Expressive Watercolor Daisies in loose style: evolve as an Artist

1. Introduction: Hello. I'm Nina, I watercolor artista. And with a cholera, I am painting with watercolors since 2050. Welcome to my new class on expressive all the colors This class will differ from the previous ones. In this class we will die for into our tractors off painting for paintings at once on then who will be looking for Daisy's which, what the colors itself will help us during meal. Have you ever experiences says that when starting to paint sounds in your expectations are too high and you're expecting to get the final painting not just perfect on. Then something goes thrown on Duren so happy with and result you feel frustrated and instead of taken into account your failures and to try again quite often you just get completely stocker and you stop painting for several days. I also sometimes to have these books and 1/2 ounces is our practice. It really like arctic your let's say, like this painting for it once on exploring. Actually you get relaxed. You completely turned off for this, I think in mold and you turn on the feeling molds the feeling moved off. Rheal inner artist and your enjoy this art practice will help you to find beautiful color combinations to test a new color. So our pains to boost your creativity. Andi also will provide you four times more off practice, sir, which means that you will be able to progress as an artist four times quicker. Besides, it also provides a mind relaxation on you will get your proper with the color discoveries on that. Then you'll get four paintings all days, is in loose, expressive style and hopefully one of them are. You will consider as perfect one, moreover, skills and techniques of which you will gain. During this practice, you will be able to apply tenure as a subject in which you're interested in. This class is suitable for students off all levels who are quaint. It already with basic techniques, are off the colors, all videos in real time so you can faint along with me if you are new Disease channel Welcome press. If all of Latin on the top, the Germans, this creative journey of your brushes and leads life into painting 2. Supplies: in this class. I will use the following supplies. What? The color pains. Ah, the color. So we are covering in a separate lesson. Also, prepare some granulated pain so that you have ourselves and we can paint until player with creating textures in the backgrounds. Ah, what? The color palette. Ah, just, uh, normal one. No, or ceramic bladers is fine. Ah, watercolor brushes one. Ah, for making wet their paper surface on, uh, two brushes for painting I have used Ah, this seal were Blackwell it? Russia just a normal wanna with foreign deeper. And another one is Strieber for great in the bed. Also off Daisy za and it in san wanes. You also can try you to use a some liner for making these tiny lines and, uh, pencil, uh, and razor when we're going to practice with the flower study. Ah, water put on water. So better to use to one that was clean water and then as wanna for clean your brush. That is the way how I use it. Kitchen towels on. Uh, what? The color paper for this exercises, I will use, um, a three size, uh, paper so that I will do. I did it in four on. Does that? The cellulose paper? So it's fine. You can try if you have gotten one try with Scott on one. But actually, that is more for about enjoying on that ihsaa for experiments, your watercolor experiments on discovers. So prepare your materials on Duh. Let's move to the next lesson. 3. Colors: before we will start having fun with backgrounds and less prepares the colors. I have tried the different color combinations. Actually, this was my first choice. Um, like this kind off global blue or olive green on bond, some yellow. I have used a transparent yellow and then like a warmer shade of yellow and you're gonna barge. And here I have played a bit with darker color says so that I have used toe also dark wasa and Mayan blue that is like a granulated painter. Andi, I wanted to see what kind off effects and this kindof really beautiful textures I can get are using this paint on also a bit off magenta toe make or Opara Rosa to make this kind off like purple dead this purple shades. As any said, OK, I will try and play with other blues which I have Onda, the the ones which also I allows those colors. So this one it says Roland blue from one Goga which is really beautiful color. Andi, have Hector what kind of color combinations I can get. So I have used to here with, uh ah! Olive Green. Onda also was a bit off undersea green like dark agreements. Uh, here, moralists is the same shades on, uh for here. Also, I have used already different blue says that this tala blue and the hammering blue Andi and um some brown's also which I have a with some regulation affect er on Dhere also help makes the Mayan blue is under sea green and it's like darker shades. What My conclusion says that I didn't like thesis really strong colors on. And that's why in the class I will use thes self there soft colors on this is us off the color combinations for my class project. So which I'm going to paint in the class. I will use the following colors Cobalt blue, transparent yellow. This is ah, warmer shade off yellow from Danielle Smith's its golden new gum Borj, I'm not sure was I pronounce it properly on doll so you can substitute it with some deep yellow on this color. Even substitute her with lemon, yellow, olive, green, magenta or open arose. Opara Rosa is more beautiful because its floors and, um, painter on it will provide this kind off really like shiny or ah really light fx Mayan blue . The scholars also from Daniel's Mrs Granulated Painter and with lots of water. It can provide this kind off really beautiful textures. Turk Waas And while it we're going to use for great in the shadows prepares a color so you can take other colors and those color combinations which you like on DA take those color. So which generally you like. So it's really great to start as this ah color study always is old scholars, which you like, or you may choose, the ones which I'm going to use since his class. 4. Preparing Paper: Let's start there with the preparing our paper, I will use the things kind off that is a what? A profound hard bet. Ah, a three size off papers at the Cellos one and painter's tape. Let's fix the four sides off the paper to the board. And now let's divide our sheet of paper in halfs her centrally Andi in half vertically. Our paper has been prepared to radio on, and I suggested to use Ah, fix it to some hard surfaces so that it would be easier for you to manipulated Andi toe. Hold it while painting because of the size is quite big. So it won't be convenient to have for this be so far. Paper justice is this. 5. Before You Start: and the one more thing toe keep in mind before we will start. That is a final foil finger off preparations. Uh, don't expect to get, uh, for perfect paintings. Don't expect to get one perfect painting. It's like a dive into painting. Enjoy Andi in joy's ease or the colors injured with the color flow on. And how the colors I'm mixing. So just enjoy. Ah, don't expect any perfect out cancer on. Then you'll get the most out of this process I have had, like, first dry off well, in the preparing of the grounds, Onda Uh uh, once I have finished, I have looked at my backgrounds. Andi, I felt quite unhappy. They look to me really boring. Andi, Uh, let's say that ah, like offenders you. So I started to analyze. So what could be the reason? And then I have understood that actually, while painting, I was still keeping the idea like toe imitate the ones which I like that which I have painted before. So, in this way, I wasn't completely, um I wasn't completely present on, and I was listening to their watercolors and that moment off paintings, these backgrounds, I have decided to make another experiment. Now I will use the same colors, but I won't have. Ah, like any reference in front of me. Andi, Uh, let's see what kind off backgrounds will create this time. So and now already find it. Let's dive into painting. 6. Backgrounds: Let's start that, Andi Waiting to be first on the present in tow. What is going on or going on with Spain's on their paper and to respond to Listen to this. What? The colors aunt to respond. So if you're, um, like, your paintings will be unique and they will be different from my ones. The main thing that be present and enjoy the process for great in the ground. So we'll use, uh, waiting toe with, uh, technique. This means is that we will make a wet the paper, sir phrase. And while this went, we will introduce uh, wet paint and the paint. It should be quite diluted. Justice. Clean water I'm making with my paper, Lewin sama. Ah, area soft paper dry and also making money when the border as the main idea I said to keep in mind is that were later we're going toe search for days is in our the grounds Eso try toe leave this areas or somewhere so that they would be light so they don't make a completely, really dark the grounds And for this also is useful to use a really deluded paint And I will start with some open arose for here. Just with some also really random brushstrokes like this. And then I will it some transparent yellow. I'm quite strong. He's here. Ah, than a bit off, uh, olive green on, uh, cobalt blue. Those areas where there is a bit off yellow. It may during a beat, um, playing greenish and they'd be more concentrated color for this site on Dhere. I would add a bit more off olive green because it's quite or even the dark agree in undersea green. So just check also if you have some dark agree and and probably a bit more off open arose. And now with warm yellow, you can, uh, here I'm using new Cambodge Onda. Also, if you have yellow deep so some warm yellow like this. So here the first the ground. I think that is ready. Let's move to the 2nd 1 I'm making a wet randomly. So to have their, uh, border quite uneven. And let's start this time with ah, I think quite directly from the pen. But I have here quite a lot of water, so it won't be very strong color and I will let a bit off Ah Global Turk Watts. So that is quite interesting color. But just several several dots. Yeah. Next color. I will use the one granulated pain to that gold Mayan blue. But this one I decided to go for blues. So here the papers getting dry already And for example, comparing this one and that one I like here that we have introduced the first is blue because so you can see that it gives more beautiful this kind of bleeds. So for future, I will start also with ah blue Onda here a bit more off all of green. Oh, really beautiful. I like how it's turns a bit off. Ah, open arose. We're here and broker here. Just this way. Very beautiful. I like this kind off color mixtures. And now we're missing some, uh, yellow. So to keep in mind that that we're going to being disease and does they have like yellow ah , yellow flower centers And I will lead just several drops off yellow that is warm yellow New Cambodge a bit stronger for here and for here Eso second the ground for me it's finished on Let's move to the 3rd 1 as a thing I will make wet quite quickly. Just act really quickly on Try to make all for it once. So this time I will start again Always blue because I really like how it turns. This is like sky. I know. So my idea transmit the, uh that to represent is his blue represents is the sky and clouds. So here it bleeds much more beautiful when you introduce it the first. Yes. And for this one I will try to add also some cooler blue like fallible in certain like here and, for example, for here. So just not everywhere, but in several areas. And, uh, again, I think that this part off papers has got dry. I will it a bit more water because I would like to add again this granulated paint. Mayan blue for here. Andi. Ah, actually against disease granule ation effect er, once you have quite a lot off water. So then just pain toe in director with water on does this tiny particles. So they start toe to appear and create this beautiful effect. So, like this and I will it a bit off the glass. Hi. This? Yeah, and in the middle part. Um, let's add a bit off turns burnt yellow or lemon yellow. So here it will be mixed and there will appear a bit greenish colors. This way. A bit off open arose for you. So this one, for example, I start already to cower quite a lot. And my edge. I don't like it because it starts to get more like certain shaper. But I'm looking for for some variety and probably here I have. No, this part will be quite light. So that's fine. I will make some splitters. I will. It some splitters off. Warm yellow. My this I'm probably for you. Probably too much already, but okay, that is I start to analyze. Ah, I will read a bit more off mine blue to get more off these textures. So here. So with this, for example, the ground. I already see that what I have failed is a border. So it looks already like, uh, like one Brick. Uh, okay. We will see what we will get. I will it a bit more off the request while there is still water. Um, won't here. And don't think that I will meant had also some splitters off cobalt blue you're probably like this realty, this this background. So I'm great. And for the first time, I'm not hoping myself because I didn't like that version making a wet the Force one on. And let's start, um, let's start with different blue just with Stella Blue. I'm here but really, really light and uneven here. I I like the way it is. Ah, Olive green. Act quickly on. Just take those colors which you feel that you're willing to take this moment on DA bit off Paros for here. I will it. And for here, Why not? Yeah, like this on and a bit off warm yellow I will let it here. So let's see what we'll get with this background. I mean, more off warm yellow just splitters a bit more off olive green because here in the water, I'm looking a bit of contrast and I will it a bit off Mayan blue in this area. So I think that uh, yeah, I'm quite happy with my background and ah, let's have a look A Once I will get dry. Ah, what kind of daisy So we can find. Meanwhile, our backgrounds are getting dry. Let's have a look at the flower study off daisies 7. Daisy Flower Study: Meanwhile, our backgrounds are getting dry. And let's have a look at the flower structure of days isa on which key points were helpful to keep in mind while painting them. So if we will have a look, mainly it's ah, oval shape. So with the center where there is a flower scent Ah, for easier, like painting or just drawing into to get this idea of the flower, you can just draw this kindof ellipse on, uh, a little shape and then a center flower center. Another thing Go What we can see. That is quite typical for the flower under natural sunlight. If the sunlight from the side. So it's going to be from the site off the flower center. Really dark shade. Ah, where? Zapeta LSA connecting to the flower center and, um, here in the center of the floor Center? Yes. So that is the one thing to keep in mind. Another thing that I have in mind is that, uh, the petals, uh, if you will hear the white one line, you may notice that this ones are under the sunlight and this ones that are in the shadow. So this ones that have more warmer shades on and this one's are cooler. They look more like while it bluish Theis range of colors. Ah, that's what we are going to do is also this, like to the white, more or less in half our pet osa and the ones which I exposed as human. We assume that is they are exposed to toe sunlight. Ah, they're going to be warmer on the ones are warm colors onto the ones which are in the shadows. They're going to be off cooler, uh, colors. Ah, for painting. Ah, thes is we're going to apply you because it's actually that it's white object er on. You can see these things to their dark, the ground. So that what you can see here while painting Ah, this is we're going to apply a negative painting technique. A. Which means is that actually ah, with this kind off really light shape, we will define the shape by the shadow or maybe dark about ground around it. So this is this kind off, um, like shapes on DNA now? Ah, let's practice a bit. How to paint exactly this kind off negative painting? Let's have a look, for example, for this shape. Uh, I will make later. You want me to make this kind off circles, but it's more toe explain. And then it would be more, uh, is it visible on the easier to make it? I will make their only the outline. Uh, and the flower center. I won't make the definition of petals just that. Generally the size, What will be is a shape, Onda. Uh uh. Now I remove this line so that it won't be so risible because our object is actually white , so we don't need to hear mental lines. Andi, Uh, now we will start there with flower center. I will use this brush. It has quite nicer. Uh, find tip on the will. Use a lemon yellow, quite deluded, like this. And we cower the whole flower center with this lemon yellow. Ah. Then we add a bit off. That's too much to concentrate it a bit off olive green in the lower part and here in the center. So those areas where which ones? The ones which are darker. And also we can add a a beetle off burnt sienna. Really? Really. Ah di Newmont Also for here from this site and a bit off a warm yellow for here and now the most interesting that we will have. Ah, while it is. This should be still wet. And we will need just a with ah, you can use it like you can try it with different brushes. So the one of the things that they should have find deep it should be It should contain water, but not too much. And then what you are doing from the side where there is light, you are taken out the pedals and be more what? So for here. And you need to do it quite quickly while the paint is still wet This way on also we can and also we can help to it a bit more off like warmer. And I would also be more off olive green. So because actually I haven't reached that state that it will bleed. Now you can notice more that it has bleed it into these petals. And now they have gained the color. Ah, also, let's make from this site like Is this one looking in that direction? Um one. This petals for painting. Ah ah! But also shines a shadow. We're going to use is at the mixture off three primary colors red, blue and yellow. In order to get this kind off different shades off grey, which are usually used for paint in white flowers, I will use, uh, Ultramarine blue Here I have had the lemon yellow and I will let a bit of my agenda. So here, you see that I get already some kind off, um, gray color so you can see and so she that's exactly it. You can add a bit more off blue, actually. Hear this solution should be really watering. And you convey by adding, um, like rating as the proportions of each color. You can get a different shades off. This race, like this one is a bit bluish, or you can add a bit more off pink and you'll get pinkish. It's really, really, really beautiful. Depends like that is a really fascinating how toe makes it this kind off, Um, like grace really tender ones on does. Then we start with this one set as around like, two ideas. First, you can, uh, actually, I would turn this way now. So one of the things that you can paint, actually, this kind off lines. You can see that, uh, this lines which are like it's white, the battle until there are several like, rain's off things kind of grace the shadows Another to show the really ever off the pedal That's why is about to approach is how you can make thes petals You can make the mental or you can paint. Actually, these ah wines wins in other to show this really ever off their petals so exists also Ah, you can meanwhile, changing the color on dhere Also human notice that the rest on flowers some pittle So they they're like underneath on uh, you can it also for here some shadows as well. So here we have our first Ah, Daisy I will remove for pencil lines completely But the idea of this pencil marks So you have understood like once you will get the shape like no need toe, uh, to make the step until lines because anyways they will be like will be left a somewhere in the paper and it will be noticeable in other to make our daisy too bright. This sunny aside, we will have to define the shape on the this will do by applying the negative painting. So that's actually not paint in the shape off the, uh, object, but painting around it on in this way here to define its shape. Ah, for this I will use ah, quite diluted while it onda with their tiny changer off olive green. So is this kind of call it so as is this color more or less and we'll see if no, we will make it a bit dark And let's start to define the pedals. So just just try to imitate the shape. Or so where you assume that that that would be the petals, how they would be no like this. We cannot also here a bit darker. Onda uh let's say they be more off while it that it would be a more concentrated color. And for here some areas. I was a shadow to make them more. That is too much off olive green to make us some areas. Uh, more concentrated, like darker on. Do you add just for he And I think that here you just make some also imaginary shape or if you have references, so then you can have a look at your daisy and make it more natural looking. So but the idea is that translate here, for example, on the pain being really wet. I just tried to remove. Ah, So the idea is just a transmits, that feeling over there, um, off the shadow on does this will bring a light to this battle. SSA, Andi. Uh, so that, like, will allow you, though two shows a simplified shaper off these. Ah, here we can add a bit more of contrast. For example, let's add a bit off olive green, a mixture with lemon yellow and here, just with some notes so that the flower center will get some sound. William. So this right Onda Probably a bit off like burnt sienna. Yeah, it is. So here we have our daisy. 8. Daisies. Positive and Negative Painting Techniques: so I'm really happy with my background. So which I have for than with the second try. There are more for me there. My life on more full of energy. So they appeared. Ah, the way they are. So they just is the way they are. And now let's start ter toe find, uh, daisies here. Uh, for example, here would be really nice, Daisy, because, uh, here we have this really light area on. Duh. So this but also will be more like will reflect the light. So I think this place is would be a really nice foresees, Daisy. So let's start out with flower center for this, I will use a warm yellow. Your painting could be different on probably you will have to find another place where to place your daisies. So just a have, uh, an idea. Ah, the way I am detecting my days is and then have a local where you have your daisies because , like, is that it's like in the nature that, as I grow like in different areas in like in different sports, where they find a better conditions or so Here's the same Look for your daisy and find Ah, What better conditions? Ah, you just where to appear And then I will take out these warm petals. Desta I have brush with water and taking out this so you need toe Move the work quite quickly because ah, you need to exist. But also while ah, the flower center is still wet. And you It's a bit more complicated because I cannot really rotate with camera about and I will add a bit off Ah, lemon yellow for here. So just a bit Onda. Now let's make so, um, that kind off grace which we're going to yourself for shadows Uh, ultra Marine blue. The deal, which I have already is out. Onda uh, my agenda Really beautiful. Yeah, some kind off blue is great, Andi Now we will make these kind off petal separations. So for here is this Onda? Uh, probably too had somewhere here. Yeah, we can add a bit off. Ah contrasted toe this area off their flower center. That is burnt sienna this way and I beat off warm yellow. This is New Cambodge, or you can use some deep yellow. So here and that is the first Daisy. Maybe it won't be perfect. So just don't get stuck on. Try to move quickly. Great. In the next ones. Uh, and other one I would somewhere for here I just check those yellow areas where you have already for me, this part looks really like monitor knows. So that's why I will Would like to add there another daisy and we'll see was it will help to change, like the dynamic off this part of the painting. Um, so let's for here. This way, Onda, Uh, that this lemon yellow. And now I will it a bit off olive green and a bit of form yellow. And now is clean. The water just great in this worm battles I find it quite complicated as that I cannot, ah, rotate my board so that too much water for here. So legs is, um let's and ah, this mixture. Let's make it a bit more pinkish. I will let a bit more off magenta on. Here is the color. It's really beautiful. Look is a variety off grey shades, so you can create mixing this rig colors for here. Burger here, I will let some Also, there would be some shadow. I felt number here so the thing that the idea off findings these days is to transmit the feeling that there's there are daisies and you with several brushstrokes that you're creating that feeling. But it's not botanical painting. So you're living also some part through there of your imagination, um, to discover where those days are. And I think that there I will stop like I wanted more days is, uh, let's make now the shadow this one has got already dry. So this mixture off while it with a bit off one of green onda, Let's define the shape. So here, So here another thing that also what you need to keep in mind that this are blazing, that one color layered on the top off another, like in this case that there was underneath olive green until we have placed on the job. Um, purple well, it's that they also can create some like different colors sold. This one actually isn't purple that you see it already like some known dirty color. So we're here just great to their shadow to make it more interesting for here, properties this way toe to make it more interest in the show, and I will introduce a bit more concentrated while it in some areas for here for here. So now you can see that this battle scars got, uh, more like later on and more with it on. Now, let's great the shadow here more. First of all, start with diluted color on Duh. So, actually, I'm not really happy with this kind off. Um, like while it which you get, uh, painting now over olive green. So, for example, this also could be considered, like discoveries for your future paintings. That okay, I won't use this. Probably. I will have a look. Ah, and we can try this. I will make off more concentrated olive green. And for example, in that'll bring, I will add a bit off while it so for creating the show, for example, I will use olive green makes it was a bit, too. Is while it. And you think that then it's mother thing. Ah, you need to consider in this way that sends a shadow is really warm color so that the worm Ah, Sunnyside off the flour and the shade is also worm on. Uh um, like this, you can see that here it grates on more Y Bryn see on the makes of the battles look brighter. Ah, while here the shadow. Hmm. It's like making its doll. So you what you can do and probably lets it a bit off while it it's not. While it it's Ah, cobalt blue in some areas sells it to make it. Ah, colder like cooler Andi with while it that I will adhere some. It still hasn't got dry, so then I won't touch it anymore. Andi, I will go back to the scholar does, he said Daisy. And with the dark green I will create There exist system, but it's some their simple lives. So here's the processes that you're looking now at your background and just ah, trying where you can see what you can see. So this one we're will live for a while and let's move to another one. So that is also the beauty of this approach is that you don't have to wait until this one will get dry or what they were. So you just moved to the next one, and once you will see the different way, you will be back to that one. So let's have a look at this one. I I think here is a really perfect er they think here and here. So let's paint. These is in those areas. I will start to his warm yellow. Well, here a bit off, as this one is Kinnock Redon, burn getting Granoff burnt orange. Or you can use burnt sienna this and a bit off olive green. And now just take out the But those, so Yep. Looks quite nice on. Now. With this color mixture, I will add a bit more off drama in blue. Yep. Quite dark. Nice color on. Well, greatest. So I want ed everywhere the petals. So that tea leaves this part for, by the way, here I will it a bit more off here. I will make one more Daisy. So, like this Onda, uh, it seems that it has got drilled. It is a lower part. So I can add some shadow in this area is going to be a really beautiful this while its shadow Andi, I will make only yeah more or less like this. This way. So here is the shadow on the let's move to another. They think here would be one more. Ah, was Let's make with lemon yellow. This one here, a bit off olive green in the center and here at the bottom. Yeah, And now let's take out the battles from this site, and I will add a bit ofa warm yellow Here. Yep. This week, Onda, uh, I wanted to add one more for here and this one, we can make a really, really light. So just the hinge that to show that the here's a re something until we can show it by, um, throwing their flower center. So but really diluted. So here. And we cannot actually won several more of this kind off flower centers to make this feeling out. That there are more days is like, for example, for here, and we're here. So that is, does a, uh, Kinch of it. And, ah, with this, um, mixture, which I have here I will read a bit more off magenta off Grace. I told you 20 point night and I will just several strokes showing that there there are some petals and probably makes this a bit colder with a bit more blue. Um and so they're also there is one daisy for here for this one. It would be nice to take out the petals. It's home is this way until it's make it to be concentrated color off there Flower center because it's not noticeable here, then for here as well. On that one, which is hearing the shadow, I will make just several stroke like this on De so that this would be to the imagination off that we were to get the idea that they are one more daisy. I will add a bit more off olive green here, Onda bit offer burnt orange you and probably a bit off while it also here so that to make it darker. 9. Daisies. Adding Lost and Found Edges: uh, this one. Yeah. Let's go drive so we can come back to these daisy under the bit more off worm yellow. Yeah, actually, with these days, every forward that the shadows, those petals with China's a share, though, So I will. It's just several his until let's that also the shadow to the pedals. I think that it's still wet, so should be quite careful. Hi. This so here On a bit more. Off more concentrated while it while it was a bit off olive green. Too much olive green. So at some serious Ah, here. We can actually, um this one is really nice And I think that I won't I won't touch it at the moment. Which ones? I will. It may be here Some shadow. You like this? We that almost No, What? The left is my brush. So and this one I will make quite diluted just with water onto his brush. And, um I will be back to this day. See? Now it has got dry, so I can make they can give more. Um contrasted to the flower center Onda a bit more off olive green Is this right, Onda? I will had also some separations that with this mixture of grace I don't want yellow. And now it's green. Um, a bit more off Ultra marine blue, Really dark. A bit more awful to my blue on a bit more off water? No. Um uh, Here in this petals, I will at some pattern, which they have in the pedals. So is this kind off texture and shadows So to make them more interesting that it's really I know very relaxing. So just have a look at your days is on how you feel them are really nice on this one. Also, we can add some. No, it's the color. Mr Should be really deluded. So, like Onda, let's exist them with Ah, um that is under sea green start green and here so that they are looking the one into another one. So we're all leaves. So this weight like this on and also we can add a bit darker shades so that this ah, sepia or any brown, you can make any brown with a bit off Always green, dark green, which you have when did some areas just to make it more like shadows. So just it's here to system. Onda. Uh, also, we can add a bit more off like shadow to make it more interesting. Like, let's make it should be quite a watery solution off while it with the same which we have used for their, um, for the shadow on the, uh It's great. The shadow this on another one would be for you this way and then some shadows of their lives. This one's us him. So here we have our 1st 2 days is I know what we can It is a bit off while it here to make This is a shadow Justin in the lower part. Yep, And here in the middle. So here we have our first days is let's come back to these days is oh, here I will add a bit more concentrated yellow Ah, here. I think that also I will lead a bit more off this warm yellow these way On a bit off, I think Here a bit off olive green on da with olive green. Let's at the stems. So just let's make them interesting. Just lay on. Enjoy. Actually, I find it there really complicated. Ah, to commend coupon conventions. This exercise because It's too much as though that is the way you are feeling on duh how you imagine this, these is how they how they grow. House A. I know just that you are completely into the process on this one. Also lets it it's way some lives. So that is exactly the way you feel, and your ones are going to be completely different. Toe my ones. So the idea is just like, um, probably applies his approach. How dough, um reveals a today's itself from the background. Andi. Then great. The way you feel them. Justin Joy. It's really enjoyable here. I saw that it was from there I will remove. I know that it was from here from this one. Yes, it doesn't as a way how you can fix Ah, something if you will act quite quickly. Just a with, ah paper towel. So you can remove those areas which you are on. Taboo is on. Uh, let's at some darker shades as it was like everything looks so the same color. So that is just the brown shape. I agree. In some areas, I just did to bring more contrast, we can enter some separations. Ah, does that leave? For example, this one's all. They look really similar. We can end So here, some lines on, uh, does this one as well. I had some lights, this Wien's and this one is still like in contrast. So let's add a bit more off burnt Sienna and a bit off while it Yep, so we have for a second composition of his days is Onda. Um they're different. All of them. They're different. But the ideas that you get in Joy Z's Onda also will make your own discoveries while painting. Let's move to there Azar still. 10. Daisies. Looking for curious Shapes & Marks: So let's move to us. A tow backgrounds. So this one, I find them quite different to the previous ones. Because we have used other colors out here. It's really, really beautiful. This texture So which has grated grana late in pain? Yeah, it looks more almost like field off. These is there are so many of these, um, yellow spots. Let's have a look where we can create where we can see our This is, uh, like here. We can place one here, Another one on here, probably. And one more problems. This one. So let's have a look, and we will see. I will use lemon yellow on, then a bit off olive green. That is also a great point off paintings this Ah, for the ground that actually And imagine if you will take six or eight as that You get the of that You have to paint so many off the same subject. I mean, for example, here we are practicing now with days is so it then you will get a neck spurt off painting. This is I mean, that if I would have to paint all these in separate ah pieces of paper I think that it's quite high probability that at some point I will get already bored of painting So many days is on and just will stop. But here I feel that Ah, why not? Just like I am blame Onda. Uh, also I am practicing painting. These is so why not? Uh this way. So that is already like your imagination. How you imagine there these days is I went to one here, So let's try because this one looks really interesting what we will get as a result that will drive this time with this brush to take out the pedals. Ah, bit off olive green on. And for the top part, I will make a bit more bluish the color. And I mean, it's also really boring to make the same shape on the same the same kind off, um, bases. So just experiment and see what you can get on and some of them who they would be good experiments, others know. But you will get the lots of practice that is really great exercise for getting practice in painting that subject Ah, which you're interested in to practice all let's head space ones. I know it just like now I'm really started toe. I like the two previous ones. I have showed you the way that usually I would paint. This is on. This is already some experiments and we'll see what we can get with this experiments. And here, for example, I would like to try with this to make shadow with the same mind blue Just It's interesting what the result would be. So I'm using to smile and blue or for creating the shadow on here. The separation between the petals. I hope that you haven't fallen asleep watching may doing this. And, uh, if you ourselves and I would suggest you to to paint not the watch, but to paint, because that is a way how we gains experience actually making. And not only observing, Andi, I will it a bit more off while it or I will. It actually took Waas and we'll see. Yeah, at some points. Uruguay's onda uh, dark a yellow does a flower center. Yeah, looks much about that. And from the lower part, it would be nice that, uh, a bit more off while it. So just with these kind off points here we have our daisies. So let's make one more. Actually, this one is really I really like this shadow that you can create with another color. Andi, Uh, here I would have more concentrated while it into the flower center for here told this on offer from shadow areas. This one is really beautiful. I really like this. So that is also trying something times in different. So it's not always the same way off days. Is that some of things I could be completely I know really different all what you have painted before So package days Because its own character and, um here another for composition. I would make it looking in that direction on Davidoff out of grand and a bit off working Agreed on burnt orange or burnt Sienna on Let's take out the battles and another side, Um, with more purpose, I will make just several. So this one I don't want to make their whole shape. I will define the shape already ways. Aunt Aggie. I will try with this mine Blue. How how it will be Have to make the shadow some trillion thirsting. So that is something do which I'm discovering right now on. That's why It's really great this exercise that every time when you are really present in what you're painting, because first time I was trying, Ah, while I was creating the background, I was trying really to copy myself that the experimental, which I have done several days ago and I like those days is, and this is like that would be great to repeat it. But repeating sometimes it's like that you are trying to cope is a shape about, Ah, you're losing this feeling off energy on De. So that is more complicated, though, to copy because, uh, after Guare's in some areas, because they, um that is something which I guess is a present moment. So that's why um, like this one's I find maybe there until perfect. Maybe there aren't so beautiful as a the other experiment, but they're more alive. So they are the way they came out at this moment. Onda, uh, then most important things that now I am really enjoying what I'm doing. And I would like to transmit this feeling off pure joy when you're painting to you, um, on, because that is something that how you get Miss Meat, how you can share with others a sense in which you don't have. So now, compared to my brothers, uh, dry off filming my painting, bro. Sis, uh, I have this feeling off joining. I'm really enjoying what I'm going to know on. Uh, I would like to share this with you and to transmit this feeling off. Rheal, enjoy. To discover days is on, uh, to paint them on the so that you will create your days is are the same way enjoying completely enjoying the process. So that is the most important, uh, part on, uh, so that I think that it's, like double benefits that you're learning something you're creating on, uh, the most important you're enjoying. And I know it just, uh, enjoy. Enjoy the process. I really like this. I think this is at the moment is the mole. That is the beauty of this exercise. To make it all for it once that the 1st 1 usually it's like 2nd 1 Okay, I feel a bit, but now it looks more beautiful. And the 3rd 1 is like, Oh, I've been doing I'm enjoying the process and I'm enjoying what I'm painting on. Duh. Has the results that I will make stems with the same Mayan blue on that It says that I'm really I'm really happy with, Ah, the results which I am getting painted So in this way, really, they're just beautiful, that amazing. And that's the way how I am how I feel now that I'm really happy and it's so interesting Shape off daisies and colors of days is which I get And I hope that my days is also transmit I'm sure that they transmit this feeling so on less that a bit off the glass. So this is the really beautiful color combination which I'm discovering now with you off this Mayan blue. Actually, the story of this mine blew. It was there that, uh, I think the three years ago I have bought, um as they set off a permit, Primatech Ah, then else mean Spain's They were really expensive. So I was keeping them on, didn't use because I didn't want toe like waste the paint on. Now I have taken out them and it was like I have no idea how to use them. So on the bill by Vita, I'm exploring these kind off effect which you can get like regulation effects on. Does this kindof really beautiful color combinations which you can use for paint in the shed Looks. So here I have used the four stamps. Is this Mayan blue regulating color? Andi Ah, With the sambisa off requests, that is quite interesting combination. I find it really interesting and could be used for my other projects. So that is a really great part off this exercises is that doesn't like here 1st 1st you started with something to try toe make it very realistic. And that was that. It would be like credit. Credible. But then you start to explore your own vision off the world and what you can see here in this painting. So actually, then, like you are more reflecting your in the nature. And that's why it's more unique because it's like how you feel in this moment and how you reflect this in your painting on this one. Also, it looks actually, this is I think that one of my favorite backgrounds from this four Andi, I have no idea as this one Look here, it's really like a daisy. So let's uses these. Uh, this 12 great daisy on lemon yellow and I will read a bit more off warm yellow, a bit off olive green. So you have seen a mainly those color combinations which I have used along my painting. So you can actually use similar ones or different ones, huh? Like depending on their background, which you have. And here it's really great toe that I want at, uh, like any battles. I will live the way it is. And while grade in the shadow, I will try toe, um, get the advantage of these white areas off paper which were left and I will use Is that my discovery from the previous background Mayan blue? Because also another thing that in the one on the 2nd 1 the ground we have for checked is that our while its layers on the top off olive green that it makes great. So I'm really not nice. And I didn't like it wasn't quite dirty shadow. And that's why uh, this time I will experimenting with this mind blue and we'll see what we can get. That was the result would be more interesting and more beautiful. So here I had maybe more this so here. And probably for here some operation. This way, Andi, for sheer. So I think that yeah, this is also much more interesting is the result If two uses this Mayan blue, I always, uh so it's more interesting. Is the result of to use this Mayan blue is ah, on the top off olive green. It's more interesting on and it's more, much more beautiful. I really like the way how it turns. So this and a bit and then I think our what What we'll see is that one says it will get dry also was it will create some kind off texture. It was actually being regulating color. Yeah, it's really, really beautiful. 11. Looking for Daisies. Adding Textures: like here is that it goes, like, a bit up. So this one isn't really beautiful this part, but okay, I will see what I will do. For example, let's it, uh, some more off Ah Wayne's. But they'll wait. And, uh, for example, for here I would like to make it more blue. So far, it here, Andi, here, I will make one petal blue. And this one also is meeting some life. And from that side, just this kind off. So I won't make all the battles just like this on. And I will, uh, while it does a flower center to make it a bit more with more William. So the way this onda now one more here, um, I will use those this time Warm yellow, Another one would be looking is historic on. And I will. It burned, uh, can occur Don burnt orange. It would be a war. My color here, in this entire world on to take out the petals I will use now is East Brush looks also really interesting. The color combinations. And I really like how it bleeds. So probably I will have a bit more off this burned orange here. Yeah, it's nice. And this, for example, to this one I want at any cooler shades off petals. So I really justice. It is toe. Make it more. Um, I know unfinished. Let's say like this on, uh, one more daisy for here on for this one. I will read a bit more off the green. This man here in the center. Andi, From this one, we will take out some petals. So just with sun brushstrokes Well, this would just try toe so that it will bleed. I will add some color that it's warm yellow Onda. Uh, I will just several. So that is the one more on duh. Now I will. It just the flower centers without actually painting days is so that they would be more like somewhere for over there. Asked flower center send with this one. I will take out some petals, but I want I will live them are, like, really loose without defining the shape Andi from here off and a bit off while it to make Yeah, when you're so I think that they are really beautiful. I will let, uh, this one's No, it's still wet, so I won't be able to add anything. Ah, here. I would like to make a shadow. I will use the same Mayan blue. I really like it. So on the top off olive green, it looks just perfect. I don't know is what you can substitute it. Just try with some blue collar so that it won't be some blue color were really diluted one . And it should be, like more like a cooler blue more. And I can add a bit more off your quest. Yeah, Andi From this site, I will, actually with water. I will try to make it so that it won't be very clear. The edge. So I just It was a clean brush into his water. I this all of it like this my brushes with but it doesn't contains water, but ah, extra. What I remove were with kitchen tower with paper that will. And here I will let there be more sure here in the separation. Well, this one is really beautiful. I really, really love the way turns out. And and that it actually is a beauty off. What? The colors that you just needs to be, um, attentive. Um, And to see What exactly? That what the color So show you to do. This one is really nice. I really like. It's It's so social tender. And now this one has got dry on. Does that one? Um here. It's a orange color, uh, out of the ground like yellowish. Let's try with while it's, uh I'm quite interested. What we will get, actually, while it on, uh, and yellows, their complementary colors. Eso Let's see what we will get. It should be quite beautiful. Assume, but let's check how it in practice. So I think that Yep, quite nice. So and now I just make really smooth the border of the shadow. So here, let's wait. And, uh, some separations for here. The wife says they are currently hope Is this weight on the Probably this one. It wasn't really good. So just always paper I removed on day I will get some rains so that here I have some blue and just several veins toe there petals. So that is just the way you feel and just great. I do hope that I managed to transmit use this kind off feeling off creating on, uh, Justin joins this exercise this way of painting for it once and that I think that that is actually I would say, like a date with your inner artist that you dedicate this time just to explore and to see. Okay, let's play. We scholars. Let's experiment. So here I have used mainly, um, foreshadows at this while it on here is a flower center. Also, I have given a bit more off definition on William are the same just a with, uh, while it quite diligent while it so here we have for one more. I will read a bit more off here. My in blue. So that it to connect a bit Uh uh, this color with the brewers colors. Onda, uh, I will add a bit more off while it here to the center to make it more with water. Yeah, and a bit more fortune, but the really, really a bit so that it won't be attracting too much our attention. And this one if I will manage to make it softer, just always water and playing brush. And now let's add the stems I will use, uh I think I will use while it's it's too much. So that is a while. It I think that was a bit off a burnt sienna. So just stems the way you like here. And that is another thing. Go what you can do that to make first, um, like, line on then while still it is wet, you can introduce a darker color on. Then it will bleed. And also a great, really beautiful effects. So a lighter one and two watering And, um, how to make it that it will look more beautiful that for here, like this? Um, this way. Yeah, started to bleed, and I will let some more Ah, yeah. It's a really beautiful How is the lady in there? And for hearing the darker andl lets it, uh, the lives the list. Also I am I didn't know was while it that is also quite uteruses that here I didn't leave, uh, on the on the same olive green. That ground but on do is while it it gives different. I know I really like. So this was a shadow I didn't like about for this year. I liked it on what we can make more. I am releasing some splitters, but I'm not really sure which one's which color toe so that it's so tender But year. It's like I think, that I will use as a Serb burns burnt orange chemical and burnt orange mixed with Opara and the will it several more stems. I'd be more orange, we'll burn. Ciena's is kind off color because it's too bright. So for here on duh his weight, I sent this way. Also, Warren most some of our lives more so That is already completely the way you feel. Probably I don't like this part, which I have read it. I just removed Uh, so here days, I think that, um I will. Okay, I cannot resist. So I will have a bit more off sweaters and I will let splutters off. Uh, worm yellow on the let's See, I'm covering that. I wanted them in that area, so I will cower there. Our days is Onda uh, here at the bottom as well, so that it won't so that it's like the feeling that there's around many days is and, uh, there is a field andan, other splatters. I will let her with a second acrid ana. Can I done burnt orange color so or burnt sienna so that they will make us is beautiful contrast. Um, maybe more. What? That. Yep. So I am really happy Who is my final? This painting. That is just a bit more off while it to give more William to this one. And a bit more to this flower center here and to this one, I feel here. Um, now let's realize all our for paintings that so that actually Ah, while you're realizing you can have a Luca where it's missing some, uh, black off contrast, for example. Actually, I'm aiding here in all of them, in the flower centers on Duh. This one is really, really beautiful. Okay, does this one's is the same? Ah, I see that. It's actually like liking contrast in the flower centers. So just to get a bit I have been eating, uh, Kinnock. Redon burned, uh, orange and I will have been more off while it souls that is actually otherwise, as they just like most the flowers is it that the petals are really light is that's why I like a least we need to give the contrast toe there. Ah, here. I will admit a bit more off green So that's why you I in order to make more to give more contrast, um, to the flowers. So you need to make the flower center more Dr. And, uh so then it would be noticeable. Also as a combination off Really dark flower center. Andi really light petals. This will make this kind off, uh, undressed and this, but also will be more noticeable. 12. Peeling off the Tape: so don't you find it really fascinating? How we have are actually evolved a while painting these for the grounds and practicing with daisies is that from this simple Now they look simple and ordinary. We have moved to this one, so which had already a bit more off character on looked with more interesting on then we have finished with this one's I'm really happy with this door. Uh and I think that my father it would be this one. That is just I know. Ah, I wouldn't imagine at the beginning that will appear something like this said, It's like really has evolved on. Does that was the part off What? The color So which, uh has transmitted this kind off like there were all the colors which have revealed these daisies. So it senses that I just helped a bit to define the shapes, but the rest it waas all what the colors and I do hope that you have enjoyed the process until that I have managed to transmit you this feeling off juror of painting and off, interacting with water colors. And now the most exciting moment there which every artist looking for that is a 1,000,000,000 off for the tape. I just wanted to show you also one thing that in case, uh, your tape is too strong. Like, for example, is this my one? Ah, the way how to build it there so that they're not toe damage. Your the paper that the while removing the paper you just the taper while removing the paper. You are moving it like these at some angle. So then it will be like more so that one thing that if you will be lit like this way and I think that Ah, here, this way quite slowly, Onda. Then it won't damage your paper. So just hear it in the opposite direction. So that it would be like as a single Andi Then it one damage your paper and this central ones is the same. You can do it here a bit in these directions and it in another direction. He's that dumb. Here we have our four paintings. Andi, I hope that you really enjoyed painting with me. And also you have ah evolved with your days. Is that starting from simple, then moving more complicated on. Then you start over it. Experiment. Onda Bligh your discovers in the Force One. So it's really, really inspiring and energizing. Andi, I do hope that you have enjoyed the painting with me. Onda, um that also that you have enjoyed disease process, uh, enjoyed banking, Enjoyed the order colors. Thank you very much for joining me in this painting. 13. Final Thoughts: Thank you for watching my glass. I hope you have enjoyed this. Our practice. And how might your proper with Ecologist colors If you like the class police Lee review and upload your class project as a class project gallery. I'm looking forward to see all that beauty wish you have created especially. I encourage you to upload your project in case you got stock or feeling happy with the result. I will do my best to support your Honor to show you those positive moment which you have gained this roses are practice. If you're going to show your artworks on instagram police, they mean so that I could see. Meanwhile, you can check my other classes on skill share and keep on creating See in my next class. Bye.