Colorful Watercolor Course: Discover the Magic

1. Introduction: Experienced the Best Watercolor Painting course. Hello to all dear friends. Welcome to the basic Watercolor Painting course where the Art of watering color comes to life. In this course, we will teach you the principles and colorful techniques of watercolor painting. Using wet-on-wet, dry-on-dry, wet on dry, dry on wet. And grab hydrography techniques. They will all make you a professional painter. This course will help you reach a semi-professional level in Watercolor Art with simple instructions and motor approaches. Lessons such as the correct use of color, combining colors, and creating different tones are very important for you. During this course, we will focus on proper use of wet-on-wet, dry-on-dry and other techniques. And teach them through engaging sketches for you to enjoy on your watercolor learning journey. I hope you enjoyed this course and learned a beautiful Art of watercolor painting. 2. Tools: Hello everyone. Welcome to the new course of watercolor paintings tutorial with me. In this course, as I said, we're going to work with watercolors. Now I'm going to tell you what equipment we need and what tools we need for working with watercolors? Well, the first step is actually providing a good watercolor. So don't Watercolor that you provide should have at least 24 to 48 colors. This is very normal. So that depends on you of how much color you need and how many colors you need. Watercolor that I've actually considered for this course is 48 numbers. It's a very advanced Watercolor. Don't worry about it. But as I told you, you should actually choose 24-48. Just remember, the watercolors that you should provide should be actually be advanced. And professional watercolors. If you're having trouble or having doubts, just remember that you should actually provide professional or advanced watercolors. The Watercolour that I've provided here has a separate palette. Most of the watercolors have this separate palette alongside with them. But if not, you can actually create your own or you can use another thing to just combine your colors with it. As you can see, I have 48 colors here. I've made these numbers myself and actually have different types of watercolors. We have pale watercolors, we have liquid watercolors, and we also have bald watercolors or circle watercolors. Depends on you. Whichever you like, you can actually choose them. I'm actually using this professional boxed water colors and venue by the Watercolor XL at first, it actually has a cover like this. It's in a box. All of the professional watercolors have this. On each one of these boxes. You have the name of that color. It can be, for example, a red or light red or whatever color that it is inside of it. Thank Talia and wide zinc white. So all of their names are exactly placed on its covers, on their covers. So it's good to get separated like that. And then you can place it in its own placement. Alright. Well, I should tell you about these numberings. I have 48 numbers here, and I've actually numbered them. Before. I actually want to take off all of the covers from all of these colors. See? Before I remove the box and cover, I've created a catalog for myself. It's actually a catalog bid 48 boxes. And I started from number one. I've actually applied my color in my catalog, which is by Titanium white, my zinc white, my lemon yellow, and so on, until my 48 color. And I actually applied my color on my catalog. And I've used its name and it's number right next to it. So I can easily find my colors whenever I meet them. Okay. Now then one-by-one, I just removed their covers and place them in their own placement. Now, why do we do that? For example, my number 37, this is my number 37. Let me find it here. It's this blue. See how much it's different from here. It's totally dark. Urine actually looks like black, but the main color of it would be this. That's exactly the blue that I have here. For example, let me tell you about another color. For example, look at number 21 This is violet deep. It's actually a bluish purple. See how dark it is right here. But when I've actually use it on my cardboard, it's this color. When you have this catalog. When you want to call our your painting, you can easily find and use your color from your palette. Okay. That's it. And as I told you before, most of the watercolors have a palette alongside with them. So most of the professional colors have this. But if, and it didn't have like that, you can actually use ceramic palettes that are available in the market. Then we are going to move to brushes. Usually you should provide your own brushes. Most of the professional watercolors do not have these brushes inside of them. I've just provided to most useful brushes. Well, your brushes should be actually rounded tip. It's very important. Your brushes should be Ram tip. And I've got the sizes 9.5. These two sizes are essential for our work. We're actually going to use them the most. We can use them for a lot of places. Of course, if you have more number of brushes, your work would be easier. But even if you have these two, it would be okay. Again, I insist that when you want to buy brushes, make sure that you're buying watercolor brushes. You should, you should not make a mistake from the oil or gouache brushes. So make sure to provide watercolor brushes. They have specific flexibility, so don't forget about that. The next thing that you need is actually a paper tape. You're going to use it to fix your cardboard on the surface that you want to use it on. Because if you're cardboard gets water on it, it might be a bit deformed, but if you use this paper tape around it, it will actually make your cardboard to be fixed. And after it gets dry and it'll go back to its original shape. And the main part is actually to cardboard that we use. We are going to use Fabriano cardboard for watercolors. It has actually kind of a hammer texture, which is very suitable for working with watercolors. It actually makes our cardboard to be a bit pressurized and that deformation that will appear while working with water would not appear here. So watercolor paintings would be actually much more better on this and as much higher as the grandma viewer Fabriano cardboard. It would be more strong and more steady alongside of the water. They actually use our eraser for erasing our primary sketch. And we use one color of colored pencil. We are do all of our primary sketches with a colored pencil so it would not actually spread while you add water later to your cardboard. Okay? These are all the tools that you're going to need in this course. 3. The initial sketch of the cat and the start of coloring: Hello and welcome to a new episode of painting with me. Well, in this episode we're going to do our first watercolor painting. The first painting is actually a very cute cat. In order to create its primary sketch, just be careful that you should definitely use a colored pencil. You can use a red, orange, or blue, whatever which is visible for you. Or if you don't want to use a colored pencil, you should use an H series color, which should be very, very light. If you use a normal pencil. Why you want to do the coloring? The water will actually make the color, make the black color of it spread and it will make your painting look dirty. So I'm going to use my 343 lieu of my fabric castle colored pencils in order to create the primary sketch of my Kant. And I'm just going to do this when my hand, it's not a various specific and hard design and drawing. And of course, when you are going through discourse, how to sketch. A really easy for you. Okay, then I'm going to create both ears here. And here. Try to make your lines a bit lighter that I'm doing here right now because I'm just doing it a bit darker, so it would be more clear for you through the video. But if you want to do it for yourself, try to create your lines as light as you can. And again, I say, because you're doing it very light. I said you should definitely do it with colored pencils, so you would not miss your lines. This would be the center of our circle. Here. We would have the nose, cat or kitten's nose. Then we would have this area which later would be placed the whiskers. And it also has a fish inside of his mouth. So I'm just going to create the fish as well. Inside of the cat's mouth. Here we go. This would go like this. We can move on to create that eyes. So here we are. We are creating Camp eyes for our cat. They've gone to be beautiful lines. Also from here, we'll do the same thing on the other side, should be symmetrical. So here we go. Completing the head up to here. Alright, very well. So this is a primary sketch of our can't, the base drawing of our cat. Now we are going to start together. And you should obviously have a glass of water and your color catalog right next to the first brush I'm going to use is my small brush number five And I'm going to explain some things to you while I work. So be careful for coloring and painting with watercolors. We have three methods. We have Wet-in-wet, dry in dry, wet and dry, and drawing in wet. We have all these four methods in watercolor painting. So I'm going to explain them to you while I'm painting so you to understand better. So I get some water into my watercolor. I first get the extra water off my brush with a tissue and then I also get the extra part of it with my hand. I start looking for the color that I want. Let me look at my catalog. Well, my cat is white, but because we want to show that white color, we would have to colors some parts so the White would pop out. The color that I seen this cat is actually a very smooth in light gray. And I can even see allele little bit of blue colored it, a trace of blue color next to the gray. So I'm going to use my lamp black here. Lamp black color. I tried to tell you the name of each color so you can find it easier in your palette. And I'm using my lamp black color, and I'm going to create it in my color palette. So I put my brush into water, I get the black color out of it. I should use a bit of blue color. I'm going to use my blue color. Number 38. This blue that I'm using is 38. It's this one. It's this blue. This one. And I actually combine it with this color. I get a bit more. So I will take away the blackness of this color. I mean, I don't want it to be black. I want to be a combination mix. Well, you see, as much as I use water in my color, I will have a very light color. As less color, as, sorry, as less water as a use, and we'll get a darker color. So I start with it. And from these parts, I move up to work on the ears. And I started coloring this cute cat. I started with a lighter palettes. And for the sides of my ear, which I need darker colors, I make my brush dry and I use dry in dry method. It means that my color, it doesn't have too much water in it and my brush is also dry, almost dry. And then I create this area. Well, I'll use them dry in dry or wet in Drawing method to create the details of my work. And as you can see, I'm throwing two colors over here for creating the details. And as you can see, obviously these colors are darker. Okay? Now, if a part got too dark, what would I do? We can actually apply some water on that area and then with our tissue we can take off the color from our cardboard, can take the color of our cardboard. Again, I'm going to use my light color for this area. And I'm just spreading the color very random and very easily. You see Just like that, I try to play with the colors. I'll get my color palette a bit more darker. And I applied a color for this area. And I just throw it on throwing my colors on the cardboard. Okay. I continue applying the colors. In some parts. I just leave my cardboard to be white. I mean, the beauty of watercolor painting is that in some parts you can actually see the whiteness of your cardboard. So do not try to feel every rare. Do not try to feel all the parts of your cardboard in some places, just leave some parts White. Your work can be seen better. So again, over here, I just add some more colors. And then with these steps and with these headings, I spread my color. The amount that I needed. Say dressed like that. I will also apply the dark area of my work. Here we go. And just as easy as that. Alright, now we're going to move into the next parts. Again. I'm going to make my brush wet. And I'm going to darken this lighter color that I've already hat. Then I'm going to use this color for this part, above the nose and below the eyes, and even in-between them. Then with a colored less brush, I'm going to faint this area into its surroundings. Just be careful that your brush should not have any colors. Then I'm going to move on to the darker parts like this and this. Here we go. Okay, now let's start applying the eyes. Because of course, as you know, cats are famous for their eyes and we are going to create a beautiful eyes. I'm going to need a very dark blue. So I'm going to use a dark blue. And let me tell you. I'm going to use my color 35, which is my ultramarine deep color, is actually a blue, which is a bit warm. It's my number 35, but it might be different in yours. Just remember, ultra marine deep, this is the blue color you should look for. It's a blue but it's kind of warm to for making it darker. I'm going to use a little of my lamp black. And I just combine these two together. Just to make it darker. It might be a bit different than your palette to my just say black. And as you can see, I've created a dark blue. And with that, I'm going to start creating It's very beautiful eyes. Very, very nice. Just like that. Here we go. So nice. And then of course, going to have a pupil. As you can see, I've colored all this part. Okay? Then we're going to execute and apply this other eye on the other side should be as beautiful as the first one. They should be symmetrical, so you should try to create them as similar as possible. Basically they should be the same. And of course, the big cubed pupil. So here we go. Just try to keep that light inside of its eye, in both eyes actually, to show the light reflecting in the eyes. I'm going to darken this part completely. So here we are. And go on here. Well, as much as we make our kids eyes around the pupils, it would look cuter. I don't want the top part of its eyes to be this linear. I wanted to look kinder and cuter. So I'm going to throw my color on the top, just like this upwards. I'm just creating very, very small lines going up. It looks like some hair or maybe even eyelashes for it. And I would also apply some more small lines in these areas. So I can also show the texture of my cat's face. And it should be of course, in the direction of the eyes or better say, in the direction of the face. Okay. You see this way, I'm painting and at the same time, I'm actually showing the texture of my cat. It's got hair. Then again, I'm going to work on this top part above the eye with my same dark color. Okay. Then some more dark lines for here. Just like that. And as you can see, I'm just doing it random. So you would have very thin and fine lines for the hair. You don't want any thick hair. And I would also fade some places so they would look lighter. I'm also going to work on the area below the eyes. I'm going to use a blue, which I'm going to use my normal ultramarine deep. Sorry, I'm going to use my ultramarine. The normal one, the simple one. I mean, before the color that I've combined with the blank was ultramarine deep. But right now, this would be my color 34. You say it's like this and this is ultra marine. Know deep in the end. I'm going to use this color for these areas, for this lower part of the eyes. And then I'll faded with a colorless brush. Okay. I'll just let it dry for now. And then later, I'm going to do some more dark parts again. So for example, these parts are wet and if you even bring more color into it, the color with the spread. So you'd have to let it just settle and dry. After the eyes are dried and these parts are dry, we're going to work. The rest of the work 4. Finish coloring the cat: Hello, and welcome to the next part of this tutorial. We're going to complete this get together. Okay? In this area we're supposed to start creating its nose. So first of all, I'm going to use my light pink color. I don't have it in my palette, so I'm going to create it. Let me see. So I can use my carmine red color, which is my number 15. And then I'm going to use a bit of my orange deep color, which is my number ten. And with the combination of these two colors, I get the color that I need. So I've combined them with equal measurements. And I've got this color. I apply it over here for it snows. Then I'll use my red color. The same number 15 that I've used in my combination. So on the sides it should has more red. Then I will wash my brush and with a colorless brush, I'm going to create this faded shape over here. Then I'll let it dry. Then after it got dry, I will actually do its frame working with my black color. If I do it when it's still wet, my black girl will actually get battered and gets combined with the red and it looks messy. So I do knowledge do it. I'm going to use a color that I've already made. I'm using it for these parts. And also for these parts. I'm going to use it for the whiskers. And also some deaths that it has over here in the parse out we have the whiskers. Then I would need some more darkness over here again, I'm going to use the same color that I've already created. Again, creating the whiskers on this side as well. And some dots, of course. Okay. Now, for behind the fish, I'm going to create a shadow or basically a shade. Which shows that because the fish is over here, there is the fishes shadow underneath it. I'm going to do this beloved. And on the sides. Then I'd like to darken some parts of my cat's eyes. So again, I'm going to use my lamp black color. And I start applying a darkness that I want into its eyes. See this part should be darker, of course, in order to make the eye is much more beautiful and attractive. And now they look like cats eyes. So here we are. And then I also do the same thing on the other side. Gonna do the same thing over here. Okay. Unfortunately, in this area, my hand slipped and I lost the Light Inside of its eye. If you have white color in your palette, you can actually create that light again. So no problem there. I mean, it's better if you keep it. But if you've lost it like I did, but you still have white coloring your palettes, you can fix it, don't worry too much. Then again, some lines should be applied here. Maybe a bit more darkness on the edges of the face, on the sides. And of course, the more details that you apply, the outcome and the result would look better. That's no doubt I'll wash my brush completely. I'm going to use my titanium white for applying this light in its, I see. And also in this eye. Now it looks much better. Okay. I can even add some more white and light in these areas. I can just bring it a little, not too much. Don't overdo anything. Just remember that you should keep the balance of your colors and your work altogether. So it would look good as a result in an outcome. So here we are. I also bring some of its color over here and down. Okay. Now I want to color my fish. For the fish, I'm going to use my orange and my red color, which is really easy. You can use whatever orange that you like. Seems good in your eyes. I'm going to use this orange. And I'm going to apply it in these parts. The dark parts of my work would be this orange. Just as you can see here. Okay. Here we are. I just make my brush clean. I get the extra water out of it. And then I start spreading my colors like that with a wet brush, not too wet, but it's wet. See how I've done my orange at first. So I got my orange color. I got it wet and I got it and I placed it on my dry cardboard. This is called a wet and dry method. K. Then I use my color for over these areas. Just remember my dear friends in some parts you should leave the card bird to be white. We don't want to feel all the parts. Again for emphasizing the darkness, accenting it. I'm going to get more color and apply more color in my work. So here we go. Okay. I'm going to use a bit of my yellow color. I can use my cadmium yellow. And this is actually your main yellow. Number five. Cadmium yellow is your main yellow. And I'm going to use a bit of it for these areas. Not too much as I said, just a bit. Okay. Then I want to get a darker color. For example. Let me see. I'm going to use my color number 17. It's actually English red light. I'm going to say its name. So if you have it in your colors, you can easily use it. It's number 17. And if you don't have it, you can actually use the colors which are similar to this one. This is an English, English red light. And as you can see, I'm getting this color dry in dry method. I'm applying this color with dry-on-dry method because I don't want it to be spreaded in my work too much. So I do not get too much water, just enough water to get my color going. That's it. This is called drawing in Drawing Method, bringing very, very Little amount of water into the color and then bring it into the dry cardboard. Okay. I'm gonna use it over here as well. Okay. Now it's done. Now with a colorless brush. I'm going to drag it over these parts so I can actually mix the colors altogether and fade them into each other. Then again, I'm going to use the red color over here. I want to have a more colorful fish. Then again with a clean brush. I create this fade shape of color in my fish. Make the colors fade. Alright, now I want to apply the dark, the dark color palettes here. I want to use my black for creating the fishes. I also over here, the top part on the sides. Basically, and mostly it's surroundings. And it's, I am using my black color for all these parts. And then I'm going to use my clean brush to spread and fade this darkness in some parts. And it would look like a stains and spots in my work. I don't want individual lines there. Okay. Then I get some shadings of this on the lower part of my work to now I leave the fish alone. I want to work on the rest of my work. Okay. So I get more color, good, more water into my color then I've already created and I start coloring the rest of my cat spotty. See these lower parts and also over here. Okay. In some parts, my dear friends just let your watercolor to flow and spatter and throw. Just do it in some parts because the beauty of watercolor is exactly in this. It's very easy to work with. So let's your hand move easily. In some parts, I need to use darker lines. We try create. And as I said, in some parts, I just let my hand flew over here. I still need some lines. Then I can even make it lighter with the help of water, of course. Now, I would also want to work on this area a bit too. I'm going to work on it. And then again, I move to work on my finish with my 18 color. Color number 18. I work on these parts. I actually apply more color in these areas because as I said, I wanted to look more colorful. So here it is. Okay. My dear friends do not forget about the nasal area. So with a dark color, as I said, I'm going to work on its surroundings, on its edges, better say on the sides. And I add a bit more of black color. You should work on this area, withdraw in dry methods so you would not have any spreads of color. Just want to add some details and make some areas darker. That's it. We don't want to spread our colors. So here we are. Also on the corner of the eye. And here, Okay, Here we go. Then I get some white-collar in order to make these parts trying more. So it would look much more cuter. You know. You see, these are actually the Touch Ups that you can either do or not. I mean, that depends totally on your own taste and a bit on your own creativity. I'd like to make good, cuter. You might not like that, so that depends on you. These are just some touch prompts and also some more dark color for these parts of the fish. And it would be final. Here we go. Moving on. Okay. So that's it. This is our final outcome. Just some edits are needed in our work, chim gonna do right now. So this is our beautiful cute cat with watercolor painting. I hope you've enjoyed it and you can watch the next episodes. 5. The initial sketch of the bird and the start of coloring: Hello and welcome to anneal episode of watercolor painting tutorial. Well, in this episode, we're going to create a bird. Would watercolor techniques together. First of all, of course, we are going to create the primary sketch of our painting. Just like the previous one. I started with one colored pencil and I is start sketching and creating my bird, creating the primaries sketch of it. Okay? Just like that, I'm creating this beautiful bird. It's a very, very simple and easy sketch. You can even do it while watching my hand. Okay. And these are the bird's legs which are on a branch of tree. Well, you can actually start wherever you're more comfortable with for creating your basic or primary sketch. And the bottom of the tail. Okay. Now we're going to work on this upper area, but more coming from here, going up, all the way up toward this side. This is actually where are we create our bird's beak. And over here, it would look like this. Okay? I'm going to make this area a bit more prominent. And acts and these areas a bit too. Then I place another branch over here. So here we go. This is my basic sketch, which was very easy. Now I'm going to add some details into my work. Like and I, for my bird. Or a line here separating different parts of the body, creating some designs on the body. Just like that. Very easy. It would be done up to here. So as you can see, we have actually applied domain and basic parts of our painting. And in next step, we are going to paint our bird, it, our watercolors most exciting part. So first, I'm going to use my brush number five, which is my most useful brush. I just make it wet, get the extra water offered with by tissue, and then I go to apply my colors. So first of all, I want to use my black color. So I'm going to use my black. I would be starting from these parts. And as you can see, I'm dragging down these lines. You should do the same thing. You should apply this color however, I am applying it right now. And wherever I'm applying it. And just so silly, I bring it to the wings. Okay, Here we go. Now, before my color is totally dry on my cardboard I'm actually getting my color a lot wet and I bring it into my cardboard. Actually throw it in my cardboard so I can show that it's made with watercolor. So I get too much water. I get a lot of water on my brush, bring it to my color, making it very wet, and then bring it to my cardboard. And even still I can get help from my water in order to spread my colors. I'm using the method of wet and dry. I'll just continue. The same method is spreading my color with water. Okay. In this area, I want to have some light. So I would not make this area completely dark with my black because it's black, it's too dark. So I have it up to this upper area, I have the darkness up to this upper area. And then very organized and very carefully I apply my colors wherever I need them. And just like that, I just leave a space open without color or with a little color. So I can have some light in it and I can create a contrast. I just leave this part light. Now, I'm going to use a bit of my blue color. The one that I'm going to use is ultra Marin, deep. Ultramarine deep color is 35th color of my Watercolor. See, this color is ultramarine deep. If you want to use it. It's the number 35 in my catalog, but it might be a different one in yours. So just know the name or know that color. I make my brush wet. Again. I bring my color into my palette. I even add more water to it. And in these parts, I start applying this color randomly. I don't just bring it into one place. I spread it through this area, but I did almost randomly, didn't have a specific design. Well, now I let this part of my work to be dry and then I'll work on the ultimate darkness after it got dried. Now, I want to work on some other parts. Again. I'm going to use my black color for applying the details on my work. Specific lean this point. Just be careful to control your hand. Your hand should not shiver. So try to control your hands shiver because if you don't, your allies would not look good. Should control it. So it would look organized and clean and straight. I mean, you don't want to have wavy lines here. And also another black color goes in the middle of the beak, separating the two parts of it. And then I spread this darkness totally in all the parts with a clean brush. See you can clearly see and understand the movement of the water. It flows through my work, spreading the colors. Here we go. This part above the beak. Also go over that, or better say around that. And then with a wet brush, I fade this area toward the light on the top. Wanted to show that the light is coming from somewhere. So the top part would be lighter and I fade duress of my colors. Okay. The thickness of this line separating the beak from the face should be a little More so I'm just going to work on it with my brush. So it can actually show itself better and more the way we want it to. Here we go. And then birds, I should be done as well. The same color. Again for some lower areas, I'm going to use my black color again. For this area. I'm going to use it. As you can see, the way I'm using it as very important, I'm applying the color in the shape of some feathers of birds body. So you shouldn't just drag your brush on it. You should also consider the texture you're working on. So do it the way I did it. And I'm still doing it. More darkness here. Here we would have dressed darkness. And I give this area absolute darkness, as you can see. Then I make my work more organized. I would not have any disorderliness in my work. And up to here. I would also want to feel these areas with darkness. Okay. Now we are going to work on its wings again that we needed to do the ultimate darkness. So I get my black color again and I go over the parts that I need to darken again. So with a very wet black color, I'm going to spread my colors in these areas. As I said before, I got a lot of water in my black. Even these parts, they should be done to. So again, I'm going to use a bit of my ultramarine deep for the blues of this part of my bird's wing. Alright, here we go. I would also leave a light spot and light area here. And then we want to apply our beautiful colors. I'm going to use my Haley, a blue color, which is this one you see, helium blue color. This one, you should find it in your own colors. For me, it's number 33 in my palette of colors. But for you it might be a different, one, different number, but as you can see, it's a very light blue, shiny blue. You might say. I'm going to use it for these areas around the eye. And I'm just tapping it around the eye as you can see. And then with my dry brush, I'm going to fade it like this. See very easily. Alright. Then I get some of the same blue. And I applied in this part of its beak. And maybe even a bit over here. Again with a dry brush. I'll faded. Alright. Now I'm going to use my yellow color for this part of its body. So I'm going to use my cadmium yellow, which is my main yellow. And I'm going to use it for this part of its body. The front part of my bird's body, right over here. My dear friends. For using the yellow color, you should be very careful that your brush would be actually completely clean. Because if there's even a slight bit of color left on your brush from your previous one. It will actually ruin the yellow and it would not be as shiny and clear as we want it to be. I bring it and with water I'll faded organic continue. Next step is EPT 6. Wet-in-wet coloring method for background: Hello my dear friends. Welcome to the rest of this tutorial, but may OK. We were actually using a brush that only has water on it, no color. It only has water on it and it's only wet. And we actually spread it, our yellow color in this area. Okay. Now we should also use our orange color over here. The orange I'm using over here is cadmium orange light. If you don't have it, you can also use your normal orange. I'm using cadmium light orange. So if you don't have that, you can simply use your light orange. So I place it in these areas, just as you can see here. And then again, with a colorless brush, which is a bit wet. I'm actually going to spread it and faded into my yellow color. Fade my orange. In my yellow color. Again, I get a bit more orange and I bring it down, up to here. Okay. Be careful my dear friends, you should totally fade them. You should not leave any borders in your work, especially in paintings like this. Again, I'm going to use a bit of my dark orange King. Let me tell you now. It's actually cadmium red light, which is my dark orange here. I'm going to use this color for these areas, cadmium red light. So I apply my color over here then with a wet brush. I drag it and guide it downward and even a bit up and just faded into the upper colors a little. I don't want it to fade totally. I don't want it to blend into its upper colors completely. Okay. Then I use my red color in order to create some dark spots and darker stains here. Alright. Again, I'm going to use my Academy and blue color in these areas. And just like that, I apply it with my dry brush. I'll spread it into the wings. Ok. Now I'm going to work on our bird's tail. Again. I'm going to start with my black color. The darkest color should go first. Okay. Just like that. Then I2 to leave fade this color. Just as easy as that. Okay. I'm gonna use a bit of blue color. My ultramarine deep, the color that I've firstly used for its wings. So ultramarine deep blue color would go over here above the black. Okay, in let it dry. And then later I'll do the details wherever I need any lines. So again, I'm going to use my red color for this area. I'm not going to leave it on colored. So I'll use my red color here. And then I actually moved to its legs or maybe hands. For these parts, I'm going to use this light blue. Okay? So I'm going to use this light blue right over here, even a bit on the nail. And then with my dry brush, I'll fade these areas completely just like that. And then I also use a bit of my gray color in some parts of it. Note everywhere. Well, you can actually create your gray color with combining your black color with a lot of water, making it very light and making it gray. Okay. We can also use our black color to create It's nailed. And then I move on to create its other leg. Again, I start with my blue color as I did for this one. Okay. Just like that. Creating this beautiful blue in his legs. And then the third finger should not be forgotten because it can be seen from this area behind the branch. Then again, I use my gray color a bit for framework, the legs going all around it. And of course, after it's dried, you actually can create its light parts with your white color, but you should just let it dry first. Then you can create the lights with a bit of white color. So what we want to let these parts get dried, I'm going to work on the background. For the background, I'm going to use wet on dry method. It means that I'm going to get my color with a lot of with a lot of water. And then I'm going to bring it into a dry cardboard. I'm going to use my helium blue 33, my blue number 33. And again I say, I'm going to use it for the background. As I said, I'm going to use a lot of watery my color. I'll make it wet and I bring it into my dry cardboard. I start right from the back of the bird and actually spreading the color through the rest of my background. So I get my brush into the water, bring it into my work and I just spatter and the spread my color toward the rest of the background. Okay. Again, I get more blue. And I bring the water drops between the color that I've already got here. Okay. Then I'm going to use a bit of this blue four over here as well. I should just be really careful because I do not want to mix this blue with a yellow on its body because it will make it green for me and that's exactly what I didn't need here. Then again, I use my water to spread it toward the rest of the background. Be really careful that you do not get your blue. Toward the other side. Just drag it towards the background. Okay. We should also have some of the green color into the background I'm gonna use this screen so I can work on it. The background, for example, in this area, I can actually use my green is spread it with my water. Again, you see I'm not going into the bird. I'm just working on the background. Even in some other parts, I'll just throw some green in it. Throwing some green color. Especially in these areas, I need even more green. My background is more green in these parts. And now maybe it's because it's more and it's more closer to the branches. You can also apply your water drops like this among your colors and it will just make your colors flow. You see it's like it's melting, set in the center of the water drop, the, your colors are getting lighter and the surroundings would be darker, of course. Also over here I'll bring some more green. And over here I'll do the same. Alright. Now it's perfect. Now I would also like to work on these lower areas as well. In here. I'm sorry, and just got over here. So I do the same Palace of coloring for over here to bringing this beautiful green into the bank ground. Surprising the legs. I can even use a darker green for some parts. You can use whatever dark green dot you like. I'm using this one. Dear friends you should know, get too attached. And two, dependent on the colors that I'm actually telling you over here. So in 36 or 48 number of watercolors, there are so many similar colors right next to each other. So if you didn't get exact same color, it can choose another one which is or two, this one that I'm using here. So don't get too dependent on what I'm saying here. It's okay if you're colors are a little different from mine, don't worry about it. Just like that. I've spread at my green and blue. I can feel the background. Also from here. I'll continue with my blue. Here we go. K. Oh, wait, don't forget about this part. It's also a part of the background, so you should color it as well. Here we go. We're almost done here. And then we should just let our colors get dried so we can just dive into the details. For the rest of this tutorial, you should follow us. In. The next step is out and in the next part 7. Implementation of the details and the final part of coloring the bird: Hello and welcome to the last part of this painting with me. Alright, let's finish this painting altogether and we can move on to more tracks I want. So we are going to complete our bird's legs. And I'm going to do it more specifically. And more precisely, going to apply my paint onto them. So just like that. And also it snails coming out of the claw. And you shouldn't be too fixated on the details. Actually. Pretty and beautiful aspect of working with watercolors is how much do you let your hand move freely? So don't get too fixated on the various small things and details. Okay. I can even apply some more lines here in order to make it more attractive. And this creativity totally depends on you and you only. Okay. Now I'm going to color the branch that it's sitting on. I'm going to use my cadmium yellow light color. So from here, very generally, I bring some color onto my work. Okay. I might even use a bit of my blue color inside of it so it won't be just too shiny yellow and it just don't take up the whole place. Alright. And then you can use your sienna calor. Sienna. It has the same name in your palette. And I'm going to use this sienna color to work on the textures of the branches. Little, not too much. And as beautiful as you can see here. Alright. We can also create some leaves in our backgrounds, so it would actually make it more attractive and more pretty. I should use a bluish green. I can actually use my patella color. Or for example, I can even use my ultramarine deep color, but I'm going to use my number 37, which is pattern of color. See, this is the color that I'm talking about. I get more color. I can even combine it with this blue a little. And right from here, I can start creating some leaves. See, first, I create my leaves like that. I bring it with the tip. I let it lie down and drag it. You see, I start with the tip of my brush. I drag it on this side. And then at the end again, I take it off. I'll do the same thing in different directions. So I can get these leaves with these shapes like that. And a little on the green parts and on the green side of my work. Yet, I should use my main green to I can even combine my main grain with this blue a little to get the color that I want four here. So here we go into blue parts. I use blue leaves in the green part, I use green leaves in order to make the background more attractive. Just don't live it very plain and simple. You in some small leaves here and they're very random. And here we go, you'd already looks better. Okay, Then again, I move on to my white color. And with this white color, I create a beautiful light in my bird's eye. And I go over this area more, making it more feather-like. Actually makes it smoother. And don't forget that for these parts, I had to use my black color in order to give it its necessary darkness. So don't forget it. After you all done, it's time for the tetrapods. These are actually the things that make your work even prettier. Okay? Then I'm going to create these textures with by brush, which has a slight bit of the black color on it. So just as easy as that. We are finished with our beautiful bird. I hope you've enjoyed it and see you next time. 8. The initial sketch of the lighthouse and the beginning of painting: Hello and welcome to anneal episode of the tutorial of watercolors with me. In this episode, we're going to create a beautiful painting. First of all, I'll start creating the primary sketch of my painting. The sketch that we want to do this time to painting would be actually a lighthouse. A tall building, which is usually the coast. So it's a very easy and simple model. And we're going to do it a beautiful lighthouse. Okay? So just like me, you should start creating your primary sketch. And then in here, you can create the roof for your lighthouse. Okay. So I'll organize my sketch. So it would be more organized and clean. And we can also create a small hut over here. Small cabin. So this part would be the C or D ocean may be. And these lower parts would be the rocks alongside the sea. Well, most of this painting is done in wet on dry technique. It means that my brush would be wet and my cardboard would be dry. If you remember this method. Most of this painting would be done with that technique, wet, in dry. Alright. All start. And first of all, I want to work on my sky with my blue, pink, and yellow. Alright. So first, alright, so first I'm going to show you my color palette, and I'm going to use this blue number 37 on my palette. I'm going to use this blue and imagine to color number 18. See this blue and this magenta color. You can also choose the colors which are close to these ones, but they exist in your palette if you don't have these ones exactly. And I also want to use my cadmium yellow for my yellow color. Can also be Indian. Yellow. Doesn't matter which one that you have in your palate. These three are useful for. So I start making my brush wet and I get the blue color that I've chosen. I would've start with my blue color. Okay? So I make it even more weight and I get the color here. I make it more wet. And then I take as much as I can with my brush and I bring it into my work. Just be very careful that you would nose go inside of your lighthouse. Or better say you should not go actually to the positive part of your work. Actually the background of your work would be the negative space of your work. And the actual main is sketch would be the positive space of your work. So stay out of the positive. Right now we're just coloring the background, which is the sky. Part of it is the sky. And as you can see, I am definitely just spreading this color. I'm going to use a bit more of like color and I want some parts to be darker, some other parts lighter. So I can create some cloudy shape and some contrast. And my work that always makes it look more interesting. Alright. Now I go to my magenta color, which is my number 18. I do it very quickly because I don't want my card bird to get dried completely. So I apply this red purple color just below the parts that I've applied my blue color. Just as beautiful as this. It's going to let magnificent. Trust me. Then again, very quickly, I come to apply my yellow color. While you're using yellow color, it should be very careful because it has some kind of a spark and it, and it has shined in it. And if you want to use it too much without any cautious, it will actually groin your work. Instead of making it more interesting, it will actually make it pop out more. And in Painting terms, we say, the way all of our painting is going to be on balanced. I'm working on my blues and purples again a bit more and it would be done. Now we can move on to another part. I want to work on the rocks. For the rocks first, I'm going to use an orange color. And I just color this area. Very generally. You see I'm using wet color on a dry cardboard. I can use even a bigger brush so I can make my work easier. Because it's almost the big area. I can choose a bigger brush. Okay. Just leave this trace of water to be because it makes my work even look better. And I'm going to use a base of my brand color. And then I want to create that rocky shape of this area. Not too hard. So just like that, we're going to do it. I just apply my colors very freely. As you can see. I do not limit my hand too much. Then I'm going to take a darker brown and I'm applying it in this shape that you can see in this way. And here we go. We've almost got that rock shape of this area. Just as easy as this, you should just pick the right colors for the right places and try to keep the balance in your work. Then I'm going to use this very dark green. It's actually a greenish brown. And I'll use it in these areas. Again. Moving my hand freely and easily in order to apply this color wherever I wanted and wherever I need it. Here we go. So smooth and easy. Okay? So now we just move on from this part and to the other. Now, I move on to my thinner or smaller brush. And I start coloring my lighthouse. Just be careful before you start working on your lighthouse, you should make sure that the background of your painting is fully dried. Now, I'm going to use my red color. And when I don't say the exact name of the colors, it means that you don't have to use the exact same color as I'm using here. So for example, if it's a bit darker or lighter than what I'm using here. It's okay, Don't worry. Just use your red color for here. And don't be afraid, just let your color play on your work. And then I combine my red with a little bit of that greenish brown. And I made it shade on one side of the lighthouse in order to show the shading and a contrast. Then again, I'm going to use some of my yellow color for this area. And I just leave some parts. White. I mean, I leave some parts. Why does you can see the cardboard? Little bit lower? I want to use my black color. I bring it into my palette. And I needed very, very lightly. I need this black color very lightly. And from this lowest part, from the lowest part, I start coloring my lighthouse, the actual building of the lighthouse. Just remember that you should leave some parts White. Should just keep the whiteness of your cardboard in some parts and do not apply any color on them. This is actually what's going to create the contrast for you. Then with a colorless brush, I'm going to fade this color completely and totally. Alright. I'm going to use a bit more dark this over here in order to add some details into my lighthouse, you'll see how easy it's done. Beautiful, majestic and easy. And some lines, actually, I mean, I would apply some horizontal lines for my building. Okay. Here we go. These would be the windows. I mean, I have to create some windows. It's lighthouse as flowers. And I also need some more darkness, stronger darkness for adding some details into my work. Just to remember in this part, you should not use too much water because you don't want your colors to get a spread that away. And out of your control. You do not want that here. Okay? So here we go. Some horizontal lines and sound vertical ones. As you can see. Here we go. Again with a colorless brush, yet a wet one. I'm moving over some parts in order to fade my colors a bit. So I've gotten no color on my brush, but still a bit of water. Just like that. And I'll use a bit of my yellow color for the windows. Some black over here. Just to add some more details. Moving up. Alright, here we go. Now I want to move on to work on this side parts. For this area, I will use the red color for the roof, the roof of the heart. This. And I make sure that I do not go into the lighthouse. So let's continue and next step is 9. Details of painting the lighthouse and drawing the pine tree: Hello again and welcome to the continuous of this tutorial together. Okay, Let's complete it together. I'm going to use my red color in order to paint the roof of this building right next to my lighthouse. Alright. I'm gonna use a bit of my brown color for this area. So I'm using my brown for here. I'm going to use a bit of black to just like that. And also I will create some stripes over here. Now, watercolor is one of the only techniques that you cannot actually full cast. You cannot actually focused on the fact that you want your work to be very similar to your model. Because if you do that, if you place your focus on simulating everything, it will actually get away that free shape of your work. You should let your hand go free. It should make it not very organized. And actually, it should show the flow of the water in it. In spite of the risks of techniques, of course, specifically the colored pencil technique, the beauty of this Technique is actually the fact that you would work very freely and you just let your hand moves away. I'm going to use my blood color for this very dark areas. You can see the movement of my hand and my brush. It's moving very freely. And without any fear. You should actually make the paint find its way through your painting, through your work. This is what makes watercolor paintings unique and pretty. Okay. We want to work on the next parts. Well, I want to work on this, see color here. And then after that, I'd be able to create my tree. I'm going to use my Haley a blue color, number 33 to create the C. It's actually my ocean blue. As you can see. It's very, very sharp and very blue and clean, bright color. And then with a bit of distance, again, I'll start and again EBIT of this thence and a bit of difference in the color, as you can see. So we'll continue up to here. This is actually the blue of the ocean. And I can continue the rest of the scholar on this side as well. You just give you a work, a bit of the break so it would be dried completely. And then we can actually create the trees. Okay. I let my work to be dried completely and now I want to start creating my trees. In order to create a tree, I want to use my green color. This is actually a very dark green. And I do not get it to too much mixed up with the color, so it would get light. I wanted to be actually dark. And I want to create fair trees. So I'll create an almost a straight line. And I'm just tapping my brush on my cardboard on the left and right. In order to create my fair tree. You don't need to work very exact Or very organized. Just pay attention to the movement of my hand. So you can easily apply this if fear tree. Just like that very easily with the dark color. I also have another fare over here. So in Advanced, actually NAT, advanced courses of colored pencils, we are going to learn how to work with glues, some specific kind of glues and stuff like that. And we can create beautiful nature's with them. So don't worry about it right now. Even with watercolors, you can create beautiful natures. And it might not look very real or it might not be in the realist style. But that's the beauty of it. It's free. And you can see the flow of the colors. Okay? I should have some stains and spots here and I'm going to use EBUS of my green color for these parts of my trees. I want them to look more alive and more green. Of course. You see my dear friends, these creativity is totally depend on you. You can do this or you can just move further from your model. Use more creativity in it. Or you can just do it as the way as your model is. I'll say is a Beta of my black color for creating some windows here. And also some shadings and shadows for over here. Okay. Then again, I want to place another for over here. Again, I will use my green and I'll combine it a bit width by lighter green. And then again, right from here I want to create another fair tree, a straight line at first. And then by tapping my brush onto my cardboard, I'll start creating my fair tree. See, it's really easy and pretty. I just do it so easily. I'll get even more color, bring it more into my work. Even on this upper areas, I can go once more, making them darker with more color. And I continue all the way down again. So it will look like this. And as you can see, it looks actually pretty goes with the environment. So beautiful scenery of a lighthouse. The fair tree is even the small cabin and hot. And I've placed this fair tree and its placement. You can create less than this or more than this. Again, I insist and emphasize that that totally depends on your own creativity and your own desire. Now I want to create a very small fence over here. In this area. I want to create a small fences. Okay? Alright. Here we go. I've done the fences and look really good. And at last, while I'm working with dry in Drawing method, I will apply the details of my work. Again. I repeat that. I'm doing this details. I'm applying them with the technique of with a method or technique of dry in dry. Alright. I would also need some more darkness for here, for this area. And I might even create some birds in the sky. Can be bad. Having a few cute little birds, it might actually look good if you do it and this guy. And then I'm going to use a white-collar. And I bring it in some parts. Nose everywhere. Okay. Now I'm going to use a bit of my white color in a weird way. I mean, actually, I guess a lot of water, I bring it into my white color and as you can see, I am tapping on my brush. So I'll actually is spatter my white color all over this area. Very beautifully done. This tutorial is also there. I hope that you've enjoyed it a lot and see you next time. 10. Basic sketch of city buildings and wet-in-wet method: Hello, and welcome to a new episode on watercolor tutorial with me. In this episode, we're going to create a beautiful cinerary together. First of all, we're going to create the primary sketch and then we can start enjoying this. Okay? I'm going to start very simply and easily. It can be actually an ally in a city. And just like me, you should apply your primary sketch. You should create it very easily. Because here you're more free. It's kind of a painting that the colors will just go together, a launch day combined with each other a lot. And it's going to be so, so enjoyable and entertaining. Okay, I have something like that over here with a bit of distance. I have another shape over here. And I bring it down. Okay? And over here I have a big building, a tall building here. Alright. In here I have maybe a monumental or a historical building looking like this. In this way. Alright. So I would not move into the details too much. And for the details, I'm going to use my colors. So right now I don't care really about the details. I'm going to create them later with my painting. Here, I have lamp, a light, street light actually. I have a door over here. This would be actually the ending of the alley. And I can create another street light right over here. What's the problem? Nothing. You can have, anything wherever we want them to be. And on the top, again, I'm going to create its light area. So here we go. Alright, moving on. So just as easy as that, I've created a primary sketch, keeping it up to here. And I can also add some more lines in this area, complete this building a bit more. Even some windows can be placed here. Okay? So this is actually the primary sketch. You can stop the video right here, do it and then start with me. Okay. I mean, the start the coloring with me. So I'm going to use my big brush because I want to move my hand very freely on this work and I want to use the wet in wet method in this work. I make my brush when I put it in my red color and just very easily I apply my colors wherever I want them and however I want them, see Stoli but freely. Then I use a bit of my blue color. Even in some places, they get combined together, they make a peripheral for me. And actually this is the beauty of the wet in wet method of the color of the watercolor painting. It means that The colors are not so specific, there are not isolated or separated from each other. In some parts. They even get combined because we can move our hands very freely wherever we want them. Use my blue here then a bit of magenta, or we use it over here. Just this beautifully. And I can even pay attention that, I mean, I can actually be careful about keeping the white parts of my work. The whiteness of my cardboard. And actually method. And this style of painting is very popular, especially in exhibitions. And of course, it's, as I said, it's popular in watercolors because this is style and this method is specific for watercolor paintings, but it's very, very popular, as I said, especially in some painting exhibitions and so on. You might have seen in lots of paintings like this. Now I'm going to call her my monument, or the historic building. I just combine my red with blue. I get a new purple. And I apply it in this area in this way. So here we go. Just be careful that when you are coloring one building, try to separate the colors of that building from the buildings, a slide of it. Because yes, I said you can move your hand freely and the colors should combine with each other. But that way you can nose actually recognize the buildings if that happens. So try to color each building individually and try to prevent the colors from one building getting mixed up into another building. That's what is important for us right now, right here. Okay. So like that. Here we go. Okay. Now with the same color, I will bring some color downwards, maybe a bunch of red, even a bit of green can be applied here. And just as easy as that. Again, I'm going to start from the part that I've done in the beginning. I just get a smaller brush and I start again because that part is almost dry. So I'm going to start from there to add some more details. I'm going to use by black color. Creating two windows over here. Then I'll create the shape of the building. Appearance. It's going to be more completed. Okay? So you can see how beautiful it's getting step-by-step. Each color that I apply will make its way through my painting. Big, small, long and short lines. I apply all of them in my work. And I'm kinda separating the buildings and the other parts of my painting over here, for example, now I've separated the street light from this building. Then I'm just going to spatter some color over here, making some stains in my work. Then the light of the street should be created Looks like a lantern kinda. But we know it's a street light. And up to here. Okay. So I come to the next one, to the next part, the next building. And I start applying the dark colors of my work. You see, if for example, I'm working on the blue building, I'm going to apply the dark blue. In some parts. I even use my black color like this. So you see after I've done this door, you can see a general shape of this painting. You don't work on it various specifically, but at the same time, it has a special order. I mean, the buildings are separated yet. It's not too much organized and it's not too much in separate and individual. You've got your combinations and you've got here separations. Maybe some people can actually compare it to abstract paintings. You can do to maybe I'll bring a bit of my orange color, warmer here in this dark area and continue it this way. So here we go. Just like that. K. Then I will use my yellow color for the street lights. And maybe even a bit in this area on the building. Then I will use a reddish brown for this building. Right over here. Reddish brown over here. As you can see, I'm even bringing it down today's areas as well. And as I move down, it gets a bit faded. As you can see. I use the same brown, but I'm just going to add a bit of black into it. I mean, I'm combining good with little black. Then I use it for the roof of my building. Maybe even a bit of blue can be added here. No limits. Chest as beautiful as this. We can easily do it. Okay? Then even add some more darkness with my blue color in these areas. Then I use my black color to go over these parts of my street lights. And I color it here So in this way, we're all done. And just as easy as this. Then for my historical building, I would also want to add some more details and shapes with a darker color, of course. Maybe even a little of my yellow. I'm actually using a yellow which is combined with a bit of brown. It's not a very shiny or clean yellow. And then I color the rest of my building. With that. If you go too much color in some parts, you can take it off. And then I use my yellow color individually in this area. Maybe it's made of gold. Okay. I come all the way down and I let my work a little. I actually I let it to get dried a little. Just give it a break until it gets dried. And then I want to apply the background of my work. I start from the left side because I've done it earlier and it almost dry. I'm going to work on its background. Just remember when you are doing the background, color should be completely wet. I'm actually working on the negative space of my work right now. I even add a bit of black coloring to it and look how exquisite it looks. Here. I do not continue this scholar more than that. Then I will use my orange color. And then with my orange color, eye color, the rest of my background. I even get a bit of this purple combining it for these parts. Maybe even a bit of blue can be added it over here to background. You can go with whatever color that you like. For example, on this side I want to create an ocean blue, a very light blue. I'm just apply my colors with a bit of distance with the buildings. You see, it looks very beautiful and this is the background of my work. We're going to continue the rest of it. Next episode 11. Coloring details of city: Hello and welcome to the last part of this tutorial with me. Okay. The last part, I'm going to use my small brush. And I'm actually going to apply some spots as the details in my work. So some stains and spots of color. And these actually make some details for me. Very small, yet beautiful details. I want to overwhelm it with details. So for example, applying some windows for this area. So something that we lack here. So we would be having it vary here as well. See, it actually brings your work altogether, makes, making it look more lively. Brings us special spirit into your work. Alright. Now, you can also use a black Rapid for applying these details that I'm going to apply here. Say, these are very delicate and you need very thin lines in order to create them. So it's better to use a Rapid or you can even use a colored pencil, black colored pencil, whatever you have as good. So here we go, see. These are very, very delicate and random lines mean they don't have any specific order. So we just know the details. That's it. Here we go. Just like that. Okay. Then I would also apply some or lines for these areas, making it more interesting. It's actually, we want to show that there is a pavement here, Stone pavement. Just pay attention that these shapes that you're creating over here should not be organized at all. They should look very random, just like real stone pavements are. And as you come towards this side, to the left side, they would be lighter. The center, they are darker and I can even create several people here. We're not going to create meaner people. We details just some shapes that represent people would be enough and it will make it cooler. So here we go. Got it here and here. Okay. And just as easy as that. Then again, I'm going to pick up my small brush. And I'm actually going to complement this with a beta of color. Just a touch of color can make these lines very much more attractive, a lot more attractive. Just giving them a trace of color. Then I want to choose my black color. I went to work with it for creating some branches. Save from here, I1 to create some branches, maybe even some leaves later. And here we go. My dear friends, you can do this with your Rapid as well. I've just decided to do it with this brush. So you can see both ways are possible. And then I want to bring up another branch from this site. Again, just remember if you're using your brush, you should not use too much water in this situation. Because we don't want these lines to get a spreader too much. They are branches, they should look delicate and thin and fine and all of that. So here we are. Just create them, moving them alone. And I can even make some parts of it darker. And alright, so I move on to get my white color. And again, I'm going to use it with a lot of water. I don't want it to be concentrated too much. And as you can see, I'm just tapping it on my brush so I can spread it and throw these color drops on my work. This way. They definitely have looked like snowflakes. They're going to just draw upon my work like a snowflake. So you see, I'm just a spattering them. Just that easy. Okay. I hope that you've enjoyed this tutorial as well. And this is actually a very creative painting and as much creativity you put into it, it would look more attractive. See you in next tutorial. 12. Basic sketch and coloring of windows and flowers: Hello and welcome to a new episode of watercolors tutorial with me. Well, in this episode we're going to create a beautiful window with some plants and flowers first. So all we are going to do the primary and basic sketch. Just like me is start your primary sketch. Alright. Now first of all, I'll create a window. And just like that, the top part would be shaped as an ark. It will be curved when it comes down. The pencil that I'm working with right now is actually H pencil and it, the color of it would not get spread. If you don't have colored pencils, you can use this pencil. And the top part should be the same. And from here I'll come down again. Alright, here we've got it now like this. Then I will have my windows frame. And with a bit of distance, I cool. I start creating some kind of a door for my window, something that covers it. Up to here. I come down. And just like that, it would be alright. And it would be done. Okay. Now this area has the shape of the fence stripes and we will work on the rest of it while we are working on the risks of our painting, drawing. This area is specified to the flowers and plants. And I really like executing and applying these kinds of drawings because they look so beautiful. I hope you enjoyed to get your small brush and we're going to embark on the painting. I need a purple color at first. And the purple color that I use is violet purple. So it's actually a violet blue. The exact name of it is violet blue is actually a purple with a loss of blue. That's why they call it violet blue. This is the purple that I need, a purple with a lot of blue color. So I get this and I start coloring right from here. With a bit of distance. I color the lower part of the framework and the lowest part. The distance between them should be very, very little. Do not want them to be too much apart. And then I'm gonna do the same for the next part. And for the other side. See beautiful colors in it. Here we go. Just like that. Okay. Now, I also, and a bit of my blue and basically a darker purple I've got over here. I've got a combination of colors now. And now I'm going to add this darker color On the corners and on the sides of my work because I wanted to create a shade of colors that will make it look way more interesting. And actually it will create a beautiful contrast for you. And I would also had a shade to these parts. Here we go. Alright. Now they move on to a darker blue, a very dark bird like this. Then again, I'll combine it with this purple that I've already had here. And then I'm going to color around my work with this blue going all around it. This beautiful dark blue. So just like that. Now I move on to a light brown and I take a light brown, you see this color. You can also use your sienna color. This color is called sienna color, so you can use it if you have it. If not, try to pick something which is similar to this, I make it a bit lighter. And then I start from the top, coloring all the way through down. And then I use a bit of my purple color to create the frameworks for it. Like I'm actually creating a frame for this color. This can actually give some dimension to your work, which is very good. Okay? So here we are. I let it dry a little so I can work on it even more than this. Okay? Now, I want to create the flowers and I want to use this color for them. K. You see I'm going to use this color like this. As you can see, I'm just tapping my brush on my cardboard in order to create some spots and stains because I don't want to create actual detailed flowers. But I wanted to show that in these parts we have flowers with this color. That's the beauty of watercolor painting. You can not see too many details, but still very, very beautiful. Okay. Then I'll use a bit of my orange color for this area. And over here, I don't want my flowers to be just in one color. And also I'll use a bit of my yellow color. In some parts. Actually, purple and yellow would go really nice together. And then in-between them I just drop some water drops so I can see that a spread of colors in-between them. Okay? Then I'm going to use my green color. And I'm going to use it for creating the leaves in between these beautiful flowers. See, again, just by tapping. I'm actually creating leaves in between my flowers. Wherever I have empty spots, I'm going to put them there and fill it. Kay? For these parts to see. You can see how enjoyable is executing this beautiful drawing and painting. And I would also use a darker green because I don't want to hold my leaves to be in one color. So I want to make some variety over here. I'll use a darker green in order to apply The darker leaves over here. And in some parts, I actually create the shape of the leaves. Then in some other parts, again, I just tap them. But just wanted to give the viewer the feeling of beautiful flowers and leaves all going together. So in some parts, It's good if you actually draw the leaves. Here we go, dressed like that. And then again, for some places, I want more darkness is already, looks very, very nice and beautiful. And K, I also use a Beta of my black color for these areas nor there to get a stronger darkness. And as you can see, I'm just throwing the coloring my work. I'm gonna dragging it or placing you'd like that. Just throwing it. Okay. Then I move on to create. The other part. I want to work on the window again. And again, I use my blue color in order to intensify my colors. Or you can also say renew my colors. So it would look better. Say one of my colors to pop out more. So here we go. Should go over some colors again. Again, I'm going to use my sienna color. As I said before. Here we are using some water, bringing it into my color. And then I'm going to combine it with this color that I already had here. And I move onto this area again. And then with a touch of black color, I go all over it in order to fix the framework and make it show more. Here we go. Dressed as easy as that. I'll just give some spirit to my work. Looks more alive. Okay, now I'm going to use another blue again for coloring that door or that cover area of my window. I'm going to use this blue and I'll move it down. I color a whole of this area with this color. Okay. Then again with a bit of distance, I'll make it lighter. And I bring another line down over here. Try to keep that space over there. And then again, as you can see, I'm coloring the rest of my work with a bit of why lighter blue. I apply more coloring some parts and make it lighter in some other parts. Again, beautiful contrast is going to be made. Alright. Now I'll start completing these areas. As I told you that he looked like some kind of fences or better say, horizontal shapes and lines. It would look very good. So I am creating these stripes and shapes right over here, up to here. As you can see. Okay. I let it dry a little so that later I can apply more color on it or draw more things on it. Okay. While I let that dry, I move on to work on my flowers again. And I give more color to them because by now they would be dried. So I'm gonna go over them once more and add more color to them, especially to the yellow parts. Here we go. Alright. Then again, I get my blue color and from this side, I start applying more darkness to my work in order to create a beautiful shade that I need here. Okay? As you can see, I'm just doing it. And just as easy as that. I've created a beautiful window, flowers and also the door of the window. And then again, I drag my brush on it once like this, just to spread the colors more and fight them. Now I want to create some shadows and shades for this area. Therefore, I need to use my black color here. The black color that has been lightened a bit. I mean, It's not absolute darkness and black. So I start from the top of my work and I apply the color like this, in this way, sideways coming down. And then I did on the sides vertically. And here it is. As you can see, I'm creating some shadows and shades. Right over here. I'll get to the sides a bit more. And then in this area, let's spread more color. This is actually some work done for background. So I'm just bringing my colors like this into my cardboard very easily and then I'll be spreading them. Dislike that. It creates a kind of shadow and shade for my model. And again, right from here, I start applying my colors with a bit of distance from my work. I'll apply these shadings and shadows. You should not have stick it right to your colors because they might mix up and it's not good. So try to keep us space between your actual work and the shadows you have here. And just like that, you can actually feel your negative space with your shadings and shadows. Also, you can include some of your peripherals here and then fade them with your water. So just as easy as that, you've created a beautiful window, flowers and plants and also give, gave a general shade and shadow to its background. It looks very good and you've done it actually very quickly and easily. We can also have a lighter palette of color over here and also here. So we'll be sure about these colorings. Just a bit of my dark blue over here is needed to make it more effective and visible. And just as easy as that, we were able to apply this beautiful painting over here. 13. The initial sketch of the face and the start of coloring: Hello and welcome to a new episode of our watercolor tutorial with me. In this episode, we're going to create a very easy face. This one. This is the face that we want to create altogether. It's been made with water color. And, you know, maybe so many of you that are actually going through discourse might not have passed the sketching tutorials before or you might have not taken any courses. So I'm just going to teach you a very simple way how to create a face for his primary sketch. And then we can move forward. In this method. I'm going to teach you that how you can actually bring this sketch into your work. You just cut your model as the size as you want to work with. Then you will darken the back of your model with a B6 pencil completely. You will actually make it black. And then you've done that. It works like a copier. You would actually stick it into your cardboard like this. After you've blackened the back of it, then you'll fix it on your cardboard. Now, in this situation, you start creating your primary sketch. It means that when I go from here, I'm actually going over the parts with my pencil that I need. You save wherever I need in my primaries sketch. I'm going to go over it with my pencil on my model. And then it will leave a trace and a line underneath it on my cardboard. Because I've already blackened the back of V-model. I worked on the eyebrow. Now I can actually create this part of the nose bridge, moving on to the outer eyebrow. And I'm actually creating a primary sketch underneath my model on my cardboard the same time. Okay. Now I'm going to work on her eyes, bringing the lines over here. So here we go. Also another line above the eyelid, the lower line for the lower eyelid. And as you can see, I'm actually creating the main lines that I need for my work. So I'm going over all the main lines that I need for my work. Corner of the eyes and wherever we need for our primary drawing. We do the same thing for this site. Your hand pressure should not be as much as you would actually make a dent or a curved area in your cardboard. So pay attention to that. Do not use too much pressure on your hand. So it would actually make that lines and batch shape in your cardboard. Then I will continue on the nose, working through it up to here. And then I would want to work on the glasses. First one side, then another side. These are still the main lines that we need. So just like that, I can move on and complete the round glasses. And this small part between the two sides of the glasses and the rest should also be done. Okay. Now I move on to the other side and go over it as well. And then I move down to complete the face Okay, Now again, another important part, the lips shall I will go over the lips first day. I'll per lip, then definitely go to the lower lip. And Okay. Now I am actually working on small parts as well. And I think we've done all the parts and there's nothing more. Lift. Can also go over these shadings and shadows ones just to have them. Okay, So as you can see, when you put away your model, your sketch and you're drawing has been transferred completely into the cardboard that you want to work with. So just as easy as that. My friends that have knowledge passed any scheduling courses or any drawing courses, you can actually transfer your model into your cardboard with this method. Of course in niches that we are going to start coloring. Alright, first of all, I'm going to start with a big brush. My dear friends. The thing that we want to do this time is that we want to first work on the general parts. And then we will actually move into the details. I'm going to use a sienna color which has more orange in it. And start coloring all these parts very generally. Again, I say, I'm going to start with the general parts and then I'm going to move into the details very easily. I'm just really careful to see which parts are darker and which parts are lighter. So for example, over here, these parts of the nose and below it are darker, so I apply more color in them. And these parts are the rest of the parts are lighter, so I consider less color for those areas. Just very, very easy. Here, Ringo. I would also work on these parts and I cover almost the whole thing. Again, I insist that you'd be careful on you pay attention that which parts are darker and which parts are lighter. This way, I've actually given a background color to my whole drawing and actually made it a bit colorful into background. It has a skin tone. Now, after this is that you should wait until your whole work will be dried completely. I just gave my work a break until it gets dried completely and I'm back. I waited and I gave it a break so my whole work will get completely dry. And now that it's been dried, I can start applying the rest of the colors. First of all, I start with the eyes. I will work with black color. So I'll start with the black color. And I will work on the eyes. Especially I'm going to work on these very dark parts of my work. I'm going to start right here and then I can move on further to different parts. Just like that. Okay, in this way. And like that. Here we go. I applied a strong darkness in my work. Right from the beginning. Wherever I can see strong darkness, I apply it with this black color. Okay. So here we go. This area was also dark, so I've used my black And now I want to start coloring the iris, the pupil in the iris. So I start from the sides and then I move toward the center. I'm actually applying this greenish brown. And I've started from the size from the corners and dress spattering it toward the center. Then I put my brush into water so I can actually decrease the color. And I'm going to use my olive green a little over here. These parts. She's good colored eyes, so you should use more than one color in order to create her eyes. Then I will use a bit of yellow for these areas. And it's done. Before my work is dried. I'm actually going to use my black color and I'm going to apply it on the sides and corners. I bring it into the eye right on the edges. And as you can see, I'm just throwing the color into her pupils. Pupil right now. Haven't started on the other one yet. So I don't want to work on it anymore right now. I just leave it to be dried for now. And then I move on to the next I I do the exact same thing as I did for this. I, they should be symmetrical. So I'll create this line for my I. I work onto piu pill or GI IRS K. Then again, I'm going to use this greenish brown here. It's a very dark green with a touch of brown color in it. I start again from the sides. Then I use my olive green. And here we go. And of course, the yellow color would be added at last. So with this specific order, I'll create a colors in her eyes. And again, I let my work to be dried completely in this step as well. Then I would want to work on the lower eyelid of this in as well. I just create this line would bind black color. I'll actually apply it a bit lighter on the lower eyelid, like this. And then I'm going over it again. And over here just gets connected to this part. And then with a bit of distance, again, I create another line here. There should have a space in-between them. And this darkness right below the eye should be FAY. That's completely, we're going to continue 14. Coloring eyes, eyebrows and glasses: Hello, and welcome back to the rest of this tutorial with me. Okay. You can see we were actually going to fade this area or just below the eye, fading it for both eyes. So I'll do the same thing in both sides. I would not forget about this islet line created and actually make it darker. Just like that. Okay. Now, before the pupils and the irises booth get dry, we can not actually work on any other parts around the eye anymore. So we should let them dry and while to peel pills are drawing, we can work on other parts, for example, the eyebrows. So I've got my black color, I've got more water in it. So it would look lighter. And just very, very carefully, I create these eyebrow hair. As you can see, I'm just dragging it, creating a small short lines which are sharp at both ends. Okay. Here we are. We're done with one of the eyebrows. And then I'll do the same thing for this eyebrow as well. Just the same thing, same procedure. So first of all, I create a very, very light lines up to here of my work. I still create light lines, short ones. And again, I'm just very careful to keep my lines sharp at both ends. And then in the next step, I'll bring the darkness that I want into my work by adding more color in these areas. Okay. I'm still doing it, creating the darkness in my eyebrow. But you should do it very, very slowly. You shouldn't nose actually rush a lot while you want to work on the eyebrow. Hair, should not rush it at all. Just thank and easy. K. Here we go. Just like that. I'll continue. And I keep the shape of the eyebrow as well. Alright. So up to now these eyebrows are okay. Can have them for now. Just like that And then I can work with the other part. In next step, I want to work on the iris and pupil again, I want to create this darkness in the center and still keep a very small light part in order to show the eyes light. Then I bring some lines from the center, tour designs of the eye or pupil. Alright, here we are. Going to use a bit of my blue color for inside of her. I basically inside of her eyeball. And also on the other side. The other eyeball. Alright. Now, I've been using a brownish green or where say a very dark green. And I'm going to use it again for below DOI and also around the eye. So it would not look paler anymore. Bring the rest of the colors down through here. And colors that I apply should also be in a faded way. I mean, I applied at colors and then I'll face them. Here we go. And at the same time, you should be careful that you're colors would not get faded in a wrong direction. The direction is very important. Then I use my sienna color for these areas again. Going over the skin tone. And also here, creating some darkness even inside of the eyeball. And also some more shadings around her pupil. So it would not look just like a separate line. Okay. Again, I want to use a bit of my blue color for over here. And then again, some more blue for here. You can also use a bit of that brownish green for this. I as well. I've used it on the other eyes, so I have to use it on this I2. I want them to be symmetrical and exactly the same. So in this way, I totally work on the darkness. I will go all around my work with this color and write from this area. I'll just come down to bring this color right down to the side of the face. Here we go. Okay, then I combine my orange color with my sienna color and I use it for these areas in order to make my skin tone as warm as you can see here. See, I actually using the wet in wet method to bring my combination of the color into this area, warming up the skin tone. It's very important. We want to show that she is alive. And she's got a beautiful skin tone. Okay. I'll continue like that. Then. I just use my tissue and I just tap it on my work to get off the extra color. There ever. I don't need it. I let the other parts dry and while I let it dry, I'm going to work on the glasses. I'm going to use my Indian yellow for this area. Just like that. I am using my Indian yellow for covering the whole glasses. Then I'm going to use a bit of my orange color. I also use my sienna color. So it's most, you know, when you look at your model, you might think, okay, it's just in one color, but it's not. It's actually a combination of colors in different tones and intensities. So for different parts of the face and even for different parts of this glass, I need different colors, different measurements. Okay. I'm going to use my reddish brown or your dark orange for these areas. In order to apply these darkness. And just like me, you should very easily apply these colors. Then I should actually use a very dark brown while my work is still wet. So while it's still wet, I bring this dark brown into my work in order to create these shapes inside of my glass. Actually kind of reflection. Even a bit of black color can be used here in order to darken this area even more than that. Here we go. Now. We should let this area to get dried completely and then I can move around my glasses to do its framework. While I am going to let the other side dry, I'm going to come over here and start working on this side, coloring it with my yellow. Just like this easily as you can see here. And again, I create some reflections and shapes inside of it with by brown. I'm going to let the other parts of my work to get dried. And then with a smaller brush, I want to work on my nose, my nozzle area. And in this time I'm letting the other parts get dried. And at the same time, I'm going to complete the nose. Okay. I should fate this toward the outside, should fade it out. Ward should fade this lines all toward outside. The same day. The same thing. I'm going to use my big brush to go around my nose all over these areas and even here above the nostrils. Okay. Now I want to use my black color and I start with it and I actually work with it in my black color. You see when the paint is going to flow over this area, the way did right now shows that your previous colors are not dried yet completely. And if that happens, you should be really careful. Just spread of your color would not be too much. And even if it did, you should try to take it out or take it off your work with a tissue. That's why I said let your work to get dried completely. I'm using a black here, but as you can see, my painting just started to move round. And that show me that I saw dried yet. So if that happens to you, I told you how to fix it. Alright, here we go. Now, I can also do the framework of my glass. Okay, we're going to continue this in next episode. 15. Coloring the nose and glasses and coloring the details: Hello, welcome back to the rest of this tutorial. Okay. Using my black color in order to do the framework of my glasses. Alright. You can see moving from here. Now, Kay? So just like that, with a very specified thickness, I'm going to do the framework king of my glasses. Alright? Then I'm also going to organize these parts of my work which are messy. I also considered this area as the dimension area. Why? Glasses? I should show that my glasses has a thickness. So I'll create this line as well. This way I've showed that my glasses have some thickness and they have dimension. Alright, then I would want to do the same thing on the other side of my glasses. Just like that easily. And then also we need this connector part over here to connect the two sides of the glasses together. So don't forget about this one. Otherwise your glasses would just stay there with narration. Alright. So now and also fade the upper part and the lower part of this area. I just let it get dried. Again. I just give it a break so it will get dried completely. And then I moved back to the eyes again. From here, we will work on the pill pills, a little, working on the eyelids, even a bit of the eyebrows. They can be done again. And then I also applied the darkness over here. I'm going to do that. We'd a dark brown bringing the darkness in this area. Okay. I'll do it and bring it up to here. And I just consider sienna color over here. Just remember that, like what I did here, you should note makes your wet color. I mean, you should control your color and not let it to get mixed with this wet area of your glasses, of the black area of your glasses. This might happen a lot while you're working with watercolors, you should just be alert. So if it happens, you would just immediately take it off your work with a tissue. I use the same brown color for this area as well. Again, be careful because you're black colors is still wet. You should nose gets inside of it while you're working with another wedge color. As you can see, our work is just getting some color right now. It's like we're bringing it into life again. So just like that, I bring my color over here and then I'll spatter it right over here. Okay. I'm going to work on the next parts now. I want to work also a little bit on this lower parts of my work. So I start from this area behind the nose. And I'll start working from there. And I start applying my colors and also fading the colors at the same time. In the whole area of the face Okay. Still doing it. And I'll just continue down. Dear friends, just remember when you're working with actually faces. I mean, when you want to create Painting of phases, you should spend a lot of time on it. You should actually bring so many different layers of color, you should just let them get dried. And then again work on is again social, spend a lot of time on it. For example, now, I've actually let my work get dried again. Now that it's completely dry, I'm going to apply some darker shades over here. For example, over here on this part of the nose, I need more darkness, so now I can apply it after I let it dry for awhile. K, Just bring it up and fade it this way. Again, I say this is actually why you need these colors to get dried. And this is actually why it would look like this. And why you should spend a lot of time painting face with water colors. They can also bring you a very mellow darkness for the lower eyelid. So it wouldn't just look strange and odd here. Okay. Now, up to now, the darkness is enough there. And now I'm going to use this color and create a shade or shadow for this lower part of the nose. And also here now we have the shadow of the glasses. Okay. Again, I wanted to work with my black colors. Sorry, I dropped in. K. Sorry. Well, these things might also happen in your work. Or black color just slipped into the water. Okay. I should use my black color for this area. I should use my black color for this area. And I'm going to create it the way it should be, making it more black. And now it's done. It should have been a lot more darker and now I've brought it into my work. Okay. See, dressed very easily and very neatly. I'm doing this framework king over here, carefully and neatly. Okay? Now I would actually make the thickness of this framework even more. So I made it thicker. Then with this watch and with this color, I'll bring a very mellow darkness for this area around the nose like that. And so you can see I'll get the extra color of my work with a tissue. Then I'll make this area more cohesive by blending the colors into one another. So here it is, below the eyelid. And definitely she needs eyelashes. Oh my God. This black color just hopping over in their oh, my God, it's really weird. As you can see my black colors just trying to hop out from one place to another. So I just take it in my hand that would be more secure and safe. Okay. I'm going to continue on the eyelashes, bringing them down for the lower eyelid and taking them up for the upper eyelid. Just as you can see right now. So here we go. And now we're going to do exactly the same for this other. I want to apply the eyelashes for this. I as well. I need more color so I'll get it. And then I'm going to apply it like that. I'm continuing on the eyelashes. So I can complete the upper eyelid and then I can even create some on the lower eyelid. Just be very careful in applying the eyelashes. You shouldn't overdo them. And you shouldn't let them combine into one another. Should be just very careful. Okay? So just as easy as that, you've created a beautiful, beautiful eyelashes should also apply in the darkness around this iris and this pupil as well as we did for the other one. Mean do not forget about this one. The I should look totally like each other. Or shouldn't be any differences. They should be symmetrical and the same. Okay? You see as I work, movie is moving on and you can actually apply more details. Your work is getting more and more attractive and prettier of course, so don't worry about it. We're just good up to here. 16. Lip coloring and final detailing: Hello and welcome to the rest of this tutorial with me. Okay. Now, for creating her lips, first of all, I'm going to use brownish red. Basically, it's a very dark red. Me see. And let me show it to you here. See, this is the color that I'm talking about. And just very easily I'm going to go over the parts which are actually the lines of my lips. So I'm framework the lips kinda. And I'm going over the lip lines with this dark red. Okay? The lips are not actually complete in this framework that we are working in. So we just created as much as we have it. I'm going to use my brownish orange on this area. It's an orange with a touch of brown. I'm going to use it for the lips as well, making it even darker. I'm going to get more of it. While you are working on the lifts, he should be careful that you would leave a part of the lips to be white and light in order to show the prominent parts of the lips. Okay. Now, if these areas are dried, I can work with the rest of it until I'm going to let the lips dry. I want to work on the other parts of my skin. Basically completing her face. And of course, coloring it cohesively. I don't want any unwanted stains on her skin. Maybe I can even bring some of this color in this area, making it a bit darker and warmer, of course. And here we are dressed like that. Alright. Now we're going to move forward and continue. And a, the rest of that and they continuous of that. I'm also going to use a bit of brown color, reddish brown for these areas, making it more red, but still it has a bit of brown in it too. So I'm using my red color over here of gross on her lips. Then is bad or it even more. With my wet brush, a spreaded, I spread my colors. And here we go. Okay. Now I'm also going to color this area in the middle of the lips. Then again, I let this area to get dried. I'm letting the lips dry. I also want to separate the face from the background of my work, so I have to work on it a little. I get this brown color and I start applying it over here. Even in this part of the glasses So basically I'm separating the face from its background. She already looks exquisite. Alright. Again, I move on to work on my models lips. And just very slowly and very cautiously, I work on it. I'm even going to use a bit of the color that I've used for my background in this area. But I'm going to use it in dry in dry method because I just want to move over this lip line, making it pop out more alongside all of these colors. Then I will use my dry brush and I'll fade this color into my work. Okay. Alright, let's get even a darker color. I want to use my black color here. Again in dry in dry method. I mean, I'm going to use dry in dry method. This time. I even emphasize on this line more than before. So I'm going to use a lot of my black color with dry-on-dry method to create this line in between the lips and this one alongside it. Okay. I can even use it a little for this top part of the upper lip. And also these parts a bit Tina, know too much. And then I'll try to spread the colors with my wet brush. Again, bringing some colors over here and then spreading them easily with my brush. While I'm doing this, I would actually create the textures of the lips as well. Of course, lips are not all smooth. They have a texture. So with these vertical lines, vertical, light, short lines that I've created here, I'm actually showing the texture of my lips. And then at last I bring some of my orange color into these areas. So I would just give them a very beautiful shine and beautiful glow. Alright. I'll take my big brush here. And I'm going to use my dark brown. I'm going to combine it with my dark green. And I bring this part all the way down to my work like this. See, this is actually the shape of the shadow or maybe even the reflection that has been placed on our model's face. So we do that as well. And then my dark green with my brownish green, I would also faded on the edges. Insights. See how it is. This is a shadow placing on her face all the way from the top to the bottom. Again, my brownish green or my dark green. I'm using it to darkening this area again. And maybe I'll use it a little four here as well. It would look at okay. So we can have this shape of this shadow or whatever it is on her face. I can even use a bit of it over here, making this area bit more darker to actually place the shadows and shading in there, right placement. So right now are painting is over. We've done everything. Here is our final outcome. I hope that you've enjoyed it and you can create a beautiful painting just like that yourself.