Transcripts
1. Intro: Hi, I'm Skillshare top teacher Adam Palmeter and I talk to
strangers professionally. Today I'm going to teach
you how to improve your public speaking
confidence the same way I have in 12 years as
a stand-up comedian. This is a quick class
where in under 30 minutes, you're going to walk away with some very actionable skills that you can implement
immediately; whether it's a key
from the main stage or a presentation
you're giving on Zoom, or just in everyday interaction, how we are perceived is based on how confident we
feel when we speak. Are you on a lot of calls? Are you in a business that relies on networking
with others? How about a content creator just like me who speaks in
front of the camera? Are you prepping for
a big presentation and need help boosting
your confidence? Or do you just want to up your personality skills to
try to meet new people? How we speak is important. Today, you're going to learn the most valuable and
actionable aspects of public speaking that I use to make people laugh
and help you uncover that inner confidence so
you can apply it to work, comedy, or just everyday life. This class is broken up
into four easy sections. Ready? One, technical skills for public speaking that every
speaker should be aware of. These are fundamentals. These are easy to forget, but very important to remember. What's the point of
having something to say if small details
get in the way? That rhyme nicely.
Number 2: clarity. You're going to learn
how to refine what you want to say so
it's crystal clear. These are important tips that dive right into the heart
of your content and exactly what makes public
speaking and comedy effective. Number 3: connection. In this section, we're going
to break down how to make that connection
with the audience that you're speaking to. This is the magic that happens
when an audience is really hearing you and your confidence is doing what it's supposed to; getting people to actively listen and connect to
what you're saying. Number 4: interaction. This section is all
about how to use that confidence in active
back-and-forth discussion; public debate, doing a Q&A, dealing with a
heckler in the crowd, or just having
everyday discussions. Displaying confidence
while engaging with others is why you're taking this class to command with confidence
while interacting. Maybe this is something
that speaks to you and the thought of public
speaking is a nightmare. You're not alone.
This is one one the biggest fears
that people have. A comic onstage isn't
asking you, is this funny? Their confidence
and presence lets you know that this is fun, and that comes from
a lot of experience. I started comedy back in
2010 in Seoul, South Korea. I was performing for
English-speaking experts and American military
that were stationed. I was terrible but as with any creative skill,
practice makes improvement. Since then, I performed
in 20 countries from comedy clubs and
festivals to dive bars, to large business conferences. I've been talking to
a lot of strangers. This class is for anyone
who wants to learn how to fast-track a few very
important skills, to learn how to speak
with that confidence, the same way a comedian can. This is a pressure-free
class for anyone who wants to build a
voice and a presence. Confidence in your speech
persuades people to listen. By utilizing the
skills in this class, you learn how to use your voice better for your
professional life, personal life, performance, or if you're using
your voice for a call. Join me on stage
or wherever you're comfortable as we up your game with more confidence in
your public speaking by commanding an audience
just like a community. Last thing before we begin, go ahead and tap that
follow button up top. That way, you'll be the
first to know when I launch my next Skillshare class or have a pretty cool announcement
that I'm ready to share. My followers are always
the first to know. You can follow me on
Instagram @adampalmeter. That's where I share where
in the world I'm performing stand-up or painting my
murals or the occasional car. All the juicy stuff is right there @adampalmeter
on Instagram. Alright, guys, it's
time to kick this class off so it is showtime.
2. Class Project: This is a totally optional
part of the class, but for those of
you brave enough, make two recordings
one now, one later. If recording yourself
is not for you and you're just here
to take in the steps, then just skip ahead. Whenever you're ready, you're
ready. Enjoy the class. Go on, get out of here,
see you in a second. Now that it's just us weirdos recording
ourselves in a room, let's record ourselves speaking about anything as
confidently as we can. Anything. It could be you
telling jokes or telling a story or about one of your many passionate but
slightly weird hobbies. Just talk about something. The last bad movie you saw. If you feel uncomfortable, yeah, cool, it helps. Because this is a chance to
create a jumping off point. You can just use your phone
if you want, nothing fancy. Now, let's watch it
back and just be observant and non-judgmental
about ourselves. If you're a sensitive
artist like me, it may be difficult, but it's not the
end of the world. If you're not used to
seeing yourself on camera, it can be a strange experience. But let's just pay
attention to our speaking, our posture, our clarity, and our overall energy. Ask yourself, do
I look confident? Am I loud enough? How am I
using the space around me? Do I seem like I'm having fun? Do I seem like I passionately believe in
what I'm talking about? Finally, what would you change? The point of this
exercise is just so you can get a baseline
so that we can start to balance all these
new and exciting ideas of your personal experience
in front of the camera. Don't worry, you can erase it immediately and I promise
not to tell anyone. Now that the first
hard part is over, let's keep in mind that
at the end of this class, our class project will be
making a second video with all our brand new
shiny confidence that's just waiting to be let out on stage or just in
our class project video. Work tip. If you're
preparing for a presentation or a talk and you have a work bestie that you can bounce this off of, do it. Be brave, get some feedback. Just email your recording over
to them with the headline, burn after reading, and see if they wouldn't mind giving you a little feedback. Ask two people if you have
multiple office besties. Look at you all popular. Now that you've
done the hard part, let's jump into some technical
talk in our next video.
3. Technically Funny: Let's get technical. For this first
section of the class, let's talk about some of the technical aspects of
speaking with an audience. Overall, if they're having technical trouble
listening to you, then it doesn't really
matter what you're saying. Number 1, volume. First things first, make sure
your audience can hear you. If you're speaking
to an audience and need them to listen, then project a bit more than you would in a normal conversation. Giving yourself a proper
and commanding projection let the audience know that you're speaking with intention. Let's not get too loud, but let's command
with our voice. We don't begin to softly
sing happy birthday when we walk into a room
with candles on the cake, we begin to sing loud
enough so everyone in the room knows it's time
to sing happy birthday. When we confidently
begin to speak, people just know
it's time to listen. I'm not recommending that you
sing or begin by yelling, but there are a few
things you can do to make sure your
voice is being heard, when it needs to be heard. Number 2, ask in either a small group
or from a large stage. You certainly can start by
saying hello, how are you? Can everyone hear me okay? Not everyone will answer, but everyone will take the hint that it's time to give
you their attention. Just asking and looking for response activates
your audience. Hey, how are you doing?
Can you hear me okay? How about in the back?
Can you wake up that guy, please, I'm about to
begin. Thank you. Just with simple questions, you prepare your audience
to become active listeners. Once you get the
ball rolling with a confident voice it's easier
to maintain as you speak. Now you have their attention, this is also a great chance
to check for social cues. Check for social cues
from the audience. If there is a few
slightly confused faces, people are crunching their
eyes and leaning in, they might just be having
difficulty hearing you. When we can't hear someone talk, we tend to make the same face as if we don't like
what we're hearing. It might look like
they hate what you're saying and this
could throw you off, "My God, they hate me
already." Don't panic. This is a great time to casually ask if they're
hearing you okay. Sorry, can you hear me okay? I spent the night setting
fireworks off of my apartment, so my hearing is a little off. What? As a comedian, you sometimes have to
get a read of the room. Making observations of
social cues and how your audience is
interacting with you while on stage or
in a small group, can be important markers of
how to adjust your speaking. If you're not reading
the room well, then there's a chance that
what you're saying is simply not being engaged
with in the way you meant. But there are some ways to ensure that your
audience is not lost. Let's talk about the
different ways you can help how your
audience hears you. Speed and timing. Your timing in you're
speaking pace, are big factors when it
comes to public speaking. When we get a little
excited or nervous, your natural human
response is to speed up. However, when things go faster, we have more opportunities
to make mistakes, and less opportunity
for our audience to get a firm grasp
on what we're saying. Let's slow down. Maybe put a few pauses
in our sentences. We might even have
a chance to breathe while we speak. Treat yourself. Breath. When we slow down,
regulate our volume, and even add a few
dramatic pauses to help build a moment, people will listen closer. In this case, when people
are listening closer, it's because you're displaying
confidence as a speaker, and your audience has
more confidence in the fact that you're
worth listening to. Pausing in a sentence or pausing a little bit
between sentences, helps to build those moments. Why did the chicken cross the road to get to
the other side? We all know that joke. But without timing,
there is no joke. Comedy works because of timing. Let's simply pay
attention and let a more natural and easy to follow
timing work for you. When you watch a comedy special, you're seeing an act that's been performed several times, with crafted timing and
a developed delivery. Many times what looks like
a natural occurrence, is actually a carefully planned and executed
part of the act. This is experience,
plain, and simple. You can get better at
timing with practice. Record yourself, watch it back, and then take notes
on whether there was a part that was too
fast or maybe too slow. Now let's chat about energy. Everybody has got it, but it's different
for everybody. Different speaking
intentions call for different energy,
let's match them. We wouldn't show up
wearing overalls to the prom. Not again. If your energy is a
match to the audience and says confidence,
they will listen. But it's important to understand that energy and confidence doesn't necessarily mean
loud or aggressive. I've seen several
comedians try to use big aggressive energy to prove a point or add shock value or just to get
people to pay attention. But even offstage, we all
know what it looks like when someone is really seeking attention and going for
the nuclear option. Onstage, sometimes
it could work. Sam Kinison built a very
successful comedy career, streaming his way
through comedy clubs. But a lot of people
also didn't really care for his brand of
aggressive comedy. Robin Williams also
had huge energy, but you wouldn't
call him aggressive. He was very personable
and entertaining and just about everyone
loved Robin Williams. While Sam Kinison, although a great comic,
had many critics. Remember, think of confidence in public speaking as sales. Your talk has an intention and that energy
should reflect that. Even if it's not for
comedy purposes, you can't give your talk in much the same way that
you would tell a joke. If you are speaking intention
is in the name of a cause, in the name of something
you're passionate about, then let's treat those
passion points as punchlines, and with the correct
corresponding timing and energy that it calls for. Again, if you're not sure if you're using
the right energy, check for those social
cues and adjust. By creating the space around your most important information, you can get a powerful delivery either funny or impactful. Watch TED Talks, the most important
parts of those talks are carefully prepared
and delivered. Sentences that hit
hard when it matters. In public speaking, your body language is
your business card. No matter what you're
talking about, think of your body as
the vehicle that is driving your talk
all over the stage. Is your audience engaged? Well, better question. Are you inviting
them to be engaged? When we cross our arms
or put your hands in your pockets or
stare at the ground, these send the signals that you are the opposite of confident. It shows us as closed
off or non receptive. In the natural world, looking down is a fear response. When we are looking
down in a way, we are sending signals of fear and lower confidence to
those who are watching us. Doing this over time, you start to feel your
body close in on itself. Something very easy that you can do is pay attention
to your shoulders, your head, and your eyes. Shoulders back,
stand up straight, head up, eyes open, and ready to connect
with others. Try to keep a voice in
your head to remind you to keep your shoulders
back and your head up. Hey, give it a British
accent If it makes it more pleasant for you.
It does for me. Eyes up love, the world wants to see
you. There you go. Thanks inner monologue. This simple posture
adjustment can help make you more accessible
in a very simple way. Plus we're more likely to speak quieter when you're all
tucked into yourself. That's why my mom
always yells with her hands and great posture
when she's angry at me. Boy, is she confident
when she's angry? Now let's move around a bit
with that fresh new posture. As a higher energy comedian, I tend to find myself
all over the stage. I keep myself in some constant state of movement which can
help you stay loose. Now, you don't need to do gymnastics or make a big scene, but even just taking
a few steps to the right or a few
steps to the left, shows a bit more confidence
in your stage presence. Keeping your eyes and head
up and shoulders back, by looking all over the room, it's clear that you're addressing
and engaging everyone. In smaller groups, you can use engaging
gestures with your hands and arms just
like I've been doing. Again, by making that eye
contact and simple gestures, you'll seem more confident
and accessible to everyone. Unless you want to just
stand up and start walking around your
small group of friends, projecting loudly and
maybe just dominating their conversations.
Maybe don't do that. Let's play it cool.
Speaking with your hands to emphasize a point is a very popular tactic used by comedians
and politicians. Just go watch one. Movement shows energy and
energy shows confidence. All of these tactics may take a little
real-world practice, but as you get more
comfortable being mindful of your stage presence or
simply your speaking presence, it will become second nature to have that confidence
in your presence. There is a reason a
comedians performance is called their act. Because we literally
act like comedians. Every comedian is there
with the intention to make an audience laugh the
best way they know how. You can think of this as your
style for public speaking, this is an art form and even public speaking has its
own unique artistic styles. Comedians, politicians,
activists, poets, storytellers,
talking heads on the news. There are many ways to
perform the art of speaking, so what is the most authentic
voice in your head, that is the most competent. We can all picture ourselves as whatever we want
to in our heads. Think of different
competent versions of yourself and ask, how would that version of
myself speak to an audience? Is it serious? Is it funny? Is it persuasive? Then perform it. You don't need to
go to theater camp, but make it yours. Take a big breath, and become that person. Even if it's just
an act, perform. If you can start to
feel that competence, then that confidence compounds and momentum builds and you fall deeper into that
confident character that's been inside
you this whole time. Get the ball rolling, watch some comedians and just try
to imitate their style. Imitate their accents,
their body language, their volume, just
act like them. Sometimes warming up
can get you going, then reset and choose to become
that version of yourself. You got this. Jannero, now that we know how
we're going to act, let's have a chat about the clarity of our message
in the next section.
4. Clarity: This section is all
about the meat and potatoes of your
talk, the content. Comedy depends on the
clarity of content, the premise, the
setup, the punchline. If vital information is missing, then the joke won't work. This could also be the
case if you're giving a talk or a
presentation at work, if the audience only
hears or understands two-thirds of the important
information of my joke, it's no longer a joke. It's a few sentences strung together like some sort
of mystical riddle. When you think about clarity, ask yourself, do they
have all the information, so I'm being clear? If you're not sure, again, get some feedback and make
adjustments where necessary. Also, let's stay observant
of how much we're saying. Over-saturating our
talk can make it easy for the important
things to get lost. Too much dressing
can ruin a salad. Let's trim the fat. In comedy, a bit gets
worked out and boiled down to essentially its
most important information. Think of comedy as an economy of words and be
conservative with them. Stage time is limited and so
is your audience's patients. By going through what you
need and what you don't need, you're not going to waste
anyone's time and you'll be keeping your message
lean and clear. How can we do this? When watching that recording of yourself or reading
through your script, take inventory of what
can be gotten rid of. If it doesn't spark joy or lend itself in a meaningful
way to your talk, then let's get rid of it. In comedy and writing, you can use a little
extra butter fat to make a description better or an entertaining tidbit that might
please your audience. That's fine, as long
as it doesn't deter their attention too far
from what's important. Comedian Steven Wright is one of the best one-liner joke
writers to have ever lived. If you listen to his work, you'll see that his jokes don't have an ounce of fat on them. No lengthy buildups or drawn-out descriptions
that simply aren't needed. It's just the joke and
his monotone voice makes the audience hyper focus so
as not to miss anything, let's keep it moving
with the callback. During a comedy routine, one joke at the beginning
of your set can lay the foundation for another
joke to work later in the set. This is called a callback. After a joke works and the
audience finds it funny, you can call upon that
joke or subject later on, doubling down on the
humor in a prepared way. It's a popular tactic
that comedians use, but speakers can use it
just as effectively to double down on the
importance of your subject. Making it very clear
that this is important. By repeating what you've
heard back to the audience, you can have an
even firmer grip on making sure that we
understand each other. A stronger connection. Sometimes during a comedy show
when someone yells out or heckles me if I choose
to engage with them, I'm always sure to repeat back what I heard for two reasons. One, to make sure
not only that I but everyone in the room heard and understands
what was said. Two, it gives me time to develop a witty
comeback or a way to structure and guide the situation into a
certain direction. My goal is to make this joke as funny as possible for
everyone in the room. If only half the room hears
what the heckler said, that only half the
room is going to hear my response and find that funny, simply because they're
out of the loop and they don't know
what I'm responding to. They miss out on the joke. Well, get the hecklers
a little bit later, but spontaneous interaction with the audience can be
an opportunity to win over the heckler
and the audience while you maintain
clarity confidently. To sum up, clarity is king. Repeat back to people to help gauge energy.
Take your time. This way you don't always have to shoot from the hip
in your response, because sometimes your words
can get stuck or they're poorly chosen and you end up shooting
yourself in the foot, or you put your
foot in your mouth. I forget the expression, but just take your time
and leave your feet alone. Now let's keep it moving
to our next chapter.
5. Connection: You've sharpened up
what you want to say and how you want to say it. Now let's make sure that
message makes a connection. People can listen and hear you and see your side of things, but the human element is what makes it possible
for us to move past simple communication
and into deep connection. Know know what I mean. People connect with comedians because they discuss
relevant topics and create a common understanding
of humorous stories, situations,
observations, and so on. You've seen comedy. But the key is that they're
good at making you want to laugh at what they say
and that takes confidence. Keep this in mind when
performing and writing, because the real magic happens when we
believe in something, even if it's
believing in a joke, the premise and the setup
is the sales pitch. The punchline is
closing the deal. Getting them to agree
that yes, this is funny. Remember comedy is sales. Hey, are you like me? Have you ever been in the ba ba? The comedian is
establishing a commonality between themselves
and the audience with the confidence that yes, they will know what I mean. Imagine if that confidence can
help carry your message to an audience that believes in
you and what you're saying. Powerful stuff on all
levels of conversation, from the stage to the office to just a
small group of people. You can use this to
help frame your set or your talk with a solid
opener and closer. In comedy, there's
a great chance that the audience is going to remember your first and
your last joke the best. Usually, it's a good rule to start strong and end strong. Remember the callback
where two jokes are related on opposite
sides of the set. This is related to that. Highlight your best jokes or your most important passions at either end of your
talk and bring that artistic attention
to both of them. Again, politicians and
comedians both do a great job of leaving an audience with a closing remark that's
worthy of remembering. Your closer could be a good
callback with a joke or a well-manicured sentence that neatly closes up your talk. Sometimes it can be a
good idea for your opener and your closer to be the
final steps in writing. Once you have it
all done, organize your most eloquently written or humorously written lines
to really send it home. Either way, when done well, confidence will grow as you will be met with a
thunderous applause and eternal glory in the halls of the great
public speakers. Calm down dear they understand. Let's relax a little bit. Thanks, inner
monologue. Punch up. This is a golden rule in
comedy to always punch up. Comedy has a rich tradition of self-deprecation and
taking shots at yourself. But let's say you're
writing jokes about others, you should make one
big consideration. Does this make me look
like a language, dear? Sorry. Sometimes
a little humbling in your speaking can
help to soften the mood. It helps people to
put their guard down for an easier
human connection. But despite what you want to write for creative expression, sometimes a joke or comment
can derail an entire talk, so if you're not sure, bounce it off a
friend or two to get their opinion on the different ways it
can be interpreted. This is where it gets
important when you're not doing comedy and speaking professionally or
with a more serious tone, certain topics or jokes just
might not be a great fit for your company culture and that
can lead to other problems. For that, let's remember the best offense is
a good defense and sometimes what you don't say is just as important
as what you do say, and just stay mindful
that what you hear in your head could be heard
different in others. How is what you're saying
going to be interpreted? Again, a simple ask for feedback from others
can help to give you a little more outside
perspective on how your talk could be interpreted regardless
of your intention. Now that we've made
our connection as best we can with our audience, let's take it a step
further and discuss how to add confidence to
our interaction with those who are listening.
6. Interaction: There are several
ways that we can interact with our audiences, and some can be less
expected than others. But as long as we keep a
framework for confidence, it can go a lot smoother. Hecklers. Chances are, no one's going to heckle
you while you're speaking, even if you're a comedian. But when we're using our voice for a purpose and
the name of a cause, your purpose or intention
can be met with resistance. Of course, when we're
speaking with passion, it can be difficult to keep our emotions from
driving our discussions, but there are several
ways to remain mindful when these
situations arise. In comedy, it's all fairly harmless and usually
ends pleasantly. We've all seen this play
out on a viral video, a comedian owns a heckler. Someone in the crowd just has to say something or
won't let it go. All hecklers have
one thing in common, they want to be addressed. Maybe they have a concern
about a joke you said, or they just feel the desire
to be a part of the show. It can be for attention or
for resistance, or for both. Now it's your job
to deal with it. Then it's just the rules when public speaking in real time. Rule Number 1, you can
choose to ignore them, or Rule Number 2, engage with them and
anything is possible. Sometimes a comedian will
be dealing with a heckler, but it's obvious that the Heckler has gotten
under their skin. It totally changes the
energy of the show, and de-values the authority
of the comedian onstage, which is basically your
home field advantage. It's important to try and remain mindful of your purpose
from the get-go. Try to meet hecklers with
a non-emotional response, if not a friendly one. Of course, depending
on the situation, you may feel all ways if someone is interrupting
your hard work. But more often than not, it'll benefit you to keep a
cool head when dealing with hecklers as you're the one onstage or in front
of the audience. Here's a few pointers
on why it may be easier to stay sweet. The vinegar versus
honey approach. When I deal with a heckler, it's almost always under
a sense of good nature. By giving someone the
benefit of the doubt, maybe they just need
a little attention. Nine times out of 10, I'll use a witty and
friendly response and just keep the show moving for
myself and for the audience. If you're being heckled or engaged with a bit of pushback, and it's clear that they want to be a part of the conversation, you can employ a
few tactics that we call the honey approach
as their name. Thank them for
being there and for sharing your passion
on the subject. Repeat back to them
what they're saying or asking and make everything
as clear as possible, so everyone in the room
understands what's happening. Thank you for
coming today, Alan, I appreciate your support. Just to be clear on
what you're saying, and use this time to
gather your thoughts, slow your pace, and
choose your words carefully with a minimal
amount of emotion. Be polite. By being polite, you do something very important. You keep the faith
of the audience. They have faith that
you're not going to attack them or turn
this situation sour. Confidence is controlling that energy and
conversation on your terms, confidence is not
losing your cool. Confidence is being
a professional and letting everyone in
that audience know it. Plus when you repeat
back everything, you are buying time to
ensure that everyone has both sides of the conversation and nothing is being confused. This comes back to the importance of the
clarity of your content, even if being put on the
spot and unrehearsed. As a comedian, those few seconds can really help you develop a funnier response and not shoot from the hip with a more
emotional response. As someone who's speaking for a cause and you're being
met with resistance, this helps to maintain
the authenticity of your cause and not the emotional response
from the speaker. Take your time. After all
it is your time to speak. The vinegar approach is a bit more of a
defensive strategy. We've seen a witty
comedian thrown insult back at the heckler,
the crowd will laugh. Hopefully the
heckler shuts up and the comedian has established
dominance onstage. I have seen this
go wrong though. Sometimes it comedian
can go a little too far, and that's what we
call losing the crowd. There are no longer
rooting for you, they may not be rooting
for the heckler, but you're still
the one left with 20 minutes of stage time
and the spotlight on you. It can be a tough hole
to dig yourself out of, especially if you're in
a professional setting, it's much better to take
the honey approach, remain professional
and show that you have the confidence to not be shaken
out of your comfort zone. Sometimes when
communicating with people, it can be helpful to offer the floor if someone
needs it and non-judgmentally give
them a chance to properly communicate what
it is they want to say. Sometimes you can
just have the bouncer at the comedy club
escort them away. But maybe your office
doesn't have a bouncer, it's fine to just stand
your ground in the most unemotional,
unresponsive way possible. Because again, confidence
comes from cool, calm, and control,
just like you.
7. Let's Record! : Like I said before,
this class project is going to be something fun. I challenge you to film and upload your very own TED
Talk style presentation. Nothing fancy, just a few minutes on something that
you're passionate about. It could be food or hobby
or television show, something light-hearted but
meaningful to your life. Or yes, why you love
your weird hobby. Because we're on this
family friendly platform. Let's keep it all PG
for my ears. Thank you. But I want you to
give a talk about your passion by carefully articulating your points with clear and competent
communication. Imagine the audience has no
idea what you're going to talk about and you're going to explain to them how HBO's, the Sopranos is the world's
greatest television program. Or how learning a
second language can help change your life, or why you believe red is
the greatest color ever? You hear me blue? The point isn't so much your topic, it's
your presentation. Here's a simple outline in Schroeder topic with
your best opener, personal connection
to the topic, reasons number 1, 2, and 3 and your outro. Thanks for listening to my TED
Talk and your best closer. Go ahead and upload your videos to the class project folder, and I'll be happy to watch
and give some feedback. Bonus points if you can
work in a few jokes. Well, I truly hope you had a great time taking this class, and I hope you're feeling a
bit more confident to get out there and let the world here what you're trying to say, I want to thank you
for taking my class today and it really means a lot that you stuck
around until the very end. For the one or two
of you that are watching this right
now. Thanks, mom. If you want to do
me an extra solid, please leave a review if the class right
here on Skillshare, these reviews me a lot to
me and they really helped my class a lot
more traction here on Skillshare so thank you. You guys rock and last
but not least for today, please don't forget to follow me on Instagram at Adam Paul. You can give me a
follow on Skillshare by clicking the follow
button right up top. My followers are always the first to know when
I do cool stuff, like giveaway an entire year's worth of the
Skillshare membership. Plus you get to see
all the murals, taco trucks, animal
sanctuaries and other weird places
that I'll be painting. It gets pretty wild
out there, whatever. All right guys, that's
a wrap for today. Thank you so much for taking the class and I truly hope you find yourself more confident the next time your
public speaking. Adam Palmeter over and out. Nailed it. Here we go. Now it's
out. There you go.
Adam Palmeter, Artist / Comedian / Teacher / Author
