Essentials Training Course - Adobe Photoshop

1. Part 1. Introduction to Adobe Photoshop Training Course : Hi there, My name is over quite famous dilemma, how are you doing? I hope you're having an awesome day. If not, I tried to continue around anytime you wish. Now together in this course, media, you are going to learn everything we need to know about using for digital. It took me more than ten months to be precise. Liquid is stretch it for digital masterclass course, which I called it Adobe Photoshop Essential cause from zero to heal. This course is for beginners. You don't need any previous knowledge in Photoshop photography, design. So this is going to be a project based course, which means we are not going to go through every single two in every one of these little settings. What we're going to do is we're going to set price the cow, reward examples and then lend IT tools and features necessary to make it both beautiful and easy. First, you take a look at Photoshop interface. Learn how to customize it to suit your own preference. We will learn how to easily move and Transform Objects, create a new document. You will crop, resize Canvas and image size. We will work with the Quick Selection to the magic one to n. We will look at how to manage your layers. We will spend some time with taste, great and a2k and men how to add shapes and objects, your artwork. We will end the Photoshop secret source where we can magic up more background or completely remove people or objects from. You will learn how to easily enhance images, collecting the light and the color. Before the end of this course, you have the skills to match anything including the dreaded hair. You also know how to put a drag inside a coffee cup. Using those new skills you've learned, you will learn how to create a mock-up where we can wrap a logo on a coffee cup, creates a book cover mockup and so much more. There is my previous session where we will learn how to reattach your images to bring them to light. You also add a bit of spice to it by creating a frequency separation action to edit your borrowing images like Pru, I'll show you where I get my design inspiration from. We will learn how to download and install font and also download and install brushes and textures. Together we will learn how to manipulate, test, how to apply filters. Learn about smart objects and not as much of yet, you will make your own graphics using simple techniques to create logo, business card, letterhead, and so much more, you wouldn't be complete as a Photoshop user without knowing how to create a solid social media flyer, teaser, promotional flyer, product design, and many more. And finally, in a good Photoshop, users should know how to present your final project to a client appropriately. There are advertised for that you can download so you can work alongside me. There are also assignments that I said throughout a course for you. Practice your skills as you move to the zoo. If you've never opened up Photoshop or you have and then really struggling with the basis. Then follow me and I'll show you how to make professional images inside of Photoshop. 2. Part 2 Introduction to Photoshop Interface : Hello everyone. My name is bookseller mode, your instructor for this class. Welcome to the footage of Essentia class. What will you learn? Actually, you may ask, you are going to start from the basics, creating a new document, Moving Image, image manipulation, my screen layers, all the way out to collaboration techniques. We'll be creating maxes using filters. So much more. Alright, This course is designed to be an interactive and hands-on course. You're going to hear me say a lot of time, pause the video and practice on your own. Also, you can find a downloadable source files which you can use to practice alongside me are key to. We are going to start from how to customize direct speed. Alright, so when you have Photoshop pooping to open your source files, as I said earlier, please make sure you download the source files. Use the link provided somewhere on the page. Okay. When you open the Photoshop beginner's class or tutorial, you're going to see layer one, so one, double-click on it and then you can see layer one. Hop down, opening Photoshop. And boom, this is what you are going to have when you open Photoshop for the first time. This is what we are going to have. So let me reset my essentials for you to see what you are going to have actually. So this is what you are going to have basically. So you can see this little guy here, this little guy here. You see when I click on this little guy here, you can see that Photoshop breaks my tools in G2 or just one column. Okay, So any of them that you wish to pick is Cauchy, so I'll prefer to use the one column here, i2 value are going to use to create most of your documents. Okay, So this is it, Okay. Then we have also these panel that is going to help you create most of your work. Okay, so we, this one's, all of these are going to help you and I'll be explaining them to you as you move on to the course. Okay, So let's look at how we can customize the speech. Okay, so first of all, is to click on this little guy. Choose in-between how you want you to look like. Then from here, maybe you have missed up your Photoshop. So you want yours to look like mine, or you have to do is to come here. And then you see that mine is checked at the essentials. So you can see mine is check out the essentials. Select that. If you don't have that one selected. I'll select that. Then I'll go back there and click on Reset Essentials. The same thing. Let me brief you about one in Photoshop gives you many options to apply the same thing when you are working on Photoshop. Okay, So when you are using for to show step that someone may use IG something, you can use a different state, but the goal is to achieve the same results. Most of the things that I'm going to take you through is based on my own experience and what I have seen. A lot of people use this same thing when you come to Window over here. When you click on it, then you are going to have these tools, these panels. Then you can see what species and you can choose essentials. You can see that the default page, and then we can raise it essential. Okay, so let's look at how we can customize the most that time some people may mess the screen by placing the panels are different places and maybe you want to go back okay, by you don't know how to go back. So what you can do easily is to go to Window and you select Reset Essentials. And Boom, photoshop is going to bring you back to safety. And also most of the things I'm not going to use them for now, so I can't lose them. So if you don't need anything like the switches, I can click on it and close. Gradients are no use this one clues. And once you right-click on any of the panel, you see that Photoshop gives you so many options. So you can see close, close group, collapse icon. So you can collapse the icon so that all this place is going to be hidden for you. There we can bring those back. Okay? Then also we have an option to minimize. Example like when I click on this property, when I right-click on it, you can see for to give me an option to minimize this. When I click on it, you see that the property is being minimized. I can also right-click and span the panel. Okay. Alright, so parseInt, I'll know use that. Then I'll be using the color and also I'll be using the property panel, but I don't want it to be here. So our click and drag. So one thing is that when you click and drag, you see that you see a blue halo on where you move your shape too. So when I click and move it here, you see that the blue halo shoes missile, wherever the blue Hello Is this where the panel is going to leave? Okay, So when I leave it here, the panel is going to leave here. I want it to be here. So I'll click and drag it over here. At the same time, can click and leave it on your workspace, just like this and you have this. Let me click and drag this one. But I will not be using the libraries too. So let me close that. I just means I would like to bring ETA. And once again, you can see that our list is being minimized. So how can you do to bring it back or a splendid, we can double-click on it to span that Liao Qi. And we can also double-click on it to minimize it. So that is one tip that I've shared with you. So you double-click to open it, and then you double-click to hide it. At the same time you right-click, you can see a span here. We can click to span, that's okay. Then also we can move this one either up or down. So maybe I want to have more layers because Photoshop is all about layers are key. So if we want to Mustapha, to show up very well, you should know how to use layers and I'm going to use the layers panel a lot. So you can notice that when I bring my mouse cursor here, you can see it turns into two arrows. I can click and drag it down or up. So I want you to have it this way. All right? Basically this is your SPs look like, okay. And once again, whenever you select any two here, photoshop gives you an options at the top here to apply changes to the selected, two digraphs selected. Okay? So all these are there to help you create your amazing as Gouache. Lets see these presets. Let's see if this works v. So let me see We go to Window workspace and then you new SPs. Let's see Solomon or pass req speeds. Then also make sure you have all these Jake, okay? Alright, so please make sure you have everything here. Check. Okay. So what this one does is that it basically freeze everything. Like I have my list here. If freezes, I have my two CA freeze everything is without anything. You will mean that you are going to have the same thing on how you see your recipes or key. So anywhere now you click on AKI. So let's see, I select the essential. So let me reset the essentials and you can see that all these come back. I close all of these and I have all of them back. So what can you do to bring your own settings? We can go to Window workspace and then you would choose the name that you choose for your file. So let me, let me say for it is possible. You can see at the top here, it is there. When I click on it, it will bring me the settings that I apply. Okay, so please pause the video and try your hands on grids in your own workspace using what you have, just length and greet your own speed so that we can continue on. 3. Part 3. How to Create a New Document: Hi there. Welcome back. So first of all, our life to close these documents to undo. I didn't see if there were cookie. Then when you open your Photoshop for the first time, you are going to get a screen like this. Dialogue box should appear, but I don't know why it is not coming back. Don't worry. To create a new document in Photoshop or you need to do is to go to File and you click on New. And also please note that when you click on the new or beside the new, you can see shortcut Z or Control N to create a new document. So click on that. And a new document dialog box is going to open in Photoshop for us. Then we can select any of the default. If you have something, see, it is going to appear here. We have food to be have print documents. We have all of these things that I might not come in is supposed to come. Okay? Let's see, this is the default and not also change the size. Even chain this one from centimeters to inches to pixels. So we can do anything that we want to do over here with this preset, okay? With this, this preset help you to set your document for you to choose the default one. And then also we can see we have on Title one. So here is where you document or you can still click on Create and move on later, you name it. So let's see re-sizing. Let's say creating new document. And let's click on Create. So let's leave everything as it is. Let me increase this 100. There an issue supposed to be the norm and you click on Grades. This hole is the document that we were using for the example that we did. So let's create this on our own. So you can see when you open a new document in Photoshop, the first thing you can see the background is luck. We can unlock it. Okay, just click on the lock and you see it. Look okay. But let's look on due to lock it. Then. As we already discussed our tooth, you can see we have the viewers to CA, that they are going to be a spleen. We're not going to explain them one by one bys will be using them when necessary. So in this case we are going to use these two chord, the rectangle tool kit. So when I click on it, it's going to work late for me. You can see this arrow showing down here. It means that there is something potentially living under the sheet. So when I click in who you see that it's reviews are the sheep. So if you see any two without it, you can see this one. It's only this one. That's why we don't have anything. But if you see NH2 with that arrow, it means that there is something potentially living under that. So this is what we have. Another, we need only the Rectangle tool for now, so I'll select that. And then all you need to do is to click and drag. Don't remove your hand from the mounds and let click and drag over the whole canvas. And boom, it is going to fill, but you can see at the top here. So when you own the sheep too, please don't like off because when you click on the move to, you're not going to get that options. You are going to get moved two options, we need a rectangle to property, so make sure you have the rectangle selected at the Layers tab. And also make sure you have it activated here. So you have the options at the top here to do what ever you want to do. First of all, let's discuss this. First of all, you can change the color here so you can see this is the fill. We can click on it and then select any color that you want to select two. You can open any of these and select it, or you can come here. You click on this color and then you select any color that you would like to use. Our legs, you use a color just like this. And click on our key, and you can see it immediately applies for me. Then make sure you have your one layer of paint and then you are going to see these images. So this is what we are going to use. Icon, select this one, click and drag this into Photoshop. Okay. Leave it in. Basically, we are going to appear in Photoshop for us. Let me cancel this. And also, if you are working with many document and you want to move all of them at once. In Photoshop, you can click on Control or Command on a Mac and select all of the, then we can click and drag them into Photoshop. And boom, this one comes, you click on Commit Changes or accept changes. The next one is going to come. You do the same. And you do this in the end to resize your image as we already learned it. Auto selected, check the show transformers, we check and we can transform this one okay? Venue accurately. You can click on either commits transform or you click on the Enter key. So you have two options here. When you turn transform me, click on Enter or click on the option. It's what I said, changes. Then afterwards we can move these little guys around. Okay. So we can move it to, let's say you come here, you come here. Let me scroll this one a bit. Alright, so let me delete them and let me show you another way to import images into Photoshop. So another way you can import images into Photoshop is that when you go to File and then you come to Place Embedded. So this is it. You can go to Place Embedded. You click on it. It is going to open a document for you, then you locate where you have your image. So in this case, I have my year. So this is it. I'll just open that and I have them. I can select this one. I can hold down Control on PC, command on the Mac to add different ones, but then I can select this one. I'll click home, please. Okay. Then I can resize it here. Also, please. If you are using an older version of Photoshop, when you ask scaling this one down, we are going to have problem. Like maybe you are going to have it skewed this way. You are at the store. You are destroying the image where you don't want to have it that way. Okay. I'm using the earlier version of Photoshop to energy into they have updated that. Okay, so if I transform anything, I will not have that effects us a distorted image. Okay, so if we wanted to transform the image without the story needs, or you need to use to hold down the Shift key. And then it is going to transform it in a very proportion for UVC. This is divisiveness of the 22 is two. So when I hold down the Shift key, see that it is the story that in your keys is going to work perfectly fine for you. Yes, Would that, and you'll find when you are accumulates, you click on Accept Changes. And then let me move this guy here. Then File place Embedded and less delay. The second one, you click on Place. And then let's reduce the size of this one. So if you are using that whatever changes, what are the Shift key and you'll be fine okay, when scaling them. Then let bring the last image or K. Then please embedded. I'll select the last image and boom, I can resize it here. Let me show you one protein over here. So if you are using an earlier version, you are using an older version. You can hold down the Alt key and then you click and drag. You see that it's transformed into the medulla are key. But I think if you are using an older wish, you have to add a transform into the middle for UC, Merced is being disturbed because of the shift key. You need to hold down the Shift key or the Alt key so that you are going to transform into the middle for you. So in my case, let me move my hand from the Shift key and then I'm going to get it this way. Then I can move this guy around. Then let me please this guy here. Scale it a little bit down. And how do we teach? Hover over the edge and we can click and drag to rotate it. Okay? And also you can double-click on it to apply changes. You double-click on your mouse to apply the changes. Instead of, maybe I have transformed this. Now it's too much. Instead of me going here, I can double-click on this to accept changes. Okay? So basically does it. And also, I forgot to explain a little bit of this for you. So if you draw any shape, you can double-click here to change the color of t. So we see I have this thumbnail here. They are thumbnail. When I double-click on this, it's coping, the color picker or the cover sheet for me, which I can select any color. And this is the hue and saturation. So you see, when I move it around, it brings in different colors. You can choose any color I want. And then you move from there. So please, I would like you to pause the video and work on your own. And please, when you are done on the project size or share with me so I can see how far you are going, okay? Alright. 4. Part 4. How to Crop, Resize Canvas and Image Size: Now let's continue and we're looking at cropping, resizing your Canvas, MSIs and staff. So in case maybe I have all of these, select that and it is too big. I want to increase the size of the canvas. Okay, So the document that you see here or what you see here, It's called Canvas. That's the document. Okay. These are the images and layers that we have around. Okay, So in order for us to increase the Canvas, you need to do is to go to Image and you will see Canvas. Okay, so select that. You notice that we have the chance to increase the size of the combat. You can maintain whatever you have here and then increase the rate, increased maybe four. And let's do, let's increase this one also two. And let's see three. And then click on key. You see that we have a lot of the shape here. We can select the rectangle we do as our background, and then increase that to fit everything so that you can have a lot of space to bring in more items or increase the size. So that is the way to increase the canvas. And also sometimes when you are working in radio document, you might want to change the resolution or change the image size. So when you come to image, image size over here, click on it. And the image size dialog box is going to open for us. So we can see we have the Android, normally we use 304 printout. You're going to post it on the internet and you see the size of the document is too big. You want to reduce the size. So we can reduce the size up to 72, usually good for the screen. And you see it reduced to 1.15. Okay? So basically, this is how you can also go about it may size. If we want to do anything, then when you are about to click on our key measure, you see resample. So we have there is sample, this is going to help you to keep the size or keep everything as you want. This, what is the latest version does preserve the deal too. When you select these and you click on, Okay, it is going to preserve it not to distort the image of your work, okay, so you have the preserved details selected. If you are using the machine, you can choose Preserve Details, enlargement, then we can click on Create. Okay. So this is going to change the sign 300-72 and you see how small things here. And then we can click on this one to here, Double-click on it to fit everything. Screen also lets look at how to crop an image in Photoshop. So maybe you like to crop something. So how can you go about it? So to go about cropping in Photoshop, you need to do is to come to you to CDN can see and you will notice that we have crop here. So we select that. And then you see, it's literally gives you this outline over the canvas. And you can drag, you know, crop this image to your profession like quotes you like to have so you can copy. And also footage up gives us some presets. So when I open this one, you can see we have 11 is to one shape. So you see it gives a square. We have eight. So you can also choose some of the presets here to go with what you want to do, okay? So you can see how the info, but if you would like to do it your own, so it is a way you can also set a perfect banner for your awake, okay? But you can always leave it at width, height, resolution so you can toggle with aids, do whatever data you want to do here. Okay? So that's basically how cropping it is. So let's see. I'm okay with sample IDs. And you can also drag around these. So when you are carrying your copy it click on this checkbox. Save changes and boom, this is what I'm going to help. So please pause a little bit and prices for t we have thought, Okay, this is it for now, just laying out crop. Just go through how to grow, increase your image size in the staff or kay. 5. Part 5. How to Move & Transform Object: Hello everyone, welcome back. In this next section on Photoshop essentials course, we are going to look at how to move and transform objects or k. We are going to learn how to move this around. Move this little guy around, okay? Alright. So first of all, to move something around in Photoshop, please make sure you have the move to activate it. So here is the move to make sure you have it activated is can see we have many tools over here, but this is the Move tool. If you want to move anything, you can click and move. It. Can move this guy up. This guy up, really move to, we can bring this guy, you can change their positions. Move to a k. So basically that is defined. Move to let me undo. So when you do something and you don't want to accept the changes or one-to-one to, you can go to Edit and you see undo, so onto. Then let's go again. Undo, undo, undo, undo. So many at times, like when you many things and you want to undo, you can see that we are going here to undo because z it is our webinars and load. So maybe you don't want to be going back to the edit and undo, undo, reconsider shot Cartier. I'm not going to bombard you with many shortcuts, but the ones that are important that you need to know, I'll just share with you, okay? So that is degree. You can go back or key then from here. So to move anything, please, Photoshop or default, you will not have the auto select, Check and they transform, show transform, check. So please measure it to select here check, okay, so make sure you have it. Check this one. And you also have this little guy check. Okay? So basically this is what we are going to move. The things is not this that we use to move anything just that help you to see what you have selected or not. Okay? So with a auto select Check, you can see that without able to select, you can see always have selected one. Objects are key unless you come to the layers panel and you select a different object before you can move it. Otherwise, when you don't have auto select selected and we try to move something, you can see We are moving the old one. Okay. So make sure you have a check and then we can just select anything from the art board to move it around. Okay. And at the same time, the fetal form to let me uncheck it and you see the results. So are we just want to check it. But you can see you have select this MTU and movies and the value none. Notice that you can't see anything to have that bouncing box around it. You just click on Show Transform so you will know that you have selected, we have selected that, okay? So to know that we have selected this one, okay, I guess you now understand how the move to work. Now, let's move on to re-sizing over t dt in this case. So to resize this one or this one, Let's first of all look at how to resize this one. So to resize this one, already we know we have the Show Transform Controls on nature. We have these guys around this one, which means we can just come here to the edge, the box, the small box here, you see it turns into two arrows, which we can click and drag it out. Well, for me to be small or big. And maybe I have transformed this to this portion and I don't want to accept the changes so I can click on cancer, the transform, so you can see this, okay? So we can click on this little guy here to cancel that transforms. Let me click on that and add the same thing. If I have this transform and I want to accept the changes, I can click on this little guy here to save the changes. And this will be applied for me. But also we can click on Control Z to undo the changes. Okay? Next, we have ln about how to transform to make it bigger, make it smaller. So let's look at how we can rotate this one. See this one, we have theta them. Okay, so let's try to take this one. Awesome. So to rotate this one, if you want to move to measure, you know, move to. And also we have the selected, okay? And also please, all these things that we're learning is on the layers tab. So everything that we have on the art board. So this is what cameras. Art board. Alright, all our documents, so anything that we have is what appearing here. So if I click here, you can see this is n. You can see it gave me their name. So it gives you either have the background selected, have this shape selected for high angle lighting than that. Okay, So you see anything that we are doing is appearing here. And also if you don't have anything yet, so maybe you might not have this option that we have here. So let me show you, maybe you don't have this obscene. Okay. So if we want to have this one goes window and you'll see, alright, So when you come to Window, then you see this arrow. So let me click on this arrow for you to see. Open that again. Let me show you the arrow. So you see this. When I click on it, it'll open or it will go down and bring the other details. I don't I can see I don't have them here. So you see that I have the option is checked. So when I click on it, you see it escapes. Let me go back and make sure I have this one. Check. Just click on check and you see it comes back. Okay, So if you don't have these options at the top, please just go to Window and then you are going to see anything that we see on this document. If you don't have it, it's living under the Window key. So we have everything on this art board or on this document living under window. So if you don't have anything, please make sure you go here. So maybe want to recreate the test too hard the character. When you come here, you can see the character here, okay? So I click on it and then PS here. So this is a panel and you can see the character to come rate paragraph a little windows to help you. Okay? Alright, When you've done really can collapse it. So we have lookout how to move this guy around. So how to transform this way. This was late. Derrick can see this bounding box around the sheep or around the high angle image. When you come closer to it, you see that instead of the mosque is ten into these two straight arrows. You see it turns into a cave arrows, two arrows. Okay, so let me show you this is how it looks. That means if I click and drag, we cannot rotate this guy. Okay. Let me undo or canceled it changes. And as I told earlier, Photoshop gives you many options to apply the same thing, the same thing we can go to Edit. So under edits, when you go to transform, you see we can't insulate with it. You see that we have the option to this one, okay, so we can rotate this guy. Okay? Then we want to again go to Edit again and then Transform. And then let's see, skew. It is 12 becomes q, this one. Okay. This one to any, how we want it to any of them worked fine. Okay. So that's how these two, we have learned how to move, resize an image, rotate an image. Okay? Alright, so as we have learned all these things, let's look at how to create a new document and create these by our soul, okay. 6. Part 6. How to Lock, Group, Adjust Opacity: Alright, welcome back. In this section we are going to look at locking, grouping and adjusting opacity with less. Okay? So to start, we're now going to start by looking at image. So let's see, we have this shape that I've drawn as for the buck on, okay. And also, I would like to also take you to that. There are many ways you can apply it back on. So let's say I take this one off. So it is the initial log back on. I have, so don't worry about it. All of these one off and you can see here is it's literally transparency. That little checkbox you can see here means that there is nothing that if argon, okay? So to add a background, you can come here to the effect size. So you see this adjustment, you click on it, and then you will see solid color. Okay, so when I click on this solid color, it is going to feel a color for me. So the default one that came was white. So I can select anything else I would like to select here. Okay. So let's use this one for this example. Okay, so this was in part, but you see that we have also learned something. If you want to hide something, you just click on the I is going to be hidden for you. Okay? Then, as we are using this as our background, where we are going to do is now you see that anytime that I want to play something like when I click on this, you see that it just always have a logo. So I just wanted to lock it because I don't want to be selecting it. I want to maybe select something different. I keep selecting this one. So what can I do? When I come here? This means that when I click on it, I cannot look something. Okay? So to make it look something, let's say I have this selected. I will come here and then click on this. And you see it gets hot, highlighted me. When you come here, you see that this one is all. Look, okay. I have this one over here. Alright? So when I tried to like this, you see that I'm not able to do so because it is locked, but the others. Okay. So at the same time, I can also select this one and lock this one as well. And you need to have the lock. I liked it because it is active. So when you want to remove the lock, the first we can do is to select the layer and you come here and click on the lock again, and it is going to leave it. And we still, we have this one selected. How do we move that? So we can also just click on it to remove it. I said earlier, Photoshop gives you so many options to do or to achieve the same result. So you can use this one to lock this image, but you can just click on it to unlock it or locate and we click on this on lock or this lucky to look. Okay, so that's how it works. So let's look at maybe we have these emojis and I would like to group them because they are our images. So how can you do select one and to select the other, order the Shift key on your keyboard and then click on the last one. So it is going to select all of them. Maybe I want to add this one, but I don't include this. So what can I do? I'll hold down my control key or command key and then click on the layer. So you see that skip this one. But if I was to hold the Shift key and click on this, it is going to add all of that. And also when you select all of that, you can also click on Control or Command on a Mac and select that to remove that from the selection. So let me remove this. So Control and click on it to remove it. Then to group it. You can see this little group box here. So it means that when I click on that group, it is going to, you know, everything that was related is going to be in a foia for me. Okay. So then for me I can double-click and rename the file and see images. One cool pro tip that I want to show you here is that maybe you are working with so many layers and group them. You want to identify them or locate them easily. You can right-click on the layer, just right-click on it and you are going to have the option here. So let me click on this arrow. And you're going to have the option here to select a color for it. Okay, so let's let big orange and you see that it is painted with orange. So anytime you arrange in, notice that it is the images group, okay? So does it and you can also remove it. Just right-click on it and you sell it locally. So in this way, it can help you stay organized. Okay. So if you have downloaded at PSD file or a mock-up online, you can see most of times it comes rate group images with a color. So this is how they do it. Okay? Alright, Then lastly, let's look at how to adjust opacity. So let's see, I have this one selected. And by the way, if you group your images and you are using an older version of Photoshop CS6. When you try to select something, it is going to select the whole group unless you right-click and ungroup it. So if you want to ungroup something, you see it is here. You just select Ungroup and it will be on group for you. Okay, So let me group mine because my knee out just like this image. So if I use the CAC, you just have to open the group and select the layer is 12 hour when you select something, it is the lady who are just ungroup it and you'll be fine. So if I have this image selected and I want to kind of C2 opacity is like transparent, like something that you can see true. Okay? So if you want to see true, although we can do is to come here to the effect size that we have here. We can reduce the opacity. So we can just open this and drag this little guy here to a place that we want. And you see that we can see through here, okay, so you see when I bring here, you can see some of the image of that and you can see this one a little bit. Okay? So it is how fast it works. Okay. And also let me show you one pro tip here. And you see that when I come to the opacity, you see that the arrow chain from that Kayser two hand weights arrows, okay? Then we can click and drag to increase it or reduce it. Okay? So we can increase the opacity and reduce the opacity. Just clicking and dragging. The same thing happens to fail. So you can use either Fill Opacity to reduce the size. So they feel simply means like the collider, full color that we have. But you want to reduce the fill. Most of the time when you are working on projects, feel works best. Some other things to opacity weak base. So as you are learning graphic design or as you are learning Photoshop, you are going to experience these things yourself. Alright? I'll be organizing the advanced class where I'll be explaining more of these things to you guys again. So basically that's what opacity can help you achieve. So we have learned how to create a document, move an image. We have also learned about layers, a little shape, resizing, and so many stops so we can move forward to, you know, do other stuff. 7. Part 7. How to use the Quick Selection Tool, Magic Wand Tool, and Layer Management: Hi, welcome back. In this Photoshop class, we are going to look at how to come up with this same idea that we have on board here. So how are you going to do this from scratch? Okay, so we are going to learn about Quick Selection Tool. We will learn a little bit about magic wand to also learn about labor management, CVs of many lessons here so you can afford to miss out. So how are we going to create this from scratch? Okay, so we're going to glue that we have here in this dinosaur, okay? And how are we going to put all these to get these nice effect? We are going to line up our layer management, okay? So literally, this is what we are going to do. So let's start all over and see what we will be able to come up with a K. So let me close this document. Okay. Then I'll go to my source file. So please check your source files. You are going to see O2 selections. Then you click and drag the bug on. So you can use this as a different one and use it to create your own exam. So K video, I'm going to pause the video so you can also practice alone. So I have click and drag in the background. So it is going to be an influential for us. So when it opens in Photoshop for us, the first thing that we are going to do is to select the background because the first one let me look into first time for you to see how the tier two, for the first one, we have a session where the dinosaurs coming from the sky. Okay, So how are you going to do the same thing. You see that is dinosaur is coming in-between the building in the sky. So how on earth the same fate? Or unless we making selections. So we start by making a selection. Here is when the Quick Selection comes to, we're going to talk about a quick selection to okay? And also we will talk about a magic wand. And so far we have talked about and move to recovering them as we move forward on the course. Okay, So the next one that we're going to look at is the installation. You will see we have the quick selection over here. So I'll select that liquid distillation, allow you to quickly and easily select one area or a section of an image. Okay? So when you have the case lessons, here are the two that you can use to we have at the top here we have that plus, we have the one plus the lecture. We have the minus pixelation written minus subtract from the selection. And this is the new selection. Okay? So we're going to create a new selection so we can use the Add to Selection because definitely is going to add to the selection. And you can see two is very small. So how can we increase that? So when you have this one selected, click on this arrow from here at the top here to open the tools. Then you have the size, you have the hardness, you have the spacing. So we are going to increase the size. We can see it is getting bigger. So let's increase it a bit. Alright. So let me teach you one pro tip here, square. You can use the square brackets on your keyboard near to the p to increase it. And the left one will reduce the size. Okay, with a crystal lesson to select an area or assertion of an area. So when I click and drag, you see that it automatically selected this area because it notice that it is an aviary the same color, shade or let's have that intelligence to select those areas. Okay, then I'm going to zoom in from here, you can see that the selection was, it would add here. So we have to add these areas. Okay, so we are going to reduce the size with the left square bracket. Yes. Click on it to reduce the size and you see it is AB it is plaza. We can add those areas, leave it in Photoshop, or analyze the area to select that when I zoom in. So what can you use to zoom in like I'm doing, I'm just holding down the Alt key on PC option on the Mac. Then I'm using the scroll bar on my mouse to zoom in and zoom out. At the same time, you can also come to the 2s and select the to the zoom tool here. So what is it like the mirror here? When you click on it and you click and drag, it, zooms in and zooms out. And another quick way also to zoom in and zoom out is to hold down Control on PC, command, on the Mac, Control plus and Control minus to zoom in and zoom out. So Control Minus zooms how it's controlled blossoms in AKI. Then also, I'm going to pan around my document to see the areas week. Wasn't able to select them all. So when I hold down my Spacebar on the keyboard and click and drag, you see that I am able to pan around the document. So notice that at the top here, the selection, it couldn't meet a proper selection. So with the help of the quick selection to select it again, then reduce the size and you see it is plus. So let's click on the minus end. Let's select this one out. We don't need this selection. Let's pan around your space bar and then pan around the document and you are going to see a fault which you are going towards. We will move. So we have these dots. It was added to the selection, but we don't want, so with this minus, we can just subtract from the selection. So let's do this together. You plague and move around those areas. Photoshop is going to use it. Artificial intelligence, known as Adobe says A2, move those selection that we don't want a key. So let me zoom out and let's go to not everything that we are going to be able to select, especially days we can select it, but that is going to take a long time. So let's leave that one and move around and see which areas. Also when you are on the glass, you don't have to always come to the top here to select the minus and the plus. You can just hold down Alt on PC. Option on the Mac is either a dysplastic, okay? So when I hold down the Alt or Option, it tends to minus, which means I can just subtract from EA. Okay? That's super cool, right? Okay, so let's move this little guy here. Let me subtract this guy. Subtract this guy. Alright. So I hope is for k Now, then we can double-click on this hand to defeat everything to screen. What we're going to do next is that you can see we have the background and the sky on the same layer. So we are going to make a copy of this so that both of them stay on a separate layer. Okay, So with a quick selection to select it, if you don't have a selected, you can't apply this effect. So please make sure you have the quick selection to select it. Then we will right-click on the area that we made a selection. We're going to layer via cut, so we are going to cut that area out. Okay, So click on that and it is going to cut that area out. So when I click on the Move to and then I move this, how I see that that area is being cut out. Okay. Oh, at the same time, later on do with this one selected, we can go to Edit and then we are going to see cut or copy. So we can cut here. Okay? And then we come to edit again and you see Paste. So we can also paste. So we can click on Edit Paste, Paste Special. So let me click on this where you see that it paste in the way. Let me undo. Let's go to Paste again and let's see Paste in Place. So this one, it will paste in the place where it was cut from. So I'll click on that and you can see that it goes back to the place where it was being removed from. Okay. So it has been thought out but it's still adapt places. Okay, So just maintain it adapt list. And boom, From here, we are going to add our dinosaur, like you can see here we have our dinosaur coming into. Go back to your source files and then you are going to see this so we can click or otherwise, Let's come here. Lease embedded. Then I'm going to open where my resources are. Okay. Please make sure you check the link somewhere on the page so that you can download these resources so that you can follow along, okay? You know, there is a saying that practice makes perfect so you watching without processing is not going to end you anywhere. And also please make sure that you send your final result to us on this piece so that we can see what you're able to come out with. Okay, so from here, I'm going to select this and click on please. Then I'll click on this change or click on the Enter key on my keyboard. I said changes. Alright, so earlier we talked about the Quick Selection tool, the Magic Wand to sue. We have used the Quick Selection Tool. Let's try. What's the magic wand tool can do for us. So we had a magic wand to select it. Just come here and you click and hold on to open. So it is going to open the view as categories. Then you select the last one, magic wand. Then when you come here, you just click on the image. And the magic wand allows you to quickly select an area of your image. And make an independent editor aids, okay? It is most use of age, a solid, a solid color, and a color area. So the magic wands is mostly used to select a solid color or a color area. You see all this white. That's why the magic one tool is quickly, it will help us to make the selection. Then let's try to delete the place digraphs, likely, because we don't want this to our click on the Delete on my keyboard. And you see we get a notification that Adobe Photoshop quitting, complete your request because the smart object is not directly editable. Okay? Okay, so how can we do now? So what that means is that when we import or bring image or something outside Photoshop, photoshop, keep that thing as a smart object. So when you see this little box, is this a smart object or K? So you can see Smart Object, thumbnail. So this is all a Smart Object in Photoshop is we're trying to put that image or that document that you brought in soda, it doesn't lose pesos. And we will talk about that. Lita are key. What is pesos and the rest when we will talk about later so that you get the understanding. So what we can do now is to right-click and then you will see rasterized layer. Okay, so we are going to just rasterize this layer. So click on that to rasterize layer, and then let's try to delete it, taking, hit the Delete key on your keyboard again, then you're going to use this a lot because mostly you bring resources or images outside foot to show up and you have to rasterize it before you can recreate it, okay? Therefore, we see that we have a selection around this. How do we get rid of this selection? Simply see that we have selection here. Select to click on that and you'll see deselect. Normally you will see me using the shortcut Control D. So we just click on it and it is going to remove the selection for you. Then I'll click on my move to up here. So when I click and move this around, you see that I'm not getting any effect. Why? Because we have to manage our layers. You have the range, the layers. So to do that, first, we have to, you know, earlier we talked about locking and unlocking new layer. So we have this one. So let me try to drag this one beneath the sea is no going. It's not going because the layer is locked and nothing can goes down to unlock it, just click on it to unlock it. Or you can click and drag this one to be as simple as a, B, C. And then we will have this result. So let me name this one as our building. So we are learning about naming our layers to the Cloud. And this is the dinosaur. So I'll click the Cloud all the way down. And because we cut that area and pasted it, you have something here, we have a color here, so we have to also delete that layer. So let's pick up the Quick Selection Tool again, and let's select that area. Let me add this area. Then let's click on the Delete key on the keyboard. So before you click on the Delete key, make sure you have the building selected and then you can click on Delete to delete that area, then go to select and deselect the selection. So this is what we have now. So we have the clouds down here, we have the building and tall. So we see, this is why we are having, now you see, I have to bring in the dinosaur in-between the building and the Cloud. And you see it start to have this query for that we have here. Okay, so let me click and drag and position this one here or k. So we can see we have this effect. Now, let's try to bring the second dinosaur. But before then, I would like to pause the video so they can practice up to where we are and then we can continue. Okay? Alright, welcome back. I hope you are able to do the same thing. So let's move on. Then. Let's go to Edit. Then from here, let's go to File place Embedded, and then let's let the second dinosaur. Then you see that it's already been hidden because we have the layer here. So let me click and drag it here and click on them to commit the changes. But this one I'll click and bring it all the way up. So I'm going to have freely work with it at that I can send it back to that area again. So what should we use to remove the bad one here? The magic wand to go to your selection, select the magic wand to, and then click once to select the area. Okay? So it is means selected and delete it. No, we have a problem. You could not complete your request because Smart Object is not directly editable. You know how to do already right-click on the image and then rasterize the layer. Then from here, let's delete it again and you see we have a ton. Then from here, let's use the shortcut we just learned on drew D to de-select this. Then let's move this one artery here. And you see it is not going because we have layer on top of the building. So let's bring this down. You see, it is now being hidden, but we have a problem. You can see the first one, it was flipped to the other side. So how can we achieve the same result here? So to achieve the same result, Let's go to edit, to edit. Then come all the way down and select Free Transform. Shortcut is Control T. Okay, Sorry that I'm putting into my shortcut on you. But once you have decided to learn Photoshop, learning the shortcut to is a key because it will help you to complete our work on a project faster. Okay, so Control T for free transform or just comes, edits and select Free Transform. And also some people complain that maybe when they come here they can't see anything like they can't select anything. It is levied. Only some small features that you can click on. Ok. Oh, because we have the free transform active, you see the free transform is active, so most of the menus are no working because we have something on we haven't tell Photoshop that we are done with horse who are trained to do. So. When you come here, you see that most of them, as are most of the axes, is being faded. Our tweet, me can use it over into Photoshop that we are done with what we are doing. Okay, so when I click on this one, then when I go back to anything you can see I now have access to them. Okay, so good at it. Again, Let's let the free transform. Then when you come, you just right-click on the image and you are going to have all these tools, okay? So this is going to help you flip the image. So when I come all the way down, you see flip horizontal, flip vertical. So vertical, this horizontal is also in B, so we are going to flip. We're going to flip horizontal. Okay? So let me undo. So let's go back to the free transform continuity for free transform. Right-click and then flip horizontal. And boom, we have our faith so we can scale it a bit, position it where we want it to be, okay? And then we can leave it here. So when you add unreleased, you click on Enter to accept changes. Alright, so let's see what we have to do again. We have to add these flying saucer, okay, so we have to add these flying saucer. And we also have an alien standing here. Okay, so let's do this quickly. Let's go to File place Embedded, and then let bring in the alien to have the aliens selected. Click to place that. And then we also have the same problem. Click on yields a step changes. First of all, right-click on that and Rasterize Layer. Then we're going to move that back on. Okay, so go to Select and then let use the magic wand to click on here to select the area and please, anytime that you are using these to make sure you have the layer selected, the layer that you're working on, visual, it is all selected. Then you can see the selection wasn't able to select this area because it doesn't have any contact with it. So to add that EVA, we can click on the Shift key. So when we click on the Shift Key, see that a plus terms to add to the shape that we have. Okay? So let me show you. So when I click on the Shift key, you see we have a plus, meaning we can add areas, we'll click radio amounts, and it is going to add it. When you click on Alt or option. When you click it, it's going to subtract. So arise, so we'll let add it. Click on the Shift key and that area. Alright, then we can click on Delete and boom, we have it done. Then go to select and deselect the selection. Go back to the move to less curious one a little bit down. And I'm going to place it here. Okay? All right, so we have the same effect here. So let's add these flying saucer and then we'll be done with this. Okay, so I'll go back to. File, place Embedded, and then I'll have this flying saucer. So let me first of, for this one, it opens in Photoshop. For me, I can increase the size. Click on n tau or double-click or radio mouse. I said changes, right-click and rasterize the layer with the help of the magic wand to make a selection. Okay, and also lets me zoom in for you to see, see that we have a lot of problem because most of the area is kind of y. When we select everyday magic points, we are having a fabric. So we will use this opportunity to look at a different selection tool. So when you come up here just before the magic wand to a neat group, you will see the Lasso tool. We have the polygon lasso tool and you have the magnetic lasso tool. So here we are going to use the lasso tool. Okay? So with a lawsuit to already have a selection. So you see that the selection as good as some areas, you have to add these areas and you have to also subtract some areas, okay? And also if you don't have this, but you have something like a plus check, maybe you have your caps lock key is on. So if you have a couple of keys on, you are going to have this. Just click on it to remove that. And then from here you see that this area is being added. So we want to subtract that area from the selection. So what do we have to do? You have to subtract it. So for us to subtract it, hold on the Alt key, click and drag over those areas. Okay, so I'm going to click and drag over those areas and make a very loose selection. So I'm still holding the Alt key or the Option key and you see that area is being removed. Let me zoom in and you see it did a good job, but let me make the selection again, hold down the Alt key or Option on the Mac, and then you click and drag over these areas of k. Then leave it, you see the selection is being added. So let's do the same thing here. We are using the lawsuit to make a very loose selection around the areas that was added by we don't need it. So we are in other ways, we are removing those areas. Okay. And also let's see, we have this selected by we don't want it. So how do you move that area from it? We just have to add this one to the selection, because here is a selection. So we have to click on the plus and then let's add this one. Make a selection around the edge. And you see the selection is being added or k. Then from here, we can click on the Delete key to delete that area, nest control D to deselect the selection control 0 to fit everything to screen. So just by double-clicking, slide is when you double-click it fit everything into screen. The shortcut is Control 0. To fit everything into screen as well. Let me show you on your Move to and less skew this one tau. Okay? And then I'm going to position this one here. You see this little blue on the flying source. We are going to apply the same thing here. So with this one selected, you see this little guy here. Fx does effects, will let click on this. And then you are going to apply an outer glue. Click on the outer glue for the layer style to OP. And boom, you can see it applies. The last he fed that you apply to something, okay? So you can see it applied the last effect that I did on something. Alright, so with this one, we are going to sample a color by before then, then I'm going to cancel these two, cancel it, just click on cancel, and it's going to remove this. So let's go back to File, place Embedded and then bring in this, okay, I have already remove or this one doesn't come with a backhoe and I want it to be somewhere here. Okay. Thank Click on Save Changes, I think is somewhere there. Then from here we're going to add an outer glow. So click on the Effects and click on out dark blue. And then we want to use this opportunity to learn how to sample a color from something else. Okay? So we have, we want to change this color red to this. So when we open this clip here to open the color, and then you will have access to select the color you want. So you see that when I come out from the color is z. It turns into a collapse. I see it is already selected here. Then you can make a sample color k. So you see when I click, the color shows up, okay? So this is the color I want to use and you click on Alt key. Then you set your blending mode to normal. Then opacity hundred, you can reduce it. You know that I have already learned about opacity. Opacity that will lead to the same thing here. We can increase the opacity. We can also increase the noise if you want buy we don't want and we can change this one too precise on soft. Let's use soft for this spread. Make it 14, size 200. So these are my own figure. So you can also find it in to get a preferred figures that you want, okay? And please make sure you maintain the same settings here. Then from here we can click on Okay to apply changes. Then we are going to make a duplicate. So we haven't made any duplicates. So let's learn how to make a duplicate. To make a duplicate in Photoshop is very easy. The easiest one that I'll teach you first is to click and drag that layer to the plus sign we have here. So let me show you the blast. So this is the place, okay? So when you click on it, you can add another layer. So you see it is two. Now, let me move down one for you to see, okay, Then let's kill this one a bit down. Position this one here. Okay, then click on this convention, just accept the changes. And also another way to make a duplicate, thus also easy is to hold down the Alt key on PC option on the Mac. And you see when you hold down the Alt key is tens twice, the keys become too black, one black, and one white. So with this one we can click to make a duplicate with it. Okay, so let me delete it. Hold on Alt or Option, click and drag to make a duplicate. Okay? And the last video I will show you is to right-click on the layer and then you will see Duplicate somewhere. You see duplicate layer, you click on that. And you can also name the layer or leave it and say, okay, and when you move it, you see it is true now. So any of them that you use is okay. Next, I'll go to my file again and then I'll placed in this drug on boots. Just a fun part too late. Just bring this one in. And this one is we have a trouble. So who can guess what we're going to do here? We will double-click on its asset changes, right-click and rasterize the image. Then from here we will select the magic wand to click on it and delete the portion. We don't want to, we have problem because the selection didn't include these areas. So you can click on this separately and we can hold down the Shift key. You see a plus. So we can add those areas. Okay, let me add these areas as well. You see everything is added. Now, click on the Delete key and boom, everything removes them from your control D to deselect. And let's go back to the move to control 0 to fit everything into screen. Then we can move and bring this one here. I'll make this a little bit small, implicit here, okay, click on asset changes. So let's see what is left. So we see we have almost applied everything. We just have to apply this test. And boom, we can move forward. 8. Part 8. How to create Text in Photoshop: Alright, now we're going to add, this tells that we can see here today's artwork that we have done. So to do the same thing. First of all, notice that we have this big T over here, that is a test tube. So when I click on it, you see the test to activate any CA comes with vesicles. These two vertical test max2, we have couple of them, but we are using the Horizontal Type two. Okay. Sorry not taste to type two. There are two ways you can type. Oh, bless your tastier. You can just click once and then you start typing whatever you want to type. So maybe I'll just type. Let me click on cups so it comes in cups. Alright? So we fight for good. When you are done, you click on Commit Changes and click on the move to, to bring on the show transform controls. And we can scale this one up. Okay. And also let me undo. You see that when you own that test two, we have the same thing that we did earlier. So you can see the small t to the big T, we can click and drag. This is a pro tip. It, click and drag to make your test bigger. Let me undo. And let's also look at TA. So when you are in a mood to any harm your test selected, you can also come here and type in the figures. Let's see, maybe I know the size, so we will go for 150. And you see that test increases. Okay? So let me bring this one up for you to see. Let me change the color. So to change the color with a test to select the middle, you have the layer selected, you have the option at the top yet gene, the color. So let's see why. And you see we have got y. Let's go for 200 points and boom, there we have it. The other way you can also type it taste is to have the test to select it. And also, let me open this one and you notice that any two that you use, the shortcut is on here. So you see the test to the shortcut is T. So this is easy to remember because test we start with D and shortcut is T, very simple. So if I have the Move Tool selected and I want to go to the click on T on your keyboard and it adds rate. With this one. I'll just click and type. I can define the AV. I want to tie something. So let's see. I'll click and drag to define the area. And Photoshop is going to fill the area with some fonts, some taste, okay, by ignore it and you type in your test. So let's see, we fight for good. And you can notice that this comes as caps because I have my cups or activities. Let's see. Good. You see, you can type in small it is as well. So this is it. And also let me quickly teach you this. Let's see. You are typing it tests and you type it in Smoky. So let's see, we fight for good. And you want to change this. There's two cups. How can you do this without retyping the test? So you need to do is to come to the test and you will see this. So if you don't have this, please go to the window. So any panel that I'm using now, you are not having any panel that you lost on your page, please. All you need to do to bring this back is to go to Window and then find that panel. And you can see we have a character panel here. So I'll click on it to activate that. Therefore, we can notice that we have this option to toggle ready. So with this big T or with this dog would see, see it's all caps. So when I click on it and you have the layer selected, you see that it turns into cups for you. And if you want to bring it back, you can just click on it to send it back to Smokies. Okay, so uppercase Smokies. Alright, so these small tips, and we would dive more into that later. Okay, so I'll have it please here. You already know how to use the move tool. Just click and move it around. Then from here you are going to add this took, you see we have some tools. Can we have some blue here? So with this one or p, good ethics? And then we are going to start with. Stroke. So you see here. So when you open your layer style with a stroke selected, you see that the stroke properties comes out and then it applies. The last effect that you did, the last effect that I did, the size was 20 deposition or outside of k. And this was normal. And then the color, you can copy this code. So you see these cold limb copy this code. Just right-click on it and copy we are going to use later you to please, you can copy this 1f74 65. You click on OK key. This is how you can use this to look. And you can also make it big as you want and small as you want. You can change this one's inside. So please you can just come and experiment with your own on your own. So you'd know everything do here. And you can also change the color here so you can select any color that you want. So this is the correct one to use. And then from me Let's come and click on the outer glute. Outer glow. You see we have already used this so they shouldn't be anything else. So with the outer glow, just change the color of this one, Control V to paste because I copy the color code. So I'm using the same color. Cool, So I'll get a similar effect. Then. I'll maintain the setting screen, 100 per cent, soft, 14, 200, so you copy the same settings and boom, click on OK, each asset changes. And also one more last thing, we'll conclude on this. So to make sure you align this one to the center, you go to select and select Everything's. So you can see we have this selection outline on the whole canvas, okay? It means that it has selected the whole Canvas. So when you own the move to here, you will have these properties. So when you are on different to like you are on the ship to, you will not have that property. You see that the options change, okay, So make sure you're on the move to. And then we can align this one to the center. When you key relate, you come to select and deselect. This one is at the center. Now, then you want to save your work. Okay, so let me show you two ways to save your work. You want to see one as a PSD file, which means you can come back, open it and work and maybe change the taste, remove the alien, different stuff. So to do that, go to File, Save, and then we are going to name the documents. So let's say we fight for good. And you see, I already have we fight for goods. So let's say five of good too. Okay, So we have 54, good too. Then you choose a location, you want to save it and you click on See this way. When I closed. So you wait for it to finish, saving, you see it? It has finished. So when I click on Close and I come here to where I save it to see that we have the PSD file. Double-click on it to open. When it means you are going to have assets to change anything that you want to change on the design. So that is the reason why you must save your work as a PSD file. So we see it is editable. And also you might also want to see one for social media to send some on what's up that Italy, right now, I can use Photoshop. You see what I was able to come out with or you want to post your work. So how do you see that one to go to File, and then you can choose Save As or Save as a copy. So if you're using an older version, like maybe two in-betweens, 2-1, you have to click on Save As, and then you are going to get these options. But if you are using an earlier version, I am. The C virus will not work for you how to save as a copy. And then when you come to the Save As Type and you open it, you're going to see jetpack, alright, choose the location, want to save it to include key or save. Then we can save our other teammates. And also we can increase the maximum. We can increase the quality to maximum or minimum to maximum. And you see the size of the image is six. So when I reduce it to maybe seven, Let's see the size 1.7. So if you are going to print it, then I recommend you save in it maximum so that you are going to have the whole quality. But for social media or for sharing on social media, 786, like this, we get our COO or k, and you choose standard for here and you click on Alt key. Then you see that all you notice that it is saving down here to afterwards. When you go back to pair, you see V2. You are going to see it here. Then for me you can copy this one on your phone, on your tablet, iPad, and then share with your friends or k. Does it for this video. See you in the next one. Okay. 9. Part 9. How to add shape to your Artwork: Alright, welcome back. Now that we know a little bit about test, Let's look at how shapes work and nodes that shapes are very important in graphic design. Okay, So we're going to look at how ships were in graphic design, okay? So the first important thing to know is to locate where you can find these shapes to. So here are the two diarrhea using InDesign. And when you come all the way down, you're going to see this little guy here that is the rectangle, two nodes that we have these little arrows going down. That means there's something potentially live in this ONE right-clicked up, please go, going to see that we have other shapes as well are other tools that are living in this area. Okay, So we have the ellipse tool, we have the triangle to the polygon, to the line to arise with all these tools are there to help you in your productivity. If you are using an older version like 2021, 2018, CS6, you are going to see you have a rounded, rectangular too. Okay, but if you are using the latest version, like I am 22 into two, you are going to see clearly the rectangle tool with added rounded rectangular to because they have impulse or the futures in the rounded rectangular to in this rectangle two. Okay? So I'll click my rectangle tool, or if you want to select the ellipse tool, you just come and click it here. Okay, so let's open our main canvas that we are working on. And I hope you have been able to walk yourself through out this point. Alright, so let's let the rectangle to hear and radar selected to make a shape. In Photoshop. First of all, you need to note the color that you want to feel the sheep breed. And also note that you want make a sheep or do you, or do you want to make a path of pixels with the rectangle tool selected? The first thing that you must be concerned about this, what do you want to make to make shape or do you want to make a path? So let's try part because we are not going to make path now when you click and drag. So when you want to make a shape or a path in Photoshop with a tool selected, you click and drag. And then when you leave it is going to show this is path in Photoshop, okay? And also less choose shape here. So when I click and drag at the same time, you see that it comes with a path and that path is being filled with a color. Okay? So this one, the difference between the path and the CPA, that shape is a path with a color and a path is just a line with no fill. Okay? So here, are they different? In other words, you need to know before you draw a sheep is that you need to check the fill. You want to use n, as I said earlier, you need to select here you have an options at the top here to change it to whatever you want to change it to. So we have looked at the shape. So let's go to fail. So the few, when you click here, it will give you an option to change your color. We have samples here. You can open the RGB and you select an RGB color CMYK. And also you can click on this little guy here. And it is called a color picker. So when you click on it, it opens this dialog box for you, which you can click and select your color. Okay? Alright, so let take this opportunity to discuss a little bit about color key. So the first prototype that I want to show you is that when you open your color picker to light, this will let me go again. Click to open my color picker. And when you come outside the color picker, and you can also see that it turns into and I dropped to three CDs two is automatically selected for you. You see, I drove back to okay. So let me go again, see my film and then I'll select the color picker. I see. When I'm here, I am. It will just select any color that I want. But when I come outside, the color picker field or the spectrum, we see that the color, the eyedropper to being selected for me so that I can sample a color I just outside this. And you already know that we have practice. These are key. And also another tip that I want to see is that we have different types of colors here we have the HSB, hue saturation and brightness. Okay, So when you have the hue selected, you see that it changes the values of the hues we saw changing when I click and drag, the values are changing, okay? And also the saturation is how much color do you want in your design school? And I click to move. Here you see that the saturation is changing. Okay, So you see the saturation, so it's changing the amount of current that you want in the design. That is the saturation tool. You click and go here. And also this one is the brightness of k. And the brightness, how much brightness or darker you want your design. So you see here that when you click and drag, it moves to the right area of any calm down, It goes back to the darkest area. And the same thing applies to the saturation of k. Then we also have the RGB color. So if you are working with some company, the mind's already have had the color and they will give it to you in RGB mode. Maybe, let's see 15020, And let's see 60. So when you select these figures, It's going to select that particular color for you. And also some people who will give you color code just like this. 961, 43c. Okay. So when you type in that regard, it is going to give you the current. So let me just type in figures and see the color them we do have. And you can see that I have this color now from here, any color that you want to select, you can select that color here. So let's pick black for now. So I'll click and drag to the blood and notes that color black is zero true out, and height is f out. Okay? All right, well, let black now and I'll click on, Okay, or you can also select the colors from here. If you have the option here, you can click on the move to hide that area back. Then also when you look at this from the field, we can see stroke. So stroke. I think we have already looked at stroke that we use to manage to get around this test. Okay, So the stroke around the shape two is here. You can also apply the same stroke here. That's why I told you that Photoshop allows you to apply different thing to achieve the same results. So let's say we want x2. So you can click here and you select a color, just like the council can select a color or sample a color outside Photoshop from your Canvas. Okay, so let's see, we have some point its color and now click on, Okay. So the colonies are some port or the card I selected. And we can increase the amount of pixels that we want to show around the edges of the shape that we're going to draw. So let's see five pixels. Then. We can also change from either a line, either a straight line or a dashed line, or two dot, dot keys or any of them that you would like to select. So let's select a line for now. When we click and drag, we're going to get a feel of black. Let me click on the Move tool, select outside so we are going to see, so let me zoom in for you to see where we are. So to zoom in, Misha, you have your zoom to selected so many convey, see nest Today, Hunt. Okay. Then when we click and drag, you see that it zooms in and you can see we have this tube just add a stroke is lateral so we can go back, select the shape to make sure we have the shape selected to activate it. And you can change the figure to, let's say, ten pixels. And you can see it is now becoming bigger. Double-click on the handle here to fit everything to screen. We have our shape now with a fill and also red. Let's talk of K. And one pro tip that I would like to show you is that when you come here, you see that we have this layer name rectangle, one that is a shame that we have here. So when I click on this eye is the, it goes off and it comes back. Okay. So we want to change the color. You don't have to always go to the app. Again, we can double-click on this thumbnail. So any police here, we can double-click here. And then we can select the color from here. Let's say we wanted to change it to yellow. Then you click on, Okay. So does it how to apply fill stroke on the shape? Then also we can click on the Move to and use these angles to increase the size of the sheet, okay? If you don't have this bounding box around this, you can always go to Edit and select the Free Transform. To end the shortcut is Control C, Okay? So when you select that, it brings the bounding box, which means you can click and drag. Then also easy that when I drag from here, it is dragging everything in proportion. If you are using an older version, you are going to get the same effect. You have to hold down the Shift key and you'll be fine. So in my case, I want to drag only the horizontal, not affecting the vertical. I have to go down the Shift key, click and drag to displays, click and drag to display. And I can also hold down the Shift key and click and drag this one down here. And I can use the move to move this one around here. And you see that we just cover the test. Why? Because this layer, this layer is on top of the tests. We have the layer here and you have a tasty. So in order to have the opposite side, we have to click and drag this text above the shape layer. So if something is on top and it is covering the whole thing, then we're not going to be able to see through. Another way to make UC true or C, The taste is to reduce, either add a fill or the opacity. We have learned about the opacity. So let's also talk about a fill, the, fill, the fill in the box. Okay, so we want to reduce this. So let's see, reduce it to 25. You see we have, you can see to reshape. Ok. We can see the floor. You can see the test. Okay. Because we have the Fill reduced. So we can also send this one back. So when you click, send this back to the 100%. So to move this one, beneath, that is all you need to do is to click, hold and drag and you see that blue sheet where you can place that. Okay, so let me leave it. And you see that swap. So the ship comes down and the test comes on top. All right, so let's reduce the filter. Let's see 50 per cent. We can just type in 50 per cent and you'll be fine. Okay, so we can see through what's going on. And let's see, we want to change the color. So let's say we want to change the color and make a sample color here. So let's do that. And there we have it. Boom. And also this one is too long. Let me reduce the size a bit. And I would like to maintain a black car for this, I'll double-click on it and change the color. Just like this. And also how do you also change the stroke on the shape? So we have this light blue on the shade. So how do we change that? First thing? You need to make sure you have the shape selected to make sure it is selected. And then when you come to the 2s and you click on it, you are going to have access to the options. You don't have to necessarily be on the right-hand goods through. But any of the tools, it is going to open this option for us. And we can change the fill of this tube, right? And also change the size to maybe eight. And you click on the move to click on that asset changes. Let me click on my canvas and see what is going on. So we have a black fill and also we have reduced the opacity of that. Alright? So in the first example that I show, you can see we have this shape going around. We have this rounded shape going around the rectangle. So how do we apply this same thing here? Is the little easy. But if you are using the older version like the CSAs video shape selected, when you come all the way up here you can see this roundish shape on top here. That means when we type in figure like 100, you can see it was zero. So I have increased it to hundreds. When I click and drag, you see it comes out with a rounded shape. Or because increase the size. So if you're using CS6, then this is what you have to do. So you can increase it to maybe 200, okay? And you see how smooth the rounded is. And I think they have a certain point that it can reach. So I think it is thousand or so. So let's see. You can even go as much as thousand. So you have all the and also to delete Sunday, just click on the Delete and Michelle have the layer selected. And also if you are using CC 2015, 2018, 2017, you will have access to the rounded rectangle tool here. And you can use that to also drawn back. Alright, so if you are using the latest version I 2022, Then we are going to have access to the rounded one. But what we can do is that 3D shape selected. Then go to Window and Misha, you have property check. It is going to open somewhere on the document for us. They went I screw all the way down from here. We're going to see the effect that we applied, all the settings that we apply, ACS or we can change this to Cara. We can also change the fill color. Okay. So let's say we want to go for this color, for the fill. So we can see, we can do this thing in here. Let me maintain the black and white on the edges. And one more thing that I want us to know is that when you are here, then you have access to this corner radius. Okay, so when I click and drag these guys, it is going to corner dishes for me. See, now you can see it's maintained into a rounded shape like a rounded rectangle. So you can set it to zero. This is what you are going to get when you increase it. This is how we are going to get. Anyhow you want it, you can set that and boom, you will get the effect. Okay, so let's see. Maybe I want to corner only one side, so I have zero here. You see when I change one side effect or the size, or because we have the linked together videos activate that too when I deactivated by clicking on it. So you see it is now deactivated. Let me link it again. You see it is now a link, so DATEV. And then when I click and drag once, I can see that it is only writing only one side, you can see it didn't affect all the sizes because it is only one side that I dragged and it is not linked together. And let's see, let me do the same thing for here. So when I click this guy, you can see I'm only changing one side. Okay? So this, we can create these nice rounded rectangle in Photoshop, okay. And also let me undo this. So let me check, let me make sure this one is check and set this one to k. So if you are using the latest version, the 2022 that I'm talking about, when you have the shape selected, zoom out like this. We're not going to see anything but when you zoom in, so you can click on this little guy here and you can click to zoom in. So where is it? Let me zoom in for you to see. So I'll have my shape selected. And you can see I have this little guy says, oh, and I can close it there. Oh, we have this rounded shape that comes near to it. Okay, So that means when I click and drag, it is also going to have mean round that baby is okay. And also if we want to affect only one side, we can double-click and move that point. And it is going to affect that area. So let me do the same thing. Control or to fit everything to screen. And let's see, I want affects early this area. I'll double-click and drag to affect that area only. Alright, control or to fit everything into screen. So this is how you can use shapes, fill in Photoshop. So let's see, you want to use the Ellipse Tool to draw a circle. So with that selected, you can click and draw your circle. But one thing that you need to note that when you click and drag it, just draw without any shading control. So if you hold down the Shift key and click and drag, you see it comes out, well, it is now in proportion and we have a nice shape. We have a nice segue or k. Otherwise, if want to freely draw something that you want, like egg, then you can go send the idea is to draw it out. Alright? And also, when you draw a shape, we can come here and you can turn it around. Maybe if you would like to do that. So I'll leave you and you prices on your own, okay, so make sure you practice on your own to get these later effect. And also maybe if you are doing something and you wanted to add arrows to eight, then when you come to your shapes, you are going to see custom shapes. Custom shapes tool when you click on the custom shape to, it is going to open these shapes at the top here for you. So earlier we have discussed about this. So let's also look at this one. Okay? So this guy here, when I click this, it is going to open all the thing that I have here for dummies. If I click this, it is going to span dad's gloves. A span. And let's see. I want this wild animal in Photoshop, so I'll click on that. And then when I come in Photoshop, I'll just click and drag. Then I can hold down the Shift key to keep it in proportion. And then boom, you see it is applying the last setting that we did. It can reach true. So we see we have stroke here. Is this. Alright? So you see it Cambridge to look and feel. And we can change the fill color here, double-click any selective color. And also we can remove this tool by clicking here and select no color. And boom, there we have it. Okay? So when you have your custom shapes like that, you have access to many costumes. She's here. You have the assets of boards and many star. And also you also get this legacy shapes and more. But maybe you might not have this legacy shapes and more. So how do you bring that on board? Okay, so first of all, you need to go to Window and make sure you have your shapes activated. So this is it, I'll click on that will be the shapes and it will be in some way here from then when I click on this little guy here, it opens this new dialog box and it shows me legacy shapes and more. So when I click on that, you see it adds one more legacy shapes and more. So let me do it again for you to see legacy shapes and more and you see it at that. Okay? So I can click on that and delete it. Click on this and delete it, because I already have some here. So I'll click on this and delete it if it is too many. So when you open your legacy shapes and more, you are going to see 2019 shapes. And you're going to see our legacy default shape. So click on here to p. And here you are going to have access to legacy default shifts. And you are going to find nice cool, cool effects here. We can increase this little guy here to make it big. We can reduce this one. You see it is large thumbnail, so let's make it small thumbnail. We are going to have access to many things. It cannot be arrows. We can add our design, so I'll just click on it. Come outside to this type of food to show us how to select. And you can click and drag and bring this one outside, and then you give it a fill color. Okay. So let's see, let's give it a white fill. And boom, there we have it. So let's go back again. This is this here. I'll click on it to open. And then let's see, I want this little guy here. I'll click and drag and bring this one into Photoshop. And then I'll change that fill color. I want to change that few here. But you see for the shop is not allowing me to go to because I have this one check, so I have to click on Commit transforms before I can move forward. So let me change this one to y. Then we can delete the shapes. Okay? And I can, let's move this guy around and also reduce its size. Then I can use the arrow keys to help me position it where I want. When you are done, you can click one, asset changes. And also we can reduce the fill of this line. So let's see, 50 per cent. There we have a 50 per cent and it is 50% fill in 50% of peak, right? So this is how shapes in Photoshop. 10. Part 10. How to use Shapes : Alright, welcome back. In this next section of Adobe Photoshop essentials course, you are going to explore more 3D shapes to earlier we explore more with the right-hand, good too. We use it to draw some rectangle in our artwork that we did previously. So in this section, we are going to look at how to use shapes to create some awesome outline. Light days, three days, ellipse or circle, ring in this little sun. And other amazing thing that you can do receive two, right? Okay, so first of all, we're going to create a new document, okay, so first of all, go to File, then I will select New. You can also click on Control N to create a new document. And we're going to use US letter, paper size. If you don't have it here, you can go to Print and you're going to find it somewhere on this dialogue box. And then click on Create. A new contract is going to be looking just like this for you and make sure you are on the move to, okay. So we have nothing selected. Alright, so if you can see from here, we started with a background. Do we have a bargain over here? Immediately, we will pick any Canvas or any other committee comes with a white background. So how do we create our own? Okay, so it's a greater bargaining are going to add an adjustment layer. So you can see this one here. Okay, so click on it. And then you're going to have these many options that you can use it to create many things. But we are looking at the solid color over here. Click on it. And Boom, photoshop is going to select the last color that I did select from there. And then you can choose any color from here. You can use the hue here to change the colors. And it can go up here for a lighter color or down here for a dark color key. And if you have a decimal code, you can type it in. If you have the RGB to, you can also do it here. Alright, so I'll select them like this and click on. Okay. Then from here we have our backbone with the fill color adjustment layer with the fill color. If you want to change the color, no worries. Oh, you need to do is to double-click on this thumbnail to open the color picker. Then we can select a different fill. Next, we are going to look at how to create this rectangle with no fill. Okay? So when we come here and you select the rectangle tool, and then we start to draw. Just like these, you see that it's automatically filled with a fill color, but maybe you don't want that. So how are you going to achieve the results that we have? Okay? So to do that is very simple. Let me click and drag this one over here to delete it, then read my rectangle to select it. If you select any of the shapes to you. Remember earlier, we talk about the options to here to help you further fine-tune horse you are doing. Okay? So this oxygen is two is going to help you either come out with a fill. So you see this one, field us what to draw and you get a color inside. And then we also have a stroke over here. So we can see that there's two was selected with no stroke, no fill color. So we can do the same thing with a fill color whereby we select no color. Then draw with a rectangle. You see that it draws, but I don't have any fill color within it. So let me hide this one for you to see see anything. So let me hide this one too. You can see we don't have any field. Alright, so undo. Then when I come here and then I'll select the stroke and select, let's say black and also immediately easy the last shape. So let me turn on the eyes. I can see my embargo. Alright, so from here you can see that the shape that I drew, I haven't deleted it. So you can see it applied this to connect. Okay, so let's start everything. I'll click and drag this onto the beam and then select my rectangle to. Then when I come here, I'll make sure I have a color for my stroke. So let's see black or let me use this dark red. Dark red. Also, you have to define the amount of stroke that you want. So if I set this one to zero and I click and drag, you'll see our low hub, NH true to. Let me go back again and see two pixels. So click and drag, and you'll see, so let me click outside for you to see that we have static getting this tiny amount of stroke. Okay? Since you have drawn it, you can select the LEA, okay, so anytime that you are doing something, make sure you have Layer selected. And by the way, if you are mixed up your layers or your pioneers on your screen, just go back to window. Remember we created a workspace. Just reset that knee, reset, pass a loop and Hula, it takes me back to my professor that I created. Okay, so let's do this again by increasing the value for the, make sure you have your rectangle to select. And let's see, let me increase this one to ten. And when I click and drag, just like this, I want to feel some part of the canvas. Alright, so as the value increases, then our stroke also increases. Our outline also increases so I can select it again, select my shapes too, and then I'll have the options back on top here for me. Then let's see, let me increase this too, because I want it big. Or let me maintain two into five pixels. Alright? So it is going to be where we have here. Okay? Then if you wanted to see what you have done, you can select your move to click on outside and boom. You can see what you have done over here. Control 0 to fit everything into screen. And also let me give you one pro tip. When you have something in Photoshop just like this, and you want to align it, there's no a beginner's tip. There's a productive, so make sure you keep it well. So make sure you have your layer selected. You want it to be at the center selected layer. Go to Select and select all. Then when you select 0, you have these outlines dotted going around your Canvas. And when you own your moved to you can see we have these alliances at the top over here. Okay? So when I click on this, it's going to align to the center for me. And when I click on this one too is going to outline for me. So let me undo and let me show you how it works. So let's see, I have this one here, here. Then select, Select All. Then when you're on the move to end, you click on this, it aligned to the center, and then click on it again. It's aligned vertically and horizontally for you. Alright? Then when you are done with the alignment, go back to Select and then make sure you click on de-select to move the selection. Otherwise, when you work is not going to come through unless you make sure it is, the selection is gone. Okay? So we have this one line here. Alright, so let's see if you come here, you can see that I have this please. Rounded. Okay. How did I do that? How can you achieve the same thing with yours? So make sure you have your layer selected. So I'll come here, my layer is selected and then go to Window and select your Properties panel, radio properties panel selected. I think we have already done this one in the previous video, but since we are looking at shapes, I have to go back and redo it again. Then make sure you click and drag to expand it. Then you have these down here. Okay, So this is the corner radius property. They are going to use it to get that effect. So you see this one is link, and when I click and drag a K I into a figure like 100, you see it affects all the other places and you see the places are now rounded. What about if I want to affect early this part, but it's not affect days and the days. Okay? So select my rectangle tool again. And then for that, I'll have to check this. Okay, so I'll click on it when ticket, then I'll set this one to 100 and the rest to zero pixels. Okay, So I'm just typing in zero. And boom. You can see from here that we have the effect that we're looking for here is thrown by. Here is not here, it's not here, it's not. So let me open my procreate is again. And we can do two parts that we can even do. Whatever I want to do here. You have full control to do what you wish to do over here, okay? Then your property panel also, you can change the size to maybe let's see, I want and also you can change the fill color over here. Change the fill color to whatever they want. So maybe white, yellow, red. So let's see why it, or you can use your color picker to select any color in your mind you would like to use. And boom, you see the properties panel help you to achieve. Results that we are using the oxygens or the top here. So the property sheet is something that footage have include in the recent updates on the app. So make sure you use the property panel a lot because it contains everything that you need. You don't have to switch between panels. You can stay at one place and be applying or your fate. Okay? Alright, so we have done this one's too, Let's see how to bring in the other sheets. We have looked at the rectangle tool, plague and who then open up the cheese and you see we have the elifs heap, okay? So we have the ellipse and we have the right tango, the polygon to an asset draw. So let's aspiring to the left to the ellipse. When we click and drag, you can see we can draw a grid. We can draw a circle with eight, whatever they want to draw. And you can also hold down the Shift key to draw it in proportion. And then when you give it a size, you live it. And again, boom, you can see we don't have many feel very heavy stroke. So you can determine what you want to get at the end before you can start drawing. Okay, so let me undo. And then I will select, I don't want any stroke but I wanted to feel kinda, So let's see. I want yellow. Then I'll click and drag, hold down the Shift key to get it in proportion. Then when you okay with the results, you come back to your Move to click and drag to the place you want it to be. You can see from here that the circle is, we need the outline. Why do we have an opposite section here? Why? Because this come back to the layer management, okay, so we have to know how to manage your layers. So to have this one, the right we, all we need to do is to click and drag this all the way down. And you see we have the rectangle on top down, our line, and we have this one beneath it. We have been able to manage our list. Then I'm going to make a duplicate. To make a duplicate, you can right-click on it and you will see make a duplicate on the list click, you can give it a name. Click on, Okay. Then you can move it video moved to position it wherever you want. Also, another quick way or pro tip to make a duplicate is to hold down the Shift key or Option on your keyboard. Then you see a black originally the right one or a right outer join is the black one. You click and drag to make their duplicity. You see this is very easy and quick way to make a duplicate. Just hold on the Alt key or Option key on the Mac click and drag, make your duplicate that on your move tool. You can also move it wherever you want. It's okay. You can see as we add an app more shapes, our layers also keep increasing, okay? Alright, so everything that we are going to idea is going to appear here. So that's why I have lived a very long speech for my layers so that I will know what is going on. So I can also manage them according to my preference or according to how I want to see my ideas, okay? Therefore, here you can see that we have these animals on age. We can also use the shapes to create this one. So let's go back and come all the way down. You can see we have this triangle. So it's just basically used to draw a triangle. So you click and drag to draw a triangle. You can hold down the Shift key to keep it in proportion and boom, it, apply the last color. Another protein that will give me is that when you double-click on your layer thumbnail, it opens up the color picker for you to select a color. So let's see, I want green or I own these light blue, okay? Select that. Okay. Then also let me change the colors of this one to double-click on the layer thumbnail. Then I'm going to select the farther it. I'll do the same thing here. And then let me select, read a k. Then go back to your Move to precision in this somewhere here. Alright, so let's look at another tool that we can explore also. Let's also look at a polygon. To the polygon tool is a tool that we used to do a shape which is not SAQ or which is not a rectangle. Triangle, okay, so when you draw it out, you see it gives you something weird. So we have controlled by it. Like I said earlier, any two that you select from here, you have options at the top here, okay? To control it. How about whatever we would like to use it? You have the option to come into elite with a polygon to know we can change the size of our polygon. So we can change this one to maybe five. And then we click and drag to draw our shape. Okay? Then you can see we are getting this thing. We're not getting the polygon because I have made some changes. So let me go back and see this supposed to be 100%. Don't worry, we'll come back to the Properties panel. I just want us to have the correct thing that we need to get. Then we can also change this one to, let's say eight. I think age is octagon or so. Then this supposed to be hundred. Then boom, you are seeing, we're getting the polygon to that we want so we can do 78. And also really a polygon to know already that you select, you forgot here. Then you can, you can also just click on a canvas and then it says create a polygon. To create a polygon. There we can determine the width, the size is. So if you know them, you can just type them in. And you can also tie the number of sizes we want. So let's see one thing here. Then we can determine the corner radios. Maybe do you want it a corner or we don't want. We can also determine it as a star. So if we maintain hundred nano going to get this tight fit, and you can also decide to draw from the center. Hello click. Boom. You see we get the same effect. So polygon selected, click, then, let's make a start to make a star. Let me change this one to 50. Blake. Boom, you see these dots to get a style sheet, okay? Alright, then also we can use the same polygon to create a nice shift. So with my polygon tool selected, if I click and then let's see. So if I maintain their weight, 900 pixels, height, 900 pixels, who I get it perfect polygon. And then I increase the size of this one to 40, 50 and maintain the star, maybe 90. And then I'll click on. Okay, let's see the further we are going to get. Let me change the fill color. And then you see we have created this frame here that we can use for our advocates, for k. So we can use this one to control it, okay? To have more weight. There are tons of things that you can do with a polygon two, okay? And we can also reduce the percentage to create that fades or the sun. We do use this. You see, we are getting that nice effect. Okay? So let me delete these shapes and this is how you can blow more related polygon to our EDU, giving you some time to practice all the way to this, please. Okay, then also let's look at other shapes other than what we have here. So we have explored or this and you know, line to line two adjacent line that I draw a line. So let's look at the costume to costume shifts too. We have some sheep that are not part of these, but they have customize it already. You can see this anymore here. So when we open this one and we come up all the way here, you can see we have this arrow. And then when you open it, we are going to have some default custom shapes photoshop have for you. When you come right up here, you're going to have some default sheets that footage of the store for you. Okay? So all that you need to do is to click on this arrow to expand it and explore what it is in the leaves. We have the boot. Okay, so let's start with the boats. So I'll just select this and you'll see footage of pick it up for me here. So when I click and draw, hold down the Shift key to keep it in proportion, you see, it just applies for me. So I can go up again. And let's see. Let me draw this elephant, click and drag. And also to change the fill color, you can come here, double-click on it, and then select the color you would like to use. Okay, Again, when I go up and let's see, I want to bring in some tree, some fun with that selected. I can also define my color, okay? Then when I click and drag, hold down the Shift key. And you see boom, it applies for me, okay. Where you don't feel the vibe of the color. You can always come here and select the color you like to use. I'm going to add a couple of the mouse costume to select the column up here. Then let's select maybe lead to Congo room. Oh, let's do lie on. Okay, click, drag, and boom. We have our lion and Lyle. Let's give it a yellow fill. Then we can go back to the move to position this one here. Let me increase the size of this. Just click on it and click on the bounding both increase it. I'll make this one a bit slow. If you are using an older version of Photoshop, just hold down the Shift key. Otherwise we'd be fine if you are using to institutions to, when you are scaling something, you don't have to hold the Shift key automatically, host up for you. So I'll click and drag this one here. You reduce this one a bit. Then my lion, come here, be the size of the ellipse and positioning my line over here, change the color of this wherever you want. So this is pretty much it. How are you going to explore really shifts to okay. And let me teach you one pro tip here. You know, Photoshop had some sheaves arts. We love using it. Okay. And if you are using a newer version of Photoshop, you might know have them okay, dishes that we have here. You see, you can see that most people use it in the design and lots. You can see something like some of your designs or designs that you may have come across them. So you might also want to try the same thing. But when you come, when you select a custom shapes through an income artery here, you can find it. Or you can see is the leaves, the flowers. So to have that one, first of all, go to Windows and then make sure you have shapes selected is going to open the shift to somebody on the Canvas for me, just like this. Then I can click on here to expand it. Okay, Then let's see, I already have this one, so let me delete it. I don't want it leads to bring in the legacy shifts and more. All you need to do is to come to this little guy here, click on it and you will see legacy shapes and more. Click on it and boom, you see for the shop, just append it and once you did, it sticks. Okay. So when I open this and let's see, oh look, I see shifts and more. And I come all the way to the web. Okay, let's see the towels. Then you are going to get these futures. And when you click and drag, when you selected is activated now, then we can reduce the size and position is somewhere and also change the fill color if you like. Okay. So I will leave you, please prices. The shift to the next thing that we are going to look at is type, okay. 11. Part 11. Working with Type in Photoshop: Alright, welcome back. In this next section we're going to dive more into type. We have already looked into Thai, but I would like us to dive more into that because you are going to use type a lot. And then after you will look at color and gradient, okay? So you are going to look at how to come up with DC we have on this canvas, Okay? Then after hours, you also look at how to manipulate some of the hidden tapes in types. Okay, so let's start by creating a new canvas. I'll go to File new arise. We are going to create a postcard card in Photoshop, which I randomly DT can also print it out so you can find the postcard and add an illustration you are going to see postcard and then select it. Okay, Then I'll also like to change this one to landscape instead of portraits. And then be sure you leave all your settings are make sure you have all your settings, us as mine, especially resolution and RGB color. You will get back to this later. Then click on Create. New Canvas. As usual is going to open in Photoshop for us. Alright, so then we are going to create the same thing. So first of all, let's go and bring in our bag. Okay, So initiate check out the resource file so you get the same backgrounds. So I'll click and drag this one into Photoshop nested. We can click on the move to here, or we can come up here and click on this. Okay? So you will click on this asset changes. Then from here we can also scale this one a bit up or we can leave it, but I liked the way it looks, so I'll leave it and click back on this one. Oh, you can just click on here. Okay? Alright. And also if you want to scale this one up, or you need to do is to click on this bounding box. If you don't have this bounding box, is because maybe you don't have the Show Transform Controls going checks or if you have it lightest, we are now going to have it. Unless you make sure the layer is selected, then you can go to Edit and you will see Free Transform. So we can click on it and shortcut is Control T to have this bounding box for ECBC and work or follow me, just make sure you have the Free Transform Controls CEC, then you will be free. Okay? What did we do here? So let's start with this one before we can today's big head here, k is going to be a little tough, but we are going to walk ourselves through. So we have already looked at how to come out with shapes. We're going to create this nine sheet with the help of the rectangle too. Okay, So here is it. I'll click on that. Then I'll click and drag to draw. This type of shape is a rectangle. Boom, I have my Properties panel are popping up. If you don't have it, just go to Window and click on Properties. Then from here, I will double-click on this thumbnail over here so you can see the white outline on the thumbnail. It means it's active. Double-click on it to go up in the color picker for us. Then immediately I started to come outside. You see my eyedropper to select it over here, okay, so I can make it samples. I want omega sample, this color. Click on that and boom, we have the sample. Then I'll click on Okay to accept changes. Then let me click on this double arrows to collapse. That's okay. Then from here and go back to my move to click on aids school. If I would like to move this one around, I just do that. Okay, so what's our light to do next is to reduce the opacity, to lead to reduce the opacity to maybe you can just type in the number you want. So that's good. 20%. This is too small, so let's bump it up to maybe 40 or let's see, 60% works, okay, So let me intensity per cent. You can also type in your own figured out ways for you. Alright? You can also use your own images that you like to work with. Right there for me, you see that we started with. Diabetes and taste. I think we have already done a bit about type, but we are diving more into that so we can just click on T on our keyboard or come all the way here. And then select that. Then you have that selected to type anything or you need to do is to just click. And let's type this one. So we say saved the day. When you go out of that document, when you come back, just make sure you have your Type selected and when you hover over it, it tastes. You see that it changes to this. You see when you are not on it, you see how the text is. The buret, the dots bounding box around it. When I come close to the test, you see the bounding box goes away. So I click Control a to select everything. Then I can replace the taste as C, the day. Okay? Then let's see ten z, x, x k. So we don't know the 88. Then if you want to also zoom in and zoom out like I am doing, you can use this simple thing here. You click to zoom out, you click to zoom in. And a simple shortcut is Control or Command on a Mac too. Plus. You can use this thin postcard control minus Control plus on a PC Command Minus command plus to zoom in and zoom out. Alright, list, initially have your deselected, okay? Then also we are going to reduce the size of this one. So let's see. So all I'm using this font area. Area is a free font. If you don't have a defined, just download it. And I think you might have it on your machine to just type area and boom, you have it. Okay. We have this big seals day. This is also select my type two and then I'm going to add that one to just, I mean, that day. Then from here the phone that I use this a little bit different. You might not have it, but don't worry, you can just download it on the Internet is a free font or are included in the resource file. So when you download it, you can use that as well. So from here, I would like to change this one from area and this is the front I'm going to use is called after glue. Okay, So it is the font. I also like to increase the size. I can just click from the small t to the big T to increase the size. Okay? So just increase it to the size in life. So I think tonight works best for me, okay? Then also you can see I have this tau on going on, okay? And you might not have this going on around here. So how do you have that one too? You see that radio character to open your character panel, you can see we have this e. So when you click on it, if your test has effect, it is going to bring it out to this one. Having click on it so you see the effect is gone. So it is a booty, any font that you download that have this future, you are going to be able to do that. So when I click on it, you see that this comes out, okay, so remove that little guy, bring that later. Okay. Very cool, right? Yeah, Very cool. Okay, so it is a way to apply some styles to your design so you can check out font ladies, and install it on your machine and you are going to have fun using them, okay? Then also, you notice that we have the test going on here. So how do we do the same thing? So video taste to select that, instead of just clicking once and type me, instead we are going to click and drag. So I'll click and drag to create this nice bounding shape that is going to keep my taste, okay, So it is going to encapsulate in that volume also. It is mean confined it. Alright, so let me change the font from here to area and also reduce the size to maybe two all. Let's say ten. Then. Is it I have this automatic phone doc cam footage over which I can use it easily. Anytime that I gave the correct font, I can bring that in and replace that. Okay. So with this font, you see how I was able to move it all the way from here. You can do that by just clicking on Control on PC command on the Mac and click and drag. See that when you are on the test too easy, you have the test to show up on that test area, buys immediately hood on the Control or Command key, it turns into an hour, which means I can click and drag it to wherever I want it. And then also control a to select everything. Let me reduce the size a bit to eight. Okay, click on Okay to apply changes. Okay, let me come back a little bit up. Alright? So let's say if you don't have that destine, you want to apply the tensor for the shock comes with it. So all you need to do is to go up to type. Then you are going to see this paste lowing epsilon. So I'm just going to click on this. And you see photoshop is going to feel that area for me. And you can also click and drag with your mouse to define the point of area you want to have your tastes. The same thing applies to here. Okay? Also change the size of your test. Alright? I think I'm going to leave it here. And also maybe tasty are going to have it. So my space within it, maybe just like this. Okay. So maybe yours might be light is okay. So how do you go back or how do you get how much is looking? So control a to select everything. And when you come here, you see the leading. So this is called the leading. So we are going to set the leading, auto and Photoshop kind of align everything to how it's supposed to be. And still, if you're not getting the effect that you are looking for, you can still select it and then you type in the figure that you want. So let's start with six C6. It gets too close. So we can continue using your keys on your keyboard to bring in this spacing. Can you see maybe nine works for me, then? Let me give you one pro tip. Normally, the size of your phone is the size of your leading. So when you type in the size of your font in place with your leading, you are going to get SP scene that you are going to like, Okay, it's not all the time that it works, but it really was amazing for me sometimes. Okay. And also some things you might have seen people having a lot of space in between your test is 0 because the orthogonal with the tracking, okay, So you can also use the tracking to determine the amount of space between each letter. Okay? So let me maintain zero for now. And we will type that in the next section that we're going to look at. Alright, so you can see we are done with this one. It's just that we didn't add the website, so you can do that yourself. Okay, then also, let's look at how to come up with this stuff on board. Okay? So how do we achieve the same thing? Having some will get this wrapped up from the talk. Having some of them wrap up for me. Alright. Okay, let's see how to go about it. So the first one that I would like you to know is that if you grab your pen too, okay. This is not part of what we're looking at, but it just came up. I just wanted to share with you. So if you grab your paint too, when you click, you see we have many of the zoo. You can also use the free transform. So maybe you don't know how to use a pen tool. Let's try the free transform into. And then you see the settings here. So when you click on it, you see in the calf. So I think they care if it goes up to ten places or so. But if you want to maintain like you are using a mouse and when you drawn is, you are not going to get a perfect line. Just increase this one to maybe seven or six. Then come outside and try to tie. You see, it is not. Alright, bye. See, after hours, boom for the job. Because of the settings that we did here for digital, try to straighten everything for us. So let's try to draw it again. Let me try my best to get the best I can do. This is another best. Again, I'm using the mouse who don't the ISO me. Okay. I know gates what I'm looking for. One more time. This is so bad. Alright, so I have something like this that I would like to use them from immediately done during your line. Just move all the way to your test tube. And boom, you see this is the test that we have, but immediately we come close to the line be drawn here. You see that we have this laser guy going around, that line going inside. Okay? That means we can type over here where you select this way, the text is going to select two is going to start. So let's click here. So the test is going to start from here. And let's say solo moon projects. Okay, So my name is Solomon, thus I'm tightening so the more you can also replace your name with it. Then let's click on the move to an boom, wow, Amazing, right? Okay, so this is just by the way, but let's look at the main thing that we are trying to go back. But if you give the pain to go with a pin two is going to be more easier because you just click and make a point here, and just click to make another point here. Select our tastes. And boom, we can just replace the test. Okay, So let me hide this one and see, see this one is more aqueous. Now we're using the free pen to a k. So I would have even gone for days instead of what I use. By the way, let me delete this one and this is what we are able to do. So let me turn it on for you to see. Alright, so let's look at how to go about this one, okay, so the first thing that we need to do is to use the Ellipse tool, okay, so the lift twist and other shapes. And you see how we are combining different shapes to achieve a single objective. We are dealing with type and you see what we're using. We're using an ellipse to, instead to achieve what we want to get. How the type to look like. Okay, so with the help of the type two, before we draw the sheep, do we actually want to shape? No. Let's go up here and change this one to path. Okay? So when we click and draw, it is going to come out as a path, not a shape. Okay? Alright, so you see we have the puffy, okay? Alright, so when you're done and the puff, it doesn't appear at the layers tab, the path appears or the path tab. Okay, so when I click here, you see we have the path here is e, What path? This something scary. Know, or we would dive into that, maybe in the advanced course. Okay? So really help of the test too. When you select that and you come close, you see this one. We're outside. We can type here. When it can be, we can type on the path when we come inside we see this one also changed, so easy. We have three things, outside, near the taste and inside the power for k. So when I click inside a path, maybe you might want to do this on papers. You want maybe type something inside of your taste just like this. And you can also center this one on top. And boom, maybe when you live it, you are going to get some Fridays. Something could, or you might wish to use maybe in your projects that you are going to undertake. But this is not the result we want for now. So with the help of the taste to wait to start from here, okay, this point, select that and you see immediately that is to start to come in the footage of automatic tests to start com and we see we have brownish use free living nationwide. Let's see how we can go about it. So I'll replace that, select all and I'll type in brown new shoes. Okay, then from here, I'll click on and move to Okay. Then I'll go to Edit and select Free Transform, or you can just click on Control E for free transform. And then let's rotate this one area. Remember, we can hold down the Shift key to rotate in degrees. So let me end here, click on this and see what we have. Boom. You have a test on top. Okay. So how do you also do that? Cannot do the same thing on the same layer. Okay, So this is the layer that we added with the ellipse shape and adding the test on it. So to achieve the delivery nationwide, we have to duplicate the layer. And how do we duplicate the layer? We have already talked about it. You can use Control J to make a duplicate. You see the layers are too now brand new shoe is two. Then we can just, let me delete this one. All. I can also click and drag this one to the plus sign we have here. That one is also going to make a duplicate for me. When you are okay with aids, we can click on Control T for free transform. And then with the holding the shift key to keep it in proportion. When you accumulate, you click on Accept Changes. And boom, we have our test upside down. This is what we are looking for. No, this is not what we are looking for actually, but when we select Path Selection Tool, okay, So video path selection to select that is another Today we are learning, okay? We can kind of click and drag and bring this one in size. So let me show you. So when I click and drag inside, boom, you see the results that we're getting. Really amazing, right? Okay, so let's give it another go onto. Then after that, there's two. After the T just come all the way down, you will see Path Selection to end our selection, to select the path relation to the Hunicke. Can't we see that? We have the big arrow come close to the test and you have these two arrows. One CONST a dime is you can click and bring this one inside. And you can also position is where you want it to be your case. I want it to be somewhere here. Live it. And then let's go back to our tastes to please the test. Alright? So when you are key really to click on this, to accept changes. And boom, this is what we have now, anytime I see this line is not agreed. Like the first one, the idea here is it I, this one is a bit more than this one. Okay, so what we can do is that when you are using software like Adobe Illustrator, it kind of gives you more control on how you can go about this up and down. Kind of logo design. We, Adobe Illustrator gives you more options that you can do it easily, but Photoshop also do it. Well, it's okay, but it's not like the Adobe Illustrator. All right, to achieve the result that we're looking for control C, Let's go to Edit and select Free Transform. Then let's kill this one a bit larger K sound like this limit. And click on here. And you see that we're almost getting the result that we're looking for. If it is too much, we can click on one Tutsi and we do see it a bit. Okay? So if you want this, this way, okay, you will get it that way. Okay, So let me increase it. Tiny bits. Click on, Okay. So I think this is okay, but what I would like to do is to reduce the size of this one. Let's go for eight for that. Then let me also go for this. Normally if you want to print it out and if he sees that the text is too small, you can also increase the size to something that satisfies your need or K. So you can get a small printer on a budget, okay? So you can check the printer before maybe take it out to do the actual printing. Okay. This is what, now, what about days? 100% looking nice, gorgeous funds we have inside. So we don't want to be they taste to select that. I'll just click just at the center and type in hundred percent. Click on the Move to accept changes. And I can click on this bounding box to increase the size of the font. I'm using the area font and our lights to change this one from the Properties panel to boot or black. Then also I can move this one a bit down from here. How do we get these effects that we have here is pretty simple. All you need to do is to go to Window and select the character to, okay? And when you select the character tune, I think is not here. So how can we do to bring it? We can either select the test today we have here and boom, you see that we have the two over here. Okay? So create a walk test. All we can also come to the type and we can see what tests are k. So there's couple of ways you can bring this. Okay. So I'll click on walk test and a dialog box is going to open it for me and you see nothing happens because we haven't selected a style. So let's open in that style. And boom, we see we have plenty of styles here, so you can select the arc. You can change this onto the lower and upper arc. You can choose i sh, shell and one for any aspect fish, okay? And you can also change the bend. You see how interesting it is. You can change the distortion. And notice that you can make changes here and you select a different style. You see that it changes to apply that. So how do we, how do we restate it back? Or we need to do is not to click on the console, but hold on Alt on PC, see that it changes to reset or Option on Mac. And you see that it will change to reset and click on that. Then you are done. You see that it comes back to normal or none. Then let's delete board. This is what I would like to use, and then I would like to increase this one a bit. Okay? So this is what I want to use. When you accumulate, you click on, Okay. Alright, So from here you can see that we can see what we have done here probably because the bag when the test is contrasting to match, we have a little bit of pi one year. The taste itself is also why. So what can we do to separate data, okay, so we are going to also create a sort of shaped like this. So we're going to use the Ellipse to remember we changed is far from shape to pass. So we have to change it back to shape. When we click and drag, hold down the Shift key to keep it in proportion. Then we can change this one and select this color or k. And you see, boom, everything is lost. Or because we have to manage our layers to our eyes to click and bring this all the way down here to review everything that we have done so far. Okay? Then I also like to reduce the opacity to 60%. I think this one was 60. 60% will maintain 60% for this one also. Let me zoom out, OK. So you see, this is what we did earlier and this is what we have been able to achieve now. Alright, Very interesting. So unless you are going to look at gradient, okay, how are you going to make this one? Pop a bit, okay. 12. Part 12. How to use Gradient : Alright, welcome back. We are going to take, this adds weight that we have done. Here are the way to woo. Wow, Very nice. Now going to create this effect in Adobe Photoshop. All right, so let's be back Today's k. So if you haven't done it and you want to join us, please, I will leave a link to download where we add, so you can join us to achieve the same result, okay? Too. When you open this, the first thing that you need to do is to select type 01. Okay, let me rename this one as a TA. Then. What we're going to do now is to either double-click here or let's come to fx here. And then select gradient 0 valley. You see that photoshop applies, the last big fan that you did. So the last event that I applied is hard for the sharpest applying for me. When you clean your gradients, we are going to get something like Norma year. And maybe this one too is going to be on one of the basic, okay, then going to basically have something like this. So all you need to do first is to make sure you have your opacity hundred percent. Then open this in. Photoshop already have some presets, preset, gradient editor presets. And when you open a geography, we able to change to one or Photoshop Presets, school blues, a lot of presets. You can also add your own. If you add your own, you can also see weight to it or anytime that you can't use it. Okay? So purples. So there are a ton of preset of gradient that is going to help you speed up your work, okay? Alright? So gradient is actually one that is going to be melting into another color. Okay, So you see that we have this light blue node in, into this deep blue. You might want to move this one a bit so that you can see what is going on. So you can pick one from the prostate and use it. Okay. Then if you want to assume a date or change, then we have this stops here. So we have this top in this top here. Click on this top, the color openings here for you. So you can either double-click here to open that, or you can click here to open the color, then you can change it to, let's see, let me make it more blues two, instead of the light one, you make it more blues. And let me bring this up at D. Then also you can change this one, so click on that. Stop the color. Maybe I'll move this one a bit towards the red. Okay. So I want some ideas, okay, then also you can see this little diamond here. The diamond will help you to put which of the gradient you want more. You want more of the race down the sea blues are due on more of the sea blues down the rates, okay, then also you can also type in 50 per cent. So these are the middle. You see there are a ton of control. You have over here. So you have control about almost everything. And maybe you love the gradient that you have created, you will likely see with so that next time you use it, you can also click on this New and you see that it adds up, okay? Alright, so I'm going to use this gradient that I created, this one. And you see they fit. So if want to also get the same code that I'm using, let me click on the top and you can copy this code typing. Then also you copy this code as well. You can also click on New essays for you and you click on aki. Therefore, couple of things that you would like to know is you can change how it looks, maybe reverse it, okay, So you want the blues to come from left to right, or you want to maintain it, how it is. Then also, you can change the opacity. How much do you want it? So it's see-through opacity that we learned earlier. The same thing. You might want to have it foo. Then also you want to change the style. So this is something that you are going to use almost all the time. But you'll be sticking with maybe only the radar and the linear. So these two are most popular. So you can change this onto the radar ready gradient coming from the center. Outwards. Alright, so maybe I like it but let me reverse it. Okay, this one too is cool, but I want the earlier ones so you've asked it, okay? Then also you can choose angle. You can also choose reflected. Then you can also choose diamonds. I think I use reflected, linear and radar a lot of the time. But in this section, we're looking at the linear, okay? So we will be picking the linear. Then also we can also change the angle that the gradient is coming from. So this one is zero, so we can change it to maybe 45. And you see the gradient. So you can just experiment with these things, okay? And know more about them. Basics that I am giving you. You see that you can drink this one here and you see how the gradient is changing eight location. So let me maintain. So you can use this good to define the amount of gradients you want them to split from that to that, okay? Alright, so you just experiment with it and you understand what I'm trying to talk about here. So I will maintain hundred from here. And the rest is okay for me. Or what we might do lot before we leave is to change the blending mode of this one, like the result that we had earlier. You see that the blending mode here is normal. We can change this one to dissolve. Multiplying. You see multiply the color is giving us. So instead of using the opacity to reduce the amount of gradients, you can also use this blending mode collapse. And when you select one, you can also use the arrow keys on your keyboard to swap between them and see the one suits you. Okay? I'll see you there work that you're doing. You see soft light. This is the one that I use. And you see I even like hard light and we can reduce the opacity. Let's go more. Alright, so linear lights miss. So there are a lot of these experiments here. And I even also like color, but let's maintain soft light and then click on OK. So let's see before. So when I click on this icon here, I can see before, after, before, after. Wow, amazing, right? So you see how we are able to transform this one. We just some clicks. Okay? So let's look at more of the types, okay? So some of the features of the type that we're talking about, let's start with paragraph. So when I have this taste selected, okay, Then let's look in the properties panel, or we can also use the character. So if you don't have it, or you need to do is to go to Window and select the character, it opens some way for you. Then I'll go to paragraph, then read a paragraph. You can experiment with left alignment. Also Santa taste and right alignment test. Then you can also experiment with d, So k and z hot or how all of these works, okay? The one that I would like to show you is the intense. You can shift the intent from maybe let's see, ten points. And you see how the test is, what being shifted from where it was. So this is where it was on do then redo any see how it is to come here. And then let's redo paragraph, okay, So this is how it is. Then also we can also move. So let me click N increases. So you can see in ten first line, so we are moving only the first line of that paragraph up, okay? Getting some spacing. And a lot of graphic designers use this a lot. Okay? I guess we suddenly discovered here, okay, drain depletion of coming to teach you this course, okay. I've gotten something new that I'm going to also add it to my portfolio, are added to my weights a lot. Okay? So some things, a lot of the gravity Zionists who move this one a bit here. And then they would leave the first letter. And then they would type that later on a new layer. And it will make it a bit bigger. And they will come in. Ripley's that one here. Okay. So these are things that you can do to spice work. This is not how actually it is done by you can spice it up a bit. The result that you are looking for K. Then also with this one, let me bring it back six there. We can also increase the amount of intervals between the paragraph also asked before paragraph. Okay. So there are a couple of days that you might want to try out here. Then also we also discussed nobody leading to maybe have a lot of species, anyone to bring it up. So we have cysteine here. So let me type system in C. It doesn't always, but I think this time it works. Let me take CO2. I think O2 at risks to any of them that you go for, but maybe our set to add 18. Then also, you see we have this ocean. And ocean. You see that there's like the taste is together. How did we get that? 0? Is this how the font is? No. It is just a simple trick that we did. So you see we have negative 75 years and then I open this and bring it to zero. This was how it was looking before. So when you increase the tracking tracking, so when you increase it to 75, I see we are getting more spacing. 200 spacing becomes more. When you bring it negative is c. We get it as close. Okay, So let's maintain something like 50. And you see that these are almost close. Let me do negative 60. You see, this one is this is closed. This one is this excluded by this, and this is not close. So then, then this one comes in, can in. Okay, So the kerning works in-between to test, okay, So really help of your tastes to have to select the test that you want to bring together. You want to come together. So you select that, then you can start to increase or decrease. So let's go for minus hundred and see how we are able to bring the taste together. Positive hundred, you see the interval either we are getting minus hundred. So let me do something like -75. Let me do some here. -75. Alright, so these are some tips on how you can use the best ingredients in Adobe Photoshop. Alright? Alright, so does it see you in the next one? 13. Part 13. How to use Content Aware Cropping in Photoshop : Alright, welcome back. In this next section of Adobe Photoshop, Essential cause we are looking at Cropping. We have already looked at it, but we are looking at it class content away. Okay, so we're going to take some of the ladies to sound like it is very nice. Okay. So you see this horse before and boom, we have been able to add some tweets. So let's learn how to do that in Photoshop. Alright, so make sure you have one crop bean and you can also get the other file as well. All of them is in the source file, so please make sure you download them so you can practice alone. So you're going to use the fifth to that is here, crop so you can click on it all. You can see recipe cards C, Okay? So this is what you get when you select the crop tool, you will get this outline on your canvas. And then also, as I said earlier, any two days late, we have an options at the top here. You can use it to find in better, okay? Our TA, you can see we have the HW that the width and height resolution. That's what you want to keep it. Okay? So if you have innate imagery to lead, okay? So maybe you might be on five by seven, okay? And yours might look like this. Visually. Click on that. It will be on the H and W, THE solution. And here you can type in a figure like maybe 100 cm or 200 pixels by theory and the vessels. And then you click on the Mac here, enter to accept changes, okay, you see how we have it, okay? Then also, you might want to select a specific size. Maybe you are posting on Instagram. So Instagram, four by five, you click on that and you see photoshop automatically. Define the area for you. And then you can click and drag your image. And you can even also click and scale this up or down and position you're in it. And also if you would like to delete it when you come easy that we have these traits, arrows, but when you come out easier it tends to a corner or a cave hours, which means we can click and drag, positioning it how we want it. But I like how the horizon is. I'll keep it like that and click on this to check that. So make sure you go back to the crop to have the effect on it. Okay, so let's say we have edited this picture in Photoshop and you want to save it and post it on Instagram. So I'll choose the Instagram size that is four by 5 ". And then I can find it in using this Morty deals. Okay? Then when you are ready to click on this or enter to accept changes and boom, we have our coping. Let's look at a second one. Okay. Wait a second. 12 we see that Photoshop. Remember the last thing that we did is to maintain a five by four. Let's go back to the WH and then let's click on Clear because we still have a thinner bitumen that fixes. So let's clear that. Okay, and let's select that again. And see we are now free. Okay? So for me you see that maybe the image is perfect, everything is good. But we want to use this ratio system by night. So we want some extra edges, like we want all this, please. Let me go back to the WHO solution. You want all these places, maybe our postings on Facebook, so we need a lot of space. But what I recommend for you is that maybe if the size is ten by 10 ", you create a document and then you click and drag your image into that. Let's say you are copying this one for Facebook or something of size N is very big. So you need to do is to click and drag too hard to CO2. Okay? So let's say this is what I want at the end of the day. Okay? So if I crop just like this, I'm going to get a white fill over here. So let me click on here for you. This, you see that I get black over here because my foreground color is black. So if I change the foreground color to, let's see whites. All right, then let me go back again. Click on this one. Alright, so let me do a coping again to maybe I'll increase it more, more. And you see that if I start to come to what you have as your foreground is what you're going to get in. Boom, this is what I'm getting, but no, I don't want this way. So how do I get what I'm looking for? So read my crop selected. Let me increase the width. So I want something like this, but I want to duplicate some of the backgrounds here to fill those places. So photoshop have some futures you need that will help you to copy some of the bug on here and fill these places for you, okay, so when you come up easy that we have content away. Content away. So make sure you check it. Content I check. And when you are done, you can click on Enter or click on this market to accept changes. And then wait a sec and see the results. Wow, really amazing rise, arise. So you can see that Photoshop did a fantastic job by making some of the copies here to fill those places. Like here, it copies some of the flowers to fill. Some of these places is not ordered them that you will get the result that you're looking for, but sometimes you get a result that we're looking for. In this case, here is normal, but here you have some trouble with the flowers and stuff, but already seen is okay. Let's look at the other example. Okay? Alright, so let's do this one before we come back to this one, okay? With this image lightest one order we need to do first to select the crop tool. When you come here you see crops to select that. Then we will select the mixture you are on the HW, and then make sure to have the content aware scale selected. Okay, So make sure you have a Content Aware selected or checked, and then let increase the species. So we want to add a bit of these areas. So click on Enter to accept changes and wait a sec for the resort. Really amazing. You can see Photoshop is being able to transform the image from here. The way to this, please, well, very small here, but you can see we have a very wide field here. Okay, so let's look at the other one as well. So with this one, we want to increase some of the width or the height of the image. I'll click to include some here because maybe I want more of the party. So how do I get that? Misha is curious one all the way up and this one are scored down. So when you read it, you click on this mark to accept changes in Riga sake for the resort. And like I said, it's not all the time that this effect is going to work. Something is not going to work. So let's wait for this example to see whether it works all the time or not. So you can see that there's one photoshop, really amazing by making some copy or duplicate of this one here. But you can see these ones. They didn't work. As we are looking for like we have the ships here, you're going to see the shapes here. The circles are, okay, but here we have some problem with it. So it's not all that time that these Content-Aware works, but it worked in most cases and it's kind of help you in your other previous data for this section, Let's dive into a different one, okay. 14. Part 14. How to use Marquee Tools: Alright, welcome back. In this section we are going to look at how to put a drug into a coffee, just like what you can see. So this is how its worst. And boom, we can put somebody walking into your coffee cup or you can boot a drag into a coffee cup. So let's learn how to do that in Photoshop. So please make sure you have O2 rock textures and spliced with the V01 OP. Okay, So these are the images and you can find them down below. You can work with. Alright. So to start with you, we'll start by creating a new document. Let's say we will be posting this one on Instagram. So let's go to File New and create a new document. And assigned for Instagram is 108 divide NHE. So we have to change this one from limit this to pixels. Then we have to type in 1080. By 1080. I think Instagram, their resolution is 17 to buy wants to keep a very high imagery that any postage is going to lose quality. So we want to maintain some of the qualities that it will lose. So we can go for the Andres would add, we get much of the quality. And if you want to maintain much of the quality we can increases one to 2000. By 2000, Instagram is not going to see that our file size is more than 108 byte entity, so we're not going to accept it. Instead of the NAT. Nat when you go by two times, by two. Or you can even go further like two times 500, 500. And then you're going to get shorts image on Instagram without much of the quantity being reduced. Okay, then from here you can click on grades and boom, a new canvas as appealing Photoshop for us. The first thing that you will do, I will do is to go to my O2 and then we're going to select this image. You can see the second two we have here, that is the mercury 2s. So we have them here. And then I will start with a rectangular Marquee Tool, rectangular mark, which is when I click and drag and make a rectangle or square depending on what I want. I want square for this time around. So I'll start and click and drag. And everyone's get something proportional or do you have to vote? Who can guess the Shift key or ISO? I'll click anywhere. And then I'll hold down the Shift key so I get it in proportion. So when it gets to a point that I am okay with it, then boom, I will leave it. Any kind also kind of move this around, okay? When you own the rectangular marquee tool, you can move this around. Okay? Then for me we have to copy this one and come in, place it here. So how do we do that? All, you need to use the chain from the rectangular marquee tool. Select the move to then for me to move it because it's called a move to say, let's try to move this one, click and drag, drag, drag, drag, and leave it to where you want to live it and then you can leave it here. Boom, we have It's okay. Let me undo and show you one pro tip so that you can apply here is that when you move this one to the new document and you want to kind of put it in the middle. Or you need to do is to hold down the Shift key and live it and you see that, put it in the middle for you. Then from here we can start to scale it. So when I start the skillet, you see that I'm getting the failed, but I want to scale this one simultaneously. Okay? So that when I'm scaling this path, its effect that we want. For that matter, I'll hold down the Alt key on PC option on the Mac, you see that it's skewed from the same path. When I make a small agency or resizes means more. When I move it up. For a big one, it affects their own. So when you are okay with it, you live it. And you come and click on this to asset changes or hit, Return or Enter on your keyboard, okay? Wow, we have this one in our Instagram Canvas. Okay, then from here, all we need to do next is to go to the next document. And boom, we are going to use the other commands. That is that, that is the rectangular marquee tool or the Elliptical Marquee Tool. Select that. And then once you make your selection tool, when you click it without the shift key, see that we are getting some weird shape which is not proportional. Hold on to Shift key to get proportion. Leave it in his era we have the selection on it. Then go back to move to lake, lake, lake, drag it to your new canvas and live it. And boom, you can see that effect just applies for us. Okay, So let me zoom in. So to zoom in, I'll hold down the Control key and use the plus to zoom E. And I own just curious one. So to skew it is when you can go to Edit and select Free Transform or you can click on Control T for the cards and then you get this bounding box around the drag them. From here we can click and who you are okay with it, you live it, you do the same thing for the other side. You do the same thing for the other side as well. From here, what I would like to do is to use my arrow keys on my keyboard to place it just in the center, all the place where I think it is. Okay. When you have certify, it hits on Return or Enter on your PC to accept changes, control to fit everything into screen. And I'll click outside and you see, boom, we have our effects. You can see that the edges are too sharp by we will look at that later. Hodgekin do to make it smooth is to maybe go to Filter, which dealt with filters later, Blair, okay, and you choose Gaussian blur. Then you can play this image a bit. Okay? Alright, Then when you click on Okay, Sarah, This was before, and this is after. We have a situation where we can really play the edges and then leave the rest. Okay, so we will look at that one later. But that's how you can grab artists. So I will leave it for you to make a selection of this one and put it in this Canvas. Okay? Then afterwards you can see it's come through as if you are using the newer version or the latest version, save as and save as a JPEG, rename and send to me or send it to the project size so I can see what you've done and I can comment on it whether it was a good shot or not. Alright, so let's dive into a different thing where we will be learning about maxes or layer max, okay? 15. Part 15. How Clipping Mask works in Photoshop: Hello everybody. In this video, we are going to look at how to use Photoshop and create something like this. Well, we are going to use that background. Okay, increase something, cool ideas, okay, So without further ado, let's do this. Okay. So let me close mine or let me go to my clipping mask. When you come here, you will see clipping masks. You open that and then I'll click and drag this one into Photoshop. All right, so it seems like I have to close this one before I can do that. So click, drag into Photoshop and leave it. Okay? Alright, so when you have your bag or in Photoshop, or when you drag it in Photoshop. The next thing to do is to select your test tube. And then we're going to type artists. You can choose any font that you want, but you can also go buy these phones. And then you type any way that you would like to use a GUI piece and you know how to secure something Control E for free transform. And then we can scale it using the bounding pulse, like I am doing, nest, click on Enter or Return on the Mac. And boom, you have something like this. So how do we get this image on the test is super easy to do. The first thing is to come here and then you will see the luck. Michelle click on it to unlock it. Or you can also click on this one and drag it to the dean. Okay, then from here, all you need to do is to click on the background layer or the layer zero on top of the test, okay, just like this, then from here, you can right-click on the layer and you'll see Create, Clipping Mask. And boom, you see they first start to come onto the scene times you can go to layer and you will see, create a clipping mask here. And boom, you get the same effect. Alright, so this is how easily you can create a clipping mask. Then I would like to go further by adding our effect that you have already tackled, like drop shadow, stroke, etc. Okay, so I can go a little further by adding sounds to drop shadow on it. So first of all, let's go to adjustments and add a background. Okay, so another easiest way to add a background is to create a new layer. So to create a new layer, you can see these plots here is called creating new layers. When I click on it, you see a blank layer comps. And then you go to Edit and you will see fail. And you can see the shortcut also Viviana going to talk about is cut. Now. Just click on it. And then from here I'll make sure that I have white selected. Then you click on OK. Boom, every place is quiet now, all we need to do is think about labor management. Click and drag this on all the way down. And boom, we have our background and nest. We can also play with this. So what I didn't talk about is you can select this image and you click and drag it to weigh every warranted. So maybe want a lot of the flowers so you can do that. You can also go to Edit and select Free Transform. And we can skew it is one app. We can make it small, okay? And also we can move both of the tests and piece together school untrue or to fit everything to screen for that. Or you need to do is to select the image for that hood under control key on PC command on the Mac, and then you click on that to add both of them. Then from here we can move both of them together. Alright, Nest also. We can also click on this little guy here called link. So link layers, when you click on that, anytime that you move, both of them moves. Okay, so let me undo that. That's a pretty visually keep it well. Also we can also move the P, so make sure you have the test elected. And since this one is blue, I'll hold down the Control key so it's still move that one. And I can also move the text around. Alright, so let's try to add the drop shadow now with a P selected or with this layer selected, you can see that little gray on it. It means it's selected. Go to effects and then our festival, a drop shadow and boom, are first of all, try to increase my opacity. I'll leave this one at multiply and then increase my distance at Bates, increase my size a bit. Let me add a bit more distance. And this one too. All right, you can also come outside this layer style and move this one by yourself. Okay? Another pro tip here, and then also let me add a stroke. So stroke selected, make sure you have it. Click and then you have their properties comes with it, and you can change the color from here. So I have gradient selected. I want color. Let's see. I want gray. Then also, I'll increase the size of the stroke. Okay? Then you can also straight back to the drop shadow, increase it a bit. So you can do them, but I want to do when you are okay with aids ratio, you click on Alt key and we have this nice cool effects. Next, let's look at how to clip something like this. With test. Clipping a test on something is a bit different from flipping an image with something like this. Okay? So with this one we have to do a bit of wet. Okay. So let me close that so we can start to cater. All right, next we are going to look at how to clave and image two things. Alright? So naturally type clipped to things, whereas image may not so much, so image does not easily clip to tense. So how do we achieve this? Let's look at this little example and you see how it works. So I'll close mine, then I'll go to my source file. All right, So from here I'll click and drag this image. So click and drag this one into Photoshop. Then I'll also click this one and put it into Photoshop. And boom, this is the result that we are getting. So I want to clip this one on top, so I'll click here to unlock it. Drag this one on top, right-click on it and then create a clipping mask. This is not a complete process. You see that really didn't get effects, or do we have created a clipping mask by we didn't get effect that we're looking for. So naturally when you are clipping an image to something, it doesn't work so well, like taste. Okay, So let's see if this was a test like this. Then I have this image on top. And then I right-click and create a clipping mask you see automatically, it's grayed out for me, but it didn't do the same thing. And also let me give you one pro tip. So instead of going here and create a clipping mask, you can also hold down Alt on PC option on the Mac. And you see that when you are in-between the layers that we want to clip. So this is the first layer I want to clip onto this when I come in-between, you see I get this drop-down arrow. It means that I can just click and create a clipping mask. So let me do it again. You have to just hold on sheen on the Mac, alt on PC, you get this, I'll click with your mouse and boom, you have a clipping mask created for you. Alright, so let me delete this test. Wounds will. How do we achieve that? So let me bring this one back here. So first thing that we need to do is to remove the paragon of this. So we have already tackled selection, so I'll select my quick selection. As always. I'll select my magic wand selection. Then I'll click to make a selection path, make sure you have the layer selected. Then for me we can click on Delete to remove the background. Then from here, go to select and click on de-select. Okay? And boom, we have this one without any bug. Okay, so we can try again, right-click and create a clipping mask. Still can't see any effects. Okay, So how do you end up doing? Is we also remove the background of this one. So let me hide this one. You can click on the I here to hide that. It has not gone. So when I click on it bad, it is going to review it. Okay. So I'll also select this image and then select my magic wand to make a selection click on Delete. Nec currently cannot complete your request because matter object is directly editable. So who knows what to do? Just right-click and rasterize layer and try again and boom, you see you have been able to remove the background. Go to select and make sure you have deleted a selection and go back to move to that. Let me turn this one on. Okay, let's try again. This time around. I'll hold down my Alt key or Option and then create a clipping mask. And boom, you see we have the effects. Now. Then how do you also get some part of the image? All we need to do who can guess or we need to do is to reduce the opacity of this image. And we have already also talk about opacity. So here is the opacity. Let me click and reduce the birth and infancy. You can see truly image. So let me reduce end. You can see, we can see to the initial maintain some 75 or even 70 or B. Okay. So let me maintain something like 70 broom does into this. Are you going to create a clipping mask in Photoshop? Let's dive into a different thing. 16. Part 16. How to use Layer Mask in Photoshop : Hello everyone, welcome back. In this next section, we're looking at layer masks. You are going to take something like this to this, wow, really amazing. Someone who see we have already tackled about removing bad lawn or something. So it's the same thing. Alright, so earlier we were working destructively. So when we do something, you cannot go back in real time to make changes. But we, Leah max, anytime we do something like you live it in combat, you can still go back in time and make adjustments to it. Okay, so we are going to look at how to create this layer masks in Photoshop. All right, so let's look at how to do that now in Photoshop. So we will start by creating a new document. I'll just do that quickly. So I'll go by 2000 by two. Let me change this base to 3,500 by 2000. Click on grades. Then I can create some gradients. Okay, So earlier we use this one to create some gradients. But basically we have a new bug gowns and we can just select and create the gradient from yet, but has many other ways to create a gradient. So I can go to, I just made this one in the middle. Then I will select the gradients have been using solid color a lot. So let's go with gradients. Boom, there you go. We have this one. I can talk over the angle and get some ladies. And then I think I choose something from orange, the preset, and I chose this. You can click on K or K. Alright, so this is our background. How do we create a layer mask that we are talking about here? So I'll go to my source files. Please be sure. Get this image and practice alongside me. I'll click and drag this one into Photoshop. Okay, So we have our image here in Photoshop. Or we can do also is to click and drag and grouping this one on a new tab just like this. So we have back on here, and then we have the image that we want to use, a k. Then from here, we will use the Quick Selection Tool. We have used this earlier, but we are going to use this one to make the layer mask. So I'll click quickly to select the areas that include, okay. And you can use the square brackets on your keyboard, make it big, small, whatever you want. Alright? Then also you can click on this one so you can't grip on this, okay, you can see this one that's editing quick max. So you can toggle with its shortcut is cuz you can toggle with places where you have selected and the place is dying having selected. Okay, so let me go back and you can see three. If we want to see the places that you haven't selected, just click on Q on your keyboard or you click on this one. Alright. So let me toggle with this one. Okay. So let me see. I haven't selected these areas, will then go select these areas. Select this area is alright, then the top level is small here. Let me go back to my max mood and I can see everything is selected. I have something small here to select. Okay? And I guess I have something small to select as well. Alright, it's okay for now. So instead of taking our move to by clicking and dragging and place it here, this one is the strategy, so let's look at it. On this one, I'll click on Delete. Then I'll go back. And then when you come down here, you will see this that is called Layer Mask. So when I click on it, you see it immediately hide the bugger all removes a ban on. So in other ways, like it is hiding the product. I don't want to like It is given that place black over here and the place that you're sharing in his wives who black conceals and white reveals. Okay. So layer mask, black conceals and white reveals. We have the right to be viewing and we have the black being considered being hidden. Alright, so that is the layer max. And one cool thing about layer masks is that, so let me click and drag this one with my move to our backbone. Okay? So one cool thing about this layer masks is that you see that we have two layers. This one is layer masks and we have our main layer. So we can either break this one. So you see we have this Link Layer Mask icon, click on it to break it. And I can move it and you see have been able to move this in real time. Then we want to do and then bring it back. This is it n. One cool thing about this is that we have whites here that is reviewing the image to the data layer selected to everyone to edit this image. We have the layer mask selected. Make sure we have the white outline on the layer mask, not on the main layer, on the layer max. Then you will select the brush through this a little bit advance. I just wanted to show you something quick. Then you see rehab black as the backbones where I'll paint with white. And you can see amazing. It is bringing some of the background of the image. Okay? Then also I can swap here, so I can click on this. When you click on this one is swapped the color to swap it and paint with black. And then you see it is removing some parts of the image. So this is what LEA does for you or your image for you. Then you can go back in real time to edit them limb on to Control Z to undo. Okay. One thing, again is when you select the layer masks and hoping your properties panel, I'm hoping that you see that we have some settings that comes really an isolated layer. You see the properties changes to play a max properties. And this one too, what I have, okay? So on your layer masks you can control the feather so it's kind of blended edges. So when I increase the feather is it starts to blur the edges and the edges of the image of old white. So I am getting that nice, creepy wise on this one too. This something that you might also consider in some of your art projects. Let me turn it back off and maybe increase it to five, I guess something like this. Okay, So in general and that is layer masks. Remember the editing that we're doing? Let me go back and open this image. So my query to then we have this one too. Let's read again on distractive way. Then I have my drag also here. So this time I want, I'll use this one so that if you could, in fact it can price here. Then with the help of my mercury two, I can make a selection. We are using this tree trunks and let me click here to get back the streets one, hold down the Shift key to keep it in proportion. Then instead of using the move to our company or the LEA max, boom. Then I'll click and drag this one here and bring this one inside. So you see that this one is bigger. We have the bounding box as very big because we have the other areas around. I can click and make it big. Then with the layer mask selected, make sure you have selected. We can go to the Properties, open my Properties and I can increase the feather to blend the edges while you see how really amazing this one is. Then. So unlike the first one, I use the Gaussian blur which bled the way everybody's when you see it is only affecting the edges. And you can control it to how much you want it and then increase the size to a point that yeah. Okay. I can put this one year increase. Its okay. So you see layer masks is something that you should be including in your Photoshop activities because it saves you a lot of time. And many of the professionals, when they come and look at your work, boom, what they are checking mostly is the layer mask says that you apply so that they can work all tweak around your images or something that you are doing. Two, solar max is something that you have to inculcate in your graphic design if you want to take it very far. Okay. So this is it. And one pro tip about layer masks is that as LAC that you saw me breaking this one. So this one is when I break it and I move the max. I move the image is our no move the max instead I'll move the image. You see that It's kind of stay that area, but I can move it to where I want it. And when I am okay with it, I just go back and click here to bring the max. Case would ask Can I move? It moves all over. So let me go back and bring in the image, the person. Then let him go a bit up. Alright, so something like this is cool for me. Then I'll bring in the link again. Okay. So does it for Leah max from now on, we are going to work on this track TV by using layer masks. Okay. See you in the next one. 17. Part 17. How to work with Levels: Alright, welcome back. In this next section, we're looking at something called Levels. Levels is an adjustment layer in Photoshop. And order we are going to be, they're going to put a levels on a layer, meaning that we're not affecting the layer itself. And it is an undistracted way of applying and it fits. It doesn't affect it at all. Okay? So we are going to take this boring image to woo a very nice environment. Okay, So you can see they fit. This is before and this is after. So let's look at how to do this in Photoshop. All you need to do now is to click and drag one level, click and drag that into Photoshop and leave it for it load. Then when you have this one open, we are going to explore how to make this one come out. Okay? So we have our adjustment layers, which I think we have already looked at one called solid color. Okay, So let's look at levels now. Levels here. So when you click on it, you will have it hoping somewhere here for you. Alright, let me delete it and show you a different way. You can also apply levels. And also when it comes to Image Adjustment, a key, you will see levels here. You can see also the shortcut is Control L. But this is a destructive way of using the adjustment layer because when you use this one, I don't have any option again to go back and redo something. Okay? So you will normally avoid this one, but you can also do this on purpose, okay? And also we can also go to Window and then you will see adjustment. Okay, so when you click on Adjustment, it is going to open a panel colitis for you. When you go to these, you can see we have brightness and contrast. We have levels, we have calves, we have vibrant and allows most. So when we click on this one, it's like coming here and selecting levels. We are going to get the same thing. And you see that nothing happens. We can also click on this eyeball to toggle between on and off. So you notice that nothing happened. And second, I have a new layer here on top of my original layer. Okay? So this is the new layer and the one beneath it, that is the original layer. And this thing that we can also see here is called histogram. This one is just showing us the brightness of the image, displaces that brightness. And also we have the midtones and then we have the darkness. Okay? So you can see here is too dark in here is too light. So we have our brightness and darkness, and it will also have our mid tones. Ok. So basically what I do here is to click and drag this first top or this first house to join the hill. And then also you can see this one is over. Let's suppose you have the heel here so you don't need to go. So drag it again. Otherwise you're going to overexpose the image. These are some of the technical teams or photography. If you're into photography, you'll come across where it's like, oh, via schools and I expose. Alright, so we have the darkness area. We can also move it a bit. And then we can also talk about with the mid tones, okay? So basically what levels is trying to do is that it is trying to see to the image the places which needs to be dark in it, pokes that areas and then the areas which needs to be writing. You can also write that area and you can also toggle with your mid tones. Okay, So this is how levels work in Photoshop. And I also like to show you one trick that we work with, layer masks, okay? And you can see that we have a layer max here, this rectangle here, okay? That is a layer mask. And you see that we lend that layer mask, black conceals and white reveals. Okay, so you see we have white here. That is why we are having everything seemed. So. If I take my brush to two, when you come here, you select your price to, then you make sure you have your flu hundred, opacity hundred. And when we paint on this layer masks me, show you the outline on it, meaning that this one is selected. You can also select this one by me. Sure you have this one selected. And when I paint black here, so make sure you select black, European, your color picker, you select black. Then when we paint black easy that we have been able to move some of the effects here. So you can see that this was before and this is after zoo. You can also use the layer masks to hide some of the places that you don't want. The effect as we have just applied now to affect that area. Okay. This is a booty that if you want to master Photoshop and you want to create more effects, are when you are into photography, these are the things that you are going to explore more because you take some pictures and you need to darken some areas. You need to break it in some area to make it balance. Okay? So you have to blow with the brush tool and then make sure you have your Layer Mask selected paint with black. And boom, we can hide some of the police. And also when I change this one to right, I can also paint back the colors, okay? The colors that I just painted off using a layer mask is an invaluable asset that if you know how to use it, well, it is going to really, really help you. Okay? So let's look at a different adjustment layer in Photoshop. But before then, I would like to hide this one and show you some of the O2 effect in Photoshop. So if I make a duplicate of this, so I'll right-click on this background and you'll see make a duplicate. And let me name this one as two. And click on AKI. So when you come to image, you are going to see Auto Tone. We have to contrast or two color. So when I click on go to tone, you see, wow, really amazing. So it is an automatic feature in Photoshop. When you apply it, this is what you get. And the next one is Auto Contrast. So let me hide this one. Right-click and let's see duplicate layer and let go. Or two contrasts. Contrast or k. And then in May, and you'll see Auto Contrast also here. Click on it. And boom. This is the fact that we caught. It doesn't mean that O2 contrast doesn't work. It depends on your image. You see that this image a Brighton is like using the levels that we did. Also, let's talk over the last one. Now we'll just make it quick. Watercolor layer, create the image and select go to color. And you can see that Auto-Tune in, auto color is kind of the same effects, but both to contrast kind of thing. Okay? So it depends on the image that you are using. So when you have a Latin, you are, you are looking for a quick fix for your image. You can use auto color out or to contrast or to tune or levels. Okay? But normally I try to use levels because it makes my work easier. And when you do something quickly and submitted, I just use levels to speed up my work. Okay. So let's dive into the nest I just made in Photoshop. 18. Part 18. How to work with Vibrance: Hi there. In this video we're going to look at a different adjustment layer called vibrance. We are going to look at how to make or use a vibrant to make this flower pop up a bit or lifted up a tiny bit. Okay, So this is what we are going to get before, after you see how it lifts the greens the rate to a proper position like the pivot colored I can get from this flower. Let's look at this example to woo, you can't see much, okay? So you see that, leave this one alone. You see that the radius, okay? And then boom, it just lift the greens out. The green is a bit wash out the boom. It lifted up a big, okay. So our encourage you to get a source file so you can practice alongside me, okay? Right. So video so far are being our clay. Both of these files into Photoshop or k, or you can also just go to File for p. And then I will locate where I have my document, I have my source file. So here is my opinion. And then I'll select Vibrance Bu one, click on open. Then I'll go to File Open, and then I'll select Vibrance O2. So to bring vibrance, all you need to do is to go adjustment the one in-between. Select that and you are going to see vibrance. Click on it. And boom, you are going to have Vibrance and Saturation. And in my opinion, I suggest vibrance is greater than the saturation because this oxygen just blast everything out. Okay, see that? How it has blast everything and I'm losing is not good. You can also use it in some cases that you see, you will need it, okay? But in this case, let's toggle with the vibrance so you can either take it down or boost it up. And I always advise that you boost it up because you want to improve your quality of the image. So you see this is before. And when I start dragging, you see the improvement that we are getting. Likewise, we are looking for and how much should you increase it to outside just like you choose anything I'd hours for your case or in my case, I'll choose around 50, 51. Okay. So this was before. This is after how we have been able to lift up the colors here. So you see here, or this place has been washed out. It kind of bring that color or the color that the image glass house. So when I click easy that, let's try to boost up the color or a lift the color to its proper position. Okay. I would like you to also work on the second one. Then you share with me so I can see what you have been able to do, okay? So all you need to do is to either come here and select Vibrance or you can also do the first method, select Adjustment Layer. And you'll see this little thing here. That is it vibrance and you can toggle with it. Okay, that's it for this video to apply a vibrant, go to Adjustments, select that, and then you can just apply vibrant. And also, if the effect is too much, you can select the layer MUX. Select your brush to reduce the size by right-clicking and reducing the size. You can also use the square bracket to make it small or big. Then we can paint black here because we have white. White is reviewing. And if you want to hide any path, we can just be clicking and we will move in a pads. So if I hold down the Shift key and click on the layer max, you see I'm able to hide the fact that I have applied. Alright, that's it for this video. See you in the next one. 19. Part 19. How to work with Hue and Saturation: Hi there. In this video we are looking at hue and saturation as an adjustment layer in Photoshop too, we are going to take an image like this. This is amazing. Wow. Then this image was this. And then boom, we have this one. And this one was a little washout like we have yellows here and then we turn it to greens. And this little guy is also going to be your practice on your own by taking it from year or every two days. Wow, very amazing, right? Let's look at that in Photoshop. Okay, Then let me give you a potty before we go. So I want to close all of them. When you come to File Close. Then we can apply to all don't see in Photoshop is going to lose all the tabs that I open. Invitation for you. Let's go to File Open. And then you are going to see here o12, up to n, Boom, we have these images. So to apply a hue adjustment, or we need to do is to come down here, select that and you'll see hue and saturation. Select that. And boom, we are going to get these properties are this panel. Then from here, we're going to work with one-fifth, then adjustment, hue and saturation. And then when we toggle with the hue, you'll be able to change the color completely. Here. That is just changing the color completely to a different color. So maybe it was a bit red and you want something like valid or this color. Boom, you have it. Okay. Alright, then let's go to O2 and maybe want to change the way it's not affecting all. So when I apply heat and saturation adjustment, and then I started teaching this one, yellow. Maybe this is what I want, but I don't want it to affect this one's body zeros is affected it and we have more green. Okay? So how do we apply it to only the weights? So let me click on this and drag it to the beam. So to do that, I'll go to Adjustments, Hue and Saturation. Then you can either use the layer mask that we talk about, whereby it can be painting on that edge. But we did here, we can click on this master. And you see we have a little drop-down here, okay? So this drop-down will help us relate to the current I wanted changes, red, red. And then I will just click and you see it is only changing the weights. And maybe you want this color. Boom, we have is so before, after, before. So just think of in on the eye, okay, so you can see the effect that you have. Okay? I've seen things you, if you select the master, then go back to the ray and make this 10. And maybe we have selected a master, and then we change the color here. We can also use the brush to, as you have discussed earlier, and then make it some more using the square bracket. And then you paint on the edges that you don't effect. Okay? So this is what layer max times e, by the heart to be careful on the areas that you paint. Otherwise have to toggle with this switch to white and then paint it back. Then you can use the S key, X key on your keyboard to swap in between y. So you notice that the colors change over here when I click on the X key on my keyboard. All right. So does it. You can paint black to hide these areas. Or you can simply use the right. That is what physically they wait for you and you will be free. Okay? Let's look at this last example. With this last example two, you see that he is supposed to be green by we have more yellow. So let's go to Window Adjustments and click on hue and saturation. Then boom, we have this one. And once you have been talking about is the hue and the lightness. But I would suggest all our commander, when you want to use the lightness or darkness, me show you the levels that we have discussed earlier. So when it comes, we see is you have to combine level, so make sure you use that instead of using this or that. Okay? The good thing about I just mainly eyes, I can add more than one so we can add even then hue and saturation. And we can apply the effects on each of them so we can do all of these, okay? So I'll select all. So to select our ratio, you have the first one selected. Hold down the Shift key, select the last one, click and drag this one to be p. Let's start over UN saturation. Okay? We know that it has green color. So when we select the green and took over the hue, you see that nothing is changing. We don't have much effects like this. You have to then go back to zero. And you can notice that we have a bit of yellows, like you can see a bit of yellow. So definitely this one is not made of greens but is made up of yellow. So let me talk with the yellows and you see that it starts to change. So this one trigger, you have to also know that sometimes the glass or the ways that we see is supposed to be made up of greens, but Many take pictures of it. It tends to be yellow. So when it comes to your loose and then you'll be playing with it to this are some of the changes that I use, like boosting the color or getting their coat color out of it using the hue and saturation. The saturation is just how much color you want in it. So if I put this such as easy, that the greens become more stronger. And when I bring it back, you see that the kidneys become less. So let's boost it a bit. Okay, we don't want too much. Then this one also, so we have more green before, after, before, after. Really amazing, right? Okay, So Misha, you go to File or B and then you try your hands-on Hugh, oh, fall where you apply here and saturation. And then he tried to boost the yellows so that I get a proper green. And then you can also boost the saturation to get it correct kinase that you are looking for. All right, that's it for hue and saturation. Let's look at another one in the next video. 20. Part 20. How to create Black and White Images in Photoshop : Hi there. In this video we're going to look at how to create this in Photoshop and black and white adjustment layer in Photoshop and even tickets. Furthermore, to create this manipulation. Okay, alright, so let's look at how to do that. Now in Photoshop, I'll go to my source files or K. Then I'll click and drag this one into Photoshop. When it opens for me, I'll go to adjustments and then I'll add a new adjustment layer called black and white. So I have black and white here. I'll click on that. And boom. Black and white layer I just made is going to add for me, I remember Leah, I just made is not a strategy. You can always turn it off and on. Then from here we can also see that we have heights here. So write reviews what we are trying to poetry and black conceals. So maybe you want to bring, Hey, hey, hey, like you want to bring some details to Grissom, see in Photoshop. So how do we do that? We have already taco at this one in other videos, but let's look at it now again here also. So with the help of my brush to, you can always click on P for cards. Select your brush too. Then. We can start to paint, but make sure your color is black. So I'll click on this little guy here, swap it, okay? So swap to black. Then from here, I can start beans. Some of the details of calm. And also undo, control Z to undo, Command Z to undo. And also if you don't want to bring in full details of what you are trying to paint. We can always reduce the flow to maybe 50 per cent. So you paint a little amount of rates or you can also reduce the opacity instead to flow at hundred and maybe opacity for the paint. You see we are getting a little detail instead of the full detail. Let me get it back to 100 per cent and pain too, I get it fully deals. And also let me give you one tip. When you are painting and you want to see what you have paints, just click on this slash, gives me a TO square brackets or above the Enter or Return on the keyboard. And Boom, photoshop is going to show you what you have paint out. Okay. I can just make sure my mission, my foreground color is black. You can always use the SQL keywords to go with black and white. So you see how the black and white changes. Immediately I click on the S key. Alright. So does it put, I have drawn most of cards in this video, but as you have decided to learn Photoshop, it is the max to lend these details. So you have to take your time, come to plus to zoom E and then paint those little detail that you want to bring on board. Okay? When you're done, just click on a slash again and it is going to show it for you. So when we go back to the maximum mood and then things, kay? Do, if you do too large, you can undo or you can swap the price to white and paint to hide those areas that you don't shu. Okay, so this is really easy to do. Let me paint back these areas. I don't want the yellow showing. You can always take your time to find in this motif deals, which will make you stand out at NOT d into get something precise key. So this is two. Then we can also paint here. Increase your brush size with the square brackets. There. I square bracket increases the size of the brush. Okay, reduce it with the lips, square brackets. And you can always click on slash two views, those areas that are painted. And boom, you see what we have done here. You can also hold down the Shift key and click on the max to review what you have done. This once before. And this is after. Isn't it amazing? That is how to use the black and white layer adjustments or create a black and white if fate in Photoshop. Always when you are done, if were to toggle between the mass, hold down the Shift key, click on it, it will views, click on it, it cancels. Okay? So this is what you have done and it is really amazing. Alright, let's dive into a different thing now. 21. Part 21. How to work with Curves in Adobe Photoshop : Hi there, Welcome back. In this next section we're going to look at one more adjustment layer, another list. So we're going to look at how to combine one or more two adjustment layers to create awesome effect like this. Oops. Isn't it amazing? Alright, so let's look at how to do this in Photoshop. In your source files, you are going to see curves, care of 01. I'll click and drag this one into Photoshop. And boom, it is going to be in a new canvas for me. I just mean that you are going to look at is called caves. Okay, So go to my adjustments. Then. You are going to see curves. I'll click on that. And boom, you are going to get something you read lie, this is not scary or is not anything difficult to work with. This one we can click and drag. This one is more or less like the levels, just that you can work more with this one. Okay? And when you come up here, you can see we have preset that you can use GitHub. We can change this one to color negative and his team. Let me get a different colors out of the presets, okay, so it can always change this one to one of the preset. And you can see we're getting pretty amazing images. I'll go back to the default. Okay? So over the levels you notice that we had the shadows, mid tones, and highlights. Here. We also have the dark area and you also have the light area or the right area. Okay, so when we click and drag this one, we are writing the Image menu, click it down, we are back in the image. Okay? So what I'd also like you to notice that you can also use this hand here. Then you click at a place that you want to increase or decrease the light, or you want to control that area, or you want to bring more color or whatever you want to do, we can click and drag this on here to increase the brightness or to increase the darkness. Okay, we can do whatever we want. So let's say undo, control Z to undo. Maybe I want to brighten it up a bit. So I'll click and drag over him. And let's see before and after. Remember this is adjustment layer, okay? It is not destructive, so we can always go back and toggle with it. Maybe if you don't want this or we want it to, maybe the effect that I just apply, we only want it on him, but not on the car. So we can also click on the layer max that we have yet, okay, with the layer mask selected. Always Layer Mask who had been the brush to go to my two-sided and select a brush. You can come insulate round brush and toggle with a size of your brush. You can live here at zero hardness, okay? Then also we can use the square bracket to make it big or small. Instead of coming up here to increase the size of the brush, we can just use the square bracket just near to the P key on your keyboards, increase the size or reduce it. And notice that we have YTM as our foreground color here, or on the max. We have to paint black on the mask to review that area or high that area. So I'll just click to paint and hide those areas. Okay. Let me turn it on before after. So you notice that a car is not affected because we have just paint in that area out. So if I hold down the Shift key and click on the layer max, you're going to see we have this times in it, meaning the layer mask is not working. So before, after you see that we have the effect on the car. But if I hold down the Shift key again and click on it, and you see that the effect is not on the car again. Alright? And also maybe you would like to change the car color to something else. We have already Taco this, but let's do it one more time. So our world to adjustment, and I'll select the hue and saturation. Then from here, I can come up here to the master and then select yellows because we have a lot of yellows and a car. And when I toggle relay here, we see that it changes the color of the car completely. Let's see. We want some nice red, deep red. Okay. So something like this and let me turn it off before, after, before, after. So this is how amazingly can use adjustment layers to create more beautiful scene in Photoshop. In the next section, we are going to look at how to apply a black and white effect on an EMI. So let's learn how to do that. Now in Photoshop. 22. Part 22. How to make a precise selection in Photoshop: Hi there. In this video we are going to do some selections using the selection tool that we have already looked guards who we are going to create something like this. This flower interacting with this test here. Okay, so let's learn how to do that now in Photoshop. All right, to get started, Misha, you have quick selection and selection. Selection power L 0 pins. So I'll click and drag this one into Photoshop. And in elevation, you know, be used Quick Selection Tool here, and then magic wand to get made some selection where we were working destructively. So right now I want us to work on the strategy, but before then, let's go back to the quick selection tool again and see what we were doing and see how we can do it. Now with my big selection. To select it, I'll click and drag. So you know, the Quick Selection Tool, you can be either on this one are the add mode or you can also be under subtract since we want to add, let me do on this one. So when I click easy, it's quick. It's very easy to use. If your brush is too big, you can come here. You select that also makes you, or maybe your hardness is down. Okay, so let me do that again. So quick selection then I can select the C. You see how quick it is. Then from here. After that, what we used to do is to come back to the MOOC two. Then we will plague and drag this one. Here. You see, boom, we have our flower here, but you can see we have some blacks here. So what we can do is let me delete it and come back here. So what we can do is to go back to here and then go to Select. And you see modifying. So click on that and you'll see contracts to our click on that. And then let's go for maybe three puzzles. Click on, okay. And you see that this lesson comps in a bit. So when I take my move tool again, click and drag this. Here. You see most of them is gone by. We can still go a bit further. So let's go back again. Go back to my first select, Modify contrast, and let's go for maybe two pieces for now. Then on your move to, I'm going to click and drag this one here, live it. And boom, we see we have everything will move now. Okay, Then for me we can go to Edit and select the Free Transform. Shortcut is Control C. Then I'm going to make this one smaller by clicking and dragging. Or maybe in your version of Photoshop that you're using, you might have to hold down the Shift key to get it proportion like, good thing. And I would like to put this one here. So Michelle, you have this far Quick Selection PSD file open so you can play along with me. Then you want the test to interact with this flower. So move this one all the way down. So remember Leah management that we learned. So I'll make this one in-between here. And boom, there we have it. Then I can also make a duplicate. To make a duplicate, come on the Leah click and drag this one to the plus here. Live it and you can see it is true now. Then I'll move this artery up here. And I can also make it small using the bounding box around it. If you don't have the bounding box, make sure you have show transform controls. Check K. Alright, so this is how to create this one, but this was a destructive way of working. So what if you want to go back to the selection made? How can we do it? Let's look at how to do it now in Photoshop. All right, so let me delete these ones. I'll select that and delete it and go back to my selection. Then you see I have the selection on this one. So I'll go to select, and you'll see this selected. I'll click on that to move the selection now. Therefore me, go back to my installation to again, then I'll clay to make the selection. Then afterwards, instead of using my move tool to move this one around. When I come all the way down here, you see these things here. So you see that the red one here, this one, I'll click on it and boom, you see, wow, it, you remove the background and it starts to show this case, this is what recall Leah max or K. So what layer mask does is that it tried to hide the place that you don't want. And maybe if we wanted to bring something back, you can do it later. So go back to my move to any C, we have this one. So you can right-click on the layer mask. So case it is the layer max, I can right-click on it and maybe. Disabled and max. And we see we have everything back. We can go back and enable the max. We can also delete the max as well onto and we can also apply Layer Mask. So we have already applied layer Matsui. I know going into the risc complex thing that we're going to look at later. Okay? Then from here you can see that we still have the public in the blanks on this one too. Layer masks. What you can do is that you have the layer mask selected. Then go to Window and Missy property panel check. And boom, you have property panel check. We have the density. The density is the amount of words the bag on ensuring. So we don't want to see the bye-bye. That's why it's 100% and feather. So let's, let increase feather. And you see that I tried to blend the edges and blew it out. Okay. So this is not what we are looking for. So in this situation we were looking at layer max here you can see we can feather the edges, as in the PBS video. I even forgot that I have done the math and doing it again, this is to your advantage. Learning it is going to help you improve your learning skills. So there for me, how can you move this one? So read your properties will be limiting the Theta of n We can go to here, select and Maxwell click on that and select and mask recipes is going to pop in in Photoshop for us, select and mask based PDS is just like the regular Photoshop breaks bees. It has the footage of Variable2, just like the Quick Selection. It also have this new file, so selection that they have brought up your selection. It also has the lasso to end the worst. Okay, we have the Zoom tool, we have the pan around. With a pan, we can select it, move something around arcane. So by default we are going to be on onion skin mode and 50% transparent. And what this means is that it is going to show 50 per cent of the bag. In 50 per cent of what we have selected. We can go all the way up to 100% sure in selection. Or we can come down like maybe ten per cent, show or 0%. The image with a background or k. Therefore, what we would like to do is that Photoshop has new version of color array object away. I think the old one was the color away. And now we have the objects are added to let view on the old one from your, you'd like to do, is that maybe you like to increase the videos. Okay? So let's be almost 4% and see what we are trying to work with. And also note that you can change the view from O'Neill scheme, margin at all overlay. Or we can use on black. We can also use overly on white. On black and white. We can also be on layer. So maybe if we have Lee and the paragon, we can also be on that. Okay. Mostly when you're working on something like this, you would like to be on black so that maybe you see what we are trying to do. Okay? So you see this before. This is after, before. You see we have something here called Show original. So shortcut is P, so you can click on P to see before, after. So this was before. And this is after. So radios can work best for you sometimes. Okay. Then you can check Smart videos or leave it. So let me check it, bring videos. And also sometimes what works best. We can also work with a global refinement, but you use that one in our next lesson. Sometimes what is here, output settings by clicking on decontaminate colors. And let's go on to onion skin mode, okay? And make sure we have decontaminate colors. So we see, we didn't, let me see before, after Photoshop try to hide some of the pain, but it didn't do a great job. So what we can do last one is to shift the edges, okay, so we can smooth the edges. All the federal, remember what I was doing and you can also contrast these, okay? But what will work best for this one is to check the decontaminate colors. And then let's shift the edges. In. Photoshop is trying to hide those pieces that we knew before, after, before, after. It is trying to hide those pieces, but it is not getting the result that we are looking for. But I think something like this works. And then we can also decontaminate colors are k. So I think something like this is okay for now. So let's see. This was original and this is after AAC, how you see how distillate and Maxwell species have remove those areas that we didn't want all the way down. Okay. When you're done and you come to the output, we have new layer, new layer with layer mask. So we want to work with Leah max, click on new layer with layer mask and click on OK. Photoshop is going to hoping what we had earlier and what we have now. Okay. So this was before. This is after. And we still have the LEA marks on here. And if you feel that this is not working for you, we can always go back to Select and then modify by without one, make sure you are on the layer itself. When you go to select and modify, I don't think you have a selection. You do to make sure you have selection around this one. Or you need to leave to come. Click here, hold down the Control key, and click on the layer max or K to bring this vaccine back. So we can go back here, select, Modify, contrast, and let's see two. Then they will go to here, select and deselect. Okay? So when you contrast, we have to move those things. So from here we can click on key to delete that. But before that, we should come out of this one. The main Lia, OK. And then go to Select. And you are going to see invest. So you click on that to inverse the selection. So selection are targeting this area, but now it is targeting outside. We can click on Delete and then go to select and deselect the selection. And I think we have a Beta selection now. Therefore we can movies, what are the v here? Any constant C, We have the layer max or needs, and we are working on this transitively. So anytime we can right-click and Disable layer masks are key and you can also enable it. Okay, I think I deleted it, but by dv, that is how Leah max weight binary, that is how a layer masks work in Photoshop. Let's look at different thing in the next lesson. 23. Part 23. How to remove Image from Background : Hi there. In this video we're going to do something called Select and max. How to move a background in Photoshop. So far you have been doing it easy. So let's make it a little bit harder. The most complex or difficult thing to do is to make selection, especially around here. Okay, this can be a little tricky, but let's look at how you move this bubble with select and max. So you can see here, I have this layer and this one here. So you are going to change this backbone to this, okay? So that is why I have two layers here. You don't have to get that, but make sure you have this layer and that one open alkene. And we're going to create this effect now in Photoshop. So let's look at how to do that now. So first of all, make sure you have Quick Selection Tool selected and we're going to make a rough selection. You see that it is selected, but I can't select anything. Make sure you have Layer selected as well. Then from here we can make a selection. We can also increase the size of the brush. And let's try to click and drag to make their possible selection. We can, from here, okay? So we see how intelligent Photoshop is using it. Artificial intelligence, make the selection for us. So k. If you do a ratio, you zoom in so you can pick the Zoom to here, then go back to your Quick Selection key and then squinch some of these down. Okay? And you can also make your brush smaller by going here and decreasing the size. Or you can also undo. You can also use the square brackets and make it small or big. Hold on the Alt key. Make sure you subtract from the selection selected, or just be on this one and hold on the Alt key to me. Sure. Let me add displeased with you the size of the brush. So taking your time, finding in these molecules is going to really help me foo a Beta of these down. Okay, I don't need it. I can drag these little details. Hold on Alt key and move some of these things back. Some of the hair here. Photoshop didn't get it. So I'm trying to some of the details here as well. K is not everything that we are going to get, but I'm trying my best to get the most out of this. Okay. So these details, then when you're done, you may select the body as well. Alright, so let me pull this one down. I don't need these areas as well. I'll zoom in, hold on the Alt key, then reduce the size of the brush with a square bracket. And then a case I think a key to subtract a bit here. Then let me see if I can add something here. Alright, so I think something like this is our key. Then let me increase the size of the brush by either using the square brackets are doing it yourself at the top here. To add these views. Subtracts here, it was too much. Subtracts. Do is subtract these details. Then these ones as well. And boom, we have everything selected On to fit everything into screen. Then from here you will see select and max at the top here. Okay? So let's click on that noun. Then from here, you can see that it is showing 50 per cent of the bag and 50 per cent of the image. Okay, so man is 54 and I am on the onion skin mode. Okay? So Onion Skin move, we can change it to matching overlay. Okay, so you can see where we have now on black. On height as well. And this is the selection you have made, a k. And this is on the layer that we are trying to put this one on. Okay? Alright, so let be on lessee on black. Then let me increase the opacity and see what we are trying to work way. So from here, you can see we have the setting that we can work with. But I don't think videos is going to move most of the effort for us and smooth no further two is not going to work. Okay? Then also contrast. No shift H is also not going to work for us for now. So let me be at x2. Decontaminate colors too is also not going to do a great job here. Alright. So here we can do here is that we have these tools in regular Photoshop tools. Okay, so we have the Quick Selection, we have Refine Edge price. You also have the brush to also part of the regular Photoshop to end the rest as well. So this is what we are going to use, the fine hair brush when I zoom in. So you can pick, use them to click and zoom E. Then Michelle, you have your rough edge brush and make your Bryce as big as K. Let me make it at Bates big and then we can brush on these areas. Okay. So you see telling Photoshop that footage. So please make sure you take a look at here again for me and see what Photoshop will give you. Alright, so we're going to see as well, kay? To Photoshop, please take a look at here again for me. And it is removing the evenness among these areas. Okay. So you see how the Refine Edge brush tool is working. It is removing the evenness Photoshop so you just brush over that area. And then in Photoshop that issue, take a look at that area for you again because it didn't do a great job earlier. So Photoshop, please take a look at tf for me again. So I will do same here. Okay. Brush on all of the live it and wait for Photoshop to work it out. Okay. You're going to see before and after very soon, okay. K, k, just paint on it. Telling Photoshop to take a look at that AVS again for you. Alright, paints here as well. Alright, so let's paint these areas, these areas and see what we get out of these k. Photoshop is taking a look at that again for us. Alright, so go back to my zoom to fit everything into screen. Let's see before and after. This is not a perfect job, but let's see what it was before. This was before. This is after you see how amazing Photoshop is able to move all those more detail that we don't need. We don't want out of this are key. See how I'm even amazed It's what Photoshop is doing. K. So we see, well, this is pretty amazing. If something is not working for you, authority can also remove them with a brush too, okay, So if it is not working for you, make sure you select your price to here. Then increase the size of the brush to wish you a hardness. And choose minus. Let me increase the size. You can use the square bracket as well. And it can just be that one off. And maybe if you miss something and you want to bring you can insulate glass and add those areas. If you have a polices that you want to add back, you can do that as well. Let's go to then subtract area and subtract the areas that we don't want to add. Maybe it is distracting to the view. Okay. I think undo here. I'll go back to my fine brush and paint. This is, again for Photoshop to T look to for me once more. Okay, So you can take as much time to find it in this more detail so you get a perfect selection or a perfect cutout. Okay. So for me, this was before lightweight for Photoshop load and see what we can do next. All right, so before, after, before, after awhile, really amazing. K Then for me Let's change this one to on white is a bit weird. So maybe if you are going to place this one on, alright, I'll take my brush to select Minus and erase some of these details that I don't see. Okay? So that is why we have different option is what you are going to place your subject on a swatch. Normally issue width, okay? So instead of maybe working with on white boards, I will do is to maybe work on the layer that I'm going to maybe on layer. And this is where I'm going to place this one. Okay? So you can see we still have some issues here. So what I will do next is to maybe the way down here, insulate, decontaminate colors. Make sure is jagged. And let's see what it would do. Wow, you see the decontaminate colors removes everything that was on, even to click on P to toggle between before and after. I really love the result that we are getting a k. So this before, this is after, isn't it amazing? K then also maybe what you like to look at lastly is to be maybe on black again and see the edges. You see that the egg is, is not as crispy as it's supposed to be. So let's see. Maybe we can increase, maybe we can shift in the egg is abates and then try to smooth the edges. K. Let's see before how it was and how it is now. This was before. This is after. You see how sharp rehab the edges now. Okay? Alright, so you see how sharp the edges. And then we can also use the brush tool to paint of these on evenness we have on the age subjects. Okay, So let's paint this one off. We can either use the hard brush or the soft brush. So let me go back to my view and let's show it on the layer I think I over paint on Leah. And let's see the final results. So we can also decontaminate. We can output, this case, fit everything into screen on my Zoom, and then fit to screen on my zoom tool. And you click on fit to screen. Okay? So this is how it is going to look like. And then maybe you like to do is to maybe positioning this one. And if you are through with Photoshop, you can see we have two, matching the colors and everything else. So that is how we can work through this one. When you are done with everything, we show you output a new layer with layer masks. Okay? So it will create a new layer plus a layer mask on top. So we can always come back and make changes to this. Alright, so we have our image on a new bug. And we can move this in any place that we would like to do. So okay. This is it. So maybe you can bring it down, increase the size, position it where you want it. V. And we have our new bank loan as well. Okay. So we can also change the bargains that I brought in as well. I'm going to leave you an image for you to move the Bible, especially complex, placing it on a new bug. And this is how it's going to look like. Wow, really amazing. So what I would like you to do next is to also try to remove the background of this Amy Sharing me, uh, let me see the result that you are also going to get. Share with me and Pooja size. So you see this where we have a contrasting background. We are going to remove the background of this one so we can let me hide this one, disable the layer max. You see this when we had a very contrasting background, okay, so this was before. This is what we have been able to create. So I won't remove the background of this one and place it on this particular bug on as well. Share with me, let me see how you are able to read, Select, and Mask. So you need to be in your bag on as well. So you click and drag the bargain and maybe scale it to feel species. Unlock this one. So click on it or click and drag this one to the bean. And then maybe click and drag the bug on them. Misha, your layer is selected, you make a selection on the Aimee. Okay. So immediately pay attention to detail so you get most out of it. So make sure our zoom in and make sure I get the selection tool right here. Okay, So getting Neils, I'll get a kneels and everything. So if you have everything selected, then you can go here and you click select and max goes to select the max. Then take the roughened edge brush and then remove the background and try to cut the hair from the complex background that we have. And also food Esau past also bring in new future that is called refine. Hey, so you see we find a here. So this one is in the place of the Refine Edge brush. Instead of using this one, you can also click on refined. Hey, Photoshop is going to use artificial intelligence to move the commonplace background in the head. So you see for each of the fantastic job by removing this one or K, by not doing it ourselves. And then maybe we can decontaminate colors. And you see decontaminating the colors given us a good result. We can also shift the edge a bit, then increase the smooth output with the layer masks. So you see something that I wanted you to do. I have done it for you. Alright? And maybe we have this problem. You can take the price to. Then I'm going a bit fast because I wanted you to do this one, but I'm doing it with you. So I will like to see your results. What you will be able to create a remove the background. Black here and here, y two, removing the places that I don't like. One. That is one thing about the LEA magnesia. You have the soft round brush layer masks. You can always come back and toggle with the max, okay, and get it perfectly. So that's maybe you are looking for K. So maybe this is what it's going to be for it at the end of the D. Alright, so that is how to move a subject from a bank or from a complex backbone. Alright, let's look at our next video where we talk about different thing, okay. 24. Part 24. What is Smart Object in Adobe Photoshop?: Hi there. In this video we are going to talk about smart objects. Is smarter gates. We are going to see a difference between a smart object and not a smart object. So let's go to File. In aerosols value are going to see 11 Smart Objects. Then I have this into, Let's click smart objects and smart object PSD file into Photoshop. Okay? Alright, so I have created this PSD file which contains only the documents and why she does in a gradient. We have already looked at gradient. So it is one of the presets ingredient in Photoshop. And I have this test on. So let's look at smart object. So we want this image, so I want to click and drag this one here. Okay, let's see, maybe I want to make this in the very small, okay? So I want to make it very small. Lake on the Mac here to accept changes. Okay, then let's say I want to make it very big again. And I'll click on Enter, just changes. Oops, you see that we have lost quality. Here are the quality on the subjects, are on the image. Gone completely crazy. So how can we put it this way? It's not yet seen, so I'll click on this, ON delete it. And let's see. I'll click and drag a new one. Then this one, I'll make a duplicate right-click and you will see make a duplicate or duplicate layer. Click on that. And let's name this one. Smart Objects. Click on AKI. Then also, I'll rename this one. To rename it, I'll just double-click on this. To rename it as not Smart Objects. Click on Enter to accept changes to find out the difference between smart objects and smart object. When I right-click on the layer, you will see Convert to Smart Objects. Okay? So when I click on that, you can see that nothing changes. Alright? So we have the scene in here. Nothing really changes. What changes is that we now have this little guy here telling us that this is a smart object. So nothing really happens to the image, but we have this little guy here, k, that is protecting the image. And it is the difference between this matter of yet and you see no smart object, we don't have anything there. Let me add objects. Okay? So let's see, I make all of them very small. Very small like I did earlier. Then I'll click on Enter or Return on a Mac. And let's see, I also make them bake again. Click on Enter or Return on a Mac and you see, oops, one has gone completely crazy. You see this one, and this one hasn't. Wow, K, so you see the difference. Now, a Smart Object keeps everything, like you get the top quality. And notice matter doesn't give the quality. Immediately. You scrunch it down and you open it again, it goes crazy. But as my target is always protecting your image for you. So that is the difference between a smart object and not as smart objects. Okay? But one of the Dropbox with Smart Object is that let's see if you want to apply filters, okay, We will talk about them later. Let's see Blair, and you see that Gaussian blur doesn't work, okay for Smart Objects. But let me select the NA Smart Object and go to filter blur. And you see lens blur workforce Smart Objects are k. So I recommend you to always go for smart objects. When you get your image in position. Anyone to apply something that it doesn't support a smart object. Just right-click on the layer and you see rasterize the layer. So when you click on Rasterize Layer and become not a smart object, immediately you are done with whatever you are trying to apply on. Or if you are trying to apply, you can go back and convert it to smart object and use it. Okay? That is how we apply a Smart Object in Photoshop. I'll get this one here and maybe it's good, it's on and beads. And then I'll position this one here. And always remember our layer management. When we click on this layer and bring it down, you get this one behind the rectangular shape or the ingredients that we have here. And this is something that I want. And then we want to fill up the color of this one he is. So we are going to apply what you've learned earlier, does content or rescue. So I'll make sure I have the image selected. And with the help of the rectangular marquee tool. Select that and then I'll click and drag to make a selection. And I can use my arrow keys to position this one row. Then when I go to Edit and you'll see that content, our skew or Content-Aware Fill, is faded out because this is a smart object. It doesn't work with smart objects. So we need to do is to right-click on the layer and rasterize layer, as I said earlier, then edits and then let's apply content or rescue. You see there's a card, this is too long. Just click on it. And boom, we have a selection. Then in my case I have to hold down the Shift key, click and drag. And boom. I'll click on our key and go back to select. And let's deselect the selection. Alright? So we have applied what we learned earlier to this effect as well. Okay? Alright, so we have lookout smart object for images. So let's look at it for vector images or your logos. Maybe you are trying to add it to your artwork, to our goods main source file. And then I have this Bobi get groups logo I did for a friend. I'll click and drag this one into Photoshop and leave it. Then I'll click on this check mark or an asset changes and boom, you see that. You click and drag something onto something, Photoshop then that in as a smart object for you. A, b, c, Smart Objects, thumbnail. Okay? So it is a smart. Obviously I can make this one small, very small. Hit Enter, make it big. Again, hit Enter. And you see, I have the same thing. But one thing that you need to know is that let's see, let me delete this one. If I click and drag this one, and I don't drag it on this one, but I bring it up here to add a new document. And then if I click this one to the smart object layer, it comes as not as smart objects. If I make this one small and our retained and I make it big again, you see that it starts to get there. Then again, it is lost sharp. It is not crispy as it should be. So different that if you open that in a different layer, you click and drag this one into the main document that you are working with. And you tried to scale it. And let's say you forgot to convert it to a Smart Object and you scale it down or data into. And maybe, oops, you want scale it up again. This is what you are going to get. Very terrible resource because we forgot to convert it to Smart Object. Okay? So always remember we can also do this one in another way that it will keep it in this format for us when we go to File. And you will see lease embedded, choose my file location. Then when I found it, I'll just click on it. And places. When I click on this, you see that Photoshop please this one as a smart object for me so I can recreate it without having any problem with it, okay? Alright, so maybe you know how to use a different software. It's maybe greet your logo like Adobe Illustrator. Adobe Illustrator, that is used to create vector xi logos and stuff. So it's really hard and soft way to create some awesome logo and stuff. So maybe I have this one selected. Go back here and copy, then come to Photoshop, Control V to paste. You see that it gives me an oxygen that actually paste as layers. Smart Object, Path, Shapes, shape layer. So you notice that based on App Guizhou earlier Photoshop had early the smart object pixels and I think maybe path by you can also insert with all the layers that you have created from Adobe Illustrator. But this time we're looking at Smart Object. So you're not going to talk over the rest of our C1 as pixels, okay? Then click on the Enter key on the Mac here, and then Control V to paste another one. And this time I'll choose Smart Objects, okay, and click on our key. And then click on the market to assert changes. And let's see, the result is the same thing as we did earlier. We have this one could take this one loop protection on aids or k. So if I select both of them, so I'm holding down the Shift key to select both of them. And I'll make them small, okay? Click on the market as it changes. Okay, This Mac, then with a bounding box, our open it. And go back here and click on the Mac to accept changes again. And let's see the results. So I'll just move this one here. And let's see the difference. So let's compare them. Control Plus to zoom in. And if you have a good eye like me, you can see that this one is the one that is. Vector Smart Objects and this one layer. So easy, this one, the edges are clean, sharp, crispy, bernie, take a look at this one. Everything is horrible, is no usable at all. So that is the reason why I tell you to always pick with Smart Object. So let me delete the layer. And also one advantage of using a smart object is that maybe you want to make changes to your logo. And since this is a smart object, if I double-click on this thumbnail OR gate, open up in the program or the software that created this look. Okay, so you see that in this case it's hoping it in Adobe Illustrator for me. You can see that I have come to, to make changes. So maybe our light to scale both of them down. Okay, so I will do that. Then maybe I want to bring the group here. And I also like to select the white arrow. And let's see, I would like to move this guy. So select this guy alone. And I'll move this guy here. I'll select this guy also moving here. Move this guy also here, and maybe bring this guy here. Okay? So contribute to fit everything into screen. Then when I see, Okay, So Control S to save. And when I jump back to Photoshop, Let's see what we have now. Wow, you see the logo genes to what we have in all the changes that we just applied, or k. So let's go back and let me do one more thing. Let's see, maybe we have this. And maybe I move this one all the way down here. Control S to save. Let's jump back to Photoshop. And wow, really amazing. It just affects the gene ECA. Also maybe if I have this one selected and I change the color to white, I save it. Let's jump back to Photoshop and oops, it at the zoo. That is another handy. We are a good way to use a Smart Object because we can make changes. Maybe the client would tell you that I wanted to make changes with my logo and maybe our finished design in it. But we have everything in smart objects. You can do all these GCN, okay? So let me go back and undo. This was how it is so true. See them back to Photoshop and oops, it at beat itself. Okay. Okay, So let's see. I have the, I wanted to keep one here. Right-click and I'll make a duplicate, Duplicate Layer. Click on our key. Let me make one small. And maybe I would like to position this one year. And also I would like to make this one a little bigger. So just like this, I'll click on this mark to accept changes. Then I would like to change the color of this one. Good effects. And then I will select Color Valley layer star is going to open for me. Then you can come here, select your color and choose any color that you would like to use our life to keep white. Click on aki to asset changes. And I would like to apply the same thing here. Instead of me going selecting the layer, come to here and select Color Overlay. Let me give you one pro tip. I can hold down the Alt key on my keyboard or option on my keyboard. And I'll click on this effects. That is the effect, and drag it to this one. And you see, well, it just applied on that. So let me do it again for you to see or obscene. Hover over the effects Fx click and drag it to the next one and it pumps it, apply it for me. Then for me I like to reduce the opacity of the big one. Let's see, maybe then I'll just type in ten. Or we can even die five per cent and have something like a logo behind everything. And it is given that smooth, it fades are the backbone. We can move it all the way down just before the rectangle. And gray. This is why we are having jean smaller goods where we want it to be. Let's say, if I go back to my Illustrator or my broker and I created my logo, and I make changes to that. So let's say I want to make changes here. So maybe at innovating me and they claimed that grid and the logo should be this control S to save. Let's jump back to Photoshop and you see it. Update both of them. This one is updated and that one is updated. So that is how smart object works in Photoshop. Thank you and see you in the next one. 25. Part 25. How to Create Mock-ups in Photoshop: Hi there. In this video, we are going to take this flat graphic here and wrap it around this coffee cup over here and kind of make it interrogatory the bark on. Okay. So we are going to do the same thing. Okay, So this was it. And then we're going to create something like a mock-up or k. And then also we are going to take sample IDs to taste. Wow, really amazing. So let's learn how to do that in Photoshop. In my source file, you're going to see top transform. Then I'm going to click and drag these into Photoshop. Okay, So Transform, Transform to transform or three. Then I'm going to open them up here. Okay, so let's start with this one, okay, transform or three. Okay? So I'll go to my source file again, and then I'm going to use this logo. By DVDs is my own logo. I'll click and drag that into Photoshop. And you know how smart Photoshop is. So it will keep this one as a smart object for me. Then I'll make it a bit small. The bounding box, you can click on Control plus T, scale it a bit down. Then let me put a duplicate over here. So this is the main one. Then right-click on it and click on Duplicate Layer. Click on our key and our brain. The duplicate layer over here. Okay? So we are going to look at transform tools in Photoshop. So when we go to Edit, we are going to see transform. Okay, So we have transform here. We have the skew, we have used it, we have used with T2. Let's look at this door skew and this Beatty and also, okay, so first let's start with the store. Okay? So with this tossed like data, we can kind of try to match this one with a perspective so you see how I'm moving this one. Okay. You see I can move these ones anyway. I wanted to go. Okay. But they store is not going to work for this one. Okay, so let me cancel and go to edit transform. And with this one I'm going to select work, okay? It work, it has some default shapes here. So when you come up here, are going to see work. Anyhow. We are on coastal Florida insulate. And we get this effect. You can select lower, okay? They see is what aids for us, okay, but we're not getting what we are looking for. Ogilvie can also select APA, we can also select the porch. You can also select flag, okay? So we have many options that you can choose from. Okay? So anything that we want to do here, you can go crazy. And we can also go without fish. So we can isolate fish as well. Right? So then go back to costume or let me just click on this one to evade everything. So it comes back to here to Warp selected, we are going to try to match the base pair t is from you wish you were obsolete, they're so good at it. And then go to Transform, Select work. Okay, then we'd work. I'm going to just click and drag to match the perspective. Okay? So we have to slowly do this. You can also use this Zoom too. Zoom in a bit, okay? Those two marks will let me zoom in a bit. And the seeking it, whoa, they transform, warp. And let's see. Let's see, I'll click. And drag is one year, so I'm trying to match the perspective of the coffee cup. Okay, So same year. Same thing here. Then open this guy's a beast, hoping this guy is a weight, okay? So you can walk yourself through this, okay? And if you are facing each other using the smart object, you can right-click on it and make this one as a rasterized layer. Okay, So you see nothing junior year that the icon is gone. It is not protected anymore. Okay. So you see what you have been able to create a walk. This is pretty amazing, Just that the logo is too big. So I'll go to Edit Free Transform and I'm going to scale this one. Okay. Getting to a point where like you can always go back and make changes. Me show you how the logo selected Transform, Warp, and continue to do this until you are okay with a final results. Somewhere like this matches the perspective so you can take your time to find him in this more details to get a good result. Then from here you can see we have it right, but this look at big thick because it is too harsh. So what we can do is select a logo, go to Blending Mode, change it from normal to multiply. We see nothing still happening because this is black and white. So we can also reduce the opacity. So let's reduce the opacity to maybe 82. Okay, so maybe, I'll just taking 85 and you see the difference. So this was before. This is after. So you see the kind of interrogatory, the background now, then also this one. So let me right-click and rasterize this one. Go to Edit. And then this time around, let's delete this door. Okay. It's not always that you would like to go to Edit and select that. You can just select the logo, Control T or Command key on your keyboard. Right-click on it and you are going to get these same features here. Then we can select this store this time around. And then I want to rub this one on the ground. So I'm just using the store. Put this one here, bring this one here, and I want it to sleep on the floor k. This is how you can do this. If it's fake mock-up in Photoshop. Maybe have designed something, a logo for someone and you want to shoot the person or your clients in real time. So this is how you can go along and create fake mock-up or k. So you see how we have been able to make these local lie down on the floor just like that. Okay, So this, we, we click on this Mac, I said changes. And boom, we have that one. So we can select that. Multiply, reduce the opacity a bit, and boom, there we have it. We have been able to rub this one on a coffee cup, make this one's leap or K. Then also let's look at a different one. So maybe you want to also bring in a logo on this task. So go to File, click and drag this one into Photoshop, my logo. I'll scale it down. And you see that we don't have much difficulty because the history is already ions. So just double-click on it and maybe change it to multiply. Or you can also go to this blending mode and see the one for you. You see with overlay, we kind of get some of the bargain is too low, so we can still go through. But let's let multiply, reduce opacity. Not too much. And boom, there we have this one in a logo. But maybe if you have your hoodie in a place like this where we are having these no streets area. How can we do so? Let me bring this one to 100%. Then I will select normal for this one. Then for me, I'll go to Filter and I will choose liquefy. Okay, so we are going to liquefy to make this AVR blend together. So our festival or light to right-click on this one, rasterize the layer, then Filter, Liquify, liquify Misha, you have your forward. To select. This rule is the same as using the what to buy gifts that this one also give you hands to work with. Vishing. Copy the settings here, maybe the size 50, 57 for the density, the pressure. You can reduce the pressure and the weight. And maybe you want to see the background of the attack so we can increase the opacity of this video. You have Ali is, if you have layer one, we are going to have, if we have only the logo, we are going to see what the logo. So make sure you have all layers and we can only select only the front. You can also select only the back and select blend. Any of them that works for you is what you should use. So let's see. I will select blend here. Then I'm going to E, and I'm going to reduce the size of the pie. So what? You can use the square brackets on your keyboard to reduce it. And then you see that we have some KFC is unwilling to work this one down. Okay? The backdrop settings are preventing the preview of this because we have this opacity at 95-year-old. See in the preview, that's what we're getting into, right? We'd use it. And then I'm going to walk this area. And I'm going to walk here. Forward Warp year. Okay, so you are just brushing on this area okay, to match the perspective. So when you're done, you can only select their phone behind. This is what we have been doing to this is all we have between. So you can select behind. And let's see, a K. Alright, so you just have to take your time to find in this model the deals. When you are done, you click on our key. Nec when it comes into Photoshop, try to blend these areas, but we didn't get a fair die. We wanted to move back, liquefying, to go back to Filter. And I will select liquefy again and we have to make sure you walk the top coming down. Okay. So you see this is what you're supposed to do. Let me move this one a bit. So this area as well that I want you to understand is to get an idea on how to use. Okay, so let's click on our k in z already we have done, we see we have this, try this one at both. Undo, undo. Let's give it another go and see what we are going to get, okay? Alright, so make sure you have the layer that we are trying to work with. It's selected and you select behind. So let's give it another go and maybe reduce the pressure. Reduce the price as well. And let's give it another two here. And I let go here. Let me still reduce the pressure, the density as well. Click and drag. To undo, undo, undo, click and drag. Click and drag. Click and drag over here. So you see how I am able to liquefy or play around with these areas to bring out these small details. Key. Deliver this guy. You play with this guy. So let me click on Alt key and C, you see that start to match the best 34, it starts to match the folding that we have. They are TAC, we start to get that. So if you have a towel or a hoodie with folding, this is what we should do to get the correct or a better result for your mockup or what you are trying to do, okay? So it is what is supposed to look like. So let me select my logo. Bring the opacity for 100%, changes one to multiply and reduce it. Alright, so we don't have problems. Here, are just trying to show you when you have folded areas or you should do to get great results. Okay, then let's look at a different one. So let's say we want to create this mock-up so that anytime that we have a book or we are working on a book project, we just open the mockup and then please our work on it and see the final result. Okay? So all you need to do first is to select the rectangle two year. So I'll select my rectangle to draw a rectangle just like this. And then you leave it. And then before you do anything, right-click on that layer and convert this one to a smart object. What is going to happen is that nothing really changes that we are going to have this box of this thing here, this guy here to help us. Anytime that we do something, we just put the fifth day and we are going to get a result with this shape selected. All we need to do is to go to Edit and select, Transform, select this door, okay. Then we are going to try to match the perspective here by just clicking and dragging. But one thing that you need to note here is that you need to take your time. Take your Zoom too as well, and make sure you zoom in and pay attention to the small d two. So good edits. Transform this door and make sure you get the edges right. Otherwise, they're going to have a fake mock-up. So make sure you get the edges right. So I am holding down the space bar key on my keyboard and moving around the document. So I am moving to the edges so that I can see what I'm actually Dean and get the correct edges. I'm going to get a good result in within 2 h. Zoom into those small details EVAs. So at the end of the day I'm going to get a good result. When you're done. You can click on Control to fit everything into screen. This is where we have k. Therefore, we can double-click on this because it was a smart object. We have been able to open it in a different document. So this is the original document. And we have been able to open that document or that rectangle here. When I go to my document and click and drag any design, a thought on this. Click on Enter to accept changes. Then if I close it and save changes to Adobe for digital document before closing, I'll click on Yes. And then let's go back to our far and you see it updates with the information. So you can see we are getting everything right. I can see we have a bit of black CSO. We can double-click on this one and maybe increase this one a bit. Then. We can also just click on Control plus S to save. When you go back, you should have this in Photoshop. So you see how we have been able to create a mockup in Photoshop, which you can use to showcase your work or your artwork done. Okay, So I'm going to save this file included in your document for you. Make sure you also practice alone. And let me see the final result that you get by creating this same mockup, okay? Then also, let's see how to go about this one as well. So we wanted to use this nine spots in here, okay? And rapids on this. So we want to rapid from here to here. So we can either use that is thought to that we have here or perspective or any of these. But what I would like to do or go about that is, first of all, I have to right-click and make this one a rasterized layer. Then from here, Control on PC or Command on a Mac. Then you see the outer turns into a hand. So when I click, the Selection comes around the pattern or the sheep are key. Then for me I'll go to Edit and I'll copy to copy. Then I'll hide this layer. I still have the selection, so I'll go to select and deselect. Then also I'll create a new blank layer. So I can move this one on top or you can just leave it. Then we should have that layer selected. Go to Filter. And you will see vanishing points. So you click on it and a new workspace is going to open for you. Therefore, create a plane to select that. And then we are going to plague and click here. You can just create a shape according to what you are doing. So you see we are about to end. So I will just do that. Then we can still continue to create another one. So go back and select this. And let's create a different one year, so great plague. And then let's end it. And the good thing is you can also move this one in, please. Okay? So maybe one to match the perspective so I can just do that. And I can move this around. Move this guy here, bring this guy, and then I have to bring this guy here. So you see, you can always do anything that you would like to do. Then from here you notice that we copy the path and LEA or the image. So we can click on Control V to paste. I'm going to have it somewhere on this document. Just wait for it to load. And therefore, when it comes in, we can click and drag and you see how it's just Come see a K. So this is how it is. And I think we can hold alt key and rotate it as well if you would like to. But let's just leave it this way, okay. Then from here you can also hold down the Alt key or Option. On the Mac. You see a right outer join the black one. So we can just click and drag to make a copy to the other side as well. When you are satisfied with the results, you can click on the top here. And boom, there we have made, we have this one that we created from the vanishing point by going to fill the insulating vanishing points. Okay, so in this video, we have looked at liquefy vanishing point and the other transform tools. So what I did again is to select the layer. Then I change the blending mode to something that was appealing to my eye. I think I choose light inviting this time, I'll go with screen. And you can also reduce the opacity if you like k. So that is how to create a fake mock-up in Photoshop. Also, I've been able to create this mock-up. We have been able to create this mock-up on a hoodie. And the last one was faking this mock-up on this coffee cup and wrapping it down here. Okay, so that is it. Let me save this one for you. So let's see this one as a PSD file. So anytime we come around gene, anything useful, Control S or goods fall. See, let me name it. You can also name it whatever you want. Click on Save. Alright. Therefore we are, let me close everything that I can go to. File. Close all. Remember this trick or case let's apply to all. And I will select No so that it doesn't see anything. So if I go back to here and select solo mum would cover mockup, open it. And let's say I want to change. I have done a different DNA now on teaching that and put it on this mock-up, I can just double-click here. And then maybe delete this one. So you can click on Delete key. And let's see how we change the background to white and bring in this logo. Please. Reduce the size. And maybe I would like to give it a gradient fill. These are things that you can have already linked. Click on AKI, then click Close, save before closing. And boom, this is the changes that we have made to it. Okay, so that is how to create a mockup in Photoshop. See you in the next video, where we are going to look at retouching. 26. Part 26. How apply Filters in Photoshop : Hi there. In this video we are going to look at filters in Photoshop. So we're going to look at a photo camera roll to improve in me to something like this. See before, after. Wow, really amazing to be also looking at Gallery Blair. So this was the original image and this is what we have is see how you have nibbled, play some part of the image and leaving the fees on blood thinners. We are also going to apply motion blur to this image, to something like this. Wow, pretty amazing. And we can also sharpen this image from year two days. You can see the difference mild, but it works. Okay, So then lastly, we are also going to look at fluid related to create something like this. So let's look at how to do these effects in Photoshop. Alright, so Michaud, in your source file, you see 14 filters. I'll click and drag all of them into Photoshop and wait for it load. And let's apply the effects one by one. Okay? So let's start with motion again. So to see the difference, I would like to create a new layer. I'll duplicate the layer. Click on, Okay. Or you can choose to name this one. Motion blade. I don't need my list or two. But for the sake of this, our life to name it more simply. The L is double. Let me delete one. Then I'll go to Filter. Click on that and you are going to see Blair, and you are going to see motion. There are others that you can play with, but let's look at motion, the end, you see the last effect that apply just come so you can start from zero, then move all the way up to something that we like. And we can also change the angle where the motion is coming from. So are likely to have it this way. When you all carry the fate, you click on, Okay. And if you want to see the effects in row time, make sure you have preview check here. So you'll be able to see it in record time. Click on Okay to apply changes. Then let's go up and see Gallery place. I'll also duplicate the layer. Right-click, Duplicate Layer. Click on. Okay. Then I'll go to Filter again. And you will see blair gallery. So I'll select, Let's see, let me choose the iris. Play. With this kind of blame. You see, you will be in Photoshop, brings you this. Okay, So we can toggle with Preview and previous video you have is checks. We are going to see what you are going to do. So we can move this one around and maybe target the fees. And we can also increase the size of these to a point where we want to play it out. We see outside this egg or outside the shape. We have that pleases bled and we can increase the blame. This, we can also use it. In you out DVDs, you click on the fate is going to apply in war time for us. I think we move, we reduce the play. That's why we're not having an effect. By the way, that is how it works. Also, let's look at fluid blades. So filter, let me make a duplicate before country G. Instead of coming here and duplicate layer, you can click on Control G or Command G. Make sure the layer is selected. Filter, Blur, Gallery, and select Field play or key. So third blade, you to play from a point to a different point. So let's see. I want to make here the original image and I want to play the other side. So let's see, let me increase the play. Let me bring this one here. And let's see if this one also here. So this is the mean one. So this place is not going to be played, but all the other areas is going to be blade. I can move this one all the way to give it some interval so that it is going to play to these points. Okay? So you see how I have been able to give these areas not played. I don't want this area to be blade, so we can just work with that AVS and Blair, the other areas that we don't. Okay. Alright. So this is how filled blade also work. Okay, let me cancel it. Then. Let's look at how to sharpen your image. Okay? So to sharpen your image, go to Filter and you are going to see shopping. We can sharpen our image. You can sharpen the edges of the image. We can shopping mall on shopping. So let's look at this one. You just have to click on it. So let me create a new layer. Or a duplicate, duplicate filter, shopping and shopping image. So let's see. This is sharp and this is not sharp. So the difference here is mute, but it really works well. We can also go shopping mall. Shopping mall. And let's see the difference. Sup anymore. And you see we have more details here than this one is either D2L, CA is mu, but they do TCA or more. That is how you can sharpen your image. Lastly, let's look at how to work with camera roads, improve your image so that once you go to filter and you will see camera roll, click on that. Wait for it to load and we can apply our Effects. Before that, I would like to cancel and make a duplicate, Control J to make a duplicate and go back to camera again so we can see the difference when we are done applying the effects. Alright, so hey, tomorrow open for you, make sure you own, okay, these two. And then hoping that we can work with this one. So from here I can see that we have a lot of yellows on his feet. So I can push this one a little pack to move some of the yellows. I can move this slider back a bit to move some of the yellow. So you can also click on this toggle before, after. This was after, then, this was before. Okay. Then I can also toggle with a thin k. So maybe I'll move it here, just one or two. And I can also toggle. It is Pooja. So exposure is how bright or how dark you want your image. So let me increase it a bit and contrast like how balance your image is. Our like to leave this one as zero, then you are more highlights are due on Darkness, are light to reduce the highlights depending on your image. So you have to find in these figures are these light is to fit your image. So with this one to our light to remove some of the shadows and maybe increase the variety and make sure back in the places that it's dark. So let's see what we have done before. After you see how it would improve the image, we can also toggle with a texture, the texture of the image. I don't like to use this one, so undo. We can also toggle with a clarity. And this one too, I normally push it out maybe two or three. You can go further as you want. And we can also dehaze the EMI, so we want to add a bit of color to it. So let's go around 19. Let's see. This was before. This is after. Let's add a bit of vibrance so that the, I'm going to pop. We can also add a bit of saturation. Okay. So before after, you can see how improve the inmate is becoming as we are toggle with the slightest, can also be in the caves and recreate a cave so we can increase the halide, the brightness from the basic ally to come to the detail. And maybe sharpen the image or beads. And also reduce the noise. You see. As I push this forward, you see any noise in the image is being removed. And also I can color noise or maybe the color is not consistent. You can just reduce that to see before and after how I have been able to reduce the noise in the image. A very smooth one. We can also work with the Columbus term, having hue saturation and luminance. So maybe normally I start with a luminance to go with the red. I think everything is okay here, toggle with the yellows. So maybe I would like to push it here. Just three. That one was oranges and the yellows. I'm from day. I come to this saturation. Red beads. They oranges. So I think I'll push this 12, maybe. Three yellows, reduce the yellows a bit. And we can also work with the hue. So if we have different colors, you can work rate maybe cyan. So we don't have any of these colors into. Alright, so I think we have a baby blues here. So this is the original. So we would like to who is the blue's? A bit so you can do whatever you would like to do here. So we have to come and explore with all of these Calibri and other stuff as well. Normally I ended calibration. Maybe you also like to add a vignette effect, so we have it under Effects. We can increase this to add a white vignette or black veneer effects on the image. So if this is something that you like, you can add a vignette effect as well. So when we do that, and this was before, this is after. I think we have veneer is tumor before, after. You see how improve in what we have, then maybe I'll end with the calibration toggle it is increase this guy and this guy bates. Finally, you click on Alt key. You can also see your preset like what I have done. So if I have images from the same spot, I can click on Save Preset and come back and use it later. When you come back, you might find it here and appreciate you are going to see presets here. We said here that I use for different images. So maybe one mine to grade your image, but I don't think any of them. Whoa. Then when you argue with 80, click on AKI. So this is how to also apply a camera roll a fair to improve your inverse. So this was before and this is after. See how improve the image is now. Alright, so that is it for filters. We have several of them here by these are the letter that we are looking at. You can also lend at this on your own. So let's end this one and get into a different thing. 27. Part 27. How to Retouch Images in Photoshop : Hi there. In this video, we are going to look at retouching in Photoshop. Okay, so we're going to take these teeth from here all the way to sample like this. Okay, Wow, you see how bright it is. This was before, this is after. Then we're also going to make a magic light coat, you can see here. So this was before. This is after. Then also, we are going to also completely remove this thing to this, okay? And we're also going to look at how to make the eye Brighton light days. And we're also going to try to make these red. I come back to life or K. Then also, we had somebody here, but he's no more. So this was it. Oops. And then we have this now. Well, really amazing. So we have nothing anymore. Okay? And the last one too, we are also going to see how somebody was here but was removed completely. Redford. This is my favorite tool in Photoshop. So let's look at how to use them now in Photoshop, okay, how close everything. And it will start all of them again. To check your source files. And I helped clues, dumb ones like the content away, one selected eyes, once like this or the one that I haven't selected, you are going to try yourself. So i 0 to try and solve, I have part one selected. Let me add this patch as Wo, red eye spot healing brush one selected, go to Select it instead. Let me select three. Also. I have teeth. There are so click and drag all of them into Photoshop. Wait for it to load, and then let's start to create magic with Photoshop. Alright, so let's start with Spot Healing Brush. Spot Healing Brush or three January. Thank you, Jenny. V. Okay. So when you come to you to cite here, I think we have used these days have been used this one. I don't think so. We have used this and I don't think I've used this one as well, so we are looking for this one, okay, so you'll see this when you click in. Photoshop is going to open the rest for us to. Anytime you see. Site entity means there is something potentially leaving day. Okay, so when you click in wooed, so this is how it is. I click and hold footage or bring down one. And we are going to use this one called Spot Healing Brush. Alright. And you can also notice the ship cards j. So let's see. I have the spot healing brush selected. Mine brushes to use a square bracket to reduce the size or come all the way up here, gene the size and also let me bring the hardness down or let me have the hardness adequate is. And then use the square root, make it big or small. Then with the spot healing brush, I just have to paint area that I want to remove. Wait for the magic to happen. Boom, photoshop has been able to move that paint on that. Photoshop is using a artificial intelligence to analyze the area. Takes them please, that is clean and fill that area. Okay. So paint again. Oops. Paint again. Wow, very amazing. Key. So you see how you have been able to remove this, okay? So let me undo, undo. If yours is not working, maybe mixture you have content. Await check here, okay. If you don't have content away, check here. You are going to get this effect. Let me take the opportunity to show you Healing Brush to okay. So this is Spot Healing Brush. Spot the area and it filled or hues that area. But the healing brush tool, we have to make the sample ourselves. So I'll make my advice be using the square bracket. Then I have to hold down the Alt key or the Option key on the Mac sample, an area that I like. So you hold down the Alt key, eclipse sample, and then you paint relates. Click, Make a sample. I'll click here, make a sample here, and then paint that's in that you can make your back small, make a sample, and you paint with it. So that is the difference between the spot healing brush in the healing brush tool. The healing brush to you have to make a sample of the area that you want to pay it off. And the Spot Healing Brush tool that automatically analyse the area and fuel the area that you are trying to hide. Okay, so let's look at Spot Healing Brush Tool. And with the spot healing brush selected, I want to remove this one completely so I just paints here. Okay, Leave it for Photoshop to analyze the area. And wow, really amazing. You can never tell there was anything day. Let's try to do seem year. So I'll paint on this beautiful girl here. Okay. Wait for Photoshop too low. And by the way, my rata. Thank you, Marta. Sorry if I didn't get your name row. And oops, you see, it doesn't work all the time by the z, how intelligent Photoshop is being able to remove hair completely. So let me paint again. So our try to paint here again. And what you see is gone. If you don't get the result that you are looking for at a first glance, you can just paint again and it will remove everything for you. Oops, let's try this one if we can remove this one as well. Wow, sometimes I'm just impressed with Photoshop. What Photoshop can do? Like, I use these to again and again, but anytime that I use it, I am just amazed with what Photoshop is being able to do. Rejects, a click or a twinkle of an eye. I'm just always in place using these two k So you see how Photoshop is being able to move this so you can paint as much as you want and just leave it for Photoshop to analyze the area with eight adolescence aid and clean up the area for you. We just think open I, alright, so let me cut red eye or key with AI, how to move with ISO, another spot healing brush tools. You're going to see or spots red eye to select that. And all you need to do is to click on that. To remove that, click on that. It's super easy to do. Remove red eye. But please make sure you come here. You select the second one, you do it yourself. The Spot Healing vice O1, you try that one on your own. Then also we are going to use the patch tool. So the patch to our light to use this one phase to the other part too is also another spot healing price. Here is it? So if we select that, we just have to make a selection around this area. K on the subject that we want to move completely. Then we can just click and drag this one into area that is clean, super clean, leave it. And boom, you see how Photoshop is being able to move that. So this one is using source or key. You see sauce and that one was using content away. So you see how query my Photoshop is. Let's take the opportunity to learn attitudes as well. So maybe we haven't learned these to the Lasso tool. We can use this Lasso to make a very loose selection around our subjects are k. Then you come back and we select the spot healing brush. And you move that one area that you want to duplicate or your source. And boom, we have that we can use the two interchangeably and get the same results at the same time. Okay, so let's try to use the Spot Healing Brush here and see what we can do so we can select this area. Move this guy here. Well, really amazing. So let me duplicate the layer. Gone through J to duplicate the layer. Instead of Right-click duplicate Leah, we can just click on Control G or Command J to duplicate that layer and make a sample here, click and drag over here. So just light is, and boom, you see how Photoshop is being able to remove this guy for me. So I guess sample it please, which is not okay for me. Then I just use it please. Or a source which is clean, super clean, and leave it for Photoshop to do. 8 mi. Wow, impressive Photoshop. I am, I am over embraced with Photoshop. This is super easy to use. Make our life easy. Wow, to make a copy. Boom, you see the result that we are getting. This is super, super amazing, mind-blowing. And sometimes to maybe when I make a selection here, click and drag this one here. You see, I get some weird thing is what I would like to do. To select the maybe the Spot Healing Brush or the one that we have been talking about, the glues them to a key to that we're going to talk about soon. Without one, we also Autumn PC option on the Mac. Make a sample and let's see, I would like to disconnect this area of D. So make your sample, then disconnect this area of K. Make a sample and disconnect this area. I'll make it sample and try to disconnect this area. So when I go back to mine Spot Healing Brush Tool, instead, I'll make the selection on those area, then move that NEC. I don't have any trouble. Again. I would like you to complete the rest. Okay. Almost done, but I would like you to finish up. Okay, So this is an amazing tool that you can use to make changes. We see before, after, before, after. Let me to move this one for you to see. Also you can use these terms interchangeably. So if I select this, I can go to Edit and select Content Aware Fill. And Photoshop is also going to analyze the area and spot some areas to fill that area from. If you don't want Photoshop to sample any place to paint where it is. You can just paint with the minus k. So we have plus and minus. We can add to a selection maybe for this. So I want to sample this area as well. But maybe I don't want you to sample these EVs because if you sample this area is not going to look good. Okay? So you can do that. And you see there, here in war time, you click apply and you click on our key. With this one for the shop, create a new layer on top. And you see before, after. That is how these two work. Let's look at part one. I think we are done with this one. Then let's go to hi. So with the eyes, we are going to use a different tool called Dodge. So when you come to your two sides, we are going to see this one. You see this is though we have been and we have the spine, so we're going to use the Dodge and we want to buy it in a, I, buy. Before that, I'll click on Control J to make a duplicate. You see I have two layers. Now, I want to see what I'm trying to do with the help of the dodge tool. I'm going to use the square brackets, make it small, big. You can always come here and toggle over the size of the brush, if you like, then we can paint here. So you can use a square bracket to make it small and paint carefully. You can also toggle really exposure if it is too much for you. But I will leave mine because of the sick. Let's see. Before, after. Wow, wow. Let's see, maybe you want to decane the eye or maybe here a bit so you can just select the vein. So the difference is that the bend docking AVS and the Dodge Brighton E. So you see how we are able to dock this area on May these areas a bit darker. So before, after, before, after. If you overdo, you can always reduce the opacity and see before, after. Okay? So let me make it food per saints, who hundred per cent. So you will notice the different backend that came the eyebrow backing these EVAs, change it to two, and then let's make the eye brighter. I also paint here. Let's see before, after, before, after. Wow, really amazing Photoshop, which is wow, Photoshop always e-mail me anytime I use these two. Then also let's look at content our way that we just looked at. So if you make a selection, so let's see, I use the Polygonal Lasso tool to make a selection. So with this one, click it, make a selection on that area. So you just click around the erasing me. You want to make a selection and dates and EC, ethane in today's rounding selection. From here, I'll go to Edit and select content array. If you are using an old version, you have to go to fill and instead of content away, then you see contents. When you open it, you're going to see content that we select that click on aki. Photoshop is going to use it artificially intelligent. Analyze the area, and feel that you have for EC. How amazing All very good Photoshop is. When you're done, you can just click on Control Z, select and deselect the selection. So maybe you want to remove this. I will just make a selection with polar coordinates to make a selection around. This EVAs everything that you want to move. The selection, then EBIT and our select content that way. If you use the new one that footage of abroad, you see it make a selection on the places that it is sampling from. Maybe I don't want it to sample from year. December from year to year as well. Yes. Well, maybe if you wanted to sample any place, you can select the glass and you can just add those areas. You are okay with it. You click on Apply. And finally you click on it. You see they fit row time, you sue. You see we had shoes, we have shade here but all of them is gone. Click on aki and boom, wow, really amazing. This is content that way. Before, after, before, after k. Then in the last section or we have another more. So in this one we are talking about glucose dumped to thank you Charlie for this image. Alright, so let's see, we have some blemishes on the fees. We want to remove it. The spots. We can either use the Spot Healing Brush, reduce the size of your brush, then just click on aids. Photoshop, we just remove it for you. We can also use the healing brush. Make a sum four, click on it, it will move down for you as well. So let me make a duplicate Control G so we can see the difference. Then we have a new tool here. I think we just use it as the clone stamp. So we tell Photoshop that we want to copy this area. So hold down the Alt key on PC option on a Mac mechanism for paint on that area. A lot of retailers use this tool a lot because it made the awake easy. It's super easy to you and as efficient as well. So if you are somebody on this course and you're trying to get into photography, this is what you are going to match drain from Yale. Going to look these areas very well because they're going to retire a lot of feces. You are going to have a public way. You have blemishes on your videos fees, or your Soviet feces. So you have to learn how to move those blemishes using the clone stamp tool or any of the two that we just talked about. Okay, so you see how Photoshop is intelligence. So I'm just holding down the Alt key makers sample. We move my hand and just painting and I'm even using the brush tool. You can use the Wacom tablets or the pain to make your life easier for you. Okay. So let's see, before and after. This was before. This is after. Wow, really amazing. I'm even embrace it Photoshop. Wow, Wow. This is so nine or K. So the last with tasks that we are going to do is read a, D, E, C, D two O2. Okay, so let me zoom in and let's try to make the teeth brighter a bit. So here we are going to use it to die we have just used, and that is the Dodge tool. We use the Dodge tool to rise in the eye. So we can also use the same writing the teeth as well. So Control G to make a duplicate. Okay? And then let's paint here. Okay, So let's see before, after, before, after. Okay. One more thing that I would like you to also note is that this is a productive, so make sure you take it. In case you are using the clone stamp to professional create a new layer. I'll create a new layer. Then you work on, you select current layer, we select current and below. The fact that you are going to apply is going to apply on a different layer for you. Okay? So let's see, let me undo this one. Let's see, I have this blemishes here. I'm on the new layer and make sure you are on current and below. So I'll make a sum for fill this area. Make a sample here and fill this area as well. So this way you are working on destructively. First, we're working destructively. So maybe if you do something wrong when you want to go back, there is no way of going back, but when you do this, you will be working on destructively. Then you want to these areas. So I'll make a sample paint things. Maybe it is the end of it and I have a good result. But sometimes when you use this tool a lot and you zoom out, you see, wow, the effect is too much so you can toggle. And you notice that may be the before was better than after. So maybe this was before and this is after. Or if you see that the effect is too much, you can always come here and reduce the opacity all the way down a bit. So maybe 50 per cent. So we have 50 per cent of the faith and 50 per cent of the basins will face. Some things. We will just paint, paint, and identify the person, become like a plastic to the person by dv column plus d because we have overdo what we're supposed to go. We have over applied the fit. This is how you can retouch images in Photoshop or K N here and dive into a different thing. Alright. 28. Part 28. How to Manipulate Text in Adobe Photoshop : Hi there. In this video, we are going to learn how to manipulate taste in Photoshop. Alright, so we are going to create something like this. Well, really amazing. Then. We're also going to learn how to create a WBS tool in Photoshop. So let's learn how to do that now in Photoshop. Okay, So I will just delete this. Alright, so let's say you have your test type in Photoshop. I just fill the background with a gradient or k, and maybe I have my taste and I want to manipulate the test. So we have to select the test, make sure you have the gray on it, okay? So it is selected. Let's see. Let me make a duplicate just in case you don't need it, but let me make a duplicate click on the I to disable the visibility and visual. This one is selected. There we would die. And we are going to select Convert to Shape. Okay, so we are going to convert this one to shape them for me, you see that our test gene two shapes are very big. If there's two, we can change it anymore. Okay, then from here we're going to use this one just under the taste too. Okay, the big T, this one called the direct selection. So we are going to click and drag over here, okay, to make a selection around that area for us. So when I play C, I am able to move this one down. You can also hold down the Shift key to keep it in proportion. Okay, leave it and you see, boom, the first.com. I can also click and move this to at the same time. You don't even need to click. You can just click around this age to manipulate that. Click here to movies on top. Click it, move this one here. Okay? Then we can also click here. Move this out here. Okay, so this is how you can create a test manipulation using the direct selection to buy before then you have to go to type and convey this one to sheep. Okay. Then also how do we add Adaboost took? So let's see this artist. I have already typed it. Here. You can see the effects. We can add a stroke here, so I'll click on it or a stroke. And boom the phage to capitalize for me, you just have to select your size outside, inside, like whatever you want. And we can also change the blending mode to something different. Okay. Let me keep it at normal for now. Okay. Then you see that when you are using the latest version of Photoshop, we have this plus sign on the stroke. That means we can add one more. Okay? So when we add R1, select that and open that and change the color to something that you desire or you like to use and increase the size of it. And boom, we have tools to create it in Photoshop. But if you don't have this feature, you can also do it. Okay? You create one, you click on Enter to accept changes. Then hot you have to do is to right-click and make a duplicate of this layer. Again. Click on OK. So you are going to recreate it down one double-click on the stroke thumbnail. It is going to go up in the Layer Style for us. Then I can increase the size of that gene, the carrot, something I prefer. And boom, we have been able to create a W2 in Photoshop. Alright, that's it for this video. See you in the next one. 29. Part 29. How to Create an Action in Photoshop to Retouch your Images : Hi there. In this video we're going to look at how to create this in Photoshop. Wow, this is amazing. So taking this image from here to that, by learning a new trick, using an action in Photoshop to make our life easier. Okay, so we are going to learn how to create an action in Photoshop. And by the way, Photoshop actions or user builds series of recorded tags or command that you complete back and record on a single or multiple files, the assembler to Macros or shortcut in that that can help you to meet tax. Okay. Do you notice it's cut in Photoshop, maybe Control S to save your files to, and actually does something like that that help you to perform the same thing. Again, creating that action. Anytime that you are about to perform that tax, you just click on a single button and then boom, you have that perform for you. And all you need to do is to continue from there. So let's learn how to do that now in Photoshop. All right, So to start with our goods to my file and I'll click skin retouching 01 into Photoshop. All right, so when you have your file open in Photoshop, all we need to do now is to start creating our action and to create an actin in Photoshop. Make sure you have the axiom panel. So I'll go to Window. And then I'm going to see action just at the top here. Click on it. A new panel is going to open somewhere on your Canvas for you. Then from here, we are going to start to record the Actions tab by clicking on this group. Okay, so click on the group to create a new set. Then maybe I'll name this one as Photoshop Essential. Click on Alt key. Then for me, I'll click on this plus sign here to start actions. So you see we have the set here for the shop essentia. And let's name this one as Frequency Separation. Then from here, I can choose a shortcut for my actions. So let's see. I want to select F2 for my action and maybe add command to it to our mixture or command is tick, tick the shift. Let me make it early the Shift, Shift plus F2 or k. Then I can also choose a color for my actions. So let go for maybe green and click on Record. Then from here, photoshop is going to record oocyst that I'm going to use. Okay? So first of all, I'll make a duplicate of the background and make a duplicate Control G. To make a duplicate. I'll also click on Control J once more to make another duplicate. Then I can rename the file. So I'll name this one as my low-frequency. And I also need this one as my high frequency. Nest our hide my high-frequency, select my low-frequency. Then I'll go to Filter blur and Gaussian blur. Then I'll move this one all the way back to zero and start to increase the size. Okay? So I'll increase the size to a point where I see that all my colors is being mixed up and I start to lose the details on the face or maybe something like this is what our n. Let's see, 16.6. And I'll click on, Okay. Then from here I will turn on this. Okay, so ten divisibility select the layer and I'll go to image. And I will select Apply Image again. From here, I will leave this as it is, and then layer oscillates low frequency. And then I will change the blending mode from multiplying two, subtract, and leave all the rest of the settings, as it is opacity hundreds skill to say it once and then I'll click on AKI. Then I'm going to change the blending mode of this because we can't see anything to blending mood. And I will select Linear Light. Therefore me, I can select both of them holding down the Control or Command key on the Mac. Click and drag this one to the food here. Then boom, we have this one group, so we can name this one as Frequency Separation. Then from here, this is our frequency separation now hoping that and select the low-frequency. And I'm going to also select my brush tool and the brush to, I would like to use the mixer brush to select that. And maybe I'll leave my width 30% load. Mixed it and flew 20. Okay, and boom, our oxygen. Leads now so I can end it, end to end your oxygen or you need to do is to click on this square, C p. Okay? I'll click on that. And an oxygen or oxygen is complete. Okay. So let's see, This was before and after. So anytime that you finished greeting a fragrance, a bridging oxygen, then on the visibility on and off, you don't have to see any changes. If you did, then you didn't create it. Whoa, alright. So let me delete this one and let's play the action to oscillate my oxygen. And you remember this? Plus F2. Boom, you see that footage of this greeted everything for me, Aki, something to this uprooted. When you are using the oxygen, you want Photoshop to stop at a place where it was using the Gaussian blur or K, so that you can change the value of the videos to your choice or to a different figure that will work for your work, okay? So all you need to do is to look for Gaussian blur within the oxygen and click on this to check it. Then when you're done, you complete the action again and immediately get to Gaussian Blur and stops the end. We can change finally to maybe 18, okay? And we can click on Alt key and it will continue and complete the action. Alright? So when we have this, we can start painting to make sure you have your low-frequency selected. Any mischief brush to select it. Make sure you have this one on, check this one tick and copy the settings here. D to E and Z. And we can start to blend the colors, okay? So you just have to click and drag, move it around the body too. Hide some of the things that you don't like to see. Or we could have also remove blemishes before doing what we're doing. By saying, this is in a form of tutorial for teaching you how to use an auction. There was no need, but if you are somebody who reads to endanger photography, then these are the things that you might be spending your time mastering it very well. So I'm just going to continue painting. You see how for the soap is intelligence to hide their blemishes over here. Alright, so let's see before and after how we have been able to use this process to find in this image to get a good result or a beta version of that key. So anytime you have images, you like to do the process to get to where we were before we started giving it out for rent. Okay. So to do that, that is how to create an oxygen. And anytime that you have in your work, you can just play the oxygen and boom, have it. So if you want to also change the oxygen to the button, you can come here, select this one and select the first one. Remember, our oxygen colorless green, so we have it here plus the shortcuts. So we can get it on an image and it's not working. Okay. So that is how to greet and oxygen and apply retouching using the oxygen plus it may surprise to in Photoshop. Okay. See in the next video where you learn something new. 30. Part 30. Design Inspiration: Hi there. In this video, we are going to look at how to design stuff in Photoshop, okay? So we're going to design something like local letterhead, business card, certificates, product design spores, and zoom many things to try out. We're going to take our skills that we acquired through out this journey and put it in your practice before I start any work or before I start to design anything I like to get inspiration is because what we are going to do, some people have already done it before. There it is saying that there's nothing new under the sun. So before I do anything, I like to go see what people are doing. So I can go to work around it and maybe improve upon what they have been doing. Okay. Alright, so let's see, I would like to come out with these logos. Okay, so before I will try to do that in Photoshop, I have to look at some people's work, like how it would come out with their own. And then I'll work my way to that. Okay. So I look out some on the Internet and let's see the name of the company that are late to work on a logo for them. Maybe called bacillus deduce. Okay. Maybe I would like to represent the letter P for that or create something dramatic because pastoralists do. And maybe it is about visual design and adds to our light to create something in Dassault, or let's say you want to create a church logo, maybe a school of goo, maybe Barcelona, greater viewing, visiting those stuff. So before I do that, I would like to go to the Internet. And the first place that I go is Google, because Google is the biggest search engine for stuffs, okay, so anytime that you want to search for something on the Internet, make sure you start with the go-go. Then it will take you to the places where they actually have those tasks. Okay, So let's see, pastoralists deduce. I will start with the p.ball and maybe search for P logo and click on Enter. Alright, so this is going to open some samples for me. And I'll come here to images. You see how people have created the logo out of p. So you can do this for any later. You can do this for anything at all. Okay? So you see the kind of inspiration that I'm getting from here. So you can just come copy some idea from here. Put a pencil and a paper or pen or an active pump sketch some ideas out of 41 to do. Then you create your own. So you see how this one is very nice. This one is very nice. I like this one too. So I can just work my way to alright, and create my own thing, okay? And you can also combine them. And also it may be, I would like to maybe add the zoo, pass a list of useful as logos and also see how people have greetings and like S logo. Okay, so you see how stars work to ISI. This one, very dramatic. Alright, let's see maybe, I'll also search for maybe TDU logo. Let's see graphic design, logo and see the concept that'll be increasing concern in graphic design. Alright, so anything after that, you would like to create a logo for all your life, to create a design for come to Google search that maybe you want to create associa, media flyers. Then you click on Enter and see the results that will come on your way. Alright? So these are results that is coming on your way. And let me give you an output. When you see something that you like, you see that this one came from free pig, you can click and open the site itself. Visit the site itself. We are going to get more of those contents. Okay? So let's go to maybe I like this one and you will see social media friends who you will clean. It will take you to this site. That's the design, okay? Too. All these things are something that you can come here, search for, get an idea on how people are doing things and then you can work around it, improve upon it. Because maybe you are starting out with graphic design and you don't have so much knowledge about this, we have to look at sample so you will not be out of context. You would like to compete with those already in the market and you will not lie to create something which is. Orange or which is not good or which is a very bad design. You want to compete with them. And looking at the waist, then you improve upon what you have been doing. And when you are walking by on a rule, you will see some work that we've been doing. If you see something that touches you or catches your eye, take a picture of it. When you come home, you come and try it out. Okay. So these are places that you can constantly see. It has taken me to the actual site and it is free pig. Here you can get PSD files, you can get more carb. We can get a lot from this side. Okay. So if you don't know any site to go, look for IBS, just go to Google. Click on the side that's brought to you, then you're going to get more ideas from them. Okay? Alright, so let's look at a different site or so. I also like come into Pinterest. Pinterest is also a great graphic design, please, that I always visit to get inspiration from. Okay, so this please do you can get more of logo type from here. Okay, so maybe I want the scene p.ball logo. When I just type in P logo, click on Enter. It is going to show me samples p.ball logo that people have designed and they have come in play. Here are uploaded it. Here. You see the results that I'm getting. The kid. Maybe somebody asks you to design, maybe a beauty salon, something that's going to help you create. Amazing. So okay, and you are not going to really impress your clients. You are also going to impress yourself and also use that to build your portfolio. Pinterest, you can get Rho design from here, maybe sports design. There are a lot of things that you can find here and you can use that and build upon it so you see what people have been doing. You see this one is very nice. You can click on it, take a look at it, and if you are working on such projects, you come here, get an idea on how people are doing things, okay, So since you know, most of the things, you know how to use stars, this is what you have to be doing next, okay? And also another great site that I would like to also emphasis on Behance. Okay, So when you come here behind the nets, you are also going to find a lot of them. So you see p.ball logo and see what people are creating. These are professional people. And if you see anything interesting, just open it. Okay. I like this one, this profile. This is very unique. You click on it, it will load and you see what the person up done, you see the logo on a different bug. Well, so all these things are going to also help you on how to present your work behind is also a place that you can build your portfolio. You just have to come sign in or set up an account here and start uploading your staffs are k Let's see. Let me open a different procedure for you to see how you can use the hands to create your portfolio for yourself and you upload your content. And anytime that somebody asks you for something, you just direct them or you give them a link to come visit squatting I've done already. Okay, so you see how this person has created these little Gu, has given the color sample here, the type that you use, okay? This is how you can also come out with your own ideas. Okay? Let's see, maybe you are asked to design a letterhead. So let the head and maybe business card so you can't hear the typing that thing. You can do the same thing at Pinterest and Google are, so you are going to get great results as here as well. It okay? Or ICC letterhead design. And you see the result that we are getting. Wow, this is really amazing. The head and the business card as well. This is well done. So you can come here, search for things that you are going to work on it. And then you try to mimic or copy some of these ideas and make it your own style or k. So you see how this one is well done. I like how he has been doing these things. Okay, so we're going to also take one of these projects that this person has done here and create something like this because I like his works. So we're going to look at how to create such letterhead and a business card in Photoshop, okay, and maybe put it on a mockup for you to see the final result like he has done here. Alright. So you see how he has created is more carob or maybe he has diluted it from the Internet and is using this mock-up, two suitcases work. I also like this logo over here. And how he has created is letterhead very unique, one color. Everything is simple. And also, let's see, maybe you want to choose a specific color for your search. You can also come here and you see color. Maybe I want blue is select blue to. It is also going to bring out before blue design. So maybe you see the letterhead design in blue. So you can pick colors. Maybe your client has given you specific color that you would like you to use. So you can come here and see how he has mix the colors. Maybe you don't know how to mix colors. This is a place for you to explore such ideas, okay, get content like you about greed. And also, if you really want to know how to use colors, because Kayla is everything. If you do agree design with bad color, it's going to mess up everything so you would like to get your colors, right? Okay. Do we have different types of colors? We're not going to cover that in this course, but we are giving you the foundation ground for graphic design. You see we have different types of colors. We have an logos, we have monochromatic, complimentary colors, red colors. Okay, so you see all of these and you can also copy these as war. You can also go here and maybe choose as PLO and maybe search in some colors, okay? Many typing some colors, that 12 is going to give you something. Great. Today's plots load, okay, so you see the S plot. It is giving me these colors. And if you like any of the maybe like this one, you can open it. Corporate color codes. Okay. So when you copy this color code inserted in Photoshop, so let me show you some four I have copied as one. And then I can open one of these, hoping my foreground color, okay, then Control V to paste the color code here. I'll highlight this one. Too varied. Click on, okay. And you see I am getting that color is anytime I draw 3D shape, maybe with a rectangular shape, it is going to fill with that color for me. Alright, you see we have that color here. We see the color here. I can copy this again one and maybe also copy this one. And we Please, Carlos drew V to paste and you see I have those colors, so you can go to color.adobe.com and then as blow here. And maybe you can also search keywords like maybe saloon. Maybe you are working on a project for a saloon and you don't know the colours to use, you can type that keyword. There. We have Saloon that is coming like that. It can just hoping that copy those color codes and use them as swore, you can download them as well. We have download as a JPEG format. Any format that you'd like to download here, or just copy the colors and you move on. Okay? So these are some places that I would like to show you. And also you can visit site like pixels.com and download backgrounds images for your stuffs. Okay, so we have this image here this year. And these are free, easy search for free foods. Search for free food. If you like to use these images so you can use this one to create the mockup arise where we have contained here that if you would like to use, you can come here, search for those content and you use them in your project. So maybe, let's search for Burgos. Maybe just type in background image. And you see we have these background images that we are getting a k. There are a lot of them that you can choose from K. And also maybe you would like to search for Mac so you can type in anything at all. I would like to download. Just come here and click on the Search and you are going to get all of these tabs are keen. Pixels is a great site that you can download millions of photos from a k. And also, you can also come to sidelight png.com to download PNG file. So PNG files or false without a bug on these invade, the Burgoyne is already removed. Okay, So you can come here and explore with DAG files and you get free images of lights to use social media stars in your project. When you come, you can download all of these for free. And it is without background or anything at all that you would like to download. Maybe you want to download. Lau would like to download lens flare. You can find all of those tabs here, okay. And also you can also good to 1/93 side that I download. A lot of footage are a lot of the biggies without background is DNG, eg, okay. So this site, we also have a gray stuff here that you can download. Maybe I would like to download. Let's see speakers. So I'll just type means speaker, maybe keyboard, maybe. You see you are getting images without any, can use this in your composition. See you have all these things to work with. Alright, maybe you'd like to download. So I'll just type in balloon. Then you see the results that we're getting. So it is going to give us many options to choose from. You have a lot of balloons, so anything that will come into your head, you can come say, maybe we can also search for logos here. See some logos. Okay? So all of these things here for you, okay. So these are sites that I normally visit, dilute resource files for my project or k and use them as well. 31. Part 31. How to download and Install Fonts in Photoshop: Hi there. In this video, I'm going to show you how to download and install font and use it in Photoshop. Okay? So maybe you are working on some projects and maybe the default fonts in Photoshop is not going to give you the resource that you're looking for. Okay, so maybe this font like this big deal, okay? So maybe you would like to download those fonts from the Internet or some are free and some are also paid. Okay? So you got to graph or this further, you can see here doesn't come video Photoshop or key, or it doesn't come video machine. So you would like to go to the Internet, like the first place I would tell you to go is cocoa, Of course. And maybe you type in the font name to graph V, just tightening or topography and you see that Gogo start to bring in that font for you. Okay. I'll click on one of them. It's whooping. And then I'll click on the first link and when it's coping. So the font.com is a place that I learned most of my phones. Okay? Any see, even when I type in Google, the font is what Scheme faced are key. So you can come here and just click on the Download button. Wait for it to download. And then let's see how we can also install that. While this one is trying to load, you can also visit our site. So it is saying that I already have this font on my machine. But no worries, Let me add a duplicate and let's try to download it as well. So you see Download button and font or something heavy, the very light. Okay. So it is going to just download quickly hoping to their location. Okay? So font Alpha, very low wheat, okay. The size that come with font is very small. So you can ingest enacting Coven. I use it in your projects. So it is opening it, download it too. I have it here. So all I need to do is to double-click on this one and open the file. Alright, so you have to have software like when all the alternatives out there that can open these types of files. So when it, this is how it looks like. You can just double-click on this one to opine eight and you see printer install, we want to store it on to print. So I'll just click on it though. And it is going to tell me that I already have that one down. These are just click on it to install on my machine. Restart your Photoshop. When you open it, you're going to see that, okay, so let's download a font that I don't have you. So let me go back to the font.com and you see we have as many fonts here as you may think of for k. So I can also click on any of these. Okay, we have square frontier, so let me choose one over the script font that we have here. So something like handwritten font or k. And you see most of the hand-written fonts here. We can also see To graph as well. Again, let me choose these. This one is very cool, unlike the few of which I like how this one is bleeding outside. How the RAs, Wow, this is really awesome. You can come to this site and download as many phone that you would like to download or key. So Bessie, another phone that I use a lot is Open Sans. Let's see our search for Open Sans font. And you see one thing. It is going to bring a lot of sites that have that font. So you see another site. We don't want, one font.com. I download a lot of fonts here, and it will also have fonts dot adobe. Adobe also have a place that they have fond. This, pleased and I love this site. Also funds girl, I liked their site. We have a lot of different phones for you. We also have free font family. So we have a lot of these fonts site that it is going to help you download as many as you want that can help you download a lot of font and use it. Okay? So when you open that side, you are going to see somewhere on the page, download this one. You see free for commercial use. So you can use this one for commercial. So some of the font comes with, you can use it for personal use. May be using it for projects in your homes, but not for Commissioner, if you want to use it for commercial, then you have to go purchase that font. Okay, so you see the 10014. We have the address that is also trying to open. Okay? So this is how you can download and install font, new Photoshop, and you use it as well. Alright, so one thing that I also like about this site is that maybe I have downloaded a flyer or an add to it. Someone on my phone or I have taken a picture of it and I like the font that depressing you buy. I don't know the name of the font, but I also like to you that font. Okay, so what I can do is that when it comes to this site and you see this one font identifier, click on it. And it is going to open for you where we can upload that image that we have on our phone that we want to find a font, Okay? And it will try to make the phone to its original font, okay? Or it will give you a similar font if it doesn't find that. I think we have some network problem. That's why it's not loading. But if it loads, unwilling to show you how it works is pretty simple, very easy to do. You need to do is to click on the Font, identify, upload the image that you want to find that font on it. Select their font and you click on Search, and you are going to get it at the end of the D. Alright, so here is, it's so easy. Drag-and-drop here to start or use an image URL. So I would like to, let's see, maybe I have this design here. So you can use the URL of the design. So I want this one. I think this one is not interesting. I want something interesting. Alright, so let's see. I would like to find a font that you use here. I can copy the URL of this. So I'm trying to copy the URL. This one's gone through C to copy, go to these, and then let me paste in the URL. And you see gets URL. So I'll click on that URL and make this side detects the phone for us. Going into that site is solve and finding the phone for us. Okay? Alright, so we are having some issue using the URL where you can still use that. But let me seem for goods to upload an image, okay? And let me upload an image to detect the phone for you to see how it actually works. Alright, so let's see, I'll choose this one. Click on Open. Alright, so when you upload your essays, upload and invigorates type, and we will identify the fund that much. Okay. So and also you see is highlighted taste you wish to match. Okay, So when you highlight it, this, you can just click on matches and boom, it is going to match the font for you. So this is how you can identify a font, underwear when you use it in your code yet as well. Alright, soon to dilute a font, visit Google, visit the font. Visit any of the font site, type in the name of the font, and boom, downloaded and installed a font, use it in your projects and stand out from the cloud or K. See you in the next video. 32. Part 32. How to Download and Install Brushes: Hi there. In this video we're also going to look at how to download brushes and textures for our work. Okay, so we use brushes and textures in our project. So let's learn how to get them. Alright, so when you come to Google and search for brushes or textures, you are going to get these and I click on this, it is going to take me to the side that have those. Okay, so you see, we have some of them. Here. We have graphic mama, again, to all these free site that you can download brushes and textures. And you can also download depict found, blend them in Photoshop to get the look that you're trying to get. Okay, so we use this one included with our background, okay? So you can use all of these styles, including our background and give our design some fuel of natural look. Okay, so textures, a lot our designs. So we are going to look at how we are going to include some in our projects. So easy, all these brushes and textures, you can download them and install them. Okay, so let's wait for them to load. I think it is loading. So when you come to this sidebar, sees you are going to get these three see their premium, premium ones are for sale, but these ones without the premium, we can download them actually for free. Okay? So if you want these free Photoshop brush, this one too is a brush. So you can download these brushes and use them for free. So let me download one for you to see. So let's see, I want to download this Halftone brush. I'll click on that. And by the way, it is free. You also have these again. And you see free download. So I'll click on does it contain 15 halftone Photoshop brushes? Alright, so this is a download options or download file in Fu, I'll click on Download or q. So when it's come, you just click on a button and you see the file size is also not too big. Okay? So if you have data, it's we just don't know in a quick way for you. So you also have the best free brushes, the best free Photoshop brushes, textures and patterns on the web or T. So what have we will also talk about this pattern. So I think this is a repeatable sequence of maybe lion's shape. Now you can also use in your artwork as well. So if I come here and search for patterns, you will see how that one also will look like. Two patterns are not something also different. It just like this, but parties are well-defined and this one's okay. Alright, so these are patterns that you can see from here. So when you click on the link, it will take you to the actual SI units, have that party, and you can download them and install them as well. Okay, so these are some of the things that you also like to work with. The installation is the same as how I installed a font or keys by double-clicking on this half tone versus your Bryce, you just open invitation for me. And when I select my brush to right-click and I go all the way down here. So you see, this is how it is. This is how it is. We have the general brushes, dry media brush. So these are Photoshop own brushes. And you see what I also brought in half to Photoshop brush. When I click on this to explain the two are going to see how 2.5 to two. So let me select up to one, create a blank new layer. And let's see how it is going to paint like or it is going to come out like. So you see how it is coming out. It's like okay, if I dab one, this is how it looks like, okay? So this is how the brushes work. Okay? So just like installing a parsing and using it to let me go back to my brush tool, a brush to select that and I can right-click on it, changes on to something different. And you can use the top here or decrease the size, or you can use your square brackets. Okay, So let me use a square bracket for you to see. And we can also decrease the opacity or the flow to reduce the amount that we want to graduate. So you see how I have reduced opacity, the flu. This one is f2. If I reduce the opacity, you see, it just works that way. Okay. So we can change to a different one. I think it was 15 into let me reduce the size up here, increase it a bit with my square brackets to increase. Then we create a new adjustment layer. Let's see, white background, click on key and create a new layer. Tap on it and this is how it looks like or key. So this is how you can include brushes in your Photoshop, okay? If you want it better, we can export it so I can right-click on it. And with the help of railroad, our spotted here of file. So let me put it here. So if I spot here, then I can open this one, copy this one. And then I'll go to look at decks. And I'll go to Program Files. Adobe NO2, use Adobe Photoshop. And I'm going to look for patterns so we can open. Then I'll open presets. Or if you open presets, we can paste it in brushes. So if it is a pattern, you come all the way down here and you put that one insight as well. Okay, So this one is a brush. Then I in that, okay. And it sees this nation for the assets, the nine, you will need to provide administrator permission to copy this folder. Click on, continue to perform that, okay. Alright, so if you do this anytime that you open Photoshop and you select your brush or you select party, you are willing to find. You have two parts in always in Photoshop. Otherwise, if you use the first method, we're not always going to get that k because it is not actually in that food. All right, so if I always start the machine and come back, you see I'm going to have its day. This is how you can download brushes but dishes from website, install it in Photoshop, inculcate that into your workflow and boom, you have your results arise. Who does it for this video, let's dive into a different thing where you start actually creating something with Photoshop. 33. Part 33. How to Create Logos in Photoshop : Hi there. In this next section of Photoshop Training course, we are going to look at how to create this amazing the goose in Photoshop, like I showed you earlier before you do any projects in Photoshop, you have to take inspiration from other people, what other people are creating, concerning what you are about to do. And I have just done that going into some amazing design from other creators all over the world. And I got these ideas and I have drawn them or I have traced them on a sheet. And with the help of my phone, I took a picture of waiting, then I send it to my computer for the final edit. Photoshop is not an ideal for logo creating. It is really used for creating raster images like Photoshop. We know how the name column, so it is used to edit more photos or use it for flyers making and Anna's tab, but there are some tools in there you can also use to create an amazing the goose if you don't have the knowledge and using the uracil base, like Adobe Illustrator, quadro for creating logos. So let's look at how to create these logos using the little mallet that so far from our costs. So to start with, I have click and drag this image from my diaries previous cysteine. So when you come here, so this is where we're going to end our course project system. I think this one's supposed to be 17. And then you click and drag this one into Photoshop. This is what you're going to get. So I'm going to rotate it the other way because this is not the way it should look. So I'll go to Image and now click on Image rotation, okay? Then you see 90, 90 degrees clockwise. Let's click on 90 degrees counterclockwise. And boom, we have it the way it should be. Then from here, the next thing that I will do is to crop, to fit the paper. Okay, so you see we have a lot of speciation are going to use, I'll click on here or click on C to print out the crop tool. Then I'm going to click on these little guys. See, okay, so I'll click and drag this one here. And I also click and drag this one here, basically to fit the screen. When you are curious and final result, you click on this check mark to accept change. Yeah, I'll click on Control plus Bu to fit everything to screen. And then you remember how to zoom in and zoom out. So I click on Control Plus to zoom in and out. Also hold down my Spacebar on the keyboard. Use my mouse to screw around this documents. So we are going to start creating these amazing logo. You can see things are really simple here. So with the help of our breakdown goods to come all the way to the two k, t are going to see this custom shapes. So let me click and select the rectangle tool here. Then our start making these tango, so I'll click. So this is the reason why we take the time to make sketches for K to make your work easier. Then I have this one. I'm going to change the fill here. Okay? So the Properties panel is going to be in for you. If it doesn't, we'll be you already know how to do. Go to Window and then you search for property, make sure it is Czech like this. And you're going to have e t. Alright? Then from here, what I also like to do next is to duplicate this one. So to duplicate this, we have a couple of ways to make a duplicate of this. So the first thing that I will do is I'll click and drag this rectangle over here to the plus sign here. And it is going to duplicate the layer for me. Then I'll also click and drag this one here, holding down the Shift key, so it's Hu, this one in proportion. So we want this to be on the same line. Okay? Don't just look at the circle or don't just based on the sketches that you have drawn and use it for your adjustment, which we have everything Street okay, in Photoshop. Then I'll also make a duplicate by clicking and dragging. And then I'll click and drag this one, hold down the Shift key to keep it in proportion. And then I'll increase this one up. If you are using the footage of things between the two, we'll have to hold down the Shift key to do that. Then after that, I'll click and drag to the plus to make a duplicate. Once again, hold down the Shift key, and then I'll also bring this one here. Then our Zoom meeting last copy of the rectangle shape by doing the same effect. And then this time around, I'm also going to increase the size of this over here. Okay? So you see we have our shapes which we can use this one as Lu Bu. And lastly, our select the first one. And I'll hold down my shift key on the keyboard and select the last one. What is going to happen is that Photoshop is going to select all of the shapes, okay, so when I select the last one and I hold down the Shift key and click on the top one, is going to select everything in-between. Then make sure you are on the move to. If you can only move to, you're not going to get access to these things up here, okay? So the options here. So I'm going to align this one horizontally because these are horizontal. And I want the spacing in-between them to be equal. Nec that for me, by clicking on this, I have this piece here and species C, the space in between every shape is the same. Then the last thing that we will pause it again is to create these amazing, say go by before that. Let me create this one so I'll make a duplicate ones more. So click and drag this here. And you see the duplicate is here. Then I'll go to Edit and select Free Transform. I know you remember the shortcut Control T. And I can also click and drag this. You can also hold down the Shift key to rotate in degrees. Move this one up here. Let me remove the size a bit. Okay? Let me, let me increase it a bit so we have to find in this more details to give you better results. Okay, let's see, maybe I have this one yet and I want to make sure this one aligns with this. So I'll select this one, hold down the Shift key and select the second one. Then when you own the move to, you're going to get an option at the top here, it's aligned to the center. So I'll click on it. It's aligned to the center for me. And boom, I think the spacing is either smart guys helped me to align this one to the center. If you don't have the smart guys, you can go to View here. And when you go to Show more, measure how smart guys check that we is going to help you align things and know what you're really doing fruition. And I can also see that this is almost glue, so let me select these. And then I'm going to pull it down. And let me select these two and also pull these guys. So I can bring my ship here electrode down so we can have a perfect cross or k. So let's do the circle thing that we can see here. So we can conclude on this logo with the help of the ellipse tool. It is also an added two kids. I'll select that and I'm going to create an ellipse. We can eat. We surely have a perfect circle, or we don't have a perfect circle, but it's close to the professor. I think Professor ACO will be your key, so I'll hold down the Shift key to meet you. I have a circle. With this. I don't want a fill color. So when I come up here, visually, this new color check and then just need to have strokes to open the stroke and you see stroke rehab no fill Chicano color check. So let me select black, select a different color like red. And I'm going to increase the pesos here. So you can either click here and increase this slider to increase the size. Or you can also type in the figure if you'd like to do so. I think something like this. Okay? So basically we can even use this one as the logo. Or if you want to go the same way that we have. This is what we can do to basically I'm just zooming in to get a better preview. And I'll move this one over here, okay? And also, I would like to align this onto the center, so I'll select the shapes holding down the shift key and selecting the last one. I'll click and drag this one to the photo you can find down here. It is going to group this one for me. Okay? So when IT groups and we're going to have all of them in one folder as one. Then I can select this one, okay? And then hold down the Control key and select the other one as well. And if you only move to the reason why I'm saying that you should be on the move to either let's say when I am on a different too, like here, you see you don't have the alignment. Let's see. I don't want the pain to we still don't have the alignment because every ship has its own options that you can use to find what you're doing with that shape. So make sure you're on the move to n. We can align this one to the center. So now we know that this one is. In the same time. Okay, then from here, let's click outside. And I'm going to click and drag this one down and move it all the way up here. Alright, so the next thing that we're going to do is to remove the ways that we have. Okay, so to get that perfectly, we are going to use a shape. Okay, so with the help of a shape, rectangular shape specifically, and I'm going to draw a rectangle just like this. Make sure it's aligned with this, okay? This time, I don't want the stroke, so I'll select no color. And the fill tab I'm going to select, Let's see black, or let me choose a different color so I will see what is going on. Actually. I'm willing to also make sure this line so you see that smart guy, so he helped me align this one. Then from here, I'm going to select this one and that one. Okay? Then from here, I'm going to select my ellipse tool. Does the second I got drawn them for me, I'm going to hold down my Control key on Windows command on the Mac and click on rectangle here to make a selection, to make a selection around the rectangle drawn. And I can also hide it. Now. Then I'm going to also click on this layer max that we learned for k. So we can click on the max, and this is what we get. Okay? And then from here we can go to Image Adjustment and you're going to see in vet, okay, you see shortcut is Control plus and two plus I invade. And you see it, just do it the other way round for us. Okay. Let's see, let me delete the layer mask. And when we have the selection, so hold down the Control or Command, click on the rectangle. I have, hide it, but you can still make the selection. Then when you come, don't just click on the layer marks like this, okay? Hold on the Alt key or Option on the Mac, click on the Layer Mask to make a negative selection. This time around, we don't have to go to Image Adjustment and select the invade because we have already invaded that it using the keyboard shortcut. Okay? So Control plus Bu to fit everything into screen. Unless they may be recon, select the Ellipse alone and increase the stroke on it to me the date. And all that we need to do next is to zoom in here. And I'll move this one fits the shape, whoa, and maybe I'll change the color. Okay, So make sure you have the layer selected as it is selected here. And select the two so you get assess today strokes here. And let me select black again because we are using one color for the logo. Let me zoom out soup and to control minus, command minus, to zoom out. And we have our logo radius to let me select everything. I can click and drag this one to the formula. Or you can click on Control plus gene, name that one. So let's see, let me name this file as local one. Click on Okay, so to rename a file, you just have to double-click on it to rename a file and read out the test too. Okay, so you can click on key on your keyboard, activate the test too. Or you can come to your site here late to your tastes to. Then you are going to adenine to the logo. To complete the loop. Arise when it take your time to add it. This is how I define I look is going to be so let me add a white background by going to adjustments and add a solid white background, okay? You can even add in a background of your choice. I'm going to use white for now. Control of the fit everything to screen, select my logo one, let me add this onto its hold on mine. I have the food, I select this one, hold my Control key, and I'll move this one here. So you see how you can create a logo and you can also apply a color to the rule for that decays when you go to FX and select a color overlay, we can apply different colors to read. If you would like to, X2, Y2 is applied, so let me select me be red. Let's see, blue. Light blue. Click on a key, click on OK. You can also click on this. I found the effects are key to hide that as well, to review back to the black. Okay? Alright, so this is how you can use Photoshop to create logo, Okay, So we have other ways that we can also do that arise. So let's look at another example using Photoshop to create logos. Okay, so in the next one you are going to try how to create this p.ball logo with Photoshop and maybe we'll move up to the bigger tax, okay. And maybe I'll leave one or two for you to also work on your own. 34. Part 34. How to create a P-Logo in Photoshop : Hi there. In this video we're going to look at how to create these p.ball logo in Photoshop. Okay. So we have mentioned about how to create these, Dan, dan does in Photoshop. So if you have sketch like this, it is going to make your life easier because we are going to start creating this logo. So I'll start with my rectangle tool. And I'm going to draw a rectangle like this, okay? Fill it with black bag on so I can see what is going on. Then the next one, I'm going to use the Ellipse to play something like this. Okay. Lives too. And then I'm going to present tonight is I'm going to also move this one here, just nine days. Okay. Next from here with the help of my pin to willing to make this shape there. You can see over here. To select it, I'm going to make this so I'll click and drag. And then I'll also click and drag. Okay. So you see that this one is adding to the shapes that we draw in India. So let me on to Control Z to undo, add a new blank layer, so creating new layer. And then I'm going to do that again. So click and drag to make this shape. I'll click and drag to make the next shape. Using the pen tool to draw out nine on the scene that I have. So I was gonna do the same thing. I'll click and drag and make sure it's work around the edges that I am trying to trace. So click and drag to trees that are applied is in invasion until I finished completing. You click and drag, click and drag. We're going to have two handles which we can use to control the shape that we are drawn to. If we didn't get anything correct, you can go back. So like here when I want to edit this, please. Oh, that I have to do is to hold down my Control key. Click on that point. It is going to review the handles. And then I'm going to control the handles with this. Okay? So I'm willing to complete this. And you see here is two my exam willing to bring these handles. And what I'm using to influence these handle is that when I look down my alt key and click on this pottery that I see, I am able to influence this handle and do the same thing here. And then I can complete over here. Alright, so let me move this one down. And if you notice they don't have the point at its correct position, you can hold down Control or Command on a Mac and move it to the place they want to move it to. This one, I help hold down the Control key. And I'm moving this to a place that I want it to be. Then you switched back to your Alt key and you can control this place as well. Okay, so with this, let me click on Control minus to zoom out. And after you have done tracing everything, you can also go to if everything is okay. When you are satisfied mesure, you have to only move to any, have access to these three things here, selection, max and sheep. So I'll click on make a new shape layer. And Boom, photoshop is going to help me make a new shape layer. And I can double-click on this to cooking the color picker and select a color for it. Okay? I'm going to take the same process using the pen tool to draw these to complete the letter p of k. But before I start, I will add a new layer as always, okay? So that it doesn't add to the already selection. So this one is going to be on its new layer. Right there for me, I can complete my xi and click on the ship at the top here to fill it. And then I'm going to also select black fur here. If you take your time to make the sketches, we are going to get a good result at the end. So you see, the result that we have is not appealing, is not great, but it's hockey. And the reason why I didn't draw are these places I'm going to make a duplicate of this. Okay? So to make a duplicate, the other way to make a duplicate apart from clicking and dragging this one. So the plan is to hold down Alt keys on your Windows Option on the Mac. Click and drag while holding down the Alt key. And you can also click on the Shift key so it keep it in proportion, light on a straight line for you. And you can also continue on radio control keys on the keyboard to position it very well. And this, we can create these look good. If I add V, The Color Fill. This is what we are agreeing to. Alright? So you see it is not perfect. Not crispy because we didn't take the time to make. The more we can do this is to hijack this. Okay, so to address this one, I'm going to select the direct selection tool just after the test to OK. So you see that we have the Path Selection Tool and the Direct Selection Tool. Select the direct selection tool. And just click on the outline. And it is going to bring the point and then isolate the points. I can control that and holding down the Alt key and moving those areas. Okay, so I'll move this one year. After you have drawn your shape, you can use the direct selection to toggle between the species. Okay, So just move this down and you can use this one to control where the ships supposed to be. So I'm not holding anything, I'm just using the direct selection tool and position it for k. So this one is supposed to be here. And let me reduce the size of this because I think it is too big. And also move this one down a bit. Okay. Then for me, I can switch to the piece. I think it is CA, activate that one as well, and move this one a bit here. Also move this guy here. When you take your time to find things in this more details, this is what is going to make your design or your logo grades. Okay? If this was to illustrate that you would have more oxygen in dealing with these two. So let me move this one up to fill up the gap over here. And this one too is no streets. Let's try here as well. And move this one also a bit down. Control or to fit everything into screen. Any c p here looks a bit okay by TA doesn't also go back and edit that area as well. So select this end and move this one. They get one back and take this one down. I think the shape is too big over here. So I'll let you take your time to. In this Morty deals. Let me select everything. Click and drag to the folder. And let's increase the size of this. And let's see. So this is our p.ball logo that we have created with Photoshop. So you see making the goose with Photoshop this bit easier. If you have the sketches and you can add a name to it if you like. So this is going to be our look good too. 35. Part 35. How to create a Letterhead in Photoshop : Hello, and welcome back to the inlet section of other before digital for beginners. Alright, so in this next section, we are continuing our project. In this project we are going to look at how to design letterhead, a business card, okay? And then we can continue from there. So this is the letterhead that we are going to create. And then you add is business card is going to be the front b. And here is going to be the back page as well. Alright, so without further ado, let's dive into this. By the way, I have all the resource for India projects for that so you can get it yourself. And then you try your hands. Needs to be mean. Alright. So let's go up in Photoshop and start ongoing this board yet. Alright, so first of all, we all know how to do you have to create a new document, so I'll go to File. Then. I will select New. And I'm going to select A4 under the print tab. Alright, so the A4 is over here, so I'll select that and then I'll click on Create. A4 size is going to be open for me. Then for me I can start to work on. So the first thing that we're going to do is to select the rectangle shape. So I'll select every time we see here. Then I'll make sure that the top here, I don't have to check 2 h late stroke and no fill. And then I'm going to select a fill color so that immediately I clearly see what is going to go to filter cutoff for me. So I'll select this color here, okay? If you want to follow along, then you can copy the color code here. Alright, so it is the color code you can copy and follow along with me. So I'll start by clicking and dragging my shape over here. Then I'm going to also change the fill color so I can draw the next one. For me. I'll click and drag. Sheep are key, so click and drag the NSG. Then for me, if you have this barbaric here, you can just change the color to any color that you want to change it to buy. If you don't have it, you can go to window. Okay. So let's see. I don't have it. I can go to Window and then are sent through the list and I will see for very select that, okay, it is going to open it for you. Or if you are still finding it difficult, just double-click on the thumbnail here to open the color picker so you can pick a color. Okay, so I'll click on Okay, if you are satisfied with the color. Therefore me, I can see that the black is two minus two. I can reduce the size of the shape. And then the next thing that I'm going to do is to also select my shape again. And then I'm going to create another one too. I'll click and drag to create a shape like this. One here too. I'm also going to create another sheet over here. Then less than down we need to do is to go to Edit and hours delayed. The free transform or key. So select the Free Transform shortcut is Control T. I can right-click on the shape and select skew. And then if you double-click and move this, you can change the size or you can change the angle. You can also change the angle in record time up here. So let's see. I want 40. I can just type in 40 and I will get the fourth. Okay? Then when you're done, just click on the move to n, This operation or attend a live shape into a regular path. Just click on Yes to accept changes. And then from here, if you're okay with it, Let's create a duplicate. So I'll click and drag this new shape that I've just drawn and then make a duplicate. So leaving it on this plus sign here creates a duplicate of t. Then from here, I'll just move this one a little backwards. And also move now one forward. Then I can change the color of this. To change the color, you can always double-click on the thumbnail to open the color picker so we can pick a color. So let me make sample. And then boom, there you have it too. I think we have everything completed now. So if you look at the first one that we just did, this is what we've done and this is what we are trying to do. So you can see we're almost there, All right. As always as we discussed in our previous video, when you are creating something and you don't have much information or you don't have ID on how to be yes. Goods, Google or Pinterest or that assay we discussed in Guys videos. That if you are creating something and you don't have the full knowledge about this, oh, you are lacking some information goods, Internet, search for sample, design, all of those things. Lucas, some gettings by so you can create your own around that. Alright? So it is going to be the background for the letterhead, okay, so I can select everything then Control G to group and maybe this group shapes. These are my ships. Them for me are goods, my project files, and I will see this logo, Okay, So it is my own logo. Click and drag that into Photoshop. I'm going to skew that. If you have this bounding box, you can just click and drag to reduce the size or the scale it down. Or you can go to Edit and select Free Transform or k. You get a bounding box so you can reduce the size of your sheet. So if you are, I'll give you positioning. You can click on this map to assess changes. Or you can click on the move to. The next thing that I'm going to add is to add this information like the contacts in mu n or k. So to do that, It's very simple. I'm going to start with an ellipse shape, okay? My illiteracy, make and drag AKI. So these are basic to that. You have already looked at it. So I'm just taking you through how I create some of these designs. Then I'll change the color to black. And I'll go into my resource files again, all my source files again. Click and drag this one into Photoshop. Okay. Any see, what we are going to put this one on is black and we have black yet. Definitely we have to change the color to do that in no time. You can zoom in to get a preview of what you are working with. Alright. So click on this. Aren't accepting yeast and then let's move to so I can move this one year. And also to change the color, I can double-click on here, Okay, to open the blending options or k or the Layer Style. And then I will see color overlay. Select that to apply a color. So you can just click here to select a color. And then you choose any color you like. I'll go for white and click on Alt key, click on our key. There for me, I can move this one to the same task since I know where it is. Or I can differentiate between them. Click on Enter hernia arteriole. Then you can also click on Control. Fit everything into screen. So we can add the contract. Now to add a contact, we need to activate a desk to, you can click on, activate it. There's two or you can just come here. You select your tastes to, then you can add your contact. Alright, So for me, guys, I'm using Open Sans for this. Okay? So if you don't have this font, just take the technique that we use on how to download and install fonts in Photoshop and then get this form for yourself or key. Then I'm going to change this from where blood to boot so that the test is going to be pulling for me to put in that measure. You have your test elected. And then you can change this tau or K and reduce the size. Also here, I will select all of them. Then I'm going to create a duplicate. Then I can do the same thing. Click and drag to create Mickey, because we are going to work with three different things. That's, this one is going to be for the web, like email address and stuff. And this is also going to be for the location that you are. Alright? So I can change the symbol here. So go to your files and you can change the symbol to anything that you like. Reduce the size using the bounding box. Instead of double-clicking and changing the color of valley on each one, you can do is that you can select the first one, okay? Just select that and you see the effects applied on us, the color values or you can right-click. And when you search tree are going to see this, that means you can copy the Layer Style. And you can also place the layer style. You can also click the layer style. So let's copy the Layer Style and then select our new shape and right-click. And then you can see we have paste layer style. Then boom, we see we have the right mean painted on this one. Okay, So then from here, you have to zoom in. So what I'm using to zoom in, I'm holding down my alt key and then using this, go back to zoom in and zoom out. So just position it center. If you want to do it, precisely can select both of them by clicking and dragging me. Show you on the move tool. You click and drag. And then when you come all the way up here, you can align center. Align center. One is vertical, one is horizontal. Okay? So when you give it, you can also change the information here and add your email. Alright, also you see that I passed around from here to this side. So how did I do that? I'm holding down the space on my keyboard and you see that arrow key turns into a hand. So when I click and drag with my mouse, I can move around. So select this, click on Delete, go to your source files. And then you are going to see the occasion, select that. Then leave it and we are going to scale it down. So let's zoom out a bit so we can scale it down. This one too, just like we did before. Right-click and then you are going to see base layer style. Then you can paste it again. So you can paste it and paste it and paste it until you are ready. Then we can change this and add our location. Throughput fit everything to screen so we can see everything. Now, if we add a test, this is how it is going to look like, okay? So this is how our letterhead looks like adding a test. Okay? And one more thing that maybe you can consider being is that you can make a duplicate of your logo and you can use the bounding box around it to make it very big or K. Then you put it at the center and then you also move this artery behind everything, then you can reduce the opacity. Okay. So you can have a feel of something at the back. Maybe you can go like 5%, 10%. If you got that, you are happy with it. You can stick the data. Buffer. Monkey isn't going to use that for now because I like it this way. This is how you can create a letterhead. Alright, using are the steps that you have learned previously and we are applying it here. So the next video, or the next course is going to be all based on creating this business card. Alright, so let's look at how to create this business card now in Photoshop. 36. Part 36. How to create a Business Card in Photoshop : Hello, awesome people will come back to the next section where we're going to learn how to create a front and back business card in Photoshop. Ecd is a very simple design. I'm just taking you guys through step-by-step on how you can create some certain budget. Alright? So this is what we did the last time for the letterhead and it is not attended. Take a look at their business card. Alright, so to start with control plus N to create a new document as always. And then with a business card, we're going to use a size of 0.4 " by 2.2 " to render for resolution RGB color, click on create. A new canvas is going to be in just like this for us. Maybe if you had yours as this and you want to date it is very simple. Just go to image, image rotation clockwise, and then one group would fit everything screen. And you are going to get something like this. Okay? Alright. We're going to start by creating the font page. So to start with our select the paint bucket to a k. So I have my paint bucket tool here. You can go through and you see the paint bucket Sue. So Ages after the era is at x2. So when you select that, make sure your foreground color is black. Click to fill the background with black. And then from there, we can select the rectangle shape. Then we're going to create a rectangle like this. If you like, you can corner the video so you can connect the edges by going to priorities and then Using these guys to corner the edges are k. But if you are using an older version like the CS6, then you have to correlate the edges before you receive. So let's see. We want, we want to connect the edges, like to pick those so we type it before and when we start to click and drag, you see the effect applies. Alright. That was before, and this is what we have now in even in twins two into two, you can just use these guys here are K2 corner the radios or the edges of the rectangle. From here. Wait, is by now teaching the fill color. If you have any issues, you can come here, double-click to open the color picker and ginger Karla. Alright, so the next thing that we're going to do is to add some of the BTU, so they need this data we're going to add is this one. So QR code, I'll click and drag this into Photoshop. Then I'm going to skew this one down. And I know how I'm going to position it. So I'm going to position it a place like this. Okay? Then with the help of my rectangle tool, I'm going to draw a shape over here. Then we show it is behind a QR code. Click and drag this one here and change the color as well to this light green that we are using. When you take a look at the first one, I supposed to write the name of the manager over here, who is supposed to own this God, I forgot, but you are going to do it here. So to do that with the help of my taste too, I'll select that. Click on the Canvas, then you can start typing information. But before then let me reduce the size of the font here to maybe. And maybe they mean, and maybe we can add the portfolio. And I can reduce the size of this one abates. Select both of them. And when you move to here, we can align them to the left. And also I can select both of them and move them alongside me. Make it very, very readable. We can select this one and then change this arm from both to maybe semi bold, okay, The taste is going to be a little smaller. Therefore, mu, we can add the logo of the company to click and drag this one to add that reduce the size satisfaction. And you can put this in it here. The rest of the information is going to be for the information that we added on the letterhead, like the number, e-mail, address, and location so I can click and drag this one. Yeah. Then I think you guys remember that you made a duplicate. We copied the layer style so we can just right-click and paste layer style. So immediately this is going to change, right? Okay, let me increase this one a bit. Then I can add the rest of the information as well. Therefore, we are selected, right-click and paste the Layer Style. And also I can select all of them now. And we use the size because it's too much for me. And also guys, make sure you spend some time to find some in this more details so that your design is going to span out there for me, I can select only the taste here. Okay, So let me come back to the center, select all of them. Go to your character panel and less gene. This one from blue to red. Light is going to make it very readable. And let's give it some space because I think it is almost closed. So if I'm trying to create these, this is r is going to look like or clean. You don't need to rush. You have, take your time and some awesome or you get there. So comparing this to this, this is what we have. Now, let me select this and move this one here. This one is going to get some of these. Alright? So we have done with a font pick. Let's look at the back page now. To take a look at the back page. So I'm going to do is I'm going to image and then I'm going to search for duplicate layer, select that, and we are going to duplicate the same layer. This one is going to be opening on a different tab. So if we check is ca, ca, I can delete some of the information I don't need. Delete all of these. Also delete this one. Delete this one as well. Let me undo, let me undo our right to keep this one. I can delete that. Delete this. And then I'll put this one in the middle. And let me put this guy here. Then let me make a duplicate, hold down the Shift key and move it. As I complete that guy also there to make sure it is centered, select both of them and we can align this one to the center. Alright guys, so this is going to be for the back of the business card. This is very simple, okay, So this is how you can create these in Adobe Photoshop. So the next lesson is going to be how to present sample IDs. Maybe a client asks you to design something like this for him, a letterhead and a business card. So identically to how are you going to present to the person? You have to make it or try to. Very attractive and nice looking. Okay, so let's look at how to do that now in the next video. 37. Part 37. How to Design a Social Media Flyer with Photoshop: Alright, so in this next section of Adobe Photoshop essentials of k. For beginners, we are going to look at how to design a flyer together. Okay? So I have these resource for that I got from TNG egg. Okay, so you can check them out. I did GNG x, so I just came to the Internet, PNG set for leaves. I've got these and then I also tried to download some sneakers and other shoes that we are going to use for these flies. Okay. So when you come here, you can type in whatever you are looking for and definitely they are going to get something that is going to help you. Okay? So right now let's get started without wasting much time. Okay, so first of all, I'm going to create a new document as always. So Control N to create a new document. And then we're going to use a4. A4, our chain here 200. And then I also use 100 for year. And then I can make 300, but I don't want my work to be too light because I'm going to use it for social media. So let me use hundred. Okay. Then I'll click on Create. If I was going to bring this, then I'll maintain 300 and do the design. Okay, and also remember, it is not in RGB or CMYK. So after you've done with the design, you want to change it to CMYK and print it out. That is very easy, can come to image up here and good mood. And then you will see click on the CMYK. It's going to help you change it to CMYK. You can print it out. Alright, so to start with, I'm going to start by creating a shape. So I'll come here and I'll select my rectangle. Let me use the Ellipse tool instead of pain. So I'll click and drag with my ellipse to n. I can draw something like egg. If you are okay with it, you can move it. And I'm going to think of stroke because I don't want you using it's true. And also I'm going to select a color. So let me choose something like this. I'll change it back to heights. I want to use five over there. Because I want to see what is going on. That's why I'm using this one. And also I can go up here, select, Select All, and read my shape selected. And also on my move tool, I can align this one too the same time. When you're done, go back to Select. And then we can deselect any C shortcut is Control plus D list. I'll click and drag this down. And then I'll select my background. And I'm going to draw a rectangle this time around. Okay? Then I'll make sure I turn off the stroke for now. And then I'm going to click and drag to cover the whole canvas. But this one is going to be under this one because drawn it just in-between the sheep and the backbone. Then from here, I'll go to effects and I'm going to add a gradient overlay. Okay? So I'm going to use a nice gradient that is popping in my head. So my gradient, I'm going to use something just like this. You see, I already have it at readout and this is the velocity. Let me use 100 opacity style, then angle 90, whatever, because since I have it at the middle, no problem. So let me open the gradient editor so I can edit this gradient to edit my ingredients are first of all, click on this top. And then I'll have the option here and open the stop. Then I'll drag this one all the way down. And I'm willing to be a color just like this. I think this one is too much. So I want something just like this. And then I will click on the second stop, the Color Edit tab and pick a color. I'm going to pick something like this, Just close to the color dye, we just liked it. So come all the way here and let's select something like this. This one is too much, so let me take it a bit down. Alright, so something like this is cool for me. I'll click on Alt key. And then let me deepen up this one. So let me open the first stop again and let's see if it can be deeply in a bit. So this is it. Alright, alright, so this is really, really amazing. Okay, So guys, you can copy the color code here. So it is the first one. This is the second color code as well. So let me show you the code for this one. This is also one thing that you can do is to click on this New here to see this one to your switches. So anytime that you can just click on it and just apply it for me, see my gradient. I just click on it and it just popped. So let me select this one. Click on our key. Click on, okay. Then from here, I can select bag this one by before you selected Michelle, you have your Move Tool selected. Normally I use that shortcut V, or you can come here and select it to yourself. Then selected pack, Double-click on the thumbnail over here to go up in a color picker so we can pick a color. So let me click and drag it over the top here to select a plane, right? Then this membrane is going to be for the background. I can look for something to add to it. I think I have something here that I can add to the background to make it a bit interesting too. Let me come here. So let me come here, and then I have these guys here. So let me click and drag this on here. Then I'm going to scale this one up. So create to scale to fit the canvas. So let me fill the canvas with this. Alright, so when you're done, you can click on this check mark to accept changes. Alright, so from here we will go back to our layer management. Okay, So remember Leah management, you have to click and drag this on here. We're going to have this one on top. And we can also change the blending mode, okay? I select the first one. I can use my arrow keys on the keyboard to swap in between them. Okay, so let's see something that makes me the background. I think screen is your key and it is to my school. Let me reduce the opacity down. So I think like seven is okay. Let me see. This was before. This is digested, tiny changes or just a minute changes. Let me maintain something like thin capacity, ten per cent isn't very light, changes but goes along way to make your design stand out. Okay. Then from here, what I'm going to do is to bring in my images that I have for this. So I'll click and drag this one into Photoshop and I can also reduce the size. So let me bring this guy here. And I think it is too big, so let me reduce the size a bit more. This one is going to be here. And then let me also go and pick another one. So I think this one would be a perfect fit for this second one as well. So we do the size, reduce the size. Alright, so let me bring this closer. And you see back to our layer management, you see how this one is intercepting with this one very nicely. I love it because we have this one just here and this one on top of it. And it looks very well. This really amazing. Okay, Then for me we can add the main title like maybe. So I'll make this one day and then I'm going to use a font called this. So please, if you don't have this font, you can use the technique that we just learned. So you can go and get yourself a font. So I'm using this phone call, Denzin, extra bold or K. So lasers the font. I'm using. This very cool, I love it. And then we can also add another test. And I can change the font of this or in a store. So I have this one that I love using it. So let me try that font To see if it works for this one as well. I can see that this is too close, so let me bring the tracking and let me increase the size of the font. Alright? Alright, so this works. I really love it. Okay, so let's see. Let me change the font color of day so we can see the difference. And I'm also going to apply this to face on it to see how it is. Okay. I really love the combination. We can also. Write another test TA to close this base over here. Okay? So with this shape, I can also correlate the edges if you'd like to do so. We can add it tastes like soap on a budget, shopping and budgets. And then our gender font to something the frame. And also guys, also like to tell you is that when designing something like this, it off to use too many fonts, okay? At least 23 fonts or even one font is, okay. I don't know why I'm using too many font on this. But this font when I use a TA, is going to make something red. That's why I'm changing the font box. Please, please don't use more than three fonts on your project, at least, at least three fond to its beta. One is great, okay. You don't have to be adding a lot of fonts into your project. That is going to make it too messy. And you want a clean work, okay? I'll select this one and I'll change the font color. So let me take a colored dye we have here as the gradient. And let's see the results. Wow, this really amazing. I love it. Let me increase the size of the shape a bit. Select that. Increase the shape a bit. Then align center. Align to the center. And I can select it and bring this one back. Also, one thing that you can do is to add a link, okay, so written my two shapes later, I can name them. So when I select one and move, both of them is going to be moved because it is now linked together. Okay? Another thing that maybe I can add other top here is this. So let me turn the phone to find us on the line so that's loose. Close it. Okay. Shop and a budget. And we can also increase the tracking for this one because we want to make sure this one in this one aligns. So let me increase the tracking more. This is way too much. So let me come back on, let's say thousand and see the results. Okay. But let go a bit further. Fair that light thousand 400, select both of them align to the same time. Let's see the resource center aligned to the center. Okay. I think this is great. This is great. So let me try to align it with my eyes. Okay? Okay. Next, I'm going to change the color of this test. Okay, So with this one selected, Michelle Harvey selected. And then if you don't have this character panel, Let's go to Window and activate that. So select that. And you can click on here to swap or change the color. I'll pick a new color for it. Then what I'm going to do next is to make a duplicate. So I'll click and drag this one here to the plus sign down here to make a duplicate. And let me change the color for the duplicate. I'll make a sample a color from here. And then let me go a bit. Okay, So I'm just switching the color just a tiny bit. And then I'll move this one backwards a bit, see upwards. And I'll click and drag this one down. Our case, we'll come back to our layer management and dates. If you like, you can dig it or you can take it down, whatever that you like, you can do over here. So this is an effect that you can create some loving it so we can apply the same in here. Click and drag this one here. Another way to make a duplicate is to hold come through and you add G or Command plus J to make a duplicate. Then we can sample the color from here. Then I'll move this one a bit down here. So instead of clicking and dragging the Crusades here, to switch the colors we can run, I use a shortcut, is Control plus the left bracket key to move that layer down, we can also use the right bracket to pick it up. Okay? That is Command left bracket to move it back. Okay? So this is what we can do here. Alright, so I'm loving this one is very cool. Let's move to the next thing that I was. All right there for me, I'm going to add leaves, okay, flying leaves. So I'll click and drag this one into Photoshop. Click on this mark to accept changes. And then I'm going to put these guys here. And then you see this one is too harsh, so I have to either reduce the opacity. So first of all, right-click and convert this one to Smart Object. Let's go to filter blur, and let's play this one out a bit because it is too much. Let's reduce the videos. Ordinary tau k. Let's reduce the radius two. Live for. And also let me move this guy all the way now k, so this smoke. Alright, Next, let me move this down. These leaves all the way down behind the test. I'll move this one all the way down behind the desk. You can reduce the opacity if you'd like to. Okay, So I think something like this is okay. But if it is too much for you, you can add a layer masks for k. And with the layer masks, we can paint with black. So make sure you have a foreground color like black. And then the ones that you want, you can select your brush tool here. And then you can just paint them off. Or k is omega and on this to any of them that you don t want, you can just erase them. Okay? The next thing is to add mine rest of information like contact. You can start with maybe the less. Then I'll make a duplicate of that test done is holding down the Alt key or Option key. Click and drag to make a duplicate. Let me change the fonts. But the first one that we use, that is the Open Sans font. And I'll choose the red line in our list, the items that we sell so we deals. All right guys, Well this is what we do is we can add the product is sold to wait, okay. Then you can also add your contact info. So let's see how they test two, we can draw a shape. I'll pick a color just like this one. And then we can add our contact info as well. So make a duplicate. Then you can hold Control plus the Right Bracket movie several times. And then we can change our tests. Each test. And then you can contact number. So this is it. This is how we do it. This is a promotional flyer and we're not done yet. The last thing that I'm going to do is to make it leakage of this one, reduce the size or the Tao. And I'm going to add the closer to eight cups and bring this guy here, increase the size a bit, and then Control plus T to bring on the free transform. And I'm going to do with taste this guy, right? 15 per cent. So I can type here, negative 55, precise. I can type in the figure here, are getting good at precise. We go so like negative 15, you click on this to accept changes. Let's make a duplicate. Okay, so make a duplicate. Duplicates. So guys, you can mix a reduplication as much as you want. And when you're done, you can select all of them together, Control G to group. And I can move this. The way down as well. Just behind the shape that we have here, the ellipse shape that we drawn here. I'm going to put that on behind it. With the group selected, I'm going to reduce the opacity. So we have a few of the name at the bank on. Okay, so let's maintain. If we got like ten or even 12% is okay for this one. This is how you can design a flyer in Photoshop with all the techniques that we've learned, we can select this one, make it a little bit. Okay, not too much. And I can also select this one. So let me move my background from here to here. Grew. Anytime, also, give your design some colors. So let me label this one as blue, okay, so I have blue here. As for my embark on this one to the leaves, I can also put this one group and all my intestine is also going to be in a separate group as well. So control gene to grow. And this one is also going to be for this test and you force, I can also label it as well as green. Let me add it tends to me. And let me bring the rest. This is the shoe. This is the shoes who? I can also label the shoes as yellow or orange. So let me live with issues as Jane design is going to be four shapes. This is how organized. You can also see the rain designing things like this, blue color for the shape. So this is how you can design a flyer in Photoshop. Okay, so let me select these guys here. And I'm going to make it a bit large. I have everything selected and I can increase the size a bit if you'd like to do so. Okay. So this is how you can design a simple flier in Photoshop. Okay? So the next thing is also going to be like looking at different fly our case. We're also going to look at how to design different flyer. Then we can conclude on this course. Okay, so I will continue to add more of these kinds of designs into the costume. Anytime they come back, you can see a different word on this platform. Alright. 38. Part 38. How to present your Final Project to your Clients Appropriately : Hello guys, welcome back. In this next section, we're going to look at how to present our design so far. So we're going to add this logo and then you are going to present it with the business card letterhead now, so this is the design that we are going to present. So first of all, we all know how to do to create a new document. By this document is going to be a little bit longer. Okay, So let's see our sled, the e4, and then you see here is 297. So I can increase the size of this one may be thousand limit deaths and Tinder resolution to 72 because we don't want it as a high resolution. Just a very light one. Then click on Create. Alright, so with this one, I'm going to zoom in Control Plus to zoom in. Let me zoom out one bit and let go all the way up here. So to start with, I can select my rectangle tool, click and drag to draw a shape to divide this. And I can give this one a bit of color. So I think let me use this. Then I can put this on the same data. So first of all, I'm going to click and drag my logo. So I have two versions. I'll click and drag both of them in Photoshop now. Then to asset changes, click on this mark to accept changes. Let me hide one now and let me reduce the size of this one. So maybe the green is what I'm going to use as the main logo. Then let me then on this one or K, and I'm also going to put this one here so that the client can choose from, then maybe he will prefer to choose out of this one. So let me create three samples and I can change the colors of this one. So teaching the column using the Layer Style Option, click on Color and let's see. I'll choose green for this one. Then I don't know that column windy even choose for here. Good effects, add a color overlay, and then let's see. I'm choosing any random color, any random color. Let's go for ESI. Read, okay, then from here, I will select my lawsuit to a key. So I'm going to make a very loose selection around these guys. And I will make sure I have that logo selected them for me or Control plus G to make a duplicate of the area that I selected. So I can click and drag this one, move this one to a different position, and scale this one up. So let me position this one here. Then I can move this guy all the way down, reduce the opacity to maybe 8%. Okay? Let me make it even 15 per cent because I want to see what is going on there. Let me make this very big. And also I can reduce the size of this one a bit. Bring this guy a bit down. Then with the help of my rectangle to let, let me draw some stamps. Cpa, then I don't want any videos or K. Alright guys, so this is how I'll be presenting my logo to the client or K. Then the next page is going to be also something different. All right, so the next section, I'm going to also make a duplicate of this guy here and place it here. And I can talk a little bit more about the company that I'm working with. So let's see if I know mission or the mission statement or something, something about or anything about accompany, I can just bring it to you and also showcase some of the colors that I'm using. So let's see, I'll be using black key and select the black. Then from me, I'll move this one all the way down or key behind every layer. Then I can bring one of my logo here. So let's say click and drag this one here. Reduce the size. Let's see, this one is going to be, wow, change the color to green or white. I think the green is our key. This is going to be about a company. And if you have any information concerning that, you can represent that. With the help of my test tube. I'm just going to put random, this will go to my desk or even uploaded boost desk for me. Let me reduce the size to 15 and copy some of these. I can add more. K. Then I can look in my paragraph and align some light is going to feel most parts. Click on this asset changes or k. And positioning these guys here. Let's say this is what about a company? Then also the next thing I'm going to also click and drag to make a duplicate. The next thing is the font that I used for the design. So what funded I used to write the names and what phone do I intend company to use? So I have to also bring that here. So the first thing is going to be, so let's say I'm using the Open Sans font. It comes with different sizes or different styles. So let's say I'm using from the light regular semi bold boot, strap boot. I'll pick up my desk too. Let's see, Open. Sans is the fonts are skilled at AP. And then the example of the lights, Let's see, is more of a, b, E c small c, d small d e, e, n goes on and goes on and goes on. So let me say this one is Font. Then the lights, then our select line test again and draw a random shape to pass that test. I'm changing the color of the green and the light green to black so it can be seen well, so I will select this, okay, let me reduce this one because I view it is Zoo much. Alright, So guy, this is open science web allow k. So this is the regular. So let me copy and paste this down so I don't do it again and select the first one in gene, this one today Lights. Then our gene, this one to wear black. Then I'm going to make a duplicate or the way down here. Then I'll click and select all of these wanting change this one to semi bold. Then I can tie, sent me here. So select all of them. Hold down the Alt key, click and drag this all the way to here. And we can change this one as well. I'm changing this one to boot, and I'm also going to change this one to extra bold. And also let me change this one to extra bold, italic. Then from here you can replace the original name. At the end of the day. This is how it is going to look like and they don't have to be too big. That's why I'm reducing the size of k. And this is going to be for the fonts. You see the idea. We started with the logo it, so we have different type. Does we have different colors? We have the about a company, we have the font that we used. Alright guys, so the next thing is going to be for the colossal. Let me copy this one. And we can soak is the color that we are using. Yes. So let me make a duplicate as well for here. And with that, I'm going to use this one. Click and drag. Then I think. So let me do N, Then let me tie here, click and drag so that this one is going to be a rectangle, okay, without any cornice. Then I can open this guy. Okay, so double-click to open the color picker and we can copy the color code over here. So as always, we can copy the color code here. So control C to copy. Then. Let me copy some of these. Let me copy the web. And we can replace the color of this one. So Control V to paste. This is going to be for the color code. This, so this is going to be for the color code. This one increase the size a bit. And let me change this one to select everything. Click and drag this down. Then I'm going to change this one to black. Copy everything. Okay guys, to create a sheep, then you add a cuz according to that, okay, I think the red is f, then zeros continue. Okay, So you see how I am doing this, you see how nice it is becoming too. So basically you are telling the company everything about horse you have created for them, okay? And you see how it is working nicely. So from here we can also make a duplicate of this. And then we come in, pull This one. Yeah. Okay. So the next thing is going to be maybe patterns. So if you want to create a pattern for them, you can also do that. So let's say I want to create a pattern for them. So what I would do is that control plus N to create a new document. Select lessee if four, let me make it to click on Create. Then I'll click and drag this one over there. Okay, then bring the resolution or bring the opacity all the way to 100 per cent. Boom, I can make this one big to cover everything on the screen. Then for me, I can go to Edit and our select Define pattern over here. So select that. And I can name this one as logo. Click on OK key. Then from here, if I draw a shape, if I erase it, ladies, and let me select the white background and goods FX and apply pads in all parts of the valley. This is what we are going to get when I open this, okay? I'm going to have assessed my pattern that I just defined. So when I select that, it is going to apply for me. If I increase the scale, I'm going to get aids. This we are key so I can make it small, so I can have more. I can make it big. So you can create a button for the company if you like. So anyhow acuity, you can click on Alt key. Then from here, you can move this one here. And let's say in this one all the way down. This is too big. Let me reduce the size. Bring it here. So let me open the pattern overlay again to double-click on it, to open the path layer. Again. This one, maybe two. And boom, there we have it. We have a lot of pattern. Now. This is so crazy. Let me make a duplicate of this, mean, this one as paths in the list can go on and go and go and go on. So I would like I am here by before then let me add their business card and the letterhead that we created okay, to make this one complete. So let me make a duplicate here. And you see that our sheet is ended all it's almost done, so we have to add more to it. Alright guys, so to add mode, all we need to do is to come here and select our crop to crop to select that. We can open up this one by make sure you have width and height to servicing selected so it can feel every space and we can open up this, okay. When you are satisfied with the results, make sure you cover all the species that we have already. And we can also choose right for the background. So it is going to feel when magma, if it's a lady in a camera, this is how it's going to look like by select white, click on our key For add more. So we see that we have been able to add more of these. So we can continue on by clicking and dragging. Then I'll go to my source files and I'll select these guys. I'll select these three guys, click and drag them into Photoshop or K. Then I'll reduce the size of this one. Okay, so something like this. This is going to be for the letterhead then the business card. So the business card will come on a different page. So the font, then the back follows. Okay, So let me zoom in a bit to see what's going on. So actually, with this one, I will select the layer before that, add a new one. Then with the help of my rectangle tool, I'm going to draw something just behind that and fill it with a different color. So let me select some light gray open-mind color picker, and then select sample IDs. Click on our key. Alright, then I'm going to do the same thing here. My shape selected, click and drag. Then boom, there we have it. We have our business card as well. Here. We can add drop shadow to make it more pleasing. So click here, add a drop shadow, reduce the size, reduce the opacity and the size. And let's see what we have. Okay? We can just right-click and copy the Layer Style. Select the next one, please. The Layer Style do the same thing for the letterhead as well. And we can end here by saying, thank you. And maybe you add your details. Let's see. Let's say you add your contacts, okay, So you also add your phone contacts. There we have it. How to present your work to a client. Okay. So this is how I normally present some of my work, okay, See how nice it is from here to here. You can also add the numbers here to here, okay? Then that is that, that is that. So this is how you can create sample IDs to present your final way to your client. Hope you enjoyed this one. See you in the next course. 39. Part 39. How to Design Pizza Promotional Flyer: Hi there. In this next section of Adobe Photoshop essential course, we're going to look at how to design different Flyout. Okay, so we're going to look at how to design a pizza flyer in Adobe Photoshop. Okay, so rid off and I do. Let get started. Okay, so let's say we're designing this one, A4 and maybe I'm going to print it as a card or something. Okay, so first of all, you have to create a new document. You can go to File and click on new, or you can just click on this greeting. Then another print tab we're going to select if for the king. And then we'll click on Create. A new canva is going to be open for you as always. And then I also have arteries so far that we are going to use over here. So please make sure you get these results file so you can practice alone to duty here is to download these resource files. And this is going to be for our projects to be going to design this. And then afterwards you share with us so you will know the level you are. So you can see whether you are catching up with because we are trying to portray here. Okay? So first of all, I'll click and drag this one into Photoshop. Okay. I'm designing everything with you. I haven't done that already. We are just going to go through step-by-step. Then you will see or you do on car. We are going to face some of these challenges when it comes in theory, 3D shape, and we're going to click and drag to fit most part of the screen. Okay? So essentially, I'll make it available screen just like this. K. Then I'll select my move tool and position it just like this as well. Going to go to fit everything to screen. Then the next thing is that let me select my workspace. Okay, so the next thing is that I'm willing to let me click and drag this one so we have missed your recipes. You can rearrange them like I'm doing okay. Just quickly arrange it. Just like this. The next thing is I'm going to create something like a shadow, okay, to cover these bad because I don't want the whole pleased to be like this. Okay, so let's see, let's see where we are going to do throughout creating new layer. When you click on this one, you can create a new layer. And then I'll go to here and mine tools and now select Ingredient top. Then I'm going to select basis and I will select this one. Okay? So the one with a transparent and now change this one from linear to radar so that I can make this, Okay. So I have to do the opposite of metals dry can reverse that. Let me undo control Z and our check. So if I click and drag, I'm going to get some ladies. So one of the effects to affect the top here. So let me come down and click and drag and see the results. Alright? Alright, so this is okay. Let me, so let me go again. Let me try again to get this is too much. Let's go again. Alright, I'll try one more last time. Let's see. This is too less so you have to try a couple times before you can get the result that you're looking for. Okay, so let's maintain this one for now. But I'm hoping is about keys or I can also create a new layer and then I'll do the same thing again. So let's see. We're getting close. Let me create another one. And let me try again. Okay, this is too much, but I can reduce the opacity, so I don't have it too much. So something like this is cheap. Then the next thing that we're going to do here is to bring in this cutting board. Okay? So I click and drag this one here. Then I'm going to reduce the size and I'll bring this one also a bit down. Okay, then I'll click and drag mine delicious pizza also into Photoshop. And I'll reduce the size so it fits with the same boiler G. And those if you want to make this realistic, we can add a drop shadow by doing ethics and select drop shadow. We can add a bit of drop shadow, so it will make this one realistic. Live on this to check the before and after the TV. Okay, so I am taking opacity, Let's see states and go on to 15 distance and the size is going to be seven. Okay? Then I'll click on. Okay. So this is what we have now resource before. This is after. Okay? So the next thing that we are also going to add, let's go here and then we're going to put this one on the background. Okay, so it will make it a bit interesting. What I'm going to scale this one up and then rotate it just like this. Okay, so let's scale it to fit most part of the screen. Click and drag this on the town. Okay, and leveraging the blending mode to something like multiply or let me go to server options and see what I'm doing is in kids. So we can use something like screen and reduce the opacity. Okay, so something like this. Then let me add a test and see the results now. So I'll start typing test in caps continuity for free transform. Or you can make sure you have the Show Transform Controls. And then we can use the bounding box to increase the size of this one. And I'm going to use my Fonts, search for the character panel, a new Window tab. And then I'm going to use ash traveled. And I'm going to also increase the size of these ones. You have to take some time to find some more details. So it will make this one stand out. I think this test is not good enough, so let me change this one to impact. Impact is a font that I think it comes with any Photoshop or any version of Photoshop. So if you are using any version of Photoshop, you can check out impacts. Tukey's writing, I'm loving this for now. Then I'll change the color of this 12 bytes so it can be visible. Alright, then put this one here. And if you have a logo, you can add the logo. Also. Some additional. So delicious pizza increase the size. And also our gene, the font's name. Linda. Linda. Increase it again, not too much. And also we can take a font color from here. So let me turn this one on top. By reaching the color face, I want to pick a color like this. Let's see the preview on the color. Alright, so something like this is cool. I'll click on this one. We can also add a test like, you love the size a bit. Alright, so I'm not feeling the vibe of this one. So either I reduce the opacity down or how we move it. So let me read this opacity down. And then let's have something like this, or let me take it off. Delicious initial or eat fatty laugh. And then if we have other details like maybe instant delivery, so we can add those details as well. We'll do use the Open Sans font for this. Alright, so I'm going to also increase the size of the contact so it will be easier for clients to identify it and also change the color. So you know, the principles to design is what color I'm using, the colors and everything. So given the design, these tastes make it very easy for clients to read. Okay, let's see, this is what we have now. We can also change the thickness of the fonts. Okay, so let me change this one from regular to bold. Okay. Then also if you have other things like let me see if I can get different materialistic art. Alright, so from here, I'll add is flame particles here. So click and drag this frame. Particles over here. See wow is making it so awesome. And if it is too much, you can add layer mask. Over here. You see the layer mask added. Take your brush tool so you click on D to activate the Patch Tool. Okay? Then you can increase the size of the brush and also make sure you have the soft round brush selected. Okay, let me increase it a bit. Alright. And we can remove some parts that we don't want. So maybe you don't want that before that, make sure you have black as your foreground because we have y t to n, we can erase. And now we can erase the portion that we don't want, the black and the white t or k so we can erase it is too much for you, can erase some parts. Okay? And you can reduce the opacity over here to satisfy your knee. So let me go for maybe 66%. And let's see what are the particles and the particles for k. So you see this awesome, awesome, awesome looks to it. And we can also add more tests. Are Casey, if you have more tasty than can be here, okay, so let me paste a regular font. Change the font color. And then also changes from both two regular. So it will be easier to read. One other thing that we can add from here is to add the amount, okay, so we can add the amount over here. So with the help of my ellipse tool, I can draw a circle, hold down the Shift key to keep it in proportion. Okay. I don't want any stroke for this one. Okay, so I can come up here, select that and you remove the stroke. Then I'm going to make a duplicate of this one. So you can click on Control plus G, control G to make a duplicate. Reduce the size of that. And also, I'll select my shape again, and it'll bring these details at the top here, these options than I can on a TV, the fill, and then I'm going to increase the stroke to maybe five Bezos or even eight. Then I'm going to change the color to this I have each year. Then also, I can change this one from then SD line to sound like this. Dash or dots or case or any of them that you would like to go for? It is acceptable. I feel like the size so I feel like the size of this one is too much. Let me reduce it to five. And then let me click outside and see our key. I'm loving this. We can add the price, say $4.99. So my character panel change this one to boot. Then I'll increase the size of this, okay? Therefore me, I'll make a duplicate Control J to make a duplicate. Our changes one from bowed to semi bold. And I'll bring this one on top here, and I'll change this 99. So what I'm trying to do here is to make this readable. And that's why I'm making some small and I'm making some big. Okay. I'll bring this one just like here. And also make another duplicate. Activate your tests to shut can see. Then I can Let's see Dallas and outside and make this one small clip on asset changes when you are key results. And let's say we can make a copy of this one as well. Let's see, 80% of reduce the size to fit in. Then from here, I can change the fill color over here. So let me change the cards, this type of color we have here. Okay? So we can also see price control room to fit everything to scream. And this is where we have, again, these are some of the things that you can do when designing flies. Okay? So I think that is it for this video, please. The next assignment is for you to use this beggar over here. And the other details like this that we didn't use any included in your project or k and do your own flyer according to. So you will see what you are up to. So let me add these particles as well. Okay, I think I can even leave this one here. This means before. And after adding these two, it is also going to make it pop, okay? I'm loving it. Okay? Alright, So it is if it is less than okay, so let's look at a different lesson. We're going to look at how to design a product like and drag, pull that. Okay, Remember to see your wedge and share with us. So you can festival for save it as a PSD file, so you can always come back and make changes to it. And then secondly, we can save it as a J peg of v. So we can go to File Save As okay, so File Save a Copy. And then we can change this one from here, too cheap pay and click on. Alright, so that's it for this video. In the next lesson, I'm going to look at how to design products in Adobe Photoshop or in a box. And then you are going to mock it up and see the final results. 40. Part 40. How to Design a Product Label and Placing it in a Mock-up: Hi there. In this next section of Adobe Photoshop essentials course, you are going to look at how to design product design, just like this in Photoshop. Okay, So we have something like this. How are you going to go about? It is very simple. Let me take you to how you can do something like this. So the first thing that you need to do to get this your sketch, okay, so I have my sketch here. So you can take any package or any bugs that you can find around. You open it up and you will see how it is and you can trace it with pencil, then take a picture of it or scan it, send it into your machine, and then you are going to get something like this at the end of the day. So the first thing that you need to do is to click and drag this one into Photoshop. So the areas that is drawn, these places are the areas that we are going to design. This place like this. Let me show you. This place is going to be hidden. This place is also going to be hidden. And this is also going to be hidden as well. This is going to be hitting, this place is going to be hidden. This place will show here will be hidden. Here. We hit the Enter key. So we need to put designs are these areas here, here, here, here, here, and here. What we can do. So let me delete these guys. Let me, which is in a group and hide it so you know, you will recognize where we are going to put our designs. We are going to have our design over here. So to start, I have that I want to use for the logo. So I'll click and drag this one here. Then I'm going to do size of this one. So I'm going to start the design from here. Then I don't want this little thing over here is I can select the rectangular marquee tool, and then I can hold down Alt key or Option key on my keyboard and add this layer mask. So it is going to create an inverse selection. I'm going to get this, okay? So I can move this guy here. And also maybe I can draw something like class in the middle. Okay? And let me sample a color for this. So let me just click to sample a color that I don't want this true, as well as our life to make another duplicate. So Control J to make a duplicate. Then I can go to Edit and select Transform path, okay, the icon select with d degrees. Then select both of them on two plus E to merge them. Any composition and scale it as you like, okay, it is going to be for the logo. Then we can also add the name of the brand that we are creating for. K can be any name that you would like to use. You can use, okay. So let's use a product name like good five. So let me change the color of this one. Sounds like this over here. Okay. And if you have a different name as well, you can use it. This one is liters or I can do, or I'd like to do is to create a new layer, go to File New, and then I'm going to create a layer. So this A4 size, let me change this one to be square. Click on Create. Then I turn on the background and select everything. Click and move this one just here. And I'm going to scale this up, okay? So I'm going to get a better preview of what I'm doing. And after the size or the solution is now going to be too small. So if you compare this one, okay, The first time I see this one is very visible than the first one. Okay. Then for me, alright, teaching the color of this one and P, because it's not visible enough for me to see. More greens are pane. You can also copy the color. So if you'd like to use it, then with the help of Mine tastes too again. You can ask something like this and also color. So I just copy the color code from the first one and I'm adding it to this as well. To fit everything into screen. Then I have this image here that I would like to use. So I'll just click and drag this one here. We'll use a size all the way down our lives. You lock this so I can select the selected taking. Let me move this one on top. Select everything. And I'm going to move this one on top just like this. And also I can draw a shape provided top and then maybe feel it you take gradients. So ethics, gradient overlay. Normally footage of all apply the last video and I used a gradient tab. I think I have this gradient that's our lives to use. And then I'll set this one to zero. By the way, if you would like to copy the ingredients. Here, I d this is why the first stop is the color code for the first dog. And this is also going to be the second color cool for the second one. Then you can click on new to save the gradient so you can use it later. You can change the style for linear to read out, or you can even set it to reflect it. You can also click on it. Then either we want for you to use linear and click on, Okay. Then I can also add some fill light and then increase the size control or to fit everything into. Okay. So you see you can also change the color to white. So if you compare why thin black line is missing, why take out, go for it. Then this one will come here. And I think I have something here that I would like to use. Our right to click and drag this one into Photoshop. And I'm going to place these guys here. This will reduce the size on to, let me reduce the size. Just like this. I can make a duplicate. Control T for free transform and right-click, we can flip vertical, flip horizontal. So we will get something like this, and I can bring this one here. You can use your arrow keys on your keyboard. Yes, please. It very well. So for me, if you have any other details that we would like to add, you can do so by adding them. Okay. One thing I notice is that the name of this is not too big, so let me increase the size of the orange EA is not pumping as I wanted. So let me go pin this and let me try to make it pop. I think this is our K before. This was before. This is after. I think this one is okay. And if you have any test as well, you can add them. You can test value line. Let me reduce the size of this one to me. Okay? So one thing that I have realized is that the intervals between them is two minus. Let me bring it all the way to also move this one, we absolutely can hold down your Shift P plus the country is open to plus shift, and then you click on your right bracket key. Or if I just click it from where it was and move it all the way up. Dot k. So I then see this one is not trying to show, so I'll add a layer mask to this one. And I'm going to paint some of these ones because I feel it is giving too much control or to fit everything into screen. Then the next thing is going to be making a duplicate of DC area to a different portion as well. So let's say this is going to be here. The other area is going to be for maybe the deal, So their products. So let me click and drag this one here. So click and drag this one over here. I think this normally goes and about some other details so you can take your tests to either the direction, everything is also going to turn here as well. Alright, so if you have an idea, you can add them just like this. Okay, let me make a duplicate of this one here. It could be different, it could redefine. It depends on the client that you are planning to design these things. Also, add NVD are going to get something like this. Torque is also going to have detail. So let me try to make a copy. Paste this one here. Control G to group. Then I'm going to make a duplicate of one to J to duplicate the group. And your control or command key, click and drag this one. Yet, we have to repeat one because I didn't need the one is going to ten upside down control to fit everything into screen. So this is how you can design product level. Okay? So when we put this one in this mock-up, this is how it's going to be. So I'll also leave this mock-up for you to also try hands-on and get your own design, gets you own product and design something. Share with us, let us see what you have done. So it is going to be for that anymore. Can we are going to see videos like this is the box top. So it is going to be for the top is going to be finished side as well. And this is also going to be four here. I think. So for the bottle. But so let's finish up with this. I'll double-click here to the top. Then I'll come to our design over here. Click and drag everything here. Now your control key and move this one. Yeah, disable the color and then increase the size for here. So from here you can click on this one and click on Save or click on Yes. Then let's go and check what we have. We see, we are getting the effects. Let's look in the second one. That is a sideways click on load out, then all of these, and then I'm going to click and drag this one over there. These are the same and scale it to fit some space. Then let's close this one. Click on C. Let's go and check it out. We have also here. So I'll come to that second section as well. Disable this one, and let's click and drag this as well, ready? So put it at the same time. You can group it by clicking on control kras gene and then also fill up. I'm trying to feel okay, I think they stopped k. Let's close this one. As always. Let's go and check this one out. Okay, Um, now feeling the vibe is starting to stand out. Then let's do the same thing for the bottle. Okay. It is going to be four. Yes. I think I'll make a copy of this one as well. And when this one here Control G to group, let me turn off this for the first one of k. So with this one, we are going to get a bit of changes. So let me increase this one here. This one here, this one here, then select the, select this one. Then I can increase the size of this. So let's say this is the only thing that is going to come here. So the other digits is also going to be the other side. So let's close this one and see the results. Okay. So let me go and check it out. Wow, wow, wow. This is how you can design a product level, also in Photoshop, okay, It's pretty simple. Just have to follow the steps that we used in designing a key. Then at the end of the day, you can present it as we did earlier in the presentation. Cause okay, so you can also present this one nicely, bashing it to your client. So you can go to File, Save a copy. And you can see we didn't send to the pressing for a review or a final C on the design, does it for this video. I hope you enjoyed it and see what we've done. So it is what we have been able to do and does it for this video or pay.