip others, but please don't skip this
one for your own sake. So bad habit when you're playing a musical instrument can
be really, really deadly. It might be the reason
why you're de-motivated. It might be the reason
why you are not. It doesn't sound good and
makes you like on that. This is not meant for me. No. It's just some bad
habit that you need. Later on this video, I will show you some bad habits as well. But for now, I'm just going to tell you why is
this important? Every time after you practice, you have to really ask
yourself this question. Are you doing this
because it's right? Are you doing this because
it's the right thing to do? Or I doing this because this is a comfortable thing to do. So getting playing
a new instrument in general that you've
never touched before can be really,
really overwhelming. And it's really hard to do
the right thing all the time. When you're, for example, your right hand is
not strong enough. You just keep doing going back
and doing the wrong thing. And then it will just demoed the way from their own and everything just go
down here from there on. It's very important to identify a bad habit and try
your best to fix it. And here are some
of the bad habits. But let's start with
left pen first. So here are a compilation
of bad habits that I see. Typically from beginners. I've been teaching
for many years now, seven years to be exact. So here are some compilation of the most common mistakes
that my students made. So the first one is
always with a finger tip. Like this. Makes sure the knuckles is up. And always makes sure
there's space as well. Don't stick your hand like this. Always makes sure there's
space right here. Fingertips and knuckles up. For my students who
are left-handed, they have no
problems doing this. But for my students
who are right-handed, they get left hand
is not as strong. So they tend to do this
with the knuckle down. If you play with
the knuckle down, this is where all the
flats sound come in. But if I saw
something like this, not a clear sound, all the things that you're
playing supposed to sound like this, loud and clear. But if it's not
it's not like this, then you have to
check what is wrong. Okay. My NaCl is not put it up and make sure you press
with finger tip as well. Because if not, if you're
not pressing the finger tip, if you're pressing
like this for example, you're, I don't know
how to say this. This part of your hand will
be blocking another street, for example, this is
the string, right? This proud of him
would be blocking it. And that's where the
cell come in as well. So to avoid it, tried to play it
with a fingertip. I would suggest my students, every time after you
play up the practice, you take a look at
your fingertips. So if you can see
my fingertip now, QC the line of that string. So if that line is
on the fingertip, then you are correct,
you're completely fine. But if you see the line
on here instead of here, then you need to try
your best to make sure your knuckles is up like this. Instead of like this. Always makes sure the knuckles is up using your fingertip. So this part of the finger doesn't block the other string. Then the next one is, don't play too far
from the fret. So if you guys don't know yet, this is called fret, f RET, this thing right
here are called fret. So you have to go as
close as you can, but don't go over it. This is what it's
going to sound like. If you go over it. It's going to sound
a little bit thick and a little bit
fast sound as well. This is just perfect. Seat very close to the
fret, but not over it. So this is what it's
going to sound like. Very low, fruit clear. But if you're too
far from the fret, this is what I call
literally a country away. This is way too far. It's
going to sound like this. Can you hear the type of style? Yeah, That's this because your fingers are too
far from the front. Go as close as much as possible, but don't go over it. And the third most
common thing that I, most common BET habit that I see my students is your thumb. Your thumb should be always
behind breadth to like, let me show it like this. It should be like
this, but not here. So if you're in front of me, you won't be able
to see my thumb. That's the most ideal way of putting your
thumb always behind. So when you press
you have space and with your thumb at
the right place, you don't restrict
your movement as well. So imagine if a thumb
is here, your finger, or restrict it to displace, see how my fingers cannot move. But if the thumb is
a little bit out, you can move freely. See I can go so
much more further. It doesn't restrict my
fingers to do their job. And then just imagine this thumb like a
pillar of your home. And even though no matter how
you ran over your Home Hub, you remodel your home. You don't move the
pillar unless you switch to another position,
then that makes sense. So if you're in the
first position, your thumb should
always be behind friends who don't
move it too much. The movie like this
and like this don't angularly like that,
don't include like this. Try to stable that. Just don't move it. Yeah. Try your best
not to move it. But understand some
court, for example, D you might need to angle
lit up a little bit, but you don't necessarily
need to move here, move there that
it's not necessary. And remember, it's behind fret to not fret
one nut fruit tree.
7. Identify Your Bad Habit - Pt2: Let's move on to
right-hand curses. Quite hard for me to
show it like this. Yeah, you won't be
able to see my hands. I'm going to put this,
this is the host was how your guitar just disclaimer. Okay, so the, one of the most common things
that I see in students, beginner student S right
after they plot rate. They put their
fingers like this. Let your fingers can prepare to put it back,
but don't put it back. Like your fingers can
be no front of it, but don't immediately put
it back after you pluck it. This is going to mute this out. So instead of letting
this sound goal, but the moment you put it, but you don't want
to sound like that. You want the sound to go
continuous is some proper. So try your best not to put
it back up the word this is I understand why they put
it back off immediately after that is because they want to prepare for the next card, prepare for the next time they
want to pluck that string, but you can prepare it in front. Don't put it back. I saw out of tune. And then the next
common mistake, common bad habits that
I see is your thumb and index finger ideally
supposed to be like this? So if someone is sitting
in front of you, they won't be able
to see your nails, especially this index,
middle and ring finger nail, they won't be able to see it. It should be
something like this. Thumb always forward. If it's like this, Not really. It it will sound as
clear as it should be. Let me show different. This is a bad example. This is the right example. Can you hear the difference? Because a lot of them, they try to pluck it
like this as well. You see, from the front angle
you can see my fingernails. That's not the ideal
way to play. Dumb. Always forward where you have this type of looking finger. So something like this
would be very, very ideal. Not like this, not
like this, like this. Then the next common
mistake that I see in students is the
plucking direction. I'm going to like this for this. So usually when you plot the direction supposed
to be like this. So you're plucking
that up instead. You're moving your
finger up instead. The wrong example would be you plug-in your finger in front. So it sounds like this. This is what I
call an explosion. Voices sounds like
instead of thumb, It's just like sorry, like this. So what happened is
you're plugging in front. You plucking this direction
instead of this direction. So always thought like this. Instead of like, this will
create my explosion sound. Especially if you're using acoustic guitar, you can
either create sound like this. So make sure if you're
using your thumb, the direction is down. This direction. You see where my
finger goes afterward? It's not supposed to be here. It's supposed to be done for this tree finger is
supposed to be up front. So this is technically how you stop yourself from making first song,
an explosion noises. Then the next two points
that I'm going to mention, a snore, night, left-hand
or right-hand specific. It's more like in general. So one thing that I see in students is when
they are beginner, they are very used to stopping in-between coats,
for example, with age, San Fransisco caught, they use such a long
time to switch. But even though after they
are not beginner anymore, there are still so used to
stopping the stops are. So one way to fix
this is no worries. I have a very good way that
I guarantee this would work. No matter what happened. With your left hand, your right
hand just keep strumming. So when the music stops is very obvious that you
do something wrong. No matter what happened. You just your right
hand just keep going. Strum down, down, down, down. And then if there's
something wrong that you're pressing your
adjusted afterward, but your right
hand doesn't stop. Let me show you an example. This is a bad example first. Oh, yeah, it's, it's
running slowly. And then you wait
for you until you press all the G chord,
then you're stuck. You can't hear the
stops in between. That's what makes people think all of this people can play. But that's not the case. You can play. It's just that. Your right hand me to keep trimming no matter what
happens to your left. So just keeps me just
keeps dropping slowly. So sometimes you might
press their own for it. For example, let me
share an example. Starting with C card. Okay, some things are wrong. Then you just slowly edges a finger back to where
it's supposed to be. So to conclude,
whatever I just say, the main thing you
need to do is, no matter what happened to
your left or your right hand, your right hand, just keep doing whatever they supposed to do. Moving on to the next
point that I see that's quite common
with other students as they tend to find
excuse for themselves. Like, yeah, my left
hand is too short. I'm not using I don't
really use my left hand. I don't really do anything
with my left hand. My left hand is not
strong enough to press. Now, you're actually
your left hand. It's completely fine. Do Notify excuse for herself. So just one thing though. Do note that your
left hand fingernails not supposed to be too long. This is kinda long. Actually. I usually don't keep it as long. Usually you can't see the
white part of my meal. I usually don't
keep it up because if your fingers are two, nails are too long, right? You tend to press it like this. And you know what happened
when you press Select this? Yes, the first sound
is going to come. So make sure your
fingers are too long so we can press it
with your fingertip. And if you really do feel like you have hard
time pressing bar chord. If you really, really do feel like your left hand doesn't have enough strength
and all the stuff I would suggest you to get. I don't know what I don't know
what's that thing called? It looks like this. I will insert picture here. Just get this thing and keep doing it with
your left hand. Use the left hand more
and practice guitar more. Anything that helps moles
with the left-hand, I'm going to say it's
guitar, no joke. It trains your left hand so much more that anything that
you can buy out there. So just practice more. Turn your left and
a little bit more. And usually after training,
mentoring, after practicing, this part of your head will
feel a little bit sore. That's completely normal. That's completely fine. It means you're training your
muscles just like when you go to G and the next day
your body just feel sore. The same thing is the
same with your left hand. And usually for guitarist like that have been playing
for a long time like me. Usually their left hand
is bigger than the array. No joke, seriously. Let me show you can see, yeah, my left hand is slightly
bigger than my right. This, this happens to
all give terrorists this just to show you that practice makes
all the different. As long as you practice. Just handy thing to adjust
to the practice environment. I don't know what to call it. Your finger is going
to compensate that your fingers are gonna
become stronger, longer. Another type of
stuff, so all you need is actually practice.
8. Class Project: Let's talk about class projects. I have attached document
file in the resource tab. So this document file is
for you to keep track with your practice and what you
have achieved that day. And I also attached a song, trader by Olivia Rodrigo. The reason I chose this
as the song is quite easy because the whole
song only use 55 quads. If I'm not mistaken. The cost is repeat and
repeat for the wholesale. So the first step
that I need you to do is identify your end goal. So what's the end goal
of practicing this up? Is it because you want to sing
and show them on your own? Or you just want to shop, you don't want to see,
that's completely fine? Or is it because you want to play in the band in the future? Maybe afterwards? Nobody knows. So first, identify your
ankle and then second, you have to identify
the type signature. So if you miss me explaining
time signature just now, please go back to the previous costs where I
was explaining about beats. You can find the
tensile nature death. So just listen to
the original song and try to tap the
beat and see what, what time signature is it? How many beats per bar
for this cell? Basically? And then the third step is you have to
practice this song. You have to preface. Remember
if the left-hand side, your right hand doesn't
stop your head, just keep continue
doing their thing. And then afterward, I do
want you to kind of record. You can record a video like this or you can recall
voice recording. That's completely fine
after you record it. Because why I want you to
record It's very common. That's what I do is actually a common practice
for me. At least. I usually record it because
when you're playing, your brain is
already handling so much like your left hand is doing this, your right
hand is doing that. Your eye is looking at
a CT and the lyrics, your brain is already
doing so much. Usually, if you still want your brand to
listen to your mistake, that's a little bit high. So I will suggest you to record it and listen
to it afterwards. So when you are recording, just try to do your best. So after you record, try to identify your
bad habits as well. So I also put up tap product question and
identify a bad habit. Is it because this
song, sung or 40, you make it, There's a lot of fat sound you produce
when you play the song? Or is it when you choose the quad is a little
bit too slow. And what can you
improve with that? What's the solution on that? But not be able to find
a solution as one thing. And not be able to listen
to what's the mistake, you make it even bigger problem. So it's very, very
important for your ears to be trained enough to hear
what's wrong with your play. So you really have
to know what's wrong with it first in order to
come up with the solution, lists the other bad habits
and other problems you face, and give yourself a solution
if whatever you're facing. I didn't mention it. Just now, you can
reach out to me anytime I'm happy to help
and then practice it again. Then after you've done all this bad habit,
practice it again. Try your best to give yourself some time. After you're done. You feel like, oh,
this is quite good. Then you can upload
it here with, together with the doc file. And what's the problem you face? What's the problem you fix? And I'm going to show you
guys a little bit off sneak pic of how the song is going to sound
like just in case. Just in case you
need a reference. I'm going to sing until
before the car is. So that is all for
the class project. I do really look
forward to your heart work and reach out to me
anytime you have any questions.
Nola
