Easy Drawing: Cute Animals In Motion

1. Introduction: Hello and welcome to easy Drawing Cute Animals In Motion. My name is christer and I made a fund and easy course for you. Here are some of the things that you will learn. How to draw using basic shapes. What brings motion and tension to a drawing? How to relax and be playful. Draw six animals in different poses and situations. How to enhance your drawing skills in easy way. And Tips for developing your confidence. Also, drawing cute animals in motion is like two gifts in one, noting a new skill and be very happy at the same time. That is hard to beat 2. Sitting Dog: So the first thing we will do is to draw a dog sitting down. It will be the opposite of motion. We're going to do this by starting by drawing a circle around shapes like this. Then we're going to have a guideline. They guide for the face there in the middle. There we have the head and falling body will take half of this circle, a little guideline down there. And then we will draw a little box and it will be going almost all the way out to the slide. Sarah, don't worry about being super precise can be very rough. This, it's all an exercise. Why we are drawing this is actually to see what you can do with your composition of your drawing. So right now we're drawing a dog did a sitting down. We will have a low lines that are going in this direction and in this direction. And when you draw this in a picture, it means that something is very stable and usually very still. And you draw things that are diagonal like this. That means that there is a motion to it. We ask them to complete this drawing first and we can talk more about it later. So we will have little notes here. We can draw it in the middle of the crosshair. Here. I believe yes to slightly the light on top here showing a little bit of Glimmer. And along each side or this line we can draw some small pupils. And bottom half is on top of the guideline. While you're draw guidelines is, is much easier to actually place different parts of your drawing. And to see that they're almost about the same distance between their eyes, for instance. Draw that is quite black like this. Then we will have around her like things. You can draw it all away your old. And as you see, don't worry about having super fine lines. You can be as rough as you want to UV, it will look very good in down anyway. That's kinda complete. Dice a little bit better. As you see, I made the nose, not super answers a little bit all this way. And the eyes are a little bit oval in the other direction. To get a little bit of variation. Then we're going to place two ears. I can use the guidelines again. Find a middle point between these two points. And then you can draw, Here's from Bear. Make them a little bit round on the top. They'll do an inner ear. Then we can do the same on the other side. In the real. This. Also we can do a little bit of a line for the nose, Something like that. And we can draw a mouth and I will just make it a little bit to the side here. Quite a big smile. Then we will do with the body. We will have from pulse, somebody that's your drawing from this angle here and drawing it down here. But you're not following the one making the light here. So somewhere around here, it will make them slightly belt there. And the same here on this slide. Slightly bent, lines up like this. Then we have your throat Paulson, then we have a lab decide Sarah, we will draw the bottom half of the first and then we'll be doing half oval shape there. Continue with this shape there and continue to shape. They're up to the corner there. And then another awful like this And I'm from this point to this point, it will be little bend and the same on this side. This point up to there. Then begin of course, have a little tail sticking out there, two little hills. Make sure when you're draw those, you don't draw all the points to the same place because it looks quite cluttered. So just leave a little space between the points. Terrible. We can specify and clarify a little bit from possessed a little bit better. So there you have a good start for your sitting Dog. I'm just going to take the black pencil and filling the details. The mess. Going to say that why I use a blue pencil first, is I a good way to just play around with the lines and that can be quite rough. And the Nikhil used to black pencil to trace over the blue lines. You can make sure that you want to have the black lines in the right position and just leave the blue lines where they are. Because sometimes when you draw, you see that the blue lines may be in the real beautiful wrong place. Draw the lines on the correct place. So to save with the black pencil. Just aware of good way to sketch up your drawings. But if you don't have a blue pencil and you don't like this, you can of course, just go ahead and do do two lines first with us with a black pencil. It doesn't matter. The most important part is that your drawing and you're having FUN. So there you have the head. That was an intuitive from false. The black. The back pulls the body. Don't a little tail. Go up like that. And to make sure that you connect to the ground, it's quite good that you draw some darker lines where the body is touching the ground. And that's just see, but I'm strengthening these lines. The animal gets connected to the ground. I'm just going to connect. I'm just going to draw these lines a little bit stronger also. Because there's also thing when you draw a stronger line on top of a line that is not source draw. The stronger lines pops out to beat. Somebody can see the two animals sitting down and also the different poses are a bit closer to you. And another way to make sure that the animals is connected to the ground. Can always go ahead and draw a little bit of a shallow muscular use the blue pill soleus to roughly sketch out about where I'm going to have that yellow, something like that. Then we will filial share that with a black belt. So I looked quite gentle with my strengthened by hand here. Adult doublet, a shadow to be overpowering. So that's a little bit of touch there. One thing we can do before we leave this drawing, we can draw a bottom half of the line. Stronger. And as you see when I'm drawing a stronger line here, on top of a weak align, the head is popping up towards you. And I want to focus also to go to the face of the animal, in the face of the Dog. Sibos strengthened the line syrup on the nose and also the ice. So there you go, one sitting Dog. And as we discussed earlier, is that our salt dough. Lines that are horizontal, lines that are vertical, are very, very stable. Stations. Quite often the character that you're working with you do with things that are Moriah diagonally like this gives drawing a bit more of a tension. That is what we're going to experiment later on when we're doing the Dog, when it's running. So good work and see you in the next lesson. 3. Running Dog: So in the next drawing, we will draw the dog from the side and it will be running. We're going to start by doing a circle like this. Then we will do guideline across there like that. Then with the body we will do big oval shape. So let's go ahead and do logos shape looking like this. And we'll go ahead and draw the little nose for the dog. And we're going to use the guideline to place the nose. So it will be around here. A little sleeve, just a little bit of glimmer there S without a drawing. That will be withdraw the little shape, a little bell duct that will have the rest of the head following this road like, well, let me look droid longer than the body so I will leave it there and then I'm going to draw a line up here. And then we withdraw the ears. And in this case I will draw one air on top of the head. Like this, the inner ear. So making the error quite, quite drought. On the top there. Nobody can go ahead and find a license to other sides of the head. No way. We can do the other ear on the backside. Something like this. I'm just going to erase this just a little bit. Because I want this to be on top of that is quite good when you're drawing that you don't do. Like in this case that you have one line like that and then you have another line like that. Because it's very hard to read that it's better to have a reasonable doubt the ear on top. It looks like that. Much, much better. And why I put the aerosol top here instead of doing the full line, is that I want this year to really be in front of you and other ear really on the back. It can go ahead and place the ice. Would I? Of course, we are seeing while the width and we can do this with the other one that we place. Well, I there, the lower part, just touching the guideline here. I can draw it a little bit stronger. It's easier to see. When it comes to the body. Before we draw the whole shape. I want to place one of the legs here somewhere all been produced is going down. I will draw one little soft leg like this. Hello, I can complete the line going up there. And I think I walked up to her just slightly on top of the body. Slightly. There we have one pole or one lake you and then we can draw the other one. We can draw it up like that. And I'm making the lines slightly turn just a little bit like that. And then we can draw the leg that is going on top of the building here. We can continue this line out here. The slope of soft line. We will have the other, the back legs here. These will not be on top, so there will be just be starting with this slide. And then we will have nice are slightly curved back and soft in there Draw them back to the body. Something like that. There are about to be the same size, about the same size. It doesn't doesn't have to be super exact. There will be no overlapping here, so we'll continue to draw back of the dog here. The mode there, we can actually draw the little tail that is curved back, ending in the sharp point. Now we can draw the rest of the bacteria, something like this, this slide del top there. And finally, we will draw the last back leg. You can be following dislike about the same curve and ending a little bit sooner that other leg since it's on the backside. So there we have one running doggy, slightly more emotionally into this picture then the other one. We will also add the shadow for this. So imagine that you have the ground about here somewhere. And I will draw the shadow about the same size as the dog, about the same size. So you can draw us a little bit of a guideline down there. And I will drop shadow here. This is going to be a little bit thicker in the middle. And I almost forgot the most important part. The smile is always nice to draw happy smiling characters. Of course, you yourself will be starting to feel very good and start smiling too. So let's go ahead and do it the definition with the black pencil and start with the nose. Leaving us a little bit of glimmer there on the top. We can go ahead and do the head. While you're drawing else to relax and see everything else. Justin, practice. This is nothing serious. So the whole thing is just having fun and playing around. That's the most important thing you do. It's not the quality of your drawing is that it actually that you are drawing. There is something that you really, really want to do. There you have a smile. Continue with the body. Little legs, the back legs, a little small sausages. The back leg, top of the bag. The tail. That is also happy. Like this. We can start to do the shadow. We also be a very young to layer in the head. Just love it. Because a shadow should be the strongest. The middle, older labia. So let's go back and forth. A little bit more strength. Each type. If you feel is going to be starting to be a bit too strong, yes, use your good friend, air racer. Or maybe I'll leave it as it is, starch or the new drawing. Make sure that you save your drawings because it's very important to you to see your progress. All the things you're learning And each step you're taking, every time your skills or increasing, you're getting better and better. You can actually see it only if you save your, your drawings. So there we have a shadow. Now we can see that the dog is sort of flying over the ground. I'm just going to strengthen a few more lines here. Legs that are top there and then storing these lines here since they are on top of the back leg. We can strengthen the headline here. Slightly. Hello. So beside strengthening here on top of the other ear, we can learn a little bit more strength to the eye here and a little bit all above. Since this is more of a cartoon drawing, of course you can add speed lines too. So let's go ahead and just add a few lines on the backyard. Doesn't have to be a lot of them. There should be a little bit different lengths. We're going to draw all of them up here because I don't want to disturb this little thing we discussed earlier. So let's go ahead and draw a few lines like this. Different lengths and also they are ending in different places. We can also strengthen them. You're slightly with the black pencil. If you want to, you can draw a lot on separate lines or one lower line. Load got the dog that is coming in full speed out of the picture here. Probably racing towards some kind of yummy treats. As you see. You can read the speed going into the picture in this way. But we are still using a little bit of the horizontal lines here. Even before him and I drew these lines. We have sort of a box. Here. We have legs that are not hundred percent straight, but they are straight ish. So to give a little bit more life to drawing, what you can do is actually that you can angle this a bit more, not just one length piece or anything like that, but the whole drawing. So that is what's going to do next. So good work and see you in the next lesson. 4. Jumping Dog: So this time we will angle the running Dog a bit like this. We will start by drawing a rough circle. Model shape. Like this. About the same proportion as last time. Number can herb guide us to simple guideline for the head arrow? We were placed in those send-up ICE, something like that. We will draw them now. Notice up here, still leaving that little glimmer of light up to the nose. Will do that little bell. I'm going back to the top of the herd. We can draw the control, the beer, making sure it's quite round at the top there. Either ear. We can do the other here on the backside there. Like this. Then we'll do it in back there. If you feel this might be a little bit too complicated to tilt the whole drawing or do you can actually do is that you can actually draw the Dog as it did last time. Then you can use the angled the dog on the paper. If you feel it's a bit too complicated. Later on you can draw the dogs completely angled. Lafayette freak out if you feel something's a bit too steep for you? Yes. Do what feels natural for you? Makes sure that you continue to do the exercise. To draw this dog. There you have the following the guideline and I'm of course we should do the smile. Still a very happy Dog. I think I drew this line a little bit too long. And as you see, to use your eraser is something is going. As you hoped for. I will try to keep the lines as much as possible in this direction. Of course, I could have draw the leg more like this button Bill kills me alone. Middle line. I don't want that to try to make everything as diagonal as possible. There we have the little leg and then we can have another ligand little leg here. We have the stomach there. And as you see, I'm not drawing the leg on top here. I'm just going to let it continue and connect to the other line, the other leg in the singular line on the back leg. Like this. Another sausage number, have the tail still quite curved? Top of the little tail. And don't worry about the proportions the Dog House adapt to look exactly as two other one. The point of exercise is not to copy something completely. It's about experimenting with how to angle your characters and see what happens. And this time I will look, draw the other backlight on this side. I would actually draw it on this side. There you have other leg? So now the Dog is flying up in this direction, probably making a great leap, beat jump. And we will go ahead and define the lines with a black pencil. Start with those. Leaving that little light there on the top. Don't do the and the ears. And as you see, sometimes I'm just drawing with a single line and sometimes I'm drawing with multiple lines. You can do whichever way you want. It doesn't matter. Maybe it's a little bit easier in the beginning to draw with multiple lines. So go ahead and do that. And, um, when you feel more comfortable, you can draw a longer singular lines. Because both works very well. It just looks a little bit different on the paper, but they have the same almost the same under assault. The only thing I feel personally is that when you draw multiple lines and they are a little bit jagged and crooked and they look more alive to make, to drawing more alive. Then you're serving in bottle along a line. But that's just my personal opinion. You should do whatever you feel like. What is working for the drawing, your drawing to moments, what you're creating. Because they also all these exercises that we do together to be like expanding of a toolbox for you. There's something that you can use, but you don't have to. And you can always meet, mix and match. What are your learning? Using? Whatever is working for your creativity. Strengthen the fuel, the lines. Letting the bottom half of the herb there in the back half be more on top of the body. And that's just the only one strength from the mines. For the ear on the hand here. Go ahead and do we us a little bit more strength to the most awesome draw. A little bit for strength for the lice that are on top of a shielded air. Same here. Just a little bit. Doesn't have to be a super much, just to give drawing a little bit more depth, a little bit more life. So low you have one flying Dog and we have no idea how, how far it is up. We can actually just fourfold. Draw some clouds maybe. Now it's really, really far up. It's almost like you to Dog is the Dog of Superman. But what we can do is we can add a little bit of a shadow down here. Just a slight. That will be vault where you have your dog. Gets a little slide bar. Then if you feel your thing too big, Let's go ahead and erase it. Draw something else instead. Only thing that is good to think about is that it's stronger, some wide display middle. So let's go ahead and just gently draw with a black pencil. A little bit strength at a time. This is also something I like to do is draw these sort of wobbly lines. I liked them a lot. They made the drawing come away a little bit more when it comes to the shadow. But do you love? Don't have to have the less you something I like to play around with. We have collected a dog that is close to the ground. At least it's not just flying around. Maybe this class are actually wallpaper or whatever it might be. And as you see when you compare it, you have a running Dog is still a lot of motion, but we have a lot of horizontal lines at the same time. All of a sudden now you have something that is directly below and it gets much more speed and intention, lot more power. So to say, the Drawing gets more exciting. There you can have something to think about that you have these kind of lines that makes us drawing very, very stable. And then you have lines that I growing like this. What makes the drawing more dramatic, more exciting, giving it probably more weight and power. So there you go, your flying super Dog, probably trying to catch you a Frisbee or something like that. Good work and see you in the next lesson. 5. Dancing Bunny: So next I thought about do dancing Bunny. We'll start by drawing the head. Draw a shape, circle, quite rough while we can go ahead and do guidelines. The guidelines that was draw the body. We will use half of the circle to see where the NADH is going to be. Some other guidelines there. And then drew a line up here and not all the way out on another line of beer. And as you see, I'm very rough. I don't care if I draw some lines that are not supposed to be. It's all about searching for your drawing. So no worries. Place a little nose here and I think we will do a little V-shape. Well done those using the guidelines. And of course, this Bunny supposed to be happy. So let's go ahead and draw two shapes out like this. On another shape, Dog shaders slightly. And then we will have two eyes, and I think there will be quite big ones. And I will place the lower part of the eye ice on the older guidelines, something like that. And then we will leave a little bit of light. And the top half. Why I do this is to give the animals some more life. It's a good way to give a bit of solace to say to your character. When you leave a bit of a reflection there. Then we can start to draw the body. And what we will do is we will have a line coming from up here. I'm touching this line. So it will be a I'm shape there. Then we will draw, continue that line down here. That will be touching this slide. We'll go back up into the body. So various softer round shape like this. Then we can draw a little wrong shape there. And over this corner we will draw the other leg. It will be stretch out to beat like this little round sausage. I'm not going to do any overlapping there. It's just point-to-point. But on this side we will do some overlapping of withdrawal from this point up to here. Roll shape for the body. So very add the Bunny. And then we will draw the front legs. They will be slightly raised. Something like this. About the same size as the back legs. As you see. I draw this line maybe a little bit too far ahead. I will just erase it and they are selecting the two lines touching, touching each other. Like that. A little bit too many. Double waster. Let's go ahead and draw it a little bit more precise so you can see what we're doing. We can go back to this side and I will handle this a leg a little bit more out towards this direction. And doing about the same size as two. Otherwise, we cannot, of course, you measured them if you want to, to see if they are about the same size. I think I will I will erase a little bit of the headlights there also. It will be easier to see what I'm doing. Drawing this leg and it's going to go back to often shapes there Then we can draw a little bit of the head to go ahead and close this circle. Like this. Feel free to have your lines as rough as you want to. And we will have the two ears, since it's the Bunny, it should be quite big ears. So I will sum to them about their on both sides. So I will draw slightly curved line out like that. Very soft and round alleles do. And the anemia inner ear that is about the same. Outdoor areas, smaller, something like that. Let's go ahead and do the same without decide. Place. This may be a little bit higher up. You see, it doesn't matter if you have here's exactly on the same side or if there are exactly the same size, it will look good in any way. Once you have finalized Drawing. Make this just a little bit, little bit higher up. Yes. There you have a vibratory cute Bunny. Wondering if issued. Can do a little bit of Shem there to super-happy. Then we can go ahead and draw the details with a black pencil. Starting with a V-shaped knows. None the mouth, very slight shade, not too strong. And don't worry if the shading is going outside the lines, it doesn't matter. It's all about doing this practice. And eventually, your drawing skill will be so good that you can place your lines exactly what you want them. Doing. Shading for the eyes. I'm leaving that little sparkle there. The Bunny full of life. Do shading here to just putting more and more strengthening to the shade. Then I will do cross shade. So it's a good technique to do if you have problem to draw a smooth shading. Just try to cross the lines going in two directions. Adding a little bit more pressure all the time. We can also slightly draw little line there to save the light. Then we can go ahead and do the rest of the hat. This number here. And as usual, feel free to try both very long lines or these small lines. He's good to practice both of them. Shelby sausages. You see, I don't always follow the the blue guidelines. Sometimes I feel that there is supposed to be a little bit more room. I asteroids course, it's very good that you always think about that everything in your drawing can be changed at any moment if you want to. And it gives you a much more freedom and it makes the relax all so you don't have to find enough to find a perfect line hold the time. It's better to just explore your drawing. I'm just going to strengthen the lines here a little bit more. So the focus goes up to the head Also draw little bit more strength here in the ice. So there you go, warm, happy balance, seat belt Bunny. And we should also add a little bit of shade here also. See what bunnies connected to. You can draw the shadow above this slice. About. Just makes sure that the biggest strength is in the middle of the Bunny. And especially here where the foot is touching the ground. So let's go ahead and find the most of the drawing here. Starting with a very soft line, touching to alter register. I don't have any a little bit more of a pressure and soft and they're a little bit more here in the middle. And the role different. Then we can some extra strength fair to the top there. If you're draw a line that you're not so happy, we deal school back in the race. Race deadline. If you want to. Discussed earlier also, don't freak out. Dissolving is not going your way. It's all about exploring the empty space of the paper. See what's going to happen there. If you get one of those rogue lines and it's really bothering you, erase it. Let's continue with your drawing. Meals going to strengthen the mindset are going on top of that. So you get a little bit more waving with the legs. Same here, just a little bit there. There. So there you got one happy bouncy dancing Bunny. And it got a lot of energy and motion. We can really feel that it's dancing. But in the next drawing, we will see what happens if we tilt the Bunny is likely like this and we get the diagonal line for a little bit more of a dramatic look. So good work and see you in the next lesson. 6. Tilting Bunny: In this lesson, we will draw the same kind of Bunny, but it will look a little bit different. So we will continue to start with drawing a circle for the head. It doesn't have to be the exactly the same proportions as ISO standard one. So don't worry. But what we'll do, instead of having your line that goes vertical way, we will do it diagonally. Something like this. This gives the drawing a little bit more of dramatic look. We will try that out. What do you can do if you want to? You can now just have the same guideline for the body as the head. Going like this. That means it's really, really tilting, tilting. It said, we'll do the same proportions as last time. I'm draw the body are slightly smaller than the circle. And as we discussed with the Dog when he drew it, if this feels a bit too complicated to draw something tilted like this, draw it just standing up and you can just cut it out slightly tilted on a new paper. And then you can continue to draw the shadow and everything like that. So you can see what happens to your drawing when you're handling it differently. Blade, you can continue to practice the drawing. Looking like this from the start. So you can try both. This is a very good way to do it if you feel that you are coming to an obstacle and you feel really frightened about it. You just walk around. It is the best way to do it. Draw something that is more simple and apply it to what we're supposed to draw and the US continue. Because the most important thing you do is that your drawing doesn't have to be perfect or anything. So let's go ahead and do the face for this little one. Starting with the nose. The reshape. Those two small bands. I'm the mouth, shades little bit. We have the pies. All sides. Tried to use the guidelines because it's really helpful. Especially when the brain is going a little bit haywire, maybe when you're tilting and objects, it's always good to have these lines to follow. Another thing What do you can do is also when you're drawing your to your state, take the paper and when you're supposed to draw this, like this, angle the paper up so you can draw it straight and then you angles paperback again. There's so many different ways you can go about and drawing this, this exercise. Try to stay inventive. There we have the head and then we're going to draw the body. And I will use this corner to draw the first leg. They're all a little bit of a sausage TO here. Draw it quite straight up like this. We can go ahead and he'll start disliked. I'm going to leave some room here for the arms, different lakes. Then we have line up there using the corner for the other leg. I think we will draw it a little bit upwards. Having another diagonal in this way. Because if you were to draw it straight doubts, you get stopped as get the drawing that is more stable. And we're not looking for that at this moment. It's enough to have this line here. Language and the dramatic lines up there. The body and leaving a room up there. So what I think we will do is we will draw the headline first here. This side can actually draw them on both sides like this. Then we're going to have the frog legs or arms Going behind like this. I must go into Dog, draw it straight up. So this is also a little bit angled. Will draw the last one. This will be not tilted straight. I think this will be tilting the character too much. So I will draw it slightly like this. And the US doing a little bit of a bump. For the arm. You have a very dramatic pulse. Almost like ballet. Dancer. Put dots a little bit of guidelines for the years there. I think I will bend them a little bit more than the lost time. Since the bunnies in motion control this ear. You can of course draw it symmetrically like this. But I think we will have a little bit more of emotion in this direction. So I will draw This ear a bit like that ball. Slowly get to Bear and nice motion near the bunnies, dancing like crazy. Something like that. We can go ahead and defined high cell, so a little bit better. Something like that. And also the shadow straight up here. And you can have a shadow that is not as big as this one. You can draw it just a little bit. Before that half of this, not all the way out here. So it's somewhere around there. Let's not forget other for this false, I think in them because they're shorter shadow your draw, the more attention goes to it. I like to have this leg having a lot of attention because this is going to be the balance of this character. It doesn't feel that is falling over. Let's go ahead and define the lines with a black pencil. Slight shade for the mouth. Can draw. What I want you to do when you are doing this exercise is when you draw the legs. Try to draw them in different positions. We'll see what happens to the character. Also the same with the ears. If you draw that they are belt in different directions and how much they are bent. Because right now there's another motion to this character, but it's still in control, so to say, still imbalance. What you can do is you can draw a character that is having his arms completely down like this. Oh, maybe the arm up here. See us feel free to explore this post as much as possible. So the ears, the inner ears. Because the thing is when your drawing and you really want to learn something the best way you skills to try it out. And even though it doesn't go as planned, sexually when you're learning, because if you draw something and you think is perfect, you have not learned anything in the best ways to experience the animal. You want to draw. Not just think about it. And also don't freak out when you feel that the drawings look perfect because that's actually you have to say to yourself all the time is that we shouldn't be this way and then you're actually learning. So every time you sort of make a mistake, see it as rewarding stuff. Instead You're really, really learn something. First, a little bit too much to do. Bunny Aerosmith, I actually drawing a boundary, but that is life. Earning more strength to the ice here. Multi-focus to go up here to the face, will do the shade here. Shading very gentle. Putting more pressure here in the middle. Rhonda. They'll start little bit of my wobbly lines. For me, this feels very nice to do, but actually her, I've been doing it way all life maybe feels very strange for you, so you don't have to do it, but Hubble ASCII us to try it and see if it's self-funded. He's working for you. There you go. You have to dancing Bunny in different poses. And I'm just gonna draw a very simplified thing here underneath. Slowing way, you have a quite stable line. Here. You have a lake like this. You have another diagonal line here, and another dyadic go online there. This is quite diagonal also, so you have a lot of motion. You have these four lines and also that you have the bunny ears. So at this stable line is not dominating the picture is actually what legs ears are doing. Very well. You get the motion if from when it comes to this Bunny, of course you have long diagonal line through the Bunny. Then you have a lot of motion. Another motion from the ears. And then you have lines from the legs. And all the thing that is sort of stable in this line is this one that is quite needed. Those things it does need to have some kind of balance. Well, here you get much more dramatic lines compared to this bowl. Both are still in motion, but this one is more dramatic. I will say that there's no right or wrong. It's just a matter of what is happening to your drawing is very good for you to understand that about this, that you have stable lines and then you have more dramatic lights. So that is something interesting to think about when you're making a post for your character. So good work and see you in the next lesson. 7. Kicking Bear: So next I thought we will draw a Bear kicking a football. Playing soccer, depending on which part of the world you're from. We will start by drawing a circle for the head. Just a rough, Well done. We will draw a body, and this time we will try to use more curved lines to get more tension than motion into your drawing. So instead of drawing a box like this, we will draw current lines. And the body will be about the same size as the head. So just imagine that you have a line down from here. You will have the back of the Bear sticking out just lying there. A curved line like this going up to the head, something like that. And the same order for Altair. Nice long curved line like that. When it comes to keeping your animal 2D is that soft lines, wrong forums and bigger, ice mixed animal cute. So if you draw the head too small, so to say, it will not look just cute does if you draw you a very big head and the same with your eyes, that it's very good to keep them soft and quite big. Also, since the character is going to be facing in this direction, we will take the head and turn it slightly like this. And instead of drawing a guideline or straight here, we will do curved line like this. There is about the middle of the face of the Bear. And it will not be straight like that. We will angle the head. Selected to site two. There you have your guidelines that we can start to place than those of the Bear. That can be about like a triangle but, but with very soft corner syllabus, I believe. Some light there on the top. And under ice on this thing will be quite big. Other, I will be somewhere around here. And I'm making different forms of the eyes because this is more from the front, so it will be more like a circle and this one is more to the side of the head and it will be more of an off. But what they both have in common that we believe little bit of light there in the top half of the ice like this. And of course you can go ahead and draw a mouth that is very much in the center, but to help them out more to one side. And that will be quite open. So happy Bear loves its playing football or soccer. Then we will draw us a little tongue there also. Other shape and then the little round shape there and there have them both shaded, very unclear. And we will start to put out the rest of the body here and we will follow this line down like this. Then there will be another curve up here. Almost the same as that. This is curving a little bit more. Up towards the, this slide. We will have some pause here. Almost shape. The rest of the poor will be flat on the ground and I'm going to go back up into the body like this. I'm going to draw the other leg. And as we discussed earlier, if you have too many lines that are stable, Be not super good. So what we will do is talk not joy that leg straight out. It will be just a little bit up with draw straight lines first to see about where the leg is going to beat. Number will have the foot about here. We're all here. Will be angled a little bit forward, lift straight up best a little bit tangled forward. Like this. If you want to come, of course, do a little bit to measure mental. See that both feet are about, are both poles are about the same slice. We will draw that underneath this foot. So there will be another line here. There you see the underside of the foot. And then instead of this straight line, we will just slightly a little bit. Same up here, a little bit. There you have the other leg. If you want to. If it gets a bit too messy, we can of course, erase a little bit to the lines here. You see that, well, one leg isn't top of other ones. I think it will make this for millstone, little bit softer. Grow up and make to body size. Just a little bit rounder here. The level of care of the leg up. Same here. Covered up there. Draw it all the way because we're going to draw the arms also. Because what I buy I did is that I felt that it was a bit too sharp here. I needed to have it a little bit more. Round shape. For me, it looks better. Now we can go ahead and draw the arms and arms are since there's kicking us a little bit back to a soft curved line like this. A little bit angled out, not straight doubts. And other line that is more diagonal and done in the end we will do a circle like this. Is not will be the hand or the other pole. And it will be clenched like this. Since it's a lot of power in this picture I want you can do is you just draw out, start with drawing out the thumb like that. Number can draw the line back. And then we have this little line here, top of the thumb. And then we can use draw around nice shape like this. Back to the arm line. We can draw the arm up like that. So that's a very simplified form of a clenched fist. Since it's a cute animal, I prefer to have it quite soft. But what do you can do is if that is the thumb and, and you have the rest of the there, we can draw some circles on it if you want to. Like this. So I felt like that maybe it looks a bit too little, bit too realistic, but it's another way of drawing a hand. It's still cartoony. So you can choose whichever you want from that one. May have these 32 legs them to we can find a mess a little bit better. This one I will let the leg line go on top of the back of the foot there. We make this quite flat. Will make disliked. Go on top of the rest of the foot. And also dislike is you're screwing up into the lake line. Makes him draw the buttons little bit clearer Yes, make sure it's a little bit angled out like that. Then we can draw this line all the way up to something like that and just making sure to slice carer back into the hat. Mckenzie finished. Blind the bottom half. Feeling about where you want to have the facial features. I'm just gonna leave a little bit of room up here. Of course, over draw the ears. Even drew Dislike, Maybe a little bit too far ahead. So here we will have nice round Bear. Let me use the headline to draw the inner circle there. In the rear. There you have one air. Then we will have the other ear on the backside so you can draw it somewhere around here. The inner ear there to there we have a very cute Bear player. And what's missing is, of course style, there are many will be. If you imagine that you have a line going like this, continuous somewhat. And they go a little bit. So it's not straight out. Youngest, just a little bit. Downward curve. So let's go ahead and do a a dunked line, something like this. About the same width as the other arm. Then we can draw the ball there. You see? This line is definitely shorter done side going down there because their bodies is disappearing a little bit on the backside. And that means that this arm is going to be a bit shorter than the other arm. Then we control that Simplified clenched fist or clenched pot. Looking something like this. Just makes sure that you leave a little bit of room here between the the foot damper. Have I think that's a good start. Course. There will be a little bit of shadow here. What do you can do if you want to easy us to draw just a little bit of shadow like that. We'll see how that feels. Then you can try to draw a shadow that is something about this slice. Draw it all away out here. What I will do is you stop alleles, draw this little shorter shadow first for you to see. But let's go ahead and define the lines sort of Character first. I don't know. When it goes to a drawing where you start. I don't think you saw many people are actually starting with the shadow over the ground. Most people start with some details. There are centered around the face of the character. Leaving that little glimmer all night to make him do the cross shading. Don't forget about those glimmering. Mynster to go ahead and do the how and why I draw long throw and lines here on this, here, but I draw lines here to show that there's a little bit more depth to the drawing. These areas, of course closer to you and this error is on the back of the head I think I draw this line a little bit longer, too long. That's where this task earlier is that is square root good that you have your lines very clear like that and they're not crossing each other. But don't worry if it happens, you can always erase them or just to remember to not do it when you're drawing the character one more time. So there's no need of freaking out just because you make something that you're not super happy with. Just a good experience. And the way of the best way of learning your mouth. And just make sure that this shadow is not stronger than the shadow of the oldest strength of the lines on the ice. Because two eyes are always more important than the mouth. Looking for Health and do the body. Remember to have a very good curve here? It's draw curve. You get a lot of tension and energy into your character. You can really feel the motion of this football kicking Bear line that Galloway there. And as you see, there's no padding. Use your eraser and redraw the line. Then the other foot there. All nice slight got a little bit too messy. They're unexpected and the arms shouldn't forget about them. I think in this case I will actually not this line your school, little bit on top, their lower, you can see that this bowl, both lines are really collecting. And you get the real nice flow up into, into the health of the character. Rome. Nice. Nonetheless, dormir, on the other side, almost likely to boxing gloves these. And let's go ahead and strengthen some of the lines here showing which parts are on top of the other parts. Let's go ahead and do a little bit of this. Same here. Little bit of strength. They're just making sure that the right leg is on top of the body and the left leg. Strength sold me, sir, to maybe a little bit a little bit more strength on there needs to fit. Of course we, we should do a little bit of shade here. Being very young to go forth and back and just adding a little bit more string fish time. As I said earlier, I will have a lot draw the full size of the shaders time. We'll just leave it like this. As an exercise, I want you to draw a little bit of a bigger shadow. But because I want at the moment of a lot of tension or a focus going up from this, this foot into the character. And of course, this Bear is going to kick something. And let's go ahead and we can do football to start with a soccer ball. So we'll go into our draw a circle like this. If you're want to keep it very simple. So I will find is full with a black lines Immediately. So that we have a very simple, simple football. What do you can do is to give it a little bit Dog weight. We can join us a little bit of shade on one side like this. When you do this, it's easier to see actually, where did wait, this new normal that is going in this direction. But I can just show you how he's about to draw a soccer ball. The football, you can, it's based on penta goals five, coordinate your metric shapes. So you start by drawing a shape going like that, and it is pointed down here. You can draw it quite big. Then you draw a line down here alone out there. Line out there. On the line of from here there will be a line coming up like this and then you have another line there. And here you'll see the alleles bit of a corner. The same here you'll see a little bit of a corner. We will have growing up there. It's meeting this line. Going down there. Don't worry that all of them are exactly the same size. It doesn't matter. People will understand what kind of symbol your drawing, Something like that. So then you have dark spots like this. With us, draw the lines more clear like this and the lemon yellow. Shade them. Young, playful want to have a very simplified football. It's not realistic, it's a little bit more cartoonish. This pentagon sizes are a little bit smaller, but I always tried to make them a little bit bigger so you don't have to draw some details. It's quite rough, but it works. And of course, we have to maybe think about our North American friends. People are very much into American football. We should also draw a wonder where we should draw it. Actually. See if there's some room up here. Oops. Sorry about that. I saw that is true outside of the camera. Let's go up to her. Don't redo this. And as you'll see, I make a lot of mistakes and I'm not freaking out. And that's something that you should really think about. Don't worry if something is going your way out to draw it actually down here instead. We will do the same thing. Guideline, shape, waffles shaped like this. Let's talk a little bit more distinctly. In the middle. We can actually start by doing these two lines that are here. Make this bold else to little bit curved like this. So it doesn't because if you draw lines that are very straight, it gets a bit stiff. So just imagine that the ball is slightly tilted to one side. You have area here where you have I didn't know how to explain it in English, but you have a white threads with a bowl is stitched together. Just imagine that you have a formed like that and from that, you can draw three threads crossing it. Something like that. Yes. That looks okay. Let's go ahead and define the lines a little bit better. I don't know about you, but I have played both forms of this, these two sports. Of course. Since I'm from Sweden, this has been many, many, many more years than How long I played American football. Very happy that I tried both sports. Very, very different. Both a very funny. What we can do is we can actually shade football a little bit more Section. Remove a little bit of the blue lines, their ritual that's just to see that there are some parts of the Boulder this little bit more white on the severity. You to shade. Since the American football is orange, reddish. Know about you if you have tried both sports, but if you have her mom 2% sure that you can add some of your experiences to these drawings. Even though if you have not played any of these sports, I love the present show that you have seen them on television and can add something from memory that you have, maybe watching a game or something. So there you go. I happy Bear kicking to football as it is at the moment. And as you see, this is a good way to get motion into your picture. Having these kind of lines, very big tension going up like this. Loss at the same time, make sure that you don't have any lines that are going horizontally. You're always trying to angle the arms and legs a little bit. So good work and see you in the next lesson. 8. Catching Bear: So in the next lesson, I thought we will draw another Bear who is jumping up and trying to catch the football. And I thought bubble to start by drawing a circle here. Quite a big one. I tried to make the head a little bit bigger than the football because if too many shapes are the same size, it's a little bit confusing, so just make slightly bigger than the football. Then we will have a guide line going up like this. So we have something that is diagonally shooting up. And then we will have kinda mess your list to the head size. That is going somewhere around here. And from there we will the legs. And then we will have, just imagine that you have a shape going like this. So quite much smaller than the head. From there we will have to be belt's going from this point to that point in the same odor, decide like this for the head. Just imagine that if this would have been if the catalyst looking at the bear is looking straight at you. What we'll do, it will be looking more words. So we will have the guideline somewhere around here. Since it's a bowl. If you have a line that is straight when it comes up like that, it will be following the outer edge a little bit so it will be more rounds guideline. There. We can place the Bear nose like this. Then we will have two eyes looking sulfur like that. And then drawing like oval shapes because this part of the head, this more on the back. So he's not going to be around ice. We can draw like this. What's going to draw it all the way? Because I'm going to say same a little bit. When we are going to draw the arms. We can actually throw all the just a little bit higher. And this Bear is probably a little bit more concentrated and maybe making a little bit TO, with his mouth. But just draw the mouth like that. Almost like an oval shape. They're almost rolled. Then we can have two arms going out from the body like this. I think we will actually handle them. A little bit different. Let's go and give them a little bit more room. So do not hundred percent straight, dirty little bit curved. The same on this slide. Little bit curved out like that. There will be two balls for the house. And in this case, I think we will draw the fingers. Let's go ahead and start with a thumb. Just a little sausage sticking out like that. And I'm following the bold, I'm doing one more finger. The second row. The third row. Then you have to shape the going back like that. They have your first, first-hand to touch for sausages on the hand and this one is dumped out like that. Like your thumb is doing. And other ones are a little bit more straight. Because when you're drawing cartoons, usually draw You only draw four fingers lot five fingers. Some business coming from the animation industry. They just lost one finger because it's faster to animate. It looks actually cute. Also. Have your first. Let's go ahead and do data while doing the same thing that you have a curved line out like that for your thumb. You have your three other sausages. Don't worry if they are not the same slice or feels a little bit uneven. They can take a little bit of practice before you feel that you're gotta rights thing is that. But something to remember is that usually these fingers a little bit longer than that one, That one is longer than this one. This one is usually a little bit further away than these two fingers. Slightly. There something I do usually draw a little line here. Why do we that is to show the thumb line. It gives a little bit more depth to the hand. If you feel it all want to do it, just go ahead and just ignore this. So there we have the hands and then we can place the ears. Why I drew the hands first is the I don't want them to collide with the ears. So now we can just draw some round shapes up here. Draw this one a little bit too far away. My hand, my brain is not best friends today. Much better and everything else. Go ahead and draw bit of a line for the inner ear. When it comes to the eyes, I thought instead of your drawing completed black eyes, I want to actually draw some pupils. Hello, want them to look at the football. So you just imagine that you have a line of sight like this. We can see that is looking at the football. Can draw the rest of the body here. Nice curved shapes. And then down their region, draw some, some pools. Small ones will have another curve up here. Let's come to draw just a little bit further. So we have about the same thickness of both legs, Something like that. Let me just go into make sure that I have a little bit over there. We can make Dean done to us a little bit bigger on this side, do a little bit. Just to show that actually have a little foot tear. And we can also draw some torques. And as you see, you don't have to draw as many digits on your feet, then you have all your in your house. It will look good anyway, we will understand that there are two tiny, cute feet. Make sure that this whole top here are going to close this circle. I want to leave it open. Because if you close the circle, it actually cuts away a little bit of the tension that you have here because you really feel that these berries really trying to catch the football and flowing up, jumping up from being route. Let's go ahead and draw the nose. Let's leaving a little bit of like Darold top of the nose. Lines. That little symmetrical mouth. Make sure when you're drawing the shadow what to do it. Too strong. Control that is, the size can be completely black. Fill them. The other My go-to way there. I didn't want to have this. It looks almost like angry. It's just concentrated. When it comes to is you can, of course, experiment. And sometimes when you're drawing this picture, you can actually fill in the whole eyes and see what happens. You can make dice look at a different direction. So it may be very confused. It doesn't really know what it's doing. So let's go ahead and your spine. Feel free to experiment with the look of the ice. Loss draw. I don't put so much pressure on this line. The outer lines are more important. Fingers. Making sure they are nice and round. That little thumb line. Very nice, long lines showing the tension of the body. I'm not going to put so much weight on the feed because in this case, it's more interesting to see what's happening up here with the head. Loss of a new Bunny, draw something. And you put a lot of weight up here. It means that your attention is following the body up like this. Show. Can also go back and put a little bit moral strength here for the football gets a little bit, a little bit more connected to the, to the Bear. And also, we should probably put out a little bit of shadow here underneath the bear to see that is sexually flying. So let me ask and I add a slight shade here. Being very light on making sure that most of the strings are in the middle ear. Sizable. Like that. You have a reference point also that it's not just flying, it's actually coming up from dispositional full force trying to catch the ball. So there you go. To bears playing football, having a lot of fung. And as you see, there's a very good way to using these long curved lines to get more of a motion and tension in your drawing. That's the same time. So also how you angled and position your characters. So good work and see you in the next lesson. 9. Calm Cat: So next I thought we will draw cats flying a kite. We will start by drawing a normal shape. It will be slightly turned this way. So somewhere between the oval shape along a complete circle, one guideline here. And then we will have the middle of guideline, somewhere around there. And we will have a body with all we're going blind. Notice almost all touching this one. The length for that there'll be about the same length as the head. Somewhere around there. We'll have about the same width here, just a little bit smaller. This will be the body and it will be slightly shapes almost. It's almost like a pear shape, almost like this guideline, a slightly in the middle ear. That's you see, you can always change things. Only go when you're drawing. Nothing is set in stone and done. We will draw two arms. They will be all shaped. One is going to be just touching this line. You draw it out to the side here like that. Then we will have another shape here. If you want to, you can, of course my show down, we'll see that they are going to be approximately the same length. And you're measuring from the side of the healthcare? Yeah. I think this will work. Just make sure to angle this one a little bit dull and not just straight out. And now we can go ahead and find out a little bit better. It's going to draw the line almost all the way up completely. And the guideline here, we will draw a set of ways. There are approximately mid-level that guideline and do them black. Loved it up. We can do a Knowles and let's place it a little bit further down here. So we're all here. Awesome oval shape, something like that. And then we can have a pair of ears. And the point will be somewhere up here. The lines will be slightly, but it's not completely straight. On top like that. Then that's going to draw a little bit of the headline on top of them slightly. And then we can just go ahead and draw. Very young click the other ear. Why I'm not drawing the air completely? Because we're going to have a little bow here. Let's go ahead and draw a little circle. There will be biggest shape coming out from it. Looking like that. Draw this even a little bit bigger. Like this shape to the other side. I think this one got the little bit too small. So let's go ahead and use the eraser. I guess. You can recognize the Character by no. No, no. Their mother? Sort of circle can even make this shapes slightly bigger. I'm going up there. Now when we have this, we can completely complete the hair sticking out from underneath the boat. I got a little bit two-minute double lines. There's obvious gonna do like this. There we go. And it can start. The next thing by doing the arm here. We will have a little line there. Making complete outside of the form. We can do the other side here, but asleep is. Then we will draw a little thumb. Adult draw the thumb too close to the slides. I have a little bit of room here. The thumb is the hasta little, little lump circle there. You can complete the hand erasing again. Chem one line there. And if you feel that you won't have to thumb a little bit bigger, don't be shy and just increase the size. Will see if that is working better. Look better this one. Now we will draw her dress. All draw a little bit of a belt line here, not completely straight. Little bit bent. We can complete this line up here. Going back into the head. Why I draw the arm first is that I don't want the address line, etcetera to be cluttered with these details. It's always good to draw this arm first. Draw the thing that is all underneath it. So you don't have to analyze intersecting. I think we can complete the legs. Soft care of. Another slight curve up here and underline will be stuck together. We can do the same what I decided to go way up to the outer edge there. No, it can do the other other arm here. We'll start by doing the line for her sleeve. Her hand will be folded like this because she will be holding the string to the kite. I will for their hand up like this. Whereas soft, soft forum and then we can draw the arm into the hand like that. Then we can put her little from the site little circuit. Before we go ahead and do the kite default rebellious complete, or head or face. And we will do the whiskers. The top whiskers will be about where the guideline is. Let's go ahead and draw whisker then starting on this slide and going out like this. Then we will have another whisker there that is a little bit shorter. Whisker is about the same length I started. Let's go ahead and do the same thing and you decide long bone first. Little bit shorter on them. Next. A little bit longer one. I don't worry about if they are going to be crooked or anything. It will look completely okay if when you're finishing the drawing, so not worse. Maybe do a little bit more strength to the bot here. We also changed the chains to form your slightly. We can erase those extra lines little bit. So let's go ahead and do the kites. And we will do a string coming out from Your thumb is it will be a slight bend like this. Because we don't tend to have too much tension to the, to the kite. Draw it a drawing just a little bit too long. Let's go ahead and just do it to that place. You see if you just measure it, it's about the same height as the That's the bot. Why I don't want to have this. I don't want that the kites that direction to stable. I asked want to have that is smart and slightly this line is going into the kites side. We don't want to tight being too big, but let's go ahead and draw another line there so it's form sum across. You can throw on the altar lines very easily. You can have the kites in any kind of shape. I prefer the top half to be a little bit shorter than the bottom half, but you can have them completely the same size on both sides. So you can make a lot of variations when it comes to kites. Will do a little bit of both CO2. So not all the way up here, but just leaving a little bit of rule. The draw the bow a little bit further down from that. Be another subtables. Clarify that line little bit better. Snare, she's holding a kites. We should also have a little bit tostring coming out from her hand. Will be not touching this line. It's just a little bit further down on their health. You just make it a little bit of a almost like an S-shape there. Let's go to a bit cluttered here. So let's go ahead. The brightness a little bit better. Thumb is really touching to live there. Yes, I think six looks very good. Let's go ahead and define the drawing with the black pencil. Just thought by doing the most. So we will do them. Completely. Black. Can do. When it comes to this Character. Of course, there are about this many versions of her STR people around the world, I guess. So. Feel free to use your favorite one of do you have done this exercise? There's a lot of hardware and she has a lot of dresses. Also, her face is a little bit different from some of the different versions. So feel free to experiment. The whiskers represent happy with these two lines that I drew. This one got to beat too crooked. Prefer to be a little bit more straight. I got 2 min, two double lines. So I think this looks better. Number will do the forearm, the body, making sure that she has address. So under other arm. Oops The double line, be sure that we remove that one. As you'll see, I'm not freaking out just because I'm doing double lines. I'm just erasing and redoing the lines. Consistent. Asked about when your drawing to learn something is also about being relaxed, being a nice flow, and feeling good. Don't forget that. Let's go ahead and do those two little balls here on the string. That little S-shape here. As you'll see, a little bit too many lines and I got a little bit too cluttered. So I will just Recheck Design a little bit better. I will make sure that this line is not going into that lines. I will just a little bit before that tool. And of course have to do her dress properly. So let's go ahead and do a little bit of a double line here. And usually she has her dress with two bottles. You can leave it like that if you want to, but overload two bottles here for address. Something like that to noise circuits. And lastly, we should add a little bit of shade. Because I want her to stand on the ground. Would say that most drawings of these characteristics very, very clean and there's low shadow on the ground, but I also want to add, add a little bit of shadow for you to see how it looks. So let's go ahead and do adjunct or soft shadow here. As usual, don't worry if the shallow lines that are going on top of your drawing. Adding a little bit more pressure. As I go along a string from the limestone here. So she's really standing on the ground, touching hurt. We can also do. So strengthening of lines here. That's going to work with a little bit more of a jacket. Mindset. Also do a little bit more strength on her bow like that. And then of course, go back to her ice, giving them more focus and a little bit more strength on her nose. Then we can make sure that we can see that the arm is on top of her body here. And also strengthen dislike. So we can see Strengthening, not destroying the line. Strengthened to lines. So we can see it's going on top of the dormir. Can also do the same here for her for her hand. And maybe you think I'm repeating myself a bit too often when it comes to it, but as you see, I'm not freaking out. If I do something that is not hundred percent accurate, it is part of the process. Maybe do a little bit more of a strength to the line for the kites and also the outer edges. So we get a little bit more focus Altair. So there you go, one little Cat. And as you see when it comes to motions to this, there's maybe not super much happening with her body, but we are tilted add a little bit. And also we can really feel that is flying. It's not a, maybe a very dramatic line, but there's some tension there. We can really feel the kites soaring in the wind. So good work and see you in the next lesson. 10. Tussle Cat: So draw another Cat flying a kite. This time, we will add a little bit more of a drawing, the picture, the drawing. And we will start. As we did with other jobs. Drawing will always shapes that is slightly tilted to the side. And this Cat had will be turned in this direction. So we will have another guideline here. I don't like this. You know, about where the gnosis going to beat. And then we will have a body underbar to will be about the same length as the head. There will be somewhere around here. So imagine that you have a line coming down like this. For a lot of feet above, the pulse will be around Bear. And all from a little bit further ahead from this guideline, we will do a big band going up from the head domain to the foot or poll. We will do a little bit of a heel here, just a slight bump. And then you can have the poor growing up in this direction. Then you have the little pore there. We will have another bell down here. Following disliked slightly. No worries, they are not. The present similar. It will look okay in the way. We will draw another band up here. Other leg crossing this well, we will have another leg line there. Make sure when you draw his leg that is not two horizontal. Make it a little bit diagonal. We can throw up their foot there. I made sure that it's wrong. And we can this line slightly so it's not too much so, and that's their draw this line, Altair. Wonder, do the foot looking like this? In this the same here. Try not to have the two vertical. We just add a little, a little bit. No, we can go ahead and draw the line here. Making sure it's nice, dramatic curve. That little hill. I think we will do a little bit more about big your form here. The front of the foot. Along the back. That's not nothing that line overlap a little bit. So now we can go ahead and do the arms. And they will be very much in line going like this course. That will be the line for the kites. And somewhere around here we will draw the kites. And then we can do a cross here to I feel like that form the outer edges of the kites. This got a little bit to metabolize there. So let's go back and use the eraser a little bit. The kite. Nobody can position the arms. Imagine that you have arms coming out from underneath the health here. Should specify this little bit. But first, we see what we're doing. We have the head. One arm can do the first. We will go ahead and imagine that the string is going in here. So you will form one. Bump the thumb, then another form for the rest of the health. And we will draw the harder. It will be overlapped into this. Well, you also drawing nice round shape like this. We will have a thumb line somewhere around here. And not letting it's going all the way down to the weirdo line for the coat is just a slight rule between there. Can draw the guideline. We can also draw what we see yoga, other arm here, maybe a little bit bigger. Like that. Just making sure that not all the lines are interconnecting. There. You have a cute to really struggling with the kites. And even though the baseline is not super long, you can really feel that it's talking. To go ahead and draw the features of the Kettler. Can start by doing a little soft triangle, therefore, the nose. We can also go ahead and complete the circle all around. Then we will do shapes looking like this. Course is really squinting, it's ice. Really, really putting a lot of energy into holding the Kaitlin controlled. And for the mouth, we will have shape looking like this, sort of a crooked triangle. Then we can put out some, some teeth, a bigger grid. And then of course it should have a pair of errors. We can have them also. Hello, belt a little towards this direction. And this is same oldest side about here. Doing a little bit of a bummer. I think, of a race to dislike, slightly, just a little bit. So it doesn't really go into the headline in the same, the same church. I also expand slightly also. Know you have two distinct lines here. Let's go make sure that we see what we're doing here with the forums, etcetera. This kitty should of course have tail. The tail is probably starting somewhere around here on the backside. So let's go ahead and see if we can See where it is coming out from, somewhere around there. Because merging that is almost about a line from the leg here. Then we will just make quite a dramatic curve for the tail. Making it a little slightly bigger, indent. Something like that. Lovey goes to powerful set of lines. On this side of Cat. Also. Two big flowing lines here. Very nice flowing like there. You have a stop here underneath the heel. And then they have the other foods and arms pointed towards the kites. And we should have some whiskers. And I thought instead of having very clean balls, maybe they will be slightly crooked like that. Notice same on this side. You feel that the Cat has been struggling quite loved with the kite. Let's go ahead and do definition with the black pencil. And that was talked with the nose. Leaving that little light on top there. Squinting eyes. Drawing the top line there a little bit stronger. We can do the outer shape for the noise for you. But I'm not flying a kite in a really long time. Quite a small Shiloh since I held one. We'll strike to go back and memory and trying to see how it felt. Course when your drawing is to try to imagine what's going on in the, in the drawing. And tried to bring back some memories that might be fitting to it also, it helps a lot. It's almost like you're an actor because it is quite often easier to use your memory when you're working with, with a drawing. Especially now when you're drawing cartoonish and happy characters. Well, this Cat might, maybe super happy, but we can still feel. That is kinda funny. You can bring on happy, nice memories and see if there's something you can add. Maybe it's not the memory itself. Maybe it's more than motion you had when you were doing the thing. Hundred percent sure that this will help you creating a very nice joint. So there we have the main body and then we will do the tail. I'm trying to draw. My hand is not completely covering the wear on drawing. Let's go ahead and do the learn a little bit smoother. I made the same mistake again. But it's just to go back to redraw. Draw a little bit more strength to this line also. We will do a judah kites tells line I don't cross there. We can also have more strength to the outer line here, giving the code some more tension. Because now the tide has more weight when you stronger lines. You can also add a little bit post links to the string here. As with other one, we can, of course, tiny boats or two. But I think I really asked to add one though because it's will be a bit too cluttered. I still want to have some distance between the hands and the kites, making us do like that. We should also add a little bit of shadow here. You can do is to first draw a little bit of shade. Let's say you that feels starting dose soft lines first. But really to make sure that you have a nice connection to the way to the heel there. I'm just cleaning that up because I really want to see that line that the Cat is the US collected to the ground in with a very small point. And then adding just a little bit done by wiggly lines here. We can also make sure that we have more strings. Quite strong line all around. Make sure that this back line is strong. Two more strings to the struggling arms. A little bit on top. You have to see what happens when you strengthen the lines here and there and you see the get more focus, tension. I think this looks good. So now you have a little kittens struggling, are really struggling with the kites. And as you'll see, you have very long dramatic lines here. Attaching to a single point. You have a nice flow out here to some very strong lines going up into the kite. I'm also very dramatic tail here, giving the picture a lot of motion. If you compare this to the other drawing that you made with the little Cat here holding a very much more calm kites. You still have two cats with their kites and they're very much different. And as I said earlier also, there's not any right or wrong. It's just different things that you're trying to describe with your drawing. And it's just good to know that you have different options depending on what you're want to describe. So good work and see you in the next lesson. 11. Skateboarding Pig: So for our next animal, I thought we will draw skateboarding Pig. We will start by drawing a circle. That's your shoulder can be as rough as you want to. Tilt down just slightly to one side. So let's go ahead and undo guideline like that. And also the peak will be facing forward. So we will turn to head a little bit. That means that instead of elbow straight guideline, we will have a little bit of a belt or something like that. And then we will have a body that is about the same size as the head. So let's go ahead and draw a guideline down here. And I'm from the head of will have two nice but it's looking a bit like this. Let's go ahead and do the same old I decide. So there haven't very nice carob. And we can start to place the feet. The foot will be feed will be quite route. So let's go ahead and do a round shape there. And then we'll have the link coming up. And they will not fall of dislike. It will go more towards this place. Beside them we can herb, I think I drew with just a little bit too long histories to talk. They're a little bit. Then we will have Hawaiian going out like that. Then we will have the other leg here. I will give the leg just a little bit more room down here. And as you see the guidelines or the rough drawings, drawing lines, surrealists, he's just roughly where you are realized will be so no worries about changing things. Sold, about finding the right, right line for the drawing you're working on. So let me have the bolded area. And then we were pleased two arms. And we can start by this side. So we will have arm that is shaped, bending downwards. Then it goes off again. Just making sure it's quite wrong there in the indents. He's going to go to Yellowstone pointer. You can start by giving it a little bit more pressure here to show more details so we know what we're doing. I'm going to draw the line all the way up here. Because we will have the other arm here. Before we do that. Let's go ahead and close to her. I'm not going to draw it on the way up here because we will have the ears so that we can have the other arm and it will be belt up slightly like this. Because the Pig will be balancing on the skateboard. Move can start by going back to that. Draw the ears. So the Pig will have big flapping ears. So let's go ahead and do some curved lines. Straight line back into the head. Looking like that. The first error. We can draw a top. I can close the circuit also, because the other ear will be on the backside, somewhere around here. So a straight line curve out and another curved line. Curved line out there. There you go. There, you have the ears. And usually when I draw a face, I usually start with something that is in the middle of the nose and eyes, but I thought to just show you how it looks when you're doing So we will figure by drawing a Pig oval here. Denotes isn't a top half of the oval touched a guideline to oval shapes for the nostrils. We will have also all those shapes for the ice. Ice filled with touching the the guideline there. We can go ahead and do. It is completely black. This is since it's a little bit on the backside will be a little bit narrower than the other is. Of course the patient be happy. So let's go ahead and draw a mouse for it. Looking a bit, something like this shade. Do you have this, Laila? And lastly, we should have some things that is called in Swedish really funny word, pig tail. Looking a bit like this. There you have the Pig. And now we can go ahead and draw the skateboard. I will draw a middle line here. And under skateboarding on this side will be a little bit further out on the hand. Here we will have escape or that is just the edge of the skateboard is going to be about the same length as to how we can use draw it maybe a little bit further out. The guideline, Yes, likely. We're going to draw a shape, something like this. Oval shape on top, but it will be little bit more narrow them. Down here. There we have a rough rough outline of the skateboard. I make just a just a little bit more Hold. Just adding a little bit more detail down here. And we will have, of course, some wheels for this. I will put one wheel that is a little bit going down by this foods. Little bit more outside of the back foot. So yes, draw a circle in there. There will be another circle. Here. We can draw another guideline. Default we'll will be slightly just outside of the fraud. Let's go. You can go ahead and draw as many guidelines as you need to. Find the slices here. Don't worry if they're not totally present the same. Look good anyway. It's just a stylized form of escape. But anyway, so that's going to be very realistic. If you feel that. Good for nine, sorry, a bit annoying. Let's go ahead and erase double. Yes, looking something like that. Now we can go ahead and define the lines. Would have liked Pencil. Going to start by doing the ears. Drawing with now, I think I'm be jagged and rough. Of course it's all about Drawing and making something that is perfect. Makes the door The shade for the mouth and make sure that the shade is not stronger than the eyes. A little bit more of a strings to the facial features. Be the body. I don't know if you ever have seen a skateboarding Pig? I haven't. But I'm sure there are some skateboarding piece on the Internet. The percent sure of that. Big band cannot little bit more strength to this one, giving the body a nice flow and under a pig tail. Lastly, we will do the skateboard. Start by doing the wheels. Costae are on top of the skateboard and it's always easier to draw things that are closer to you first. So you'll know where the lines are going. Hello, We can complete a skateboard. I have tried many times to learn how to ride a skateboard, but I don't always have ended up lying on the ground. I think I'm more of a winter sport person. So very happy pig on a skateboard. And we will do two shadows this time. Make your very small shadow here. Underneath the legs squared and being very gentle with my lines. So much pressure. Making sure that we have a nice Caltech surface there. Don't worry, we'll have a bigger shadow folder, skateboarding. It will be a little bit bigger than the board. I think a little that shadow go up all the way though. Older, bored and unhappy about the same shape burst as skateboarding. He also little bit bigger. Looking something like this. I think you've got to build a bit Pig, bit too big here in different. Let's go ahead and erase that side slightly. Shadow. Little bit more smaller verb. Yes. Let's go ahead and do a shade here for a very light out. Too much pressure in the beginning. Go to sell some slice of this strength of it. Can you even do little bit about applying for the shadow? You could get a sense of the shape for it. We can also do a little bit of cross shading. Some nice way to get the shadow quite evil. And don't worry if the shadow is coming up across the lines, it doesn't matter We will have the share though, a little bit darker here in the middle. Just underneath the board. You can be as rough as you want to and you can always go back and erase the lines that are popping up into the light areas if you want to, it's not necessary. Remember that is just an exercise and you're having FUN finding your Creative style. In this case, I can always go back like that. If I feel like it. Also strengthened the under side of the board a little bit. Also do the same whether wheels. So there you go, one escaping Pig. I will show a little bit because I still have a sense of great motion here. We understand that there's, the Pig is going somewhere and it's balancing. But what we can do is we can add some of speed lines here. Just a few of them. Hello, I'm going to draw them. So they are almost touching the shadow elder board just a little bit further away. And also, I want them to be a little bit on even in length, not going to have the same length. So this one will be much longer than that one. And this one and under we have a very short will indent, like most turn to them also with the black pencil. So there you have so speed lines and immediate, you feel that there is a little push into the skateboarder. What I want you to experiment with is that we'll see what happens if you draw even more speed lines. You can draw your speed lines for the page. Nothing down here. And all I have speed lines that I want over. Draw them all over. It gets a little bit too overpowering and it's, it takes focus from the rest of the drawing. If you want to draw speed lines up here, that means that Pig is almost pushing board and the skateboard. But when you have them yes to here, really feel that the concentration of the speed is all the skateboard. And order Pig has done really, really balanced the power under motion that is coming from the skateboard lost. I think we should also add a little bit of strengths to the head here. We get some waiting to it. Yeah, I think that looks better. Also. Some more strength to the ice. A little bit thinner on the nose. So there you go, your baby first skateboarding, Pig. Good work, and see you in the next lesson. 12. Skateboarding Hamster: The last drawing we will do will be a skateboarding Hamster. We will start by drawing a circle like that. The cell we will also tilt a little bit to one side. Slightly. We will have the guideline in the middle because this Hamster will be looking straight forward. And we will do a body that is about the same size as the head, somewhere around here. And we're still keeping it on the cartoony sides, so it's a big head compared to the body. Then we will draw a skateboard that is from the method. It will be somewhere from the middle here. The skateboard will be about nobody even more. Diagonally. This is about the shape of the skateboard. You can remove a little bit other lines here so we can see what we're doing. This is where approximately roughly the skateboard skateboard is going to be. If you measure it, it will be a bit the same size, yes. Maybe a little bit longer than the head. That's a little bit. And know where manifold is shape. From about the middle here we can draw a big long curved line going up into the head, be the backside of the Hamster. And then we will have arm stretching DO that will be holding escape board. A big fluffy arm like this. Wondering if it's got to beat two. Angled down, actually. Got to build with two vertical. I still bolt to have a little bit of a tilted, tilted line here. So go ahead and redraw it. Still having to hand about the same place. Draw the line out like this. This feels much better. Just trying to get away from that static line. We can draw the top of the skateboard here. We're told that both sides, I believe the bottom here, because somewhere around here we will draw the reals. But we can do them lost. Farm, the backside. Then we can draw a little leg here. You can like that. Then we can have a little plug here to showing slightly above the skateboard. Let's go ahead. I'll define the head. It will be a complete circle all around, something like that. Then we will start to draw the facial features. They won't Hamster to have quite big ice. So let's go ahead draw two big circles here. There are about in the middle of the guideline there. Something like that. With these eyes, I think we will have to bright parts to sparkles, bigger circle and a smaller circle. Then we can shade them just a little bit carried away there. I can say the dollar time I'm a little bit more concerned about using the eraser is to keep these light parts in the eyes quite clear. So something like that. I'm able to go ahead and draw a little nose for it and it will be about the same level as the bottom half, bottom part of the eyes. It will be a little band looking like that. Then we will have two more bone's going up into the nose. Let's go ahead and do a big smile era. Shading a slightly. So Bear, have the face of the Hamster end. We should do some ears. Two, we can use the guidelines to know approximately where to place them. So let's go ahead and make to round ears for it. And don't worry if they are no thunder Brazil, the same size. You will look good in down there anyway. Make sure that we're drawing the lungs so we can see what's going on. Lastly, we will draw the other arm here is the same here. I don't want it to be two verticals. I'm angular it out just a little bit. We can see what happens if we leave a little bit overrule their if it looks better or not. But I think I will complete this slide. The other arm is on the backside. We can put some small finger lines for it. Same here. Even though we, the little boy got the, got to get good grip for the skateboarding. Now we're going to draw the wheels and we will have the front wheels that are about here. I'm back, we'll still or wherever all here. We can start by drawing the ways that are closest to the Hamster first, making an oval shape and then continue to follow the other shape. There we have one wheel and then we will have a little lines for the What is this? An English is called the spoke. Maybe. Sorry if I am not getting it right. Now, you can draw similar sized wheel there. Another light. As you see. It doesn't matter if they are a little bit crooked. They will look good anyway. But if you feel that you really want to have this little metal parts precisely in the middle ear squared and redraw it and place it more appropriately. Now when we have the wheel, we can start to draw the line for the board because I didn't, don't want to lines to go completely in the same place. So don't let this slide on that line meld together. Let's go ahead and draw the back wheels. Having a belt the same kind of oval shape and look at metal part. He lost, we'll something like that is the same here. I would draw the the lines for the skateboard. So it doesn't interconnect with any of the other mice. Can angle this even a little bit more. Yes. That's looks good. Let's go ahead and define the lines with the black Pencil. Going out at quite roughly New hears mentioned do the eyes. Making sure to mark delight parks. So we can save them. Shoulder Pencil. Now we can go ahead and do the other. I don't know how much skateboarding you have been doing. If you're familiar with it, you probably know what the pose What does that is called? The Hamster is doing them very much novice. So I don't know. A lot of escapes terms. You can do a little bit of shading also. The same time. Quite even. Knows nobody loved the nodes have a little bit more strings via the mouth lines. A young to shade for the mouth. A little time there. Yes. Before we finished with the Handbrake, I forgot to put the whiskers here. So let's go ahead and draw two lines out from the head like that. Yes. Now we can continue with the body. Just use the eraser, pencil sharpener. So we get a little bit more of a sharp edge. You see when I'm completely in this, it doesn't matter that we are on the even or crooked or anything, because when you complete a drawing, your brain will actually help you to finalize the look for it because everything can be looking natural. Because our brain is always trying to do is to make sense of things. It will fill in. You have in your drawing or straighten out any kind of crookedness. The little toes there. And we've issued add a little bit more strength to certain parts. Especially here where Paul is gripping the board. We should have so strings, also. The top side of the, UPS, the top side of the board. A little bit of strength zero the top. And also all the backside. Severe infer a nice lawn care of here. The more strength they're more tension. Also making sure that the hurt is on top of the body there. Yes, it looks good. And what we can do all sorts, we can add a little bit of spots to the face. So let's go ahead and draw a soft line. Going in under the I don't other side We're going to have it up here. As to see I was searching for a place. I don't want it to the gold straight into this area. And why I put it up here, I lived in here because I don't want to interconnect able to still have a big separation there. For older, older. This place will be shaded later on, but then we can also have a bit of a shade here on the backside. The Hamster. What just do? A softband looking like that. Then we can go ahead and fill in the details. And I will be very light on my hand. Draw two spots. Because this line is not as important as the hotter lines. Same with the shade here. It will be very gentle on my hand. Because this shade is not as important as the high. So it has to be a little bit lighter. So quite a soft spot, something like that. Another, we can go back and some more strings to the ice also. Making sure that we're focusing attention to the ice. Yes. It looks good on what we can do. Since we don't have in a reference point, we have probably know that is flying somewhere in the sky. We can do a little bit of lines like that showing that the wheels are spinning. The Dr. have to be very strong lines, something like that. And I really feel that the Hamster as taking a lot of speed and the US flying through the air and going around like crazy. The region of course. Do some speed lines. If you want to. What we can do is draw something. A little belt line drawing like this. Yes. Coming flying through there. That said yes to all aligned to the skateboard also with other lines, prefer to have them look the same length. Because even will redraw that one's I think I will redraw that slowing their band a little slightly more downwards. We can do the same that they are angled about the same, same weight. A little bit of definition but the black pencil. Yes. Now we can feel the Hamster jumping up from underneath here into the picture wheel spinning. So good work. Thank you for taking this course. I hope you had great value and you learn a lot and your smile a lot. And finally, I want to ask you to Show your drawings. It is the best way to grow your confidence. Then you grow your confidence. It will be much, much easier to continue to develop your drawing skill. So Show your work to friends and family and post and share your drawings to your fellow students.