Animal Character Drawing with Geometric Shapes (Pig, Hippo, Elephant, Cow, Donkey, Sheep)

1. Introduction: Hello everyone, Welcome to sketching and illustrating animal character course width pencil. One of the most important parts of sketching characters for our students is definitely sketching animal characters. In this course, you will learn how to sketch and illustrate different animal characters with a specific roles with the use of geometrical shapes. In this course, you will learn to sketches of pink, hippo, elephant, cow, dung, key, sheep in different models. I hope this course will be useful for you and would be a cause of your creativity arise and you enjoy it. Good luck everyone. 2. Introducing the tools: Hello to all of my dear friends. We are here again and today we want to learn about the equipments and tools which are needed for this course, which is characterizing the animals. I would start with my at it. Because first symbol. We are going to create our primary sketch for our characters. And I will do it with the use of my edit it. And I would also use b or B2 pencil. It is going to be needed for our work. This is B and this one is B2. I've chosen these pencils because our primary lines for our primary sketches are going to be drawn lightly. And then we've made sure that our work is okay, and it's correct in all aspects. We can use pencils with higher numbers and fix our work. But for the beginning of it, it's better to start our work with B or B2 pencils. Now, for our attitude, we also need this. And just pay attention that the type of your edit and the type of your lead or it's a tip, would be the same. So if you choose one of them, 0.5, the other ones should also be 0.5. You shouldn't choose, for example, 0.7 lead for 0.5 at it. And even if you can't see the leader violated is to be. It should also match your pencils. So you can create softer lines. Now, after all of these, we need obviously a pencil sharpener. These are which have this kind of a case at the bottom of them are the best because it will make your work easier and faster. You would also need a sharpener for your pencils. And after that, we definitely need erasers. We would definitely definitely need our dough eraser. This is a necessity. So you should definitely have a dirty eraser. You can also have pencil erasers. I have the fabric castle type of it. Something good about these pencils is that at the ending part of them, they have a brush cell venue. Erase any part of your work. You can use your brush to get the extra things off your work. Your work would not get messy. It would just make your work easier. Can also use this kind of brush erasers. But again, I say delivery CR is a necessity and you should definitely have it or otherwise you can note, do your work. And another kind of eraser that you can have is this. The eraser that they have some kind of eraser tips inside of them. You can change them or wherever. Your work is so thin and you want to erase it. You can use this kind of erasers. So this is another type of eraser that you can use in your work. Then another point that I should tell you is that you can use this pencil holder for your pencils. This can come to use for you when your pencil would be too short and small. Therefore, you can place it inside of this pencil holder and use it. One of the most common problems that people have is that then, and pencil is short as small, they cannot properly use it, but this pencil holder actually helps you to use your pencil still. I think this is also necessary for your work if your pencils are short or a small, okay? And we are going to have some works with colors. Therefore, we need some colored pencils. For the parcel. You want to use some shadings. You might even need a fader. We will just use this fader limited oddly. But if you like it, you can use it more. And I also have a brush. Therefore, I can get any extra things off my work so it would be clean and it wouldn't be messy. My paper and my sketch would know sketch messy. I use it, especially for the, for the times that you use. You want to use color on your sketch because it would not let your work to be dirty. And therefore, it wouldn't make your colors look dirty. You can use 1212 number colored pencil, or 28 or even 108. Depends on how much cost you have for this, how much you want to pay for this stuff. And you can also consider your colors more than this. It depends on you also need some papers for our work and normal lie cheat. You can also use some board that you can place it underneath your paper and your hand. You can also have some paper tape, and these are just some accessories that you can have if you want. The board will be also kind of unnecessary for you because it would be placed underneath your hand and your paper. And it will actually fixate, fix your paper on your board so it wouldn't move. These are all the tools that you're going to need for this characterizing course of animals. And you can provide them. 3. General illustration of the first Pig: Hello, I love my dearest friends. We are back again with another tutorial session for you. And in this session we are going to work on a pig character together. Okay? I'm going to start with creating a circle as my peaks hit. Obviously. I think up to now you should have learned that already, that usually we start with a circle as our character's head. I complete the circle for its head in this way. And then for my pigs body, I will create an oval starting from inside of the head and continuing with getting out of it. This shape. This would be the shape of the general, the general shape of the oval. For my character's body. I am going to determine the placement of the ears as well. For my pigs, ears. I'm going to use is shaped like this. All right, it kinda looks like a combination of a square and a triangle. For the other ear. I will start from this side part and I'll create a line upward and I bring it down again. I finish it in this area looking like this. Okay, dear friends, this is the replacement of my pig's ear. Now, for the circle that I've created over here, I bring it apart out. I mean, I will add a prominent part for my face. I'll actually add the prominent part to the face. Then I will determine the placement of the eyes inside of the face. With a shape like this. In this area, the eyes would be placed. You should also consider that pig's head has been turned, but this is again closer to us, therefore, we should actually consider it bigger comparing to the other eye. I will create this part which includes and contains my pig's nose. First I create general shapes for it and then later I will add details to it. Don't worry about it. This would be my pigs mouth actually. Then I want to create my character's hands and legs. Arms and legs actually. Then this arm, which is closer to us, we'd be shaped like an oval. It's just that I will go toward inside of this oval at one end of it. I mean, It's not really round and a straight on the end. Then I will consider the other arm a little bit further from this one because it goes in perspective. It would be also shorter. As I said. Because it goes in perspective, we should consider that it should be created into back and smaller. We should also create the legs in the same way. I'm just trying to create the legs a little bit more above comparing to the arms. Because again, we are going to show that it's standing on a surface flat one. I can also create this arm a little bit back on the body, a little bit to the right on the body. Because this arm would be too close to the other one. We can also consider the pig's face a little bit more circularly, so it would be even cuter. Then I will create the general shape for my pig's tail this way. And then after that, I'll consider that my pigs back is a little bit curved like this in order to get the anatomy right. And it's a bit cuter and it looks like it's almost going to sit on its back legs. This is a general Schaffer, my pig character. And then we're going to move forward to the next step, which is adding the details to our work. 4. Drawing the details of the first Pig: Hello, till love you again. Going to continue our work on pig character. And now we're going to start adding the details and develop our character are more and more. First of all, start with detailing the ears. And I start with that. Then in this way, I will add the details. It's basically the same shape as we've created in our primary sketch. There is no significant change to them. Then, from the side of the head I come down a little and I will have the neck and also doesn't have a neck, but I go to the back of the body. Then from this side of the face again, I go down as well as I did for the other side. And then I come to this area below the mouth and chin. Now I'm going to work on the parts in the face. I will started with creating the eyes. Then I want my pick to look this way. Therefore, I create its pupils here. This direction. I will do it definitely for both eyes. Then. I would also darken this upper part of the to make this face looking more cartoony and cuter. I will create a line beneath the eyes. Because you want to show that this area is a little bit more prominent. And it can show that our peak is chubby. It has beak cheeks, and it's also laughing. I will create my pig's nose in this shape. Pigs knows it the volume and the shape of the upper part of the nose. The volume in the upper part of the nose is less comparing to the bottom part of the nose. It's the same for all pigs. Then I'll create the nostrils. Because in pigs, character actually knows is one of the most significant parts. Then I move on to create the mouth with the line continuing from the bottom of the nose. Then I create the lower part for the mouth. Then I also create a curved line on the corner of its mouth in order to show that it's a smiling. I'll separate the tongue and another line beneath mouth for the chin. Then I move on to the eyebrows and I will create two very small and cute eyebrows for my pick character. I'm going to work on the rest of my pigs body. I'll consider a line or the beginning of its body actually denied will complete its tail this way and then move on to the arms like this. For the fingers, I will create a shape. As this very small and little fingers would be placed here. Then I will actually have it for all the arms and legs. These lines that I've darkened are actually our main lines that we're going to keep. The rest of the lines that I haven't darken them and made them bolder. Or the extra lines which should be definitely erased at the end of our work. Then we create the back leg for that. Because this front part of the leg cannot be seen completely. I just create a curved line beneath the leg in order to show that that part exists, but it cannot see it. I create this leg and his fingers as well as this. Then I will work on the line on the stomach and I bring it up. This is our pig character. Now the only thing we have to do is to erase these extra lines. So our outcome actually comes out from these extra lines. I erase all the extra and guidelines and all the lines that I haven't darkened or I haven't made them bolt. We also erase lines which were inside of the ears because we don't need them. And we don't want to show that the ears are separated from the body. We want to show that the ears are actually part of the head. As usual, we erase all the extra lines in our work. We are almost done. This is it. Then I can come back again and fixed lines which were accidentally erased that were main lines. This is our final result. Can see how cute it is. 5. General illustration of the second Pig: Hello to all of my dearest friends. I'm back again. We'd continuing work. And this time we are going to create another model of our pig character. I mean, this time we are going to create our PIC in a different shape, different position to create a new model and a new type. Definitely as usual, I'm going to start with general shape pink. For so all I'm going to create my pig's head with a shape like this. It's something between an oval and a circle. You can almost say that. Then for my pigs body, I will consider another oval. But this oval is way bigger than the first shape because it's the body of my pick. And then when I'm going to add the details, I will work on this oval and I get the shape that I want out of it. Now I am going to determine the placement of the ears. Now I'm just creating a general shape for the ears first, for the one which is closer to me, and then for the one on the other side, then I also determine the placement of the nose and then obviously the placement of the arms and the legs. This time, as you can see, I'm creating the arms, this shape. I start them with two lines coming down and at the end of it, I am bringing down the lines together. And I want this arm to be a little bit bent down. And I want it to be bent in order to show that our character is walking. And I will also do the same for one of my back legs, which is in this side because we wanted to keep the balance and I want to show that my pig is walking. So I create one of the legs up in the air. I create this one on the ground. I can also show the ground with a line beneath the arms and legs. And even I can actually compare them together, compare the legs and arms together to see if they're on the same level or not. Then I'm going to create detail for my pig, this shape. And then I will bring another line next to it that it would be enough up to now because later in detailing phase I'm going to develop it more. Then I will determine the placement of the eyes. I mean, the eye because it's inside of you and we only see one of them. Then we also determined the placement of the mouth and this shape, and this is over and we're going to move on to the next step. 6. Drawing the details of the second Pig: Hello again to my friends. We are going to continue our work on our second pig character and we're going to add the details this time. Well, I started from the front part of the face, from the nose of my pig. And then with lines, I will complete my nose, nose actually. Then I come toward inside and later. And then like this with a slight curve, I go up until I get to the top of their head. For my pigs. First of all, I create curved line for beneath its ad, the eye itself. And then at last, I'll create the pupil inside of the eye. This shape. Then for this upper part of the eye, I would also consider more darkness. I owe crane my pigs eyebrow. In this way. Now I will create my pigs ears. And I'll just give a cube shape, the ears. And then I would also complete this ear which is closer to us. And on this side of the body, I create some ups and downs on the ear to make it cuter. And I also show the inner part of the ear, just a curved line. Then I go back to the nose and I create one of the nostrils on the nose. Because again, I say we are looking at this big on this side view. Therefore we only see one nostril and the only create that. Then we create a mouth easily underlines that they had for in our primary sketch. And I show the mouth open. Now for my pigs body, what I'm going to do first, I start from the back. I bring it a little bit toward inside of the body. And after I've created a curve here, I go out again and I create the ending part of the body. This way. Then I create the ending part of the body like this, very smooth. Then from below the mouth, again, I do the same. I am come toward inside of the body or later. And then I come out again until I get to my pigs are. And I will create DRM again by only following the lines of Vi primary sketch. And I will darken this area. Darken area. This black area is actually the part that we've created, the fingers in our previous Pig. He can do each one of them. It depends on you. I'm just doing it in various and different ways in order for you to see how you can do it generally, but it's your decision definitely. At last, I would move on to create the back leg, which is. Being held up in the air. Then I'll create this black part in the back. This black part in front. The placement of the fingers. I create the other leg completely this way. Well, you should consider that this leg is actually in the back and they should be in one level with the arm, which is on the other side of the body, and this arm is witches in front. It should be actually on the same level, on the leg which is on this side. We've raised one arm and one leg in order to keep the body in balance. We've created them in both size of the body. That's why because I only considered one line as the ground. If it was a standing on all four. We should have actually created two lines for the ground, one for the legs and arms on the other side, and one for the leg and arm on this side. I'm going to create some stains and spots on its body. Because I just wanted to create a more different and unique look for my pick. I will shade inside of these spots in order for our designs to be more complete and more developed. And obviously, as I always do, I will erase the extra lines. I can have my work completed. As I said before, creating even your animal characters, you should start with basic and general shapes. This way you're actually very precise and you can create your work very easily. Even if you make any mistakes, you can easily edit it and fix it. While you want to work on the details. I will work on the parts which have been accidentally erased to make my character all and complete. It would look like this. This is our peak character. 7. General illustration of the third Pig: Hello, I love my dearest friends. We are back again. We didn't know other tutorial session for you. In this session we are going to create another kind of pigs together and another shape and in another model. First of all, I create a circle for my face. This time I want to create a pig that is sitting on its back legs and it's the smiling to us. And I will create a very chubby face for it. Because I wanted to be cuter and funnier. Then for its body, create kind of oval shape, which is close to a circle. We've created an oval and a circle. Now, I will determine the replacement for the ears. In this way. Also create the other ear like this. Then determine the placement of my pig's nose. Looking like this. I would also determined the placement of the mouth. And just like this, I'll create it's smiling mouth. Now I will determine the placement of the hands, arms, and legs of my pick. I will create the other arm right next to it this way. Then I will make sure that both of the arms would be in the same level. I want to move on to create my pigs legs. And because I want to show that it's sitting, I'm going to create my pegs leg in this shape because I want to show that he is sitting. I'll create the other leg like this. This is it. Then just like that. I'll complete my primary sketch. Almost actually. I've created both legs in a way that I can show he is sitting. Dad, we've completed the legs, the body and the arms. We can see a little bit of our pig's tail as well. Looking like this. Then I will work on the details of my work in next step. And obviously as you can see, the pig's face is in this direction and it's looking a little bit up. We should consider all of these when we want to go into detailing step and phase. 8. Drawing the details of the third Pig: I love my dearest friends. We are going to continue our work on our character. Well, this time we are going to work on the details of our pig character. As usual, I start from the top of the head and then I move on to create the ears. I shaped them a little, just creates a curve in this area. Now create the other ear as well. And then I'll determine the inner line inside of it. Then for my pig's face. Consider a shape like this. Because I want my pig's face be completely chubby. And I want to show that completely. So first I create a curved line from here down. Then in here I can create a circle to show our pigs chick. Then from the other side, I'll do the same. I'll come here. And I will show the chick on this side as well. And on this side our line is not complete and it doesn't come all the way down. It comes up to here. And then I create another print line for the body. Then we move toward the lake. Then I'm going to determine the placement of the eyes and eyebrows. I wanted to show them my pig character is very, very happy. Therefore, I will use linearly eyes for him. I'll show his eyes with two lines because it's laughing and his eyes are closed. Download. And those were my two eyebrows for my pig. And now I'm going to work on the nose. Obviously, I'll determine the placement of the nostrils for this honor check. As I've done for the other side, I create a circle or an oval in order to show the cheekbones. I'm chicks over here. And these circles are actually showing the blush on its cheek. Because again, I said I want to show our pig laughing so hard. Then I will complete my pigs mouth. The shape Dad vive already created in my primary sketched and I separate the tongue from this inner part of the mouth that I shade. Then I'll move on to the rest of my pigs body. He should consider that our Pig. In our pig, this leg is closer to us and this one is further. Therefore. I will shape this one. Obviously bigger and trabajo because it's closer to us. And when it goes into perspective, you can see the other leg is smaller. Then I move on to create the arms. I will create the arms in this way. Then F there that I create the front part of the leg and I make it dark. And also this part beneath the leg, the foot, I have some darkness so I shade all of this area. Then I will move on to the other arm and I will shape it like this. Now I want to work on the other leg based on what we have in this area. And if I create a line, they should be level. I create this other leg. This shape. Starting a little bit more above. And also the end of the foot. Beneath the foot, I will have some darkness that I apply. Now. Are detailing is finished. Now I'm going to take my eraser and erase all the extra lines. My character can show itself more and better. And then at last, I'm sorry, I was almost forgetting. We should complete the tail first and then we can use our eraser in wherever we think it's necessary. And v erase all the guidelines or any extra lines. We are only keeping the main lines and details. This way my work looks cleaner and better. As I've always said. You should just be really careful to recognize the main lines from the extra ones or guide one's. Obviously if you erase them accidentally, you can create them again. But it's better to pay attention from the beginning the more careful do not erase an e-mail lies even by mistake. As you can see, we are developing our sketch step-by-step. We would have a great outcome and a great final result. Because if you have the primary basic shapes correctly, you can easily get to the details correctly. Then your character creating the hole. I mean, when you want to create a whole character, it would be way more easier. Okay? This is it, this is our pig character, our third pad character that we've created together, which is sitting this time laughing. 9. General illustration of the fourth Pig: Hello again to all of you, my dearest friends. We are back again with another tutorial session for you. In this session, we are going to create another model of pig, but this time, I want to create this pig look like human. I mean, I want to dress him up as well. Okay. Now, I will start with creating a circle for the pig's head. This way. Then for its body, we are going to create an oval, actually a vertical oval this time. Then we move on to create the ears. We will create the ERs with triangle shape, obviously for its general shape. For now. Definitely we will develop it more detailing phase. And then we just align. We are going to connect it to the head. And I would just do the same for the other ear as well. Now on the face I will determine the direction line and are the things. Now because we want our face to be in this direction. I'll create my line this way. Then I will determine the placement of the eyes and eyebrows. With this shape that we are creating. We are going to determine the placement of the eyes and eyebrows all. At the same time. We create another line for the start point of my nose. I create a shape for the nose here, a general one, of course, like this. Then on this general shape, next step, I will add the details and I will develop them. Now I'm going to create the arms from this corner coming down and then toured inside of my pigs body. Then for the other hand, for the other arm. Because our head is turned, our body is turned to the sea. This arm more. We see the other arm which is on the other side of the body. Let's create a shape like this. For the other hand and arm as well in order just to have it. This is it. Then we start the legs on our body. We create a curved line beneath our arms and hands. Then we can determine the placement of the two legs. First, I create an oval in order to place the legs in their correct shape. Create the foods. And I move on to the other leg. First, I create an oval. I'll determine the placement of the foot. Because our body is turned, this part of this side of our body is further from us. Therefore, we consider smaller place for this leg and the created a smaller and a little further. Okay. Now, Dad, we've created a primary and general shape of my peg. I want to also create a backpack for my character just in order to make my character cuter. Then, from behind the arm, I'll create a shape as the backpack. Then until the start of our pants, we come down for this backpack. Then I create another bigger shape, even more in the back behind it actually, because this is actually the back of our backpack. And this part is showing this side of our backpack. Then I will add two lines. Two, yes, two lines for the bands and strap. Later we will add the details to this character. Don't worry about it now, it can also determine the placement of the eyes. In this step as well, it's creating two circles here. Next step we are going to develop all the parts in our work and add the details. 10. Drawing the details of the fourth Pig: Hello and welcome back my olive, dear friends, we are going to continue on our fourth pick character. This time we are in detailing phase and VR going to develop our character into a complete pay. Okay, I start from the ears and I create a curve over here. I create the shapes that I want out of the general shapes that we've created in our previous step. Like this. As you can see. Then we create a back of the ear. I'm going to work on the other ear. And I will create the other ear again in the shapes that I want, the curves wherever I want them. Then I come down from this area in order to connect the ear to the head. And we also want to show that our ear is turned a little and we have a volume inside of it. Because my whole pigs body has turned. I will start with creating the shape of the face. I come down this way, around way. Then also from this side, I'll do the same. I come down and go out and little I make a prominent part over here in order to show the cheekbones, as I've said before. I move toward inside again and our phrases turned. So this, this is actually three phases view. Therefore, we should add this part to our face. Now on this line that I've created over here, I will create my eyebrows. Then I move onto my character's eyes. And I would also add them. Then. Consider line for below the eye. Then I will determine displacement of my eyes pupil. Obviously, you should consider that. You should create the pupil in a direction that's your pig wants to look at. I also do the same for the other eye. Then I complete the pupils. As you can see. We should consider that our nose has covered a little of our second IRI on the right side. Therefore, we should create our nose in a way that it's coming out of the face and it's covering in part of the eye. It kind of looks like a rounded triangle. Then I would also want to work on the nostrils. Then I create a line to show the volume of mine nose. Then from this side, from below the nose, I'll create another line for my character's mouth. In this way. Then I am going to also create tooth coming out of the mouth in this corner of our smile. Like this. Okay. This was all the details, things that we've done for the face. And we can also apply a curved line below mouth in order to show the chin. Wanted to show that there is also a volume over here. Okay. Now I will complete the lines beneath my face. Then I can move on to my pigs body. I can start it. Okay, for working on to body. First of all, I start creating the lines completely. I mean, I will create the hands and the arms this way. Then. I would also create the fingers, this shape. Then I go toward the back of the hand and then I will add to dress to it. And actually it's a t-shirt. I'll add his t-shirt. Then I would want to work on the other arm of my character. I come down a little from this corner. Then I create this rounded shape over here. Then I'll create, it's too cute fingers. Then complete the arm. More than that. That's over. Now that we've determined and we've completed the arms and the hands correctly, create a color for my pigs T-Shirt. Then we're going to move on to the rest of our work or the body. We complete. There's t-shirt like that. And now I'm going to work on my character's paths. Right now, I want to create a cute shorts for my character. And I do is really easily also create these lines inside of the body, inside of the shorts between two legs. In order to show the volume better. I've created this line because I wanted to show that again. In this area we have a volume and it's not just a surface, it's not flat. Now I'm going to work on the lower part of the legs. From inside of the shorts. I come in a little because I want to show that in this area we have a bigger shape which is coming on our legs. Their shorts because the shorts are not tight step. We aren't going to show that in our work as well. Then we can work on the feet. Well, just like that, I created this foot and again with another line, I will separate two fingers of the leg. Now create the other leg in the same way. I come toward inside a little. Then I'll create a line going down. This leg is actually behind the other one. Therefore, it goes into perspective and we don't have it too clear on this side. Then I create the fingers again. I surprise them with just simple lines. I want to work on the backpack that I've considered for my character. Although with several lines, you can just make the volumes of the legs better. And great, some wrinkles on it. To show the volume better. Then I'm going to work on my characters backpack. Round the edges and the coroner's first. Again because it would look cuter obviously. Then I'll do the same for the other line as well. I created round and smooth. It looks like this. In this area, which is actually the middle of my work, we can create a zipper together. For our backpack, of course, which looks like this. In this area, can actually create a zipper. This is the part where you can cause a zipper or open it. We created with as much details as we can, but not too much in order just to make it cuter as I've said before. Now my detailing is finished and I'm only going to erase the extra and guidelines. Therefore, I can see my final results. I do it with the eraser. I'm going to erase all the guidelines completely. We want to show that our character is coming out of this lines. And it's actually coming to life here. Because once we erase the extra lines, it would look so cute and surreal. Even if you've erased any lines accidentally, any of your main lines, I mean, you can again use your pencil and complete them. That's the easiest way and the best way actually. To bring your character to life. We do it for all the parts of our Pig, its phase, its body, its legs, and also its spec PECC, part of our whole sketch. Okay, this is it. And now I'm just going to fix the lines that I've accidentally erased during my work with etc eraser. For example, when I go to the tooth, erased or a part of the ear. And also here. Now forest straps of the backpack IS started from here. I create the shape. In order for our whole design to be complete. I'll just do the same for the other one on the other side of the body, exactly as we see them. Now, I'm just going to emphasize on this part of my backpack a little bit more because it's a zipper. I'm going to create some lines for this area in order to show that this is a zipper and it would be closed and opened like this. Okay, this is almost our final result on our Fourth Pig character that we even gave him clips. And it looks so cute. And I'm sure that your work is going to be perfect. So don't worry and just started now. 11. General illustration of the Hippo: Hello to all of my dearest friends. We are back again with another tutorial session for you. In this session, we are going to create a hippo together to see how it is. Alright. I am going to start with creating an oval for my hippos head this way. And then I'm going to create another and bigger oval for the lower part of its head, looking like this. Then for its body. I'm going to create a very big circle. As you can see. It has a very big body. As you've seen it before. Just pay attention that your body should be a little bit above your head. From here, a little bit beneath it. I create my circle for its body like this. Then for its tail. I'm just going to grant a very small shape like this. I wanted to work on the legs and the arms. And for that, I'm going to create some long ovals. And another one for the hand which is in the back. Then I'm going to create two more of them for the legs actually. In this way. One of them here. It would look like this. The other one would be over here. We just see a little love it, but still it exists. Now because I want my work to be funnier and cuter. I want to also create a bird on tobacco, my hippo, like that. This bird is sitting on my hippos back. Therefore, I consider a circle over here looking like this. Then an oval for its tail and apart over here for the beak. Amy went to small little feathers for the top of its head. This is a general shape of our work. Until that in next step, I would go and add the details. He can also determine the placement of the eyes and a mouth. Because our character wants to look at this bird. I'll create the eyes in this shape, therefore, it can look this way. Then for an industrials, I'm going to use a guide line and I will determine the placement of my nostrils here on this curved line. Then of course, the mouth would be placed over here. This shape. This is it also going to determine the placement of the ears because it has two very little cute ears. I would also create dare placement. In this way. Here we go. We have the ears as well. This is a general shape of our character, and the little bird on top of it. 12. Drawing the details of the Hippo: Hello, love my dearest friends. We are going to continue our work on my character. And this time we're going to add the details to this character. I'm going to start with the head, top of the head. As you can see. Like this. We will get the shape of the head from our primary sketch. Then I move on to create the eyes. I will create them this shape. We can also darken this upper line for our eye. I'm going to create two small eyebrows for my hippo. And I also work on the ears. Looking like this. I also create the other ear as well. Now I'm going to determine their placement of the nose and mouth. I created the general shape of the face downward. Then I will create and determine the placement of the nose like this. And I complete my mouth. This shape. I create the tongue and I want to make you cuter. I also create some teeth for him. Then I create a pupil toward the bird on its back. Like this. And also up toward our bird. If something was could've created that. Sorry, if something was on the lower back of our hippo, we could've create our eyes on the lower part. This not I'm going to create its back like this. I work on my bird. First. I'll create the feathers on the top of my bird's head. And then I am going to work on my bird's body. I also create two tiny little legs for my bird. It can stand on our he posed back. Dan, I determine the placement for my bird's eyes. I create the other one. Again. I created the pupils in a way that it looks like bird is also looking back toward our hip. Then I created speak in this very cute way. Then I create two very cute and small eyebrows outside of vibe bird's body and my bird's head. Looking like this. Just great, a very simple wing. I'm just going to shape the tail like this in order to show it's been created from feathers. This is our bird which is on the back of our hippo. Then I continue my hippos body from this side. I go down until I get to my heap has legs. Then I also create its Taylor in here as a short tail. Then I'm going to work on these, be feet and legs on my hippo. Pay attention. I wanted to create two legs. But because the legs of Hippo are so big, you cannot actually see the one which is on the other side of the body and on the back, also creates some nails foreign. Then create this part below the stomach, the lower part of the stomach, the belly. Then we'd several lines. I just showed the wrinkles on its leg. Again, I create sound lanes, some nails here, and I create several curved lines. This way. I'll create that as well. Then like this, we are going to create the body as well. This is my hippo. And now I'm going to erase all the extra lines and guidelines so I can get my main sketch out of my primary sketch and the details that I've created. This scripture, we actually had lots of guidelines and lots of extra lines. Just extra cautious. I am going to erase all of them one-by-one so we can have a clean result. Well, surely if you use guidelines, everything in your work would be in the correct place and you would not face any problems during your work. But if you don't use them, if you don't choose any guidelines, your shave would definitely be becomes a little deformed. And then the whole work obviously would be ruined because if the primary shapes are deformed, you would have an unbalanced and note pretty outcome. All right. This is it. Then I'm also going to erase legs, extra lines. This then we also erase inside of the mouth. Therefore, our teeth would look, would show themselves better. Like this. This is our beautiful and cute hippo that we can also address shade inside of our mouth. So we can separate the tongue and the tooth from the rest of the mouth. Actually in this way, we are going to show them off a little bit more. All right, this is our cute hippo with a bird on its back. And we are done here. Can also work on the parts that you've accidentally erased. 13. General illustration of the first Elephant: And lead to love my dearest friends. We are back again with another tutorial session with you. In this session, we are going to create a cute and beautiful elephant together and we want to see how it's done. Alright? All start with creating general shape for my elephant. Where am I going to start? Obviously from the head of my elephant. And then with some guidelines I can determine the angle of elephant and where it's standing. So my work would be completely in order. I started with creating a circle. And then from this area, from this part, I'll create a line coming down for my elephant's trunk. And I create another line on the back in order to create the placement of my elephant's body. I'm just going to create the general placement of my elephant's trunk with creating an oval in my elephant's head. This circle. Then I continue this line, this oval downward. Then I turn its tip toward up, and I create another line from this side of the wall, again downward and I connected to this tip. Just as easy as this. You can create your elephant's trunk. And then I will create the placement of my elephant's ear because as you know, one of the most significant features of elephants are their ears. So I'm going to create them big and unique. Right now. I've just created general shapes for my elephant's trunk and ears. Then I create a very big circle for my elephant's body this time. As you've seen, elephants are so big and they are also very heavy. We need a big circle here. I will determine a place for connecting this area to below the stomach and then connect it to the legs. From actually beneath the trunk, I come down with a curved line until I get to the stomach, the belly. Then here we'd be more completed because I've chosen this area for having my legs and arms. But how are we going to determine the placement of the legs? First of all, we're going to divide this circle that we've created into parts. Then in this front area, I will consider an oval like this. Then for this lower part of the leg, again, I consider a circle. Then with a line. I will level the back legs with these ones which are in front. And just as well, I consider another oval for the back leg. Then I'll create it easily. You can create this leg bent or straight. I created in advance shapes so you can see how it's done. Then I'm going to create this lower part of the leg. Looking like this. You should consider that the back leg is longer and when it's bend, it gets to this leg. For the languages on the other side of the body, just consider the same thing. Because they didn't see the other side of the body. Just consider a smaller oval. And also because with this line that I've created, you have to level the legs with each other. Again for the arm on the other side of the body. I'm going to create it here and I'm going to create a bent shape. So you would see how it's done. Because I wanted to keep the balance in my elephant. One arm and one leg on opposite sides. They are bent. We can determine the placement of the tail, obviously. Also going to determine the placement of elephants ivory. And then in next step, I will add some details to all of my work. We also have another ivory on the other side which we can note C. But again, we can see edits tip of our ivory just like this one. We can just see the tip of it coming out from the back of our trunk. Just remember to create a coronary lines so you would know where you should create the other ivory. We can also determine the placement of the eyes with ovals. Right now we're just going to create it in general shape. Next step, we are going to add the details to it. This is it. 14. Drawing the details of the first Elephant: Hello To love my dearest friends. We are going to continue our work on our elephant. And this time we're going to add the details to our cute elephant. As usual. I start from the top of my head. I mean top of my elephants had, and I work on it like this. I create a coronary lines going up and then coming down toward my elephant's trunk. Now I'm going to create some lines on my elephant's trunk. Then like this, I come down a little and I create another line or a curved line. Because actually elephant's trunk is very soft and it goes down and it comes up, it's flexible. Therefore, we are going to create these curved lines on the trunk. So we can show that this trunk is turned and twisted and it's been moved down. There. We got to the part which we want to show that the trunk is turning. The direction of these lines will change. You see at the beginning the curve was facing down, but farm here on the curves are going to facing up. Then we get to the tip of the trunk. And we completed like this this part, we have the nostrils actually on the trunk. Then line going up to complete the trunk. This way. Then we get to this part which we should create the ivory. And then very easily with just a curved line coming forward and another line right next to it. Then on the tip of my Ivory, I connect these two lines together and I make them round. We also create the other eye ray like this. This is the front part of my elephant's head. Now I'm going to work on It's ie. I'm just going to create my eye at first is create this eye in a way that first of all, I should create the general shape. I want to consider my elephant's eye wide shot. Just in order to make a difference. Then I create a pupil and then I work on the lower line of the eye. I also considered two more lines beneath die in order to show some wrinkles. Dan, I will determine the placement of the eyebrow. Like this. I also darken the eyebrow. Order to make kids even prettier. We can create one of the eyebrows a bit more forward. On top of its head. I've just created to hair. Just to make it cuter. Then I'm going to work on my elephants being curved. I bring it down. And then from here I create a turn toward outside and inside and down. I want to bring one part of the ear. Going inside and shape it like this. Well, our elephant obviously looks cuter. Our work would look more attractive and more unique. I would also create the ear upward. And here we want to show that our ear some dimension and it's not actually flat. Therefore, I add another line over here. Then. I want to work on this area beneath the neck, throat actually. Then I moved downward toward the hand like this. And then I also create two lines for this area in the back of the ivory. Now for the legs and the arms, I'm going to create the shapes in details. I start from top of the arm and I bring it down. As you can see, we have curved lines. Notice strike once again for the other line on the back of the arm, I'll just come down with the same curve with the soup shape. And then I connect this lower part together from both sides. Then I will determine the shape of the fingers for it with this shape actually nails. Then because this area is wrinkled, we just show it with several lines. Generally elephants have wrinkly skin. Then we create this lower part of our shape like this. I should bring the leg a little bit more up in there for myself to show that it's bent completely. Especially I am comparing it to the other arm. This way. Then. I will determine the placement of fingers or it's better to say the nails. Then we show the wrinkles with these several curved lines on the knee. We also want to create some curved lines around the arm because we want to show that this area, we have some volume, it's not flat and we just have to create it in the right direction. Now, I'm going to create the belly in this area and then I connect it to the back. As we've done in primary sketch. I'm going to create the back leg bend and a strong curve from the back of the back leg. I'm going up. Then I'll create the nails this way. Then. This area that has been bent down, I'm going to create some lines again so I can show the wrinkles of being this leg can be seen less, but still, we shouldn't forget about it. So I'm going to create it and then the placement of the nails and very small lines because the lines when that leg cannot be seen too much. And then for the back of my elephant, almost from the middle of the ear, from the central of the ear. I bring my back out and going up and down until we get to the back. No, I want to work on my elephant's tail and I want to shape it like this. From the upper part it would be wider and as we come down, the lines would be thinner and less width. Then we also create a shape, a volume for this ending part of the tail with some lines. This is the shape of our elephant, which looks like this. Now, I'm going to erase all my extra lines there for my outcome. Let's show itself better. I start erasing the lines, the guidelines and extra lines. We only leave the main lines here. We should just look at our sketch very well. And if you see that there is a guideline or an extra line is placed once, they should be completely erased. As I said before, actually, using guidelines, it's very, very important and very good for starting your work. So definitely you should do it. And you should notice skip it at all. Because your work would be so much good, so attractive and unique. If you use guidelines in your primary shapes. Okay. This is it. This is my elephant. I'm just going to use my edit again, going over the parts which have been erased accidently. I can also create some lines over here in order to show the movement of my elephant. And it's wrinkly skin because it's so big. This is our first elephant character. 15. General illustration of the second Elephant: Hello to all of my dearest friends again, we are back with another tutorial session for you. In this session we are going to create another cartoony elephant. Went to see if he wanted to make it cuter. How we can do this. I want to create an elephant is standing on its two feet and it's holding his hands and the arms up in the air. First, I started with the placement of my head, which is a circle. And then I will create a general placement for my elephant's body. Then I determined the placement of its arms looking like this. Obviously, I'll do the other hand, the other arm. Bring it out from this side and then bring it back in again. Now I'd also determine the placement of the legs. And then I create a guideline beneath both of my legs in order to check they are at the same level. Then I determine the placement of its tail as well. Then outlast, I'll determine the placement of the ears, which are actually one of the most significant things in elephants. But this time I'm going to create them in smaller in order from my work to look cuter. And then I also create my elephant's trunk in this way. And I'm just creating a general shape as you can see. Just creating a general shape as you can see right now. Then in next step, we're going to work on the details. I would also create a very small part for the pop my trunk. This is a general shape for my work. Now for our next step, I'm going to move and work on the details. 16. Drawing the details of the second Elephant: Hello again, my dearest friends. We are going to continue our tutorial session. And this session we are going to work on the details of our second elephant. All right. I start from the ears. This elephant is more cartoony comparing to the other one. I'm going to shape my elephant's ears, so cute and fun like this. Then I move on to create the volume of my elephant's head. I shape it like this. I create another line like this for the back of my elephant's head. Dan, I can also create two cute her for this area. I'm going to create this inner line for the ear. And then I can move on to the other ear and create it as well, both on outside and inside of it. We turn outside like this. It creates some ups and downs on around our ear. See, if you created in this shape would be much more cuter and fun, much more fun. You can also create this area straight. But because we are working on characters, we are actually trying to make some creatures and some characters funnier and cuter. Because we are illustrating characters. Then I'm going to work on this area which is the side of the face. And I create a curved line for it and I created completely chubby. Then I move on to the front part of my face. Then creates this volume for the back part of my face, a curved line. Then I move on and I create my elephant's trunk with another curved line. And then another line. I will determine my elephant's trunk, which would look like this. Well, you should consider that we are going to create a shape like this for the tip of our elephant's trunk is C. Like this. We have a curve in the middle and we have two prominent parts on the top and on the bottom, if you want to create it in a side view. But because right now we are creating our elephant in a three faces view. We are going to actually consider the lower part a little bit more wider and thicker and replace our nostrils on it. Now I'm going to move downward and with another curved line. And just like this, I will finish my elephant's trunk with a beautiful smile. Now, I will determine the placement of the eyes. I will create two cute eyes for it. Which one of them would be bigger and the other one would be smaller. Just to give it a fun shape. And then I create the darkness of the eyes to P appeals over here, like this. And then I create a line for beneath the eyes and also another line for the continuous of trunk which is coming toward inside of the face. Then with several small lines I'm going to show this area. Show that the trunk is soft and smooth and it has some wrinkles. Then I create two cute eyebrows for it. I can also darken this upper line for the upper eyelid. Then we create another line for here, below the mouth on the chin. In the continuous of this line which we've created created on the other side of the trunk, I create a line coming out of the bottom of the trunk in order to complete the face and the head. With the shape of hands and body, I'm going to complete my creature. I want to show that my elephant is chubby. Therefore, there is a wrinkle over here on the body. That's why I've created that curved line in the middle. Now I'm going to create this arm like this. And I determined the placement of the nails or the fingers. Then I'm going to work on the legs and we created like this. And for the back of the leg, we are going to create a little bit of curves. So I work with look cuter, more fun than for here. I'm going to create four nails, are four fingers in order to make our work even cuter. Our elephant is ascending and we are going to consider difference between the legs and the arms. That's why I've just created for nails over here. The back of the legs should go in and out again toward the tail. First I am going to complete the nails exactly as I did for the other leg. Then line actually with a line like this. I can create the wrinkle on the legs. But I've just created in this shape in order to make it more cartoony. Now for its tail, I create two lines from both sides, and then I make it thinner. When I get closer to the end of the tail and then I create a shape like this for the tip on my tail. Then this would be the line for my bag. And after that we're going to create this other arm. We also going to create some lines for this area which is wrinkled. And then I determine the placement of the nails of the arms. In this area because we have a bent. I'm going to use the same shape that I've used on the legs, on the arms, two on the elbow is actually now this is our cute and fun elephant character. And I'm going to erase the extra lines of it in order for my character to show itself better and we would have a cleaner result. Of course a better one. We also erase all the general shapes, the guidelines that we had in our primary sketch. As you can see, even while I'm doing this, my characters is showing itself more and more. All right? This is it. This is our fun, cute, cartoony elephant. 17. General illustration of the Cow: Hello to our loved my dearest friends. We are back obviously with another tutorial session. And in this session, we are going to create a cow together to see what artists steps and creating the scale. I start with creating the cow's head and its placement. This shape. Then I will create a general shape for its body. The body of our cow is very big. We should create a general and make shape for our cow's body. Also from this side. I would come toward inside of the body. And I'll complete the general shape of our cow. Now I will determine the placement of the legs and arms with ovals to indifferent. And two in the back on this side and two on the other side. I'm not adding any details as you can see, I'm just creating general shapes. And that's it. This is one leg and this is another one behind this first leg. That's why you always see the lower part of it. Then. This is a part on our cow, which the milk comes from N. We show it with creating a circle. We are also going to create some horns for our cow. So I just create two big horns for this cow. Then I'll determine the placement of the nose and the mouth on my cow's face and head. Then I create a guideline for determining the direction and the angle of my cow's face. And I create the eyes as well. This is a general shape of my cow. I also want to create a bell hanging around its neck, which I also determine its general placement like this. Later. I'll definitely add the details to it. Don't worry about it right now. Before I forget, I should also determine the placement of the tail. Now after doing this, our general shape, our primary sketches complete and we can move on to the next step, which is adding the details to it. All right. That's it. 18. Drawing the details of the Cow: And now my dearest friends, we're going to continue our work on the details of our cow. Well, I start from my cow's head as usual, and then I'm also going to create some hair on its head. In order to make it cuter. Then I would want to create my cows horns. And I will work on them dressed like this. Consider the tip of the horns, little sharp, not too much, just a little. Then I create a guideline in order to make sure that our horns are almost the same level. Just because this one is a bit closer to us and the other one is a bit further. Put them in perspective. And I can bring this one a little bit lower comparing to the other one, which is closer to us, but not too much. It shouldn't be too much. All right. Now I would also create two ears for my cow. He needs to hear stuff. He needs or she needs ERs retainer line. I go back toward this side and I created the ear very easily. I just need to create a ticket here. Because as you know, cows have tickets. It's kind of like a certificate for them identity. Then I would also work on the other Ear, which is on the other side. We only could see this ears inside, not the other one. I mean inside of this ear which is closer to us. Now I'm going to create the general shape for my cow's face. Then. I create the nostrils a little bit more prominent comparing to the line for the face. Then from below the face I create the mouth and I bring it toward inside. And I also create another line over here. And from here, I consider an area for the wrinkles on its face around the mouth. From this side we go to the other side of our face. We also complete the other nostril. Can get a little bit more prominent. This nostril should definitely be drawn bigger and more complete because it's closer to us. If you consider the perspective which you ****, then I'll create my cows eyes. I create two pupils for inside of my cows. And then I also consider some lines for around and below the cows eyes. Then I create the cows eyebrows. Both of them, one on this side, the other on the other side. And then for one of my eyes, I'll create a big circle. Actually it dark circle, because. Well, cows usually have some polka dots on their body. Sometimes they are brown or sometimes they are black. And when they are white, we can create these spots, these black or brown spots on the cows. You can also create one on its ear. And now I'm going to work on my cow's body. I shape it like this. And I go down toward the legs. I create a general shapes for the legs. I turned around again. I also create this upper part for the leg. Before I continue, I will complete my tail because it's on this part of the body. It's easier to complete it right now in this shape. And then we can move forward. I can also darken this lower part of detail, the tip of the tail, just to make it different. And also for the body, we are going to create some several dark spots. But no say exactly right now. Completes the leg which is on the other side. I would also work on this part, which is the place where our cow produces milk. This is a part where you get the milk from. Very, very cute and fun. I will create these parts for my cow. Then we the line I separate this part of the stomach and I bring it toward the arms. Like this. I will create this front areas. Just like that. I also create the legs. This is lowest part of our leg. Alright. Then I will also do the same for the other arm on the other side of the body. But first, I will continue this area for the stomach, going towards the neck. And then we can create the other hand for our cow. You can also create some shavings for these parts. Last part would be here creating this bell around our cows neck. I'm going to create it. And then we can move on to create some spot. Since things on our cow's body, they're actually spots are like polka dots. But in different shapes. There are notes in circles. I create my bell like this hanging around its neck. And this is this error part of it, which actually produces the sound of ERPO. As I said before, we can create some spots on its body. And we can either do this for our normal pencil or black colored pencil I'm using to call 399. And I will create some spots on my cow's body completely randomly with random shapes. And then another one over here on this part. You can also create another one on its arm. Then we can also darken the hair. The little hair that we've created at first. When you want to darken these areas, you can start from a corner very slowly and with so much cautious. Or you can do it quickly. But just shading, that's totally your choice. Which way do you want your work to be designed? All right. These are the stains and spots actually on our cow's body that we can create. I'm just going to shade these areas very quickly. It's better for you to take more time on it and spend more time on it. And just color each spot completely one-by-one. But I'm just doing a quick so you can learn more from your time. Okay? This is our cow that looks like this. The only thing that we can do here right now is to take our edges eraser and erase all the extra lines and got lines that we had so our cow would be completely complete. This. All right. We can actually shade inside of the nostrils as well. In order to show that we have kind of a volume there. We have depth. I also darken the eyebrows and the eyes, and that's it. This is the result. 19. General illustration of the Donkey: Hello to all of my dearest friends. We are back again with another tutorial session. In this session, we are going to create a cute donkey together and we want to see how it's done. Okay, Well, I started with creating a circle as my donkey's head. This way. I actually want to create full, which is donkeys child. So I create two circles for my foal's body, which should that one of them is starts a little from inside of our head. And then the next one would be right next to it. Some distance. Then the third circle would be placed here, right next to our previous two. These are three volumes, these are three circles. And then for my full mouth, I create this area, which is actually the placement of the mouth and nose. Then I determine the placement of the ears. And I should consider very big ears for our fall because it's a baby donkey, so it has actually big ears and the other ear is further from us. Therefore, basically, it would be smaller and a little thinner. Now I'm going to determine the placement of the legs and arms. Now we create this shape on our first circle. Vertical oval would be placed here. This way. Then on the back of our body. I mean, on this side, on the other side of the body we can see the beginning of our other hand. We should consider that this arm is closer to us and it's more in front. And this one would be actually behind. The first one that we've created. Then I create the back legs on my third circle and I bring it down, bring this shapes down in this way. Then I created the bottom part of the leg. For the other leg, we don't see the top part of it, but we can see the bottom part of it. So I'm going to create it here because we've created this part for our nose and mouth. The direction of our head is going to be in this way, sorry. Done all determined the placement of the eyes. This would be one of them and this would be D other one, which is closer to us. And it should be obviously bigger. Then I'll determine the placement of detail like this with two lines right next to each other. Then the tip of detailed, the ending part of detail which should be more volumes. This is a general shape for our baby donkey, for our full. In next step we are going to work on its details and add them one-by-one to its body and face. 20. Drawing the details of the Donkey: Hello, My dearest friends. We are going to continue our work on detailing our full, which is actually baby donkey. I start with creating the ears and some parts of the head. But for the beginning, I'm going to create my ears volume from here. Then I also determine this inner part of the year in this way. Then I twist the ear a little toward this side. For this upper part, we can just separate, apart like that and bring it to our ear. Then we can show this inner part. Like this. I would want to work on this area in front of my head. And four here, I've considered also a part of hair because I want my character to look cuter. I want to show the volume of the hair on the face. Then also from here, I would be creating the other ear. This shape. Then from here I just twist the ear again and I go down. I work on inner part of the ear like this. I will darken this area. When it's twisted and turned, it would look like the top of this ear. I am going to darken. Now I'm going to work on the eyes and eyebrows. And I'm also going to create an area around my eye, around his eye. And then on this top part I will determine the placement of the eyebrow above the eye. And then I create right here in this area below the eyebrow. Then I create its pupil toward this side. Because I want my donkey to look this way. Now I'm going to go to the other eye and do the same as I did here. I will create this part. Because our head is turned. The eyes are looking this way and this circle is closer to our eye. Then I add the eyebrow like this. From here I come down, I create a curve on the face and I come toward this nasal area. It's dry actually. I would also create a shape here below the eye. Now I will determine the placement of the nose very easily. On this area that I've created during my primary sketch. I go up, I turn and I come down here again because this area is actually a volume. And we all to show that therefore with this turns and with these ups and downs, with this curves that we create, we can show its volume perfect SLI. Then I also create DEM mouth over here. In this area, which is the continuous part of the nose. Here, I'm going to create the nostrils. This side, the nostril will be bigger because it's closer to us obviously. And the other part, the other side then necessarily would be smaller. Because it goes in perspective. Then I darkened inside of the nostrils and inside of the eyebrows. You can also shade the hair area a little in order to make it more different from the risks of the body like this. Now from inside of the ear, I'm going to create the rest of my face. I mean, his face. I just completed like this and I get to this nasal area. This is the head of our full or our baby donkey. And then I'm going to come down from the neck downward. Then I get to the arms. And also from this side, I bring the other hand or the other leg down, the one which is on the other side of the body and we don't see it completely. And I completed with some lines that I create on the leg or under hand. These are all four legged animals. Then I bring this side of this hand down. I turn it just like that. I would have the bottom part of my leg. The clave. Then I go up. Then I create this front part which is on top. And I also create two curved lines over here as well as we did on the other one. In order to show that how the volume of this place is going to be exists in place. Actually, I wanted to show the wrinkles which is caused by a standing. I also create a one line beneath the face on the neck because I wanted to show that our donkey is turning its head. Then I continue the rest of the body. I go to the stomach. Then I go toward the back leg and I go up like this. Then I'll do the same for the back leg. And from the bottom area, from the end of my body I come down and I would have my club here and my leg. I would also create the other leg, which would be placed like this and we can only see this part of it. So we only show that in order to show that it's turned to I'm going to create another part for my stomach from the continuous of this area toward our body. Looking like this. And for the back of our body right from and X2 are phase I go toward detail. We have a curve here, a bump, which is its buttocks area. Then I create its tail at last with almost fairly a thin line which goes to the end of our body to its bottom. I'll create the shape of the hair. It has a tip of its tail. Then we can also darken the end of the tail, the tip of the tail and I shaded like this. I can also shade these parts because our legs and hands are divided in two parts. I can shade this area which represents a club. Now, I'm going to erase all these extra lines and all these guidelines. So my work would look with actually show itself better and more. I'm going to erase all the extra lines that I have here. As you can see, we've created this creature out of those very simple lines that we've created that first, our primary sketches. And we should create these lines, these guidelines, these primary sketches in order to create something as amazing as this. And this way with having all those guidelines, you won't make any mistakes and problems because everything would be in its own placement. So this is our cute full our baby donkey. You just how, uh, you might just have to work on some lines which got erased during your erasing phase accidently. So you can work on those parts after you're finished with erasing. Don't bother yourself too much. That's it. That's our final outcome and our final creature. I hope you have enjoyed creating it. 21. General illustration of the first Sheep: Hello to allow my dearest friends, I'm back with another tutorial session for you. In this session we are going to create a cute sheep together and wanted to see how it's going to be created. Alright, I will start with creating an oval for my sheep's head. This way. Then I'm going to create Elmo's the circle behind this area and this shape. All right. Now that we've created this volume, we can determine that which part is, for which part of the body or part of the face. Obviously, this oval is the placement of my sheep's nose and mouth. And as I go in, this area, in the back would be the place on one eye. Here. Would be the other eye. This area is behind our face. And then it connects to the rule and the hair of our sheep. I also consider ears for it. This way. Now I'm going to add in this way. Then I create a big old ball for my sheep's body, this sign. Now I would also consider an area for my sheep's TE, create arms and legs for it. I would also determine this bank leg over here. Also. It needs two legs over here. In front to the back. Two on this side and two on the other side. This is a general shape for our sheep. And in next step we are going to add the details to our cute ship. 22. Drawing the details of the first Sheep: Hello to all of my dearest friends. We are continuing our work on our sheep together and we are going to add the details to our sheep this time. Okay. I start from above the eyes, which would be the top of the head. Actually. I will add the details to the face like this. I created a zine for this back area. Go to the top of the head. And in here, I want to create my sheep's wool as hair. Then for the back of the head, I will shape it like this. And I go down. Then also from here, I come inside. I turned down. Then I again, I bring it toward inside of the face. This way. Then from here again we have a turn and we go towards the mouth and the nose area like this. Now from between our two eyes, we create a curve, become down, and then we get to the prominent part for our sheep's nose and mouth. And then create a nostrils over here, one on this side. Then I create a line for the middle of them. Then I create the other nostril with just a line because you can not see it completely. Then I will create the eyes. First. Obviously, I will create this eye which is closer to us, and therefore it's bigger because it goes in perspective. Then I create the eyelid little inside of the eye in order to show that our eye is not completely open. It's Wide Shut. You can either create it like this or you can create a normally I mean, you can create the eyes completely open. That totally depends on you and how do you want your sheep to be? Then I create one eyebrow on this side and the other eyebrow on the other side. In order to keep the balance. Then I will create the other eye on the other side of the face. This shape. And even for that, I bring the eyelid a little inside of the eye and work on it like this. This is about the eyes. No, I tried to work on the ears as well. I'm just going to shape it. And I create another line in order to separate the inner part of the ear from the outer part of it. I'm going to create the neck like this. Bring it out to create the chest. As you can see, I'm going a little bit wider comparing what I had in my primers sketch. And then I create some lines in order to show that the body of our sheep is covered with wool. Then we come down, we get to the first leg. For that. We're going to create it from inside of the body because in here I'm also creating some more curved lines in order to show the texture of my sheep's body, which is wool. Then from inside of it, among them, I bring two lines down in order to create the first leg. Also do the same from this side, I come down. In here we're going to create a triangle line, I mean a triangle shape. And from here we go toward inside because we want to shape our sheep's leg it completely. Now I'm going to create the other leg. I am creating the other leg as well. I coming from the back to the front and then I create one line represented than what we can see in here in this side, because you can not see it completely. Well. We're just going to create a line for it. And the other legs should have the same shape. I mean, the procedure the shape is exactly the same. I'm going on the stomach. Then I am going to create some lines of wool for this back leg as well. Then I go toward the back and the bottom of the body, toward the tail. Before I go further, I complete my two other legs in order to have four legs completely. Then for the hoof, we move from this side. And in here, I will just do exactly as I did for the front leg. Create a triangle shape. And I go in from this side. I would have my leg completely on this side as well. The other one which is on the other side of the body would be create at just exactly the same. But because we cannot see it completely, we cannot see that the inner parts anymore. We just show it with a line. To show that, to save that there is a design like that on the other side as well. And everything is equal on each side. I will create the tail and I shape it like this in order to show the wool texture. It should look so puffy. Then on the body. Again, I will create some wool textures, some curved lines in order to show the wool texture. Just some places randomly, not everywhere. Just want to show that our sheep is covered with rule. And I also create a line beneath the face. Just greening some wrinkles to show the neck. Then from behind, from behind and beneath the ear. I continue this slide to complete my back. This is my sheep. 23. General illustration of the second Sheep: Hello to all of my dearest friends. We are back again with another tutorial session. In this session, we are going to create another shape of the ship. First I will, starting with creating a general shape for my sheep. First of all, I'm going to create its body, which is kind of a big, big cube. I consider it for the body. Then I will add the head to it. Kind of wider. It's something between a square and a rectangle because our sheep this time is going to be very chubby and fat. And I also create the shape of its head like this, like a peanut bean. Then I create the ears out-of inside of the body because the body is covered with wool, we can easily do these things. This is a general shape of my sheep. I determine the placement of it's tail. I also determine the placement of the eyes, create them primary. And then we will create a nose and mouth in detailing phase. And I just create a placement for their arms and legs or four legs generally. Tune the front and two in the back. That's it. This would be the end of my body. This would be the lower part of the leg. Looking like this. For four legs, I've created this. Now this is the general shape of our sheep. And in next step, we are going to work on its details. 24. Drawing the details of the second Sheep: Hello, my dear friends. Now I'm going to continue my work on my ship. And we are going to add the details to this sheep together. Alright. I start from the back ear, the ear which is on the other side. Like this. Then I will create this part above the head. And I create some designs and shaves in order to show that this is our sheep's wool. Then with just a straight notes, very straight line, I move on toward detail from double-check. So I create the back and when I get to detail again, I shape it in a way that you can see it's wool texture. Now, I will move on to this other ear. Then I can move on and work on the face. Because it has came out of the wool. I created like this and then I create this line in order to separate the outer part of the ear. Now I move on to create its head. I created a head in this way. Then I start creating the eye. I created from the outside of the head. And half of it would be inside of the face. And I want to create one pupil looking this way and the other one looking exactly opposite way. Just to make it cuter and funnier. That's all. Either I know it looks so funny. Far below the eye. I'm going to create two lines in order to show the depth over here, some wrinkles. Then for this line around our face, we come from this part, we come down and we make this area around. This would be the lower lip. Then from here we can start the upper lip with a beautiful smile. We shape this mouth. Did we connect it to this bar below the eye? Then on this area, I'm going to create the nose. The nostrils obviously. Always this nostril which is closer to us, is bigger and the other one is smaller. Then I come down from beneath my face with the wool texture until I can create the legs. I brought this one a little bit lower because I want the legs to be closer to each other. Then I'm going to create this lower part of the leg like this and then separated with a line with a simple line. I'll do the same for the leg which is closer to us. As you can see. All right. Just like this, you should pay attention to that. One line. Should come up this way. This leg would be more in front. I just do exactly the same for the legs, the back. And I create a line like this. Therefore, I would know that the legs are the same level. I bring down this back part of my sheep's body and I finish it over here. And I place my back leg in here. Then I'll create this line for the leg. Therefore, the different parts of the leg would be separated from each other. And I create this other leg as well. This shape. Then I separate it. Alright. Now I will create another line for this front part of the stomach, the chest actually. And then I'll continue this line from here toward inside of the body and to the end of it. Then it's several lines. I just showed the body, the texture of it, which is wool. Now we're going to erase all the extra lines on the face or on the body wherever you can see one. You can actually create a sheep's in so many different ways. It's one of the creatures that have a lot of variety. I'm just going to create several of them for you. You would learn and create whichever one that you want. You can also use your creativity and increase your creativity. That said, this is our second sheep. 25. General illustration of the third Sheep: Hello to all of my dearest friends. We are back again with another tutorial session. This time we're going to create another shape of shapes together, versa. I started with creating the general shape of my sheep. Sheep, spotty shape of the sheep, which would look like this. This is actually a general shape for its body. I consider apart for its tail, which is round for now. Then I will create my sheep's head. I create its head in two parts. First, I'll create a circle for it, and then I create an oval inside of this circle for it. This position. Then I can create the ear, which we can see on this side in here. Looking like this. These are actually approximate placement. We can also replace some of them a little while we are adding the details and creating them. But these are approximate placements. They won't change completely. They might change a little. I mean, the placement. Then we divide our face in two sides and we create the eyes, one on each side. Then we will create this wool area for our sheep. Over here. Then we only see a little parts from the other ear that we created like this, looking like a rounded triangle. Then we complete the other side of the face, then more wool on that side. Now I'm going to determine the placement of the four legs. And our primary sketch would be done. I want my sheep's legs to be tall. Just to make them more different. I created this one little shorter because it's on the other side. And it should be smaller as well. Because it goes in perspective. I also do the same for the two legs in the back with a bit of the sense, just to keep the balance. This leg was always the smallest. And lists scene. This is a general shape for my sheep. And the next step we work on details. 26. Drawing the details of the third Sheep: Hello to allow my dearest friends, we are going to continue our work on our sheet together. I'll start from my sheep's head for adding the details. Then for the front of its head. I'm going to show my sheep's wool in this shape. So I bring it toward inside of the face and I just give it a design. Then I add the ear. This way. Then I show this inner part of the ear with just a line. Then I also bring down this line to the back of its head. And then small triangle, which is for the other ear on the other side of the face ahead that we cannot see completely. I wanted to work for this inner parts of the face. From the next to the eyes, I go in a little and then I go down. I determine the placement of the eye. And also eyebrow would be placed here. It's a shape of an eyebrow. Then I create pupil inside of the eye. And I'll do the same for the other. I, obviously I'm going to make this bigger because of the perspective. And then I create the pupil. Then I create the eyebrow for this eye as well. Then we are going to create these rule areas on both sides of its face. I also created a line beneath the eyes. So in order to show the depth and the curves wrinkles. I continue this line and I shaped and nose. And I go in from this area to create the mouth and abuse ruffle smile line. I create the lower part of the mouth in this shape. I also create a tongue for it and I'll darken this area. Then I create an Australia, a line to separate in Australia. Then I bring this line toward inside of the face, toward the neck. This would be our whole mouth area. I am going to work on this rule area on this side of the face. In this shape. I move on to my shapes body. I'm going to shape it like this with some curves, with some ups and downs in order to show the wool texture perfectly on its body. We want to show our ship very fluffy and puffy. This way. Sheep has lots of wool. It has encoded rule yet, know, yet. It has lots of it and we create them very puffy. Then I'm going to shape the tail as well as I did for the rest of the sheep's. But this time I'm just going to create a very round and smooth but again puffy. Then I move between the legs, I create this stomach. I get to the chest. Over here. I go up from this part and I connected to the neck again. Alright. This is our cues and beautiful sheep. Now we're going to create its legs, all of its four legs. Therefore, our work would be completed. As the legs are coming from the top to the bottom, they are thicker. As they come down, they get thinner like this. And this would be the lowest part of the legs. This is its hoof which has been divided in two parts in half. I will separate these two parts with just a line. Then I'm going to create the other leg on the other side of the body. Then later we're going to create the legs which are in the front. Again, this middle line, the central line, and the line which is dividing the two parts of the leg. I'm also going to create some wool over here. And then I bring the leg out of this wool, coming out toward down this shape. You should check it with a line that the legs would be in the same level like this that I'm checking right now. I'm going to create the legs in this shape. We separate the front part of the leg. Then the last part would be the other leg, which is the other front leg, which is in front of here and on the other side of the body. This is our last leg which is completed like this. All right. This is our next ship, our last ship. And then as usual, we get our eraser and erase all the extra lines from our work. Our sheep can show itself. Very well. We erase all these extra lines and all these guidelines. The outcome would look much more better. Then we would have a very clean outcome. As you can see, I'm erasing all of these extra lines. And our results would be completed because we've worked in all parts of it. Now. I've also erased all the guidelines in the legs. And this is the result of our work. And as you could see, we've created so many different shapes. You can also edit wherever you want to add last, this is it.