Transcripts
1. Introduction & Materials : Many Eyes go through the metal, but few see the flowers and hi, my name is Dakota. I'm practicing art for
more than a decade yet my enthusiasm towards
it keeps increasing. Today's class is all about
loose aesthetic Florence, sparkling shine of metallics
using simple materials. So let's get started. Let's see the
materials required. For practice. Use drawing sheets, preferably A4 size and for class projects, cold compress papers, A5 size. We will require
brushes of size 36. Watercolor tubes or cakes removed in a pallet to
thousands of bottles, silver and copper
pigment powders, and few paper towels. See you in the
2. Quick practice : Welcome to the lesson,
quick practice. Let's begin with
the orange pigment. First, I'm going to
add three dots with the orange pigment and then soften it up with a wet brush. While adding a dash of cocoa
powder to your pigment. Keep adding more three dots of the same color and then soften
it up with a wet brush. This way, your petals are ready. You can add additional
touch ups with your tissue paper and also
continue with the damp brush. Basically you're using
the calendar technique, the excess of paint and my wiping it up on
the tissue paper. Petals are wet. This
is the best time to add some Prussian
blue for the center. Let's try making the next
flower using Crimson Lake. I'm adding three dots
of the same color, softening it up
with a damp brush, and then adding the cocoa
powder as and when required. Every time I add my three dots, I soften it up and then keep removing the
excess on the tissue. The center this time
is cobalt blue. My top flower now is
using Naples yellow. Again, three dots
softening the petals. Adding three more dots. Make your brush
softer and tap again. Every time I lift up, drive it up on the tissue paper, adding dots with burnt
umber in the center. We will now practice
WA of flowers. Firstly, I'm beginning
with three dots of Prussian blue with a dash of
copper powder in my brush. Now without cleaning,
I'm touching a dash of crimson lake and making petals with
crimson lake and little bit of copper dust, ocher and burnt
umber, my favorite. Let's try making using
the same method. This is the correct
time to check out on my previous flower with
some crimson lake. You can give few details
according to however you like. Now let's come to the fifth one. Again, I'm adding few
more burnt umber dots. So as you notice,
it is always not a correct time to do it on
a wet on wet technique. At times we tried to let it dry slightly and then we
add few more detail. Now finishing up with the Persian blue and the
Sandoval bought the flowers. Let's see how to make
leaves and stem. I'm using sap green, using the tip of
my paintbrush and giving few strokes, urine, they're randomly to add leaves
and stems. Do my flowers. As it is a noun brush. You can play with the ticks and tens when you want
to give your leaves. Adding some berries
with dread and dots with Coppola to
make it look dramatic. Let's paint some
colorful butterflies first times getting
it out with a pencil. You can see the
sketch on the top. Applying some clean water in
the shape of the butterfly. Crimson lake for the first ring. And then adding the
second thing with a touch of cobalt blue yard. We will keep in mind the
one which is behind will be slightly lighter to the
one we just add front. Flavored the tints and
ticks of the brush. Use two different
brushes and play around.
3. Class project : Welcome back to
the class project. This is the final class
where we're going to incorporate what
we have learned. Let's begin with a yellow
ocher flower, again, starting with three dots and softening it up using
the tip of the brush. When I want the color
to be concentrated, I'm using more pigment
and less water. And when I wondered
color to be transparent, I'm using more of water, adding few more
petals to my floor, softening them up by typing
the x's on the tissue. Copper, gold and silver powder. Or the most easy
and convenient way to make your painting
look metallic. Moving towards my second
flower using permanent orange. Playing around with some
transparent paints, urine there in your flour
and let it look perfect. Space left in the corner. We can add few petals to make as if there
isn't a half flower. Tiny using copper
and silver powder. Overlapping two colors are
ideal in nice kind of flowers. Slight touch things
in blue and the purple which you get makes
a flower looks so pretty. Letting the first layer dry slightly and then adding
the second layer. You will notice I'm adding
a lighter flower and then a darker
flower beside it so that it will enhance
your previous flower. What you have made. Feel free to use the
colors however you like. Butterfly here is the cherry
on the top on flowers. Play around with the stroke of the thick and thins
in your brush. And add some couple
of powder to it. Time to add some
leaves and splatter. Most of the time I splatter with the color which is
leftover in my brush. The Apple iPod was
looking slightly empty, so I decided to add
few flowers there too, while it in the first
layer and crimson lake in my second layer with some
brilliant do in the center. I decided to add half flowers on both the
side of the center flower, one with yellow ocher
and burnt sienna, joining them with sap
green leaves and stems. I enjoy the splattering
part the most, but always be careful to keep a tissue paper on the rest of the area so that
you don't spoil it. Now, let's add the
code to the painting. I'm writing it with
the pencil first. And then now with the
tip of the brush, I've added a bit of
silver dust to my paint. And I'm trying to maintain the thicks and
thins. As I write. The momentum is going
up and making it ten and then it is coming down. I'm trying to give it a tick, adding dots and start to make
it look shiny and brighter. Data we add Tan. Thanks for taking my class and do post your project works. Follow me and tag me on
Instagram at pencil and paste a lot for you
soon in my new class.
Yaquta Ali, Artist, Entrepreneur, Educator
