Transcripts
1. Introduction & Brainstorming the Scientific Bird: Today we're going to
look at something called a scientific drawing out. We're gonna be doing some
birds with that for a long, long time ago when people
would discover new things, they would want to make sure that people knew what it was. They would either take a picture or they would draw
it if there wasn't that technology or they
would draw it right and write down all the things
they know about that items. The first thing we're gonna
do while I'm showing you some examples is maybe
on some scrap paper, I did draw this
line just so I can share some scrap ideas here. So if you want some separate
scrap paper, go for it. But I'm going to brainstorm here while I share some
of those ideas. So while we're brainstorming, I want you to maybe leave a little rectangle so
you can decide if you're working side to side or up and down today I'm
going to work side-to-side. You have the choice
to do either. This is my brainstorm, right? But while you're brainstorming, you might want to think about what kind of details
you want on your bird. Ideally, you're going to
have a two pictures or more, two or more, ideally like
your bird picture somewhere. And then maybe the wing or
maybe your bird flying. And then if you want, you
can add where they live. If you want what they eat. And then I'm gonna say
this in the easiest way. It's anything cool about them, anything you want to add that's kind of interesting about them. Okay, so let me just
start with the first one. Don't worry about the
details too much. We'll add some of
those things together. Okay? So this one kinda looks like
a gray or like a bluebird. We're going to think
about this space that we're using, right? So if this is all
the space I have, if I draw my bird really big, it's not going to leave a lot
of space for other stuff. Ideally, you can leave
two spaces for pictures. You can decide where that goes. But the thing to remember here is you're going to
think about the shapes. So it's shapes to build
it really roughly. I'll show you, but
we'll do it together. If I was looking at this, what kind of shapes
do you think you see? If you were thinking about
this with no details? You would probably be like head, alright, has kind of
like an oval shape. Body is kinda like an
oval shape, right? Tail is kinda like a triangle,
at least personally. And then you customize. It's not exactly that. But we know that
these are shapes that build to find your animal. This is a great tip for
a lot of things though. Proportion has to do more with how those shapes
relate to each other. So if I was gonna do a bird, but the bird's head
was ginormous. It doesn't really relate
to the body, right? One more thing that I did write down is what colors
you want to use. Maybe if think about that. Well, we're brainstorming here. This one I really
enjoyed because it's a lot of just using one thing. So they probably
use pen or marker, just something to make
lighter and darker areas. You don't have to do this route, but if this is something
you would like to try, you can always use pencil, block it in, and then
use little bit of pen or even colored pencil and use one color and execute
that if he's like. The main reason I wanted to
show this because this is a different pose than our
previous picture, right? This one is kinda
sitting maybe on a branch and this one
is in a flying posts. So I will be doing both. You can decide if you want to have the second one and you
don't have to have both. But you want to have
to sort of pictures. Maybe one sitting,
maybe one with a wing is also a
scientific drawing. So you know what the
scientific drawing everybody because you can see that
it shows the picture. But do you see all those
little like scribbles? Those are probably
describing it, right? When I think of scientific
drawings for some reason, I think of like very
old in style paper, black and white or something kinda like this where the
paper is kinda brown. We're going to take it
and we're going to make it interesting and fun today. Okay? So if you want to go ahead and draw when you're like, well, I liked that, that
looks really cool, but then you can add
different things to it. You can do that if you'd like. So that would be one
of your pictures. You might want to figure out
what your two pictures are. So one probably
sitting or flying. And then if you wanna
do the wing, you can, if you just wanna do
one sitting and flying and know when you
can do that as well. But on this sheet, on this scrap sheet that we created in our
brainstorming area, I want you to decide where
your pictures are gonna go. So what I'm thinking
about for myself, we're thinking about here, we're thinking about what
space we're using, right? So e.g. I want one of my birds either sitting
or flying in this corner. So I'm just gonna kinda block it off something in
this corner here. So one of my birds, and I
do like the idea of having a wing that describes what kind of details
they might have. So maybe the wing
goes somewhere here. And any extra space you have, you can decide if you
want to put branches, maybe what they eat, maybe
they eat some sort of magical barrier and you can draw a little picture for that. If you want to do two
drawings where it's like one here and then like one
flying a little bit smaller, you can do that as well. I just want you to think about what you might want to write. And then if it
might have a name, you can decide what
that name is later. I know sometimes naming is hard because names sometimes come
from what they look like. Names sometimes come from the different features
that they have. So if you have a name in
your head and you're like, I want this to be
the banana bird. That's fine. If you want to describe
it later, you're like, I'm not sure what I'm
going to write yet, but at least I know
where I want to write. So if this was my
bird, maybe I'm writing around the bottom here. Maybe I'm writing about
the top here. For my wing. I'm probably going to use this space around
it to describe it. And then it leaves me with a
couple of extra spaces here. Maybe it put what it eats. And then if you want to
put like a fun fact, you put a fun fact or something. Remember it is the option. You do have the option
to make it a hybrid, but you don't have to
if you prefer to keep it more traditional phone. So I just want you
to take a moment, maybe just think about
what your sketch area might look like if
you did want to block it in like I
did like circle, oval, triangle, you can
try that if you'd like, just a really rough sketch. Also, sometimes when you're looking at little
scientific drawings, sometimes they include
where they live. So if you want it to draw like a little branch or
something, you can, if you just wanted to
put some information about where they live, you can. It's up to you. Birds are great because you can
kinda build the shapes. And then once you
have this idea of building shapes,
you can do it too. A lot of different stuff. Okay, So maybe
what I want you to decide in the next minute
or a couple of minutes, we're going to start
our good copy soon. But maybe you decide
which pose you would like to go to or which couple of poses you want to go with. I want you to at least do one of the two
at the bottom here. If you want to keep
it more traditional, I would do the one
closest to my finger, the one that's
colored because that one's a little bit
easier to work with. Then of course, if you want to challenge yourself and
do the second one, I'll show you how to do that.
2. Sketching the Scientific Bird: Okay, So as we're jumping
in and getting started, I just want to make
sure everybody you have an idea of where
things are going. This, I would say is one of the most important
parts because that way you can decide
how your bird looks. Remember, I would
highly recommend maybe following along for
the base of the bird. I want you to try something new. If you've tried something
like this before, then maybe you've
got the leg up, you've got something
to build on. But if you are trying
this on your own, just give it a try
with me as well, just so you can get
some of those shapes and make sure you have some of your materials
ready to go. I would highly
recommend starting in pencil because that'll give you the opportunity to
change and shift and adjust. But the biggest thing
we're thinking about in the space that you have is
how you're using that space, where things are going and proportion how your birds
parts relate to each other. Once your interior
good copy sheet here, you can kinda divide it the
way you did on your sketch. If you just want to figure
out how much space you have, I would say for
roughly from myself, you'll see that both of the bottom two birds are
very tall, right? So they're probably
going to take up more of a taller space than
a wider space. So I'm probably going to
keep my bird about here. And I'm doing this lately
so I can erase it later. But my birds probably going
to fit somewhere there. This is a rough line if you
go over it, that's cool. And then to fit it in, I'm going to draw my wing
in the other direction. But it's going to fit
somewhere here at the top. I'm going to start with the
image closest to my finger. If you guys see the bird here, one of the two, as long as you've got a base of your bird, I'd highly recommend
it if you're planning out your space,
if you think about it, the direction that this one
is particularly looking at, it's kinda like a
diagonal, right? So I wouldn't see
that it's kinda it's not looking in a day
angle or direction, but the body shape kind
of forms that way. But what I'd like
you to think about, it's the top of the head
can be pretty close to the top because I
want to make sure I have space on the other side. So what I'm going to do, I'm just going to start with
an oval or a circle head. This can change later. Remember, don't sweat it. But you will notice
I'm going pretty lightly just so you can
catch it on camera. I'm gonna go a little darker. I don't want you to
not be able to see, but make sure you're going
light enough where you can erase it now in
more details later. It's like a golf ball. Once you have this circle, you'll still notice I have
rough lines around it. No problem. I'm trying to decide that
diagonal motion, right? That's direction I
want the body to face. So this direction is
kinda facing this way. But I'm going to
start off by drawing my oval body attached to it. I would start with a
thin oval body first. You can always make
it wider later. Sometimes if you
start really wide, it's kinda hard to
shrink afterwards. But if you want from your head, this is gonna be an oval that actually overlaps my circle. I have a little bit
more space for my tail. Vacancy its head and body. A little bit wider than this, I would say if you want to start making it a
little bit bigger, you'll see me just curving
some areas, making it wider. For me personally, I like to build around things
versus like erasing them. They're both fine
methods to go with. But you can slowly start to connect your head and body
if you look at the picture, if they don't connect
like a V-shape, that connects kinda really soft. So from your head you
can kind of connect it with a soft line if you'd like. But they're starting to connect. Never connected with a curve. I think I'm going to erase
a little bit and add an extra carbon just to
make it a little bit wider. I'll show you what
that looks like. So I curved it a little bit. You can erase the
inside if you'd like. The font looks really funny because it is
like a hard edge, like kinda looks like the
side of the letter p. So you can soften that edge to later on, don't
worry about it. But I've added this
connecting line from here to the wings do quite get
a little bit bigger. So remember I'm building on
the extra shapes, right? It's a little bit thin now. I'm just going to build
on the wings and stuff. From this oval shape, it gets a little bit wider. Because a little bit
wider like this. If you want to kind of imagine how wide you want
your wing to be. A little bit wider
if you'd like. Maybe it comes in a little bit. I haven't ended anything yet. Alright, let me show
you the next step here. So far I have this
diagonal shape. It doesn't have to match up
perfectly to our reference, but this diagonal shapes
nonetheless, right? I'm going to build the wing. Do you guys see
how the wing kinda separates from the body? They're a little bit, you
can see the bottom of the tummy and then
you can see the wing. That's the new line that
I'm going to add in. If this is the diagonal
direction of my bird, that one kind of goes
sideways a little bit. So with that as a reference,
you can not have pick-up Your line, if you want to block in a rough line
like that, you can. But I'm just building in
now the shape of the wing, the shape that I can see. Then when you're
ready, if you want, you kinda start
to build the end. You can kind of connect back. You can put little
U-shaped if you'd like. Start to see me building
in these little use. You don't have to build in the U-shapes if
you don't want to, if you just want to point, have a point or
something you can. But I'm starting to build
the side of the wings. Can also add little U-shaped. They don't have to be
perfectly straight lines because a lot of
times they aren't. So this diagonal line here, if you want to make
it slightly bumpy or out a bit extra
to your curve. You can see I just did that. You can. We've got our circle
head or oval body. You can still see
the bottom here. And then we're making
it wider because realistically or bird
isn't like a tadpole, doesn't really have a thin body. It has something to it right? Has the base. I did make those
wider on each side. I'm starting to build the back. So if you want to be more
diagonal or more straight, you can just roughing up those lines a little bit
so they're not so perfect. And I'm getting back here
to the other part of my wing here as well. If you want to start
adding some short lines or making a little
bit less perfect, not as not as curved
and straight. You can start adding
little details like I did. I'm shining a couple there. As I wake my way
back to the body, I'm solidifying the
lines I want to keep. Alright, so this edge here, as I get closer to my head, you'll see I'm just
adding a couple of bumps on my weight in my head. So just have a bump
kind of in-between. I kinda think of it like the
soft part of a bird's neck. It's not, it is thin, but it has protective feathers. Feathers just going
over the head here. So I'm still keeping that kinda circle shape for the most part. But from the bottom of the neck is almost like a diagonal
line versus a curve. Can you see the diagonal
line kinda being built now versus the side of
a C or a backward C. Purely my body doesn't
connect to the bottom yet. It's probably because I
am going to add the tail. I'll just put it in a
triangle shape so you can see where it's going if you wanna make it wider
or longer or shorter, remember, you can just
make my little wider. And then I can build
those details in. It's like a triangle
that points in the body. If you're doing the bird
with the wings open, very similar base,
right head and body. Very similar. But the wings are, of
course coming out. So you can try that
if you'd like. I will draw a little
sketch of that somewhere so you can
see up the feet are kind of coming out like two little lines so you can
add the feet if you'd like. I'm just adding a
very thin triangle. I'm making sure not to
leave the point like, really pointy like
a triangle is. I'm just going to
curve it a little bit, but for now you'll see I'm
just adding in the beak. And then I've curved
the top a little bit. So that's kinda the
base that I have. If you're adding the
feet in with me, I almost think of
it as two lines and then the lines of a triangle,
like the outside lines. So it's almost like
I'm building a triangle without the bottom. And then I just
doubled those up. And there's a third kind
of little section here. If you want to add
them in, you can, if you want to make them
bigger or smaller, Go for it. As long as you have
some feet, That's okay. I feel like these
are pretty big. So this is where
I'm thinking about proportion compared
to my whole body. My leg looks like it's
going to come free. I like it super big. I'm gonna make it
a little smaller. Because if I take my pencil and just
using it like a ruler, if I go to the edge of my foot, it hits about the side of
my face, which is fine. But if I look at my reference, it hits the body
versus the face. So that means I gotta
make it a lot smaller. Okay, so just thinking
about proportions there. You ever use pen and you do
make a mistake, that's okay. This is a fun or
challenging part where you integrate that within
your piece, right? Sometimes I'll try to
do really thin lines. And I know it's hard. Like sometimes it's
hard and sometimes they don't stay as that. Right. I go over and I'm like, oh no, I missed a spot and then
I go over it again. And then I'm like, Oh,
it's getting there. It's uneven and then I go
over it again and then it's like three lines that are
now beside each other. But you can play with that
with different line weights. That can be the thick side, there can be some thin sides. Your outline can be a
little bit thicker. Lots of different ways
you can go about that. But don't sweat
it, right? You can always make it a
part of your piece. A little circle, circle. The eyes will look
kind of spooky if you don't color them in. So I would recommend coloring it and leaving a little
shine mark if you'd like. You can use colored pencil
or you can use your pencil. But just so it doesn't
look as spooky, you can color it a little bit. I did leave a little
bit of a shine mark. And I'm just gonna
kinda block off the areas where there is
a bit of color change. Remember, this depends on how
you're doing your burden, meet any kind of work, right? You can make it
up if you'd like. So it doesn't have to
follow these same lines, but roughly just to give it a little bit of a
realistic look, I think I'm also
going to make the body a little bit bigger, just a little bit wider. Personally, but
you can make yours whatever size you
feel comfortable. But wherever I want it to look like it has
feathers and things, I'm just going to block
off those areas for from the eye to the back of the body, There's a little bit of a
dark patch in our reference. So I'm just going to leave a little bit of a
dark patch here, added a triangle
underneath my head. There's almost like
a curve, almost like about separating
the head and the body. A couple
of lines here. So I almost added like
to triangle shapes. You don't have to do this. Of course if you don't want to. I'm going to add
some separations for some little sections
of the wing. Maybe the feathers get a
little bit different here. And then now if
you wanted to add the different lines in
there, you could as well. So e.g. if you just wanted to see not drawing all of them right now
because I want to jump to my next shape. But at this point
hopefully you've got at least one picture. You can come back and color
it later or add more designs. But this is the
base that I've got. I will be drawing the open
when one as well in a moment. But because they
have a similar base, I'm gonna do the wing first and then I'm going to come back. Okay?
3. Sketching the Wings and Details: The wing in our
demonstration goes this way. I'm going to be building
it this way just to fit my space
and then I can cut off or like half the
edge of the wing here and the tip on that side. So if anyone wants to try when you can try it in
either direction. The nice part is it's
a pretty basic shape and you just build the
little feather details in. So what I'm gonna do for mine, if you want to use a ruler, you can, but I'm going to
just roughly build in. Please remember your spaces to don't go all the
way to the edge. Leave a little bit of
space if you need. But I'm just making
the length of my wing. I'm just gonna go
pretty close to my guidelines that I made here. And I'm just going to make
it almost like a curve. Almost reminds me
of like an eagle. I'm just going to be going over the spine so it's
not super straight. And then you'll see I just
went and I almost added like a C-shape to
all the other sides. And as I got closer
to the middle, I got them to be a
little bit smaller. What I'm doing next is I'm just adding every time I
add the end of the CH, just going to come towards
my day inside of my wing a little bat wings
are a little bit easier than the
building of this body. So it would be a fun
touch to add in. It also added in
berries or branches. But those that did want to
add a bird that was flying, I am just redrawing the
head and the body shape. So that's what I'm gonna
do here on the bottom. I'm just going to take
a couple of minutes. Might want to label them just
so we know what's going on. And how do all these
animals relate together? Are they all relate
together because they're all hybrid animals and made me want to write
that somewhere. Maybe you are a
scientist and you went out in the world and
you're like, wow, these animals are wild and then you drew all of them
and then you're like, This one's a whole mix of this, this one to make some things. You don't have to do
all that writing, but you can label
them if you'd like, just so we know what it is. Also make sure you have lots of beautiful outlined and
details on the outside. Make sure you match up and put some details on
the inside, okay. If you want to keep it more of a pencil sketch and you just want to shade because it is a lot of commitment
to add color. You can cheat a little
bit, add a little bit of color, but you don't have to
4. Colouring the Scientific Bird: I'm going to use this blue
just to outline some edges. I'm probably going to go in
with some brown or black or gray just for the darker areas
are even used my pencil. And then I'm thinking that that's pretty much
it from my color. If I have any pops of color, I will go in with
a lighter blue. I'm going to just aim to do biggest basis,
just small spaces. I'm going to just
color this first. I'm not going to color these
two yet because I want to work on balancing
out my face. I don't want to leave that empty by the time we're done class. So in these two extra
spaces that I have, I'm going to write a
little bit of stuff. You can see it and
it matches up to the idea of a scientific drawing
that I mentioned before. If you're nervous
about adding more, you can also add
something in pencil, decide if you're going to keep
it and then go from there. You can also keep
it light thing. So if you want to in contrast, have something that's
lighter and in the background you can
use colored pencil or use lines that aren't filled in with marker and
then you'll have that. But I'm going to fill
in that text with a more scientific part of what
we're talking about today. So if this is the wing here, I do have quite a bit of space here that I can get rid of. So I'm going to use my ruler just so I know
it's site-to-site, it's not diagonal
what I'm writing. I think that's about it. And I don't wanna go
too close to the edge, but somewhere here at the top, I'm going to write way. You can write it in
regular letters, cursive letters,
whatever you'd like. I'm just going to write like a kinda like almost
like a curvy, almost like a cursive wings. And then if you want to
write anything specific you can say about wings. And I'll put something
in brackets because the wing word is here, but the wings are
actually there, right? So I don't want it
to be too far off. Okay, so put wings,
blue and gray. I'm just gonna put
an arrow so I can kinda roughly 0.2
specific things. And I'll write something
about what it eats and then something about the wind
speed, flying. That's it. I was debating between writing Bluejay or gray j
are making some ups. So I might put
gray and blue jay, But I'm trying to fill
out these spaces here. Remember I'm writing a
couple of things down. I'm just going to write
some stuff to help fill up the negative space,
balancing things out. I'm just writing, often
migrate in the winter. So I'm just adding things
about our species here, right? And then I'm erasing any of
the extra lines I don't need. I'm going to take a
few minutes here just to wrap up some of the
open space that I have. As I mentioned, we are
working on space and the proportions of some of the details that
we have going on. I did start to add a couple of words and
I'm just erasing. So unlike guidelines, but you can write
anything you'd like. You can fill out that space with images as well as you'd like. I know some people prefer pictures to wear it, so
that's cool as well. As long as you're thinking
about those important parts and maybe labeling
particular areas. So I got them there,
I've got some there. I do want to draw a couple
of berries or something just so it helps describe
certain parts. Decide where I want to
write the details about it. Using my ruler as a
guideline for myself. And then I think it's filed. Barry, feel like in the past
there was a lot of cursive, so you can write in it any
kind of writing you'd like, but you'll see me just kinda curbing some of my letters are making them in a cursive style. It's wild berries, bugs, bugs. And in joy is red berries. So you can really play with how you describe all your stuff. It doesn't have to be super realistic in that sense.
It can be made up You can add your own
personal touches to it. It can be your hybrid animal if you want it to go that route. Start to see me just filling
in a couple of details. I'm just going to describe
how long the wing is or how fast it can fly just
in the extra space. Middle one right here. Rings are 51010. Rings are 10 cm long and 5 cm tall. In height. You can see if kinda balanced
out a little bit of text, a little bit of drawing, an added bit of extra
color to some of these areas here, some berries. And then I'm just about done. Also fun things you can
think about if you wanted, as you can think about
layering colors, if you want to create
shadows are darker areas. So anywhere I think
their shadow like right under my wing here
I can add more gray or layer on some of the blue and my hand want to
add some variety, some changes in color since
I'm not using too much today. Just a little bit
of slight change. So I'm just going to
layer on a bit of this extra blue underneath here, just so it has
some extra shadow. I'm also going to
carry this blue in around my body here just so
it's not only at the bottom. So that's something I
noticed what's happening. Just kind of recurring
at the bottom there and I want to make sure it's
pretty even throughout. If there are changes in color, can also use different colors. I don't have to carry
the blue hallway, but I'm trying to use simpler colors or keep
the colors kinda minimal. I'd say I've got quite
a bit of blue here. Maybe I'll use a little bit of the light blue just to
lighten certain areas up. And then around the head, I
think I'm just going to keep teasing a little bit
of gray and black. Just dark blue. Nothing too wild. I also kinda wanna match up these colors to the
colors that I used here. Tiny little bit of extra blue. Any extra pencil
lines I don't need, I can probably erase if you
wanted to shade anything, of course can add some extra as well around the wings here I'm going to keep
using this darker blue. Just give out a quick outline. So they do match up. But feel free to play around with how you customize your animals today. Can add wings and nostrils
and you'd like to add really, as long as you've got
those base shapes and we can tell what kind
of animal it is. And maybe you've added
some descriptors. It'll help make
it look more like our scientific dry drying that had some details and
explanations around it. Thanks, wasp polar and shadows. And then I think writing
wise and pretty comfortable, I'm going to add some berries or something in those extra spaces. I didn't add an arrow
somewhere and I don't want that to
be the only arrow. So I'm just going to put a
little arrow to the barriers that are going to come up here. And up here. Just so they're kind
of balanced out. I'm shading the back wing
a little bit more here just so they separate from
the way that I can see. A bit brighter. This one here. Pencil lines. Of course, if you did
want to go over this with pen or marker to make
those lines pop. That's something I
usually do notice. Sometimes just to make
certain areas Boulder or pop out the more significant areas you
can do that if you'd like. I'm going to stick
to doing that with my pencil line and
so my shadows. So when I go back in and just outline
anything that's really important or I went
like to start and didn't touch up afterwards That's a variance. The variance of
course, come in lots of different shapes and things. Shapes and colors and designs. I'm spending a little bit of
this dark bluey violet here, almost like blueberries,
I might use even a little bit of
red or something. I liked the shape
of blueberries, so it almost looks like a
little crown on top of them. So I'm just doing the
same kind of pattern. I'm just gonna add a
couple of different sizes. Just going to take my brown, I'm just going to add
some thin branches. They're kinda connect. And I think I want
to add a little bit of red to some of these, so I'm just going to
pick up all that red. I'm going to overlap
some colors here. I'm going to make sure I'm
going around the edges here. You can already see what's
happening with the overlap. Just going around. I can do similar
things with my birds as well just to make
certain areas pop. But I'm not going to use red. I'm probably just going
to use a similar color. I got a couple of
barriers there. I do have my writing
here for my name. I do feel like I can
scooch it up just slightly because there is a
little bit of space there. And then go for it with pencil. I think I'm just going
to gently erase this though and bring it
a little bit higher. Figuring out some
of the last areas. I think I'm just going to
add a couple of berries here in their branches. Cool. Just going to take 2 min just to wrap up some
of the details. And then otherwise
I'm just going to use black just so I can add certain shadows just
like I would with pencil. But this way I don't
have to go over it with pencil and black at the end. This will give it an extra
crops just while I'm in here. Anywhere I want to
keep pretty light. I'm just using the
black outline. The edge are not really going
in with shading too much. I'm going to do my wing. And I think I'm just
going to add a bit more blue as there is a blue jay, I want to make sure
that it's clear. It's not just one
kind of light shade. So I'm not adding
too much color. I haven't filled
every single Kravis, but this way, I do have
a bit of extra color. But have this aqua color. I think that would
look really nice with a little bit of
the dark blue that I already have going on. So I'm just going to add that in particular areas not everywhere. Also think about that
when you're drawing not every single section or
every single area is going to have the same type of colors
because maybe they're on different sides are
different parts of your animal. So I just copied
the same aqua color on the open side
that we see here. And on the inside of
the way I'm going to go Layer one more color. And then I think otherwise, I'm just about done. There you have it. This is my scientific
drawing from today. Remember the big focuses
when we were drawing is thinking about shapes
to build up our animal. That's some of the
best things that we usually use in a
lot of bird drawings, but also thinking
about proportions. So how all the
different parts of our animal relates to
each other. So e.g. how the head shape
relates to the body, making sure they're balanced, but also make sure that
the tail isn't too big for the body and the
wings and so on. So thinking about proportions of different animals or your
brakes specifically, but also thinking about the
space that you're using. So that's why we did a little
sketch when we started just making sure that
we're planning out where some of our pictures go. Our minimum was trying to have at least two pictures in our
space and then maybe balance it out with words or other little visuals that relate to what
we're working with. I hope everyone had a fun
time trying this out. And we look forward
to seeing you next time. Thanks everyone. Bye.
Winged Canvas, Classes for Art Nerds
