Transcripts
1. Introduction: Welcome to fashion figure, drawing and dress illustration. My name is Remi for height, be creative director or
running Special Academy. In this class, you
will learn how to draw fashion figures and close
them using a digital app. You will learn step-by-step
on how to flush the figures and color
them using skin tones. You will also learn
how to design outfits on your fashion figures. You will learn how to
import fabric into your digital application and a place to decorate
your outfits. I will take you through step tutorial on how
to draw the face, the hands, and the
feet of your fashion. Because by the end
of this class, you'll be able to draw your own passion figures and
create beautiful designs. You will go from a beginner to intermediate and even a professional with
a lot of practice. So let's get started.
2. Materials Needed: The materials you will
need in this class, or a tablet, or a phone
and a stylus pencil. I'm going to be using my
iPad and my Apple Pencil. I have my book, fashion
figure templates. You can use the templates
in this book and dive right into creating
your own designs. This book is
available on Amazon. For this class,
we're gonna be using the Autodesk Sketchbook app, which is free to download. In the next lesson, we'll walk through the
interface of the digital app. You're free to use
whichever digital app that you already have or
whichever one you prefer. See you in the next lesson.
3. Introduction to Autodesk Sketchbook: In this lesson, I'm
going to be introducing you to Autodesk Sketchbook. There are several digital
applications for illustration. In this class, we're
gonna be using the Autodesk Sketchbook app. There are two versions
of Autodesk Sketchbook. We have the PC version
and the mobile version. For this class, we're gonna
be using the mobile version. It is free to download. After diluting, you click
on it and it opens up. Once you open up the app, there are a number of windows, which I'm going to
be going through. At the top, we have
the two bars here. You have different
kinds of tools. If you click on the
first button, on here, here you have the new sketch. If you want to
start a new sketch, you click on it and then you have your dimension
is in pixels, the width and the height. You put whatever pixel
you want to use. And on top here,
this is landscape, and then you have the
portraits size as well, putting whatever dimension
you want to use. And then you click on Create. And then it'll ask
you if you want to save the current sketch. If you want to save
it, you see yes, if you don't want to say V2, you click on this tab and
then you let that go. And under that feldspars, Well, you have the gallery. The gallery is where you
save your design too, okay? You can save to your
gallery after you finish the design and or you can
share this share button. You can decide to share, save the image to your device, or you share to enter your email address or to somebody's email address
or receive to file, depending on where
you want to hear too. Once you click on
the new sketch, a whole new canvas, that is the pitch,
your paper page. And then under that same tab, you have the preferences. When I click on it, these are the settings preferences
do not touch anything. The only thing I
would advise you to touch if you have to
use your cane mode, which is right here, depends
on what you click on it. This is where you activate your pen and then I'll
go out of this place. It is advisable not to
change the settings, leave them as they act. Just activate your pencil, does the pen you're
gonna be using. And then here you have support. Okay? Then after that first tab, this one right here, this arrow, the first
one is to undo. If you write something, the other arrow is to redo. For example, if I write, let me write something. Alright, fashion. Okay? And then I want to undo
what I've written. I can keep going back. I'm on doing it. This is what this tool does. If you want to
undo a few things, I will keep clicking
on it to go back. Mind you it has a limit
of how far it can go. Now, if I want to redo what I just deleted from the screen, I can use this arrow like this. I keep tapping and he
keeps coming back. Then we'll also have
the ruler tools. So I'll click on this
icon is the ruler tool. So we have district ruler in case you want
to draw anything, put your ruler wherever
you want to draw. I want to draw this
vertical line. I draw straight.
This is my ruler. And then you use your
two fingers in voting and moving to the ruler to wherever you want to move it to. I want to draw horizontal line and move the ruler to
where I want to draw, and then I will drop, okay, I'm going to undo this. And then if I want to use a carpool and click
on the ruler, and then you decide
where you want to, what you want to drop. If I wanted to draw
a curved line, for example, you can
make it smaller. You can increase it, you can decrease it
is very flexible. You can hold these
edges like this. Very flexible. The call through life. So I want to make this
coal, for example. All I need to do is put it to the shape you
want and then you just, you just drawn it. And it gives you that code. I can also move my ruler to the opposite
direction like this. And then I will drop. Again. This is a curve ruler.
Then I'll undo. And then the next one
is we have the ellipse. With this. You can draw like that. And then I'll move this
out and draw again. Then I moved this
out and draw again. You can go on and on like that. You can use these
to draw the head of your facial figure, okay? And then you can
move it this way. Another angle at
the top, like this. You can go on and on. If you do not want to rule out anymore, you finish
using the tool. You click on the ruler tool at the top and it will disappear. This next tool is
the symmetry tool. Under the symmetric two, we have the vertical
and the horizontal. Watch this. I click on the vertical
to whatever I draw on one side will automatically
appear on the other side. This is in fact asymmetric too. Okay, So I want to
draw your hardship. See, I drag on one side, appears on the other side. C. I tried to one side that
is on the other side. I draw it on one side that
pays on the other side. You can use this to able to
draw your fashion figure. Of our body, one side is
symmetry to the other. And then if I click on
the horizontal symmetry, see I'm going to be
drawing on one side. You can see just draw one side. Whatever you draw on one side will appear on the other side. So this is the symmetric to
the next tool you can use to draw a straight line or
bow shape and square hips. So if I click on the line too, I can draw straight
line like this. I released drug,
you release, draw, you release, draw, you
release, draw, you release. Draw your knees. Okay, so you can
use this to create some columns for whatever
project you want to do. Click on the oval. I
can still use this to draw the shape of
the fashion figurehead. You see, I can make
different shapes. And then I'll click on this
square. You do like this. I use it to form a
rectangular or square, C like that, like
that, like that. You can actually play with this. Okay? So you click on the line, it gives you a straight line. I click on the o vowel to. I can use it to draw the
head of my fashion figure. And you click on
this square, grid, squares or rectangles,
shapes, and so on. So the next one I'm gonna be talking to us about
is the Freehand tool. I'll click on it to activate. I've clicked on it and
I've activated it. I can use it to draw anything. For example, a line. I can draw a straight line. I released it goes streets. I'm just going to draw
once I release it, it's just fitting so I draw
a release straightens. And then if I want to draw
a circle is freehand. I released, it gives
me a perfect circle. I draw a circle, I
release it gives me a perfect circle
or an oval shape. Draw and release.
It just gives me a beautiful circle or oval. So you can just experiment, play with all the tools and then see which one you prefer to use. The next one I'm going
to be talking about is the texts tube. We detect two. I can write freehand
inside the box. I'm going to write fast
shown for example. And then it appears. Then you can change
the font here. You can change the
different fonts. You can change the font to
whatever font you want. You can write
whatever you want to write and then you
change the fonts. So you can just explore
with these texts to the next lab is showing you is the fill tool which
I love so much. This is a two here. So I'm going to use one of
these shapes I drew earlier. And I'm gonna be showing
you how the few to walk. You can use these two as well. For your fashion
illustration dresses. You can use it to create
different colors. So once you click on the two, this is the icon and
that's the field. And then once I click
on wherever I want to feel, one-click,
see, stilled. I'm going to change the
color now to another color, and then I'll click
somewhere else. And then I'm going to
change to another color. And then I'll click
on somewhere else. It feels change
to another color, yellow, and then
click somewhere else. If fields change
to another color, pink, click somewhere
else, it feels. So you can keep doing this. Can see how beautiful disease, I love these two so much. You can create beautiful
dresses, beautiful designs. With these two
beautiful designs, we can make colorful dresses. Okay, you see how
colorful it is. Phil can only fill an enclosed drawing or ship
if you want to feel a circle. For example, it has to be completely covered
for you to fill it. If not, it's going to
fill the entire canvas. Your page is going to
be filled with a color. So I'm gonna take
my freehand tool. I'm going to draw a circle, for example, I'm not
going to provide. So I'm going to leave
it open. It beats. But because I left it open, I tried to fit it. The fill tool is going to feel my whole pitch because this is space looks like
something leaking out. I'm going to try
and fill it now, so I'll click on the field too. Then try to feel
this because I have that opening day is going
to fill the whole page. So I click on it, you see it's
filled up the whole page. So but what you want
to do is make sure once you draw your
sacral or whatever you're drawing is
completely covered. That's the only way you can use the field to see how field. This field is actually a
world of possibilities. I can decide. I'm
drawing a circle, for example, and I do not
want to feel everything. You can click on the next one. The next one is not going
to feel everything. So see, you can
decide you're feeling one side and leaving
other side Open. See, see how this tool works. You can move your condo
whatever direction you want to. You can decide want
to fill half of it. See how this works. See, as I'm moving this to the colloid is moving to
a particular direction. You can even use this
like a pattern he dressed for your
national figure. The next one I will show
you is the transform tool. You can transform
anything in this app. Watch this. I can make this ship bigger or smaller in
different proportions. So I'll click on
the Transform tool. This is the transform
tool. So this first one, once you click on
that first one. See, you have all these angles which you can move up and see, see how I'm making my ship. Or a movie this angle C, C, I can take it up like this. Down like this. Or I
can make it smaller. Make it smaller. I
can change the shape. I can bring it down like this. Can do this. See how this works. So you can actually create your fashion
forgot to be very slim. And then you want
it to be plus size. And then you can use your
transforms to increase it. This first one
distorts your figure, change it to a different
shape, it distorts it. This next one is the notch tube. With this nostril, I can move my objects to anywhere
I want you to go. I can move it up. I
can move it down. I can move it sideways. Okay. Then the next two, we flip my objects horizontally. If I click on it, I can flip it. I can click on it and it
flips it horizontally. Right, left, right, left, right, left, right, left. You see quite
interesting, right? And then the 4x2, I click on it. It's going to flip my
object vertically. Up, down, up, down, up, down. The fifth transform
to rotate your walk at a 90-degree angle at
a time anticlockwise. So if you click on it, see is rotating from the
left, which is anticlockwise. And then if you click
on the next one, it will rotate it clockwise. From the right is
rotating clockwise. And then if I click on this
one back, this one front, left, right, left, right, right. So this is all for
our transform tool, which is quite interesting.
I click on Done. So this one's hair brushes are these ones on
the left hand side. Our brushes is called
the brush pallets. It allows you to
choose which to use. It has pencil to
spend to inking, brushes, MCAS,
erasers, and so on. All kinds of tools for
drawing and painting. You will have the airbrush increase the opacity or
decrease the opacity. For example, this is
my technical pen. I reduce the size. The opacity is at hundreds. My pencil is very
thin, as you can see. It's very thing.
Okay, now I'm going to increase the size a bit more. I click on it again,
increase the size, maybe to, let's say 2.5. Okay, and then I
will write again, see fashion, see sticker. I'm going to increase it
to the full capacity. It will be big because
the size is 26. Put it to the middle. Let's see how the rights, let's leave it at 5.4 and then right around and
decide what size you want to be working
with sometimes if job you or do you want
it very thin so you could use the size and
sometimes you want it to look like an ink,
just like this one. Every brush has a
size and opacity. So this is the side and
this is the opacity. The opacity means
how visible it is. If I reduce the opacity, this is what is
going to look like. I'm going to reduce the
opacity of this pen. Now you see his face. If I increase the
opacity to halfway. And then if I increase the
opacity to a 100 per cent, even better, there are different pencils.
It has the eraser. You can click on the
eraser and then I can increase the size
and then the flow. And then I can erase. We have this soft eraser
and they had their notes. You can even open the
library and then you have lots of pens and
pencils to play with. You have the airbrush, see. You can use the air brush and blending we're risking to color. You see how we'll use
the brush to blend. You have texture brushes. I use this to create patency. How beautiful that is. Different textures. You can experiment with it.
They have feathers. Feathers. So just
experiment, go round. We have several brushes. You can go through them
and pick your favorites. We also have other
effects in the library. You can go to them as
well and try them out.
4. Drawing a Fashion Figure: In this lesson, I'm
going to show you how to draw a cookie to open
up a new canvas, you would click on this button, the first button at the top, and you will see new sketch. I'm going to click
on that. And there you see the dimensions. I already said I have
my width to 1500 and I have the height
to 2 thousand pixels. You can use less or
you can use more. But this is what I'm
going to stick to. And then I'm going
to click on Create. This is what my Canvas
look like, a paper. So this is what we're
gonna be using to draw. Okay, so I'm going to be zooming in and zooming out as we go. So this is the whole paper. You can change the dimensions
to whatever size you want. All you need to do is put
the dimensions and you click on Create to
open up the Canvas. So the first thing
I'm gonna do now is to select the Pen tool. I'll be using the technical
pen, which is here. That's the technical pen, can leave my opacity to 80 and then the
size of my pencil, I'm just going to
change it to three. And then that is fine. First thing is to
draw a vertical line down the center of your page. So this is the
center of my page. I'm going to be
zooming in and out. Okay, this is my pen, technical pen is what
I'm gonna be using. The opacity is gonna be 80 per cent and the size
is going to be three. The first thing I'm gonna
do is I want to draw a vertical line down the center of my page
using a ruler tool. To get the ruler tool, you see the ruler
icon at the top here. You click on it and then
you have your ruler. So I'm going to draw in
the middle of my page. I'm just zooming out, but I can get the whole page
and then I will drop. So I have divided
my paper into true. I will now draw a horizontal line at the
top and at the bottom. Then I'll click
on my rely again. This time, I'm going to zoom
in and then I'm going to turn my ruler with
my two fingers, just make sure it's streets. And I'm gonna I'm gonna do the same thing
at the bottom as well. I'll move my paper upwards. I want my paper zoom
in, then our room, try and make sure that
the distance you have at the top is the same
thing at the bottom row, just a horizontal line
across like this. If I want to write, I will have to make
sure I click on the ruler icon again so
that the ruler disappears, otherwise you won't be
able to write, okay? And then when I zoom out, so these are the
lines I've just made, the top and the bottom. So the next thing I'm gonna
do now is to draw out another line which is going to house the head of our figure. And I will liberate
that line head. So I'm going to click on
my ruler icon once again, and I'm going to
zoom in or zoom in because I want to be able to
use the whole of my page. And then I'll put my
ruler like this Streets. And then I'll draw a line across and I'm going to
label these the head. The next horizontal measurements
is that of the shoulder. And I'll bring down my ruler
like this one to show that to be less than half of
the fifth line I drew, and then I will draw
another horizontal line. This is gonna be my shoulder. When you zoom out, these are our lines. And then I'm going
to zoom in again. I've drunk draw the
exact measurement I drew for the head. At the bottom, I take my
ruler tool and I'll go down. I'm using the widths of my
ruler and then I will draw, okay, and then I'll click on the icon so that my
ruler can't disappear. Because as long as Buddha
is Daisy, I can't write. I'm trying to write
now I can do, I'll click on it so that I can do my liberals click on it. The ruler has disappeared.
And then when I zoom out, this is what I have. I'm going to zoom in. The first line is going to be
the head. I'm gonna write. The second line is the shoulder. I'll get to the bottom. This is going to be my ankle. And then this is
going to be defeats. When I zoom out. This is a guideline. Once you get used to
drawing your cookie, you would not need this anymore. But in the meantime,
you're going to do it this way and lead to drop a cookie. So the next thing I'm gonna
do now is to divide and show that through my
ankle into three. So I'll click on the ruler icon. I'm going to zoom
in a game and then I will draw a
horizontal line across. And then I'll do the
same on my other line. And then I will draw a cross. And then I will click
on my ruler icon so that my rulers can disappear and I will write my liberals. And then when I zoom out, this is what I have, then I'm going to liberal
now after this shoulder, the next one is the heap. After the heap is Denise, I'm just going to zoom in and then I will write this is
going to be my hip line. And then the next one is
going to be my new line. Okay, So why is mouse,
this is why you have, so we've succeeded in
apportioning airlines. We have the head, the
shoulder, the hip, the knee, the ankle,
and the fees. The next thing now is to divide the first one into three again. So between the
shoulder and the hip, I'm going to divide
it into three. I do like this into three. Then I would take my ruler tool and then I'm going to drop, I have divided it into three
and they want to zoom out, which is what we have. So that's 123. Okay, so I'm going to label
the first line, the bus line. The second line is going to be my waist and then
I'll write both. And then when I zoom out, this is what we have. So the next thing
I'm gonna do now, the distance between
the boss and the waste, I'm going to divide
it into three games. So I'm going to visualize that. So I'm dividing here
this line into three. Okay? So I'm going to click
on my ruler icon again, and then I'm gonna rule.
I don't want to zoom out. These are all our lines. This is what we have. This is our paper after the
boss is the one that both, so I'm going to label that, I'm going to elaborate
on that bus. Okay, I've taught doing that. This is a paper. Then the next thing
we're gonna do now, I'm going to divide the distance between the knee and the ankle. I'm going to divide
that into three. You can just visualize and
then you do your division. And then I'll take my
ruler tool, I click on it, and then I will
divide into three, draw a horizontal line across. And then I'll do the
same thing here. And then I'll live after
the me is my calf. So I'm gonna write, cough, Yeah. I want to zoom out. After doing that,
this is our paper. So this is the
setup that we need now to be able to
draw our cookie. The next thing I'm gonna do now is I'm going to open
up a new layer. The reason why we're
going to open up a new layer is now
we're going to be forming the structure of our Kripke structure of
our national figure. And I do not want it to affect our lines where
you set up these lines. You can even duplicate
this line so that anytime you want
to draw a new cookie, you don't have to start
all over again until you know how to draw it freehand
without using the guides, you can duplicate this, save it in your gallery anytime you want
to draw a cookie, you have it to use. So I have that. Now. Click on the plus sign and it's gonna give
me a new layer. I'm going to be forming
the cookie fashion figure. So I will draw out the head and neck from the head
to the shoulder. So when I zoom in, so this is our head,
this line here. So I'm going to draw out
the head on my new layer. And then the smaller the head, the smaller the shoulder, the bigger the head, the
bigger the shoulder. And that's how your cookie is going to be very big as well. So have that in mind. Three heads should represent
the width of your shoulders. So I'm going to draw
out my head now. I'm zooming in and then I
will use my ruler, true? I do not want the head of my fashion figure to be too big. So I'll draw on the
left and on the right. And because I'm
using a new layer, I'm just going to draw
the box completely. So that's when I make the
line layer invisible. I still have the
complete head shape. If you click on, on your first layer and then I'm
going to make it visible. You see I have the headship, so I'm going to put it back on. And then after doing that, I'm going to draw out the neck. The neck. And if you want to
erase anything, you have your eraser tool here. So the next thing
we're gonna do now, who will bring the head down on the shoulder line with
a dot on the two sides. So I'm gonna zoom in. So this is the size of the
head. From here to here. You can still use
your ruler tool to direct you or you
do it freehand. Just bring that down
to the shoulder. Just put a Mac. So
this is the size of the head and another dot on the right-hand side
and another one on the left-hand side that
makes a total of four dots. So this is the size of the head. I want to make another
size of the head on this side and then another
size of the head on this side. So when you count because
three heads mix the shoulder. So here I have one
head, two heads. And this third one
is it toward Haiti, three heads make
a full shoulder. These three heads
represents the shoulder. So 123. Now that we understand this principle to
the shoulder line, this is where we want this
mark to be, not at the top. So I'm going to
move it down now to the shoulder line
using my ruler tool. I'm going to zoom in. I bring it down because
this is where I want it on the
shoulder quantity. Use this to illustrate
how we are able to decide where to show
that edge should be. Okay, so I brought it down here. So the next thing I'm gonna do, I'm gonna put the mask on
the heap line as well. And this is our hip line here. So I'm going to take
this Mac and bring it down to the hip line as well. So I'm just going
to use my ruler to just make sure it's streets. I'm just going to
put a small dots. Not in major, just
like that there. And on the other side as well, It's just for me to be
able to remember that that is where the edge
of my shoulder is. Okay. So after doing that, I will now connect, will now draw a line
from the middle of the heap to the edge of the
shoulder on both sides. And it's going to
be like a V shape. I'm just going to zoom in, is this is the heap and then
this is our shoulder like so I'll take my ruler
to put it like this. I want to draw a V shape from the middle of the fashion figure hip to the edge of the
shoulder on both sides. And I'm going to connect from the middle of the
heap to show them. This is going to
form like a V-shape. We're going to do
the same thing on the other side like this. So this is what
it's looking like. So the next thing
we're gonna do, we do the same thing we did
from the shoulder to the hip. We're going to do the same thing for from the hip to the knee. So this edge, I'm going
to bring him down to the knee and then our connects the edge from the hip to the knee just like we did for from the
shoulder to the hip. I'm just going to zoom in and I will use my
ruler to do that. I get my measurement right. So I want to bring down
this head, this mark here. I'll do it on the other side. And then the next
thing I'm gonna do now is we're going to do
exactly the same thing from the hip to the knee joint like a V-shape
from here to here. Do the same thing
on the other side. This is what it's looking like. This is our cookie taking shape. So we have the under boast line. This is the bus line, and this is the boss line
from the edge of the heap, I will draw a line to touch
the center of the andar bust. So I take my ruler tool
and then I will draw, this is my under boast. Make sure you're not
putting it on the bus, do you're putting it
on the other boast I have connect from under the boss to the
edge of the heap. And then I will draw,
I'll draw like this. I'll do the same thing
for the other side. So this is our
figure taking shape. So this is what we have. So the next thing
we're gonna do now is to use dotted lines to connect the edge of the shoulders to the
edge of the hips. On both sides. We're going to connect
from the edge to the edge. I'm going to zoom in again. I would take my ruler tool and then I'm going
to make sure I place it straight down so the edge of the shoulder
to the edge of the hip, I'm going to use
dotted lines now. I do the same thing
on the other side. I'll click on the ruler
and the ruler disappears. This is the frame
of fashion figure.
5. Drawing the Face: In this lesson, I'm going to show you the basics of drawing. A face will draw the
structure of the face. What makes up the face? The facial features
makes up a face. And they are the eyes, the nose, the mouth,
and the ears. I will show you how to draw the structure of the face
and the are features. Then fit them into the face. I'm gonna be using a felt
pen to draw the face, to get the pen open up your
library and then you get to where it says Traditional
to click on it. And if you want to see
the settings I'm using, click on advanced decides with
heavy pressure is on true, decides with light
pressure is on to as well. And then the opacity
and every other thing is on 100%, okay? So the shape of
the face is oval. So I will use my oval round through
to draw an oval shape. And this is going to represent the phase of my fashion figures. So I'll click and
this is my over to our draw out an oval
shape like this. So this is going to represent the face of my fashion figure. In order to draw a
proportional phase, you will need to follow
these guidelines. I'm going to open a new layer because I want this
to be on its own. And then I'm going to click
on the free hand tool. I will divide the face
into four equal parts. I will draw a vertical line
down the middle like this. And then I will draw a horizontal
line across like this. So I've succeeded in dividing the face into four equal parts. So right in the middle is
where the eye level is. Right in the middle, it's where we have
the eye level. So I'm going to
label this is where the eyes are going to be. So I'm just going to put a dan would divide the bottom half of the facial
structure into true. So this is where
we have the news. Then I will divide
the line between the nose and the chin
into a game like this. And that is where we
have the medial lip. So this is where we're going to have the middle of the leaf. I'm just going to
let bell meat leap. So the next thing we're gonna
do now is at the eye level, leave a small space at the edge of the eye
on the two sides. And then I will map, I'm going to visualize, I'm going to mark like this, I live is small
space at the edge, the same space at the edge. I will now divide
the first points to the second into three. I will then add another
two points like this. I will take my eraser tool and then I will erase these
sites and the middle. So this is my eraser tool. I'm erasing the
sides, the middle. So this is where we're going
to be drawing the eyes. Now, I will use shapes to
represent the facial features. Before we draw them out, I'm going to use an oval
shape for the eyes. I'm going to click on my over2. I'm going to drag
out an oval shape to represents the eyes. Then I will use a trap for
the shape of the nose. I use the free hand tool
from the middle of the eye. I'm going to draw
to the nose level. That's going to
represent the nodes. So for the Li, I'm going
to draw a straight line and then I will also
use my oval shape. This is the basic of
drawing the facial features because I used layers by the time I take off
the line drawing, this is what it looks like. I've taken out the guidelines, so this is what it looks like. So by the time we draw
the eye, the nose, and the lips, this is where
we're going to fit them into. The next thing we're
going to do is to draw the facial features and incorporate them into our
digital fashion figure.
6. How to Draw the Eye: I'm gonna be showing you
how to draw the eye. I'm going to be
using my airbrush. I'm going to click on
My to the free tool, which is called
predictive stroke. And then I will draw a
vertical line like this. And then I will draw a
horizontal line as well across. I will now draw a cough upwards like this to
connect to the top. From the top, I'll draw
it down like this. And then I will draw
at the bottom as well to connect to the
bottom vertical line. This. And then I'll draw to
connect to the other point. After doing this. So the next thing
I'm going to do now is see this line here. I'm going to extend it down. And then I'm going to draw it off at the bottom like this, just to connect to
this other cove. And then I'll take
my eraser tool. I'm going to clean the
inside like this, okay? After drawing this out, if you drew it in
a different layer, then you switch it off. I'm not going to
erase the guide. And then the next thing
we're going to do is I'm now going to click on
my transform tool. So this is my transform tool. The second tool,
which is a notch. I can use that one
to move it up, move it sideways, downwards, any position you prefer. Okay, so I'm just going to
put it up here like this. And then I'm going to click on the distorts transformation
tool without one, you can flatten it like this. Or you can increase it
as much as you want. You can increase the size like this at the bottom
and bring it down. What I'm doing sideways, take it up like this. You can increase it
on the side. Okay? So just ship it
however you prefer. Once you're happy with
whatever size you have, then you click on Done and then your transform tool
will disappear. So I will just adjust
it to however I want. I can now increase the size of my curve at the top
and at the bottom. So that's how you can use your
transform tool to increase the size or reduce the size
of the shape of any objects, adjust it to whatever
size you prefer. And then you go
ahead and thicken the lines of the
eye, the coasts. And then I will trace out after picking the lines. Now, the next thing I'm
going to do now is I will draw in the round
part of the eye. So I'm opening a
new layer for that. And then I'll draw the ram pods. Now, I've taught drawing the wrong part of the eye. I'm going to fill it
with black color. So take your fill tool and
then you just fill it. And I will click on the tool
again for it to disappear. I will open a new layer because I want to be
working in layers. Everything I'm doing,
I will draw a line to indicate the flesh. The line is going to be
on both sides like this. Then using my eraser tool, I'm going to create
a reflection of light in the middle of the eye. I'll go back to the layer
for the middle of the eye. I'm going to create the
reflection of lights. So the next thing
I'm gonna do now is to draw on another layer. I'll draw a line
following the shape of the eye at the top and
bottom of the eye. Like this. I will not draw the lashes. The top eyelashes are usually higher than the
bottom eyelashes. So we're just going to
leave them like this.
7. How to Draw the Brow: So now we're going to
create the eyebrow. To draw the brow,
I'm going to use this soft airbrush
like I always do, and it's under the
traditional brushes. This is my airbrush. I'm going to reduce
this size and opacity. I'm just going to make
light strokes so I can create the shape of the
brow, draw the ship out. Then I'll just make
light strokes. After just strain out the shape and then making
the light strokes, I'll change to polar
less soft brush. I'll go on to the library
or less is at the bottom. This is my colorless brush. I'm gonna put his size at 1.9 by company there are
4041 and then the flow, I'm going to leave the flat foot 5% and then the
strength of the brush, I'm going to leave it at 27
per cent and then I will use my colors brush now to
blend in these strokes, you can increase the
size of your brush on blending in my strokes. You can use your eraser
now, correct the ship. So after getting
your desire ship, so the next thing I'm
gonna do now I'm going to create strokes for the eyebrow. I'm going to add lighter strokes at the beginning and then
I'll make them darker. This is our eyebrow as
the I and the brow.
8. How to Draw the Nose: I'm now going to show you
how to draw the nose. I'm gonna be using
my airbrush pencil. So the first thing
you're gonna do is draw out a triangle. You're going to use
the triangle for the guideline of
drawing the nose. I'm going to be using
my freehand tool. I'm going to draw a triangle. Now. This is a triangle
I'm going to be using. I'm going to draw
a vertical line in the middle of the triangle. Then I'll open a new layer. So this is a guide for the news. After drawing the vertical line, I will now open a new layer. I'll put a point on both
sides of the triangle. I put 1 here, and then I'll put on
the dot point here. And then I'm going
to COVID this. So after doing that, I'll come down here
at the bottom. I put another point, then I'll put another point, and then I'll call it in. Then after doing this, I will then COVID in. I'll take it up like this and
then pull it in like this. I'll do the same thing
for this side tickets, or they call it in this curve, this in like this, the curve like this as well. I will now extend
this line upwards. Then I'm going to duck
into the nostrils. Again. I'm going to put up my guide and then
this is the nodes. So I'm going to thicken the
edges and then I'll blend. So take my colonized brush and then I'll just blend it in. This is the nose of
our fashion figure. See you in the next lesson.
9. How to Draw the Mouth: I'm now going to show you
how to draw the lips. I'm gonna be using
this soft airbrush. So go to your library of brushes and then
you scroll through, you'll see your airbrush
is next to the felt pen. And then I'm gonna be
using these settings. Go to advanced settings, decides I'm gonna
be using these to point to I don't
want it very thick. And then I'm gonna
be using this size with light pressure minus 2.3. Opacity with heavy pressure is 100% opacity with
light pressure, it's down to one
and they flew with heavy pressure is 100 per cent fluid like prejudice
can represent as well. Those are the settings
I'm going to use. I'm not going to pick my free
drawing two, which is this. So when you click on that, I will draw a horizontal
line across like this. I'm just going to
draw like this. I want to leave it
straightens and then I will draw a vertical
line on top, making sure I'm dividing my
horizontal line into true. So I'll draw my vertical
line like this. I will open a new layer
to draw the March. This is gonna be our guideline
and I did not want to draw on top of the flight line so that by time you finish drawing, you can switch off the guideline or you have
the mount of your fashion. So I'm going to draw a V
on top of my new layer, like this, V at the top. Draw another V at the bottom
facing downwards like this, I'll draw a call from
the top of the V to join the horizontal
points on one side. I'll do the same on
the right hand side. The, cough the
bottom to add this. And then I'll do
the same thing for the right-hand side like this. I will now draw a V-shape in the middle
of our line as well. So I'll draw a few shapes like this in the
middle of the line. And then I'm going to draw it to connect on the right
and on the left. So the next thing I'm
gonna do now is to increase the line drawing. I want to make it thicker, so I'm going to increase
the size of my pen. So after doing this, I'm going to put off
the guideline now, this is what I look like. So the next thing I'm going
to do now is to blend. I will now take a brush
called colorless soft brush. We use it to blend in the color. So you go to your library and then scroll down to the end, you're going to see colorless. I'll click on your brush
called colorless soft brush. I'll click on that
and that's what I'm going to use now to blend. Blending in the color. Be careful not to
blending everything. So I'm going to have the
outline on the edge. I'm not going to
blend in everything. I'll blend in, but I'll
still leave my outline. Just keep doing this. So this is our
leap, the mountain. This is the mouth, the leap
of our fashion figure. You can decide to fill the leap with any color of your choice.
10. Placing Facial Features into the Face: In this lesson, I will show
you how to move and place the facial features
that we drew into their respective
positions on the face, makes sure to save all
your facial features to your gallery for tools
or wherever you prefer. Before saving, you can switch off your
background layer to make the image transparent so that when you bring
it back into the app, it is transparent and
ready to be used. I've saved mine, I will now
bring them into my workspace. Do this only if you drew your Fisher Futures
different Canvas, but if you drew your facial
features on the same paper, you don't have to
bring them back in because they are
already on that paper. This is the face we drew out. So now I'm going to
bring in the eyes, the nose, the mouth,
into this face. And then I will place them in
their respective positions, going to click on a new layer, and then I'll bring in the
eyes I saved my to my photos. So I click on this icon and
then these are my photos. And then I will go to the eyes, I'll click and then
this is the eye. Okay, for you to be
able to make it small. I'm going to click on my
transform tool, which is this. And then I'm going to
reduce the size of the eye. So that is uniform. Once you're happy with
how you've made it, you just take it and put it
into the eyeball position. Once you're happy with
that, you click, Don't. I have one eye now. So if you want to move it and you're not happy with
whatever position it is, just click on your
transform tool. This is your transform tool. I'll click on the Nudge
tool does the second one, and then you can use that to
move up or down or sideways. Okay, so I'm happy with tie these right now. Click on Done. So now I want to duplicate this. You go to the layer
where the eye is. You click on it. Once you
click on the box we open, when this box opens, you will see
duplicate at the top. So click on Duplicate. So I've duplicated the eye. So now I'm gonna
take my notched too. I'll go to Transform tool.
This is my Nudge tool. I'm going to move the
second wave from there. Now, I need to flip this around so that it can be
facing the first one. This is not the right
way it should be. So I'll click on this other tool and then
I'll move it into position. Once I'm happy with that, I'm going to click on Done. So these are the eyes in place. So the next one I'm going to
be bringing in is the nodes. I'll click on the new layer and then I'll click
on this tool. This is where my photos app, and then this is the news, or click on that, and
this is the news. So I'll click on
my Transform tool. This tool, because I want
to make the new smaller, they can fit into the face. And then once I get you
through the level I want, I can now move it into place. Once I'm happy with
that, I click on Done. Okay, so that's the nose. So the next one we're
gonna do now is the mouth. I'll open up a new
layer and then I will click on this
icon when my photos. And then I'll click
on the mouse. And then this is
where the Martinus, I'll click on my transform tool because I want to
make it smaller. And then when you are
making it smaller, I'm going to make it uniform. Use your two fingers
so it's not distorted. And you place it into position. Once you're happy with
it, you click Done. And then the next thing
I'm going to do now is I'm going to switch
off the guides. The guides where
we have the eyes, the nose, and the mouth. So this is what we have, these artificial features that we have taken our time to draw.
11. How to Flesh a Fashion Figure: In this lesson, I will show you how to flash
a fashion figure. So the first thing
we're gonna do now is we're going to bring in the head and place it where we made provision
for the head. I'm going to open a
new layer and then I'll click on this icon. I'll bring in the head of my fashion figure
and then I will place it in the box where I
made provision for reads. Once I'm okay with that, I'll click on John, open a new layer, and then now we're going
to draw out the bust. So this is our boss and
this is our online post. And then when I zoom in from
the middle of the boss, I would leave a small space
on the right and on the left. And I will Mac, I'll leave a small space, Alma. And then our mark from the edge of the Bosque
line that is here. This is the edge
of the bus line. I will leave a small space on the right and on
the left outwards. And I'll remark, I will mark a point upwards
at the top of the bus line. I'm gonna be using my
ruler to guide me. I'm going to put it
on here like this, where these two lines meet. And at the top of this line
where these two edge myths, I'm just going to put a point here and then I'll
do the same thing. I moved my ruler to this
other side as well. Just make sure
this intersection, I'll go up a bit and then
I'll put point today, I will use this points
to draw a bust while I'm driving the bus is going
to be touching the boss. I'm going to draw a curve
like this on the side, and then I'll draw a cop
on the other side as well. So after drawing the
outline of the boss, I will now use my
oval shape to give it a perfect roundness
at the bottom. So I'll open a new layer. I'll take my oval shape, I'll click on it and
making sure it does not exceed under boast like
this, I have drawn one. So for them to be the same, I will just duplicate
that layer, duplicate. So I have to take my move tool, which is this, and then I'll
move to the other side. So now I have to bust the
same and I'll click on Done. Now I have the true
which are the same. So the next thing I'm going
to do now is I'll take my eraser tool because I do
not want it full circle. I'm going to erase
the top like this. And then I'll erase the
second one as well. And then cities points where we made the mark at the
top open a new layer. I take my ruler tool and then I'm just going to
connect it like this. From this point to this point. I just connect from this
point down to this point. I'll do the same thing
for the other side from this point to this point, and then I'll click on Done. So now I can now switch off my guide and then
this is what I have. So this is the boss, Dawn. So this is our boss to Dawn. And then when I zoom in, so we had the bust is
touching the under bust, you would draw a line
to meet the waste. This is where the boss
distorting the under boss here. So I'm going to
take my ruler tool. I will draw a line
to meet the waste. The lines should be
parallel to the first line. We drew like this all the way to the waste from
here to the waist. So I'll do the same
thing on the other side. You should be parallel to that first line like
this and I will draw. So the next thing we're
going to do now is to join the waist to the heap with
a cough on both sides. And then the body does
not have pointed edges. Blend out all the pointed edges. And then I will join from
the waist to the heap with a small cove
from the waist, cough and then are connected to the hips with a slight curve. Then I'll do the same thing on the other side out like this. And then to the hips like this. When I zoom in, this
is my knee right here. I take my ruler true,
and I will draw from the hip down to the knee like
this with a straight line. I'll do the same thing on
the other side from the hip down to the knee after
drawing to the knee. So the next thing I'm
going to do now is to draw the leg from the knee. I'm going to draw to the calf. So I'll take my full lap. True. So from the knee
I'm going to go out slightly and I will
drop like this. And then I'll do the same
thing on the other side. I'll go off slightly and
then I will draw like this and that is from
the knee to the calf. And then from the cuff, I'm not gonna draw all
the way to the ankle. I'm going to go
towards the beats. I will drop all the
way to the ankle. And then I'll do the same
thing for the other side. And then I will drop all
the way to the ankle. So the next thing we're gonna
do now is to draw the feet. So I'm going to be drawing
the feet on this box to draw the feet
from the inner line, I'm going to draw
a small v facing downwards on both
sides like this. And then on the other side, I'm going to draw
a line like this. I'm gonna do the same
on the other side. Try it out a bit like this. And then I'm going to connect the outer leg line
to join this line. I like this. See, I'm gonna do the same thing
on the other side. So this is the feet. We can now just call in this path COVID in
a bit like this. Just COVID in this
a bit and then we can actually erase the SS. Okay, So this is the
fits and this is what our cookie it looks like. So all we have to
do now is flesh out their hands and I
don't flushing the cookie.
12. How to Draw the Hands: I will now show you
how to draw the hands. And then when I zoom in, I'm not going to draw the hands from the bottom of the neck. I'm going to go up eight
bits and put a point there. I'll put a point here. And then I'll put a point
on the other side as well. I will also add a point on
the shoulder line close to the neck on both sides,
or add a point here. Also add another point here. I will now join the
points I made on the neck line to the point I made on the shoulder like this. The edge of the shoulder. I'll go inwards a bit and I'll add it
points from this edge. I will add a point here, and then I'll add
another point here. I will also add a point
downwards on both sides. So add a point here and then
add another point here. I will not connect the
shoulder with a cove. From here, I'll connect this
to this points like this. Then from here I'll connect
to this point like this. So now goes out like this after joining all
our points together, the neck and the shoulder. So this is what we
have when I switch off the guidelines are
the points I made. This is what it looks like. I will switch off
the line guidelines and this is what we have. So our cookie is coming up. This is the shoulder
we just dropped. So now I'm going to put
back the line drawings and the guidelines and then we'll
continue with their hands. I will not add a point at the lower part of the
heap on both sides. So I'll use my ruler
as a guideline, and I'll use this as the
lower part of the heap. And I will mark, I will now
use my ruler tool to connect that points to where the bus is touching the bossed
on both side. And this is where
the boss distorting the under boast or not take my ruler and then I will draw, are connected to the
points I just made. And I'll draw, I'll do the
same thing on the other side. So where the new line
that I just drew is touching the waste are
added point outwards. So this is where it's
touching the waist. And then I'll mark on the other side outwards as
well this way it's touching. I will now draw the
shoulder line down to the under boss by following our dotted lines on both sides. So this is our Cove. So I'm going to follow the curve to join the dotted lines. And then I'll use my ruler to connect it to the under Boston. This is yonder boast. I'll do the same thing on
the other side, I'll draw my curve. Then I use my ruler tool. I will draw through my under
bust on the other side following dotted
lines like this. After doing that, I will
not connect the hand to the point where we
added on the waistline. I'm still going to be
using my ruler and then I'm going to draw,
then I'll connect. I'll do the same thing
on the other side. And then I'll connect. And then I'm going to add a point by the lap area outwards
like this on both sides. I will now connect the hand
to the point I just made. The same thing on
the other side. Then the next thing I'll
do is I'm going to draw a slanted line outwards
from the heap. And this is the inner line. I'm going to slanted like this. And then I'll draw the same
on the other side, slanted. Okay. So this is
what it looks like. From the edge of the hand, I'm going to draw a line
straight down on both sides. So I'm gonna use my
ruler to want to draw out the palm of the hand. So straight down like this. I'll do the same thing
on the other side. Then I'm going to
slant the inner hand. It should be shorter
than the outer one. This is the inner wall. I'm gonna slanted like this. I'm gonna do the same
thing on the other side. I've taught drawing
these two like this. I'm gonna slant this
one outwards like this. I'll do the same thing
on the other side, archiving the other
hand like this, then I will draw a line
next to the outer one. So I will take my
ruler tool as well. I'll draw a line like this. Then I'll copy it to the top like this to meet the first one. And then I will draw
another curve like this. And then I'll draw
out the tongue, torn my ruler like this. Then I'm going to
draw out the tongue. And then I'll connect
it with a cough. I guess I'll do the same
thing for the other side. And then I'll turn my ruler, and then I'll draw
in words like Agnes. And then I'll turn
my ruler and then I'll connect to
create the tongue. And then I'll cough. Tom. This is the hand. So don't
flushing the cookie. I'm going to turn off
the guidelines so that you'd see what our
cookie looks like. This, the hands all done. We're done with our
fashion figure. So after turning off
the line drawings, the guides, this is what our
fashion figure looks like. So in the next lesson, I will show you how to color
the cookie using skin tones. See you in the next lesson.
13. Colouring the Fashion Figure: In this lesson, I
will show you how to color your fashion finger
with skin tone colors. So the first thing I'm going
to do is to match my layers. I'm going to click on
the top layer. On there. You're going to see a couple of options and you're
going to see much all. I'm going to make everything
match all so that I have my fashion
figure on one layer. Once I have my fashion
finger on one layer, I'm going to add collarbone. I'm just going to add in collarbone to our
fashion figure. After adding the collarbone, I'm going to now create three new layers underneath
our fashion figure. So I'm going to
create three layers. So 123 and I'm going to move
our fashion finger upwards. And then this first layer, I'm going to leave it as normal. This is where we'll paint
our skin tone color. Then the second layer, if you click on the normal, you're going to see
different options. I'm going to click
on lighting that is going to brighten up our color. This is going to be
asking highlight layer. And then the third one, I'm going to change
it to Multiply layer. And that's going to give
us a darker version of whatever skin
color you choose. This is asking sheet. I'm going to open
up the color wheel and I'll go to Copy Carlos. At the top. I'm going to
choose a skin tone colors, and I'm going to be using
this skin tone color. I'll click on it. And then we're going to start from the fifth. So I'm going to go
to my normal layer. I'm going to pick
a pencil tool and I'm going to zoom
in and I'm going to trace around the
face with this color. I'm going to go to my settings. I will increase the opacity and then the size of my pencil. I don't want it to be too large. I'm just going to zoom in. I'm going to trace the face and the body with this follow
and I'll make sure that I include all my
lines so that one I feel it will not spill
out and fill up my page. So I'm going to trace round. I've actually seen
around the face. I'm going to click
on the fill tool and then I'll fill
the face like this. So now I'm going to use
simple law and I'm going to trace around the body and
then I'll fill it as well. Just make sure everywhere is enclosed so that your
color will not be allowed. I thought dressing round, I'll now click on
my field, true. And then I'll feel my finger. Semi figure is all filled, was still on our normal layer. We filled it with skin to color. The next thing we're
going to do is to go to Multiply layer. I'm going to click on the
multiply layer, which is this, and still using the same color, poison will be a darker
shade of the color. I'm going to be
using my airbrush. I'll reduce the opacity. So I'm gonna do
the edges and he's going to give me
a darker version. I'm still using the same color because I'm on Multiply layer is giving me a darker shade
of the same color. So I'm just going
to color the edges. So this is what our
fashion cookie looks like after coloring on
the multiply layer. Once you finish, you can
click on your eraser tool and erase anything that's
filled outside your finger. So the next thing I'm
going to do is I'm going to go on my
color wheel and then I'll select a
slightly darker color than what I'm using right now. And then I'll darken the edges all over since the peak dukkha. I'll now take my eraser tool
still on my multiply layer. I'll reduce the opacity
and reduce this size. I'm going to add
lights to the edges, around the edges of the
body and the face as well, too like this, I'm
just going to add a bit of lights all around. This is what it looks like. The last thing I would do now is to go to my lighting layer. On the lightened
layer is where I add the lights and select the original skin
tone color we used. So this is my lighting layer. I'll click on it
and then I'll go to copy the original skin
tone color we use. This is it delighting layer is the brighter version of
my selected skin tone. So just go in and add light
to the middle of your cookie. I'm also going to add a bit of lights to my collarbone as well. I'll also add lights
to the edges. This is our fashion
finger or colored. You can duplicate them so
that you don't have to color this every single time you need to use a
partial figure. In the next lesson, I'm going to show you how to design outfits for
our functional fico. See you in the next lesson.
14. Designing Outfit for a Fashion Figure: In this lesson, I will show you how to design outfit
for your fashion. So this is our fashion figure. I will reduce the
opacity of my figure. So I'll click on that layer. I'll reduce the opacity so
that I can see my drawing. And then I will create a new layer on top of the
fashion figure layer, I'm going to use a pencil
to draw out my sketch, will design a simple dress. I will follow the body when
sketching out my design. I'm going to sketch out. After sketching
out, then I can use my inking pen or felt pen
to highlight my sketch. Following the body of my figure. I'm going to be
drawing a long dress. I want to have nets
for this leaves. I want you to have a UK as well. I'm going to be adding a clique here at the edge
of these leaves. I'm just following the
shape of our facial figure. So it's going to
be a long dress. So I'm going to draw
this all the way down. I want it to have a
band at the waist. So I'm just going
to put a band-aid. And then I want to have
a cascade as well, which is going to start
from the top to draw it. Cascade is a zig-zag, zig zag. Zig zag. Sure. I'm drawing a zigzag
all the way down. This is the cascade
for the dress. To complete our cascade, what you do is form to
the edge like this. I'll drop-down icon here. I'll cover up this
edge like this, like this, all the way down. Okay? So this is a cascade. So this is our address. This is the yoke of the dress. I'm going to put
less at the yolk. I want the sleeves to have met. So it's gonna be a
transparent nets. And then the remaining part of the clot is going to be fabric. This is just a sketch. So on a new layer, I'm just
going to draw out the dress. So this is me just tracing out. Dresses cashed out. So this is the line
drawing for a dress.
15. How to import Fabric for Outfit: So the next thing
I'm going to do now is I'm going to import fabric. I'm going to go to the layer
that has the fashion figure. And then I'm going to click on where we usually import fabric. And then I'm going to
be using this fabric. So I will duplicate
this fabric so that in case I want to use it
again, I have it to use. So I click on Duplicate
output of one, and then I have this one. I'll reduce the
opacity so that I can see my line drawing. Click on Transform,
and then I can turn this fabric however I want, and I can place it
however I want it to be. Once I'm happy with
that, I click on Done and then I would
take my eraser tool, that is my hat eraser. And then I'll clean off the SS. I'll just clean off
everything I do not need. And then when I zoom in, reduced the size of
my pencil eraser. So I'm going to be
adding niche on the sleeves so I do not
need it on this view, so I'm going to
erase that as well. This is our address. So by the time I
increase the opacity of our fashion figure and increase the opacity of our line drawing. This is what we have. So the
next thing we're gonna do is we're going to use
the dominant color. We're going to use
pink for the sleeves. And then we're gonna be importing
a lease fabric for the, for the yoke of our dress. I'm going to be adding in next. To add next, I'll
create a new layer on top of my clothing layer. Then I'll bring in the
next I want to use, I'm going to use this
pink nets because it fits into dress pattern. I'm going to duplicate it so that in case I
want to use it again, I don't have to go
bringing it in. So I'm duplicating,
I'm looking one layer, I'm going to be using one of it. So the one I'm going
to use now I'm going to reduce the opacity. I'm going to take my
transform tool and then place it where I want it. I'll click on Done,
and then I will erase where I do not want. The list. I'll click
on my heart era. Is that true? And
I'm going to erase. And then this is my
next on my dress. And when I increase the opacity, this is what it looks like. The next thing I'm gonna
do is for the fleece, I'm going to make
it transparent is a form of a net as
well, like she form. So I'm gonna be using
the pink color. I'm going to open another
layer and then I'm going to pick a color on
my color wheel. I'm going to take
my color picker and I'm going to pick pink. We're gonna be using
pink for the hands. And then I'm going
to fill this leaves, but before I feel this leaves, I'm going to trace route. So that is all covered. I'm going to use my pencil tool and then I will
trace this leaves. Make sure it's all covered. I factorising, run my slides. The next thing I'm going
to do now is to click on my fill tool and then I
will feel my sleeves. See the second one c, then I'll kick back so
that it disappears. I'm going to go to
my sleeve layer. I'm going to reduce the opacity
so that it's transparent. You see, after doing that, you see you have a transparent
nets for the sleeves. You can decide to
leave the fool. You can set to leave
it transparent. I wanted transparent,
so I'm going to leave it on transparency. So you see, this is our
dress sticking shape. I'm going to add another
type of a clique. So I'm just going to
create a new layer and then I'm going to bring
in what I want to use. I want to use this.
Hello, bring it in. I'm going to duplicate
it in case I want to use it again, duplicate. And then I'll take it and place
it where I want it to be. If I want to turn it,
turn it like this. I think I want it like this. I'll click on Done, and then
I will go to my eraser, and then I'll clean
off the excess. I'm going to click on
this same list applique. I want to duplicate it again because I'm going to use
it for the other side. I'll duplicate it,
then I'll close one. I click on my transform
tool and then I will move it and place it exactly like
I placed the first one. Once I'm happy with
it, I click on Done, and then I take my eraser tool and I clean off the excess. So now we have both
sleeves don't. I'll zoom out. And then this is our address is
coming together. We're going to work
on our cascade. Will not decide what
color we're gonna be using for our cascade. So the next thing I'm
going to do now is open a new layer and then you now decide what
color you want to use. You can use either
of the three colors. You can use the yellow,
the blue, or the pink. I'm going to use the blue. So I'm going to go to
my color wheel and then I'll take my color picker
and select the blue. So that's the blue
I'm going to use. Then I'm going to zoom in, take my pencil and
I actually want to put it on the band as well. So I'm going to draw, making sure that all
your lines are covered. Before you feel. Then I'm
going to draw out my cascade. Then I will feel after
drawing it all out, this is the dress, but the next thing I'm going
to do now is I'll click on my fill tool and
I'll feel my cascades. This is my dress item. I increase opacity
on our cookie. This is our address
taking ship, see.
16. How to Import Applique to Decorate Outfit: So the next thing we're
gonna be doing now, we're going to work
on the cascade. We're going to make the
line drawings darker. I'm going to create a layer. And that layer, the blending
mode is going to be multiplied, applicant
multiply here. And then I'm going
to select the color, the shape we used before. So I'm gonna go to
my color wheel. I'll take my color picker. This is the shade we
used before. This ****. I'm going to use this color
to shade our cascade. And then I'm going to get a
darker version of that color. So I'm going to go down a
bit so that is a bit darker. And then making sure
you are on that layer. So I'm going to use my airbrush. And then when I zoom in, I'm going to draw on my lines. I'm going to draw all the
cascade boxes like this. So this is what it looks like. And the next thing I'm
going to do is I'm going to use the same color and color, the inner part of my cascade. This is the inner
path like this. So I'm going to fill it
up with the same color. So I click on my fill
tool to confirm. Same thing for all
of the layers. So this is what it looks like. I'll click on my hat
eraser and then I'll just clean off whatever has
spilled out of the box. It's going to erase
a bit on the edge. So this is our cascade. So I'll click on another layer. I'm gonna be adding lights. And this layer, I'm
going to change the blend mode to Linear
Dodge, that's ad. And then I'll go
to my color wheel, my color picker, pick a color. This is the color.
I'll make it lighter, lighter version of that color. I reduce my opacity and then I'll just shade just
to make it a bit lighter. So this is a cascade, this is our dress. Now finished. For the cascade, we're going
to create another layer. We're going to create
sheet for our dress. So I'm going to change
the blend mode of that layer to multiply. And then I'll pick a color. I'll go to my color wheel, the darker shade I
used for the cascade. I'm going to use that
to create sheet, to sheet our dress. No worry if he spills, you can always take your eraser and erase once you finish. Once I'm done, I'm gonna take my eraser tool and then I'm just going to take out all the assets are everything
that's filled out. I'm going to create another
layer and the blend is gonna be at that's linear dodge. On the add layer, I will change the color. Now, I go to my color wheel
and I'll pick the blue. Make sure you're
on the Add Layer. Add tonight's to my dress. I picked my color and
I'll use the pink. I'm still on the Add Layer. And then I'll add light
to the pink side. This is our address. I time I increase the opacity
of our fashion figure. This is what we have.
On top of everything. I'm going to create a new layer. I'm going to bring
in this applique. I just want one of it. So this is the
applique. I'm going to take my eraser, true? I just want, want,
so I'm just going to erase and clean out one. Then I'm going to
duplicate it in case I need it for
another thing. So I have it there and I'll
click on my transform. I pick it up, hide the
other one. I'll pick it up. And then I'll place it where
I want it and I want it here. I place it here. I click on Okay, and it's Don't say this is address on
our fashion figure. So we've finished you dress.
17. Conclusion: I'm so excited that you are enrolled in this
class. Thank you. I hope you enjoy dry
your brush off it goes and clothing them
as much as I did. Please post photos of
your finished work. I would love to see them. See you in another course. Take care and God bless.
Remi Forde-Hyde, Fashion Designer
