Transcripts
1. Growth Path - Lessons 1 - 4 - Course Teaser + Defining Your Vision: Hello there. I'm Taylor Peyton
that the mean under oncourse.com and I've
created growth path to help you develop your artwork and
your productivity and time management skills using
things I learned over the last nine years as a
freelance illustrator, concept artist, and
course creator. Alright, so this class is for beginner to
intermediate students. As far as personal development, time management, and
productivity goes, we'll be touching on and giving strong introductions to how you can get clear on your goals, instill habits to
help you achieve those goals and optimize
your approach along the way, whether it's your mindset
or your environment. If you're a beginner artists, this course can
help you reliably and consistently finished other courses and
build your skill if you're an intermediate
or an advanced artists, this course will
allow you to finish your projects and
pieces more potently and with greater clarity,
productivity, and direction. Since this course is so short, I feel everyone who isn't
already making high to low six figures
doing exactly what they love will
benefit most from it. And by the end of
the course, you'll have a list of dreams, a chosen goal from that list, and the clarity of
vision and action, you'll need to
achieve that dream. So before we hop
in, I just want to give you a little bit
of background on me. Basically, my name
is Tom Hayden. I've been a pro artists and
solopreneur for ten years. I created the beginner
drawing course. I have sold over $50,000 from those eight plus
courses I've created. Not all of them
are on that site. I have three JAK YouTube selves. I've never had to work a nine to five more than three months. I have completed over
1,000 pieces of artwork. I have published two albums, those are musical albums, and I've also completed
a 16-week mentorship with a noun fantasy artists, peter more Bakker
and Sam for legal. So first, before we get
started on anything else, this is a really, really,
really important step. I need you to develop
your vision outline. Your vision outline is just
what's going to help you achieve clarity of vision and
we can refine the throat, the course, but you
need something to work with and to work on. Just take five to 25 min to roughly outlined some
of your dreams, goals, projects you want to
work on things of that nature to help
you practice some of these principles
and ideas that I'm going to impress upon
you in this course. So stop now. Take
five to 25 min, write down all that good stuff, and then we will proceed. Alright, so we are now back. I hope you've spent those integral five to 25 min writing
down your vision outline. If you did not pause this video immediately and go
back and do that step, I cannot overstate how
important it is to have some sort of template free to
work from for this course. Otherwise you will get
so much less out of it. And I don't want that for you. I want you to get
life-changing transformation from the things that I'm going to show you and the modalities of working
I'm going to give you. So you need a vision
outline to do that. Otherwise, you're gonna
be having no clarity. You're gonna get
so much less room and it's just not
gonna be great. So go back and do it. Otherwise, if you
did, Congratulations. Here's the course outline. We're going to talk
about the creative mind, setting goals, productivity
and time management, building habits,
productivity power-ups, and finally some cute
little magic bullets, quote unquote, for artistic
progress in power.
2. Growth Path 03 - Tapping into the Creative Mind: So what do I mean when I
say the creative mind? The creative mind
is a powerful tool capable of unlocking
immense potential. It is how we start from
nothing or some base, very grounded Earthly elements and build them up into magical, crystalline, gorgeous,
sparkling artworks and projects that are
going to stimulate and give people
amazing experiences. And you're gonna go through
the process of making them, which will be an amazing
experience for you. The creative mind is the force that we're gonna be tapping into
that will inspire, awaken, and act as our muse. So creativity is a
very mysterious force. It is hidden beneath the surface and it's waiting to be unlocked. It can be someone through
the power of your intention. Once we tap into it, we can access the depths of our soul and create
inspired works of art. These are not works of
art that you make just because you have a quota to fill or because you
think you should. These are the things
that are literally just, well, not literally
because when we're talking very
metaphorically here, but these are the
things that are deeply embedded in
your consciousness, in your being, in your unique
blueprint as a person. So if you're an experienced
artist, writer, and musician, creative of any sort, you have felt this force before
when it does come through. It's just something that
we're going to have to get more and more aware
of as we work with it. And even this one thing be so
rewarding if you can do it, which is just get more and more conscious when this
force is coming through when you're tapping into it
when you hit that flow state. Because then that's when
the fun stuff happens. That's when you
surprise yourself during the creative process. Lastly, it loves consistency. The Muse really likes
when you're consistent, it wants you to acknowledge it and to have a reverence. I
don't mean to worship it. I'm not saying blast
FIM or whatever, but it's just about having appreciation for this
force that if you've ever played music
and all of a sudden this great progression
comes out of this melody just
appears before U, you're sketching and the
lines start to make sense and become this potential of something gorgeous your
surprising yourself. That is what I'm referring
to. That is the Muse. So the body is the
vessel for the mine. Let your creative mind
roam free and you will magnetize your efforts to be productive, surprising
even yourself. So the creative mind is something that you just
have to become aware of before you really start
diving in to some of the more productivity things we're going to be getting into. Since this is really
early on in the course, I figured this is the best
place to get you very, very aware of the creative mind. So I promised in the course description
we're going to have some actionable items to get you implementing
these things. And I am not kidding about that. So the assignment for
this portion, again, do not continue until
you do this assignment is to ask your subconscious by
using the power of your conscious thought to
assist you before beginning. This can be meditative, it can be a prayer, or it can simply be
a thought of intent. So say, I am going to work now, I want to create something that is deeply aligned
with what I like, what I enjoy, and what I want to see more of manifest
in the world. After that setup Pomodoro
timer for 25 min and you can just
use a timer app on your phone and then
begin to sketch, compose, or right, based on one of the ideas in your
vision, outline. Just detach from the
process and enter as much of a focused
trans as you can. Don't worry about
the timer too much. You can glance up at
it a couple of times. Don't worry about anything. If you only have 15 min, set the timer for 15 min, just get this assignment done. And it really, what this
does is two things. It gets you used to setting
timers and it gets you in the habit of talking to your
muse slash subconscious, which is one of the most
important parts of being an artist or creative
of any sort is to just really get in the habit
of knowing that there are layers of your brain and mind and neurology that I'm not going to dive into the
theory for because a, I don't have the
expertise to do that. But B, it's just not within
the scope of this course. These are things
that seem magical, but there are very good
scientifically backed reasons for the flow state, for being able to ask them
use as the Grecian or the people of your
who came up with the more metaphysical
explanations for these things would tell you. There are many, many things
that are very mysterious, but they're very powerful. And a big part of this course is helping you tap
into those things. So set your timer, get ready to work on just any random idea on
your vision outline list, because this is going to help
you start to cement some of the things and habits
that are going to be very powerful for
you moving forward.
3. Growth Path 04 - Goal Setting 101: Welcome back. I hope that was a great
experience for you, even if it was somewhat
dicier, somewhat rough. Don't worry, we're just
getting started with this. We're just starting to kindle
a fire that is going to be burning by the time we
get through all of this, we're just starting to stir the whirlpool of our
creative potency. So if things are starting off a little slow, do not worry. We're going to start to energize and create more
potency moving forward, as long as you're
doing the assignment that is the most important part. But this chapter we're going
to talk about setting goals. Setting goals is
an important part of personal development for anyone that does
not exclude artists. We're going to make
sure that our creative ambitions can be achieved. So creating goals,
we have to make sure that they are one
realistic and achievable. And this is all basic
goal-setting stuff, but it's definitely something
we want to talk about, something we want
to hammer home and put at the forefront
of your consciousness. So we're going to talk
about smart goals. We're going to talk
about habits over goals. We're going to talk
about sprinting versus marathoner and talk about having clarity
and concision. Alright, so smart goals
for artists with examples. So smart goals, we've
all heard these before. Probably specific,
measurable, achievable, relevant, and time-bound goals. All of these things
that you've heard from personal development
stuff before. They I mean, they work what can I say? They
have worked for you? It's because you didn't
have some of the other pieces of items in this course or they were not realistic or achievable
or actual smart goals. But if you haven't
heard this term before, it is a really good term for
helping to make sure that we are actually putting into play things that will happen. So some of these examples of smart goals are painting a
specific number of canvases in a certain amount
of time or creating a certain number of pieces of digital artwork in
a given period. Now the important
distinction here is to remember to tap into the creative mind when
doing these things. So you're not just going through the rubric and going through the course and getting it done, because that is not how you're
going to make the magic. The magic comes from you tapping into what
you really like, what you really love, and
being very aware of that. And getting very intentional
when it comes to creating. So even if you set a smart goal, make sure that you're tapping into the creative mind with it. Alright, so stop now and set 123 smart goals
for practice. I know you're like, Oh, I'm just starting to get
through this course. There's barely just a video
and I have to do work. But yes, that's
exactly the point. I'm getting you in the
habit of being productive. What good would this course
be if you are not producing? So stop right now
once again and just take a second to set
123 smart goals. Again, goals that are specific, measurable, achievable,
relevant, and time-bound. So that means that we
can say we painted three different studies
of still lives, which is an achievable
thing to do. Within a three-week period. There's a still-life
a week or something. So this is something
that is really, really important to know
how to set a smart goal. So I want you to practice it by setting 123 smart
goals right now. You don't have to work
on them right now, but just practice setting them. So take a few moments to
brainstorm and define achievable objectives
for yourself to keep your creative
potential growing.
4. Growth Path 05 - Habits of effective artists: Alright, hopefully
you're not just letting this auto-play
and jumping to the next video without stopping and setting some smart goals. If you are, please
pause the video, go back and do those smart
goals and then resume. For those of you who
already did that. We're gonna be
talking about habits over goals for artists. Habits can sometimes be
greater than goals for artists because habits
will develop a routine. And those routines are
going to carry you with their own momentum to be
in creatively consistent. So by focusing on the process
rather than an outcome, you can stay motivated and consistent on your
creative journey. We've all been to
that place before where basically we are just creating without I'm really having a lot of drive
or a lot of ambition, but for some reason we're
just carrying it along. Or we have stopped
for iteration. And it's like, Oh, well, I should get the habit
going again and then it's kinda hard to turn those
gears and get them spinning. But if you're really
good at setting habits, if you know the principles
of setting habits, then you become even more
powerful as a creative. So I want you to stop right now and think of three habits
that lead to achievement. So after this video is done, pause it and I just
need you to realize that consistency and discipline are the foundation of success. You can not get anywhere if you're not
doing it consistently. If you're not taking step after step after step, if you stop, you're never going to go from your office to the bathroom. You have to have the ability
to take step after step. It doesn't mean
you're always moving, but you need to know that the
movement is what's going to carry you from your destination
to your next destination. So just think of three to five habits
that when cultivated, will naturally lead
to achievement. And I'll get you started
off by telling you about, well, maybe bringing
a sketchbook with you everywhere means that you're sketching more than
if you hadn't. Maybe if your pencils are pretty sharp and you're
more likely to draw things of that nature are the things I want
you to think about. Pretty sharpening your
pencils or leaving a sketchbook in your car,
something like that. And I want you to
just brainstorm some of those ideas because if
they come out of your mind, they're gonna be more powerful for you then if
they come out of my mouth. So just think of some ways
that you're creative habits will help carry you towards some of those goals
that you wrote down earlier, which is why it's very
important that you did that vision outline exercise. So we're gonna talk more
about setting up a workspace, making sure that you're taking regular breaks for health,
things of that nature. But for now, again,
to stop the video, write down some creative
habits that are going to help you once you start
cultivating them. And then we'll talk about ways
to cultivate those habits.
5. Growth Path 06 - Sprinting vs Marathoning for Artists: Alright, so continuing with
our goal setting chapter, this is going to be a video talking about sprinting versus marathon running for artists. So creativity is
often a marathon in that you're gonna be going at a pace that is
sustainable for you, sustainable beam, the keyword. It requires a lot of
consistent effort, dedication, and patients
to reach the finish line. But the other option
is to sprint. Sprinting is really helpful
in creative endeavors or in other goals as a
move that you can use. Much like in a video
game where you have a sprint meter, it runs out, but sometimes you need to
get from a to B a little faster or to get from a
to a to a little faster. So short burst of creative
energy can be used to jumpstart ideas or
breakthrough creative blocks. E.g. if you were
redoing a 52 card deck, then you might spend
a long weekend. So three days,
eight-hour workdays, sketching out all the ideas
you have for the deck. And it's like a classic
playing card deck. You know, you've got
your kings or queens, your jackson, all the
different suites. And let's say you're sketching different designs for the hearts and sketching different
designs for the Jackson, the kings and all of that. And it's like really
strong creative burst. But that process is not
sustainable, drawing 8 h a day. It's sustainable for your body or your mind or your health. There are some things
you gotta D got laundry, you got dishes, you got grocery shopping, eating healthy,
working out, whatever. The sprint is really powerful for getting that
first, initial burst. And then you take a break day, you come back and
you look at what you did and you start
your marathon again. So one piece every four days you want to finish or maybe finished two pieces
a week or something. That just goes really well
with setting your smart goal. Knowing when to
sprint versus knowing when to go into marathon mode. And most of the time
it's marathon mode. But when you have the energy, the time and the logistics, the sprint can be
super powerful. So another thing to really
talk about and hammer home is clarity and concision for
artists projects and goals. So developing your
project requires a clear goal and concise plan as we've been
talking about. But you want to make sure that you're thinking about the
steps of the project, kind of visualizing in your
mind how you're going to get there from a to B to C, etc. And a huge reason why a lot
of artists fail or projects fail is because the clarity
and concision is not there. If you're not clear on what
you're doing and if it's not concise enough to
actually follow those steps, you're pretty much setting
yourself up to fail. So focused on one
goal at a time, perhaps you're like
one to three months. And if that goal is big enough
and appreciable enough, you're gonna be breaking
it down into phases and setting smaller goals
for those phases. And the way you do that is
by prioritizing your goals. So making sure you have the clarity and
concision is essential, but you have to prioritize
it down to one goal. So you can't be
working on multiple goals at once, typically, especially if you're not very versed in productivity
practices, in personal development,
in time management. So start with just one thing. I know it's hard to
pick one for now. Even just to help you
get the principals down in this course
is not a long course. It's a short-course
because I know that people don't have a lot of
practice with productivity, which is why you're
taking this course. So, right, one smart goal for that one item and give yourself a rough timeline and the steps it would
take to get it done. So let's say you want to redo your portfolio just
for an example, you'd write the number of pieces you're going
to need done. So maybe you say six or seven. The themes, maybe you
want a fantasy, fantasy, some sci-fi, some
post-apocalyptic, and those are gonna be the
themes you're orbiting around. And maybe it's gonna be lots
of creatures or whatever. So it's get those
themes locked in. And then look at what clients or customers
you're going to be targeting. And finally, give
yourself a deadline. So it's going to take you
three months to redo it. So that's the one smart
goal for this chapter. There's gonna be a lot of ways to break that
goal down and a lot of different habits are
going to cultivate and all those things that we're
talking about in this course. But if you had to break
it down to just one, I'd recommend probably
the smallest goal if you're not very confident in your personal development time management skills at this point, just pick the
smallest looking goal you have on your list. And if all of them seem too big, maybe even just stop and
generate a smaller one. But that pretty much wraps up the initial
goal-setting chapter. And this is the last
assignment of that chapter. So when you get this one done, feel free to move on because then we're
gonna be talking about other productivity
practices that are going to power you up.
6. Growth Path 07 - Time Management for artists 101: Congratulations,
we have made it to the chapter on productivity
and time management. So these are again, essential for being an
artist and making sure that the personal development
side of being an artist is not atrophy. Breaking down
projects into smaller tasks that we've
been talking about, studying those
realistic deadlines using some of the
smart goal principles, we can make sure that we're
using our time effectively. So some of the things we're
going to talk about in this chapter are where
your time is going. Temporal control, timing being everything
in a lot of ways, and scheduling and
rescheduling when things start to
work or not work or fall apart or what have
you just dealing with some of the scenarios that
life will throw at you. So where your time
goes for artists, planning is the key to
success in any endeavor. And so we're no exception. Take a step back and assessing where your time is actually going and can help you plan
better, set better goals, create all of those
more vibrant projects and ideas without having the constant
interruptions and breakdowns that
typically tend to plague us as we're trying
to achieve something. So your resources that we used efficiently
in that regard. So understanding
the ebb and flow of your own creative process, recognizing that you have
to rest to do your best and having the essential
things in place, like knowing where your time is going is really important. So the way to do that is to take note
and track your time. How are you going
to track your time? You want to spend at least a one to
three days doing this. I know that if
you're just getting started with this sort of
thing and you're like, Oh, I have a good idea,
I'm on my schedule. I know how to figure out
what I'm doing day to day and I work these hours or go to school these
hours and mobile blah. But if you're not actually
tracking your time, you have a very vague, very fuzzy notion of
where your time is going. You could be spending
cumulative 6 h on Twitter doing almost nothing
over the span of three days. And those 6 h could have made a whole new piece
of artwork for you. So what I want you to do is analyze your time
spent and identify patterns and the time and make adjustments to it to be more
productive and efficient. So the big key here is to set a reminder on your phone right now
to track your time. Set a reminder for the
morning and the night. So that could be an alarm
that says track your time. What did you do? Where did your
time go yesterday? Or reminder to track
your time for the day. So setting an alarm
at night and alarm in the morning to remind you to track your time
is really important. You can just do it in a
notes app on your phone. You can say, Okay, I spent an hour eating breakfast
and watching YouTube. And then you went to school for whatever number
of hours or you, you had work and now at work you did this and maybe you've had time for
something else. So just get really
into the habit of knowing where your
time is going because we're on autopilot so much of
the time that we don't have the ability to
really break stuff down and know how much
wiggle room we have. You might find an extra
10 h in the week. And that is an insane
amount of time to be getting your projects done
to be improving your skills. So that's a huge assignment
for this course. Do not skip this step. I know it sounds boring or
weird, but this is your life. You should be
interested in your life and where your time is going. If you'd like all met a
person who tracked stuff and I'm not a person who figures out where my time is going or really pays close attention to my bank account
or all this stuff, then that's a dangerous
place to live. That's a really
not a good way to exist because so many things are going to fall
through the cracks. You're going to get
in a lot of trouble. You're going to
deal with a lot of mistakes you could avoid. Again, either learn these
things over the course of ten years of my adult life. And I would rather that if
you are younger than me, you didn't have to go through
so many painful lessons. And if other than me, you might have already
mastered some of these things. So this might be
very easy for you, but it is really, really potent to
track your time, because understanding
where it's going, whether you are
younger or older, or it doesn't really
matter as much. But the key here is just
know where the hours, minutes are slipping and where you can find more
ways to utilize them. And then you'll start to notice like your energy patterns, like maybe you're
really tired around 03:00 till about 04:30, you almost can't do anything. So it's good to take
a nap or to arrest or to eat a good meal
and go for a walk. So once you know where
your time is going, you can start to control it
and schedule it better and know where your temporal
control comes into play. So activities and time blocks, we want to really carefully
choose those things to get max productivity and ensure the best use of your time
for your creative projects. So creating a plan, setting goals, it
bears repeating. I'm going to hammer
you over the head with these things
over and over and over through this course because I don't want them to slip. I want them to get
into your conscience, into your conscious
and sink into your subconscious so
that these start to become natural things for you. So make sure that you
can better manage your time by knowing
where it's going and then your creative
potential will start to take care of itself.
7. Growth Path 08 - Scheduling + Rescheduling: Another thing to be
mindful of when developing your artistic prowess in
terms of productivity, and especially in
terms of timing, is that timing is
everything for artists. So from the moment of inspiration to the
moment of execution, you need to be aware of timing. You need to start to attune your senses to certain things, such as the ability to recognize when you
should take action, when you should
take a break, etc. So some of the bullet
point examples are when you get a great idea, sketch it down quick before it's gone on a post-it or a napkin. Just get that
initial idea out of your head because it
will disappear on you. You will forget it and
it's gone to either. Likewise, if you wake up from
a dream with a full story, you're painting in
your head, get it out as fast as possible. Exteriorize it, take action
right then and there, because that is when it is
the most fresh in your mind, that is one of those
bubbled up from the subconscious from them use from that
mystical inner place. And you are the one to steward that by
working on your craft and turning that idea and
something that others can experience and taking yourself through the creative process. So when working on
longer projects, you should really take note of the times when you feel
very energetic and the day versus the times you feel
really kinda lazy or lax or your eyes are starting to close on
you automatically, because that is not the best
time to making progress. It is unavoidable that there are going to be times
where you are very tired or very de-motivated
or having negative feelings, that doesn't mean that you
shouldn't be doing it. It just means that you
should schedule for prime time more so than trying to make up for lost
time during non-prime time. So primetime, you want
to capitalize on much, much more versus getting yourself into these
poor working habits of perhaps working at times where you are
pretty low-energy. Another thing to do is to
schedule your break times. If you do not
schedule your break times than unscheduled
break times are going to happen and
those are pretty rowdy. They're hard to corral. So why do you have on
scheduled break times? You're going to be
surfing Twitter for 2 h, going down your Facebook
feed for 45 min and realizing that the time has just alluded to you and
you're tired now. So it's really good to
schedule a break like a good, strong five-minute break, and figure out what you're
doing in those five-minutes. That is, for you, like drinking a cup of coffee
and really enjoying it or getting hydrated by drinking water with
electrolytes or something, just something you can do
in that five-minutes and then maybe Schedule 15
min or longer breaks. All I'm going to
watch this animation I've been meaning to catch up on or I'm going to really rest and let myself nap for 90 min, schedule it in because
then you can have this additional sense of relief when you're
actually on break. Schedule. The break for as long as the break should
be scheduled for. So sipping a cup of coffee
and responding to attacks, that's a good five-minute thing, whereas a power that
might be up to 90 min. So make sure you don't miss fit the time factor to what
the task or break is. So that's really
important because timing is everything when
you're scheduling it out. Lastly, for our timing chapter here, scheduling
and rescheduling. So managing your own
creative process is really important for
getting your potential out of your work and yourself
and you're being, but sometimes you need
to adjust that plan. So learning to reschedule your creative
projects can really help you keep momentum and
stay on track for success, rather than pick it up next
month, next week, whatever. So if you quote unquote break the chain or dropped
the ball or habit, schedule a time
to bring it back, even if you only have
literally five-minutes if you were writing
in your novel. And for some reason
like that crazy. It's been four days and
you're able to do anything, just open up that Google
Doc and spend 5 min. Literally just get
yourself back on track. Because that five-minutes can be the difference between
dropping the ball for a week, dropping it for a
month or even longer. And that is the antithesis
of productivity. So that's kinda the last thing I have for you in terms of
the time chapter here, we're going to be getting into the building habits
chapter next. So just go back and review
the various slides and things that I've said in
terms of time and makes sure that if something
resonated with you, take some more notes
on it, you try it out. You build your own
actionable exercise. Because I can give you
these actionable exercises, but it's really important for you to be figuring
out your own way, to operate in your own way to build these productivity and
personal development skills. So let's get into
the next chapter and we will be talking more about the habit
side of things now.
8. Growth Path 09 - Habits Deep Dive: Building habits, building positive habits is so important for your
personal development, especially as an artist, you're really going
to be focusing on developing those good habits, setting aside time for
doing what you do, whether it's drawing,
painting, coating, whatever. You really want to unlock
that potential again. And the only way
to do that is by getting these things down, by getting these habits down, by getting your time
management skills down. These are all skills that in general school is
not great at giving us. It's not really that effective. In most cases, you might
have gotten lucky, went to a very good school, whether it was college or
more compulsory education. This is why I made
this course for you so that you can get into these skills and really start to unlock those wells of creative
power you have within you. So we're going to
talk about habits, system for success, some
of the best practices, the environmental optimization, which is one of my favorites, and then process potency. So let's dive right
in habits systems for success for artists
with some examples. So creating a habit system
that works for you is essential for success
and as an artist, habits that really
are going to propel you forward if you are kinda getting where
we're going with this, the previous things that I
was showing you, our skills, but you can make a
habit of those skills because skills and
habits go hand in hand. So by planning out your
time and activities, you're going to
prioritize the things that are really important to your creative success and make the most out
of that potential. We keep talking
about brainstorming habits for creative success. This is where I want you to
stop and pause the video. I know, I know we're
not very far in again and yet you
have more work to do. But really we're just
going to write down at least ten habits
that you can cultivate big and small that will naturally lead to
achievement or improvement. So this can be picking
up a guitar and playing to a metronome
for five-minutes. It could be sketching something
from life for 10 min, or it could be as big
as visualizing yourself drawing a masterpiece until
you fall asleep at night. So all of these
habits are really, really important to
start to work into your being and work into your little time slots and
you're big time slots. So if you're sitting on the bus commuting
to work or school, you can have a
sketchbook with you, you know, someone
else is driving. That's a habit. And it's a habit that paid big dividends for me when
I was in art college. Another habit you could
potentially explore is to just get in the habit of thumbnailing for 15
min in the morning. Just different ideas, letting
your subconscious work right when you're
just sitting there with your cup of
tea or whatever. And then you'll have
ideas to work on for the rest of the day or
possibly even the week. So I want you to stop here, put down ten habits you think would be
really effective for that visionary outline that you created in the
beginning of this course. And then you can resume the
chapter on building habit.
9. Growth Path 10 - Best Practices for Habits: Alright, Hopefully you had a good time
brainstorming habits. I'm gonna give you
some examples here. So developing that
creative practice is a very intricate
process and it requires a well-rounded approach that
incorporates mindful habits, active goal-setting and
productive strategies. So all those things
feed into one another. You'd like creating a
synergy here between skills, skill-building and the habit
that drives those things, that drives the
building of skills, that drives the productivity. So from basically things like mindfulness meditation
to efficient time management, understanding these best
practices and adopting the right habits can
help you make the most of that potential. One of the big things
here is to make sure that you are taking
this course and getting into the habit
of writing down all of your big goals for one and
then refining that list, really going through it,
really thinking about it, breaking it down, practicing, spending active time
at your smartphone, at your journal, wherever you want to keep track
of these things. And getting used to looking at what you wanna
do and pulling it apart. Some people work as
project managers and they still can't get their
creative goals to really work for themselves because
it's one thing to do it in a compulsory way for
work or you lose your job. Another thing to try to
make yourself create, and it's just sort of a
tricky thing seemingly, but it becomes less tricky
the more you get into the habit of it because
then it's second nature, it's natural for you. So mindfulness meditation is a good one to adapt
because you're going to be much more aware of things
when you're in a state, not to create in a
state to create, you're going to be able to pay better attention
to your thoughts and to detach from them, better attention
to your emotions and to detach from them. When I say detach, I don't
mean in ways that are going to make you less human, but in ways that make you a stronger, more
well-rounded human. Because this is personal
development at its core. We're not just talking
about art here. We're talking about things
that are going to help you fuel and tire our business and fuel every
area of your life. So getting into some of these
habits like meditation, like getting used to looking
at a calendar every day, getting used to
making to-do lists, getting used to
breaking stuff down. When you are good at this, you become a crazy superhuman. So many people are not
good at this stuff. And I, myself am still just
getting better and better because I got lucky and I married a woman
who is amazing at it. It gives me the ability to understand what it is
to be productive and to have more potential unlocked
by scheduling things, by looking at where
your time is going, by breaking big scary tasks down into things
that can be done. So getting into the habit of looking at your calendar
or planning your day, or even just the habit of thinking about
habits is going to automatically start to
shift your behavior and make you a stronger
artist and person in general.
10. Growth Path 11 - Your Creative Environment Matters: Next I want to talk about the environmental
optimization for artists, which is your studio or space. So a comfortable place
for you to work that is inspiring is
going to be so key. Sometimes it's in a coffee shop, sometimes that is in
your own home studio. Sometimes it is
in a co-op studio where you're working with
other people who are doing things that inspire you or that you're seeing how hard
they're working in that makes you want to really put in the time and the
effort into focus. So the setting is
really important if you've ever heard of
people doing psychedelics, whether you're into
that sort of thing, what they stress all the
time is set and setting. So the setting is where you are. If you are in
somewhere comfortable if you're not at a party or at a gigantic concert, you're going to have
a better experience. You're gonna get more out of it. So when you're
talking about setting yourself up for a really, really potent creative
session or for creative work, you are going to make sure that there's less distractions
in your environment. You're going to make
sure it helps you focus and doesn't
pull your focus away. Your higher levels of creativity and
productivity are accessed. So let's talk a little more about an environmental
optimization. How close are your
pencils to you? Are they pre sharpened? Where is the trash for getting
rid of bad work quickly. So you're not spending
time on a sketch that just sucks how organized as your hard drive is
it easy to find your work in progress files
rather than start a new file? Do you incentivize
yourself to do that? You're basically
designing things so that your human, the more animal, the more natural part of your human is going
to interact in the environment in a way that is beneficial to you
achieving those goals. So are you leaving your
phone under the room when you have a real
working time block, your environment is going
to dictate all of this. So you want to control
it as best you can. If you live with people,
sometimes they're not home at certain times and it's
really good for creating. Maybe you stay up really
late and you have the ability to sleep in and late at night is when you
do your best creative work. So if you want to draw more, you like, take a sketchbook
with you wherever you go. All of these environmental
control factors are going to give you a lot more power when it comes
to building your habits. So controlling the things
going on around you. Sometimes you work
really well by yourself for certain phases. Sometimes it's really
nice to be talking to friends on Discord when you're
finishing up the piece, because that last 20% is just so tedious and
talking to friends, it doesn't distract
you too much. It's just enough to keep
your hand moving while you render out every last little bit of the shoulder
armor or whatever. So now what I want
you to do is to take ten different ways and write them down that
you can brainstorm. Set another timer with the key, set another timer
for five, 10 min, and brainstorm ten ways you can affect your
environment to achieve the goal you chose from
your visionary outline. So that could be,
as I stated before, making sure that your
sketchbook is nearby and making sure that your
easels already set up, making sure that the
files on your hard drive or easy to find
just ten ways you can make it very easy for
yourself to cultivate these new habits through
environmental optimization. E.g. I have a timer on my desk. It is right here. I can turn a little
knob and it's in the resources section
this particular time or that I
bought from Amazon, it's like a couple of bucks and it lets me get
started right away. I can set a little
five-minute timer. I can send it all the way to 55, but the timer is literally
sitting on my desk, so it's easy for me to change my channel by turning
the timer on for focus. That's just one example of something that's
environmental. So take the time to
pause the video, write down ten things
that are going to change in your
environment or you can change in your
environment to make it easier to achieve your goal, to build better habits, and to build your skills.
11. Growth Path 12 - Process Breakdown - How You Work : Next we're gonna get into
your process potency. So understanding the creative
process for your artwork, how clear you are on how that process
evolves and unfolds. So are you aware of what is and isn't working
in your own process? It can be really helpful for you to write down your process, e.g. so it could start somewhere with an idea and then
you begin your sketches. You pick your best sketch, you redraw that best guess
so that it's more clear. You do clean line art because
you're going to finish the sketch now because
you went through all this early-stage stuff, finally, you do the
flat fills that you're separating things into
colors and values. You get to your shadows because you wanted to
find the forums and figure out where the
light sources and when you know that you know
where the highlights are, you can then begin
to soften edges or the style starts to work and
you start to get more form. And then you finalize
it with various effects and whatnot that you've
learned how to do, etc. So that's just one example of knowing how to walk yourself
through the full process of creating a piece of art in a cohesive style because it follows the same steps,
the same outline. So you should know each step and where you
can improve things. Maybe you pick the best sketch
and then you would insert, find, reference and
do studies right here before you redraw
the best sketch. So you can have more
than one process, but it should be
ever evolving and optimizing you to generate the
results that you're after. So it's really important to get really familiar with your
process the same way that I'm placing your attention
through this course forcibly on things
like your flow states, things like time management, things like habits, things
like your environment. I want to place your focus
again on your process because it's going to help you understand how
you make your work, how you've made your best work. You can continue to
make your best work, and where you can optimize it, where you can add
what you can track.
12. Growth Path 13 - Productivity Power Ups: Alright, so now we're
going to talk more about productivity
power-ups for artists, for meditation to automation. There are a lot of ways to stay focused and to supercharge
that productivity, which is what this
course is all about, that is what your growth
path is a tuned to. So to discover the best
tools and techniques, you're going to want to make
sure that you're looking into things like the Pomodoro
or other timer tactics. The Pomodoro is
just my favorite, is easy to set the 25 on, five off, and then
another 2055 off. And then you do a 25-minute 15 or something to that effect. So you basically have to have a timer where you're
going in taking breaks, go away in taking breaks. Another thing is monk
mode slash obsession, which is sort of a
really extreme way of dealing with productivity. And it's not for
everybody all the time. And for some it's
not for them at all. And for some people they
can handle a lot of it. So we'll dig into that later. So you know more about monk mode and it's an option
that you can exercise. It's kind of like the
sprint of sprints really. But you also are going to
find ways to marathon. And in there too, we'll
talk more about that. And then there's
what I like to call a little bit of everything
some of the time, which is sort of a cheeky nod
to Bo Burnham and his song, but it will prove very fruitful as far as a
productivity power-up goes. So when we're talking about the Pomodoro and
other timer tactics, you can really that elbow
to the next level by using Pomodoro is to
prioritize and focus on tasks. So breaking down your projects into smaller tasks
and setting a timer, you can stay on track and
reduce those distractions. Your Instagram scrolling,
your deeming your whatever it is that
takes you away your unscheduled
video game time. So you can just take your Pomodoro and have 25-minute sketching ideas and
then a five-minute break, 25 min for finding one of the ideas, five-minute
break, etc. So that's the Pomodoro tactic. You can set your timer. So however you want to set
your timers and you'll find that different types
of timers work best for different types of activities is just something you have to get into
the habit of doing. The easier you can do that, the better really because habits are all about
decreasing friction, especially when the habit
is early and very young. And it hasn't had
a chance to really cement itself in your character, in your everyday life,
in your thinking. So Monk modes last
obsession for artists is a powerful tool to
channel your focus and passion into that single
creative project. Typically, I don't
recommend it for most people because you really focusing and
obsessing and you can reach a really big jump, a really big leap of progress, which may be necessary, but the other areas of your
life are going to suffer. So you really want to take
into account the fact that, okay, if you have a
whole year of your life, Let's say you live to be 70, 75, 84, if we're so
fortunate, 90, 95, a whole year of your life is something that you
would be giving up to, say build the skill
to even start working on an album or working
on a concept art book, or switching your
job to working as a concept artist or
illustrator in the industry. Spending a year
saying no to friends, going to few family events, working really assiduously,
burning through your savings. Monk mode is not to
be taken lightly. But that being said, if you have this focused
obsession and you're using this course to really dial in your
productivity modalities. It can shoot you to the stars in a relatively
short amount of time. Give you that initial burst of power to make that
big life shift. But afterwards you
want to settle more into like a sustainable, more marathon type modality. So one of the better tactics for productivity if
you already have a really busy life that
I already have hinted two is a little bit of
everything some of the time, which is a strategy that
works well when you've already assessed your
time blocks already. And you know that you
don't have a lot of them. Maybe you can schedule
two big ones during the week where you're
working for three or 4 h, but you want to squeeze
a little bit more out. And you have little
moments here and there, but nothing that you can
schedule is a big time block, in which case you would
get good at squaring away little 51,015.30 min to an hour chunks in order to
keep making steady progress every day in a schedule that's either unpredictable,
are very busy. So you can write a book
like this or practice tricky parts of a song you're
composing your learning. You can render out the hair in one session and then move
on to the hands the next, if you're doing a painting
or a drawing or something. So a little bit of everything
from your project using some of the time
you're afforded by a busy or demanding lifestyle. So since we've talked about the productivity
Power Apps now, such as the Pomodoro timer and some of these other things, we're going to take a break and get into the quote, unquote, magic bullets for artistic
progress and power, which are kind of
cute little ways of adding even more
fuel to your fire.
13. Growth Path 14 - Productivity hacks + Accountability Group: Okay, so some of these hacks, and I call them hacks, like the magic bullets
for artistic power. Or just little ways that
in and of themselves are not probably going to make
a massive difference. But when it comes
to squeezing out those extra little
percentile points of productivity and potency,
they're gonna be helpful. So one of them is lion's
mane for clear thinking. So the lion's mane mushroom is a powerful natural
supplement that helps you improve cognitive
clarity and focus. It has been used in traditional
Chinese medicine for centuries to reduce stress
and improve concentration. And as we know, life can be very stressful and concentration
can be very scarce. So the lion's mane can be
helpful in that regard. Another one, which
is kinda funny. I'm, I'm using this
program to generate these funny images just to help with the presentation and speeding up the
productivity of it. So I don't have to go and dig for files
all over the place. When I wrote like swelling peppermint or lemon
oil for productivity, this leg goes out and
I'm fine with it. So aromatics sense of
lemon and peppermint can awaken the census and
inspire creative productivity. And this is something that not
a lot of people know about unless you're into
alternative health circles. This is scientifically
backed and has been shown. Again, I'm not going to dig into all the theory for this course. It's more about just
getting you into these little principles of
practice and hoping you build habits and time management
and whatnot rather than long tree teases into the
scientific abstract papers. But it has been shown that either the oil or
the actual citrus itself or the smell of
peppermint itself from the plant can help to reduce stress and allow for a more productive
working environment. So again, controlling
that environment. If you have lemons
in your drawer, you're going to make
lemonade out of. Why not just take a
little slice of it, save it for later in the fridge and smell it before you work. There's literally
nothing to lose unless you're like a cat
and alone makes you gag, in which case, I'm sorry. But you probably
already knew that before you came
with this course. So another thing with
the peppermint oil, that's one I have yet
to try for myself. But essential oils are really
affordable and you can get an essential oil diffuser to or you can just drop a
little bit of peppermint, extract in water and smell it. I don't suggest imbibing
any of these things. I won't be responsible for that, but these are just nice
little hacks again, that can help push the productivity just
a little further. Speaking of the AIR, this
one kinda, kinda sucks, but visualization, day and night for success,
wealth and achievement. Visualizing success, wealth
and achievement during the day can help
bring clarity and focus on the task at hand. And this is one that I
do pretty religiously. I don't miss many days, and if I do, I certainly
don't miss the night. So visualizing the goals
during the day will really help you remember what it is you're
working towards. And it might even trigger your subconscious to work even more efficiently.
And even better. Athletes visualize their moves. Dancers, musicians, performers,
people giving speeches. It is a natural part of
our human abilities. And oftentimes you just forget to tap it or make
a habit out of using it. So visualizing and
night before you fall asleep can really help you create more of that
natural connection with the thing you're trying to
work on or trying to master. So I highly, highly, highly suggest these ones. They usually don't make all the difference,
as I'm saying, but they really, really helped to augment what
you're already doing. Some of the more principled
things like time management, productivity practices,
environmental control. So that is all I have
for you in this course. I really want to thank you and congratulate you for
making it through this approximate hour
of productive potency. I really want you to make sure that you did
the assignments to double-check on stuff, to go back and re-watch it. And maybe even once a
week because it's so short and it'll help
keep you on track, help you reinforce
those connections that you're already building. And I have a discord
group for you, which is in the resources
PDF with this very course and the power of community will help keep you accountable
within the server. We're all helping each
other stay focused and motivated on our creative goals. You could find the balance
between fun and focus. So tracking your progress in your own thread in the server. So it's really, really helpful. I found that threads, forum threads were
really helpful for me to stay on track and to
get feedback when I was developing in my earlier parts of
my artistic career. And now I'm using them to
help complete projects. And I hope you'd like
to be a part of that. So again, the link is in the resources PDF
along with some of the other things
like the timer or various videos that might
help with productivity. Again, I want to
thank you so much. And if you want any coaching or consulting in terms of this
in a one-on-one capacity. If you've already paid
for that package, then just be sure to e-mail me. Otherwise, you can check it out again in the resources PDF because I know sometimes having somebody look over your stuff, give you one-on-one feedback, keep you accountable,
can be really helpful if you don't want to do the group thing because that can be intimidating
for some people. Happy drawing, heavy creating. And I wish you prosperity and practice and potency
on your growth path.