DaVinci Resolve For Beginners - Essential Lessons To Start Editing

1. Introduction to course: Hi, my name is James and I'm the instructor for this course and using DaVinci Resolve and then making both personal and business videos. Since two zeros, nine. In this class, you will learn the essentials of them and resolve. The window resolve is a sophisticated software. I created this framing so that even if you've never made a video in your life before, you will be able to start using resolved in a very short time. We'll start with the basics, covering in the face, importing and arranging media and in transitions, custom transitions, animated titles, color correction all the way to exporting your video. We also learned some interesting effects like speed, ramping and others as well. As we go through the lessons, you'll see me create a travel video and also the final outcome of this video, using all the lessons I teach in this training, I look forward to seeing you in the training. Let's get started. 2. Quick Overview of Resolve: When you start having to resolve for the first time, you'll be taken to a screen highlight this. This is where all your projects are located. If you are new to Da Vinci resolve, this page will be empty. Sf4, an untitled project. So we will go ahead and start a new project. We're going to just give it a name. And I'm just going to call this Demo and create this new project. And you'll be taken to the pitch. The pitch is where you cut and edit your project. There is also an edit page as well. And this page is more like a traditional timeline. You can basically not used to cut pitch, but there are certain advantages here. Since the user interface is there. Design for editing videos fast, especially if you have a long video. The middle piece is useful if you have a large project with lots and lots of media, audio, and etc. Next is the Fusion page. This is where you do all the special effects. Next is the color page. This is where people do things like calibrating, adjusting the brightness. Next is a fair like patient. This is where you set audio effects. And finally, the liver is where you would export your video so that people can see your video. You will be probably spending a lot in the edit page. So this is a quick overview of DaVinci Resolve. 3. Import media in the Edit Page: This video we'll look at importing some media into DaVinci Resolve. The easiest way to do it is to open up the folder with all your media that you want to import and just drag this into this edit page into the media pool. I'm just going to do that by selecting this and dragging it into media pool. And a message will pop up if the frame rate of the project is different from the media frame rate. So I'm just going to click on Change and allow Da Vinci resolve to change their project frame rate. Next, I want to drag this clip. I can select this. And let's say I want to select more than one, one click and select these three clips. I can actually just drop this in and it will be in the media pool. You can do the same for images as well. Let's see. I'm going to use this image and then drag this down. Here, you see that it is a J peg. This is a video file and it has an icon here that shows this audio. I can do the same for audio files as well. You can just drag and drop it. Kick. Let's close this page. So that's how you import media into the Vinci, Resolve. 4. Importing Media through the MediaPage: Another way to import media into DaVinci Resolve is to use the media ph. With immediate pH, you have the advantage of going to the drives away your media are located so you can navigate straight to the n du you're importing. So let's go to my read, write, head on over to the directory. Then I want the husband, My Media. I'm going to go to Documents, go to video. As you can see, I can navigate to the directory that I want. So once I make the directory, I can see the clips that I want. I can change it to the thumbnail. We'll sort I can see the thumbnail. And I can also scrubbed through some of the videos so I know which video is the one that I want. So let's say this is a video that I want. All I need to do is to select this and drop the drug is Dell on to the bin and it is there. So this is a second way of importing media. And I can go for the Dow and I can scrub through the videos that I want. And I'm just going to drag this down. Alright? If I navigate back to the edit page, you'll notice that the video clips are now here. The edit page as well in the media pool. So this media pool is as similar to the media pool over here, right? So that's about using the media page, two important media. 5. Organize and batch rename clips for efficiency: In this video, I will show you how to take and use metadata on your media clips so that you can be more efficient. And as you add it, you will be able to locate your files much faster. And this is especially important when you have a large number of media clips. If you have just a few, you may not make such a big difference. Now to do this, but you want to do is go to your media pitch. And right at the top, there are few tabs. When to open up the Meta Data tab. Here you have fields that you can feel that data and give, for example, keywords. You can also put in data for your camera. This is useful if you have, say, using a drone and GoPro. So you understand what those clips, and you can search for those clips as you edit. Next thing is head on over to your media pool here, there are these columns and the titles at the top that you can change. What you want to do is to right-click and you can select which column you want to show. I'm going to put this scene as well as the short. Alright? For this example, you'll notice that this will change. Alright? So now I have the option for a shot here as well as foreseen. And you can also rearrange some of these. I'm going to put this into the front here so that you will help us in tagging it. Okay, so let's talk about keywords first, done this first video clip. Let's add a keyword and resolve have some built-in keywords. Anyway, I'm going to use my own. I'm just going to type in a row. That is the root. And every tech this to this clip. Next I'm going to attack all of these clips. I don't have to do it one by one. I'm going to tag it by selecting, clicking on the first clip, move to the last clip, press Shift on my keyboard and click on it. And I've selected multiple clips and go to my keywords. Remember to check this cubic box and then type in a row. Finally, go down to the bottom here to save this. So all this now would have the keyword row. Right? Now I'm gonna do the same for the rest. Ok. Now, if you just want to use a keyword and you don't want to rename your files, you are good to go here, go to your edit. You can search for these clips based on the keywords. Open this as such, box. And you can gently tapping waterfall. And you want to do is filter by all fields. So all the texture, the waterfall will show up here. I've made a mistake by tagging this is okay. And let's save and just find out the root or the root is here. So looking, locating this will be much easier. If you tag it with say, your camera, GoPro or your drawing, then you can also locate your clips are much easier. Okay, I've missed a mistake or where somebody's clips here, you make a mistake. Cooper to eight. So this is telling me waterfall. You can just delete this and change it to say, Okay, that's all about correcting it. So that's about using keywords to rename the files, coming over to the media page. But first, what you want to do is to attack this using the C. Okay, so let's say I'm going to name this C Number one. Number two, all over the road. I can use the Tab key. I'm going to put three, and I can use the tab key to move from one item to the next. Five, six. This is seven. So this is town. So I'm gonna change it back to that. So you can actually organize it however you want it to be. This is just a sample system. Okay? Alright, so I'm going to scroll down, I'm going to leave some of these alone. Let's say I'm going to use the waterfall. Okay? So I'm going to put the waterfall station C Number 12, and so on and so forth. Okay. And let's say you're going to do the rest of it. You only do next is to select all these clips. Again. Click on the first click. Go down to the last one, click and shift. Right-click, go to clip attributes. It will open up on video when you want to do is to go to the main tab, click on this, then this one. And you went to rename these clips. And we will use some variables. And use variables, you're going to use the scent mark. I'm going to use an keywords first, okay? Keywords. And then underscore. I'm going to use another variable, and this time I'm going to use the same, right? So you can have as many variables as you want. You can start with say, your camera. So you can put a camera, then keyword, then see how it is up to you. I'm just going to use this tool to demonstrate this. And then click on Okay, and you will know that all these filenames will be changed. Since earlier on, I skipped tagging some of the clips. That's why these clips have no name. However, you can see that these are all the road clips. These are all the town clips. Now that the files are Rename. And I'm back at the edit page, I can tell which clips by the filenames loan, and it will help me to keep my files much quicker. Now one thing to note is that although resolve change the file names over here, your original file names on your computer isn't changed. So that's all about using the metadata as well as batch streaming, naming your files so that you can be more efficient when you edit. 6. The Edit Page: In this video, we'll take a look at the adaptation greater detail. Now in the edit page here, you have your media pool on the left panel at the top. And you can actually open and close the media panel. Or you have to do is to click on this tab called Media Pool and then it will close. If you do click it again, it will open. On the second panel here is the source of your work. And when you hover your mouse over any video clip you can see in a source viewer. This is just previewing what's in the source. Once you double-click it, then you can view this video clip in the source viewer. And you can actually select things in and out points. Alright, now on the right here is the timeline. Viewer shows you the clip that is on the timeline. For example, if I want to drag this clip onto the timeline, all I have to do is drag this down. And now you can see in the timeline, we were. So any video that you see on the timeline, we will is what your audience will see. For example, let me just drag this down to the timeline. Alright, so now I can see this on the timeline. Alright? If there's a space here, it means that your audience will see a black section. This is usually something you do not want and you can actually close up that gap. Alright, Next is the inspector. And select the Inspector. There's a lot of things you can adjust for your video clip. For example, things like rotation, things like zooming in, things like cropping. Alright? So we will cover this in greater detail as we go along. Then the inspector panel is open. The viewer will switch between your timeline and also what's on the source window. For example, right now, yeah, I'm selecting this. What you're seeing is actually in the source window. Once you click on a timeline, is suggest back to the timeline. We were so be careful not to be confused with this. A few other things you can do in the panels is that you can re-size the panels. You can also adjust the size and height of your video tracks as well as your audio track. And you can also use this icon here to make adjustments to your track height. For example, you can unmute your video height, taller, smaller, as well as the audio. So this will actually help you to make your edits lot easier. I'm just going to close it back. Now, you want to zoom into your timeline. You can use the buttons here to zoom in. For example, you can click on the plus sign to zoom into your timeline so that you can see things in greater detail. Okay, for example, if you want to make a cut somewhere here, by zooming in is much easier. And you have three other Zoom buttons here. This is the full extent zone, which means you will see the entire timeline. If your timeline is very long, then you will adjust automatically. This is the detail zoom, zoom into detail. And this is the Custom Zoom. To set the custom Zoom you will depend on what you have set over here. For example, if this is the zoom level that you want for your custom Zoom. So let's say you go back to Zoom. If you want to go back to your customs of evil, switch back to that. This is an overview of the edit page. And when you edit your video, remember that you are basically selecting the video or audio or image, and you're just placing it onto the timeline. And it is a matter of just doing that. So that's all about the edit page. We will cover this in greater detail as we build up a project. 7. Editing on the Timeline: In this video, I will show you how to do some basic edits on the timeline in the Vinci resolve. Now this is a video on my timeline right now. And let's start with creating a trim. Let's say around here I went to see the video where the person presses the stop button to trim this while you have to do is to hover your mouse to the beginning of the clip until that arrow turn to a different icon like this. Then you can select this and you can drag this to trim it. So right now, if you look at the video, it will be exactly when the person presses the start and stop button the car. Now you can do the same at the end of the video clip as well. Let's say I want to see this, this part here. I want the video to N over there. I can just hover my mouse over to the end of the clip and then select this and trim it to the front. So that video has been the trim. To close up the gap, I can select the gap and click on the Delete button to close up that gap. And I can do the same for the front as well. I'm going to click Delete and close up that gap. Now, if I were to use this tool instead, which is Trim Edit Mode, if I do the same, you would actually pull the cliffs behind so that you will close up that gap automatically. Alright, so this is actually another way to do that. Let's put another clip onto the timeline, like this click here in my source viewer. And let's say somewhere around here, I want this clip where the wooden tongue comes up. Alright? So I'm going to double-click this and I'm going to move my fine dislocation somewhere here, here, and here. I'm going to click on AI to set the end point, right? And you'll notice that this bar here at the moment is white. Then I hit this part here is grayed out. Alright? So as I play the video somewhere here, let's say one up to this point here. Alright, before the word get blocked up by the bus station, I'm going to click O to set an out point. One way is I can select the clip and just drag it onto the timeline. Okay? I'm going to undo that. Now. Besides just dragging the clip onto the timeline, That's another way to do that as well. That gives you more options. You can select the clip and drag this over to the timeline V1. Here you have several options. For example, inserting, overwrite, replace, fit a few placed on top, append at the nn. Alright? Now, if I click on append to the end, the clip will be added to the back of that clip. So this is quite a good way to quickly throw clips together. Alright, I'm going to undo that and my play head is back here. If I select this and I click on Insert, you will insert the clip right between these two. Let's do instead. Let's push this second clip back so that it has space. Okay, I'm going to undo that. Now. You might play was somewhere around here, somewhere in the middle. If I click on Insert, you will actually split this into two sessions and insert itself in between. I'm going to undo that. And let's say I want to place it on top. It will place this clip on a separate video track. On this video. Right now. There are several options for you to use this. And this is a quick way to add video clips as well if you are just putting clips together initially. So a good way would be just to select the clip and put a pen to the n. It doesn't matter where your play head is located. It could be here. And let's say I want to select this, this is a bunch of ginger. I'm going to select the ginger and see somewhere around here. I hope point for the append to the end. So these are appending the clip to the timeline. Let's say for this clip, Let's do a split data. Let's say I wonder, trip somewhere around here. Instead of trimming it, I can split this. And to split this, I can select this blade icon, the razor blade. And how will my mouse to click that? I want? Click it. And now you can see that this clip has been split into two. Then I can go back to the selection mode, select this lecture mode, and click on Delete to delete a clip that I do not want. I can do the same for the n as well. So let's say somewhere around here too. Split this, go back to the split, split this, back to the selection and the, the clip that I do not want. That how you can actually split a clip. Right? So that is some basic edits on the timeline in DaVinci Resolve. 8. Transitions: In this video, we'll look at how to use transitions in Da Vinci, Resolve. To add transitions. You can go to your Effects pH here and look for video transitions or audio transitions. We will look at the video transitions first. At the top here, there are commonly used transitions, things like additive, dissolve, blood, dissolve, cross dissolve, and et cetera. As you hover over your mouse, you can kinda see how the transition will work. So you don't have to apply the transition now to your video clips before you can see how they look like. For example, you do a blur transition. It looks like this. So you can hover and scroll through and see which transition that you'd like. Further down there are things like shape transitions. To apply a transition, all you have to do is to select that transition and drag it and place it between the two clips. So here the transition is applied between these two clips. And let's play this. Alright, so this is what it looks like. If you go up to your Inspector tab under transitions, you can see the type of transition that you have chosen. You can change it as well. If you decide to change it, you can go to any of this transition that's similar to the transition over here. And you can change it. Let's change it to us, slight transition. Now, it looks like this. You can also change the duration of the transition. So the default is 1 second, okay? So you can change it to have more or less. And if you change the time, you can see that this box shows that transition will also change as well. You can also have over to the transition and drag to change the length of that transition. Here, that transition is shown as the number of frames as well. Okay? Now the other thing to look at is the alignment. For example, right now, it is right aligned between two clips. If you want to have your decision start at the clip in front, you can select this. The transition was started at this clip, right? And this is particularly noticeable if you have Eclipse like for example, cross these off. Dissolve will happen over the first click. And then by the time he reaches a second clip, that transition is completed. You can also set it to the clip at the back as well. All right, next is the star ratio and N ratio. This shows you how much of that transition is happening. For example, you want to see more of that second clip. You can adjust this. And what's the n? You can see more of that first clip. So choose to, alright. Finally, you have these things called 0s. For right now, the transition is linear. However, if you want to have your transition sort of ease in, you can do that. For example, you ease in. You can have ease in and out or out or even custom. So the transition will have sort of a curve, which means some part of the transition will happen faster. And then towards the end it kind of slows down a bit. So you can have this ease in and out. You can also have changed the transition curve as well. So you see at what point that that transition will happen. Alright, so you can actually adjust all that. Now another way to add a transition is to hover between the clip. Right-click. And you can also add a transition here. For example, here you can add 30 frames, 60 frames of cross this off. Now one thing to note is that if you have a row and right-click, you'll notice that on the left clip here, there is a green bar. On the right hand side of this clip, there is a red bar. Now the reason why these shows red is because the second clip here is a raw clip. It hasn't been trimmed yet. So let me move this aside. Notice that I can extend this clip anymore because this is the beginning of the clip. And that's why you see the red line over here. And if you were to drag and drop a transition over or even create a transition, you won't allow you to do. So. Let's do this. The difference is though, we'll come up with a message. Some of the selected insufficient handles, right? So if you look at the handles, it means that you need to have some clips that allow this video to have a transition. Alright? So you can actually just trim the clips. And if you do that resolvable, actually trim the clip for you to create some space for it. Notice that yes, shorten the clip at the write, enable that transition. Perhaps you can see that more if you have a full Extent Zoom. Okay, so let me undo that. Alright. You do that, that transition again. The frames trimming clips, right? So some of the clips has been framed by resolve to enable that, have that transition again. So let me do that. Now when it comes to audio transition, it looks similar as well. So for audio transitions, there are just a few to choose from. For example, mostly they are crossfade. Whether you want to reduce or increase the volume by a few decibels or maintain that. Using audio transition is very similar. Just drag and drop it onto your audio track. And you'll see that there are transitions over here, okay, for this audio as well. If you have two types, the top of the show the video transition and the bottom part of this in the inspector will show the audio transition. Right. So that's all above. Transitions in Resolve. 9. How to fade Video and Audio: In this video, I will show you how to create a phage in a da Vinci resolve and fates are particularly useful between two clips. So for example, if you have a scene of a waterfall and it jumps over another scene, then using a fit would be a way to tell your viewers that you are actually changing to a different location or a different part of your video to fade the video is very simple. All you have to do is hover over to your video clip and you can see that there is Wake r squared that comes up. And any video clip that you hover over, you will see the 21 square. One is at the beginning. Everybody said the end of the video to create a square and selective your mouse and drag it to your left or to the right. And you can see a time come up that will tell you how long your fear is. Okay, let's play this. Alright. If you want to have a fade out, you can also do it to the clip prior and you can just do select this and drag it to the front. Alright? So you have an effect like this. I'm going to do this. A second way to create a fade is actually to use your opacity, and this will require using keyframes. I'm just going to place my playhead here on this clip. And then I will select the opacity. Click this diamond here to create a keyframe. And I'm going to turn the opacity down to 0. What I'm gonna do is I'm going to move forward, say approximately like this. Click on the keyframe to add another keyframe and turn the opacity back up to a 100%. This is what the effect that you will get. Okay? So that is a fatal. So this user's keyframes, the faster way is just to hover over a particular clip and drag that fit button. You can also fade audio as well. So if you fit an audio, even work the same way and then your audio will fade out. Okay, let's take a listen. Alright, so that's how you create a fit in the Vinci. Resolve. 10. Basic Title: This video, I'll show you how to add basic typo in resolve to add titles, go to your Effects tab and under the toolbox, and you will be able to find the titles tab. And there are titles that you can use. And all you have to do is to just drag and drop them onto the timeline. Now when you hover over an individual title and scroll over, you can see a sample of how the title will work. So these are some fusion titles which are a little bit more sophisticated. You can achieve. Just scroll down and see which are the titles that you would like to use. Okay, let's start with the basic title first. Let's select this and drag this over to the timeline. Once your title is over the timeline you will be able to see and you can trim the beginning of the end of the title so that your title will be on the video as long as or as short as you want. So all you have to do is just hover over it and you can trim it. Or you can also just split that typo as well. Just going to leave this let's go back to the title here. And under the inspector, if your inspector isn't open, click on that. And under the video there will be two types. One is for the title itself. This box is where you change the title. Let's just type something. Alright. Next, you have things like your font family and your font face. So this will depend on the fonts on your computer. Alright? So even to change the font, just click on the drop-down menu and you can hover or scroll down and see which is the one that you want. The font family will have different font faces, some bonds. For example, this papyrus font, we just have their regular, again, that would depend on the font on your computer. You can change color by clicking on the color and selecting any of the colors we hear. Okay? And you can also slide this slider to have different types of colors. Besides the basic colors, you can also choose any of the color here. Change color of your font. Okay? Once you're okay, You can see the phone straightaway. Next is the size. You can change this by just hovering over and changing the size. Tracking is how much space between the words and letters. Next, you have your fonts. Style, for example, you want it to be underlying. You can do that. You want it to be strike through. You can do that as well. Next is the alignment. Let me just change. This was the default is the text is aligned to the center. Once you do the alignment left line, it looks like this. All right, align or justify. Alright? So this is the default. So you can adjust your alignment that way. Okay? So let me do that. Next is the anchor point, whether you want to anchor above, the middle, below. Alright, so these are things that you can adjust. If you scroll down this position, you can adjust the position to the left or to the right of the video and up and down as well. To reset any of this, just go to this icon here to reset is another way you can adjust the size is also to adjust the zoom. So you can see that as well and as well as the rotation angle. Now, next is the drop shadow. Let's put a drop shadow and lesser choose the darker orange. Once you offset it, you will be able to see, okay, maybe I should just use white so they can see it better on the video. If you offset it, you can see that it works well with shadows. Alright? So may not be speaking so well for this as seen in particular. And of course you can adjust the opacity as well of the shadow. Next is the background. And to remind us of the background, you need to increase this high, which is 0 divided by 0. So you can do the background, you can change the color, you can do the same as well. So you have a background so that your texts can be seen much clearer. The corner radius is the corner. We can adjust all the opacity as well. So these are the options under the title side. If you go to your Settings tab here, there are other settings as well. For example, peach and your. Let me go and turn off the background. And turn off the drop shadow. Go back to pitch and you're so these are things that you can use to adjust the pitch in the urine as well. We can also flip your texts as well. Alright? And finally, a composite. So this is how your texts will interact with the video behind. The composite mole is defined as normal. If you change it to add a color, you can see that things will look different. So it depends on the color of the video as well. Let's say for example, over here, the colors like this. Over here the color changes. So that's how you add a basic idle in, Resolve. 11. Review and Questions: I hope you have enjoyed the class so far. I certainly enjoyed creating it for you. I look forward to seeing your projects, meet with this software as well as encourages me as the instructor here on Skillshare. I have a small request to make, which is for you to leave a review for this class. It does two things. Number one, it helps other students decide whether this class is suitable for them. And number two, excuse you have requirements in order for the class to remain on their platform, which has said a number of watch hours, as well as people are interacting with their instructors in terms of reviews as well as questions, this ensures that the class remains on their platform and you can review it anytime that you like me. That's it. Happy grading and happy video editing. 12. Custom Title: In this video, we will use our texts plus to add titles to your video. Text plus have extra functionality is compared to the basic title. So let's drag it down onto the timeline. I'm just going to move my Eclipse Rebecca bit. With tax plus. Under the title step, you can add whatever text that you want. Let's say as part of the video. I'm going to use this. So you're getting hungry, change it to regular. The next scene is so I can eat some food. So under texts plus, you will have the similar things like fonts and colors and sizing as similar to the basic title. However, here the extra functionality and one of this is that direction. Besides the automatic direction, you can go reverse horizontal as well as vertical. You can even go reversed vertical as well. So if you shrink this up, alright, so you can see something like this, I'm going to change it back to automatic. I'm going to undo all that. And one other thing is this write on effect. And the write on effect works or something like this. You can create taxed at Ziff is getting written one-by-one. And the way to use this theory, to use this right one is to go to the beginning of that title. And then you can use the keyframes. So create a keyframe there and turn this all the way down. So there is no texts. Move your playhead along, and then move this right on effect. And you have something like this. And you can do the same towards the end of that section and another keyframe. And then at the end, move the write on effect to the n, right? So you have an effect like this. Now I'm going to undo this. So next, let's go up here. Now, under this takes place, there are a few other tabs here. For example, one is a layout. So you can have different, different layer. For example, this one is considered as a point. We can do things like a circle, area of a circle. You can control things this way. The size, the width, right? Perspective. You can have all that. And let's change it back to the point, and let's go back to default. Alright? So you have things like this. And of course, here is the rotation. So here you have x, y, z axis rotation. So this is the egg and exit. So you can actually do something creative with this. Let's change it to 90 degrees so that the audience won't see anything. And you can key-frame. Move your playhead and you can change it to 0. So you have an effect like this. I'm going to undo that, changes back to 0. Now besides that, you also have to Y exists, which will go like something like this. Alright, so you can also key-frame this to create a rotating texts. Let's go back with say, 90. So your audience doesn't see anything. Keyframe this. And then somewhere here, change it to 0. And you'll have an effect like this. You can also combine the x and y so you have any meta title. Alright, so I'm just going to undo that. Then on the transform tab, you have different types of transformation. For example, you want to space or characters or whether you went to space versus baselines. You can do that as well. Alright, thanks. Or rotation, shear, right? So you can adjust all that. I'm just going to undo all that for my video. Maybe I'll do stick with something like this. Alright, and I'm just going to have a 2 second title. I'm going to have to fill out. Alright, so we'll look at something like this. So I incorporate this into your video project as well by using a custom title or texts class in Resolve. 13. Speed Up or Slow Down video: In this video, I'll show you how to slow down or speed up the clip in Resolve. Now I have this clip here on a timeline, and this is a clip that recorded up to here. There isn't any more food dish after that. However, I want to show the audience that this is the expressway in the GPS. So what I'm gonna do is to slow down that clip. Okay, So to slow that down so that the audience can see this clip little bit longer. I'm going to select the clip, go up to the inspector, go to video and go to speed change. Now this tab is usually so you may need to click it open and you can then change the speed of that clip. Now I'm going to change it down to say, about 70% array so you can hover over it and change the speed. Alright, so you can see that he has slowed down by about 70%. Right? Now I'm going to undo that first. Now you have repo timeline, then you will adjust all the cliffs behind as well. Okay, So this has LinkedIn shows in that timeline. Then even the clip shows a clock to let you know that speed has been changed. Alright? If there's any audio on your clip, then you can also do pitch correction. However, for this, it is just a background noise. I've removed this audio later on. Alright. Now if you want to speed up a clip, works the same way. Let's say this clip here, I want to split it up, select the clip and then what you do is just to increase the speed, to say, maybe 200%. Alright, and you can see that the clip, we'll just close up that gap. Alright, so let me undo that. So that's how you speed up and slow down a clip in reserve. 14. Realistic slow motion: This video will show you how to make your slow motion a little bit more released it using the rate function, especially if you haven't shot your video at a higher frame rate. Okay, so first let's go to the file and let's go to Project Settings. Now. This project setting now is at 29.97 frames per second. Let's cancel that. This clip is shot using 59.94 frames per second. This means that if I were to go to my speed change and change the speed to half, you will still have enough frames to make sure that the video. Welcome Jackie. So let's change that. I'm going to change it to 50 per cent. To know whether you have enough frames is very simple. All you have to do is, let's say I go to somewhere here. Let me just move to somewhere here. And I'm going to use my arrow key to move my playhead frame-by-frame. And if there are sufficient frame, then this camera here on the screen will also move and you can see the movement clearly again. So let's do that. I'm going to move frame-by-frame. So you can see the video is sharp. Each frame is sharp. Now, if I were to slow this down further, say two, five per cent. This means there's not sufficient frames as I do this, OK, and you'll see this effect. Okay, I'm just gonna do the same here. Let's go to somewhere here. Alright. So I'm gonna do frame by frame using the arrow button on my keyboard. Okay, So this is one frame. You'll notice that the camera didn't move, although the play and move one frame, I'm going to do it again. So it moved again. There's no movement, a movement now, let's move on the play head, but no movement on what you can see. So which means effectively, there is some frames missing. If you play this video, you will see the jerkiness, okay? You can see the block Venus happening. So one way you can make this look a little bit better is to use the time function. And you can do that by heading onto your eggs Inspector under the video tab, scroll down. And as the time scaling, now this type is usually close so you need to click on it to open it. And you want to do is to change every time process. Now the default is projects that thing and it is nearest, which means resolve is using the nearest frame when he hits a situation like this. Again, that's why you see it is using the nearest frame as you move the play head. You can use a frame blend to change this. Okay, Let's try using a frame blend and do the same thing. Move the playhead frame-by-frame. You can see that resolve, try to have an average of two frames to create this single frame. This is the origin of frame. Now this is the interpolator frame, which is an average of the two. The frame before in the frame after. You use frame blend, it may look better. And in this situation actually looks quite good. However, you can also use a different one which is called optical flow. Salty cross-flow is a different process, which in some cases can be better. So let's move this frame-by-frame. So it is not trying to average out the two frames, but it is trying to create something based on its own estimation where the object that is moving, you will see some weird effects due to this optical flow. Now the reason for that is because this scene in a background that is busy with shadows and different things. So you end up something like this. And you can also change this most motion estimation from standard faster to say, enhanced bit faster or enhance better for this motion estimation, the further down it is, the better it is. However, speed is only for the studio version of our result. You can see now that this is smoother. So that's how you use this read time process to meet your slow motion more realistic in reserve. 15. Speed Ramping: In this video, I will show you how to do a speed ramp. A spectrum is where a certain part of video is played at a certain speed, and then it goes through and acceleration curve and then reaches a different speed. It can also be a decelerating from a high-speed and goes back to a lower speed. Alright? So it is different from merely changing the speed where you have a jump from, let's say, playing at the regular speed at a 100 per cent, and then say jump to 200 or whatever percentage. Alright, so the spirit realm is different in that manner. For this clip that I want to use for my project. You have this car traveling on quite a long meandering road that takes quite a few seconds before we hit the sign that I want. So for viewers, this can be a very boring scene. What I want to do for this section is to shorten it by speeding it up and we will do it with a speed ramp. So what I'm gonna do now is to right-click on the click and turn on real-time controls. So you see all these buttons. Next we want to move the playhead to the position where you want to speed change to take place. I want my speed to change to take place here. Then next I'm going to click on this arrow at the bottom and add SP point. Okay? So you see that it's now a speed point there. Alright, next, I'm going to move my playhead to just before the word bundle here shows up. Okay, let's move it past the poll. I'm going to add the data speak point by clicking on this arrow and speed point. Next, I'm going to right-click again and this time, turn Henri time cuff on the menu. You may need to adjust your track heights to be able to see this. Okay? So this is the curve and the speed hasn't changed yet. Now, next, what you need to do is to click on this arrow here and change the timeframe to read times p and n k. Close this. Next. I'm going to change this section here to a higher speed. And what I'm gonna do is to select this point here, this speed marker. Click on this, and I'm going to push this in. And as you can see, the speed is changing for this section, approximately about 250 per cent. And you see that there's this curve here and the speed jumps, right? So the next thing that I want to do is to select this and change this to a smooth curve. Alright? I'm gonna do the same for the MCQ, the second macro as well. So now what you're seeing now is there's a spirit realm and speed ramp is happening at this position. Alright, so let's play this. And you can see this section, the V, Everything is playing it at 250 per cent faster. Now I think it's still not fast enough. Alright, so once it hits here, Let's pizza goes back to a 100 per cent. Alright, I think the speed is still not fast enough. In order to change the speed, I can select this and pushing again, and the curve gets steeper. Alright? Now, I can also adjust this by selecting the point and by dragging out this point, you see that the curve changes to a smoother curve. I can do the same here as well, so that the curve is much smoother. Alright? Now if I wanted to create something of a slow motion effect, I can do it over this section by just doing the same thing. Again, I'm going to add speed point here. And once the what comes up here, alright, I say add another speed point. However, this time I want to this section where the word is showing to play slower. So I'm going to select this and drag this further. And as you can see over here, the speed here is slower, alright? And you can see the curve this way. However, if I put in the smooth curve, it will be a sudden change in speed. Okay, so this is not what we want. We want it to be smooth. So select this, change it to the smooth, changes to the smooth curve as well. So I can actually adjust this whether I want this to be narrower or wider. Okay? So this is the effect right now. Okay? And then once it passes this point, it goes back to the normal speed. Once you have completed this section, you want to hide all these back. Why do you need to do is just to right-click on the clip and high dairy time curve. Right-click and hide the real-time control. Alright, then I'm going to close the gap for the next section of the video. Alright? So that's how you create a speed ramp effect in Resolve. 16. Custom Transition: This video, I'll show you how to do a different kind of transition, where we will mix the standard transition with another effect. So I'm going to put a transition here between this part here, alright, this scene and this clip. First I'm going to the effects pool and go to the generator. And I will use a solid generator or a solid color. I'm going to place this right in the middle. And I want to shorten this transition to say too about two seconds and place it right in-between the two clips. It doesn't have to be exactly at two seconds. I'm going to put it as close as possible. Right? Now the default color of this solid color is black. And you can change it to another color if you want to, by going to the color and selecting a color that you want. Right now in my situation, I just prefer it to be black. However, I'm going to the Settings and turn down the opacity a bit. Alright, so if I turn it all the way down, you can see what's on the screen behind. I'm just going to use it about, around 80 per cent. However for you, you can use whatever opacity that you prefer or even leave it at a 100%. Okay? Now, next, I'm going to the video transition and use some of these transition here. Alright? I'm going to look for the bundle, which is this one, right? So if I were to use a standard transition, this is what it will look like. However, I'm going to drag that bundle transition and place it on the solid color. So it will look something like this. Alright. Next one I'm going to do is having select that transition. I'm going to go down to this point here, which is the ease. I'm going to use, the ease in and out so that the transition will have some acceleration and deceleration curve. And I'm going to copy this part here to the back part of their transition. And I'm gonna do that by selecting the transition, press on the Alt key on my keyboard and then drag it to the right. So basically what I've done is I've copied the front end and back end of this transition so that it will be the exact same thing. Let's play this video and see how it looks like. Alright. So you get a transition like this. Now, you want to change the different kinds of transition. You can change this as well. It doesn't have to be exactly the same. So it can be something like this. Let's change the transition here with the transition to change the type to see slide. Alright? So this is what it looks like. You can have different type of transition. But anyway, for my project, I'm going to stick to the same thing. I'm going to undo that. So it will look something like this, right? So this is a more advanced way of doing transitions, rather than just using the standard transitions that's available in Resolve. 17. Adding and adjusting narration: In this video, I will show you how to add narration track into your project. Now, I have a narration, videos that I've recorded where I narrate and explain part of the trick that I'm on. So I'm going to use this and place it onto the video track number two as well as the audio track number two. Now, I've actually sort of make a mistake by placing Titles here on the treatment with two. Alright, but it's okay. It's very easy to move this up to the track. So I've added tray video track the tree. So to move all these titles up, all I have to do is to select this with my mouse this week and then press the Alt key on the keyboard and press on the up arrow key on my keyboard and all these titles and transitions, or move to a different track. Next I'm going to drag the narration track onto a track V2 n. It will look something like this. You'll notice that my narration track is shorter than the project. That's okay. Because what I intend to do is to split the clip and adjust the narration soda it kinds of fit. Now, if your narration track is longer than your video, then I'll probably you need to either cut down some of your own narration or adjust your video track accordingly. Alright, now, first, I'm going to mute the track below. First of all, the backgrounds or from the different scene so that I can hear my narration track properly. The next thing I want to do is to link the audio as well as the video from that narration track. So that way he allows me to see things better. And I can also disable the video track first and see where I want to show up on the screen to explain this array. So this is my video that range up to this point. Alright? So let's, I'm going to listen to this and I'm going to adjust this and see where I want to be onscreen. And then I will split that and I watch the video later on. Alright, so let's start 2021. After being locked down several times, we decided to go for a triple. Our destination is a small town 80 kilometers east of Colombo. The weather was cool and cloudy, with some occasional run along the way. The skies cleared up by the time we arrived in town for breakfast. Okay? Now what I'm gonna do is computed this around here. Let me zoom into that timeline. This chi-square. So the skies cleared up, right? So obviously the sky hasn't cleared yet. This point. I'm going to split this. And I will push this narration back again by finding where we sort of enter tower. Alright. It's probably somewhere here. This chi-squared up. By the time we arrived in town for a late breakfast. After breakfast, we went for ice cream because it is a road trip after all. So I mentioned ice cream. So I'm going to split this audio track again or the narration track and move this gradient would look to where the ice cream shows up. So the skies cleared up by the time we arrived in town for breakfast. Right? So it shows go into the shop for breakfast, right? And do not worry about this quiet parts. But I plan to do is to add another audio track laid on with a background music. So we will make this video and look quite nice. Alright, so something like this. So you get the idea how to do the audio. And if I want certain parts where the scene is a little bit boring, I can actually turn on this track and see my narration where there is fit. If it doesn't fit, I want to use that section. If it fits, for example here. Okay, I want to show this. Maybe our destination. Our destination is bundle, a small town 80 kilometers east of boxy. I'm just going to use this because I wasn't looking at the camera when I recorded the narration. However, if I am using the narration, if I want to use this path, I can just bundle a small town 80 kilometers east. Okay, I'm going to move back a few frames. And I'm going to split this. Okay, I'm not going to use this section. So what happens is a small town 80 kilometers east of Colombo. The widow was our destination. Go for a trip. Our destination is bundle, a small town 80 kilometers east of Colombo. The weather was cool and cloudy with some occasional run alone. It'd be I'm going to split this occasional rain along the way. That's how you can actually mix video, your audio. Now I'm gonna do the rest of this. So you have a rough idea how to do adding and narration track, as well as adding a video into your tray. Most of these, I'm quite happy with this, this part here. Okay? All the video clips at the bottom. Most likely, I'm going to use this right towards the n, where n that trip by giving a narration or somewhere around here. So I'm going to trim all of this and all the effects on lockdown and had a change in scenery. So that's how you add narration track in resolved. 18. Basic Color Correction: In this video, I will show you how to do some basic color correction. In resolve. To do color correction, you need to go to your Color page, clicking on that color, and you'll be taken to this page. Now this page is rather complicated. However, we will cover the basic just to get you started now when you are on this page and if you do not see what I'm seeing right now, there's a few things that you need to control. One is to make sure that you are at the color View tab here. Now, if you are at different tabs, then you will see different things. Especially if you're in the HDR. Make sure you come back to that primary color wheel. Next is this tab here. You should be on the color wheel. You shouldn't be at the color bars are the primary lot wheels, right? So make sure you're at this page. And finally, in your head, the scopes, you should have this turned on. If you are on a different set, the keyframes, then you might see something different. Scopes. You should live your ads. Are there other scopes as well? Alright, so, but basically we're just going to keep it simple and see something like this. And for the curve, here is the curve. Now if you change it, you should see something different. So make sure that you have this, select that as well. The first thing is to look at the scopes. The scopes will tell you the colors for this image right now. It is actually pretty okay. And there is a path that is bright and then here shows the dark parts. So this gives you an indication of how much you can shoot, adjust things. And this is looking at the image as in a technical manner. Now when it comes to the color wheel here, lift talks about the dark part of the image. Gamma allows you to control the mid-tones, probably somewhere around these areas. And the face, again, allows you to control the bright parts of the image. And offset allows you to control the entire image overall. So for example, if I were to change this by dragging this, right, the image will get brighter. You can see this showing that the image is brighter. Now if you want to undo everything, you can just reset this over here or over here, you can reset everything back to the norm. So I'm just going to reset this offset first. The first thing is correcting the color balance. Now this image looks pretty okay. However, if you want to change your white balance, there are two ways you can do that. One is by using the color picker, select this, and then you can pick a sudden path on the video or the frame and decide if that is something white. Now, I selected this piece of paper and here you see that the temperature has changed, now. Put some tint in some contrast. And you can also see that the scopes have changed if you're the CEO or region image and versus the changes you can have implemented. You can go to the top section here to bypass color grades and fusion effects. Click on this. And you can see that this curve has changed, right? There's only a slight change. And has done so by reducing the blue because the luckier s, some kind of bluish tint. Now this ray telescopes, let me do something to show you. Now if I change this, you can see that suddenly the green increase. If I do the opposite side, the green decreases, whereas red and blue goes down. So I'm just going to undo that. Now in order to make any changes, you just hover your mouse to, for example, the contrast here. And your cursor changes to an arrow that points to the left and right. You can click on it and drag it left or right to increase or decrease the sad things. Okay, If, for example, right now I'm increasing the contrast slightly. Okay? Now let's say over here, I want to reduce the dark part out and make it darker. Look and really black. Then I can actually select this, reduce it and you can see cops here. The dark paths are getting lower around. Maybe slightly, not too much. You do not want to go crazy and make things look on your screen. Okay, So like for example here, if I increase the mid tones, mixing image slightly brighter, something like this looks alright for the image actually is quite okay, ready? However, this, I'm just going to show you how you can increase saturation slightly in case you want to make this more saturated, you can do so. Or raise the shadows you can do so is beginning to look too much. So I'm just going to turn this back down. Just slightly like this. Now for this image, it is pretty okay, but I want to show you a different way you can create. And this is quite common if you're familiar with photography, where you want to do an S curve. And that is how you correct this using the line over here. You can click to increase, put a point, and then you can click somewhere here to create a point as well. As you can see now the image is actually what done because of the earlier changes. So anyway, I'm just showing you how you can actually do an S curve over here. So that's all about basic color correction in Resolve. 19. Changing the Look and Feel of a video: In this video, we will change the look and feel of your video by using the color wheel. So let's say for example, if you go to the gate, which means we are controlling the brighter parts of the image. And you select the gain and drag it to the right. And you will see that the image will have a cooler look. Now you drew it to the left, then you might have a yellowish or warm look to that seem. So you can actually manipulate your image creatively for the image that you want, whether you want the EPA warmer scene or a cooler seen. And then the other thing is of course, whether you want it to be redder or more of a greenish color, right to the mood of the video. You can do the same for the gamma as well as for the lift. And as usual, when it comes to color, you just want to do some slight adjustments if you do not want to overdo it. And then some of the scenes on some of the colors will start to look really terrible. Alright? So that's how you change the look and feel of your video in Resolve when you're creating your project, can just consider the look and feel of your video. And if it makes sense, you can change the color to get the feel that you want your audience to see where there's a warmer tone or bluer tone. 20. How to blur, mask and track: Video, I will show you how to blur or mask off a section in the venture resolve. And I'm going to blur this word here, the word outlet. And this is my video clip, right? As you know that the video moves and it goes out of frame. So I will also show you how to track this. So if you have a stationary object, then you just need to do the first part of this video. All right. Now, we will use the color page and to access the color page, click on this color tab over here, right at the bottom. It will take you to this page. Okay. Now, what I'm going to do is to highlight this section here. And these are the notes, right. So right click and add a note, and we will add a serial note. Okay. So we will apply the effects to the serial note so that in future if you want to delete the note, then all the things will be removed easily. Okay okay? Now, you can also apply it to the note directly, the main note, so it's okay. So I'm just going to do it this way. All right. Now, next, what you want to do is to go to your effects. Now, if your effects tab isn't open, you can click on effects. All right. So if you don't see this, then you may have your notes turned off, so make sure your notes are turned on. Okay. So now there are several blur effects that you can use box blur, directional blur. I'm just going to use Mosaic blur. It works at the same way. So I'm going to drag this and place it into this serial node. Okay? So now you see that the entire frame has been blurred out, using the Gaussian blur. All right. Now, next, what you want to do is to go to this, which is the window menu. Click on the window menu. There are several types of windows that you can use to mask a certain area off. Okay. So I'm just going to select a square one because in this case, it doesn't matter. However, there are circles and there are hand drawn masks as well. So it works the same way. Now you can position the mask to wherever you want to position it. So I'm just going to position it on here, and you can reposition the corners as well this way. Okay. And I'm going to reposition the corner over here. Okay. Now, next, you'll notice that there are this pinkish or rather red bubble, and that affects the blur of that the edges, right? So if you want to have a sharp edge, then you try to place the corners directly the red bubble right over the blue bubble. Now, if you want to have a wider fate effect, then you can drag it out. So that looks pretty. All right. Now, if this video doesn't move and you have a stationary object, you are basically done. You can go back to your page and the blur is there. And if you think that you want to adjust the blur somewhat more, in the mot blur setting here, you can adjust the pixel frequency for more pixel or less pixel and the aasing, okay? So you can make it a different shape, for example, or whether you want to make sure that people can't see what you are blurring, and you can go about your editing the normal way. Okay. So however, because this object moves, okay now the mask doesn't move or the blur doesn't move, so we need to go and create a tractor and make sure that the blur effect will follow the word. So what you want to do now is to select the tractor. Click on the tracker, and then there's a menu to track forward. So select that track forward so that DaVinci Resolve will track that object. Okay? Now, you noticed that I have started this at the front, so I didn't track the front. So what I will do is click on track backwards and resolve will do the tracking backwards and blur that object. Okay. And basically, that's it. All right. So if you go back to the edit tab and you're editing your video, so you all blur there and people can't see what you want to hide. Now, what if you do not want to use a blur or you want to change it? So what you can do is go to the settings here under the effect settings, turn off the mosaic blur, and then the blur will be gone. You can go back to library and search for a different type of blur, if you want. Let's say you want to have a gaussian blur. You pit on. And now you can have the Gausian blur. So you can change this as well. Okay? So you can have a different blur and you don't have to repeat the same process. Okay? Now, I'm going to undo this Gausian blur. I will show you add another thing. Instead of the Mosaic blur or the Gausian blur, I will add a color generator onto this node. Okay. So I will add the color generator. Into this note, and now the color generator is this. And I will use this color picker to select the color similar to this. So now, you'll notice that the sign has been well blended in, right? If someone doesn't have a close look or the color doesn't change, they won't even know that you have actually hidden that word, right? So that's how you blur or mask of a certain object in a Da vinci resolve. 21. Your Project: For your project, make the shot video. It can be a travel video or video about your hobby. And remember to put at least two or three of the things that you have learned into your video. For example, you can put in titles, transitions, and perhaps make some changes to the song or to the color of that video. Look forward to seeing your video. 22. Demo of final road trip video : They have 2021. After being locked down several times, we decided to go for a trip. Our destination is bundle, a small town 80 kilometers east of Colombo, to weather was cool and cloudy, with some occasional run along the way. The skies cleared up by the time we arrived in town for breakfast. After breakfast, we went for ice cream because it is a road trip after all. Next, we walked through when total calorie, this gallery is actually a cafe with the small museum shrink pattern of malicious history unrelated to a Bento. You can see various artifacts and even replica good planning stuff in the museum. And you can also, by the famous been doing ginger in the gallery two. Next, we drove a few kilometers south of town too. Chairman, Waterfall. Waterfall is easy to access and you can put right next to the river. The time we were there, the water was strong because it is the end of the year monsoon season, which is famous in Malaysia. There is a suspension bridge that overlooks the river in which we cross just to have a better view of the river. After a few hours at the waterfall, relaxing our stomachs told us it is time for our next destination. We drove a few kilometers to gender by to grab some food at Pine yet cafe. The weather day is cool. A nice scenario since it is at the foothills of content highlands, We Can Eat your food with the local wildlife rather close by as well. After a quick bite me hit her back home. It was a good trip to help us relax a bit. Although it's a short trip. We did have a break from all the effects on lockdown and had a change in scenery. They'll give mental or visit if you are around the area. 23. Exporting your video: This video, I'll show you how to render or export your video. This means that after you have placed all your transitions and texts and titles, you want to export it as final video file to do that, or you need to do is head on over to the deliver pitch and you'll be taken to a patient like this. You can either render the entire timeline or render the In-N-Out range. Now let me keep it over to the edit page first. Now one thing that you have to be careful is making sure that your video tracks has not been disabled otherwise. For example, you may have added some titles. However, if you have disabled the video track, when you render the video, all these would not show up. Same thing as audio as well. So for me, I've decided to mute the original sounds. I just want my narration track as well as my audio track. And that will be in my final video that you want to render a specific section. Let's say I went to render only. And from this point and up to somewhere around here, I can set the in and out point on the timeline itself. All I need to do is to press on the I on my keyboard. And you'll notice that this section here has turned a greater, alright, and you have this line over here. Now, if I go to the end of these videos are made here and press on the O. You'll notice that this is the final point. If I hit by pitch and if I render the in and out points, I will need this section. So take note of this when you export so that you get the entire file and not just a section. Now you want to render the entire section. You can still do that. Just select the entire timeline. Then resolve will render the entire timeline. Now on the rendering settings here, you have a few starting from custom to YouTube, to Vimeo, as well as rendering just the audio alone. If you're not sure you can use a YouTube, I prefer to use custom because customers have greater adjustments and sudden advantages, which we will cover shortly. So first is the file name and also the location. So I'm just going to browse to go to the directory. Let's say I want to render it to Final Cut. Click on Save, then give it a name. Let's say this is my road trip. Usually I like to put FC for my file so that I know this is the final cut and this is not my original video clip. It's up to you whether you want to use a different notion. The reason why is that you can always re-render your final cat videos. I've provided. You haven't deleted original files for your original files. I can see that. Okay. It is not SDN. I will try to tend to be more careful before I make any deletion or moving them around. Now next is to render a single click versus individual clicks. You want a single click. You will render all the clips into one single file. Alright? And you want a video. Next is the format. So there are self formats in a custom, you can do things like MOV, MP4, and et cetera. So usually I choose MP4. And for codec, for the free version you can choose to. One is H.264 and H.265. Now, this is a wonderful advantage I mentioned about rendering to 65 provider. If your computer has a GPU, it will render your file much faster versus H.264. Also, your file size will be smaller, so the V1 to upload it online, you have a smaller file size, whereas on YouTube, it will go to the default H.264. That's my customer. What is our preferred? Next is network optimization. And network optimization means that the software, but just put all the metadata in front of their video as it uploads. It is useful for video streaming services. You can choose to turn it on or off. It doesn't really matter that much. Next is resolution. You can select any resolution that you want, whether it's half HD to full HD, up to two k and above. All right, I'm just going to render it as the default foolish. D19 20 by 1080. Next is your frame. The frame rate is more or less fixed from the beginning when you set your project frame rate. Now, next is the quality. And you can choose automatic and go for the best quality or high. And this will have a corresponding effect to the quality of your video as well as the file size. Now if your video is small, you can go for high on best doesn't really matter much. For sudden videos, if you want to restrict it to a certain file size, you can do that here as well. So this will be the data rate that resolve exports. Here is ten kilobits per second. The rest of it, you can leave it as automatic. Once you have done all that is to draw Render Queue. And your job is queued up. It is not rendered yet. And if you're ready to render just a random, all the software start rendering that video. For my two-minute video here, it will probably take about 45 seconds. So we'll give you a remaining percentage as well as the time. What's the rendering is completed, you can right-click and open file location. And see that video over here. Alright, so this is a two minute video and this is my video here. Okay, I'm just going to pause this and close this. Let's head back over to resolve. You can add several jobs and render it all at the same time. For example, you have different video projects. You can complete them. You can just add to Render Queue. Do your next project, add to render queue. And then once you have several projects, you can render them all at the same time. That way, you can take a break and render your video and come back in. Your video should be done. That's all about exporting in Resolve.