Cinemagraph Masterclass : Create Motion Images in Photoshop

1. What is Cinemagraph | Course Preview: What if you could literally bring any off your four toaster life? Well, if you're a photographer, graphic designer motion graphic artists order digital marketer and have for the shop. And let me tell you that this is going to be a really game changer. You see, most of the 40 shop users use it only for making basic corrections, like fixing a person skin adjusting the level off Contras. But it's like having a Lamborghini and driving it back and forth in your driveway. But what if you could use for a shop to create actual motion images called cinema graphs? Imagine taking a best shorts and adding motion to give them a second life. What if you could create endlessly looping beautiful images for your clients, upside or social media or anywhere on the Internet, just from a still photo? Now, you might be wondering as to why should one use cinema graph when we can use videos instead ? Well, let me tell you, cinema graph catches people's attention because they have slight motion in it, which means people will scroll past several images and reduced, but the moment that see a subtle motion that will catch the subconscious eyes attention and people will pause only to watch for longer to see if it's a photo or a video. They create five times more engagement. They can be displayed on any of the social media's. They work with all kinds of photography. Bead, wedding, portrait, landscape, travel, street, etcetera. Even big brands are using them in the marketing campaign. Have a look Netflix Apple music Do Ma sprayed Chanel etcetera. So if you don't know my name, my name is Sandra, and I'm a cinema Graff artist and a graphic designer. I've specialized in these motion images called cinema graphs, which I realize that many brands, agencies, small and big companies needed them for the marketing campaigns, but no one was making them. So I've been working for months to offer you this unique process, which I believe will change the way you look at still images. I've created the cinema graft masterclass, a complete and comprehensive master class on how to bring your images to life. All you need is 40 shops, cc or for a stop CS. First of all, you get over six hours of professional step by step tutorials on how to add motion toe any off your images in just few minutes. Perfect. If you're a big enough for the shop, if you want to save time and you are an advanced user, then you learn how to add snow. Fog particles fire fire embers, rain, light lightning smoke, invoca fireworks stars and sparkle in your photos in just few minutes. I'll also give me 15 high quality nature effects, which is going to save you hundreds off dollars and I'll walk you through all of these step by step in a series off over 30 tutorials until you become a complete expert and look no expensive app that does not deliver its promises. No monthly payments or membership either. This monster class tutorials and resources will be yours for life. A crazy fact is that universities will charge you thousands of dollars and will not even teach you the things which I'm revealing in this master class. If you make the move right now, I'm going to give you some amazing bonuses. Bonus number one. You'll be getting all of the project fights in the piers deformity. Now this is something which you do not get in any off the courses, but I'm giving it to you because I want you to succeed in this with these project finds, you can follow along with the tutorials and take any off images and turn it into an eye catching cinema graph. Bonus number two. Now this is something which is really special to me because this is my signature cinema graph, and I like to call it the double exposure cinema graph. If you've been using for a shop and no a bit or two about the world of photography, then you might be knowing that there's one cool effect called the double exposure effect. In this bonus model, I'll be teaching how to make a basic double exposure and then how to transform it into a cinema graph. Bonus Number three. You'll get incredible support from myself, and if you ever get stuck, feel free to hit me up with an email and I'll answer your query. And if you've emailed me in the past, you do know that I care about your success, and I'm always there to help you out. And let me tell you this, this master glass is going to change the way you look at still images because when you start adding motion to your evidence, then you'll realize how addicting it is. So take the limited offer right now and get all the amazing bonuses because I'm not sure as to how long this offer is going to last, so it may not be there tomorrow. I'm hoping to see you soon on the other side. And if you'd like to see my work future government social accounts, the details off which might be popping up on your screen. So see on the other side. Thank you so much. 2. Welcome To Masterclass: Hello and thank you for enrolling in the schools. My name sedan And I'd like to welcome you in the cinema graft masterclass. So let me turn you quickly through the structure off the scores will begin with four sub basics. This is to help you get familiar with all the necessary tools to be used in this master class. If you're an advanced user of four shop, you can choose to skip this part. Then comes masking and content aware. This is something which will be used a lot of time to hide ordinary objects. Then comes the timeline introduction. This is where we lay out our list and create animations. Then we have export settings. In this I'll be teaching you how to save your projects for different mediums like social media, Web browsers and so on. Then we have three different modules. Model one is the overly effects in which will be making cinema graph using snowfall, particle fire, etcetera on many other different effects. Then we have more than two, which is about key framing. Then we have more than three, which is about video masking. Finally, Albie sharing a suit bonus with your So that's essentially the entire structure of this master class and throughout the scores, I'll be giving you access to all those downloadable resources so that you can download them and practice. Having said that, let this journey begin. 3. Photoshop Basic Tools: Hello and welcome to the cinema graph masterclass. So in this lecture I'll be running you through the basics off for shop and talking about the basic tools off for the shop so that even if you are a beginner and completely new to the world of four shop, you won't be having any problem understanding this emits software on Justin gets. If you're intermediate or advanced force abuser, then you can just skip this lecture or you can just carry with it. So first thing first, this is the user interface off for the shop on On the left side, you can see all off the major tools off force off that will be using throughout the course on if you come towards the right side. This region is called the Layers panel, where all of the layers are created. I'll just show you some examples, so if you can see here, I know we have multiple layers here. 1234 and so on. So for a job is a softer, which works on layers. It's a compositing software like meaning. You can have multiple layers, and then all those multiple layers will combine to create one picture. So having said that, I have one picture off Lemonier that I'll be using for the purpose off demonstration in which I'll be talking about the major tools in four sub that I personally use on a daily basis to create cinema graphs and also which you'll be using to create cinema graphs on. And let me just tell you there are lot off tools on a lot of options inside filter, but we need not no all of them in order to create cinema graph. If you learn all of them, it's very good for you. It will enhance the knowledge and you'll become more knowledgeable. But to keep things simpler to keeping shot in this lecture, I'll be only talking more. Their tools, which are necessary on which are totally used in making cinema graph so firstly will begin with this stool. It's called the moved All. As you can see here on it is used to move a selection. The short cut off this is we. So let's say I have this image and let me just make it a little bit shorter here. I never quit day for all of you guys. Whenever you want to transform any image. Okay, then you need to hit control or command V. And then if you are, are no before the shop 2019 and above, just drag inside or outside any off the four corners off the picture on the photo will get transformed very uniformly. But before that, before this up 2019 what was happening? Waas. In order to transform any image uniformly, you had toe hold shifty and then drag any of the cornice inside or outside. Otherwise, if you were not holding the shift key, this is what used to happen on the picture would get distorted very badly. So this is something which they have made changes in October 2019 that you only need to drag the corners without holding the shift key. Okay, so let me just make it a bit smaller here, so I'll hit V to select the move toe, drag it, I'll move it around, and I'll just place it wherever I want. So this is what the move toward does. And you can also move the image using the arrow keys on your keyboard. Okay, let's move on to the other tool. The other tools in the list is rectangular, marquee tool and, as the name suggest. And if you can see the animation here, it is used to make a selection in the rectangular form and the short cut off it is. Let's have a look at it example. So let's say I have an image off these lemons. I'll hit em. I'll put them in a rectangular selection. And then, from here on, I can do whatever I want. I can delete them by hitting the delete key. You can copy it. You can cut it if you want to copy at this hit, control or command, see and then control or command V. As you can see, a newly A has been created with this particular selection. If I turn the previously off, you will see this is the new Leah with the selection that we had made using the rectangular market to. Similarly, if you right click on their tangle market tool, you can see the elliptical marquee tool that does the same job but in the elliptical manner . So let me just deleted. I'll hit em. I'll create elliptical selection around this control or command. See control of the one b So an elliptical selection has been created. Now you can do whatever you want. You can move it around, play with it, have fun. So the next tool in the list is this lasso tool and last tool is used to make selection which are uneven, which are not off a proper geometrical form. On this has many millions like lasso tool, polygonal lasso tool lets you see lasso tool first and the short cut off. This is l. So let's say I want to make a selection off this lemon. So at this, click here on with the mas button clicked without releasing it. Just draw over the area that you want to select. I'm doing it very refuges. For the purpose of this tutorial, I want us to just understand the technique and you can perfect it later on on. Just come here and when you reach the starting point, just release the mouse button so a selection can be created. So this is our selection using the lasso tool. Now let's have a look at the polygonal lasso tool and guys one more thing whenever you're done making selection and if you want to get rid of that selection. This had control or command. The I'll come up here right click on this choose polygonal lasso tool, and then I just click here and then click here. Click. In this case, you'd need not hold the mustard, and you just need to click on the places that you want. The anger points to be made, and when you're about to reach the starting point, you'll see a small circle that pops up. That means with that the selection will be completed. I'll just hit control C Control V on the self selection. So this was a lot of tools. Now the next tool that we have is the brush tool, and as the name suggests, it is used to paint and the short cut off This is me so I wouldn't be. I'll choose a color. Let's say read. I'll create one newly a here, and I just spent over this. You can make the size of the brush smaller or larger from here. Click on this. You can adjust the size and harness off the brush. Additionally, there's one shot good off, increasing and decreasing the increasing, decreasing the size and the arnage off the breast, and that is, once you hit. Once they're selected, brush, hold the balky on a PC. Click the right mouse button and drag it all the way to the up. You will increase the softness. If you go down, you'll increase the hardness. If you go left, you will decrease the size of the brush. If you go right, you'll increase the size of the rest and never do all of it by holding the all key and the right mouse button simultaneously. So this is one very helpful chart. Cut off brush tool. Now the next tool is the clone stamp tool Clones. Sandal is used to sample one particular area from an image and then just based those pixels onto the new area that we want The short good of this is s. So the way to use the clone stamp tool is first, you need to select a region that you want to sample. So let's say I want to sample this lemon and I want to place it in some region here. I'll bring it over the lemon so I'll hold the key and the moment you were the or G. You see a small cross here, a thing which demonstrated, dog eared sort of thing, and then he'd be left most button. So that area sampled. Now, wherever you go and you click it, it would place that sample layer on that region. So this is the clone stamp tool, and it is used to hide imperfections. It is mainly used in ah, skin retouching and also to remove some unwanted elements from the image. You can learn about this more in the further coming lecture where I'll be talking about wanted aware. So the next tool that we have is the type two on, As the name says, it is usedto type, and you can type letters and sentences and paragraphs with it, and the short good for this is the so it just hit the click on the area and just type the letters that you want so you can increase. Besides off this, you can basically do a lot of things, and in order to do that, this head over to the windows, come here and click on character so you can see this. I'm just moving in here so you can see this character dialog box using this you can make a lot of teenagers. You can change your formed the size off it, the tracking and lord many things, so you can just play around with it and get an ID off it. So that was the textile. Now the next tool that we have is depend Toe on. Bendel is used to make very complex selections. The short cut off This is B and, you know, whatever tools that we had seen for making selections like Marquee tool, lasso Tool, they do not make as accurate selection as does the spend tool. So let's suppose if I had to make a selection of these lemons, I would simply had three that I would click here than click here and then dragged the anchor point sale. Then we'll show you zoom in and properly. Then I'll hold oiled and click on this square Aiken. So that will remove the Ngapoi Denel again, click and dragged so that it forms a really nice girl again. I'll hold old and click on this Aiken and then again on Go on. So this is how we can go on and on and on. So learning pen tool is very essential for any person who's into force job, and I highly recommend that you please master this because this is required a lot. And here I am, giving you a very cool website that you can use to enhance your skills off pen tool. This is a really amazing sight, and it's very fun to learn. So do check. Now you can see it on your screen, so moving on the next tune that we have is the handle on the usage off. This handle is that whenever you have zoomed in a lot on, you want to move the image, you just sell ugly, handled using age, and you can just click on the image and drag it whatever you want. Another shocker for this is holding the space bar so it is. Press these face bar, hold it and then left. Most click, and then you can moving image toe the desired direction. And last but not least, we have the zoom tool on it is pretty much self explanatory. The shortcut of this is that if you left, click on the image and drag it towards right so you will zoom in. And if you left click on the image and dragged towards left. You will zoom out so right for zooming left for some old zoom in zoom a zoom in zoom mode. So those were the essential tools and for the shop that we'll be required to make cinema graphs. And like I said in the beginning, there are a lot of tools in the force off that you can learn. But these are the essential ones to look out for. So I hope you enjoyed this lecture and learn something new. I will see you all in the next lecture. Thank you so much. 4. Masking & Content Aware: Hello and welcome to the cinema graph masterclass. So in this lecture will be learning what exactly is masking. And we'll also further learn about content aware. But a little later on that first, let's focus on masking so so to make you understand it very simpler. Masking is kind off a raising, but the only difference between masking and raisins that raising is a destructive process and masking is a non destructive process, meaning other show you if I take it Reza. And if I tried toe raise some of the portions on this image, then was the raising has been done. We cannot get back all the elements that we have a raised. If you can see these checkered blocks, this means that all those pixels in that particular region have been burned on. They won't be coming back. Of course you can get it back by under, but that's not be probably. We are mainly focusing on keeping all picture as original as it was in the beginning on. For that, you shouldn't be using a raising. As a matter of fact, you know, ever since I have been using masking, I've never gone back to using a raising. And that is also the case with most of the four top artists who very rarely use this process off raising. They never used a razor for the most part. Okay, so now I just quickly hit a new and get back my image to its original. And then we'll see. How can we do masking? So let's say the scenario is same. I want to get rid of some of these guys in this match on. Let's just say that we want to isolate this women and we want toe get rid of all the unnecessary background, which is the sky, the small mountain and then this beach and some water. So in order to do that, head over to the layers panel and Justin gets. If you're not able to see this live and like this, then just hit F seven or come over here toe windows and then click on layers. Okay, so well, come on, this layer panel. Leah, you come down here and click on this little again. It's the icon off mosque, so clicking this will add a layer mask to use Click on it Now, as you can see, a new ICANN has been created. This is the icon of mosque. So in order to perform mosque, we need to also learn some basic concepts about the foreground and the background color. So if you want to mask out anything as and if you want to get rid of something, you need to have black in the foreground color. And if you want to bring back something which you have just must out, you need to have white in the foreground color and the way to talk about both of them is by clicking on this Aiken or on your keyboard, you can hit X Both this Aiken and the X Key does the same thing. So right now I want to get rid of the sky and these background, so I'll take a brush. You can keep the hardness and softness. As for your requirement, alky the size at around this much, I'll make sure I have black selected in the background and I just start being Dean, which is basically masking out also. If you pay close attention to this and you can see all these regions that we're painting with black, you can see it has been covered on the sun. Also, that means that those particular region have bean must out. So I'll continue with my pain. So right now I'm not doing it very precisely. I just want to show you guys the technique off masking. So I'm going bed faster and not very precise. Now, let's just say that we have completed our masking and this is the final result. Andi, for some reason, I want my sky back. I don't want all the other regions like the water or the beach, but I just want this guy back. So right now, in case off the JSA, if we had raised the background and wanted some of the elements back, it would have been possible. But in the case of mosque, you can do it. Just come over here. The startled this and select white in the foreground color and with that same brush, pained over this area and you'll get back your sky. Okay, so this is how you perform a mosque? I think that's very much clear to you. Let's just spin the entire picture. So as against, you know, whatever. I am painting white. The black is getting removed. Now, I just have a look. Even this black will get removed after a while. When I'm done painting, Can you see it? Yes, it's going so basically, this is what I'm asking is. And as you can see here, we have come back to our original image without causing any damage to it. And that's what gold nondestructive process. So this was about masking. So always remember, if you want to remove objects from your image, you need to select black in the foreground color. If you want to bring back elements in the image, you need to have white in the foreground color. That's pretty much it on. One more thing I want you to remember is whenever you're masking out, always, always select, obviously. Okay, do not make the mistake off selecting base layer and then taking a brush and then painting over it. This will create a normal paint over it and not masking. So please do not make this mistake. Whenever you are about to begin masking, make sure you have this Aiken selected, and then you can go ahead with the masking, so I hope that's clear. And now we'll head over to the content aware thing So this is an image. We see a person standing here on the sand dunes in the desert on There's this guy. So the idea is, What if I wanted to remove this person from this image while only having the sand dune on this guy? For that reason, until sometime back when there was no such feature off content aware what people were doing were I'll just show you. So this was our image. So we were taking a clone stamp tool. You can see it in the tool span earlier. This is a clone stamp tool. So what this clone does is you will tell this clone tool to select any region from the image, sample it and then you can go over to some other area and then based those pixels, so I'll show you what it does. So let's suppose I want to remove this person from this image, and I can see a very similar amount off pixels available in this region. I don't know if you can see it. Let me just show you. So if you see the entire region, which has the sand dunes, so using the clone stamp tool weaken sample some of the region's here and based it over this man to going off, camouflage him and get him out off the image. So by taking the clone stamp, just hold your coil key If you're on a PC, if you're on a Mac, you can see the shortcuts on your screen and just click on the area that you want to sample . So I disconnected. And make sure you have tow. Keep holding your oiled key while doing this once the example just released or key. And then wherever you take this clone stamp tool and click on it, that particular sample region will be pasted over here. Let me do that again. I'll sample something from here. I'll come here and based it. Sambou based sambal paste sample based sample. So if you see it from for yes, we have definitely remove the person from the image. But if you zoom in and have a closer look, you will notice how dirty it looks. So this was the procedure that people falling up until the time content aware Waas launched in for yourself. Now, using content aware feature, we will try to remove this person very easily so first, let me just a new. So this is a person. And so basically, what do you want to do is we want to make a selection around this person and tell for us all that try to find pixels around this region and then try toe replicate those pixels on toe this selection. So for the selection, you can use any of the tools like lasso tool or pen tool. So in this case, I'll be using a last. It'll just draw a selection around this person. It could be some rough, then right click on the selection and hit Phil. Then you'll see this daily box. You have to make sure you select content. Aware, when this dialogue box pops up, you need to select content, aware among all the other options, and then just hit OK and see the magic. So as against see here for the shop has done a pretty nice job. I'm not sure if you can see this. It has removed the bosom from the image, and it's very hard to tell that there was some person who was in this image. So that is what basically, content where is on in some of the Gators content Aware does not work where the background is very busy. Lessons check out this example like suppose If I wanted to remove this person who's holding Anggada, let's see what magic doesn't do. So I made a selection. I right, clicked on it. I just fill and then Condon aware and I hit. OK, so as Agencia it has not. Then it properly reason being this background was very much busy in nature. I mean, the background was very busy. So even if you tell for yourself to replicate those images, it won't do it properly. So coming back to this example, so content aware feature works perfectly fine when you have the surrounding region very plain and simple and not too busy. So this is one very useful tool that will be using in the further examples when creating cinema graph. So, my dear friend, that's it for this lecture where you learned masking and content aware. Please go ahead. Andi, they got some pictures from the Internet and try to do yourself and perfected because that's going to help you a lot in the coming lectures. Thank you so much. And I'll see you in the Lex lecture 5. Photoshop Timeline Introduction: Hello and welcome to the cinema graph masterclass. So in this lecture, we're going to learn what is a timeline and what are the features offer? Timeline. So here's my four shop and these are my lists, if you can see. So actually this example is already done. I was creating the cinema graph, Andi says. Wouldn't done so In order to see the timeline, we need to go up here in the windows and then click on timeline. So where's Agencia now? We can see the timeline. Let me zoom or for you. So this entire Ian from here, Let's have a from here, Delia this and I a box. It's the timeline, and this is used for making animation and cinema graphs like this so I don't show you quickly. Burton's in a timeline, so we're play. Then we have go to the next frame and we have the audio bitten. And then, if you can click here, you contain the resolution off the cinema grab because a lot of time, what happens is because off the cinema graph being very heavy. When you scrub the play and bar forward and backward, you are not able to see the effect. So in that case, you can simply click on this and reduce the resolution toe 25 50 and see the effect. And then using this one, we can split the item in to do this has a lot off effects off feed which you will see in the later coming lectures. Here are the layers. So right now we have Julia's one. Is this balloon on another one? Is this image So this is the play head bar. We can simply drag it and see it into motion. This is the audio track. And right now I don't think we have any or do otherwise it would've bleed when we moved this one on. If you drag the small little I'm going towards the right side, you will zoom in into the timeline. If you drag it towards left, it will zoom out. And here you can see the time stamps. So basically, this is what time Lang is. And once you have done with Teal cinema graph to export it, you need to click on this wagon and hit render video. Then you read it with this dialog box and you can fill out the details like name, destination and so on. And once it's done, you can hit on Brenda. So that's pretty much it for the timeline on. As the course progresses, you will be learning about a timeline and other stuffs in details. So I will see you in the next lecture. Thank you so much. 6. Export Settings: Hello one. Welcome to the cinema graph masterclass. So in this letter will be learning all the different export settings that we have, which other good ones and which are the ones that we should avoid after we are done making our cinema graph. So let's get started. So here is my project. If you can see, I'll quickly go up here and choose timeline so that we can see the effect. So this is basically moving forward and backward. So this is all cinema graph and now to exported, we have two options we can either exported as a gift. G i f all began exported as a video. No gifts are an immediate images that we see on the indifferent. Everywhere on websites on social media Web side Onda, they are as compared to the reduced they have a little lesser quality on day are also off a bit smaller size. So, in case if you want to export this as a ziff, so head over to file then hit export and then to say for Web legacy, the shorter for this is old shift control. And as for the window so this window will pop up on Right now, it's taking some time because the cinema graph is a bit heavy on, even though my computer has pretty nice specifications. So here you'll choose. Give on in this menu. Choose adaptive. See the number of colors you can choose. 2 56 Just remember one thing. The higher the number you choose, the better the quality of the gift will be, and also it will increase the size off the gift Right now, if you see the size off, the gift is 40 M B, which is a pretty big on. It might not be a suitable size to be made for a browser on Ben, so if you want, you can choose 1 28 to reduce the size of it. Convert to S RGB. That is fine. Andi Loping should be forever. So what I generally do is to make it a bit smaller. I reduce the resolution so I'll make it up to around 500 and then let's see, how does it look? So it's taking a bit off time. So now this has taken some time, and right now, if you can see the size as decrease and it is now around one. And B, which is are pretty decent size now, will quickly export the sun and see How does it look and remember, guys. One thing. The cinema graph has around 500 frames. Yes, that's right. So it's like 500 different images, and that was the reason why it was showing around 40 MB. So anyway, will hit. Save. I will save the destination on now. It's saving it as a Jiff. So let's go and see. How does it look? So one thing you need to remember is to see Jeffs. You won't be able to see them in your default photo or video player. You need to see them in the browser. So the way to do that is just head over to the fold away. You have saved the gift right click on this Jews open with, and you can either Jews, Internet Explorer or groom or whatever browser you're using. So in this case, I'll use Internet Explorer. So as you can see, it's playing pretty nicely. Andi. Yes, this was the Jif, but we just made So this is about the Jeff. So that's how you exported into Jeff now, The second option which is the more recommended option from me, is exporting it as a video. This way, even the size will be smaller and the quality will be very much high. And even video can be uploaded on social media sites like Instagram Facebook. So you do not need to worry about the compatibility. So in order to export it as a video, once you have them making all your editing in the cinema graph this. Come here, click on this Aiken and then choose render video. So when you do that, you will be greeted with this dialog box where you need toe but the name off the file. You need to choose a folder, then just keep all these settings as it is in this one. The preset quality should be high always, and the resolution should be exactly what you have chosen while creating the document. Make sure the ranges work area on, then hit surrender. So when you heard render, it will take some time on. After that, you're redoing we exported, and once it's exported, I'll show you. How does it look? So this is my exported radio on. Let's just hit play and see the animation. So yeah, it's playing pretty nicely. And as you can see, the resolution is 108010 Pedro, which is a pretty decent resolution for social media platforms on if you see the size off it the size off This video is around 8 a.m. B. Which is pretty nice, as if you remember. In the case of the Jeff, it was coming at around 40 and B if exported into its original resolution, which is one generator by 1080 pick cells. Then later on, we degraded it into 500 by 500 pixels, and then the size came down to one MB. So this is one of the major differences between exporting it into a Jeff versus exporting it as a video. The video will consume less of space and will be off a better quality than the Jeff. So I hope you found this lecture insightful, and I hope you learn something new. So as the ghost progresses, will be exporting a lot off cinema graph into a video, so you'll get even more better understanding about it then. So thank you so much. And I will see you in the next lecture. 7. Download Instructions For Resources: So we are now about to begin the cinema Half masterclass. Tutorials on in this model will be learning how to make cinema graph using the overlay effects. Now there will be a lot of overly effects coming away on on the pages off the respective lectures. You'll get all your downloadable resources, so please download them and practice them. I will see you in the next lecture. Thank you so much. 8. Snow Effect: Hello and welcome to the cinema graft masterclass. After all the different cinema graph that we have learned now it's time to learn how to make a cinema graph using the snow overly effect. So before we begin, I request you to please download the resources in the download section given on this page so that you can practice along with me. So I assume you have done that. So once you have them that opened for the shop and create a new document for this example, I'll again be using this particular reservation, which is 1080 by 1350 Because the image which I'm using is in the vertical form and, as you know, for images with vertical form 10 a job I won 350 is a very good resolution on Instagram as it covers more vertical space as compared to a square post. So I'll hit create. Now let's go back to my computer and see where I have the image stored. So this is the image we are working with, so we'll just drag it and bring it into for the shop. Perfect. No, guys, it really happens that when you important picture and it fits perfectly into your canvas. I can definitely say that whoever has shortened this picture had invention off, putting it on Instagram. That's exactly why the resolution, the height and width ratio, is exactly the same that we had taken, which is 1080 by 135 cereal. So that makes our job a lot more easier. Otherwise, I would have had toe hit control, command T and then making big and small and all that jazz. So now, as concede, this person is standing in kind of a snow land on the sky is blue. So the idea is to add some snowy effect which will make this picture come to life, and it will stand out if you post it on social media. So let's go back to the folder and bring our effect. So this is the oval if IQ and generally, if you see these overly effect, will most of the time come in this horizontal resolution, which is 19 to 0 by 1080 for the most part. So since it's black right now and as we have already learned in the previous lectures that anything that has black background can be easily removed using the blend more. So I'll go up here and make sure this overly effected selected and I'll click on this particular thing and choose screen and hit. OK, I'll tell you what happens when you choose cream. So this was a normal more. I'll click here and choose screen. Well, I'll show you the other modes. Also, if you see here, every blend moored does some on the other kind off thing. With this layer, it's colored dodge. It's overly so right now and for the most part in this entire masterclass will be using this screen or lighten. I'm using screen here. I'll hit end up now to see if there's any animation or not. First we need to goto Windows and enable Lee Time Lane. Now I'll have to create the timeline, and this little Aiken can use to zoom out argument so I'd like to keep it till hell. Uh, okay, I think it's a pretty long effect, so we'll make it short. I'll make it upto around 20 seconds and also increased the lend off my image so that it matches with the effect you know, if a scrub through the I can see it, it's doing a pretty good job. So if you take a look, the effect is happening only in the half region off this picture and not on the upper part of this picture, which looks very old. And right now it's feel as if this snow effect is magically coming from this particular imaginary, some kind off lying is there because off which it's coming here and that's a really nor the look that we're aiming for. So and as you can see here, there is the sharp boundary off that overly effect because it was a video, if you can see so this pretty glow lying can be visible even if you changed into screen, which is very obvious. So one way to get rid of that is by selecting this layer coming down, hear clicking on this thing and making levels and just mainly a right clicking, creating a clipping mosque on Ben, dragging the layer all the way to the right so it will vanish so it has vanished. But it still does not solve our problem, which is occupying this particular region also so in this case, we won't be using the levels with this deleted on Waterloo is I'll make a public it off this layer and then actually, what has to be So I'll hit control or command G. So it has made one public it. I'll hit controlling commodity and move it up. So now basically we have now Julius. One is for the mid abortion. Another one is in the top portion, and also we were dragged deeply Head Hill and bring it in the beginning. Now also, if you can see it, there's no snow falling in this ground area, which is again very old. So we'll do the same thing. We create a copy off it by hitting control or command J. Then we'll hit control to Monte and bring it down here. And then on the timeline, we'd also bring it here. Make sure guys all the three layers off the snow are aligned properly. Otherwise we won't be getting the effect that we're looking for now. If we scrapped through the time line, we can see a pretty good snowy effect. Now all we have to do is let's zoom in a bit and let's just make it up to 20 seconds. Now I think it's pretty good to go. So if you want to see, you can hit play and watch the animation here inside yourself. But I prefer to see it once it has been exported. So once everything is, then just come here, click on this icon hit Rent a video. Andi, give this thing a name. So Alba, gaming it guy Snow and I'll select a folder. So this is the Ford, uh, on not change any of the settings here on Make sure you have this Ah, work area selected here. And additionally, make sure you have the same resolution that we had taken in the beginning off this lecture on preset quality should be high quality and that is it. So once everything is done, just hit Rendah. So depending on the configuration off your PC or Mac, it might take some time to export this video on the better conflagration off your PC is the faster will be the exporting time. So I disposer and come back when it's done. So I think it's done. Now let's go back to the full and see the final result. So this was the image that we started with. And now we have a final animation here on. In my opinion, it looks very, very classy on very charismatic on just loving the feel off it on. Go ahead on. You can also make this. It's very easy. So my reference that was it for this lecture. I hope you learned something new. You had fun learning it. Now go ahead and practice this using the resources in the download section. I will see you all in the next lecture. Thank you so much. 9. Fog Effect: Hello and welcome to the cinema graph masterclass In this lecture, we're going to learn How can we make a cinema graph using Ah, fog Overly effect. So before we begin, I request you to download the image and the fall overly effect from the download section off this lecture. So once you've done that, let's get started. So this is my photo shop I hit. Create new The interface could be a little bit different for you guys if you're using some previous versions off for shopping 2018 17 and so on. But nevertheless, the process is same. So in this case, the resolution will be 100 by 1350 the elongated instagram post resolution. Because the image that I'm going to use for this example is kind off elongated and hit create. So I'll go to the folder where I have the emit saved as this drag it and bring it into for the shop. Well, it fit perfectly for the first time, huh? So this is my image on now. Let's bring the fall overly effect on to this one. So this is the image, and as you can see, it it has freed perfectly, but additionally, if you want, you can play around with it. You can hit control or command t holy or key, and if you're using previous virginal four shop earlier than to the 19 then you also need to hold shift along with old and then using the left mouse button dragon outside. But if you're using it all before the shop 2019 and above, you only need to hold oiled plus left mouse button and dragged outside to make it bigger. So let me just find a sweet sport for this example. I think I'll go with this particular size on. I will bring it a little bit down here. Hit ender. Now it's time to bring the overly effect. So I'll go to the folder where I have this effect store as this and drag it and bringing to the fore job. So right now we need to change the blend more off this effect. Only then will be visible advise you will be seeing this black thing around it, So in order to do that, just head over to the layers panel and guys, if you're not able to see this list panel does Goto Windows and select Lius. Additionally, you can press F seven Which of this shortcut? So I'll go to this layers panel. I'll selling the fog. Overly effect, then go on, blend more and select screen hit. Okay, so now you can see we have applied the screen blend more and there's a very subtle line. It's actually the boundary off the video. Let me just show you once again. So if we change the blend mode back to normal, so this is the particular line. It's basically the border off the video, so we can also get rid of that. Another tip for you guys is most of the time to get rid off black background. We use this cream blend more, but you can also use lighten. It also gets the job done. So in this case, we just play around with both scream enlightened and let's see how the effect turns out. So for the moment on this hit, lighten and hit enter zoom out a little bit and then I'll go over to Windows and select Time Lane so it will create the stain line thing and then I'll hit create video timeline So now, as you can see, our timeline has been created and this is the layer. So this is the timeline, and there are Julia's. One is overly effect, and another one is the image. So let me do one thing. I'll just drag the image layer all the way to 20 seconds. Guys, I don't know why, but I think 22nd seems a very kind of sweet sport for me. You can change this as for you need, But make sure whatever time you're choosing your overly effect is up to that time, at least, which what I'm trying to say is, if you want to make an animation off, let's say 40 seconds, then make sure at least 40 seconds is the duration off your overly effect. Okay, so in my case, it's 20 seconds, so I'll drag it, build 20 seconds, bring the player bar here and hit flea so it looks nice. Good. The only problem is that I need to get rid off this thin lane or border off the video so we'll do that by first getting control or command D. Then I'll make it a little bit bigger. Drag it here and it. Okay, now, let's see. How does the effect look? Um, I don't know. Do we? Very honest, I'm not that happy with this light and blend more. So what I'll do is I'll change the brand more to screen, and I think it should work a bit better. And then now, to get rid of this particular line, I'll go to my layers panel and come down here. Make sure this white full thing is selected. Come down here, click on the second select levels. Now hold your old he And when you see the donut hole, this click on it Now go up here and using this particular slider, we will get rid off that lane. So just pay attention. So just watch on this very closely. Okay? I'll go here and I'll try to increase it. A bad gone. Perfect. So now the line has gone, and now it's timeto play our animation and have a look at it as to How does it look on right now? The size off. It is kind of small to me. So And come to the last panel, select my fog, or will it effect then hit control command T make it bigger at the same time, I'll rotated. Uh, I don't know. How does it look? But let's see. How does it look now? I don't think it's looking good. So we want rotated. We'll just keep it this much on and we will play the video. Not looking good, guys, I'm very this morning. So what I do is I'll just play the video and try to look for better fog other than this one . So I think, uh, right now I'm getting good fog, so I just come here and short in this still here. So basically, I raised this portion of the fall, which I don't thing was working. Fine. Now I just drag it back to here and let's see if it works now. Let me displayed once. Yes. Now I think it's working. Let me just move. No, it should be down here and sighs even this inaudible king. So we will. You know why I think it's working. So that's what we need to do. Sometimes we need to play around with transformation sometime with levels opacity. So you have to find that perfect condition where you think it's a good to go So right now I think it's good to go. And 14 this make this animation off up to 30 seconds because I am allowed to do that because my effect overweighting I think it can go upto 90 or 100 seconds. So in that case, I could make my animation longer as well. So once everything is done this come and click on this, I can hit Render we do give this thing a name so I limit the fog. God, select your folder. Select Fuller. Leave all the settings as it is. Make sure the resolution is as equally same that you have chosen in the beginning Make sure work areas selected on everything is good to go head Rendah. Depending on the configuration off your PC and Mac, the render time could very on. It will take some time so I won't be boring you with it. So I'll come back once it's done. So it is. Then let's take a look. How does it look? Finally. So this is a video and I was hit. Play. Okay, Nice. So it's kind of giving very winter feeling that this car is lying around somewhere where it's very foggy on its in the middle of the road. It looks good. I am satisfied and happy with the result on this fog. Okay, so that was it for this lecture. I hope you enjoy it and learn something new. Make sure download all the resources and practice to perfect. I will see you in the next lecture, so thank you so much. 10. Particles Effect: Hello and welcome to the cinema graft masterclass. So in this master class, we're going to learn How can we make a cinema graph using a particles effect? Overly So before we proceed, I request you to download the resources, which is an image and the effect overly from the download's section off this lecture. So I assume you have already done that. So now let's come to the fore shop and this is my for the shop. I'll hit, create and I'll take the resolution. Same. My good old 10 a drop by 1350 pick cells, which is the elongated A resolution for Instagram as it covers more screen space. Then compared Toa Square Forced I'll hit Create. Now let me go to my computer where I had the image Storia So let me just drag it and bring it into for the shop I had endo on. I need toe fit this image in the canvas properly so I'll hit control and command t Andi. Before that, I would like to give you one quick tip. If you're using for the shop 2019 then toe transform any image uniformly All you have to do is just hit control and community, as I just did, and then using the mouse. But just drag any off the corner off the image, and that should transform the image properly earlier. What used to happen is before you know, before this up 2019 version, that is, if you were using Adobe 2017 18 16 and so on. What we had to do was we had to hit control or command P, then hold down the shift key and then only we were able to transform it uniformly. Otherwise, if we were not holding this shift key, what was happening was just have a look. It was going, Hey, we're like this. So this is what is called not getting transformed uniformly. So now if you want, you know, before the shop 2019 or above, you need not hold on shift key. You just dragged the corners off the image and it will transform it uniformly. So that's the new update in order before the Shop 2019. Anyway, let's get back to our project. So Al it control command T, and I'll just make sure it fits the canvas now, as you can see, it's already are very beautiful picture. And there couldn't be a better effect than the particle effect for this one because there's a huge portion off this picture, which has sky in it. And sky, as you can see, has a lot of stars. So the particle effect that we'll be using it's also very similar to the star overly effect . So I can very easily say that on this image, both the effect overlays can be used, which is the particle effect and the stars effect. So, for this example, will be using the particle effect because I've saved these stars overly effect for another project, which I'll be showing you very shortly in some other lecture. So let's go back to the Ford Nowhere. I have saved the particles effect overly so this is the particle overly effect. I'll just drag it and bring it into my photo shop on display. Sit here, I'll hit enter. So now first things first we need to do is we need toe. Come here in the Lius panel here, make sure you're effect overly is selected and go to the blend more section and Jews cream So as soon as you chose screen the black thing that was here, I'm sure you once again the black thing that it was here and vanished on. We're only left with the particles. So now I'll go up here the windows, and I'll choose timeline. I was hit. Create redo timeline. And as you can see, let me just zoom out and to zoom out. You have to choose in this slider here. And as you can see, the timeline, the duration off, the overly effect is huge. It's up to around 40 seconds, which exactly we do not want. If you wanted, you can do it well and good. There's no any issue with that. But I personally would like to do it just for the purpose of this tutorial up to 20 seconds . And also, I think, during the second is Ah, good sweet sport for posting it on social media. And anyway, on Instagram, if you posed any kind of video or animation off this sort, it will automatically get looped into by default. So I listened. Drag it on, bring it till 20 seconds, and also I dragged my Fourtou the image 22nd and make sure both off them aligned properly, battler to each other. Now let me just grab this play head and play for you guys and let's see, how does the effect look? So I think it's because the video is a bit heavy. Could be so the force of is taking time to render or buffer. So in that scenario, you can always manually click on this play head and drag it to see the effect. Now I can definitely see the effect, but it's only around this area because this is the area that is covered by this oval effect so we can simply increase it always. I have a bad idea we can simply rotated on. Here's a quick tip for your ways while rotating. If you want to do it freely, you can just do it with the mouse button like this. But if you want to do it precisely at 45 degree angles accurately and hold on the ship Burton and then try to rotated, you'll see it start dating exactly at 45 degrees. So once I'm here, I'll hit Enter as Zoom out a bit on the way to zoom mode is just hit Zed, or you can choose this Aiken and then with this Eigen selected, click the Left Most Button and drag it to the left, so it'll zoom out. And if you drag it to the right agents woman. So this is called scrubby Zoom. It's a very helpful feature when you're zooming. So at the zoo moat, elite control command T. I will make it a bit bigger so that it covers the entire picture and hit. Enter, zoom in, and now I will try to believe this. So I think it's looking good now. I wanted to be a bit more visible, so for that you can just go to the last panel. Make sure this is selected. Come here down and Jews when brightness and contrast Leah and then right, click on it and choose create clipping mosque. Now I'll go here and increase the brightness off this a little bit. Andi Crazy corn Trust off it so it will make this thing a bit more visible, which is exactly the look that we are aiming for. So once it's done, you can just come here and click on this icon Yah! So I'll just click this Aiken. I'll hit. Render we do. I'll give this a name. Let's call it Party Girls Sky Andi. I'll select before the select folder and leave all the settings as it is North. Gene Any settings? Meet another media in Gorda. Explain to 64 preset, high quality and so on. One thing you have to keep in minus. Make sure this resolution is exactly what you have chosen in my experience, a couple of time. It has happened that at the time of for rendering this video, the resolution was changed to something else automatically, I don't know how. So that is the reason why and stressing on this factor again and again in every lecture that please do pay attention to this resolution because you don't want for short chains resolution to its own liking. Okay, so once that's done and also make sure that range is work, Area one stands in. Let's hit Orender now. Depending on the configuration off your PC or Mac, it will take time to render the more faster computer. Have the lesser time it'll take, so it will take some time. So I disposed. Ever do her and come back when it's done. So it's done. Now let's take a look at the final result. So this was the image that we started with. And this is the animation that we have come up with. Let's display and see. Nice. Very nice. It's way better than any still image that you see on social media. Okay, so that was it. I hope you got some value from this tutorial on. I hope you learn something new. Make sure you don't know all the resources from the download section off this lecture you practice it perfected, shared with difference. And also on social media. I will see you in the next lecture, so thank you so much. 11. Fire Effect: Hello and welcome to the cinema graft masterclass. In this lecture, we're going to learn How can we make a cinema graph using, ah, fire, overly effect and an image. So before we begin, I request you to please download the resources from the download's section off this lecture , where you'll get an image on an overly effect. So once you've downloaded it, let's get started. So I opened up my photo shop. I let create new on the stained. The resolution that I'm going to choose is 1200 by one Tuesday original. So as we have discussed it earlier, there are many resolution that can be used for your social media posts. Normally for a square post, I used 1200 by 1200 which I think is pretty good as compared to 10 a drop by 1080 pixels because I generally felt that the quality off the image comes out very crisp and clear in 1200 by 1200 pixels. So once done, I hit create. Now I'll go to my Computers folder where I have stored the resources. So this is the image, so I'll just drag it and bring it into my document. So as you can see, the white empty spaces are owned This picture also, we need to completely fill it for that. I let control or command de Onda just this thing into my document. Now here's a quick tip for you. If you're using auto before the shop 2019 then to transform anything uniformly, all you need to do is just hit control, command E and using a mouse, you can do it uniformly as you want. But if using the previous versions off alot before the shop like 18 4017 16 and so on, then you need to hit control a commodity. Hold your shift button and then drag it all the way to up or down where every water hit enter. So as you can see, this is a picture off really nice Coppelia who are enjoying a very nice bonfire under a blue sky. So the idea is to create a fire animation in place off this. But before that, I need to get rid of this static fire because otherwise, if he applied the effect to look very unreal, I just show you so I'll go to the folder where I have this fire overall effect, as we did with the image, will just drag it and bring it into my for the shop. I let ender I'll go to the Layers panel and guys, if you're not able to see this lease panel, just come here to Windows and make sure this list is selected. Additionally, you can also press F seven, which is the short cut key off less panel. Okay, so make sure this is selected and go to the blend more on hit screen ender. So what destined was previously? If you remember, there was this black kind of thing in the overly effect. Basically, it's a video. It's a video with a black background, and we only want the fire for that. We need to get rid of this black thing. So we used our blending more, and if you go into this thing, you'll see a lot of blending modes. You can try it one by one and see the result Generally. What we do is if your background is black and you want to get rid of that background, we use either screen or lighten for most of the cases I use Scream. So that's what we did help. So I'll select, scream and hit Enter and show you once again without zooming in. So this is the normal, Leah. Now I'll go and select screen. So as you can see you the black thing. Yes, vanished. Now I need to properly position this so I let control command e and drag it here and transform it and try to bring it as close as I can. And as Riel s possible toe this place, I think that's pretty good. And that's good to go. Now I'll go up here to Windows and I select timeline. So this has created a time. Anything I'll hit, create Redoute. I mean, so this is my image. I need to drag it. Otherwise it won't look good, So I would drag it all the way up toe 20 seconds. I think that's a sweet sport for me. And using this little pretty I can you can zoom your timeline. Zoom in, zoom out, Zoom in, Zoom, zoom in. So for now, I'll keep up with this one. Now I'll quickly scrub through this bar and see so guys as I had said, If you're not going to remove the static fire, which is behind which basically is the original image, the effect is going to look very, very unreal. So as you can see here we have the pretty nice, overly effect off fire, which we have added. It's looking very real, but the static fire behind it, it's ruining the effect for us. So first we need to get rid of that. So how are we going to do it? So I'll come here to the Layers panel. I'll double click on this icon so it will open the image in a fresh new document. For now, I think I need to get rid of this timeline because I don't need it. So just go to Windows Timeline while it said and zoom it. So I think to remove this, I we need to use couple of tools. And as we have discussed in the previous lectures in the beginning there, there's this thing called content aware. So we'll use that. So I'll hit L for lasso tool and draw. Uh, need selection around this, then I'll it right. Like Phil, Make sure content aware a circular It Okay, and let's force up do its magic. So and then hit control or command Be. As you can see, it tried to do a good job, but it kind of field, so we'll try it. Once again. I'll hit L. I'll draw selection around it. Right click Phil content aware control of humanity. So as you can see this, it's not probably able to do it, so we have to do it manually. For this. We're going to use the stool called Clone Stamp, too, and you can adjust the size of it using the bracket buttons on your keyboard so the ideas will copy one particular patch, often area and paste it on to the other patch, which is our destination, or basically the place that we want to fix. So I think this black region is very good on it. Looks good enough to be pasted from sort of those. I'll hold old and click the right mouse button and drag it all the way to the up. That will make my brush very soft, and that's exactly what we want. I think that's good to go. It's making bigger time to go beyond Pace it, so I'll hit Old and Gloria and based it, I'll again come here. Hold old click ones, Gloria. And based it. I can also do it from here. So I think I need to do this couple of times before we can see our image getting fixed. You know, a lot of time content aware does not work. But till the time there was no content aware. We used to do using this method move. That was a lot of work, but I think it has speed off. So I think it looks good. So once here, then just hit control or command s. So whatever we did in this particular document, which was open after we double click. So it will be saved in this document and then just hit control or command W Now we're back to our document here. I need to open the timeline because we have closed it. Thought Lane. Yes, it has opened. Now, if it's Crabtree, you can see easily that the effect will look very, very. Really. Let's go back to the big name. Let's see. Perfect. This was exactly the look that I was aiming for. I'll go here up till 20 seconds and shortened my imager. I'll also reduced the length off this clip. So there's our animation off. 20 seconds. You go to this, I can and make sure loop playback is checked. That way, you're an emission will play in a loop in 40 shop and instagram. You need not worry because they're by default. All the reduce play in a loop, so lets us have a look as to when the video ends and starts again. How does it look? Is there any kind of a Jetta or any kind of a pause? So I'll bring the play head bar here and hit space. Well, that was very seamless, if you can. If you can see this at played once again when it enter and starts playing here from the beginning, the transition is very seamless, and the user is not able to tell if the video had stopped and played it again. So when we make animations and cinema graphs, that's exactly the kind of seamless transition that we're looking for. So I lured once again. Let's see island space, while perfect. So once you're good to go, you can come on this Aiken and click on this hit Rent a video. So here you can enter the name off your file. You can select the folder we wanted to be stored and then just leave. All the settings are adobe media encoder. Format quality should be. I make sure you have the same resolution that we had chosen in the beginning. Frame rate should be 30 as it is and just leave all the options as it is and hit Orender now, depending on the conflagration off the PC and the size off the document, it will take some time. So I'll just get back to you ones. It's done well, so it's done. So let's check it. So this is the video. Let's hit play Perfect. It looks very real. And at the same time, it looks very catchy. So that was it. That's how we make a cinema graph using fire overly effect. I hope you learn new things and find this lecture very enjoyable. Make sure you download all the resources in the nano section off this video and practice it at See you guys in the next lecture. Thank you. 12. Fire Embers Effect: Hello and welcome to the cinema graph Master Glass. So in this lecture, we're going to learn How can we make a cinema graph using fire embers over the effect inside off for shop? But before we begin, I request you to please download the image and the overly effect from the download section off this lecture. So once that sun, let's get started. So this is my for yourself. I'll hit, Create new and the resolution for this is again I'm going to use 1080 on 1350 It doesn't really matter what resolution you use as long as you know what resolution is good for your project. So I'll hit. Create. So I'll go to my folder where I have the image of this. Click it and drag it into four to shop and bring it. Let me just fix it first. So I let control command d pulled or key and dragged uniformly hit control or command key and drag it to make it fit perfectly. That's good to go. Yeah, Now well again. Good with folder and bring this fire embers overly effect and drag it here Now. Firstly, I need to change the blend more off this so it will be screen, as we have discussed in the previous lecture. Also now I need to go toe windows and click on timeline. So to bring on this time and click on create Video Time Lane. Now let's just play and see How does it look? So as you can see it here, it's playing somewhere around here, so we need to change the position off it before that. Let me just drag it all the way till 20 seconds because I think the animation for 22nd is good enough. Then I'll go to less panel. Click on this effect. It controlled command T and try to make it a little bit bigger and drag it and bring it. And this situation because all the action is taken place at this area, so it makes sense. There are overly effect is exactly around this area. Only now if he played through it, you know, I think it does a good job. Let me just increase it all the way to the up and see how does it work? Not bad, but the only problem that I see is it's not quite visible. So for that I will go to the layers panel, make sure this is selected and come here and click on brightness and corn Trust and holy or key. And when you see this down, Adam, he too left most button. So that will create a clipping mosque. Meaning whatever changes with me to this brightness and contrast will be affected. Do only this particular earlier and not on this little. Okay, I'll come up here on. I will try to increase the brightness, abed and decrease the corn trust a bit. Yeah, I decrease the gun trust. Now let's see. That's very good in us. Made are tremendous change. Now all we need to do is so I think it's doing a good job and we can always player on with capacity as were discussed here. So make sure this layer is selected and go up here. It'll capacity click on opacity and try to decrease it and see what exactly you find your sweet sport. So I think this looks really good, according to me, in my opinion, and we need not do this much. We can listen the size off a little as you can see all the lives are not off complete length this particular earlier, which is in the middle for slightly shorter than the other do. So we'll just take it forward and make it all off. Same length. So let's play it once again. Pretty nice. That looks really, really good. Now, if you want to get a bit more creative, then you can come on this panel. Click on this layer. Select this Aiken and click hue saturation. This is the hue saturation live now, using human saturation, you can change the color off your fire embers, which I think does not make sense. But just so you don't get creative and try some new ideas, we can do this so I'll go here on you and as this dragon toe the left Now it's in the blue color. If you can see it's coming us pink. Hello, Dr Yellow, Green, blue on with the saturation, you can increase or decrease the intensity off that color. So let's see. How does it look if we keep it very breakable? Okay. Somewhere Salis and drank this play in part to help, and I'll hit please. So I don't think it's looking good, and it's better for lead this hue saturation thing. So while this click on this and hit delete, I think we're good with the naturally original color off the fire embers, and we should stick to that only. So when everything is done, you can come here on click on this Eigen hit Render video. Now you can give a name off this file so I'll just give it fire embers. I don't know where this one came from. Select folder. Okay, leave everything as it is. Just make sure the resolution is what exactly were taken in the beginning and ranges. Work area. It render now, depending on the configuration off a PC and the size off a document, it might take some time on to speed things up. I'll just get back to you when it's done. So that's complete. Let's take a look at the final result, so this is the final result. Let's hit, play and see. How does it look? Wonderful. I just love it, you know, although it's very static up here, but it gives a feeling that the person is in some kind of a factory where there's kind off Ireland work and a lot of work related toe metal is going on. So, friends, that was it for best lecture. I hope you learn something new. You enjoyed this lecture and makes you download all the resources and practice it. I'll see you all in the next lecture. Thank you so much. 13. Rain Effect: Hello and welcome to the cinema graph Master Glass and this lecture We're going to learn. How can you make a cinema graph using the rain? Overly effect now for this, abusing one image and one overly effect off rain, both of which is available for you to download in the download section off this lecture. So I request you to download that so that you can practice along with me. Okay, so let's start. So I just opened up for the shop. I'll it create a new document, and the resolution I'll be taking is 1080 by 1350 How more points? Forgetting Because, as I've told you, this is the resolution, which I choose most of the time whenever I'm making any social media post, because this captures a very good amount off screen space on Instagram. So I'll hit, create. So let's go to the folder in my computer, where I have stored the image and the overly effect. So I just drag this picture and I'll just play Sitio. So, firstly, I would like to say this picture is a very nice it's off. Very good quality and even there's a very good religion that has been done. This is a beautiful woman on. After we create an animation, it would look as if we, as a viewer, are looking at this woman from inside off a window and outside. It's raining. So because off that rain, rain is falling on the window screen on, we are viewing the lady from inside off our house. So let's just say it. So in this particular example, I'm going to use the window rainfall effect. So let them to the fordo where I've stored this. Perfect. So this is the effect allergist Dragon Tail and place it on my document. Now, as you can see, it's related Lee smaller compared to a picture. So we need to make this big so I'll just come here to the layers panel here. Andi, if you're not able to see this little spaniel just hit F seven or go up here toe windows and choose Lis, so I'll come here. I'll hit Control Command D. And here's a quick tip for you. If you're using or no before the 2019 then to transform your image uniformly, all you need to do is just dragged the corners off. The image on the rest will be taken care of by for the shop. But if you're using previous versions of yourself like 2018 17 16 then to transform any image uniformly, you need toe hit control. C. Hold the shift key and then drag it the way you want. Okay, so we are are not before it's up to the 19. So we need not hold the shift key. Okay, so now that we have transformed the image toe Freddie Canvas properly, we can go out here in the layers panel and click on this, blend more list and choose screen. We could also experiment with lighten a couple of fine light and works very well. But for the most, off my tutorials and my projects, I use cream hit ender, and now you can see it has taken its effect. Now we will goto Windows and Jews timeline. Now we'll choose your create video timeline and using this little icon Wigan zoom out. So, as you can see, the effect is around 16 seconds, so we'll just make it 15. I don't know. There's no reason for that. I just did it. Our randomly and then extend this picture. Tell 15 seconds and make sure and make sure we have a line both off them properly parallel to each other. Once that is done, we will play and see if it is working properly. I'll hit Plea. So I think, for the shop is taking some time toe buffer. So in that case, what we can do is we can manually click on this play head bar and this drag it and see additionally, if you come across any such issue with playback, you can hit this little icon here and you can choose a lesser resolution for this to work. Now let us try and see if it works. So for the shop is buffering. So for some reason for showbiz sticking a lot of time to buffer. Anyway, that's not an issue. Weaken. Just scrub it and we can see it manually. So exactly this is the effect that we were going for on. We have achieved that effect a lot of time. If you have noticed, it also happens that the rain, which is falling it falls. Oh, at around 45 degree may be, which is a bit slammed so to achieve that look, what we can do is go out here in the layers panel, click on this rain Lear hit control commodity and rotated slightly a little bit. Not much, this little bit his ender and now see this thing. I think it looks much better with this slant thing, so the force of is still not playing. But anyway, once it renders into look perfectly and there's no I've got an idea. Since it's looking so beautiful, we can make it even more cinematic. And for that, all you need to do is just add one nice deck steward. So this go in the last panel click on this D I can is the text tool or simply hit P on your keyboard and click here on Let's just type something so diaper and and I'll go here up in the windows. I'll select the character. So from here we can make changes to our text. So on decrease the tracking, so select this layer it control command. Be make it a little bit bigger Hill. Bring it till it ender. Take another text layer and type. Let's say rainfall it controlled Monte. Make it a bit bigger Hill. Then come to loose panel, select both of them and the background little and then go up here and then click on this Aiken, the move tool, and then hit this Achon. So what will this do? Is it will place more detects layer exactly in d middle with respect to this background. So I'll just make some adjustment. I'll move this rainfall a bit up here cilic rainfall and increase its tracking toe around 200. I think 200 is bit more, So I need to reduce it. So I'll keep it 100 hit and, uh, and then again align it in the middle. Make this d bit shorter. Increase its tracking toe around 100. Andi Yes, I think it's good to go. Yes, And yet don't forget on this time. And also you have to make the length exactly as the other lists. So now let me just scrub and see. How does it look? Very nice. And also to add your branding, you can add your social media handles or your local. Now, once it's done this, come to this Agon, click on it and render video on. Let's just give this a name, so I'm calling it Go green on. I'll choose the Destination folder Select folder on Do Not Touch any of the settings under sleep with As it is, just make sure work area selected High quality is selected here. You'll see a lot of options, so choose high quality on. Make sure you have the same resolution as the resolution of the document, which we created in the beginning Off this lecture. Once that is in hit Brenda now, depending on the configuration off your PC, it might take some time. The better computer you have, the lesser time it will take to export. So I'll just pause the video right here and come back when it's done. So now that it's done, let's see. How does it look? So this was the initial image that we started with. This is the effect that we have achieved, so I think I'm liking it very much. And if you pause this on social media, you are definitely going to grab attention off your audience, that's for sure. So that's it for this. Like you guys, I hope you enjoyed it thoroughly and learn something new. Go ahead. Practice using the resources in the downward section of this lecture Andi shared with the friends annals on social media. I will see you in the next lecture. Thank you so much. 14. Lights Effect: Hello and welcome to the cinema graph Master glass. So in this lecture, we're going to learn How can you make a cinema graph using lights? Overly effect? Yes. Until now we have seen the lot off overly fixed like broke a fire fire embers, fireworks for etcetera And now we're going to learn. How can we do the same with lights? Overly effect. So before we begin, I would request you to please go and download the resources from the download section off this lecture. So once you're done that, let's begin. So here's my for the shop. I'll create a new document and the resolution will be 1080 by 1350 Resolution is completely up to you. It depends on the project. You are working for all the social media post that you'll be making Beard Square or elongated like the one I'm going with one's roads by 1350 So we're totally depends on you. So once you have done that would create. So this is my canvas. Now let me go back to the folder where I have stored this image. So here's the image. It's off a couple against a very beautiful sunset holding a nice umbrella. So what I'm going to do is I'm going to stretch it so that it fits my canvas. I'm going to move it a bit down. Yes, exactly. Now here's a quick tip for you. If you're using a know before the shop 2019 then to transform any picture uniformly, All you have to do is just hit command Control P And then with the help off models, Burton. You can drag any off the corners and it'll translate very uniformly. But if you're using a little before the shop off earlier version, like 2018 to down 17 16 and so on, then to transform anything uniformly you need toe, hold your shift key and then along with that, dragged the chorus off the picture. So that's some new update that has coming ago before the job. 2019. Okay, so let's begin now. As you can see here, this is my layer. Now I'll go back to the folder where I have the light effect, so I'll just drag it and place it on top of this. So right now, as you can see, this is a layer which is very colorful. It's very bluish in nature, along with a couple of bouquets. Fighting this overly off life will go very nicely with the image in the background. So first things first will go the windows and, well, choose a timeline Andi will hit, create video timeline. So this is our overly effect. So right now the overly effect is in it. Normal blend more so the chain that will go here in the last panel else like this overly effect and I'll go here and change it to screen. Let me also try lighten no light and is not working. I'll go with screen on, as you can see here very minute. Lee. There's this particular line, which is the border off the effect. So in a couple of minutes we'll be getting rid off that also. So don't worry. Now let's come back here to the timeline, and I want this an emission to be off 20 seconds. Oh, sorry, I don't have that because the effect itself is upto around 15 seconds. So let's just do that. Only we'll be making our animation for 15 seconds. That's completely fine. We could have also done it like we would have made it for 10 seconds and then played it into loop. But if it's already till 15 why should we worry about that? So I'll just take this Big Julia and drag it all the way to the end on while dragging, make sure it's aligned properly with each other. It should not be like this or like there's something like this. Okay, so that thing you have to keep in mind. Now I'll come in the last span. Ilia and I will click on this Aiken and choose one levels Lear and on a helpless or key. And when you see this down, everything, I just click on it. Which basically means that whatever to India's, I make on this layer that will affect only this layer and nor Delius below it. Another way to do the same thing is true. You first. Let me just do this. So to do this this right click on this and click on create clipping mosque. So it does the same thing as we did using the old key. So I click this. So now you see this at all. Okay, now I'll go up here and using this later off this particular thing, I drag it to the right and let's see if it is is the boundary of this effect. So I'll go here and a lot. So you just have to find that sweet sport. So I think, yes, that's about it. Now I need to place this effect properly. Right now. It's in the middle, so I'll go to the Layers panel. Here I click on this one. I'll hit controller to Monte. I'll make it smaller and I'll place it right here where the couple is. I'll make it a bit shorter hit. Enter now. As you can see, it's bluish in color, so we need to change them. So I'll come here in the layers panel, so I'll click this layer. I'll go down here and make a hue saturation. So what this hue saturation is? Basically, you can change the color using this Hugh slider. Using the saturation, you can increase the intensity or decreased the intensity off that particular color and lightness is. You can increase the brightness or darkness off that color, so the first thing is will be playing with this you and try to match it with this off yellowish background in this picture, so we'll just play with it and see where does it exactly look yellow Wish So I think if you drag it all the way to the left, it is kind of very yellowish now will come to the saturation and try to decrease its saturation to make it match perfectly perfect. This is such a seamless I think I really love it. Let me go here on the timeline and just try to play it and see how does it work out? So I'll just drag it her and, uh, on displayed Let me this zoom out a bit. And so although we have it raised the boundary off this If Ignatz and you can see a shop got here So let me do one thing. I'll go in this layer section year and flick on this hit control commodity and it's so dated so as to hide that thing. And I think that's good. I'll move it, make it a bit smaller. Yes, and move it a bit here and Lemonis rotated till, uh, yeah on Bring it. Let me just throw did it here. If you can see, we still haven't got rid off this shop. End off this overly effect. So now what I'm going to do is again go back to this levels, make sure you click this, then go to the top and we'll drag this slider again to the right. Give it even more effect so that the boundary which we're trying to get rid off will vanish . So we'll just click on it and drag it to sea. Yes, that's perfect. So now it has gone. Now I'll select this one, control t and move it here. I think. Yes, because earlier it was placed exactly on the faces of the couple, which is not looking good, so I just had control. T. And I just brought it a bit down exactly where this particular hole is. If you can see this, this particular hole, Yes. So let me just scrub through the timeline and see How does it look? Perfect. Awesome. That looks really nice. So once you have done, just come to this Aiken, click on it. Head end video, give this file a name. I'll give it, um, a couple light. I'll I'll also choose the folder. Border is this one. I'll hit select folder. Leave all the settings as it is to it's default on. Make sure you have the resolutions said Exactly that you want on Dwork area should be selected Hill and hit Orender. So now, depending on the configuration and specification off your PC or Mac, it might take some time. And the better specs you have in your computer, the faster it will render. So without wasting my time on this, I just cut them. We do here and come back when it's done. So it's done now, Now let's go and check. How does it look? So this was the image that we started with Andi. This is the result. And this is the reason that we have gotten so let displayed and see. How does it look? This is looking very beautiful and especially because off that additional bouquet thing yeah, so I am completely satisfied with it. So that's it for this lecture. Guys, I hope you enjoyed this lecture and learn something new. Make sure you download all the resources from the download section. You practice it to perfection and then I'll see you in the next lecture. Thank you so much. 15. Lightning Effect: hello and welcome to yet another exciting lecture off cinema graph masterclass. So in this lecture, we're going to learn How can we make a cinema graph using the lightening effect? Yes, the lightning, which we see around thunderstorm Before you proceed, I request you to down or the resources from the download section so that you can practice along with the lecture. So once you have downloaded, just opened for the shop and create a new document in this case, I'll be creating a 10 angel by 1350 image because the picture that I'm using for this example is a bit elongated. It's in the vertical form. So that's why I wish to go ahead with this resolution because it occupies a larger screen space vertically compared to a square post on Instagram. So I'll hit, Create. Now let's jump into the fold over have stored my image. So this is the image I live in, Uh, and first I need to transform it so that it evenly acquires the entire space on the canvas . And to do that, I'll hit control and commodity on. Now here's a quick tip for you if you are on a low before the Chef 2019 and above all, you have to do it. After clicking controller, community is dragged the cornice off the picture, and it will transform uniformly. But if you're on a know before the shop earlier versions like 2018 17 16 and so on, then what you need to do is hit control or command V holy oh shit, Britain and then dragged the corners off the picture. Then it will transform your family if you do not hold on the shipment. And this is what's going to happen. And this is the mistake that a lot of people bigness, especially due in for a shop, which I do not want you to do. Okay, so having said that, I just fit this image properly. And as you can see its image off this woman in a grass field with a very cloudy with their very black clouds, and it looks as if there's some lightning going to happen. So it's very important that before you make any such cinema graph off lightning, your picture should also be related to that. You cannot have a very sunny, bright picture and put lightening effect into it that will look very vague, very absurd and out of place. So I'll again go to the folder where I have my lightning overly effect stored on. I'll just drag my desired effect onto for the shop and just bring it here now. As you can see, this black bar is making the lightening effect not visible. So we'll fix that by going into this layer panel and gives if we're not able to see this less panel. You just goto windows and through this layer option, so we'll select this layer going to the blend mode and choose screen hit Enter. Now, however, Children screen. So what it did was it got rid off that black background and whatever is left besides that white background, which is the lightning effect that is retained. I'll show you once for that. I need to create the timeline so I'll go up here in Windows and click on timeline hit, create redo Time lane and using the small I can I can zoom in or zoom out, so I'd like to keep here on. Also, I'd like to keep the duration off this animation until dancing and because the other 10 seconds is a green screen, so I don't want to make this lecture very complicated. Well, so right now we're just going with this black background effect with lightning in it. And then I'll drag the this layer, which is my image layer all the way up to the end of this one. I'll see. Right now, this lightning Leah is in its normal blend more so you can see the black portion. So if we scrapped through the time line, you will see so ideas to retain this lightning without having this black background. So in order to do that, just head over to the layers panel and click on this blend more list and click screen hit and the So now you can see it got rid off that black thing. Now all we need to do is place it properly so that it goes along well, so select this, Leah Control or command V make it a little bigger on. Just have a look as to where exactly does it fit properly? So, in my opinion, the endpoint off this should exactly meat off this division between the grass and this guy that makes pretty much sense. So I'll hit Control Command P. And I make this up to here, I'll scrub in the timeline. So now, as you can see, when it's coming at around nine seconds so we can see the shop boundary off the overly effect. So to get rid of that, what we can do is head over to the less panel. Leah, make sure this is selected. Come here. Don't click on this. Aiken hit levels now when new endorsement earlier off levels has been created and we need to make changes off it so that this particular gets affected and not this one. So in order to do that, click on this one right click on this one. Go to create clipping mask. Additionally, you can hover your mouse over here. Hold on the order than in your keyboard. Bring your most little bit down and you can see this down Everything. The moment you see Desprez de left most button, so it will create a clipping mask. Now, using the levels here using this later, we're going to remove that sharp edge off the overly effect. Just have a look. I'll drag it to the right and it has gone toe a very good level, so I think it is not that noticeable. Another way to get around this is covered to less panel. Select your image layer. Now take one lasso tool hit l and create a selection around this hit control or command G. And now you can see there's one newly a, which is the hair selection that we just did. Place it on top off the lighting effect. Here's one more way to get around this. Come here to lay a panel, make sure your imagery re selected, then hit L, which in the short, careful, lasso tool. And let me just zoom in a bit and create. Try to create a selection around here which will cover the lightning. Now, once you see this marching and lines just hit control or command G. Now, as you can see, there's one new live, which is the new here lead that we just created slide it all the way to the up. So this particular Leah has in placed on top off all the less which is the lightning there . So what this will do is it will hide the lightning, which was falling on the head. I'll show you if we remove this layer, which is if we just switch it off, you can against the lightning. So this is one off the work around. Now let's come here to our timeline and make sure this particular newly that we just created off the hair also starts right from the beginning. Guys are one thing you should always take care off. That is, whenever you're making any animation, so all the layers should align with each other to the same duration in most of the cases. So now if we see this animation, it looks pretty sellable. We can hit, play and watch this, but it will take some time to buffalo in for shop. So why not just the render it and see it later? After eight killing exported. So once always done this. Click on this I can hit render video. I'll give this a name. Let's call it girl Good Lightning. I'll choose. Afford a for it Select folder Andrada Mess around with any of the settings. These settings just pay attention to the preset quality. It should be high, not medium, not low or any of these presets on make sure the resolution is exactly what you have chosen in the beginning. Okay, On another thing to keep in mind is while choosing range, it should be work area. So that's it. Hit a Rendah. And depending on the configuration off your PC or Mac, it might take some time to get exported. So I'll quickly possibly do her and come back when it's done. So it seems to be done. Now let's school and see How does it look? So this was image that we started with. And this is the final result that we have come a with. Okay, nice. That's good. You know, another thing that you can do with this one is if you're using any video editors off like Adobe, Premiere, pro or fine Control, you can also add some thunder sound. Tow it. So that's it for this lecture. Guys, I hope you enjoyed the selector. Totally. You learn something new now, I request you to please download the resource practice it perfected and shared on social media. I'll see you guys in the next lecture. Thank you so much. 16. Smoke Effect: Hello and welcome to the cinema graft masterclass. So in this master class, we're going to learn how we can make a cinema graph using the smoke effect alone. We have seen a lot off cinema graph using the rain particle light for and so on. This tutorial is about the smoke effect. So here I have my four shop open. I'll hit, create new and for this example will be using 1200 by 1200 because I want to make a square post. As I said, it completely depends on you and your project that you're making for so a couple of times I like to make elongated form which is one of the original by 1350 At other times I like square form. So I used 1200 by 1200 on many people also use 10 a job. I went through a job, which is completely fine, but I have just experienced this thing on my own personal front that the quality of the images very crisp and clear when you're using some resolution like 1200 by 1200. So I'll just hit create. So let me go to the folder where I have stored my image. So this is the image that will be working with it already has, um, smoke, which is completely fine. It's hard to get rid of the smoke, so we just let it be there. So I just dragged this image and bring it into my photo shop and hit Endo. So a lot of time, you might have noticed that if you're using our door before the 2019 and when you launch Adobe for this up 2019 you do not see the layers panel, so do not worry. All you have to do is go up the windows and make sure your selected lis so you'll see the layers panel. Now we need to fit this and die image into the scandal so that this white boxes are not left out. So we need to transform it. And now here's a quick tip for you guys. If you're using Adobe for the Shop 2019 then to transform any image uniformly. All you have to do is just had control or command V and dragged the corners off the image. So whichever direction you want and for this awful do the rest work for you, but if you're using or not before the shovel previous versions, that is all the versions before 2019 which is 2017 16 or no, B. C. S. In that case, you need toe hit control command E hold your shift key and then transform it uniformly. If you do not hold on the shift key, this is what will happen in the previous versions. So this is something really new that before the Shop 2019 has come up with. And we all need to thank the developers because it makes life very much easy. So coming back to the project, this is the image that I'm working with. Now. I'll be bringing the smoke effect that will be added onto this animation. So I'll go to the folder, drag it and bring it into for the shop hit Endo. It's as you can see right now. This small effect is not covering the entire picture, so we'll just take care of that very soon. First things foremost we have to do is come here to the layers panel, choose the smoke effect, click on the blend more and to screen his agenda. So the black thing has vanished earlier. It was like this. And after changing the blend more, the black thing has vanished, leaving us with the smoke. Only now I'll go up here on windows and choose timeline and had this created your timeline . Now, using this Aiken weekend, zoom in or zoom out. So I like to keep up to this much. And as you can see, the smoke effect is upto at around 60 seconds, which is pretty long. You can go for it if you want, but I generally like to keep it 20 seconds. I'll keep it here. I'll increase the duration off this image, and then I will try to play it. So I don't see any issue with this. The only thing is that the placing off this smoke oh, is not correct. Because as you can see, you're seeing one very sharp line, which is the border of this overly effect. So to get rid of that, we can come here in the layers panel to smoke, come down here, click on this icon, click on levels. So right now, whatever effects will be applied on this level that will get applied toe the below leers also which is something which I do not warned. I only want the effects to be applied on this year. So for that I click on this right click on this and choose create keeping mosque. Additionally, what you can do is hope for you. Moshe, hold the or Britain, Bring your mouth a little bit down and you'll see this down. Everything, which is the indication off a clipping mosque. And once you see that just had the left mouse button. So now it has created a clipping mask, meaning whatever effect is applied on this one will be reflected only on this layer and not on this layer. So now using levels will go uphill and you see the slide area the steak note off this later . We'll be using this later to achieved the effect that we are looking. So I'll click on this later and drag it all the way to the right while paying very close attention to this sharp line and see if it vanishes or not. So I had this cool here tracking, tracking, tracking, trying, trying, trying, trying, trying, get track it. Well, I had to drag it a lot. Now let's just come to their timeline and try to play this thing. Well, actually, it has completely vanished. So we have overdone that. Let me try with some other. So again, this is also something that we need to keep in mind. Not every effect should be overdone. If you do it, this is what happens. So let's just bring it back here. Let's just delete this 11 slayer now. Now here's a common sense that I'm using you. What I do is I'll click on this layer control Gimondi, make it a little bit bigger and bring it down so that it touches the border off our canvas . And now I will click on this garlic and make it a little bit bigger here and bring it a bit . Dona hit. Okay, smell will come to the timeline here on Let's just hit Plea and to play the animation just hit the space bar. Or additionally, you can click on this icon so I'll click on this wagon and have a look. Okay, I load manually so that it shows me faster, so let us make it a little bit bigger inside, so I'm satisfied with the look that I was aiming for. Now, when everything's done, just click on this. I can hit render we do. Give this file a name. I'm calling it smoke guard on. Choose a folder that you want to save it in on north. Change any of the settings. You can just take a look. This these other exact setting that you want tohave. Make sure work areas selected, he said. Quote. It is high draught. Select any of these presets on. Make sure you have the same resolution that was once all that isn't hit surrender now. Depending on the configuration off your PC or Mac, it might take some time to export the faster ability. Have the listen time it'll take. So I disposes video and come back when it's done and show you the final result. So it's done. Let's go ahead and see how does it look? So this was the image that we started with on This is the final results. So let's hit play and watch this so it gives a very nice, adventurous sporting. I feel so this wallpaper, thereby making it an animation or a cinema graph. So that's it for this lecture. I hope you enjoy it thoroughly and learn something new. So go ahead and practice using the resources in the download section. I will see you in the next lecture. Thank you so much. 17. Bokeh Effect: Hello and welcome to the cinema graft masterclass. In this lecture, we're going to learn How can we make a cinema graph using the bouquet or Boca overly effect before we begin the lecture? I would request you to go and download the image and the Boca overly effect in the download section of this lecture. And once you've done that, let's get started. So here is my for the shop. I'll take a new document and the resolution off. It will be 1080 pixels by 1350 pixels. Instagram has a lot off resolutions, which you can choose from. If you're using a square post, you can make it 1200 by 1200 pixels or 1080 by 1080 pixels. Or there's one more kindof resolution, which is one's original by 1350 This is more often elongated post and in physical, more vertical region off your post as opposed to a normal squared post. So I opened the folder in my computer where the images stored, and I'll just drag the image and just drop it here. So this is the image that will be working with which you can easily find in the download section. Off this lecture, I'll hit Ender. As you can see, there are white left out portions in the canvas, which we should feel otherwise. It does not look very good, so what we'll do is I'll hit control less deep. Now. If you're using a Mac, it could be command plus T. If you're on a PC, it can be controlled. Lusty. Now here's a quick tip for you if you're using the previous version off Toby for the shop, which is earlier than 2019 that is, if you're using or no before the shop 2017 18 16 and so on, Then to transfer any pick uniformly, you have to hit control command Be then hold your shift button off a keyboard and with the help off shift and left Mas Burton drag it all the way to the up or down, and then you can transform it uniformly. But if you're using, although before the shop 2019 and above, then things get very simpler. All you need to do is hit control or command T than you need not hold on shift key. You can simply click the left mouse button and go on with transforming your image. So that's exactly what we did here. Al it. And so this is the layers panel. You can see guys here. The left portion is the layers panel. And if you're unable to see this latest Faneuil, then you can go toe up here windows and click your leers. The short cut off This is F seven. So now that we have got the image, it's time to get the Boca Orb okay? Overly on this document? Well, but before that, I think I need toe alignment. Picture a little bit to the right side, so I let control command D and using the adult. He's nudge it a little bit, right? Hit. Enter allergies that does a moat. Perfect. Now I'll go to the computer for love where I've stored this mocha effect. So this is the full. I'll just drag this and bring it into my photo shop. So this is the overall effect ahead Ender. Now, the first and foremost thing that you need to do is we need to go out and change the blending more off this to screen and guys make sure the overly layer is on top off the picture earlier. Otherwise, we are not going to achieve the look that we are aiming for. Then I'll go to Windows. I'll come down and I'll check this timeline thing. So what this does is to open this timeline window in front of you, where we can use both this layer toe, create us in McGrath. So I'll hit creatively. Do timeline. So this is a diamond. And as we have seen him with previous lecture, the timeline has many layers, and now we're going to play with it. So I'll just drag this photo earlier all the way up to print dissidents. I think when this again is a very sweet sport, and we can make in any animation upto that di imputed. So I'll quickly dragged this and try to see what effect it does. As you can see on the screen, I'm able to see the Boca or Bouquet, but the size off it is very small, so I'll go to the last panel. I'll click on it. Elite controller Command P. Then, if you're using or no before the shop, only press oil key and with the help of most this dragon as big as you want. And if using the previous version of four shop, you need to hold old plus shift and mulls Burton to drag it uniformly. So now that we have and last this Boca, let's try to see how does it look? So now I'll just drag it and see How does it look? Well, I could have played this, but and for the shop, it generally takes a lot of time to get off buffer. So I prefer toe, drag it and see it myself. So I think it looks good. Now I'll take Al voted this layer and short in it exactly upto this point. So, guys, make sure this is uniform. It falls on the same line. So now I'll hit space and see How does it look? I think it looks pretty good, but just a few more things that I would like to do is firstly, I'll go to the layers panel, make sure this is selected the Boca overly then Gordana and click on this Aiken and create and brightness contrast adjustment layer. So this has created a brightness Contras live for you know, holy, all key. And now, if you can see there's a down arrow pointing toward this layer below Have look once again holding oil key and see this down arrow Aiken pointing towards the layer below. So once you see that, I can just hit left mouse button. So now what has been done in this this adjustment layer of brightness and contrast? Whatever changes we make on this one will be applied only to this Boca overly effect and not on the list below, which is this one in this case. So now I'll go up here to brightness and try to increase the brightness and see if it gives me any change. Well, come here. Yeah, I think no. Because of the increase in brightness, the Boca is a lot more visible. We'll also try to play with contrasts, so I'll decrease it a bit. So I think this is giving a nice feel to it. Additionally, you can go here selling this layer and play with the opacity offered. You can decrease it. You can increase it, so if you decrease it, the Boca will be less visible and vice versa. So I think that's a good sweet sport for me. Once everything is done, just come toe this I can you click on it? Hit, render video So this renders We do thing will be opened. Now here, you need to tie the name off your file that you want to save it with. So let's say I'm saving it with girl Boca. You can select the folder off a choice. In my case, it's this for that. So I just select Florida. That's done. Now you need nor chain this you need nor change this. Let it be age 0.264 Preset quality should be high. Saves documents A's and make sure the resolution, which is returning, is exactly the resolution that we look in the starting off the video frame. Rid slivered as it is and basically leave all the settings as it is. In case if it's all frames, you can choose your work area and you'll be good to go. So once you're done with all the thing, just head surrender and just wait for your time. And depending on the configuration off your PC or Mac and also the document size, it could take some time to export the video, and once it's done, I'll show you how exactly it looks. So now I think it will take some time. So I have speed of the video and show you when it's them. So it's complete. So this is a video. Let's see. How does it look? Isn't that beautiful? I just love it, You know, this is the kind of thing, and the length off it is around 22nd which is pretty good. So that was the video. And this was the image that we got started with Pretty good, right? So that's about it. That's how we make a cinema graph using a Boca effect. So I hope you like this lecture and enjoy learning new things. Make sure download the resources from the download section and practice that I'll see you in the next lecture. Thank you. 18. Fireworks Effect: Hello and welcome to the cinema graft masterclass. In this lecture, we're going to learn How can we make a cinema graph using fireworks overly effect? But before we begin, I request you to download the resources which is an image, and the firework overly affect itself. And this can be found in the download section of this video. So make sure don't know that, and then we can begin. So I have opened up my photo shop and I'll hit, create new And this time the resolution which I'm taking is 19 to 0 by 1080 Excel reason being the image which I'm using is, ah, horizontal image on it has the resolution off a full HD. So for the purpose off this tutorial, I'll be taking the same resolution. So I'll hit create. So I'll come to the folder where I have this image located. I'll click it Dragon Tomei for the shop and hit Endo. Now it is not fitting in the canvas, so I let control a command T and I'll make it bigger so that it fits into this canvas. I'll hit V and using the arrow keys, I'll nudge it off a bit up. Now here's a quickly for you if using the adobe for the short version 2018 17 16 and all those previous version. So to transform anything uniformly, you need to hold the shift key and drag it all the way wherever you want. But if you're an auto before 2019 and above, you're not supposed to hold shipped key. You can just drag it using your most, but along with the old key. If you want toe, enlarge it from the center. That said, if you just drag it from the corner until it will enlarge from the corner. But if you're all key and drag it, it'll get and not from the center. So here, as you can see, there's this beautiful picture off this ship. Probably it's in Dubai because we can see here the Bush Khalifa on it looks like it's an evening off new yours because there are a lot of fireworks going on in the sky. So the idea is to create fireworks, but not these kind of static ones. We are making an anime the ruins, so we need to first get rid off the static ones. Otherwise, the effect that we're planning to achieve will not look really. And to give you the reason as to why we're removing the static fireworks is because if you remember the previous tutorials off this fire one, we had to remove the static fire. Otherwise, it was coming in between the realism off effect that we were planning to achieve. So we'll do the same thing here, zoom in to it. So just go to the layers panel. And if you're not able to see this Leo panel just hit at seven on your keyboard, so I just double click on this so it will open a separate document off this image. So using the Content Aware Tool, as we had used earlier, we can remove the so al it l for lasso tool and make a need selection around this right click. Phil, make sure condon a very selected Okay, gone perfect. We'll do the same thing here. Create a need selection around this, right? Like goto Phil. Content aware. Okay. Perfect. Last but not the least one It l make a selection around this. Right click. Goto Phil, make sure continuity selected hit. Okay. Perfect. You know sometime this content where comes as a such a big boon for us. And I really want to thank you know, artificial intelligence and all those people who are behind this technology. It makes a work a lot lot easier. So once it and just had control or command s it's giving me these options to save. I'll just hit, OK? And you are not being asked toe Specify any location folder for this. Imagine, because you know, this particular image is kind off stored inside this smart object that we had created. Okay, so we need not worry. So once you have saved this, just hit control command W on Entry Force and will come back to our original image. Now come to Windows on Select Timeline. So go to the folder where I have the five works effect. Overly. I'll drag it and bring it into for the shop on. Right now, you won't be able to see it because we need to change the blending more off it. So make sure this late selected and click on the list off this, blending more and select screen it end up, I'll come here and drag it to the beginning off this on this effect, it's not that big. I think it's our own 11 seconds, which is fine, because we're going to loop it. So we need to adjust the length off this image accordingly. So I'll take the play head bar to the beginning and just hit play and see. How does it look? Well, it seems fine to me, but I think we need to adjust deportation off the fireworks because some of the fireworks appearing hill don't Andi here, which is not possible. It should always be in the sky. So, Al, come here in the layers panel. Make sure this lay selected hit control command D, and take it a bit up. I guess it end up control command as make it a bit smaller. Bring it here and let's play it again and see how does it look? So I'll hit. Really? So as you can see here, you can see a straight line that was basically the sides off the video of this firework overly effect so we can get rid of that by coming to Leah Span Ilia and choosing levels on this level just go up here and using this later we can get rid of that lane. So listen, drag it. But before that, make sure you hit this clipping mask Aiken for the levels, so that whatever changes we make into this will be affected. Toe this layer only. So I'll come here and perfect. Now, if you see we have gotten rid off those lines, which no more, tell that it was a separate video file on That's exactly what we are planning to achieve. Now let's take the play had were once again to the starting on. I'll hit face perfect. Great and also you can see when never do is ending. And it's again playing back from the beginning. It's looping very seamlessly, so I don't think we need toe mess around with that. So I'll hit, play and see help offically loops from the beginning again. Perfect. So when all is done, you can just go to this Aiken. It render video. Give this a name. Leave all the settings as it is, but make sure the resolution that you had taken in the beginning is same here. Toe make sure work area selected on when everything is done. Just hit Rendah and depending on the PC conflagration or the conflagration off your Mac and the document size. It predicts some timeto export, so I'll just get back to you when it's done. So this is the final result, Elif. Play and have a look at it. Perfect. Very nice. I like it. So this is it for this lecture. I hope you enjoy this lecture and learn something new. Make sure download all the resources from the download section and practice this with perfection. I'll see you guys in the next lecture. Thank you so much. 19. Star Effect: Hello and welcome to the cinema graft Master Glass. No, we have learned so many cinema graph till now. So now is the time to learn cinema graph using the star overly effect. So to begin with, I request you to download the image and the overly effect filed from the download section on this page so that you can follow along with me. So let's get started. So I have opened up for the shop. Andi, I'll hit, Create new again. The resolution I'll be taking is 1080 by 1350 because the image that I am using is in the vertical form, so I'll just hit Create. Now let's get back to the fold over at the image stored. So this is the image. I'll just drag it and bring it here. So I need to transform it so that it fits perfectly onto the canvas. And here's a quick tip for you. If you're using or no before December 2019 then once you have this thing selected using control or command V, then all you need to do is hold your old key and the most button and drag any off the arrows, and it will transform it unique formally. But if you were to do the same thing in previous versions off before the shop, which is all the versions prior to 2019 then what you need to do is hit control command key hole. You shift key along with that, hold the oil key and then dragged the corners off the image. Otherwise, if you do not hold the shift key than this is what's going to happen and this is the mistake, which a lot of big enough for the shop he was this make which I don't want you to make anyway. So this is the image, and if you can see, here's a photographer with a very fantasy looking sky. Firstly, it has been edited already because you can never find the sky with blue and orange astern. But from the artist's point of view, it looks very classy and very cinematic. So the idea is to add some stars onto this guy so that this picture gets a new life. Andi, whenever any of you will will be wearing the cinema rough off yours, it will come across as very intriguing and very interesting. So for that we need the overly effect off stars. So let's get back to the folder where I have stored it. So I'll just drag this effect and bring it onto my document and I'll hit Enter. As you can see, this effect is in video form, which is having a black background. So in order to get rid of that, what we can do is come here to Leon's panel. Click on this Aiken and choose the screen effect, right? No, to see the animation. Let's go up here and the windows and choose time Lane created Do Time lane on using this little Aiken against Zoom in or zoom out. So keep it till and I'd like to keep the duration off. 20 seconds on this particular start effect is pretty pretty, pretty long. So listen, drag it and bring it up to 20 seconds. I think it's still very big, so I need to bring it here. Okay, let's for a change. Let's keep it till 30 seconds and also dragged my photo to the end off the work area. Guys, make sure you are ending both, the less at the same point. Otherwise, it'll soon be mess things up. Now let me describe through and see the effect. Let's this plate. So as you can see the effect off, it is only on this region, not on this region. So how to fix that? So we can fix that by simply going to the Lius panel here on making a public it off it for that hit control J or Command G now keeping this less elected. Hit Control Command E and bring it up here. Hit, Enter. And also make sure this layer is in the starting. The one thing I have noticed that whenever you're making any duplicate layer off any effect so the new copy which gets created, it gets created off the entire length. That was initially in the beginning, so you need to shorten it once again to your desired duration. So now if we see the effect, I'm not able to see the effect in this region. So for that, I'll again create one more duplicate. Lay off this For that, I'll come in this Leah section hit control or command V and again dragged here. Zoo moat shortened the length off this one. Now I can see the document has become a bit heavy, but that's fine now. One thing I'd like to do is and hit control tea and bring it down here. Now let's hit, play and see How does that look? So as you can see, a lot off sparkling and stars can be seen on this rock as well, which should not be the case. If you can see it, are you able to see these shines and all these things on the rock? Ideally, realistically, it should be behind the rock because as a viewer we are facing the rock and we are facing the rock and the photographer first, and this guy is after that. So what we can do is we need to separate this photographer and the rock from the background . So for that, what we'll do is will come here on the layers panel, and we want to make this black even more blacker so that it's very easy to pick up as a selection. So make sure this is selected and come here and create one levels. You can right click and created a clipping mosque, but it's not needed here because below this, there's no any other layers or whatever effect happens, it will happen only on this one. So after creating levels, we can make it more DACA and then I'll hit W zoom in a bit. The blue is the shortcut for magic when and I'll just click here. So in just one click it selected all Delia now was the selection has been made. Come back here to the layers panel, click on the image and then hit control J. So as you can see, a new layer with the photographer has been selected. I'll show you will. If we don't this live off, we can see this. So now that we have got a photographer separated, we no longer need this level thing. And I will drag this photographer Lee all the way to the up because according to the physics and according to signs, we'll be seeing this first and then this guy. So whatever effect is happening behind the photographer and rock and RBC by us. So I hope that makes sense. Now let's display and see the effect. Blame is this. Zoom in and this group through we can see all this time shines and all in this orange area on, not a single on on the blue area. That's because we have separated Delia. So that was the look that we were going for. And now we just click on this. Aiken, you can rent a video, give this project a name Star Sky, Select one folder for this one, then not play with any of these settings. Just leave it as it is. Make sure it's Etch 0.264 The precept is high quality. The resolution is exactly the same that we had chosen in the beginning. Off this lecture, the range is work area. Andi. All of that is done. So here to surrender. Now, depending on the configuration off your PC or Mac, it might take some time to get exported. The faster your PC, the faster will be the rendering time. So I'll just pause the video here until it gets exported, and then I'll come back and show you the final result. So it's done. Now let's go back and see how is the result? So this is the image that we started with a plane, blew an ordinance guy with nothing in it, and now the final result of this one. So let's click and see. How does it look like? Whoa, This looks pretty awesome. And as you can see here stars Old, shining, glittering It looks very beautiful. So, my dear friends, that was it for this lecture. I hope you enjoyed all the lectures off creating cinema graph using overly effect. Now all the lecture won't be useful. Do if you do not practice. So I highly encourage you to go ahead and down all the resources from the download section on this page. Practice said perfected and shared on social media. And I will see you all in the next lecture. Thank you so much. 20. Sparkle Effect: hello and welcome to the yet another exciting cinema graph masterclass. So in this master class, we're going to learn How can we make a cinema graph using the sparkle overly effect? So before we begin, I request you to please download the resources given in the download section, which is an image and an overly effect. So once you've done that, let's jumping straight into for the shop. So this is my fourth assault. I'll hit. Create new to create a new document, and the resolution that I will be taking is 10 age grew by 1350 because the image that I'll be using for this tutorial is an elongated one that is in a vertical form. So this resolution is very much suited for those kind off images on instagram, so I'll just hit create. So let's go into my computer for the where I have the image stored. So this is the image that will be working with. So I will just drag it and bring it into for the shop now to fill out this image completely on this canvas, I need to transform it on to do that, all I need to do is hit control commodity. And now here's a quick do for you. If you're using Adobe for the top 2019 then to transform this image uniformly, all you need to do is hit control, a commodity which we just bid. And then you can drag the corners off this image to fit in, perfectly as for your wish. But if you're using previous versions off, it'll be for the shop, which is now before the shop 2018 17 16 and so on. Then, to transform any image uniformly, you need toe hit control, a commodity, hold the shift key and then dragged the corners off the image to transform it uniformly. So once that is done, I'll hit tender. So as you can see, this is an image off a woman who's holding two off the firecrackers in both off her hands. And if you remember the lecture in which we were working with the fire overly effect, we were kind of dealing with the same thing, which is a static image off off fire inside the picture that we need to get rid of properly . Otherwise our effect won't look good. I'll show you how al quickly bring in the overly effect I brought in before the shop. I'll zoom out. I let control or command V. I'll go to my layers panel. Yah, choose the blend more and screen it end up, position it properly. I'll make it a bit smaller so that it fits in properly. And then I'll place it here. Now I'll quickly played for you and show you the imperfection that is taking place because off the already fired image in this picture I'll go up in Windows and choose timeline. I'll hit Create video timeline on If you can see it, Eliza mean for you. If you see the animation here, the lower region off This is not moving, it is static. Just have a look once again. So I hope you got my point where I was trying to say that in order to make our effect very sellable and very realistic, we need to first get rid of this and this. And to do that, all they have to do is head over to the layers panel. Selig deadlier and double click on it by double clicking. We will open its own separate lier because right now, it's in the smart object form, so let me just double click it. And as you can see, a new document has opened with this image. Now we will play around with it and get rid off the firework here on. If you remember, we had used content of their future of for the shop in the Fire. Overly effect example to get rid off this fire because it works very seamlessly. It's very easy as compared to other tools like Clone Stamp or other selections. So I'll just hit him. I'll select this entire region. I'll right click. I'll choose Phil and then I'll choose Content aware hit. Okay, So as you can see, in just a matter of a few seconds, it got rid very properly. And now it's very hard to say that there was something in this region before. We'll do the same thing here also. So here I'll be using the lasso tool. So for that, I'll hit l and create Ah, selection are owned. Are fire oak rightly going it. Click Phil Hit. Okay, so right now, as you can see, there's ah, black patch which looks a bit art. So we will fix it by using the clone stamp. Julia, if you can see this clone stamp tool, just click on it or the short cut off it is s so you can take the size off breast around this much with ah hardness. 0% on. Come on. This here region holder or key, Click on it once. Now come here known and click once. Do the same thing a couple of times. Toe. Get rid off this batch, which looks kind off ugly. It was optional dough, but I prefer to use it because I want to make everything very seamless. So I think now it's good to go. So once everything is done, just hit control or command s so you might see this window this hit. Okay, but make sure you have the quality 12 and maximum chosen year. And the files. I should be large file once you're done, that just hit. Okay? And after that, hit control or command W So now it's time to bring our effect. So I'll go here on this layer panel, click on the overly effect and doing it on. So here's a good thing I'd like to show you if you are able to see this. This was the direction that she was holding a firecracker. And on we tried toe a line this line properly exactly in the same position as the previous cracker that she was Werling. So I just had control or command V. I just bring it here, rotated a bit, Make it a bit smaller. It's under, I believe the Time Lane. Bring it. Bring it a bit down here. I need to increase the sighs off it. So if you take a proper look, you can see the boundary off. The overly effect on that is because, as you early remember, it was having a black background. So basically, this is the edge off that oval effect that we need to get rid off, and it's pretty easy to do. All they have to do is head over to earlier span. Ilia. Make sure your effective selected, then come down here. Click on this wagon. Jews levels a radical levels and Jews create clipping mosque. Now I'll go up here and using this lighter off levels, we'll slide it all the way to the right and try to get rid off that sharp edge. Just have a look. That's it. So by doing that simple trick, we got rid off that layer. Perfect. So now one of the firecracker is done. Now we need to add another firecracker in her hand here, so I just go to the layers panel and to make things more simpler, also, like both the level and the sparkle. Overly effect. I'll right click and converted into a smart object, so that will combine both of them and stitch them together as one object. So now both of them have become one, and by the fourth it has given the name levels because level les waas on top. So again, just double click and give your own name it ender. Now to make a duplicate offer, just hit control or command G. So we'll get a new layer DoubleClick wanted. Give it a name now, As you can see, it has again guard it's black background because we made it into a smart object. So do not really just head over to were less panel. Choose the screen blend mode, and same goes for this also to the screen brand move, and that's it. Now to the second overly effect had control a commodity. Bring until and just it refering toe this particular line off hers. So I load quickly for you all. So now when everything is done, just come here and click on this. I can choose, friend. Ever do given name off your project. I'll give it girl sparkle. Choose a folder for it on Make sure the peace accord is high. The resolution is as were chosen in the beginning, on the Ranges work area. Once that isn't just hit on render now, depending on the configuration off your PC or Mac, it might take some time to render so ill disposed. Ever do here and come back soon as it's done. So I think it's done. So let's head over to the full of where it saved and see how it looks. So this was the image that we started with Onda, and this is the final results so displayed Nice. It looks very lively. Perfect. So that was it for this lecture, guys, I hope you enjoyed it thoroughly. You learn something new, so go ahead and down all the resources in the download section practice it perfected and I will see you in the next lecture. Thank you so much. 21. Cloud Effect: Hello and welcome to the cinema graph, Master glass. So in this master glass, we're going to learn How can you make a cinema graph using the clouds overlay effect? So before we begin, I request you to please download the resources, which is an image and the overly effect itself from the download section. And once you've done that, let's open for a job and, um, straight into it. So here I have opened my photo shop. I'll just had create new and create a document. I'll be thinking the same resolution, which I have taken in most off the project so far, which is 1080 by 1350 pixels. This is because the image that I'm using for this example is in the vertical form on this resolution fits perfectly into it, so let's it create. Now let's go to the folder where I have this image stored. So I'll just drag this Mitch and bring it into my photo shop. Hit Endo. Now, as you can see, some white space is left on the both side off the scandal so we can fix that by stretching our image, which means basically transforming it. So for that, I let control or command V on. If you're on a know before this up, two dozen 19 all you have to do it just dragged the corners off this image, and it will transform uniformly. But if you're using the previous versions of fourty shell, that is for the shop 2018 17 16 CS and all the other previous versions, Then to transform it uniformly, you have to take one extra step, and that is after eating control or command T. You also need to hold on your shift key while dragging the corners off this picture. Otherwise, if you do not do that, this is what's going to happen. The picture will distort on it won't be uniform. Okay, so let me just transform it once. Perfect. So as you can see, this is an image off a bosom standing on a cliff. Aunt, he's facing the sky. So this is a perfect example off making a cinema graph using the sky or clouds effect the cloud that you're seeing here. We can easily replace this with our moving cloud on that will give the effect that we're looking for. So before that what we need to do is we need to remove this plane sky before placing our effect on do it. So in order to do that, what we can do is I'll go to the tool section here. I'll choose quick selection and the short cut off it is W so you can make the brush size around this much. And hardness should be around 10 or 12. And once you've done that, just tried to, you know, paint on it. And as you can see, it has quickly detected the entire blue sky. And now we are ready to separate this. But if you see it properly here, it hasn't included some of the areas off this person. But that's totally fine, because we're going to fix it later on. So once you have done that on a keyboard hit controlled shift and I so that will inverse the section and now head over to the layers panel. Leah, go here down and click on this mosque. I can. So now our cloud is gone, and also along with it has gone some of the areas off this person to which we can bring back very easily for that. Just head over to the layer section. Make sure you have this book selected and not this one. So click on this one. Take the brush by clicking on B. Bring it around this much and the hardness around 45 off our fish. Then come here and click on this icon. So, basically what it does is this a toggle, the white color onto the foreground and the black color onto the background. And since we're trying to bring some portion of the image back, so we'll be painting it with white. What? Having this walk selected on gives. If we were to remove any areas, we would do it with the black color in the background here, which is the case right now. But we need toe bring back some of the greatest portion of that person, so I'll click on this one. So now on the foreground color, we have white. Now we'll just go here and try to randomly pain till So now, As you can see, it has also brought back the blue sky that was earlier on. We can now get rid off it very precisely. For that. We come here and now choose the black as a foreground color because we need toe erase some portion off that person. So now I'll take a brush. I'll make it a little bit smaller. And hardness could be anything between 40 to 43. And we can just Spain dawn and gently making sure we're not raising any off the portion off that person himself. Because we want to keep that person for our cinema graph effect so you can do it very properly, very gently on. If required, you can zoom in a lot more. But for me, I think this much is enough. So I'm just right now. If you can see it, I'm just raising this not within a razor, but using a brush and by having this mask selected on another day I would like to give you all is whenever you're trying to erase something in for a shop, always and always use the mosque effect and not the razor, because if you it is anything within a razor, it's going to delete it permanently, meaning which you cannot regain any off the portion deleted. But in case up must you can easily do that by having the white color Celtel in the foreground and then using the brush toe paint on the areas that you want to bring back. So, my dear friends always use masking whenever you want to remove any thing from the image in for the shop. So just a last bit off painting is required. And then I think we would be good to go. So I think it's done. Yeah, that's perfect. Now I head back to the Ford, where I have the cloud overly Effect store. I listened. Drag it and bring it into four to shop here. Andi, I will just drag it up here. Andi, just increase the size off it so that it fits in. So the idea that this particular layer off this person will be on top off the layer off that cloud, and then we can see that effect. I'll just show you. So if you go to the layers panel here, we can see the cloud over. The effect is on top off that person. So we'll just bring it down here and I will just switch on this layer. So now we can kind of see the effect. So for this to see in action. We have to go up here in Windows, click on Timeline and then click on Create Video Timeline. We can increase the length off this image. So now we can see that it is working probably. But there are few adjustments that we need to do, because if you can see it right now, the color off the sky is very bluish, which is not matching with the mountains here. So to change the color off this guy, this head over to the leaders. Finally, make sure your clothes layer is selected. Come down here. Click on this. I can make an adjustment layer off hue saturation, click it and dragged on top off the cloud layer. Andi additionally, you could have done create clipping Mars. But it does not make any sense because underneath the human saturation here, we just have one layer off cloud. So whatever effect we apply on this one will be reflected on this one only and not any other layers below because there are no any layers below. Okay, so now if we click on the hue saturation here, we can see the slightest. And as I explained before, ba, who is used to change the color. The saturation is used to increase or decrease the intensity off that particular color and light. This is used to increase or decrease the brightness or darkness off the color. So first we need to play with you. And the idea is to match the color off the cloud with that off the color off this mountain , which is very acquisition in color. So let's just try to achieve that. So I've come here on the hill cider at this dragon left tonight and see Where do I find my exact color that I'm looking for? Let me zoom in a bit. So I just tried to also play with the saturation. Let me zoom out a bit and now I think it looks perfect. So using this little Aiken weekend, zoom out or zoom in and my clouds effect is around 12 seconds. So also are my image has to be off the same length on. I'll just show you how you can increase the duration off this any mission, even if the duration of the overly effect is just till 12 seconds. First, let's displayed and have a look at our animation. I think I might want to decrease the saturation. I don't know. Should we do it? Or maybe not. I think this is perfect. According to me, if you ask me, I think the animation is perfect and we're ready to go. We're ready to render. But since we want to increase it, I'll show you the trick. So use this trick only and only when you're completely done with your animation. Otherwise it will get a kind of difficult for you all. So we'll go to the layers panel here, select all the layers, right, click on them and click Convert to smart object. As you can see, it has taken all the trillions and combined it into one layer, which is called a smart object on again. I'm reiterating toe all if you please do this only when you're completely done with all the process of animation. Otherwise, making changes now will be a bit difficult for you all. So we'll just make one copy off this layer. And this is the copy of this letter. I listened, drag it and place it in the same panel as the previous one. So now you can see it has made one new video group and place both off them in between. So now I'll go here, click on this. I can click on Cross, Fade and drag it and place in between these two. Now when you play the animation, as soon as the first animation is getting ended, it will start with the new one after a very seamless cross feared effect. So let's have a look. Perfect. Now it's time to render. So for that, come here and click on this icon hit trend over. Do give this a name. I'll give it Man Sky. Jews afford, uh, do not make any changes in these settings. Leave it as it is. Make sure the preset quality is high. The resolution is same that were chosen the beginning on the Ranges work area. Once it's done, just hit a Renda. Now it will take some time to get exporter, depending on the configuration off your PC or Mac. So let for some do its work, and I'll positively do her and come back when it's done. So now that it's done, let's go and see How does it look? So this was a still image that we started with and This is the final animation. Let's just hit play and see. How does it look? Nice. It's looking very beautiful. Now you'll see a seamless transition. Pull fake. Perfect. Perfect. So that is the kind of seamless transition. Do you want to look whenever you are extending the duration off your animation manually? Okay, So, my dear friends, that was it for this lecture. So I hope you enjoyed this lecture and learn something new. So please go ahead and No, not all the resources from the download section practice it and perfected. I wouldn't see you all in the next lecture. Thank you so much. 22. Breathing Rabbit: Hello and welcome to the cinema graft masterclass, so don't know we have made cinema graphs to using overly effects. Now we're going to make cinema off using only this still image without any overly effect by just using some key frames. So before we begin, I request you to please download this still image from the download section off this lecture and then begin working on it along with me. So I opened for the shop and I'll create a new document on the resolution, which I'm taking is 1080 by 1350 because the image which I'm using for this example, I wonder Toby in a vertical form and which is perfectly suited for Instagram post. So I'll hit, create. I'll go to make a beautiful order and bring the image which is stored over there on just dragged and bring it here. I will just adjust it so that it fits. I Let's move it a bit here and place it here. So this is an image off rabbit, very nice rabbit. And the idea is to make it look as if the rabbit is breathing. It's years are moving a bit slightly towards left and right. So this will make an illusion that it's a really rabbit over there and not just a still image. So for that, what we need to do is first head over to the windows and check timeline option. So this will create the timeline and I'll hit create video timeline. So now if you can see it, it has made the timeline. And as you already know, using this little Aiken, you can zoom out or zoom in. And so I would like to make the animation around 20 seconds so I'll just pull in. Still, I'm seeing twenties result, which is 20 seconds. You can make it even longer. As for you wish. But for me, toward the seems very fine. One very important thing I'd like to tell you her is right now this layer is a smart object . Why? Because we can see the small I can with say's object thumbnail. So just engaged. If this layer was not a smart object, I'll show you You are not supposed to do this. I am doing it just to demonstrate you. So if this was a normal rester image, so all you had to do before proceeding with this tutorial, waas right click on it and create smart object. The reason for that is when we head over to the timeline, click on it. We can see three off the perimeters, which is position, capacity and style. But there's one perimeter which is missing her, and that's transform, and you are only able to see the transform perimeter only when this has been converted into a smart object. I will just show you so rightly wanted and make it into a smart object. Now, when you come to the timeline, click on it. You can see the transform perimeter, and this is what we are going to use. So this is our image. And now what I'll do is I'll take spendable by hitting be and I will try to make a selection here on just dragging the anchor points off the mental. You can use any other selection. If you want. You can use a lasso tool or quick selection part. In my case, Brendel works perfect, and I would just sorry, and I was just bring it here. Join it, hit control, bless, enter and now I'll hit control or command G. So this will create a newly A with that selection on even on the time land, it will be at it. So I listened. Drag my picture and make it till 20 seconds now while head over to Delius, panel right click on it and converted into a smart object Now will come on Time Lane. Click on this click on this icon. So what this will do? Is it to be feared? A key frame on this timeline? Just have a look. Now you might be wondering what is a key frame? Well, key frame is a position or a location on a timeline, which defines T start and end offered transition. So basically, it's a place where special information about a layer is stored. Information like its capacity, its transformation, it's style and so on. So I just created a key from here. I'll make one more keep him at the end, so I'll go here and click on this icon again. So it has created one more time line here. Now I'll drag me play head boss somewhere in between and now making sure this layer is selected al it Control Command D and try to make it a little bit upwards, holding the shift key in order before the shop 2019 on. If you're using any previous versions off for the shop earlier than toe the 19 then you are not supposed to hold the shift key. Please keep that in mind. My dear friends, I'll hit Enter, so I made a very slight increase in its back. Now let's just played and see. How does it look so I can see the animation, but it's very small. So what? I lose. I'll take this key from here. Bring it towards off this so that an emission is sped up a bit and also take it and bring it here till 20 seconds. Also bring it till 10 seconds. So now says, my animation has got a bit shorter, so it should move a bit fastly, so I'll hit play. Still, it's going very slowly, so I need to bring it here and I need to bring it here. Still, it's very slow, so I'll bring it here and I'll bring it here. It seems fine, just a little bit here, here now it's perfect. Also, I need to bring it here till the exact end off the key for him and I'll hit me. So now if you can see it properly, my dear friends, you can see an illusion off this rabbit breathing, and that is exactly the look that we were going for. So another thing that I would also want to do is I would like to animate this particular year that will add even more realism, toe this still image. So for that, what we need to do is coming on the Lear panel here. Make sure you have this particularly a selected, which is the original image, then hit W. This will bring up the quick selection just trying to selling the year off his hit control command G. Now it has created a new layer without selection, this right click on it and clicked and were too smart Object. Now, another thing that we need to do is we need to get rid off the original here. That was before other ways. The effect will not look good. So will come on. The less panel here, double click on this, zoom into it a bit, then using the lasso tool. Just make a very rough selection here. Right. Look on it. Click on Phil. Make sure this is content aware and hit. OK, control, command, be control Command s so this window will pop up. Click on OK, and then control command W. So now if you see if I turn off the lira the earlier that we had selected So you won't be able to see any because we have removed it from the original image. And that was exactly the idea that we're planning toe. So to make things a bit simpler, I just double click on it and I'll remaining in tow here and this into back. Now the time comes to any made this deal. So for that, I'll select this year. I'll head over to the timeline, drag it to the beginning, drag the play head bar here. We can close this back portion. We'll just open the here, make a key from here in the beginning and then make a key frame in the end. Now, bring the play had but somewhere in between. And now comes the transforming part. Just hit control Command D and using the control key on your keyboard. Just drag it towards left on this one also towards left. But that said his ender, not try to play it. So if you just play and seat, you can see it moving. Additionally, you can try to move this second year also. But for this purpose, off this tutorial I needed only with one year and the back. So now it looks as if the rabbit is breathing and it's moving, so it's no longer any still image. So we have just created a cinema graph on also it's looping very seamlessly, so we need not worry about that doesn't get If you want to increase the duration of this, what you can do is head over to the layers panel, select all this layer hit control or command G to make it into a group. Now you need to make several copies off this group for that. Select the group and hit Control or command J Controller. Come on, Jay. Control or command J. So we have made around four corpus off it all off. Them can be seen here. So now it doesn't drag it and place it after the end off the previous one like this. So right now our animation is around 12 seconds. Maybe so. Let's displayed and have a look. Perfect. Now when everything is done, you can just hit this. I can render video. Give this a name, so I'll give it. Grab it. Select your folder. Make sure this is high quality. The resolution is saying that you have chosen in the beginning on the Rangers work area. Once everything is done, hit Rendah. So depending on the configuration off your PC, this might take some time to render, and it has rendered very fast. So let's just go and check it. How does it look now? So this was the image that we started with, and now we have the final and mission would look something like this illicitly. So if you can see there's a very subtle movement off the rabbit and it's you on, I'm pretty much liking it. So that's it for this lecture. My dear friends, I hope you enjoyed it thoroughly and learn something new. Please go ahead and download the resources from the download's section practice it perfected, shared with your friends, family and also on social media, and I will see you in the next lecture. Thank you so much 23. Glitch Screen: hello and welcome to the cinema graft masterclass. So in this master class, we're going to learn How can we make a cinema of using some key friends and a very cool glitch effect? So before we begin, I request you to please download the resources from the download section off this lecture. So once we've done that, let's begin. So I've opened up my photo shop and I'm creating one new document. So the resolution that I will be taking is 19 to 0 by 100 This is the full HD resolution. It's a very horizontal form off resolution. The reason is because the image that I will be using for this example is, ah, horizontal. So I'll hit create. So I'll just import the image from my local folder on my computer, So I just did. That limit is transforming uniformly, so it covers the entire canvas. I'll hit enter. So as you can see, it's an image off our desktop with for the shop opened in it on. There's something written on it. I think the person is designing something so the ideas will be putting a glitch screen on this one. But the cool part is the glitch will only be in this work area off the force up. And it won't be affecting these regions on these particular menus and to a section. So I think it to look very cool because otherwise, generally, if there's any kind of a glitch or something on our monitor or TV. So the glitch takes place on the entire scream. It covers the entire screen. But this won't be the case here. It will be only covered on this particular area the black region, the work region where we work generally and for the shop or others office as well, like illustrator and light room. So now let me quickly just bring in my effect from the folder I have stored. So this is my effect. I just drag it and bring it here. So as you can see that this effect is a pretty big one because it has covered the entire canvas. Oh, and also because the resolution off this is 19 to 0 by one through federal. So right now what we need to do is make sure we come on this list panel here and make sure this particular earlier this glitch effect is placed on top off the image. So this is an image on it is pleased here on this is the glitch effect this which is placed here. So once you've done that, we need to transform it. So to transform this hit control or command V. Now, if you're on a low before the sub 2019 this hold the or key on, choose any off the corner off this effect and just push it in so it will make it smaller, uniformly from the center. Okay, Something like that. And to achieve the same effect on previous versions off for the shop, which is our no before the shop 2018 17 16 CS and so on. Hit control, commodity, hold or key as well at the shift key. And then choose any of the corner and just push it in so it will make it smaller. So please keep that in mind, because this is some new updating Adobe 2019. So let me just make it smaller and try to fit into the monitor. I'll hit Ender. Zoom in a bit. I let control commodity on this place it here So now, as you can see here, the glitch effect that we have it's facing towards us. But the monitor is kind off till detail. So basically what I'm trying to say is angle at which this effect is on the angle at with this morning is completely different. So what we need to do is we need to adapt this glitch effect on to this monitor in the same anger. So it will appeal as the glitch is inside the monitor. Because right now, if you just pick it and drop it onto the screen, it's not fitting in. Even if you increase the size and all, it does not fit. And so it looks very unreal. So to do that, what we need to do is we need toe change the perspective. Yes, perspective is the word perspective is the feature. We need to change the perspective off this overlay glitch effect. And how do you do that? I just show you. So before we do that, make sure you selling the glitch layer in the layers Panel hit control or Command V, making a bit small than hold you controlled key. Click on top, left corner and drag it to the corner off this work area. We'll do the same thing with this. Also, make sure you have pressed the control or command key on your computer. Then click one of the corners off this one and drag toe the work area. We'll do the same with this. Also will drag it here will drag it here on hit ender. Now, if you take a look at it, then this is exactly the thing that we were planning to achieve. And you can even more refined this by making very shop adjustments. So for that you need to zoom into it and do the needful so we can just adjust it, refine it and make sure guys always always hold the control or command key while doing this . Otherwise it's not going toe take place. Okay, ender. Now, to see our animation just head over to Windows, click on Timeline, Hit on, created a timeline. So right now we can see the duration off. The glitch effect is around 13 or 14 seconds. So let's just increased the duration off our image so that both of them fall at the same time limit. Now I'll just hit play and see. How does it look now? In case if your computer or Mac is not able to show this preview, just go and click on this icon and choose the resolution 50%. If it still does not work, then reduce it by 25% and then it should work. So I list used to never send because it works faster and I just need to get the idea. So I'll just hit Space bar so it looks good to go. So another thing that I would like to do is I want to kind of give it an illusion that we're zooming into this scene on. It's like the camera is pushing into the scene, and for that, what we need to do is we need to create key frames. So before we do that, this head over to your less familia, right click on them and Jews can were too smart objects. But let me just tell you guys do this only and only when you're completely done with all your modification on all the leading role in this animation, because once we do convert a smart object, it kind of becomes a bit difficult to make changes came. So do this only after you're done with making all the changes. And all you need to do is put in that zoom in effect, which we're going to do now. So right click on it and make it smart. Object. Now, as you can see, it has combined both of them and stitched them together as one smart object. Now, head over. Do the timeline, Click on this. I can hit this. I can so it will create a key frame and keep from is nothing but just a place. A location on the timeline, which holds the information about that particular layer. Slide the player bar to the end and again create one more key from here. And make sure you have the play head bar on this. Give him only and him controller Command D, Then zoom out a bit, hit control a commodity and using oiled in our lobby for the Capital 19 as well as with the most on using old and shift in the previous versions off, it'll be for the shop than to the 19 Just transform and make this entire thing of bed bigger. So what? This will do is we have distort for Trump that in the beginning on this keep in the size off this image should be this much. And as you progressed the size off, this image should be increasing. And by the time it reaches here, it will be in its complete full side that we just transformed it and toe. So you can just now play and see the effect. Okay, let me just render it. So now it's the time to render. So to render this come here, click on this. I can hit Render video now give you a project. Any name. I'll give it Photoshopped Glitch Choose a suitable folder for it. Select folder. Make sure the quality is high quality. The resolution is as the same you have chosen before on the ranges work area. Once all is done, hate render and it will take some time to render. And now just let for self do its magic. It will take some time to render. So as soon as the render is complete, I'll come back and show you the final result. So it seems to be done now Let's go ahead and see How does it look So this was the image that we started with on. This is our final animation. I'll just hit, play and have a look. So there's glitch as well as there's slight zoom in effect, which is giving it a very nice look. I'm just liking it. So that's it for this lecture. My dear friends, I hope you enjoyed it thoroughly. Learn something new. So now please go ahead and download all the resources from the download section. Practice it perfected. And I will see you all in the next lecture. Thank you so much. 24. Flying Camera : Hello and welcome to the cinema graph masterclass. So in this lecture, we're going to learn How can we make a cinema graph using key frames off Still picture And in this case, there will be a small object will be kind of floating in the air, so this will give a very magical, very unique illusion to it. So before we begin, I request you to please download all the resources in the download section of this lecture and then proceed along with me. So I have opened for the shop and I'll create one new document. So this time the resolution I'll be taking is 1200 by 1200 pixels. Because the image for this example that I'm working with is image which will fit perfectly in a square post on Instagram. And as I've already discussed that for square images and instagram 1200 by 1230 Pixel works perfect even better than 1080 by one through 80 pixels. So once I've done that, I let create. Now let me just go and bring this image into my for the shop so I don't know, for some reason this image appears. We really small, but I don't know. So I think there's some issue with this image because the resolution off this image was pretty good. It was around 1000 pixel by 900 pixels. But anyway, we will just transform this image and make it off bigger by holding my old key and dragging one off the any corners off this image on if you're using are no before the shop 2018 17 16 or CS. Then, in order to do the same thing, you need to hold old as well as the shift key and then drag any of the corners to transform it uniformly. So as you can see, this person is seen. So as you can see, this person seems to be a fan off Harry Porter, and he has this magic stick in his hand. So the idea is that this object, I don't know what is it? I think it's some kind off circuit, so we will try to floor this in tow air and let's see, how does it look? So before we can achieve this, look, we need to separate this, as in, we need to make a separate layer off this. And also we need to make this vanish from this original image. So I just explain you what Well, we're going to do on two separate this from this image is pretty easy. This take any selection tool, it could be lost or tool or market tool or pen tool, Any tool. So you're abusing lasso tool. And the shortcut for that is l So just make a selection around it. Once you see this marching and that means it has made the selection. Now head over to the layers panel and see the moment I'll press control or command J to make one new earlier out off that selection that we just made. So Al it control or command J. So now if you can see it on this, turn off this letter and you can see this. So this is a separate layer in itself. Now all we need to do is we need to remove this from the original image. Only then can be achieved. They look for that. Just head over to the layer section selling this image, double click on it so it will open its original form and again using the lasso tool or parental or market will any tool in this case Because making selection in this case is very easy because these subject is against a very plain and very and a very uniformed background . So it becomes easy for for its upto identify this. So once you have made this election right, click on it. Goto Phil Jews content aware and hit. OK, so as you can see, it has vanished from this image. Now, once we're done, I let control or command s and then control or command w to close this. So we have this image with no object here on If I switch on this layer, you will see the object Pretty understandable. Right till No, it's very easy, guys. So it does make it a smart object. And now I'll go up the windows. I'll choose time Lane. I created a timeline and using the small I can I can zoom out and I'll try to make the animation off around 22nd to perfect. So first of all, let me just give this a name. Let's call it, I don't know, floor thing off checked. Maybe. So I'll come here. Click on this Agon. Make a a key frame in the beginning. Then head overdue this area. Zoom in a bit, the controller command D and then shift it towards left hit Enter Dragged the play hardball all the way to the right end and once again create one more key frame. Now again dragged the play had bar in the middle of something Click controller Command D Now bring it around here and breasts tender. So lemons display and see How does the effect look? Let me just increase the resolution so that we can ever clear Picture what? Everything is fine. I just see that the speed is really slow. So for that will decrease the distance between this key frames. I think this is good and now also we need to do is slap it right over to the end off this key frame. Now let me displayed once again, I'll hit space to play, so it creates a very nice illusion. And now, since we're complete with this animation on derision off, it is around 12 seconds. I guess so. If I want to increase the duration of this animation, all I need to go is head over to the Lius panel, Select both of them, right. Click on them and make them into a group. It will ask you the group name you can give it any group name hit, enter. So now it has created a group. Now you need to make a couple of copies for it. I'll just make one more copy. So I let control command G. So it has made one copy. You can give it a name to now head over to the timeline. And now all you need to do is you need to place it in such a way that it starts right after the 1st 1 And and now if you can see, the liberation has increased to 25 seconds. Now let's just played and see. How does the effect look? Perfect. I just like to render the animation and see it after it is exported. So for that, what you need to do is come here. Click on this wagon hit Render we do. Give it a name. I'll give it floating. I checked. Select a folder for it. So this is my folder. Make sure you have the high quality chosen here. The resolution has, I don't know somewhere jeans. But anyway, we can just keep it here. Or you can just make it 12 individual in there. It's up to you. And then make sure the Ranges work area. Once everything is done, just hit a Rendah. Now it will take some time, depending on the configuration off your PC and also the document size on its rendering very fast. So it's done. Let's have a look. So this was the image that we started with on. This is the final result that we have come up with. So it looks pretty good. And if you post it on social media, it's definitely going to grab a lot of attention off your friends. So that's it for this lecture. My dear friends, I hope you enjoyed it and learn something new. Please go ahead and download all the resources to practice it and perfected. I will see you all in the next lecture. Thank you so much. 25. Levitating Groom: Hello and welcome to the cinema graph masterclass. So, in this lecture, we're going to learn How can we make a cinema graph using key friends off a person levitating India? Yes. You heard that, right? We are going to levitate a person in the year, and for that we need an image toe work with. So I request you all to download the image from the download section off this lecture on. Once you've done that, let's begin. So I've opened up for the shop and I'll create a new document here. So here I'll take the resolution off. 1230 by one, Tools original. You can take any other resolution as well. But I think the image that I'm working with will fit well within this resolution. Once I've done that, I'll hit, Create. Now let me just bring in the fordo quickly which are stored for this tutorial. So first of all, I need to resize this image so that it fits in perfectly into the scandals. So I just said controller commodity on using the order button, I'll drag any off the corner of this image and until Frieden perfectly, if you are on any previous versions of you know before the shop, which is earlier than two dozen 19. For example, if it is 2018 17 16 CS and so on, then to transform it, all I need to do is hit control committee holder, old and shifty and then dragged the corners off this picture. So once we've done that, it's good to go. I'm shifting it a bit here. First things first. We need to credit the photographer Andre or any team who is behind this picture. I found it on the Internet. Firstly, the picture itself is very creative. So will become very much easier if we have some picture like this. Additionally, you can go on to Google and search for levitation pictures, man in the air and so on. So as we can see in this picture, this woman has some kind of supernatural part, huh? Because off which she's using all her bowel and sending a man into the air by levitating him. So the idea will be this person will be floating in the air while the entire picture will be still. So first things first we need to do is we need to separate this gentleman from this picture . And that is we need toe, make him are different layer and also remove him that is vanishing from the original image on Ben. When it's done, we will just animate this separate layer off this person. So that is what we're going to go on for. That we'll be using Fan Tool. So additionally, you can use any other tool for making selection. But I think in my case, the pendulum works really well. So I'll start making my selection. This might take some time. - So now I'm about to complete the selection, so I'll bring you on join it here. Once I'm done making selection, I'll hit control or command. And so that will make a selection here on I will hit control or command g and now has one small thing that I need to do is I need toe cut out this region complete. So we have successfully separated this person from the background using the pen tool. Now all we need to do is get rid of this person from this still image. So for that allergist, double click on this layer, I'll take a lasso tool using l Andi. I'll create a very rough selection around this person. I'll hit em. I'll rightly going on select Phil on, make sure content over a recent area and hit OK, control or command V. So I think we're good to go. Um, I don't know, but I think we need to do one's here. Also, to make things more seamless, let me do that once again. Perfect. Perfect. So now I think it's very good. So, you know, working with corn and a lot of it might happen that you might have to do it a couple of time before you land onto your perfect looking image that you're aiming for. So now that it's done, I'll hit control a common s and it might ask you for this pop up window. It's make sure equality is maximum on here. It's 12. Andi rest. All these settings can be left as it is on hit. Okay. And then hit control or command W. So now we have our background image, and also this wasn't who will be levitating in the air. So before we begin any animation, make sure you're right. Look on it and change it into a smart object on. Additionally, you can give it a name. Now come up here on the window. Celik Timeline. It created a timeline on using this. I can you can zoom out and I would like to make the duration around. Let's do it until 30 seconds this time. So we'll be doing until 30 seconds as you can see you. Now I'll click on this Aiken, create a key frame hill and give him is nothing but a position on the timeline which hold some important information about that clear related to it position, capacity and so on on Just go all the way till the end by scrubbing this play head bar and create another key from Hill. Now come in between somewhere around 15 seconds And now we have to do the magic Hit control or command V And take this person a little bit, I guess Still here and hit Enter in our time to play the animation. Let me decrease the resolution so that it can be for Foster. So right now the animation is very slow. So what we'll do is we'll decrease the spacing between the key frames so that it can animate faster it's too slow again. We need to decrease the spacing off it. I think that's good to go. So so I'll just decrease the length off this layer on this Live to make sure they match with this ending key frame. And now all seems well to me. So I just go here and click on this icon hit rent. Never do give this composition on name, so I'll give it flying Hobby. I'll select the folder. Select the folder Andi. Do not change any of the settings here. Make sure the quality is high. The resolution is as we had chosen in the beginning, and the range would be work area. Once you have done that hit render now it might take some time, depending on the configuration off your PC or Mac. In my case, it's working very fast, and it might work in your case to Now let's go back into the folder and see How does it look? So this was the image that we started with, and this is the animation, and I think it looks very, very magical. So that's it for this lecture, guys. I hope you enjoyed it thoroughly. You learn something new as to how can you levitate a person inside a photo shop using the cinema graph? So please go ahead, download all the resources practice it perfected, and I will see you in the next lecture. Thank you so much. 26. Rotating Candy: hello and welcome to the cinema graft masterclass. So in this lecture, we're going to learn How can we make a cinema graph using key friends off a woman with a candy on and that will be revolving the candy while having the entire women in Still. So before we begin, I request you to please download all the resources given in the download section so that you can practice along with me. So once you have done that, let's begin. So here I have opened my photo shop, I'll hit, create new document on the size with them picking is 1200 by 1200 because the image that I am working with for this lecture is better suited in a square form. And, as you know, 1200 by 1200 seems very fine for Instagram Post. So I'll hit, create my will, quickly go back to a folder and tried to import the image off that woman. So this is the image, and as you can see right now, I need to know fitting properly toe fill the entire canvas. So for that I had control or command T and holding down the old button. I'll drag any off the corners off this image until it fits perfectly. I guess on if you're using the previous versions off, No, before the shop, that is all the versions which came before 2019 version. Then in order to achieve the same thing, you need to hold old plus shift and then dragged the corners off this picture to transform it uniformly. Okay, now let's begin. So, as you can see, this is an image off a woman holding candy on. The idea is and die off. This woman's body will be still without an emotion, and there will be motions only in this particular candy. So that is a look back we're going to achieve. So in order to achieve that, we need to do feel things first. Firstly, I need to get rid of this candy. The reason which I'm doing is because I could have also gotten away with it and use the same candy for animation. But I think this particular candy is not standing out. It's not in very much contrast to the background behind which is an acquired stone, so I'm going to insert a one off my own candy, which is very gone trustee and has very vivid colors, and it will easily stand out from this background. So first things. First we get rid of this candy. So for that, come here to the layers panel, click on your layer and then double click on this layer so it will open its own. Another document. Let's have a look. Once again, I'm going to double click because this is a smart object right now, so I double click on it opened another layer off its own, which contains the original image. So to get rid of that will be using content aware Feature. As you know, it's a very easy tool to get rid off unwanted objects in your composition. So I'll hit L for lasso tool. And in this case you can use any of the selection tools like mental marquee selection and so on. I think I'm comfortable with the lasso tool so I'll just drag it. Are owned the candy, making a very random selection. I greatly wanted I would select Phil and then I'll select content aware AL it control for command D. So as agency it has now gotten rid off. That can be now once it's done, just hit Control Command s and then control Command W So it closed the document and now we have come back to our original document. So now it's time for me to bring my own can be So I'll go to the folder where I have it soared. So I'll just drag this thing and bring it onto for the shop. Well, this is such a beautiful candy as agency, it has so much vivid colors. So I just hit control, command, tea and just its size. I think it's a bit bigger, right? No. So I'll make it bit smaller. And one thing you have to make sure is that this candy lies exactly in the middle off this stick. So for that, what we need to do is click on you can Delia and then decrease its capacity a bit. So now we're able to see that this particular stick is exactly in the same line as the center of the candy, and that's exactly what we want. So in cases like this, when we're working with a circular thing, it becomes very easy for us to, you know, lose the alignment off the circle. while rotating it. So in order to prevent that, what we're going to do is we're going to create some good lines on it, and for that I'll show you what to do. So, firstly, I'll create one new earlier. I'll choose one color. Let's say I'm choosing red. I'll hit old and backspace. I'll just introduce the opacity off the sculler on this I'm doing only to show you guys as to how are we making the grid lines? So if you can see there are a number certain on my left side and also on the topside. So this is called Ruler. And in order to achieve the solar, all you need to do is hit control or command are it gets on and off it. Control or command are. So if I hit it again, it will come back. So once it's visible in your photo shop, just hit V or select removed toe. Go up here, click on the ruler and dragged as you drag it. You'll see one line coming from top. Do it again, click on it to bring one line from top and pleasanter. As you can see, we have placed two off the lines. You can adjust it by hitting the wiki and dragging it. So as you can see, we have brought to referent lines for us so that we do not lose track off this alignment when we animate and similarly go towards the left and click on it and drag one line click Dragon Lane. Now we have a cordon exactly in the square off this grid lane. OK, now I will quickly delete this layer because I had inserted it only to show you guys I'll hit delete. So I hope you're visible now on another shocker toe total this grid line on and off is control or command plus semi colon. Now time comes for animation, so I'll go up here, select on Windows and Tools Timeline. It created a timeline on this time. I want the animation Toby off 10 seconds. So I'll drag it hill till I see 10. And again I'll drag it here. So now well, select this layer. I'll click on this. I'll create a key from here, and this is the Eiken toe click on who make this first key frame collector and subsequently , if you will be making other key frames. Then you need to press this, Aiken, and not this one. This one is only in the beginning. All right. And in case if you want to get rid of all the key frames in your timeline off any particularly just click on this icon once again, it will remove all the key frames. So let's get back. I'll click on this. Create a key frame as club my play Hardball to the end. I let control command D. Now please pay attention. This is something very important. Now, As you can see, the center point off, this entire selection is here, which is wrong, because right now, if I rotate the candy, it's going to root it like this, which is exactly wrong on it should be rotating. As for the reference point off this particular region, which is the centre off the candy, Right. So what we need to do is we need to shift the center from here till here. And how do we do that in order before this up? 2019. As soon as you hit Control Command T, If you go up here, you'll see a small check box. You just need to check that box. As soon as you check it, you'll see the small I Can I show it to you? Once again, check in check. Check and check. Check. So this is the gates on Leonardo before the shop 19 that you need to Additionally, check that box to bring this reference point in previous version Earlier them ago before the job 2019. You need not do that. You will see this I can buy before. So once you see this, this drag it and bring it onto the desired center. And then I will just rotate it as per my convenience. I think that's good to go, and I'll hit Pinto. Now let's come back and see the animation and control to Monte. So once were placed this reference point. All I will do is I'll rotate my candy the way I want it to be animated. So this is how we animated. And then I think I will leave it till here. Maybe, and I'll hit. Enter also. Now let's come back and see the animation. I'll just hit Flea and see it. Perfect. So this is around 10 seconds off animation, and if you want to increase the length off this animation, head over to the last panel, click both of them right click and convert them into a smart object, Then make a copy. A smart object, then dragged this onto the below one so that it will come in the same timeline as the earlier one. And it'll also create one new video group. Then click on this. I didn't click on Frost Feed and drag it with the Intersect. So now that we have been cross feeding it, let's have a look at our final animation. So I'll take the play head bar up till the big Me. Well, we'll wait. What was that? How did this happen? Guys, this is some kind of a common problem that I've run into Ah, lot of times while making animation and go fix that. It's very easy this Come here on. Just zoom in till the time you see here. One f there is one frame, So as soon as you see it and now you yourself can figure out what is the issue here. When I dragged spay her buyer toe first frame, it's OK, then on it is completely fine from their own. The only issue is but in this region. So what we can do is we can just reduce the length off our frame on. That should be perfect. So I'm giving you the step. If you ever come across this issue, we're in your animated objects, shifts serenely towards left or right, or some other and vibration. Just zoom in and go to the first frame and then drag and shortened the clip till the first for him. So that will fix the issue. Now that we're ready to render, I'll just click on this. I can. I choose render video. I'll give this a nice name. I'll choose a folder to save this on. I will not make any changes in these settings. Just make sure the quality is high. The resolution is 1212 100. On the range is work area. Once it then just hit Orender. Now, depending on the configuration and specification off your PC, this my take time so well, quickly pause. Ever do here and come back when it's them. So now that it's done, let's go into the fall and take a look at the final result. So this was the image that we started with on this is the final results. So I just played Okay, so it's kind off a very illusion thing, whether it's revolving very mysteriously. And yeah, there is one cross fade in between. That was only to increase the length off this animation on. That's good to go. So that's it for this lecture. My dear friends, I hope you enjoyed it and learn something new. Definitely go out and practice using the resources in the download section. I will see you all in the next lecture. Thank you so much. 27. Smoking Guy: Hello and welcome to the cinema graph masterclass. So in this lecture, we're going to learn How can we make a cinema graph using some key frames and an overly effect? So in this particular example, I'll be using a picture off a person who has a cigarette in his mouth, and we'll be animating the smoke coming out off it, and also we will add some fire effect into his eyes on. This will look very, very cinematic on as well as very attention, Woody. So before beginning, I would request you to please go ahead and down on all the resources from the Devil North section. So once you have done that, let's proceed into 40 show. So I opened up my for the shop I'll had created. New on the resolution I'll be taking is 10 aged rib eye 1350 pixels because the image that I'm using for this example is in its kind off vertical form and on Instagram, this resolution works perfect for vertical pictures, so I'll hit create now, time to import the picture, so I have it stored into my local folder. So I let's take this picture and drag it into for the shop, and I need to transform it so that it fits the canvas on. Now here's a quick before transformation. If you're using a lobby for the stock tutors and 19 than to transform a uniformly, all I need to do is holy oil key and drag any off the corners off this picture. But if you're on any previous versions off before the shop, which is earlier than 2019 that is 2018 17 16 and so on. Then, in order to do this, you need to hold the or key as well as the shift key and then drag any off the corners off this picture. Otherwise, if you do not hold the shift key along with the dorky, this is what's going to happen. The picture will transform unevenly, and it might get distorted. So I hope you understood that. OK, so let's get back to a picture. I'll just transform it quickly. Onda shift the face off. That was a little below. Now the idea of the cinema graph is I'll be adding a smoke. You're so that it looks as if the person is smoking cigarettes and it's real time. By the way, here's a statutory warning for all my dear viewers. I do not promote cigarette or any gonna smoke. This is just for the example. Using this, and cigarette smoking is injurious to help my dear friends. So first things first we need to add the fire effect. So while this quickly go into the fold over, I have the fire effect stored on. I'll just drag this and bring it into for the shop. So right now it's having ah, black background, which you can get rid of by changing the blend more. So I'll come here, I'll click on screen. And by doing so, we have eliminated all the black background off the fire effect. Now it's time to transform it. So while just hit control command E. Make it a bit smaller. Zoom into it on. I will place it on though his eyes. I'll make it smaller so that it fits into his eyes. Let me just play and see How does it look? So it's looking pretty nice right now. You can see this fire has a shop edge on If you see the eyes, eyes is kind off a bit occurred. So what we need to raise we need toe match this fire with this good line off the I. So in order to do that, we will bring the I a little bit here will hit control or command V. We will right click on it and click Warp and using Warp. We can kind off, distort it and make it appear as if it's good. So I'll click here on. I will try to fit it into the eye. So I think that's good to go now. And yes, you just need to play around with it a little bit. So as you can remember, we had that kind off the same thing with the glitz screen effect where we were trying to match the perspective with the monitor. And now if we play, I'll play it in a full resolution. So let's see. How does it look now? This is looking really nice. This is looking nice. Perfect. Now all I need to do is duplicate this layer again so that we can add it onto this particular I also So I'll hit control a commodity, so I just made a duplicate off it. You can optionally reanimate now hit control ago Monte and move this towards this side on. You can additionally also hit control. Jomandi rightly gone it and flip it horizontally. So now that it is very symmetrical and now bring it here on. Additionally, if you think you should, you can again use warp and try to distort it and try to bring it into proper position. But for me, I think it's working perfectly fine, so I would not make any changes. Now let me just bring this effect to the starting. Now let's to see how does it look now? So now that we have added the fire effect in both the eyes, it looks pretty nice. Now. All we need to do is bring in the smoke effect, so I just go to the border and drag my smoke effect and bring it into for the shop. So this is the image of its smoke, and right now, as you can see it, it's in the black background, which we can easily get rid off by coming over, hear clicking on this layer and changing the blend more to screen. I'll head center now I just transform it using controlled T. I'll rotated a bit. Make it a bit smaller around this much. I would place attorney of this cigarette. I'll make it again, a bit smaller. I'll make it again, a bit smaller. Now it's time to any made this one. So I'll head over to my timeline. I'll click on this Aiken. I'll hit transform. So this has created when key frame on a key frame is nothing but a place on the time in which holds some important information about that particular earlier, which could be about its position, capacity and so on. And I also need to drag the smoke clear up to 20 seconds. So I'll take it all the way to 20 seconds and then I'll hit control Command E on. Increase my smoke this much. Andi, make sure it is positioned near this cigarette. Now let me just play the animation so the animation is playing really slow. Let me just increase it a bit more and let's see, how does it look now? Even now, it's very slow, so we need to decrease the duration of the animation, so I'll bring until 15 seconds and let's see now it's still not working will bring it toe 10 seconds here, then play. Yeah, now it seems fine. So in order to compensate that we also need to decrease the lend off the overall animation here so basically will decrease till 12th seal on after 10 seconds. It's looping. I just deleted and do it once again because I don't think it's working. So I've created one. Keep him in the starting. Now I'll create one. In the end, I dragged all the way to the end and then I'll create one more key frame here. And then I'll hit control Command D and just increase the saves off this. That's it. So lets us play and see. Have a look at it. I need to make it a little bit bigger. It's working fine. So now that it's done, it's time to render it. So I'll just come here. Click on this. I can hit render. We do give this project a name so I'll give guys smoking. Choose a folder for it. No, please do not make any changes to the settings and make sure you have the high quality, your resolution that you had chosen in the beginning and the range is work area. So once it's all done, this head render now give for yourself sometime, depending on this specifications off a computer. And once this rendering is done, I'll come back and show you the final result. So it's done now, Now let's head back to the folder and see How does it look? So this was the image that we started with on This is the final animation. It looks very nice. Now Justin gets If you want to increase the length off this animation, all we need to do is select all the layers, right click on them and hit Convert to smart object. But before you do that, I'm telling you once again do this only when you're completely done with all your animations. Otherwise, if you want to come back and make changes, it will become a bit difficult for you. So once you're okay with that hit converted Smart object. Now, as you can see, all the lives have gone and they have kind of being stitched together into this one. Smart object. Now, while hit control command G, make a copy off it. Come here on your timeline. Take the new one and drag it and make it into one line. Now click here, click on cross food place between both of them and just play the animation. So now if you see you will see a slide cross fade between the first and the second clip. So I'll just show you once again by quickly dragging the play head bar as you can see it night. No. So well, let me just do one thing I Let's render it for you and show you once again Nice. So I'm expecting it to cross fade at somewhere Midway. So there is it. If you saw it, let me displayed here it ends and then it cross fades into the new clip on this Very seamless. So yes. So that's it for this lecture. Guys. I hope you enjoyed it thoroughly. You learn something new, so please go ahead and practice using all the resources in the download section. And I will meet you all in the next lecture. Thank you so much. 28. Flying Balloon: Hello and welcome to the cinema graph masterclass. So in this lecture, we're going to learn How can we make a cinema graph using key friends on in this example, we will any made a static image with a boy and some balloons in it, So we'll be adding the motion, toe the balloons. So before we begin, I request you to download the resources from the download section of this lecture so that you can practice along with me. So once you've done that, just opened for the shop. And here I am open My foot is up. I'll hit, create new. So the resolution that I'll be taking is my one off my favorite, which is 1080 by 1350 The reason is the image that I will be using is in its vertical form and for the images that are in vertical form. The best resolution for Instagram is one through 80 by 135 Zittel, By the way, you are completely free to choose any off a resolution in this matter, as long as you know what you're doing. And if it suits your project so now it's time to import the image. So this is the image that will be working with and and right now it's not completely filling in the canvas. So for that I'll just hit control and commodity on. Before I do any transformation, I would like to tell you one thing very important thing that, if you are, are no before served 2019 and above. So now there's this new feature in which you can transform any image uniformly without getting it distorted by holding oil key and dragging any off the corners off the image so it will transform it uniformly. But if you're using any of the previous Virgin, so for the shop, which is previously in 2019 that is, if it's 2018 17 16 or this force up CIA's. In that case, you need to hold shifty plus the all key and then dragged the corners off the image to transform it uniformly. If you do not do that, this is how it's going to be on. Your image might be distorted. So this is one new feature that has come into the 19 where you need not press these shifty , so yes, oh, Now let's get back to the project. I'll transform it once and make sure the positioning is correct on it. And so the idea behind this cinema graph is, since this boy is standing on a rock on, we have this balloon, so it gives us an opportunity to put this balloon in motion. And additionally, if you warned later on, let's see if I would want to add any kind off light into this. I don't know. Maybe we will see. But as off now we'll be focusing on this one. So why? No, As you must have already learned that toe, bring anything into motion. We need toe separate it from the original image. So right now, what we need to do is we need to separate this balloon from the background and then also remove this balloon from its original image. So that gets will be separating this background and this balloon. So first things first. What we'll do is I'll select quick selection tool using the shortcut w on. I will try to select this balloons one by one, and once it's done, I'll hit control or command V on. As soon as I do that this. Pay attention. In this panel you will see one new layer. So they were you disorder in new earlier on. This is the selection that we just created on its the balloon. If you want to see more clearly, I'll show you done off this layer. And now you can see this balloon. Okay, goodly done it on. Now, the second thing that we need to do is we need to get rid off this balloon in its original image. So for that, I'll come here over to the layers panel. I'll double click it. I'll take last little using the shortcut key and make a selection around it. Right? Click on it. Click on Phil, Click on Content Aware and the Swede for some time on dmat GIC. It has done its world and the balloon is vanished. So once you're done, just had control or command s so you might be asked with this window. Just make sure the qualities 12 maximum on its large failure on this. Leave it as it is for the rest of the options on hit, okay. And then had control or command W So now we have our balloon separated. Now it's time to animate the balloon. So before that, we can often change the name off this layer. Now to make any animation, we'll head over to Windows than Dame Lane. I'll hit, create. We do timeline on Let's say I want to make this animation off around 20 seconds, so I'll go here. I'll just drag the slider towards left. So this is help me zoom out and then I'll drag this layer tell I see 20 seconds. I'll do the same with this one also, and then I'll click on this wagon on. As you can see, I was planning toe Maki friends for transform, but I'm not able to see. That's because this particular balloon, Leah, is a raster image. It's not a smart object, so first we need to convert it into a smart object. And how do we do that? We just right click on it and choose convert to smart object. So now if I go here, I click on this. I'll see this transform thing. I'll hit this Aiken to create the first key frame. Remember, guys, whenever you're creating any key frame, I mean the first key frame, the very first you have to hit this Aiken and subsequently to make other key friends. You will be using this one on Guess if you want to get rid of all the key frames at once without having to do it one way. One. All of them just hit this icon once and all of the key from will vanish. So I just make it here. I just drag this later towards here. Alec Control ca Monte. I'll drag it. Let's see till here. Then again and drag the slider toe here. I'll hit control Monte. I'll drag it here. Then again and drag the slider here. Let control Command D, and I'll drag it here and control command D Drag it here. Control command T and drag two words. The up here, Let's display the animation and see How does it look? So after it plays from your it's getting a bit faster. So I think we need to store down. So what I'll do is I just increased the duration off this. I'll take it bit here, Andi, take it. But here. So now let's see. How does it look? I think that's too slow. That's good. I'll bring it a bit and it's gone. Let's just do one thing. Let's just on this control commodity. I'll select this blue earlier had control commodity on, Let it vanish. Hit, Enter now let's just see how does it look? - So now I think it's good to go. So basically what I've done is I played around with the key friends. I've moved them left and right just to make sure that the speed at which the balloon is flying in the air is very, really and very believable and very natural. So you will not want to make. I'll kind of give him animation in which, in the beginning, the balloon it's flying very slowly. Then all of a sudden it starts moving like a rocket. You definitely do not want to do read, so make sure the speed off the motion is kind off constant throughout the cinema graph. So that's exactly what we did here on since this is the last different. So I'll reduced the land off only less up to this one. So now I think it's good to go. So once it done, just hit this button hit Renda video. Give this a nice name, so I'll Give it boy with balloon Select new folder. Make sure the quality is high and the resolution is the same that you have chosen in the beginning, and work and range will be work area. Andi That's it. Hit. Render now Just give yourself some time to render this and exported into every do on once it's done on the show you the final result. So now that it's done, let's go back and have a look at the final result. So this was the image that we started with. And now this is the animation nice. Pretty natural. So I could really showed me. How can you make this animation? Additionally, if you want to perfect it, you can make on even more refined selection off this balloons on. Additionally, you can also add some kind off light into this one. If you remember the light overly effect to during that we had done off a couple, I'll show you this particular late. Additionally, if you warned, you can put the same own this one also, and it will just add one more nice element to your cinema graph, but it's optional again on I leave it up to you if you want to try it. So that's it for this lecture. I hope you enjoyed it and learn something new. Please go ahead and download all the resources from the download section so that you can practice it on Perfected. I will see you all in the next lecture. Thank you so much. 29. Flowing Waterfall: Hello and welcome to the cinema graft masterclass. So in this master glass, we're going to learn How can we make a cinema graph off a waterfall using key frames? So before we begin, I request you to please go ahead and download all the resources from the download section so that you can practice along with me. So once you have done it, this opening for the shop and create a new document on the resolution that I'll be taking is 10 a drew by 1350 pixels. The reason being the image that I'm using for this example is better suited in a vertical form on. Once around, the best resolution for any vertical post is 10 a job by 1350 So I'll hit. Create. So now I'll quickly import the image that I will be using for this tutorial. I just dragged Hill Andi. I would like to enlarge it so that it fits in the canvas properly. Now here's a quick tip for you. If you're using a low before the shop 2019 then in order to transform it uniformly, all you need to do is holy oil key and drag any of the corners off the image like this on. It'll transform uniformly. But if you're using any of the previous versions off before the shop, which is earlier than 2019 that is 2018 17 16 or even see us. In that case, you need to take one extra step, and that is you need to hold old as well as the shift key and then transform it. As for you'll need. If you do not hold the shift key, this is what's going to happen. Your image will go haywire. It will transform Animal E. On. This is the mistake that most off the bigness do anyway. I'll just transform it. So if you can see, this is an image off, probably a couple enjoying some time at the waterfall. So the idea band this is will be animating this waterfall and probably this area on leaving behind the person and the water here on the woman and the plant streets off course here very still. So in order to do that, what we need to do is we need to create a selection off this water. Since water is not something which has its proper shape or size. So if you're using any off the stool like lasso tool or pen tool, then this election will be very sharp, and it will not give you the desired effect that we are looking for. So in order to do that, we need to make a selection in a different way, and for that we'll be using a brush. But we're not going to do it directly with the breast. First, you need to hit Quick Mosque on your keyboard. So once you had quick Mosque, you can see this red thing has formed on your layers panel. I'll show you quickly. Okay? Additionally, if you want to do it from you, just click on this Aiken and you should be able to see the quick must take a brush off around this stays on, keep the hardness at around for people's and maybe and then just tried toe paint on the waterfall. So basically all the area that you want toe select. So while be selecting this much on, try to be not very accurate, but make sure do not select anything which is outside off the order fall. So yes, I think that's about it. On Dhere, I'll be choosen perfect Malcolm here and hit this Aiken So it is created a selection for you Now hit control or command shift. Plus I So it created at inverse. Now we have the selection on only this waterfall. Now I'll come here and hit control or command J and see how quickly it makes a new layer for you with this selection. So I'll head control or command J. Now we have this election. It's timeto any meat, this cinema graph. So I'll go up here in the windows on Choose Time Lane, then creatively do time lane on. Let's just say I want to make it at around 10 seconds, so I'll drag it and keep it here till 10 seconds. So that seems good now, as I'm already told you before, to make an emission off anything. First, you need to make it into a smart object. So we'll just do that for this layer also. So we'll right click on it and choose convert toe smart object. Also, I would like to give this layer on name Waterfall Now come here. In the timeline, click on this icon this will create a key frame on key frame is nothing but a point on the timeline, which holds which contain some important information about that particular earlier. So I'll hit one here, and then I'll drag it all the way to the end off this timeline on again. I'll hit when key frame, and then I'll hit control or command D. And now listen to this properly. If you are Ronaldo before some 2019 then you need to hold your shift key and then drag it all the way to the down all the way to the down as much as you warned. I think that's good to go and I'll hit Enter. But if you are on previous versions other than 2019 that is, if you're in 2018 17 16 or I guess even see yes, then you need not press the shift key to stretch your image downwards uses Click here and ragged with the most without any shift key, so alert again for you all. Let me zoom out a bit. Elite Controller Command be on. Since I'm using little before the shop 2019 I'll hold the shift key and then make it going off vein. And then also I will stretch it. Let tell bed here and uh, now time to see the animation. I think it's been slow, so let me bring it here till eight seconds. I think that's fine. Now if you can see that this particular selection that we have made is going and covering this woman toe, which is what we do not want. So for that, what we'll do is we'll will come here, select this water for Leah and create a mosque. Now, if you can see there are two new parameters, Liam asked. Position and Liam asked enable So will simply click on this, but a near it will create a key frame in the beginning. Then we just have a look as to where exactly is discovering this woman and will create a mask there. So I'll just scrub this play head bar and see so right when it comes here, I want it toe. Have a mosque. So I will do that. I'll create a key from here, and then I will take a brush and make sure you have black color in the foreground, and this gently pained on this one. Sorry and lead paned on this one. Now if you see it's disappearing, But exactly when it comes here, you can see the waterfall again. Here, Toe again will create one more key from here. I'll take a brush and I would just being did here as well. Then again will scrub through it and see Andi. Exactly. So this is the end off our animation here. So close all the layers till this point. Now I will just zoom out a bit and see the animation as to How does it look? So I think it's looking pretty nice in here, Onda. Additionally, I would also like to do one thing, and that is, if you can reduce it to 16. Let's see, How does it look? I think six looks more perfect. So till six again, it's it's looking very much a realistic. I even want this area Toby giving some kind of motion because the water is falling here. All the water from this still water should be splashing around. So for that I'll come over here. I'll select this layer off mine. Then I'll do the same thing. I'll rescue. I'll take a brush on. I will gently. I'll keep the softness varies around 20 and I will being deceit via this area on this area . Except the women, of course. And once I have done that, I'll click on this Aiken hit control shift. I then hit Control Command. J. Make it a smart object. I don't know. What name should. I guess I'll just give it extra water. Now we need toe animate this extra water here. Firstly, I'll bring it in the beginning. On this click on it. I'll hit the second to make a key frame. I'll take it all the way toe six seconds, and then I will try to transform it a little bit. This much? Yes, that's it. No, I need to make it a bit more bigger here, so let's a several. I think it's good to go and again for this also will create a mosque because it's all shadowing the woman. So I'll make a key from here and see where exactly it's coming over the woman. So it's coming here, so I'll take a brush and make sure black a selected here of this pained ones here again, see again it's coming here looking paint here. So it's scrubbed this play heard about and see where exactly, it's coming on top off that woman and there will create a mosque. So if you can see around here, it's coming in front off. It's always hurting the woman, so we'll go here, create a key from here and make sure you have a brush with black in the foreground and hardness around 2024%. Click on this again will scrub through it and see again. I think I need to create a key from here again. I'll go forward here and then I think I'll be making a key frame here. What this region? Because I think they should not get overshadowed logically and also one key from here. I think that's about it. If I zoom in tow back, you can see this is happening very smoothly. So I think it's done now, and so this is pretty much done, and the duration off it is around six again. But in case if you want to increase the duration off animation, only after do is come here. Select all the list on once again and informing you that do this only when you're completely done with the animation. Because now on, if you want to make changes, it will be bit difficult. That is now will be making it into one smart object when it will combine all the three off these and stitch them together as one object. So do this only when they're completely done with all your animation work. So I think now I'm ready to do that. So I'll select all of them and right click and convert them into a smart object. Now I'll make duplicate off it, so I'll hit control Command G on once more control Command J. I'll place them all in one line. I mean, one rule, I think on this wagon, Take this CrossFit and drop it between both of them and do the same thing here also. And I think we are good to go. But, hey, there's some issue here. If you go to the beginning off this, you can see this problem happening on even This problem happened in the case off the girl with candy lecture. So don't worry. Just zoom in so that you can see this one f on whatever issue is the It's only in this frame. I don't know what it happens, but usually the issue is because of this first frame. So you just short a new clip and then you are good to go. Lemon is have a look as it's still so I think we haven't issue here to the same issue, Delia. It's fine when it comes to hear it creates an issue. So what we'll do is we'll just close it here. I think that should be. Now I'll be having some effect into it. And to me, a rain effect looks pretty much nice in this image. So, al, quickly pull the rain effect from my folder and drag it onto four shop and put it here. So as you can see that the rain effect Leah has been grouped into this video group by the Ford, which means that this effect is in the same row as the waterfall layers. That is something which we do not want. So what I'll do is I'll just drag it and take it out off the group so it will have its own rule. As Agencia earlier, it was down here. Now it's appear so I'll quickly dragged her towards the starting and right over there. Right now, if you can see, it's a black background effect which we can easily get rid off by heading over to the layers panel. Tricking on this and choosing the screen blend more. Okay, So if I had control of commodity, you can see this is our effect. You see it here? That means this effect is starting here on its ending here. So if I quickly scrub my play head bar and show you if you can see here, let me zoom in for you. I will zoom in. So if you can see here, the rain effect is stopping right here. Can you see that? There's a very sharp and to all the water droplets falling from the rainfall. Now this looks very unnatural on this is something which we do not warn. And even on the top, If you see here, let me just pulled through. So it's somewhere around here. I guess so, Yeah, it's somewhere around here. It's starting very sharply from your and ending somewhere down here. Okay, so, to tackle this, there are two approaches. The 1st 1 is Let me first remove these guides. So the first approaches, we can make multiple copies off this layer and stack them all together. 12 and three. Let me assure you so quickly dragged this up here. I'll make a second copy by didn't control. Come on, Jay. So it will make another copy off it so I can drag it. I can please it right here where it ends and then one more 3rd 1 by dragging it somewhere here. So that way it could solve our problem. If you see. Oh, let me just drag these to the beginning, so that should solve our problem. So this is one way to fix this issue. Let's just have a look now. The second approach is we get rid of these two copies that we just created as head bleeped on. What we'll do is we take this lay only. We'll expand it by dragging any of these corners if you're in order before it's up to the 19 else. If you're on other versions previously in 2019 then you need to hold the shift key Well, dragging the corners so we'll drag it just right still here, where it can fit in the entire canvas. Perfect. And if you want, you can just drag it in the middle ear. If you want, you can slightly rotated because sometimes we have this slant kind off a rainfall. I don't know what it's called. So now if you played through it, let me just zoom into it. Yeah. Yeah. So this is giving it. Ah, very nice effect. And we just got rid off the issue. So this looks nice to me. One more copy off this waterfall, so I'll just select this and hit control or command G. And then click on this cross Fade on. Bring it over here. So now we haven't animation upto 20 seconds on the same issue is here also, as you can see it, so we'll just fix it by drinking in Teoh. I'll drag it here. I think that should be fine. So now our animation looks pretty nice. It looks pretty dope. So now all you need to do is render for that. Come here, click on this. I can Hey, trend over deals, waterfall and make sure you haven't made any changes to the settings. Andi quality should be high. The resolution should be the same that you were taken before and the rain should be the work area on head surrender. Now give it no give for yourself some time, and it will take some time to render it. And once it has exported, I'll come back and show you the final result. So I think it's done. Now let's go back to the Fuller and see How does it look now? So this is the image that we started with. And finally we have the animation year. Nice. It looks nice. Very nice. Very believable. Very sellable. So that's it for this lecture. I hope you enjoyed it thoroughly and learn something new, so I highly encourage you to go ahead. And now not all the resources from the download section practice it perfected. And I will see you in the next lecture. Thank you so much. 30. Flying Hair: Hello and welcome to the cinema graph masterclass. So in this lecture, we're going to learn How can we make a cinema graph using a with your file? Yes, that's right. So if I quickly regret right now, we have learned how to make cinema graph Using either G frames off a still image are using a still image and applying an overly effect onto it. So basically, those are the two methods that we have learned making cinema grafts from. But in this lecture, we're going to learn How can you make a cinema graph using video only. And that's to remind you we are not going to use any kind of key frames or any sort of overly effect to achieve this cinema graph. So without for the rule, let's get started. Now, before we begin, I request you to please download the resources from the download section off this lecture so that you can practice along with me. So once you have downloaded, it just opened up for the shop like I have done create a new document by clicking here on the resolution that I'll be going with this 1080 by 10 AIDS. It'll this is the resolution off a square post on Instagram on. Also, there's no any hard and fast rule to choose the resolution. But since most over several graphs are posted on Instagram, so I'll be using the resolution, which is best suited for a square post on that is 10 a July 1 through injury pixels. Once I've done that, I'll hit, create. So now let's just import the video and do this document so I just drag it and place it over here. Okay, so now, as you can see, this is the video, and the idea is to animate her here. And how are we going to do that is First, I want you to have a look at the original video. Just have a closer look. So I just played for you and just have a look at this video first. So as you can see, she's standing by the beach. We're all our Here's our flying into the air very subtly. Very slowly. She is also moving her head. Okay, so I think that's pretty much it. So I suppose it to him. So this is all for someone right now. If you're not able to see the layers panel, Leah, if you can see it, usually we see the less value. All I can do is come over to windows and make sure you have list checked. Okay, Now you can see this lip and on this is overdue. Let me just quickly create the time land. So for that, I'll head over to Windows, come here and click on Timeline and then create video timeline. So if you see this right now is a broad overdue. So what we're going to do is we'll choose. One particular frame from the video will make that frame still. And then we're going to apply mosque by making the hair visible and leaving all off the other areas still. So if you're not understanding right now, do not worry. When I'll do it practically, you will understand. So for things, first Limoges scrub this video through the timeline and see where can I find a nice sport? So if you see from around this time, she's moving ahead and the Lord off movement in the hair. And one more thing, which is very important before making any cinema graph, is whatever video you shoot. It has to be short on tripod and it should be very stable. There shouldn't be any kind of movement. So it's highly suggested that whenever you shooting any video for the public off a cinema graph, please always shoot it on our tribe or now for this purpose off. Mr. Dural, I didn't have the privilege off acquiring a model and as well as, ah, very decent camera with the location. This is the reason why I'm using this stock for this from the Internet for the purpose off tutorial on right now, what I'll do is I'll try toe, make the cinema graph from the region off the video where there's very slight or very little amount off movement into the entire clip. So if I see Intel, I think here it is a pretty nice place Toe cut the video here. So for that, I just come here, click on this wagon, zoom out a bit this much, and I just string did addition off this video. So I'll bring it up, Delia. Now let me this woman and see. So right now this is around seven seconds and we can easily increased devolution by making duplicate, which I'll get onto a later on. So if I scrub this right now, you can see it. She's kind of moving her help eso at around this point. I think this is a good frame of the video where we can take us still image from. So make sure you have this letter selected now only keyboard. You can hit control or shift and E. And if you're using Mac, I just put the name of the buttons on the screen. You can just press that and get the job so I'll quickly hit control or shift and e. So there you go. A newly A has been created, and this is a still image. This particular thing is a video, and this is still image which has been created from this free, so we'll quickly give it a name, which is optional. So I just right girl, still image okay and now making it into a smart object. It is really an optional thing because we're not really going to make any animations from this one using key frames. So if you want to make it into a smart object, it's well and good. Otherwise, without it Also, it's going to work perfectly fine because all we're going to do with this image is just make a mosque. So once you have this letter selected, come here down and click on mosque. So right now you can see it. A layer off must has been created. Now I'll take a brush. I'll be so The idea is to keep the hardest, very less so you can keep it around four or 5%. And then you can keep the size of this brush around this much as you can see you. And then what we're going to do is make sure you have the black in the foreground selected , and then we're simply going toe paint over the areas which we want to animate on, which is the hair. So we will slightly being here on around this region on also on this particular place welding and just leave them. Now let me just bring this new Leo towards thief's starting all this increase duration of this. Now let me just scrub through the diamond and see How does it look? So right now, if you can see it, we are able to see it. Any meeting But still there are some places which are very still. So we need to take care of that. So we'll paint them as well. So on my new is this would have worked very perfectly had there been no movement in the woman's head. And if the video was short on a trip or which is not the case, but still we will try to get the best possible outcome from this one. So I just click here on try toe, keep all the here that we can for the animation. Let me to see it now. So a little bit here also can be seen also here, Old Silvio. So I just typically so if you're able to see this when I'm playing this particular region, it looks very, very still. So we also need toe paint this area off her hair. So let's just see how does it look now? So it looks pretty nice. I think I might just want to keep this kind off still so because it's giving a very unrealistic failure. So in order to make anything back to, as it was, the switch on this this talk of this one and it will bring the white color in the foreground. Now, when you paint with white on any of the area, it will bring the still image back. So I want this still image to be around this region this much, I guess. Let's just play and see So this is working fine. I also paint a bit black here. I think it's required out and right here. If you see, you are able to see her face. So we will get rid of that also. So I'll hit acts on the keyboard so it will bring white in the program. And I just painted here, taking care off it. So what it has done is it has made this region in tow still, So it's not looking very realistic. Let me just paint it with Sorry. Let me just painted with black and see. So let me just make it small here. So let me just tell you, this much off issue would have been there had this video being short on a tripod. So there's a lot of refining that is to be done in this one. So basically that is how we animate. I think we need to animate here a bit, so I'm just painting it with white because I want this region. Toby still So, yeah, that was it. We had to do kind off some refining because this was not short on a driver, and there was a lot of movement off head, so I think it's pretty much good to go. So once you're done with all the animation, just come over to this region, select book dealers, right click on it and created into a smart object. But as I always say this, do it only when you're completely done with all kinds off everything and animation. Because once you created a smart object, if you want to come back and make some changes, it will get kind off a bit difficult. Not impossible. But I've been difficult. So take the step only when you're completely done with your animation, so I'll create a duplicate layer off this one, and then I'll try to drag it and bring it into the same rule. Then I'll click on this. I can. I'll take a cross fade and place it in between the board clips. Now I just play and see the transition. Not bad. So this is all. We're going to increase the derision on this cinema graph on the Morelia's. You make you more directional. This clip will be so others create one Morelia just ones on. Then we'll export this cinema graph. So, Alec Control or Command V, So has the new duplicate. Lay off this one. I'll head over to this one. Click on cross feed on, Bring it in between these clips. So right now, if you see our clippers something at around 17 seconds, which I think it's fine, Usually I try to keep it up till 20 seconds. I think there any seconds is a good lent. So this is completed. So once you don't just come on this, I can click on render video, give this thing a name like well, in here flying. Go ahead and select a folder. So I've selected the folder. Make sure you have the preset quality as high. The resolution should be the same. The rain should be the work area on. You need not make any of the changes here now, Once it didn't hit on Brenda. Now, depending on the configuration off a PC, this might take some time to get exported, so I'll quickly pause the video and come back when it's done. So now it's done. Let's take a look at defined result. So yes, this is it. I think it's pretty good for every do that was in motion and north short on my board. So basically, this is how we do using masking. So that is it for this lecture. My dear friends, I hope you enjoyed it and learn something new. Please go ahead and download all the resources from the Donald section practice that perfected, shared with me shared on the social media and your friends. And I will see you in the next lecture. Thank you so much. 31. Dad & Son Fishing: Hello and welcome to the cinema graph Masa glass. So in this lecture, we're going to learn How can we make a cinema graph from video without using any off the key frames or overly effect? So before we begin, I request you to go ahead and download all the resources from the download's section so that you get practice along with me. So once have them that let's open up for the shop. So this is my force up and I'll create a new document. So the resolution that I'll be taking for this example is 19 to 0 by 108 through reason with the video which I have is in the 16 is to nine aspect ratio and also because I've tested it in the square form as well as the elongated form which is 10 a job I want to fight through. And it didn't look that good because the different the composition of the video is in such a manner that it looks nice only in the horizontal format which is 19 to 0 by 1080 pixels. So let me just hit on create now this against now Let's have a look at the video itself, which is saved into my folder on this computer. So this is the video off father and a child who are enjoying fishing in a broad delayed alongside some small lake or river. I guess I don't know. So this is the video, and we'll be playing along with this one in this lecture. So let me just quickly import this into four so I'll just drag it and place it on to my canvas on. This fits perfectly onto my cameras because even the canvas size and also the resolution off the video is completely sane, which is 19 to 0 and 10 AIDS. Tropic Cells Now well, quickly go into the window option. Here, click on Timeline. This will bring this timeline window on. I'll hit, create video timeline. So this is the timeline. Oh, now using this small little again, you can zoom out and zoom in, zoom out and zoom in. Now let's make this in a graph off upto 30 seconds, which I think is a good duration. Now let's just zoom in a bit and let's just try toe scrubbed this play head bar and try to see the different gyno motions in this video. So as with all the cinema graphs that you have seen the long, it's very good to keep our human very still and around that human, whatever parts we have, whatever objects we have can be in motion. So if we talk about this case, we can have the father and the son very much still, while having their legs moving by having this water moving. And also, if you can see these plants in the background there also moving, I'll show you if we fast forward and very quickly conceded there also moving. So these other things that we can have moving while keeping both off their upper body still . So how are we going to do that? So, for that, all we need to do is find a good frame from this whole video, where you think it will look good. So let me just have a look. I'm just playing through it and trying to find a perfect still frame from this video. I think when they are smiling at each other, this looks like a good friend. I think I would go with this one I think it's good and you can choose any of the frame. Also, it totally depends on you. Whatever you feel good is for your cinema rough. In my case, I think smile as good as we go. Smile represents positivity. Good Viiv on all these good things. So I'm happy with this frame, so I'll head over to the Layers panel here. Make sure this is selected and not some other leaders. Make sure this is selected, and then on your keyboard, you'll hit control. Old Shift plus E on Windows for Mac, you can see the buttons on the screen. That is what you will be using. So I'll quickly hit control or shift. And what will that do it? Create a still image from this particular frame, so it's like taking a screen short in your phone, so I had control or shifty. So, as you can see, no, it has created one new Leah on You can make it into a smart object optionally, because right now we're not playing with any kind of key frame, so we need not make it into a smart object. But it's up to you. You can make it for this example, I won't be making it. And some of the examples I have made it, and in some I haven't so and this one I won't be making it at this. Rename it because it's a good practice to bring them your letters so that whenever you are going to them, you can quickly figure out which is which one. Also, I will drag it all the way to the beginning and keep it a till the whole duration off this cinema graph. Now it's time to come over to the layers panel here, select the still image. Come down over here, click on Mosque Aiken. So we have created a mosque, so that is, will be masking all the areas that we want in motion. And for that I'll be taking a brush by hitting be. I will take the radius around this much and make sure you have black in the foreground. Right now. It's white, so you can easily talk it by either pressing on this Aiken or hitting X. So now it's black, so we'll go on paint all the areas that we want emotion. So basically it will reveal the underneath video, which is lying below this still image, so we'll just paint here. Also. Here's a quick tip for you. If you want to see what exactly your painting on this picture, you can head over. Do this mosque. Aiken. You can hold order and shift and click on the mouse button so that it will reveal whatever things you have painted here. Okay. To remove this, you can hit old and shift and once again with the mouse click. So it has gone another shot. Good for this one is to press the backward slash button on the keyboard, which is usually just below the backspace key. So I let backwards slash. So it had just revealed whatever I have painted, so it makes things a bit easier for you. So we'll also repainting these crosses because I want them also to be in the motion now while hit backwards. Slash to remove this red thing. Now let's just scrub through the play head bar and see How does it look? So it's looking pretty nice if you pay a closer look. This is something which is not working here, So what we can do is we can take the brush and painted up the knees off, both off them. Okay, so now if you played so if you take a proper look at his fingers, we can still see some imperfections, so we will quickly fix that. So let's just painted with black again. Does it work? No, it's not working, so it's better toe. Paint them with the white color. So I do the white color here and I'll being his hand with the white color. So that way we have again brought over the still image again. We see some kind off imperfection. We again fixer by clicking on white again. We'll fix that also. Andi, I think it is perfectly fine right now on again. If you want to go very refined, you can be in these areas also. I don't know. How will it look? So let's just plate and have a look. Now it's not working, so we just leave that, um, if you wanna go more detail, you can paint over these areas very minute, Lee. But it's too much off the risk to get into bed, so I would just stick with. As you can see, it's not. It's again showing some imperfections because the video is moving, so we'll just undo that on. We will stick to our previous cinema graph. So right now, if you can see everything is motion. But but But when I'm coming in at around 20 seconds, you can see this bar moving so we'll take a brush will take the white color in the foreground. We will very gently being over this. Now let's see if there's any imperfection. Also here we can see the head off the father again. We need to paint this one. Originally, what we could have done is we COLAs simply reduced the length off this and dress and a graph up till 20 seconds because still releasing it was perfect. But I chose the other way, and I chose to have it completely till 30 seconds, thereby removing all the imperfections. Now let's take it all the way to the starting and let's play and have a look nice. So it looks very unique. I think that's good to go. And once you're done, just hit on this, I can choose render video. Give this a nice name like Father's son fishing. Select this folder. Leave all the settings intact without any Jane into it. Make sure the precept quality is high. The resolution is what were chosen in the beginning, and the rain should be the work area. So once you've done that, hit on render now give it some time to render this video, and once it's done, I'll come back and show you the final result. So the rendering is now completely. Let's go ahead and take a look at the final result. So this is the final result, and it's very nice. You can see their Lexus and motion. The water is in motion. Even the plans are in motion and even this person is in motion on this video is at around 30 seconds, and additionally, if you want to make it longer, you can duplicate the layer and apply cross fade in between as we have already seen in previous lectures. So this is it for this lecture. I hope you enjoyed it thoroughly and learn something new. Please go ahead and download all the resources from the download section. Practice it perfected and I will see you in the next lecture. Thank you so much. 32. Moving Grass: Hello and welcome to the cinema graft Master Glass. So in this series regular, how can we make a cinema graph using only a video file? We won't be using any overly effect or any kind off key frame. So before we proceed, I highly recommend you to please download all the resources from the download's section so that you can practice along with me. So once you've done that, just opened up for the shop, and this create a new document. So for this example, the resolution that I'll be using is 19 to 0 by 10 it through. The reason being, because they re did that, I'll be using it in the 16 is to nine horizontal form on for that. This is the resolution that you should go with. So once I've done that, I let create. So now I'll be importing the video, which is in one off my folder on the computer, So let's just quickly import it. As you can see, it has fit properly into the canvas. Otherwise, we would have had toe transform it and make it a bit larger or smaller, depending on its size. So let me just get over, toe the windows on click on Timeline creatively do timeline so that we can watch this video on. Depending on the convolution off the PC, you might see a bit off leg while scrubbing through it. You can additionally, play this button, so let's displayed. So since it's for shop on, basically it's not meant for videos, primarily. So that is the reason why it buffers on kind off structures. But that's fine. We will be using this software only to make a cinema graph that exactly what we have been doing. So, as you can see, this video is around 12 seconds. So the idea off the cinema graph is this lady walking into this field. So we will select one off the frame from this video on, Then accept this lady all the other regions, which is especially this grass, Andi. Maybe some areas off this will be in motion on this lady will be standing still. So that is the idea. And to achieve that, we will have to take off frame from this entire video. We create a new layer off it and then mask all the layers. As in, we will reveal all the lists underneath that mosque so that we will be able to see the grass is in motion. So first things first. I need to choose a point, a sweet sport where I want this women to just stand. And then we will create a frame from it. Another tip which I would like to give this. If you are shooting any video with the intention of making it into a cinema graph later on , then please please always shoot it on our tribe board because the result that will get after shooting on a triple is phenomenal as compared to reduce such as this, where it's not stabilized and it's moving on as you know, for the purpose off the studio I'm using such stock footage is because I was not having access to all the resources toe shoot such a video. Otherwise I would have shorted on our trip board. But anyway, you understand the concept behind making it, and you can apply it on any kind of video as long as it has some motion into it. So now I'll quickly scrub the play head bar, and I will try to find us board where I think we could have the woman stand still. This may be, Yeah, I think this is the point that I would want this particular frame Toby the face off this cinema graph. So once I've decided by frame, I'll head over to the layers panel. I'll click on this layer and then I'll hit control or shift and E. This is for the windows for the Mac. You can see it on your screen right now. I have put it on the screen, so just hit brewskies and you will create one still frame from this video, so I'll quickly press control or shift. So now, since our play Hardball was on this version, so it has placed the layer at this vision will quickly drag it and bring it to the starting off this timeline, and we'll also go ahead and increase the delusional effectively. And now all we need to do is unit toe mask all these classes which are in motion and that will reveal them in motion. Another thing is that making this into a smart object is really optional because we're not making any key friends for transform, so you can leave it as a restroom is also, if you wanted to get making in the smart object that does not affect anything. So just for this tutorial, I just right click on it and change it into a smart object. Then, having this little selected, I'll go down here and click on this mosque Aiken. Then I'll take a brush. I'll keep it off size upto this much. And if you want to change the size off a brush, you can head over toe this region. You can click on this icon you can t in these size off this brush and also the hardness. Make sure you have the black color selector in the foreground, and then we'll paint over these areas so I'll quickly being did. So right now, we have a woman beginning to enter from this frame, so I'll just quickly drag this year. Onda Uh, yes. So I also need to make adjustment toe these lists. Okay, Now again, I'll drag them to the beginning And then again, I'll take the brush and guys well masking while painting it with the black lung. Make sure you have this selected on North this one. Okay, so I'll take the brush and paint over these areas on. Also according to the need, you can change the size off the brush I didn till here. It's fine. Let me just scrub through it and see Perfect Perfect. So if you see her when it's coming till here, all these houses are also getting real because that is the portion where they would do was moving. So in order to get rid of that, what we can do is we can just keep our video till here and then shortened the length off it and not worry about the direction of the cinema Ralph as we can increase it by making duplicates layer, which I'm going to show you later on. So first, let's display and see how does it look? So as you can see, it's playing good here, but there's a slight motion when it's coming here, so I don't want that I list make it even more short of hell. So right now, I think it's fine. I also try to include as much reason as I can, so I re painting over this region and also sorry, it's not so you are supposed to paint here because we can see the woman's hand here, coming, not even here on only one here, not even here. Nor do you know these areas. Can we painted will. So how close can we go to the woman in masking? I'll digress. Now let's just played. Oh, if you see it here, we are not supposed to mask you. So to quickly remove that Al, total this bedroom and bring white color in the foreground and just painted over here, we'll do the same thing Here also will do the same thing here also, so make sure we're not revealing anything that should not be revealed. Also, we need to paint here on also looking a bit around this region. I think that's fine. We need to refine it a little bit here so that I will need to paint it properly. Let's display and have a look. Nice. Pretty nice. Now, once you have done with that, hauling into is Selig all the layers, right click on them, convert them into a smart object and only do this when you're completely done with all the animations and all the editing. Because if you combine them and make it into a smart object and then, if you want to go back and make gingers, it will be a bit inconvenient for you. So I just make it in a smart object. I let control command J to make or duplicate Doctor. I'll drag this and bring it into the same room as this one. And then you need to click on this Aiken on. Bring the cross field here. Then let's just plate from you and you can see the transition is very seamless. So it super smooth so we can go ahead and make a couple of more duplicates for this one. So I let control or command V. I think that's good enough. So I will click on this Aiken and put in cross Fade in all these layers wherever they are joining one another. So that is it. So that makes my cinema graph off up to around 14 seconds. I guess we can go ahead and make a couple more layers. So while it this Aiken dragged the cross feed and bring it all to hear. So now we have a cinema graph off around 16 seconds with just good enough, so let's just played and see the result. Nice So once you've done that, just hit on this. I can click on Brenda video. Give this a nice name. Woman in dress. Now select the folder. Make sure you have the preset quality set as high. You have the same delusion that you have taken in the big name, and the range should be work area arrest. Leave it as it is because for the job is smart enough to fill it for you. And once you've done that, just hit Rendah. Now it will take some time, depending on the configuration off your computer or Matt. So we just let it do its work and I'll come back when it's done so that it's done. Now let's go into the fuller and have a look at the final result. So this is our animation. I'll just hit, play and take a look Nice. The transition is very seamless, as you're not able to say, When exactly is the cinema graph ending and beginning it again? So this looks nice to me. So that's it for this lecture. My dear friends, I hope you enjoyed it thoroughly and learn something new. So please go ahead and download all the resources practice it perfected. And I will see you in the next lecture. Thank you so much. 33. Double Exposure - Part I: Hello and welcome to the cinema graph masterclass. So in this lecture we're going to learn a different and unique kind off a cinema graph, which is called the double exposure cinema graph. Now, basically, what this means is in the world of photography, there's one concept called double exposure, which means that you combine two different pictures in tow. One toe. Give it a very unique look to help you understand more better. I'll show you some examples off double exposure. Let's see that first. So this is the first example off double exposure. So if you pay closer attention to this, but you can see this there is an image off a woman and inside of which we can see very nice image off some trees. Let's go ahead and take a look at some different examples. So this is also an example off a double exposure. So primarily if you see there are two images one off this man's head and another one off this man's head. Like if you see within this head, there's one image off forest with a man walking on the forest land a lot of time. Instead, off these second image being inside off the first image. A lot of time it can go outside to like if you see this image so you can see a lot of buildings which are coming out office head. They are not exactly inside off its head. And that's also kind of effect that we see in double exposures. Now let's go ahead and take a look at the third example. So this is again a very nice example off double exposure. We have a person here on inside of which you can see a very nice wall. People, forests. Andi. I guess it's clicked in the morning because we can see the sun razor. So basically, these are Cordy double exposures in the world of photography. So using this concept of double exposure, we're going to apply your technique on achieve the look and create that cinema rough. So for that, let's jump straight into for the shop. So I have opened my for a job. I'll hit. Create new document on the resolution that I'll be taking is 1080 by 1350 Again, as I say, it totally depends on the project and the requirement that you're working on the resolution could be anything from full HD to square balls toe more off vertical posts like this one. And this I'm taking, particularly because I want to upload this on the instagram. So for the vertical post, this resolution works very nicely, so I'll hit. Create. So now here's a quick information for you. I'll making two parts off this double exposure cinema graph because I want you to learn it from scratch. First, I will teach you how to make a basic double exposure, using still images only. No cinema graph, no animation, no video, nothing. You'll be learning the basic kind of for double exposure using two images. And once we complete that, then I'll be moving on toe, making a cinema graph using double exposure. So the first part will be basic double exposure, and the second part will be making a cinema graph from that image. So I'll be requiring an image off a man, which I have saved in my computer. So let's quickly go into it and imported into for the shop. So this is the image that I will be working a quickly dragging the photo shop and hit ender . I will resize it. Control command D on using the old key on this dragon. I'll just drive one of the corners. And if you're using previous versions off for show, which is all the versions before 2019 then you need to also hold the shift key along with the all key, and then drag any of the corners of this picture to transform it uniformly. But if you're using, it will be for this up to the other 19. Then you only need to hold the oil key and drag any of the corners off this picture. So let me just move it towards right a bit. So the idea is that I'll be separating this man from the background and inside off his entire body orders head portion that you can see. We will be adding another image for the double exposure effect. So first things first. We need to make a selection off this person, and most easiest way in this case could be using quick selection on you could use other selection method also like lasso tool polygonal, lasso, tool pento and so on. A totally depends on you, but since the person is in very contrast with the background on the colors are totally, very distinguishable off this man in the background. So in this case, the quick selection will work very nicely. So I just had W. Or you can go into the stool section here and click on this wagon. So this is the quick selection tool. So at this, click on it and this dragged and quickly make a selection. So as you can see, it has not made a problem selection here on also, and this illusion off this hair but not to worry, will be taken care of it very soon. So once you have made a selection, just hit control shift I and for the Mac, you can see the short goods on the screen. So now when you have it, control shift. I is going to this little panel on Justin gets. If you're not able to see this like if it's invisible here, just hit the F seven key or you can go up here, click on windows on Jews layers. Okay, now head over to the list and I'll make sure this layer is selected. Come down here and click on this mask Agon. So once you click it, you can see whatever we had selected that remains on the background is gone, but we won't be doing that just yet. This had controlled there on. I need to make some little adjustments in order to complete that. So once you have selected this head over to select on click on Select and Mosque now you can zoom in a bit. And my intention to make this was as a conceit here. The selection is not very smooth, so I need to smooth in it. For that, I'll come towards the right side. I'll make sure this smart radius is selected. Then I'll drag the slider a bit to see. How does it exactly? Look, Andi, I will just slide it. If you can see here, you can see the effect. Actually, once again, I take it back all the way to the left and see. It's not smooth. Now I'll just drag this and see. Now it's getting smooth. Okay, so you existing to find the sweet sword, I think, then works fine for me and then will come down here, click on this one, and then click newly a with a layer mask. This is the option, which I normally used because it works for free cliff wine for me and then just hit. Okay, so right now, if you can see here, it has created our new Leo. Now we'll be taken care off this region because I think some of the here is gone. Andi, that's about it. And also decision where some portion of the court is gone. So what we can do is we'll come over here, click on this Aiken, and then make sure you have white color selected in the foreground, so I'll head white. Then you need to take a brush, give it a bit smaller size. Keep the hardness up to around 40 to 50% and then this randomly paint over it. We will take care of it. Do not worry on also near the this region. Okay, so these other isn't That was overlooked by the quick selection. So, according to me, I think the best way to select this one would be using the mental. So you'll come here on this layer panel, click on this. I can on then take a pendulum using B and draw a very nice selection around it. on. If you can see, you were about to complete a selection. And when you make the final anchor point here when you come and about to meet the first anchor point that you had started with, you'll see there will be a small zero or small Oh, kind of a symbol, which means that selection is now going to get completed. This have a look. You see that you see that zero or Elikann? So as soon as you ovary amounts over to the first anchor point, you can see that zero. You just need to click on it. So once you have clicked on it, now you can see your selection is always complete and then hit control or command. And so you can see this marching and things. So now we have selected. Now come back to Les Panel again. Click on this. I can take a brush. Make sure you have black because we want to remove some items. Keep the size around this much. Maybe on hardness around 40 to 50% and then just simply paint over it. I think I might want to increase some hardness. And once it understood control, aka Mandy that said, I think we need to take care of it a little bit here because I'm not liking this particular reason you that's good to go, and we'll come down here and do the same thing for this region also. So I'll take my pen tool. Make sure I have this Aiken selected because guys see whenever you're making any selection , you need to choose this Aiken, And whenever you're doing any operational masking, then you need to choose this layer. Okay, so I'll quickly create a selection around this one. And again the same thing. I'll just over over the first anchor point that I had made, and you can see that zero sign. I'll click on it. And then I had control of German, and then I'll take a brush. Make sure foreground color has black selected. I looked through the size of the brush on hardness. Could be around 70 to 80%. Come to the less familiar click on this again and paint it with the black color. Perfect. Let's go back and see. Yes, now it looks perfect. Additionally, to make things even more smooth and even more shop, you can come to a less Vandalia. Click on this again holding the control of command G like this, then had control shift. I again head control shift I. So now we have selection off this man. Only then come here to select head selected mosque and then be using shift edge, Just shift the edge a little bit towards left. Let me to see if it's making any changes. So now that a man is selected and we have removed the background, we can see that the man is now a different separately here. Now it's time to bring in the second image that will be merging with this man. Or you can say it will be inserting inside off this man. So I had the image stored in my computer. So I'll quickly Dragon two for shop. So this is the image off New York City will just drag it so that it fits the height off the man. Remember, it does not necessarily need to fit the and I canvas, but yes, it needs to fit the entire height off the man. So one side stun to say, Don't enter And just forget the originally that we were working with. I'll just give this layer of color so you can just ignore this level. We are not working with Dessler. We'll only be working with this on this later. Okay? So make sure this image of New York City is just above the man. Then right? Click on it and choose Create clipping mask. So see, as soon as I did that, the image of the New York City took the shape off this man. And now our work is very much done. Then I'll come here Cilic on this manlier and then I'll hit control or command J, that will make a duplicate off this. Now watch very closely. I will move this layer on top of this. But when I do this, the particular clipping mask will get removed automatically. And then we need to make it once again. So I'll just move the public it layer above. And right now, seeing the effect has gone because the moment I moved this upwards, the clipping mask which was clipped onto this layer got removed completely. So not to worry. Will again, rightly going there. And Jews create clipping mosque. So now you can see you are not able to see the effect because we have one there on top of it, which is hiding the effect, if you can see it. The selected obligate layer. Go to the blend more and choose lighten. So now I think you're getting pretty much the idea as to how we can do this. But to make it even more sellable, we need to make slightly little bit off adjustments. So this is how we do come on this New York layer, create a mask for it, take a brush and make it off. Very big size on you can keep the hardness off 0%. And the idea is, I want to reveal the eyes and some regions off this face so that look very nice. Otherwise, right now it's getting covered by this buildings, and it's looking very random. And then bring your brush towards his eye and take it right portion of the canvas. We are not painting here. We're repainting from a distance here, so bring your brush around this year, Andi, gently click on it. Also, I'll be moving a little bit towards left slightly as I'm painting it. I'm making a very subtle movement. We don't want to be very harsh, and I think I should move this image a little bit towards left so weekend. See his geeks on his eyes. And also, if you want, you can reveal the years for that. I'll decrease the size of this brush, head over to the flu and bring it around 45% and then very gently click on the ears once. That's it. That said, we don't want to make it even more so right now I think this region has washed out the images off the building. So I wanted back. So I'll come here. I'll make sure we have white selected. I'll take a brush and with the same flew off 45%. I will paint it here with white very gently and very subtle. That's it. So now we can see that we have created a double exposure effect using two images, one off this man on another off this city image. So now, to export this amend, you can just head over toe file export, say for Web legacy. You can choose your format here, Jay Peak or PNG. You can choose the quality 100% you can click on save on There you go. So this is how we make a noble exposure and for the shop. So I hope you enjoy this lecture on learn something new. I request you to please go ahead and download all the resources from the download section so that you can practice it and perfected in the second part off this lecture will be creating a cinema graph using this image off man and adding some motion inside off it. How we do that, we'll see it. Thank you so much. I will see you in the next lecture. 34. Double Exposure - Part II: Hello and welcome to the cinema graph masterclass. So in this lecture, we're going to learn How can we make a double exposure cinema graph from the image that we had created in the previous lecture? So this was the image that we had created where we had this person and inside of which we had inserted an image off city. So let me just save this first, so I'll be using the same image to create an cinema graph. For that. I need to come here and turn this layer off. And we could also give it a name in New York City. Still image. So now, since we have the man, all we need to do is we need toe insert the video file that we want to replace inside off this person. So I have that on my computer. I'll quickly go and import that into for yourself, so I have imported it. As you can see, it's not as big as the person's body, so we need to and large it, so I'll do that quickly on once again. I would like to tell you that whenever you're enlarging, make sure the video file or the image file that you're placing inside the A person should be off the same height. It should only smaller. It could be bigger, but it should not be smaller. So I'll keep it up till here, maybe and hit. Enter. Then we'll come over here to the layers panel. Leah, Right. Click on this one and then create a clipping mosque. As soon as we created a clipping mask, it took the shape off this bosom. And right now we can see it now to proceed with the animation. I'll come here to the windows. I'll click one time line, create every dude I'm Lane on right now. If you can see this particular video file is off around Oh, I don't know, maybe two minutes, 40 seconds. So we just let it be off whatever time limit it is, and we will just increased the duration off other layers so that it matches with the videophile. Our animation is pretty much closer toe the final result. We just need to make a few adjustments right now. If you can see it, we are seeing some buildings at around his eyes and nose and also around lips, which is not looking very good. So we need to take care of that. So a good way to do that is to buy shifting things towards left or right, but up and known. So in this case, I'll move this video file towards left a bit and also trying to see how does it look if you move upwards and downwards. So I think this looks fine. Let me just scrub it through the play head bar in the timeline. Andi, I think I am okay with this one. Now, this seems perfect to me and it gets even after moving your video file, you are not able toe get rid off some elements from eyes or something. Then we can again take the help of masking for that head over to the less. Finally click on that video file, come down here, click a mosque. I can take a brush, give it off a very big size, have black selected in the foreground color, go towards the canvas and and this click on it. And you can also play with this floating. Right now I have kept it 45. You can also increase or decrease. As for your need, the more the florid, the more intensity off the brush will be. So I thing I might want to get rid off this. Now let's just scrub the play head bar and have a look Nice. So now this is what we won't see. We are having the animation writer at around his head around is here at the same time. We are also able to see his face very much clearly. So this is how you create a perfect double exposure cinema graph on Additionally, if you want. If you wish to, you can paint it with white to bring some off the areas off the video. Here, too, I'll show you. I'll take white color in the foreground. I'll take a brush off around the size. The hardness should be 0% and I just gently paint over it and see. How does it look now? To me, it's not looking good, so this hit undo it under, So that's it. You can also play with the brightness and going trust off this one. Now it's very much complete. It says that the white background to me it looks very much simple and boring, so I want to change that for that, I'll replace it with one white wallpaper behind. So let's just quickly go into my computer and I'll drag you into for the shop. So this is my wall, people. I'll just drag it on, place it here. I'll take it and drank it all the way to the down and then I'll click on it. I will expand it so that it fits the canvas. And, uh so right now I think we have done a pretty good job and yet not to forget. We also need toe increased the duration of this layer to we will see whatever layers we have in the animation, all of them should be off the same duration. Okay. Additionally, if you want, you can click on this and hit control commodity and also increased the size off this one if you want. I don't know how we live. Look, but let's just play with this thing. I live and, uh, I will just scrub my time lane. And yes, it is looking very nice. So if against here it's getting end here. So we will also end our animation here using the small I can we can zoom in so well in our animation till here. So I think we have done. And now when you want to render it, just come and click on this. I can. Hey, Brenda, Video, give this file a name. Let's call it double exposure Cinema guff Selective folder for this one. Um on don't make any changes in this region. Make sure the preset quality is high and you have the set resolution that you were chosen in the beginning and the Rangers work area and then just hit on Brenda. And depending on the configuration off your PC, it might take some time. So I'll quickly pauses for do and come back when it's done. So this rendering, comparatively, is taking a bit longer than other renders that we have done in the past. On the reason being is the images that I've used are off very high quality and a very big resolution, So you need not worry about that. The main idea was to teach you How can you make a double exposure cinema graph? You can go ahead and use this technique with lighter images and smaller video files on that will work this perfectly without any issues you can try this on. I hope you have a very nice machine that it will help you render this very quickly. So it seems to be done. Now let's go back and take a look at the final result. So this was the image that we had started with. And this is the final result. Nice. Also, the quality off this time laughs off. The city is very nice. And you can see the transition from day to night very seamlessly. So I think we have done a pretty good job. So, yes, you can just watch this completely. An It's around two minutes. So you can also split it into two parts off one minute each. And then you have two different posts. So that's it for this lecture. I hope you learn something new and enjoyed this thoroughly. So this is how we make a double exposure cinema graph. Now, I request you to please go ahead and no, not all the resources from the download section. You practice it and perfect it. And thank you so much for taking your time to learn this particular skill. 35. Thank You | The End: So that's it for this entire cinema graph Masterclass. I hope it wasn't enriching and an enjoyable experience. I'd like to wish you all the best for your future endeavors. If you have any query or sedition or any problem, please write me a mail and I'll help you with that. My male idea will be somewhere down below. Thank you.