Transcripts
1. Welcome: Hi, my name is George, and today's course you'll paint this wonderful flower painting. If you have never
painted before, then this is the
perfect course for you. You will learn
everything you need to know about acrylic colors in order to make a wonderful
still life painting, you will feel guided
all the way through with positive words
of encouragement. In this course, there
are no skip steps. Everything is explained
in very much detail. If that sounds exciting to you, Let's get into the course.
2. Materials: For this course, you
will need a canvas that is 30 centimeters
by 30 centimeters. You'll also need
some paper towels, a big flat brush, a small flat brush, a cup for the water, and the mixing plate
for the colors. You will need white. This is Amsterdam acrylic paint. You will also need
the three primaries, starting with yellow, red, and blue, as well as some brown. You'll need the three
primaries in order to learn how to mix
colors properly. That's all you'll
need for this course. Let's go into it.
3. Brown wash: Okay, all you need for
this step is the brown, the big flat brush, and some beautiful water with the big flat brush in
hand and some water, you can start to make a beautiful wash onto
the white canvas. This is a very important step. It will help you get that
white of the canvas, well, really off the canvas, but it will make the canvas much more friendly for the colors. Now, okay, rubbing some water and adding it to
the brown you can start to very loosely and fast
from the top left corner, working your way down
with this water, we brown, apply a
beautiful wash of paint. Okay, Look at how beautiful
this brown looks. Much better than the white. White is a very
unforgiving color. Colors don't look great when you paint them
straight on white, especially the white
of the canvas. That's why you need
a different color underneath all your
acrylic paintings. Especially a brown. Brown is very beautiful
and neutral color. Going for the right-hand side of the canvas and the corner. Don't forget about the sides of the canvas and spread
that beautiful, luscious wash onto the canvas. Perfect. And just like that,
the beautiful canvas is completely covered. Just a few more dabs of
paint and it's finished. Tried to look for areas that
need a little bit more. And after that, you
can start to move your brush from top
to bottom in order to create a more uniform wash. This was the first step. Let the paint dry
and come back to it. Once it's dry.
4. Roses drawing: Wonderful. Now that the canvas
is completely dry, you can go ahead and
mark a beautiful spot with the small flat brush
and the same brown, this time, a little bit darker. So it shows about four
centimeters above the bottom of the canvas and picking
up some more color to make the color darker
on the right side, just add about
seven centimeters, a little bit more distance as from the bottom and on the top, even higher going and making a beautiful circle connecting
the first segments and then going for the
left-hand side and trying to be as
precise as possible. Not like this. As you can see. It's a little bit flat, so it needs a little bit more
curvature on to the top. And it seems like the segment onto the right is a
bit too far away. So the line doesn't pass
through it. Wonderful. Correcting a little
bit of the circle, once again, a little bit
more onto the right side, making the circle bigger, just going on the right side and connecting it to
the segment time. As you can see, you can extend the circle and there you go. The circle is done now for a beautiful line on the
right-hand side of the circle, just going in, the circle
passes through at the middle. Perfect. Once you have indicated
that beautiful line, you can go ahead and
make a beautiful circle. This time is squished down. This will be the
front of the routes, a beautiful yellow rose, and also try to make the
top and the bottom of the rows little bit more rounded so it doesn't look
like a football, like an American football. Okay, they are much
more rounded now, as you can see, they don't look like the lemon slice anymore. Adding another segment
at the back of the rows to indicate
where it ends, extending that segment and
then connecting the back with the friends and indicating a little bit of a shadow
onto the bottom side. Can imagine it as a
cup and the shadow is on the bottom part
and also in sight. So that beautiful, squarish looking thing is the highlight. Okay, going and adding
another segment. This will be the back
of the second rows. And then a beautiful line is
going down and connecting it very straight with the outside
of the circle at an angle. And then going and moving
that angle a little bit more towards the corner and
going with a curved line, well, with two segments, there will be a little
bit more curved, but this time it's
more straight. Okay. And then connecting
it to two more segments, this time as a roof of a house, another small one, and
then going down and another beautiful angle and then straight down
and connecting it. It's a more complex shape. However, if you break
it down line by line, you will understand how
easy it is indicating that this is the shadow part
of the second rows with a beautiful brown wash on top going to the
back of the rows and extending that
beautiful cup this time making it a little
bit more angular. As you can see, it's
a bit more complex. This rose and adding a little bit more shadow onto the bottom
side of the road. And there you go with
the step as well.
5. Developing the composition: Okay, it's time for some
more flowers starting on the left side with a line that
is parallel to the circle. And another one that's
angled a little bit more to the left and
then one going up. And another beautiful line connecting back to
the initial rows. And now done for the shadow. The shadow is on the
bottom side of the rows. And for a small little leaf as exact line and the straight
line going back to the wells. And just to make the rose a
little bit more apparent, just a tiny bit more brown. This brown you can
indicate the inside, middle of the rows. And for the rows on the right, it just goes a little
bit more inside. So it's very close to the
light part of the rose. Going on the left side
and adding the line is going down and connecting
to the first rows. And then at the top
line going a little bit down towards the middle
rows and fill it in. This will be the shadow and another line
making a triangle, and the triangle at
the top of the rows. Let's make them feel a
little bit more organic. Applying a tiny bit of a different line at the
front of the triangle. Now going on to the
right sides and adding a small little
line just coming out of the first rows and
then align going up and another bigger
line going perpendicular. And then one going
towards the left has an angle and then a curved line indicating the back of the rose. Now at the bottom of this
rows, indicating the shadow. And in the back, a little bit of a
shadow as well. Perfect. Now onto the right side, making a wonderful line just going towards the
right and this line, little bit thick,
and then it curves to the right and becomes thin. And small rows at the
top of the middle, big rows would a
beautiful line and then two staircases and then line coming back
towards the rows. Another rose this
time a bigger one, just going and making kind
of a rectangle and then connecting it back with an
angle towards the middle rows. Once you've done that, you can indicate the shadow
of this rose with a line and then going towards the left and indicating
and not a one, another shadow
towards the right. A few dabs of paint on top just to add a tiny
bit of texture, as well as two beautiful lines on the rows on the right and a small little
runaway petal adding another beautiful line going
towards the spinal rows. This will be a leaf and
you can see it's quite pointy and it goes with
two curves on the side. Very beautiful,
small, that'll be indicating another
one on just left to wet with a beautiful small elongated
client goal going and adding another leaf just on
the right at the top of the composition and another
small one right next to it. And a wonderful
rows behind them. Just curve and the straight line going towards the middle. It also has a little bit
over top, just overdamped. Perfect. And there you go with
this step as well. Super easy.
6. Finished drawing water stems: Okay. And with the
small flat brush and some brown and of course, indicating the line of the water inside the wonderful vase. You can make it a tiny
bit more straight. As you can see, it's crooked, so it needs to be
perfectly horizontal. Once you've done
that, you can create some stems for the flowers. Just go in at a slight angle
from the rows down and make it quite thick
and indicated little bit of a shadow
onto the left-hand sides. You can also add a highlight by dragging your finger on
top of the wet paint. Now it's time for another
stem going towards the right at a more
extreme angle, almost from corner to corner, and adding the shadow onto the left-hand side parts and making it as thick
as the first one. Now going for another one, just going and making it on
the left side this time a little bit more angled as
well as a small little def, just below the rows
going and making another stem this time going
curved towards the leaf, adding some more brown at
the bottom of the vase, indicating the
shadow of the vase having a bit of a
zigzag in the middle, and then another
line at the back, just going quite straight, but a tiny bit Angular and indicating that
this is a shadow. Just would have been
a bit of a wash. Okay. Softening that edge and
going closer to the vase. Perfect. Grabbing some more
paint and just above the shadow out
about three centimeters, you can add the horizon line, or in this case, the table line. Once you've done that, the drawing is done. Let's go into the
next beautiful step.
7. Orange shadows roses: Adding some beautiful
yellow to them, vexing plague ends
mourn for reds grabbing the small flat brush and some yellow as
well as some red, making a beautiful, luscious. Orange makes them
very well together. This color should be a little bit more towards the yellow. And with that wonderful color, you can start in the shadow part of the left-hand side, rows, adding this color to
the whole shadow side, going and very close to the
edge and covering that edge, of course, always covered
the edges of the Rhine. As you can see, covering
it doesn't matter if the brown is not yet
dried completely. This will be completed with
another beautiful layer, adding some more
yellow to this color, making it more bright. And going onto the left-hand
side on the top of the rows on that beautiful petal and also at the bottom corner, making those edges a little bit more
rounds as you can see. So the rows doesn't seem
very, very angular. And in the back, a little bit of this yellow, just a tiny bit going and
adding some more red to make the orange look a
tiny bit more saturated. And in the middle of the rows. And that wonderful color, we had a few strokes and going in and making
it a tiny bit more towards the left and
maybe a little bit at the top and at the bottom of the rows on the right side, just going and adding that volume in the middle
of the second rows, you can add this color
if you have created. And then the yellows
just grab some more yellow and mix it next to this color in order to recreate that wonderful orangey
yellow you had before. Perfect. With this color, you can go inside of the
shadow, the second rows, just add it and create some textures where the shadow
and the highlight meet. Perfect going on the side and making this a little
bit and less circular. So add a tiny bit of a
different edge just going outside of the
drawing and adding just a touch of this new color, a little bit more yellow. Just press down on the brush and make this a little
bit more wavy. And don't forget about the
shadow part of this rose. Just fill that in. This new color, wrap some
more color and tried to add another beautiful wavy line
at the top of the rows, going outside and going
inside towards the highlight. Now with this color, you can add it at the back of the rows. You can start to see
the rows doesn't look that Angular anymore. This is because you are using round motions to
create the colors. And there you go with
the simple step as well.
8. Yellow highlights on the roses: Okay, cleaning up the
small flat brush. In this step, you will create the beautiful highlights
of the Roses. Adding some white to
the mixing plate, grabbing some wonderful white and mixing it on the
plate with some yellow, make it quite white. As you can see. It's very
light and wonderful, adding a tiny bit more white and then straight on the
highlight parts of the roses on the top in between those beautiful orange colors. Adding and filling
in this color. Perfect, quiet. A lot of taste. See by the texture going and adding this color on
top of the second rows. Once you've done that,
you can go ahead and add a tiny bit of
blending in between the shadow and the light
part just by dragging the top color on top
of the orange one. As you can see, this lightly
dragging it into the orange. Okay, adding a tiny bit of
a highlight, just a line, beautiful line at the top
of the rows and going with some textures towards the right to make it a little
bit more round, playing a little bit
with the back of the rows and making it have
a little bit of a hump. So it doesn't look like a cup. Now going on to the
left-hand side and making some wonderful
lines indicating some petals at the border where the shadow meets the highlight and going a little
bit down as well. As you can see, the brush
has a tiny bit of orange. This is a great
time to add some of this orange into the
back of the rows, as well as make your own on the plates and actually
go at the back and soften and
blended little bit of this newly found
color into the rows, as well as on the pedal, on the left-hand side. And at the bottom of the rows, going a little bit
further towards the right and in the middle where
they meet adding a pedal. And there you go with this
wonderful staff as well.
9. Pink roses : Okay, While the middle
roses are drying and grab some reds
and some white to it and make a beautiful pink with this pink and just a tiny, tiny amount of yellow to
make it kinda of a pink. Wonderful. Once
you've done that, maybe add a tiny
bit more yellow, mix it well together. This is a very small
amount of yellow and put it on the triangle
right next to the rows. Don't be afraid to go in side. The color of the first rows. Add some brown and some reds and make it
darker, pink color. Okay, mix it well together. And you can add it right at the bottom of the color
you just laid in, as you can see, making the shape a little bit more round as well. Digging up the brush
with some paper towel, wrap some reds and some whites, maybe a little bit more
white and some yellow recreating and making
a lighter version of this wonderful pink. Just add a little bit
more yellow to it. And as you can see, a very light salmon, pink. Okay, this color goes at the top of this
wonderful relatives. Look at how beautiful it looks. Just start from the top
and add a tiny bit more yellow and red in order to create the first color. Perfect. Going. And adding this on top, creating some more textures and a beautiful line just
going in between the light and the dark color. Going and adding some
more of the shadow back just to cut in and
add some textures. And for the rows at the
top on the right side, just grab this shadow color. Take some reds, some white, and some yellow and
make a beautiful color, beautiful lights, 78 pink. As you can see, it's in-between
the shadow and the light. Adding a tiny bit more red
and yellow to make it more saturated and putting it on top so it's tiny
bit more saturated. Cleaning up the brush and
grabbing the highlights and adding it at the top a little bit lower
than the drawing. It was a tiny bit too big. Grabbing some reds
mixed signal in, adding some yellow
to it and adding some white just to dull
it down a tiny bit, putting it onto the
right side of the rows. And at the top of that, just connecting it, making it
a little bit more circular, let's say, as well as on
the rows to the left, just making it more textured. Making another beautiful rose at the top with a
beautiful line, adding some more white to this
color to make it lighter. Mixing it very well together, and adding just a
tiny bit of yellow to create the light part of
this rose on the top. Perfect. And there you go with
this step as well. Super easy.
10. Yellow vibrancy : Okay, For this step with the small flat brush,
some yellow quiet, a bit of yellow, put it in the middle
of the plate, and a tiny bit of red into it. Just on the corner of the brush, just a small amount. With this beautiful yellow, you can start to make some
bots on the big rose, adding some vibrancy to the rows and some
battles at the top, in the shadow, as well as
on the petal at the top. Perfect. Going further in-between
those light petals where the light
meets the shadow, as well as in-between
the two roses going back at the top and
adding some of this yellow. As you can see, the brush
has tiny bit less colors, so let's add it to
the back of the rows, thus increasing the
color fullness of rose, going to the second
row and adding at the border at the
top of the rows, as well as where the
light meets the shadow. And going and adding some
more on the right side, some more petals, adding that little bit of
red into that yellow, making it a tiny
bit more orange. And now going inside
you can start to see it's quite a bit more orange and going and making some of these beautiful petals. Just cutting some petals, pressing down gently and cutting some petals inside of the rose, going on a concentric
manner and going for the big rows with this
orange and making a few petals on the shadow side. And in between just the petal below and at
the top of the rows disconnecting those
petals together and over the yellow because it
was bit too intense. Now going back to the
second rows and adding some more of this beautiful
color at the bottom. And now for the top rows
going and adding some of this color and adding more red to it and a little bit of white, making a beautiful orange. And I can get onto the right
side, salmon, pink rose. And now on the left side, just on the petal, just bring it together and make it more integrated
with the yellow roses. Adding some more
red just to bring that semi color back and adding get just at the top of the petal just to create
some more diversity. And now back on the top rows, just touching but this color
on the right side as well, making another runaway battle. And there you go with
this step as well.
11. Top rose: Okay. With the big flat brush and
some yellow on the corner. Just a tiny bit of yellow on the corner making a
highlight this time, quiet a bit more light
than the yellow you used for the highlights
on the roses. As you can see, much lighter and apply it on
the first throws just on the top is making a small dab and
dragging it a tiny bit. And on the small rose, quiet a bit more
highlight on the corner. And then for the top
rows, as you can see, adding this color top and
on the right side going down as well as curving to the left and a little
bit in the middle, just a few dabs of paint, adding some more yellow to this color and some
brown to make it a little bit more different than the color of yellow roses. That Brown makes the world of a difference and some
yellow to make it darker, okay, mixing it quite well. And you can start the seed, this brownish color, this
beige, beautiful color. Mixing it in with the
white that you've just applied to
create some textures. Some more yellow and some
brown making a darker color. And adding it onto the side and adding some more textures with the corner of the brush, just where it meets the
highlight as zigzag, just making it more
beautiful and textured. Perfect. Once you've done that, you can grab the small flat
brush and some white n, mixing it in to a corner of the color and add it to
the top of the rows. Just dragging a line, just making a
beautiful petal going down towards the yellow part
of the rows and then in the, the corner and
making little bit of a runaway petal
on the right side and at the top, perfect, adding more texture with
this more white color and making little bit of a PEDOT more textured in the
middle of the rows, grabbing some more
color and adding it to the middle rows on
the bottom side, making it quite a
bit more light. And on the right-hand side, rows just adding another
layer of lights to it. And there you go with
the step as well. Such a simple and easy step.
12. Purple vase and background : What a clean fresh plates. Some blue as well as some red. On the mixing plate. You will get to play around on the background
and the vase with some bluish color mix
some red into the blue, making this bluish purple color. And what the big flat
brush of course, making some textures
onto the shadow, making it very, very blue. Shadows tend to be very blue in nature and also bit purple, very cold, covering
all the Canvas. Read where you drew the shadow and underneath
the vase as well. Taking some more colored
this time tiding bit more blue in order to
create some diversity. Some say zags. These will be the light's
shining through the vase, as well as the transitions between the shadow
and the light parts. As you can see, it's drawn right at the edge of the shadow. Mixing some purple once again. Once you have this beautiful
purple on the mixing played, as well as the brush, you can start to drop in just in the middle of the
vase, a triangle, as well as another triangle just above
it in between those beautiful stems going for the left side and
adding some more color, as well as leaving a little
bit of a gap just on the side where a different
color will be applied. Don't forget to leave
the stems untouched. Okay? Trawling in another triangle just on the right bottom side, as well as an under shape, okay, under the rows, adding
this color as well, going a little bit more red
and adding it under the rows, this will make the
color much more purple. So it contrasts very well with the orange of the relatives. And in this small little corner
in-between the two stems, right about the water
level and in between the roses Don't forget to leave a little bit of a space
for the highlight. It's much harder to paint
highlights over a dark. Okay? Adding some more
red to the color, making more of
this purple color, and adding it to the outside of the vase just
on the right side, covering the canvas,
onto the right side. Just be loose and free with this since there will be
another layer of paint. And going up, cleaning up
the brush on the canvas, taking some more color
and mixing it in with the blue just to add some
variety to the background. Now going on the left side, adding this color just below
the rows and the leaf. Okay, Perfect. Going and covering until the edge of the table
and a little bit up, you can go into the leaf a little bit just to
make it more integrated. Making that beautiful
blue once again, and adding this color
just on the left side of the stem where the
shadow meets the vase. Also a little bit on the side
of the face as you can see. And of course, this
blue should be at the meeting point
of the shadow of the background and the
light at the table. And there you go with
this beautiful step.
13. Blue gray rose and reflected light: What an interesting step. This will be adding some
white to the mixing plate, as well as some yellow. You'll get to play with
some fun greenish color. It's taking some blue and some yellow as
well as some white, little bit more blue with
the small flat brush and some yellow making the
pile of little bit bigger. And of course, adding
it to the rose, just next to the
big yellow rose, adding some more yellow to the color and a tiny
bit of red just to make it more gray and more
yellow and more reds. And a touch of white just
to make it more light. And adding it to the
bottom side of the rows. Being careful not to touch
the front of the rose, cleaning up the brush
with some paper towels, taking them white to make a
more light color with some yellow and some red mixing
in light yellowish tone. Okay. Making it even lighter
and grabbing some of that green and mixing it in just the dull it
down a little bit. So it doesn't seem
so overpowering. And this will be the highlight
of this wonderful rows. I know a green rows have
bluish-green roads, but they exist in this form, especially when
it's a white rose. It tends to have these shadows towards
the gray bluish tones, adding some more
white and adding a petal just in
front of the rose, as well as making an
even lighter version and accentuating that
petal once more. Perfect. Cleaning up the brush once again with some
paper towns, very handy. And then the paper towel
going and taking some purple and some white mixing in that blue once again to
make it more purplish. And adding this color
to the bottom of the rows just to indicate a
little bit more shadow going into the white and
dragging a little bit of that white just to muddy
the wonderful color, making the purple a
little bit more intense. Just to add some
diversity to that wonderful rows
doesn't need to be very detailed since this rose is not the focal point
of the painting. Cleaning up the brush and
adding some textures on top, just grabbing some paint off the canvas where you've
made this wonderful rows. Blue and a touch of yellow. Some white discolored
will be very important for the
rows at the top, making a little bit
of this bluish tint. Maybe the background
reflects into it. Cleaning up the brush and very gently smoothing that edge over. Adding this color chest
on the right-hand side, the yellow rose, as you can see, it stands out quite a bit as a light that shines from
the left of the rows. This will be a
very good contrast between the shadow
and the light. Warm and cool as you can
see, it all so good. On the middle rows, the big one, there is not a lot of
paint on the brush. You can also take
some water and add some beautiful petals just as
you did on the right side, going and taking
some more water. This is very transparent
just to give those petals a little bit more
transparency on the rows, as well as add a tiny bit of this water onto the
middle of the bros. And there you go with
the step as well. Such a fun one.
14. Purple rose and leaves: Okay, here goes another
beautiful step, grabbing some red and
mixing it into the blue, adding a tiny bit of white
to make a beautiful purple, quite a bit more red
than the backgrounds, and a tiny bit lighter mixing it's in red
and some whites. Adding it to the rows, to the back of the rows as well as on the shadow
part of the row. Making the edges of the rose
a little bit more organic. Organic just means a tiny bit more rounds going
and adding a nun, a beautiful part of this purple right over the edge
of the yellow rose. The beautiful edge. Cleaning up the brush with some paper towels and taking
the symbol, read some light, mixing it very well together, adding a tiny bit of blue
into it and adding it on the top where the
light of this rose is. Taking some more blue
and adding it to the color and putting
this color on the back. Adding a little bit of this
highlight on to the shadow. And on the top side, grabbing some of that
purple and putting it on the right edge of the roads. Making a beautiful light pink, this time a little bit lighter. And adding it on top just so
it creates more textures, more fluffy and luscious
textures on the rose. Super easy to do. Just that little bit of a
touch here and there on the edges to make
it more dynamic. Cleaning up the brush once
again and adding some blue, some yellow to make a
wonderful green for the leaves going or the
right side in the corner. Just making this wonderful leaf, filling it in with this color, and then making a
highlight and filling it on top of the first color. Perfect. It just goes right
as you can see, and it bends a little bit
over, making another leaf, this time over the 70 rows, look at how easy it is to create a wonderful leaf going for
another smaller one on top. And of course, one just going over the rows
you've just created. You can pick up
some of that purple and blended back into the leaf. Once you've done that, you
can take some red, some blue, darken this color, make it
a little bit more dark. Adding some yellow, making
it very, very gray. And of course, with the, you can go in between the
roses and add some darkness, bringing forth the light and
increasing the contrast. Just a few dabs here
in there, okay, can also add it to the
leaf on the right side and at the beginning of
the two leaves at the top, grabbing some more
of this color. This is the color of the
shadow of the stems. Perfect. Adding it to the
right side of the stems. Don't forget to add
it on the stem just going from the rows
on the rights and also on the leaf below the
big rows and into the water. Just creating more of
a variety of color. Perfect. Grabbing some yellow and some
blue to create a highlight, creating a beautiful
green for the leaf. And now for a lighter highlights for the right-hand
side of the leaf, cutting a little bit into
the second semi pink rose, grabbing some more of
this highlight and going on the left side and some shadow color just to add it underneath to increase
that contrast, just where the rows perfect
and increase the size, as well as be
careful to go little bit into the rows rates, making a later version
of this yellow, green and adding it to the
right side of the stems. Don't worry that the stem behind doesn't yet
have the shadow. It will. And going forward, the third one, just like
this and on the left side. And of course for the leaf, you can grab some more yellow to make it more saturated since it's outside of the water and right at the edge on the
right side adding this, they're grabbing some
of that shadow color and adding it to the leaf
just to create more variety. Also on the right side leaf. And don't forget
for this leaf just above the left-hand
side, seminary rows, also adding another
beautiful leaf onto the left-hand side, just below the big rows
and one on the right side, just right next to the vase, as well as the smaller
one on the left side, just coming out of
the pink robes. And there you go with
this beautiful step. Let's go into the next one.
15. Reflected light petals yellow: With the small flat
brush and some yellow just from the tube
on the mixing plate, you will start to make
some petals inside the shadow part of the
orange roses chest with some small rounded
motions going and adding some more petals inside and
at the top of the rose. Now moving on the
second rows and adding just above and some below on the bottom part can
also add this color at the transition between the light and the shadow part of the rows. This will make a very
beautiful transition. Adding another small
little highlight on to the middle of the rows, cleaning up the brush
with some paper towels, and then you will get some yellow onto the
small flat brush. And if you still
have somewhat green, just mix it together
in order to create the beautiful
highlight color for the leaves on the right side, just adding a small
little highlight at the corner of the leaf, moving forward to the
left side and adding just the line at the
top of the leaf. And now on the left-hand side, desktop and lower
another highlight, and let's give a tiny highlight to the small little leaf behind. Now the one below the rows
just on the right side. And a line answer highlight, moving forward at the top of the second rows
and on the right. And there you go with this step.
16. Brown background: And in some brown
and some yellow to give a little bit of
attention to the background. The background
will be more brown towards the right and
more yellow as you go towards the left
and purplish blue as you go down,
adding some yellow. And with the big flat
brush just grabbing some brown and adding
it to the right side under the leaf and right
next to the purple rose. As you can see, this
adding a lot of based in order to
cover all the canvas. Being very careful at the
edges where the brown meets the leaf or the robot's going further up and adding
the same brown. Again, being very careful not to go over the leaf for the rose onto the left very peacefully adding
this wonderful Brown. Okay, moving a little bit down, grabbing some more color, adding some more
yellow to the color, mixing it very well. And moving towards
the left side, as you can see, the color
is much more yellow. And trying to add some more interesting
edges to the rows. As you can see, this is a technique called
negative painting. When you bring the background
into the actual painting. Moving forward to
the left-hand side of the painting and adding some more yellow just to make it
more light and different. You are doing this just to make the background
a little bit more interesting than just a brown color going
a little bit down. Being very careful, this
is a very good time. If you see something that
is not in the right place, it doesn't have the right shape. You can edit the shape
with the brush just going and cutting over
the painted leaf or rows, grabbing this small
brush in order to get into the nooks and crannies of the rows and leaves going further up in
between the leaves, which is to make those shapes a little
bit more interesting. Don't forget about the edge, cover it on the sides as well. Going on the right hand side and adding a little bit more of this yellowish color on the right next to
the purple rose, adding some blue to
the mixing plate. And with the small flat brush, add some brown into the color, into the brown and mix it just at the edge where the
brown meets the purple. This will be a
transitionary color, just making the brown seem a little bit more
integrated into the, perhaps even more blue. And going on the
left-hand side this time, just at the edge where
the two colors meet, the brown and the purple
going under the White Rose. As you can see that
the rows starts to become way more white, going and mixing a
little bit more color and adding it this
time to the water. So you can see it's making
a very straight edge on to the water level going and adding this shadow
color to the stems. Okay, and onto the right side just to add some
more color variety. And in between Over the standards and
leaf below the Rouse, going in-between the
roses at the top and below to add a little bit
of this dark color as well. And there you go with the step. Such a simple and easy step.
17. Table and vase highlights : Time for some beautiful lights with some white on
the Mexican plate and the big flat brush
grab some of that yellow and adds a lot
of white into it. In order to make a
beautiful yellow. You can cut it a
little bit with some brown in order to
not be so yellow. Once you've mixed it, you can apply it
on the right side, underneath the purple on the table and spreading
it around the corner, grabbing some more yellow and mixing it in with the white, yellowish color you've created. Moving down to the lower part of the painting and spreading
that color around, adding some more white
make it lighter. And as you can see, these towns blend
very well together, spreading it around loosely
and covering all the surface. He left out for this
specific color, adding more white into it
and going behind the vase. Just adding this interesting
color behind it as well. Okay. And finishing the
part behind the vase, be careful not to spread that paint onto
the vase as well. If you do, you can always
pick it up with the finger. And after that, add a tiny
bit of blue and add it over the purple and yellow right at the intersection between
the light and the shadow. This will create a beautiful
transitionary color, as you can beautifully
see in the video. And you can also brush it over so it's a tiny
bit more smooth. Adam, little bit more white, yellowish to the bottom of the vase just to add
a wonderful light, as well as on the right side where the water level
meets the vase. And let's do the
beautiful water level. Tried to make it as
straight as possible. This time, not like in a
video, but straighter. Don't worry, it will be
fixed in a few seconds. Go from right to left and cover all the area except for
the beautiful leaf. Once you've done that, you can go ahead and add some of this new found yellow
onto the vase as well, at the bottom, n
onto the right side, as well as on the space
you've left for it. On the left, some beautiful
reflected lights, adding some more blue
and yellow to the color, to add some beautiful
highlights to the stems. As you can see, they come
to life very beautifully. Add some clutches on to the
beautiful phase in the water. And on the left side, adding some beautiful edge right next to the yellow and the
purple just make the vase more round and defines
adding some more brown to this color
and adding it at the bottom of the vase in
order to make a little bit of a contrast in-between the yellow of the table and the vase. So it's very interesting
way to create contrast. So it doesn't seem
like your outline with this light color the
vase going further onto the beautiful water level
and fixing it a tiny bit just to make it a
tiny bit more straight. This is a good opportunity to define the shape of the rows. Wonderful, with a
few beautiful marks to what our level
can be now fixed, grabbing the small
flat brush and trying to find the right angle. Don't go outside of
the vase as you can see now the water,
it goes outside. Okay. And in the
front of the water, you can add a tiny bit of
a line as a highlight. So it seems like the water is a little bit
into perspective. Okay? And once you've done that, you can grab a little
bit of a darker color and dark in the middle of this line and beautifully
indicate this water level. As you can see, it's a
little bit more round now, making a darker color
with brown and blue in order to make the
stem over the wire. So it seems like they go in
the water not behind it. It's wonderful. Three points. And then you can start to
see, it's more interesting. Wonderful. Clean up the brush and you will make a beautiful highlights, right where the space
is left for it. Grab some blue, a
tiny bit of yellow, and a lot of white
in order to make this beautiful lights,
blue, turquoise. And added just
underneath the rows, it needs a tiny bit more white. And once you do that, you can put a gushy
highlight right underneath that rose and a
tiny bit on the right side, fixing that edge right
next to the purple. And also on the
left side doing the same over the yellowish
color you've applied. And applying a tiny
bit more this time, let a lot more paste and a tiny bit more white
in it. Perfect. And there you go with
the step as well.
18. Finishing touches. Thank you!: Can you believe it? This is
the last beautiful step, adding some red to
the mixing plate, grabbing the big flat
brush and some blue, mixing it together to
bring that purple back again to the surface and making it much more vibrant by adding another layer straight
onto the purple, maybe adding a tiny bit
more blue and cutting in right next to the beautiful
leaf and to the vase. You can also go a
little bit into the transition area as
well as in the vase. Cover up those beautiful
leftover brown parts. And moving your way
a little bit up, adding some more
blue onto the plate, some fresh blue just to give
more blue to this purple. Grabbing some of that
blue on the brush and mixing it straight onto
the canvas in the purple, this will bring
that Q and mixing some red moved to the left
part of the painting. And do the same, Bring this beautiful
purple back to life and add some red into it, spread it around,
and start with the brown and mixing it
in with the brush, still full of purple. It will make a beautiful
transition in between the purple Don't go too
much into the purple, just focus on covering the
top right side of the canvas. And as you go up, start adding more brown. Be careful for the edges. This is the perfect time
to cover a little bit of the edges where you feel
like the shape needs it. Wonderful. And now you can also add
a little bit of yellow into the brown and painted
onto the left side, as well as some red to make
it more orange looking. Thus making a
beautiful contrast on the background from
warm to cool colors. Be very careful for the edges as you go closer to the
roses or the leaves, try to move a tiny bit slower. Wonderful. Added a tiny bit end to the
purple at the bottom as well. Just a few light touches, grabbing some more
and adding it a tiny bit to the
right part as well, the top corner and
above the roses. Brushing a tiny bit of the
paint into the purplish blue. And you can also grab that purplish blue
from the plate and add it back into the left side just to create more
color, variety. Wonderful. Move it back onto the right
side and move back and forth. And as well as fixing that beautiful
mistake of the water. And there you go with
this wonderful course. Thank you so much for being
part of this community. And if you are gracious enough, you can leave a review. See you in the next course.
George-Daniel Tudorache, Together we will create amazing things.
