Art With Ohuhu Markers for Beginners: Draw an Easter Egg and Bunnies

1. Welcome!: Hi artists. My name is Victoria, and I'm a professional artist and teacher here in Scotia, and I love to draw everything. From realistic drawings of people to creepy clowns, cute dogs, fun landscapes, you name it. In this beginner friendly class, we'll be drawing something a little more festive. I hope you will join me in creating a fun and colorful drawing of Easter bunnies using markers. The drawing process is divided into four sections. We will begin with creating the outlines, then coloring in the egg, creating a smooth background, and last but not least, the cute bunnies. This illustration would be perfect to hang up in your home or even make into Easter greeting cards. Keep my fingers crossed that you join me in this class. So we can make this cute illustration together. I hope to see you in the first lesson. 2. Create Your Outlines! : So the materials that I'm using for this piece are going to be very simple. I'm just using my paper, markers, and also a graphite pencil to create the outlines. The paper that I'm using is from the O Hoho brand, and it is nine by 12 ", but I'm actually going to cut it in half because I feel like this paper size is a bit too large. I'm going to cut it in half, so it's going to be nine by 6 ". And then I have a handful of my markers. These are the colors I am using. So I have the O huh set of, I believe, 260, and they have the brush end and the broad end. So if you have the same set, these are the colors I recommend. So, let's get started. We'll prepare the paper, create the lines, and then we'll be ready to begin coloring with our markers. So I'm going to begin by cutting this paper in half because I feel like it's just a bit too big for our Easter egg illustration. So this paper is 12 " wide, so I'm going to make a mark at six inch. And I have a very helpful gting here, but really, you can just use scissors. This is not essential. So I'm just putting this paper in halfway. And here we are. Now we have a smaller piece. Alright, I'll make it 1.5 inch smaller. So it's going to be 6 " by 7.5 ". Alright. That looks a lot better. And if we have a little scrap piece of paper here to sample our colors, I always like to test out the color of my markers before I apply them on because some of these markers, if you have them, the lid is always a different color than the actual ink, so I always just like to make sure. So now I'm going to put my paper here. I like drawing on an easel, so I have to stick my paper down to a backboard. I'm just using the back of, like, a sketchbook because it needs, like, a harder surface. You know, if it was just the paper alone, it would be too flimsy. So I tape it to the back of something a bit more solid. Okay, so all the prep work is ready. Now we will complete the outlines and then we'll do the coloring. Alright, so for the outlines, we are going to begin with the egg. We'll have an egg here in the middle and then some bunnies on the sides and maybe some little flowers, perhaps a happy Easter sign written here at the top. So let's start with the egg. So when I'm sketching something, I don't put pressure on myself to try to get perfectly the first time around. Like, an egg is kind of like a symmetrical shape, so, you know, I don't have it in me to make, like, one hand motion, and it's going to appear like a perfect egg shape from the start. Like, what helps me is if I make my best kind of attempt at an egg shape. So here's the top. I hope this is even showing up on camera. I'll try to darken it. Here's the top of the egg. And, you know, it's not going to be perfect, but once you start placing your lines down, then you can kind of visualize it a bit more. So here's going to be the side of the egg, the other side. Then the bottom is going to be about here. And the Okay, so this definitely is not perfect egg immediately. Like, I can see that this needs to be kind of adjusted. It needs to go down some. It also looks like the egg is tilting somewhat. So yeah, I'm just making small adjustments, but yeah, once you have a shape down, it's much easier to see what needs to be done to it because then you can actually use it as a reference. So if I'm drawing anything, even like my very complicated, you know, full face portraits, I always start with very rough outlines, and then I can see, like, this is off. This needs to go down. This needs to go up. This needs to be wider, and so on. But it's not too bad. Maybe I can make this a bit more Eggy. Here. And the thing is, as long as you make your outlines light, then you can make so many corrections, you know. If I was to really press hard with my pencil, and then I would try to erase them, it wouldn't really go away entirely, but because I'm pressing very lightly, I can get away with, like, erasing these outlines and they'll disappear completely. Okay, so let's erase this area here. Any erasa will do. Okay. So now I'm going to go over this one more time. Also, another thing that's helpful is your wrist naturally makes this kind of motion. It's going in a curved motion. So this side here is much easier to create because my hand is already moving in this direction. But this side here, it's not as much of a natural movement. So if you can, you can even twist your page and complete the other side of the egg from, you know, if you have the paper rotated. But I'm going to try to not do that just so I can keep the orientation of the paper the same throughout the class. But right, this looks I accept it. I accept this shape. It's fine. Um, definitely not perfect, but you know what? It's okay. It's an artwork. Alright, so here's the egg, and I don't think I'm going to make the patterns on the egg. I think I'm just going to kind of do that once I already start coloring in. So now the only other thing we will sketch in are going to be the bunnies. So I would like to have two on the sides and one sticking out from behind the egg. So let's first of all have one here. They're gonna be small. It's gonna be a giant egg, okay. It's gonna be one bunny here. And it's gonna be standing in front of the. I'll erase this line here once I complete my bunny. And a trick I like to use to draw faces is just draw a simple cross across the middle of the face, and then, again, the middle but horizontally. And this kind of determines the direction the bunny is facing. And so, you know, I could have done it this way, and then the bunny would have been looking down. So as long as you place the eyes on this line and the nose on this line, then you're going to get somewhat of a decent looking face. So you can see I drew a line down the middle and then the line again down the middle horizontally and vertically, and the eyes are going to be on this horizontal line, and the nose is going to be on that vertical line. And the bunny can also have a little smile if you want it too. And then we have the body of the bunny. One arm, and then another arm, a leg and another leg. And then a tail. Alright, and there's one bunny. Let's also give it a belly. And really, you can choose any colors that you like these for this illustration. Like, if you want the egg can be blue, it can be pink. The bunnies can be black. They can be brown, gray, anything you like. Next up, let's make another bunny over here. This bunny can be sitting on the ground looking towards this bunny. So again, let's start with the head. I'm going to have him a bit lower, so his bottom will be about here somewhere. So the head it's gonna be like this. He is going to be his huge tall ear. I'm going to make his head a little bit wider. So we will have a line this way, so this is showing you how, like, left or right the head is looking. And I feel like even once he plays down these lines, you can kind of immediately see a face in it. Like, your brain kind of fills in the details. So here is the direction. And then this line here will be how he's looking up or down. So you can imagine if I made the line here, it will look like his eyes are very low. But I'm going to make them about here. And he's looking up towards the other bunny. So his eyes are going to be one here, another one here. And then here's his nose. And a little smiley face. Okay, and now we'll do the body. So you can start with very, very simple shapes. You know, if you're building these bunny characters, you can start with a circle for the head and then kind of an elongated oval shape for the torso. I feel like making him a little chunkier. Like this. And we have 1 ft here. And then another foot here because he's facing this way. And then his belly will be like this. And then one hand and another hand kind of overlapping that belly. Right. And then we have the little tail. And then the kind of light pink area of the inside of the ear. And here is our second bunny. Alright. And now we're going to have a third bunny. I want this bunny to be peeking out from behind the egg. We'll kind of draw the head, again, one circle for the head. Then you can refine the details. I want the bunny looking up. And then the belly would be like this. He's gonna be peeking out, so we won't really be able to see the whole shape. And then he'll be facing this way. Like, so So now, again, this one's going to have one e here, another eye here. I don't know. And he doesn't necessarily need to have a smile. Maybe he's just looking with curiosity at the egg. And then he needs his paw. Then there's room for a little tail right here. Maybe I will give the egg, like, some of the pattern just so I can kind of map it out and see how it looks because sometimes I don't like going straight into it, and then, like, the pattern looks off or it's, like, too much. So can you make this a little bit cavia? Okay. Maybe we can do the same on the bottom. Okay, here's a rough pattern. Maybe we can add more to it. Add a little squiggly shape. And, you know, this egg is going to be like a hand painted egg, so it definitely doesn't need to be perfect. And then kind of create more patterns. So on this side. Really, you can decorate the seg however you want, right? It can be really anything. You can draw stars on the seg. You can draw hearts. Anything you want. I want to put something here, but I'm thinking about what that should be. Maybe just like a wavy kind of shape. Have a dot. Yeah, here and here. Alright, that's pretty decent decoration. Um I think I'm happy with it as it is. And then, oh, I forgot we're going to have flowers coming out the back. So we can make the flowers very simple. I have another branch here behind this bunny. And again, you can really modify this image. You don't have to do exactly everything that I'm doing. You can choose different flowers. You can choose different colours. It's really whatever you like. Okay. I'm happy with this. Now, I guess the final thing would be to have, like, a happy Easter sign at the top. Only if you want one. It's not essential, but I'm going to leave it for now because I would kind of writing it after I do the background anyway, so I'm just going to leave it as it is. So those are the outlines complete. And in the next lesson, we are going to start coloring in our cute illustration. 3. Paint the Easter Egg: So now it's the exciting part of our creation. We are going to be coloring in our beautiful artwork. So the first thing that I'm actually going to do is I've already picked out my colors before the class, you know, because I wanted to be prepared. But I do encourage that we do like a swatch test. So, you know, the colors that you pick for the egg, just try them on a spare piece of paper, make sure you like them. So I have three yellow colors, and this one and this one I plan to just have, like, as the main part of the egg, and this one is kind of going to be the more decoration on the egg, okay? So I just want to make sure that I can, basically create a shadow with this because I want there to be a highlight on this egg and then just a little shadow right on the bottom. That's going to make it look a bit more ready. So I'm just going to sample these colors. First of all, I'll do this light yellow one, and just make sure I like it. So it looks like this. I guess it's a bit more. Like a greenish yeler. You see why I mean, that's just kind of different than the lid. So this is why I always recommend that you check your colors before you use them. Even though this is called lemon yellow, it looks a little bit like even it has a hint of green. So that's my so that's my lemon yellow. And then this is going to be my shadow color. This is melon yeler. We're on theme here of the fruits, and I'll just sample this. And it's a little bit darker. It's still in the same family of colours, but a little daka. So I think these two will be good colours. So there's some yellows, and then this is going to be my decorations colour. So, you know, I'll be making all of these shapes with this more orange turn. Yeah, I like it. So this will work for me. And the first thing I will start with is going to be my very first yellow color. So that's the first one. And I'm just going to fill out the entirety of the egg with this color, and then I'm going to apply the shadows on top over here, and then I'll try to blend them. I do have this blending marker. So we'll see if we can kind of just merge those two colors together so there's no harsh lines. And then we'll use that orange color to create those details here on top. But even before I do that, I feel like my lines here are just a bit too dark over the eggs, so I'm going to try to lighten them, and you may not be able to see them as much and I might not be able to see them as much either. But I just don't want that graphite to show through at the end, especially because the yellow is such a, you know, it's a light color. Yellow is very light. So I'm just going to try to bring these down as much as I can. I hope you can kind of still see these. You'll see it anyway as soon as I start fitting in, we'll bring that egg shape back. I just want it to be very, very light, okay? Alright, that almost disappeared. I hope it's still somewhat visible, maybe not. But it's okay. We're bringing back the shape now. So here is my yellow color, and I'm going to be filling in the entirety of this egg with my yellow. So I'm just going to be really careful around the edges. Why am I nervous? I'm actually really nervous. And also will be really careful to go around the edges of the bunnies. So the bunny has his ears over here. So we will be careful to not go into those details. His little foot is here. Now that it's drying, it's drying into a much nicer color. It's like a more vibrant yellow. It's not so much green anymore. Obviously, it was tough for me to see the outline because I was covering with my hand. It's more like this. Okay. And now we will go crazy and fill out everything. So the remainder of the bunny. I mean, the remainder of the egg. Once it dries, I'm hoping it will be a bit less streaky than this. S Okay, so that's the egg, and we can even use this pen to go over the bottom here because we want the shuttle to be on this side. So for some reason when I'm applying this pen, it looks a little bit more green at first, and I actually think it might be because it's like wetting the paper, so it's actually just the wetness of the paper that's appearing this color because when it dries, it is turning more yellow, which I'm definitely more happy with. I wouldn't want it to end off as this grayish, greenish color. I'm just wrapping around this side of the egg. And also, you don't need to do this. You can just kind of, like, colour it flat with the yellow and then call it a day. You know, that's perfectly fine. I'm wondering if I should add more layers with this one just to fill out this egg. Now, it looks weird while the marker is wet, but once it dries, it does settle into a nice even layer. So yes, it looks a bit messy at the moment. But in a second, it will look okay. You can kind of see over here, it started to dry out a bit. So it looks a bit better. So now here in the bottom. I'm now going to apply that second yellow, the melon yellow to create the shadows. And I'm going to do it while this is still a bit wet because I want the colors to mix together. So yeah, this doesn't need to be perfect. Just throwing on a bit of a shadow here. And now, let me just quickly outline the bottom. So we have that nice neat line for the bottom of the egg. So now I'm actually going to use my blending brush to just go over this area and try to integrate these two yellow colors. And it really does make it tricky these markers when they're still wet because this doesn't look anything, you know, it doesn't look smooth at all, and it's going to settle in in a second, but you just have to trust the process. So now the base of the egg is done, and we can move on to coloring the egg. So I am grabbing that fad color, and I guess maybe I should wait for this to dry a second. But it's okay. I have no patience, so I'm going to go straight in with this, and I'm going to start I can still faintly see those marks, so I'm just going to go over them. Then I'm doing those patterns. And again, you can really decorate the seg however you want. It doesn't have to be anything like what I'm doing. This is just kind of my idea. Feel like this one should be a bit bigger? Alright. This is fun. So this is the first section of the pattern, and you can see it's not perfectly straight, but that's okay. It is a very, you know, it's a hand painted egg, so it can't be perfect. Okay. And now we'll have this pattern, and I can actually only see this faintly. It's like this. And then the pattern goes around the egg like so. It's much easier when you can see the pattern. I'll tell you that. Hmm. I'm trying to see so hard why this pattern had gone. I feel like it continues here. Something like this. And then it goes back. Alright, I figured it out. Here it is. Behind the bunny's ear. Okay, this is the second section. Now we have that line it looked something like that. Of. Okay. And we had those little bubbles. One, two, and the third one was somewhere. Oh, here. And then we had the bottom section. Okay. So this is the egg done. I'll see you in the next lesson where we will complete the background. 4. Draw a Smooth Background: So so for the background here, I have chosen a very light pink color, so I'll do a little swatch of this so you can see it. And again, if you don't want a pink background, you can choose a different color. I feel like a light blue would also look very nice, um, but here is the color I have chosen. And again, of course, the paper makes it look gray at first, but once it dries, the color looks pretty similar to this. So here's a closer look. That's the color I'm using. So, um, really, again, this will look a bit crazy, but once it dries, it should look a lot smoother like this. Um, but before we do the background, I'm going to just make sure I have all of the outlines that I don't like erased because they're going to show through. And again, the pink is such a light color that all of those outlines will really be visible. And I'm leaving those branches here, but they're just quite faint. And Okay. Alrighty. So we will do the background now. Again, I'm using the brush end of this markup. Oh, you can see now. You can see now it's dried up. It looks much nicer. It looks like a soft pink color. I'm just going to try to keep it neat. So I'm going to go pretty much to the edges of the paper on all sides. And this will take a couple of layers. You see, this looks very, um, scribbly, but we'll do probably two layers of this. And then hopefully it should look good. And we will also try to be very careful around the outlines. Be careful here also around the bunnies tails because they are going to be very light gray. And that pink will show fruit if we go into the tail. If you go into the body of the bunny, that's okay because the body of the bunny is gray, at least on my artwork. Yeah, just try to avoid the outlines entirely. It looks very messy right now. Oh, my goodness, but it will look better once we do the second Daya. And ulcer, I do actually like this, scribbling style. It has a very, like, hated painted look to it, which I'm all for. Okay. I think I'm ready for the second aya. I'll fine everything as I go over it one more time. We'll start at the top. This might even need three layers because it's such a light colour. We'll see. Okay. This is pretty much layer two. I think I'm going to give this a second, see how it dries, and then I'll come back and I'll see if it needs a layer number three. Right now, I feel like it honestly might because I still feel like I can see unevenness, but we'll see in a second. Okay, so this is how it's dried. It's almost entirely dry now, and I still feel like it looks a little bit scribbly, so I'm going to do just one more layer of that same pink. And then I was also thinking we could do a little shadow underneath the bunnies so they look a bit more frety. But I'm not going to be that careful with this lay. I'm just going to do it quickly because it looks mostly good now. Honestly, it could already leave at this point. But I just want it to look a bit more solid. Also, it helps. When you're trying to blend layers together, it helps when you go in different directions because, like, you know, it can look like very streaky, but if you change the direction, then you kind of help to disguise that, like, streakiness, I guess, or go in different directions, and that will help. Okay. And again, this will dry and it will look a bit nicer once it does. And then I'll do a little bit of a shadow beneath the bunnies, the same color. It's just another layer. We'll make it look a diny bit darker. So that's what we're up to here. Little bit of a shadow. Under the egg. Alright. Hopefully once this dries, it will look cute. But while there is drawing, we are going to move on to creating those floral patterns in the back. So for the floral details, I have these colors. Now, for reference, this was the background color I was using, so you can see it's a lot lighter. So these are the f I wanted to use, and I actually wasn't sure which one I was going to use because I only need two of them, really. One for, like, the solid leaves, and then the second one for the outlines. So I think I'm going to just swatch each one of them on our little paper. So here's the first one. Then the second one. Well, that's very bright. And then we have the third one. Hm. I don't know if I should do this first color as the base layer and then this medium one as the outlines, or if I should use the medium one as the dark one. Honestly, let's go crazy. Let's use the dark or two, because I feel like since we've applied so many layers of this pink, this one could honestly look a bit too close. And I also don't mind a bit of a pop of color. So let's use these two. So I'm actually going to not include this one in the drawing. Maybe I'll use it later for the bunny ears or any of the writing, but I'm not going to use it for the floral details. So these two we'll be using. This one's going to be the leaf color, and this one is going to be the branch and the little lines across each leaf. I'm going to start with this one, and I'm going to create the stem first and then I'll go back to this one and create each leaf and I'll wait for that to dry and then I'll draw each line over the leaves. This will make sense in a second. Actually, to be honest with you, I think I forgot exactly where I drew my outlines. I think I had one here here and here. Now I can't see underneath the background, but that's all okay. Let's start with this. And for this, we're really going to try to be precise with the tip of this paint brush because I don't want it to look too thick. I want the branches to be very thin. So let's start with this one. This is the only one I can actually still kind of faintly see. I guess I should have left the outlines a little darker. So there's one, and I really cannot see the other branch here. But let's presume it was somewhere around here. Like this. And then the last one was here and I can still very faintly see it. Like so. Okay. And now we will go back to the medium pink. And we'll use this one to create those leaves, sir. Put one here. Okay. That's one. Then we've got another one here. It's kind of funky when I try to do it from this angle. And then we've got this last one. I'm actually really liking this so far. I think it's so cute. I love how the colors look together. Alright, one. Okay, and now we really have to be careful here because of the bunny is this one looks like this. All right. This looks good. I'm actually going to fix up this one a bit. Okay. Now I'm using the dark pink again, just to create those little lines in the middle of each leaf. And we're just being very, very careful to only use the tip of the brush right here. And then all we have left is the bunnies, and then any potential changes you want to write like happy Easter sign or something or create any hearts anywhere. But yeah, the next lesson will be the bunnies. So I will see you there. Okay. 5. The BUNNIES!!!: Hi, welcome to the last lesson. Now all that's remaining are the bunnies. So really now at this point, because we did all the outlines in the beginning, everything else is just like a coloring book, right? Like, all we have to do is fit in the colors. And yeah, I hope it's fun so far. We mainly need three colors, a very light gray for the belly, and then these 2 grays for the main areas of the bunny. And then also, if you have a black marker, that would be good for the eyes and the nose of the bunnies, but we can also do those with, like, a black color pencil. Anything that requires a lot of precision, I just feel like markers, they don't give us that fine line thi after. So we might just come back in with color pencils and create some facial features. But those are really the colors. Oh, and we also need a light pink for the ears of the bunny. And you can use the same light pink that'll be used for the background, maybe this one. So we don't really need to lighten the outlines of our bunnies because these markers are a bit on the darker side. So those outlines won't really flash through as much as they would have over the light yellow egg or the pink background. So the first thing we're going to do is we are going to fill in the bellies, and that's with my lightest gray marca. And I'm just going to do all of them at once. If you want to, you can even add a little detail just by going over it, creating lines, so that kind of makes it look a bit more like fur. And in this one, you can't really see his belly because he's hiding behind the egg. I would just add a little bit more to this one. So the next thing I'll fill in are the tails. And you can kind of make this scribbling pattern. This makes it look a little more fluffy. Even if you have some of the white paper showing for it looks quite nice. Okay. Add a little more shadow here. Alright, and that's done with that color. Now we're moving on to the main gray color now. This is called the warm gray three. And I'm pretty much going to go over the entirety of the bunny with this, and then we'll come back with that second gray and add any shadows. So I think we should just do one bunny at a time because since we're adding shadows, we want to do it while the marker is still somewhat wet so that they mix nicer. So let's go ahead with that. So remember, this bunny is going to have some pink in the middle there, so you don't want to fill out You just want to make sure that you're going to leave enough room for that pink. I'll do the other ear. And as I'm adding this gray color, I'm kind of carving out the shape of that pink area to fill out later. Alright, and now we'll do the head. I'm actually just going to fill out all of it. Hopefully I can still see those outlines at the end. And if I don't, I can just create them again. I'm trying to be careful to say the lines here. Okay. And now I'm grabbing that slightly darker gray. So that's 1 gray number four. And I'm just going to create any necessary shadows. Here we have some shadows underneath the head. We can add some ulcer here to the sides of his head. And we're doing this while the ink is still wet from the previous layout because when that's the case, the colors they blend into each other a bit nicer. I'm going to kind of give the bunny a little bit of a shadow above the snout. Let me just blend it with this one that looks a little too Too strong. I can always use my blender brush at the end. Okay. Now his little arm. I'm also going to do a few hair trocks around the belly. Okay. That looks good. Alrighty. Now, I'm actually going to go back to the previous colour, the warm gray three, and I'm just going to add a tiny bit of a shadow over here at the base of the tail. I'll do that for this one, too, when I'm at it. Okay. Now, I'm just going to use this brush because I've kind of made this shadow here a bit too strong, so I'm going to This is the blender brush, and I'm going to just try to merge those two colors, and now it looks even worse because there's, you know, the paper gets alca when it's wet. But in a second, hopefully it will look good. Now I'm going to grab the pink color, and I think I'm just going to do the same color as the background. Okay, so now it's time for the bunny's face. So I have most definitely lost my outlines. So I'm going to try to just kind of lightly map out my features before I press down very hard. So if they're not, I'm looking how I want them to look, then I can make changes. Okay, this is very, very faint, but I hope you can see there's one eye here, one eye there. And then the nose would be here. And then a little smity face. Okay, I think I like this, so I'm going to press lip a little bit harder. So there's one eye. And I'm using just a regular black coloring pencil for this because I want to have a little bit more precision than the markers offer. Okay. Kind of don't like the shape of the site. It looks like, too wide. That's better. Oh, give it a little nose. Here we are. And a little. Should I do a little smiley face? I'm not sure. I'm not sure if I I'm in love with those smiley faces. Um, but we'll definitely give it whiskers. I'll see in a second if I wanted to have a smiley face. One, two. Two. Actually, I'll give them three. Seems more complete that way. Um, Should they have eyebrows? No. Um, okay. Is there anything else I want to add? Any outlines? I'm kind of happy with this. Maybe I will give him a little smiley face. Just a little line going down from the nose. Okay. I think I'm happy with this. So now we'll move on to the next bony. We'll do this little one sitting over here. So again, we've already filled in the belly and the tail, so we're just going to move straight into the second color, so that's warm gray number three. And we will do exactly the same thing. But you know what, now I'm going to learn from my mistakes, and I'm actually going to map out those features so I can see them at the end. Okay. Hopefully, I'll be able to see that. So for this one, the inside of the ear is actually facing towards the egg, so there's not going to be any pink on this side. So I'm just going to start here, and this is the second gray color, so the medium gray. Then Okay, so you can see I've already carved out the shape of that pink EM. Now I'm going to fill out the face, really keeping my fingers crossed that I can see the features this time because that makes it a bit easier. O. Okay. Now we'll fill in everything else here. And we're going to just create a small thin line beneath the belly like that. I'm just filling out another layer because this marker is kind of streaky looking. So there we have it. Okay. All right. And now immediately with that second gray marker, I'm going to create the outlines just like we did with this one. I'm going to give this guy a little more shadows here around the ear. This is the warm gray four from the Oho hu collection in case you're using the same marker set as I am. I'm just detailing here, weenie. Okay, that's Bunny number two, and we will do all the other details that we did on the left, Bunny. So the first thing we'll do is filling out this ear. Just a little bit of pink, and then we'll do the face. So again, I'm grabbing my black pencil. This time, I can actually see the features, so that's easier. So one eye here, another right there. And I have just realized that I forgot to do the little shadow above the nose. So I'm going to grab my medium gray, and I'm just going to add another layer and see if that's enough because the other one I felt like was a bit too dark, so I'm hoping this will be good enough. And then we've got the nose. I feel like I need a microscope for this. It's so tiny. Okay. Again, here's a little line. So time for the whiskers. These ones are gonna be a bit shorter. One, two, three, and then one, two, three. Okay. And now we have this last but not least bunny. Okay, so for this last bunny, we will start by again, refining the eyes because we need to be able to see them through the outlines. And then the little nose. Alright. That's good. So again, going back in with the second gray color. So that's the medium one. So again, this ear is also facing towards the egg. Nice long ear. So we're going to fill it out entirely. We're not leaving any room for pink. Just filling out this ear. And this year, we are able to see the pink, so we'll leave a little room. Okay. And again, we're just going to add a little bit more of that color below the head and also below this arm and also to the sides of the head, just to create that more freighti effect. And now we'll go in with that gray number four color. So that's the darkest gray we're using. Okay. Oh, we also forgot to add a little bit of that green number three color to his tail. I didn't see this one earlier. Okay. Now we'll add the ear. With the other bunnies, we want him to have a bit of a shadow above his nerse. I think that actually looks pretty cute, that little shadow there. And we can add the eyes and the nose. Just like sir. And that little line going down. And, of course, the whiskers. One, two, three. This one's very narrow. And then three on this side. One, two, three. So I guess this is it. If you want to, you can go ahead and add a happy Easter sign. Really any text that you like. It depends on what you're doing with your painting. Maybe you want to make it into a greeting card, in which case it would be cute to write, like a holiday message somewhere here. But if you just want to leave it as it is as a photo, then that's perfect, as well. That's what I'm doing. And I hope you enjoyed creating this and that you're happy with your painting, and I will see you in the conclusion. Bye. 6. Thank You and Happy Easter!: Congratulations on getting through the challenge. If you did enjoy it, I would really appreciate if you left a positive review because that would help me get my class out there and find more students. I would love to see a character, so please upload them as a class project and I will be so happy to see art and give you feedback. If you are interested in more classes, I have a portraiture class where we go through each facial feature, and I show you how to create them realistically step by step. We start with the outlines, and then we move on to creating the base layer and finish off of the details. If portraiture is not your cup of tea, I may also recommend a class where we learn the very basics of drawing. We go over light and shadow, shading, one, two, and three point perspective. This class is great if you are just starting out with pencil drawing. That is all for me. I am waiting very impatiently to see your art. Thank you so much for following the class and enjoy creating.