Create A Nice Atmospheric Little Piece Of Music From Scratch | Ahmed El Fettane Music | Skillshare

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Create A Nice Atmospheric Little Piece Of Music From Scratch

teacher avatar Ahmed El Fettane Music, Music Producer

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Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Watch this class and thousands more

Get unlimited access to every class
Taught by industry leaders & working professionals
Topics include illustration, design, photography, and more

Lessons in This Class

    • 1.

      Promotional video

      0:38

    • 2.

      Creating The Pluck and Arp

      6:24

    • 3.

      Creating The Bass line and the Melody

      9:35

    • 4.

      Creating the Atmosphere Sound

      5:16

    • 5.

      Creating The Strings and Adding Kick and VFX

      9:58

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About This Class

Hello everyone and welcome to this class where i will show how to create a nice atmospheric piece of music,
in this class we will try to create a nice harmony amongst all the elements and instruments we will add.
this is not going to be a production using the classic way of making a chord and arranging everything around it because we will not stick with one single chord progression but we will try to write multiple pieces that goes along each other.
so thank you and i hope you will like the result at the end.

Meet Your Teacher

Teacher Profile Image

Ahmed El Fettane Music

Music Producer

Teacher

Hi There, my name is Ahmed El Fettane and I've been making music since 2013, I really like this art of music that's why I decided to become a teacher to share the skills and knowledge I know about music and other things.

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Level: All Levels

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Transcripts

1. Promotional video : Hello guys and welcome to today's class where I will show you how to create this knife. Our efforts to do. So, we will try to keep things simple and most importantly, focus on creating good, harmonious. Each instrument we will, we will try to make it as perfect as possible in terms of our money so that everything can Sounds great together. So stay tuned and see you in class. 2. Creating The Pluck and Arp: Hello guys and welcome to this lecture where I will show you how to make a nice atmospheric piece of one-minute that sounds dreamy and magical and column. So the approach we are going to follow wants to be the same as the classical type of music production. Because we are not going to create basically a chord progression and then we build everything based on it. But each pattern we will create it will be different. But at the same time, we will try to develop the harmony between our instruments and pattern. So without any further torque, Let's jump in and start making this song. The first thing that we tried to create is some good plucky chords. So I am going to use one of my favorite preset I made in silent one, which is this one. So I am using basically two oscillators. One of them is one octave lower with eight voices that play a tree sol wave. And that's got some reverb on it and a tiny bit of distortion for some extra texture. And we'd of course, a low-pass filter that controls the cutoff. The most important thing you need to do is to make sure to add this pitch control over here. Because it's the one that gives it that plucky type of effects. So let's just create something good. Now. Let's add a piano now and put some mixing effects on it. So it sounds good. So as you can see, we have a sound good. I entered in a compressor to make it stand on top of the mix. And an EQ with a boosts of the lows and catch of the highest. And this login for river. Then another EQ, and this plugin for stereo imaging. And finally, another sound. Good either. This combination makes our piano clean and full and especially heavy, so it stands on top. Let's now create a nice little melody on top of the blood and then complete it. And now let's just automate this knob over here. I chose this knob and not the velocity, not because I want to show some movement and motion that goes alongside the blood. Explain. But at the same time, I don't want it to be very harsh and contains some of those energetic, high-end. Remember the song, it's meant to be column and atmospheric, not in chance. And energetic. 3. Creating The Bass line and the Melody: Hello and welcome to this new one. We will try to add a right percussion. Odd Jewett, a reverb to make it plays in the background of this piece we want to create. So now it's almost unrecognizable. And that's exactly what we want. And now we will try to add our main baseline. What's interesting about this technique of music conduction is Dutch. We have now the freedom to choose the best bass notes. Dutch girls, in harmony with our blood, and not follow the constant base note. Because that way we will have the same notes that repeats itself every part of the song. Now we will try to add a melody using one layer instruments with a lot of reverb on it. Let's turn it. More of a plucky instruments using the modulation knobs we have over here. Okay, so now we can add our river. You might notice that I didn't choose EQ in the plot because I just wanted to be represented in the mix as the teeth without any changes and width. It's low end, but that is not recommended in other types of music, like e.g. EDM type of song. So let's create something good. 4. Creating the Atmosphere Sound: Hello and welcome to this lecture where we will try to add another element, which is some atmospheric element to add more depth to our song and make it sound even more great. So I would go with these presets and tried to create something good. So far It's mixing. I'm just going to use this mixing effect that's basically eliminate the dry signal shortly to keep only the wet reverb signal. Let's create something good. I think that this atmospheric elements is interfering with the other elements. Because we have the yard and the melody that's got lots of variation. So adding this atmospheric elements with movements as well is disturbing. And it's hard to focus on something precisely Dutch way. So let's just create something extremely simple and especially with less movement. So something like this is fine because it's placed in a constant way. Let's try to add some distortion to give Melody plug checked shirt and a tiny bits of current Sheena. But the lunch alone. After every distortion effects, we need an EQ to control some of those extra frequencies that did that. Sure. I just mentioned a moment ago. 5. Creating The Strings and Adding Kick and VFX: Hello and welcome to this lecture where I will try to add some strings for more depth to our song. So I am going to use this presetting next is try to create something good that adds more harmony to our. I would try to add the volume automation click to create that movement string players do using that stick. I don't know its name, but that one they use why play into string instruments like the violin, fellow, etc. Now let's try to add the bass notes we created in the piano. We'll add also a kick just to push from time-to-time dose very low ends. So we will go with this one and try to find some good spots for it alongside our song. We will add also these campaigns fire cracking in the background. I'd put a fresh and limiter to it in the limiter more to make it, even because some parts are louder than others. So this way, we'd have the same volume level. This cooked chicken or the VFX filaments to make it interesting. And finally, we will add an impact with a sweater that leads us to the beginning of our song. So something like that is fine. So that's it for this class. I hope you like the results. And don't forget to give me your feedback. And why notch proposing some ideas of class you want to learn. A thank you, and I'll see you in the next class.