Transcripts
1. Introduction: Hello, everyone. Welcome to this second tutorial
of fluid abstrart. In this tutorial, I will show you another interesting
method of making fluid art which is
called plpkaPur method. I will show you how to prepare
the color how to apply it to the canvas in a right way to create such
an amazing abstract card. Let me show you how to make this beautiful piece of art,
an interesting abstraart. In this tutorial, every moment
is described step by step. Besides, this method
requires a lot of color and how to utilize
it to do the work. A clear idea has been given. I have made a tutorial before, and this is the second one. So are you enthusiastic
about doing abstraart? If so, then this tutorial I have made can be
very useful for you.
2. Preparing the Medium: Okay, I will start this tutorial with how you prepare the
color by applying the medium. But before that, there are
many things to prepare. Meaning, if you are watching this type
of video first time, if you are really
beginner on this art, then you need to know and keep all the necessary
materials required for this art ready for which you need to watch
my first tutorial. If you watch son
two to lesion nine, then whole idea will be clear. Actually, I did not
show the matrials in this tutorial because it is almost the same on
every methods of fluid. I have clearly shown everything that is changing
from this tutorial. I have given the link of my first tutorial
in the description. Please take a look.
Now, I'm starting from applying the medium. Okay. So this is our medium that
needs to be mixed with color. But I'm not using it
in today's painting. Instead, I'm using white glue. I'm using fabcol company glue. It is a synthetic
resin adhesive. It is a very common
glue in India. This type of white glue
is a very common glue which is available in
almost all market stores. No matter where you
are in the world, just buy such a common
white glue from the store and use it
for this purpose. I'll pour quite a
bit of glue into this plastic glass and dilute the mixture by adding
a little water to it. So for now, I'll take this amount and see how
much mixture is made. If necessary, I can pour more. Now I'll take water. I'll pour a little
water. That's it. Now I'll mix it with the steak. There is a little too much
water in the mixture. So I will add a
little more glue. This time, its density
seems right to me. There is no specific measurement for the measurement of
this glue and water. Although two is to one, that is two parts medium, and one part water is taken. But it still depends on how large the surface
is to be worked on. However, the less amount of
water you take, the better. And by kneading the mixture, you can understand how
thick or thin it is. It is better to be in
the middle of those two.
3. How to Prepare the Colors: Okay, next step is to put
the color into the cups. I started with white color. Filled this hundred Emil
cap 50% with color. I'll wash the brush in water and keep it ready
for the next color. This time, it is yellow color. I took a little more because I want to use it
as a base color. This time, it is light green. Then I'll put a glue medium
and mix it with the color. I if the mixture becomes too hard while mixing, I will add a little water, and if it becomes thin, I will add some more medium. I'll wash the stick and put the inter medium into it because lace medium
has been prepared. So I again poured quite a bit of glue and
prepared the medium. I'll take very little water, exactly half a bottle cap. You'll have to
experiment with these to see how much and
where it is needed. First, I put it in yellow because there
was a little lace here. I'll put the rest in green. The stick has yellow
color, stuck to it. Wash it, we, and then I'll
apply the next color. Now, I'll stir the mixtures and see which one is
thicker than the other. Then I will add a
little water to it. All three should have
roughly the same liquid. In this case, the white seems a little thicker
than the other. So I spray a little water. I added half a bottle
cap of water again. A I finally checked everything. The liquidity of all of
them is almost the same. Now I'll arrange quite a bit
of yollow in an extra cap. I will add this color along with the total color to
make it flow on my 12 by 12 inch canvas that I have Stay tuned to
see how I'll do that. In the meantime,
I'll apply medium. Well, I will apply it directly. It can be done like this too. That's all. Now I'll mix it. Okay. The mixture has
become quite thick. So now I will add water. I just added half a
bottle cap to dilute it. The more you experiment, the clearer it
will be for you to decide how much more
or less water to add. So all the colors are ready. O.
4. Layering Your Colors: Now I'll pour the colours step by step into this plastic glass. First, I'll pot the white color. I want to keep the
lightest color at the end. So when I pour the
color on the canvas, the last color will be on
the top of everything. Okay, this is how I'll pour the paint onto the
glass. Notice this. The next color is yellow. I'll pour it little by little, not all at once. Now green. I repeated white again. This time, too, after
pouring quite a bit, I lift the rest. Again, yellow. I'll pour green again. So in this way, I'll
pour the color that is almost 80% of my hundred
Emil cap part by part. And it will create
a selling pattern in the glass like this. Now, it is a little difficult. My white colour is finished. So I need to make some more. I will add medium. Y y Okay, Dan, the colour
arrangement is ready. Now you put the cups aside
and prepare the canvas. U.
5. Technique to Apply the Paint: First, I'll bring three
such equal colored bottles and make a base on the table
and place the canvas on it. Now, I'll put my rubber gloves. I'll take a glass of
color in my hand. Now it is a long everted time. I have to put the colour on
the canvas very carefully. In this case, I'll put
the glass upside down on the canvas at full
force, just like this. I want to create this
texture in a different way. So this is the method. It is
called the flip cup method. So when I open this glass, all the color will come out at a very strong force and so that it can spread it
around more beautifully. I'll spray some more yellow
color around it in this way. No Now, I'll open it. I'll break the pattern a
little, just like this. I'll keep rotating the
canvas in this way. Now, we add some
more yellow color to these white areas so that
it's flow is very good. Keep watching what I'm doing. I have to tilt all the sides and even the edges of the canvas
to fill them with color. No. Okay, I have a problem in this case. The color has become so hard that it doesn't
reach the end. Even though I used a lot
of extra yollowclur, the colour doesn't
reach all places. I have to shake it a lot. To avoid this problem, I had to reduce the amount of medium I applied to
the color at first. Then the fluidity would
have increased a lot. Now, I'll touch some
incomplete places on the side with my fingers
and fill it up with colour. G. So it is complete. Now we'll collect all the
extra color in the glass. I do not want to waste any
of the remaining color. First the color of the hand,
then the color of the table. Well, I will collect the extra
colour from the bottom of the canvas with my fingers
and put it in the glass. Now I have to dry it well. After it dries, you can understand what the
ultimate result is. Now some important things. There are a lot of
colors on the gloves, clean them, and then hold
the canvas. Then shipped. I wash my hands as well as I can in my water container mug, spray plastic on one side of my floor and ship
it there to dry. Now I'll collect the
remaining colors. I'll collect the colors in this color glass
with my fingers. Now, I'll spray a little
water and collect again. Finally, I'll wipe the
entire area with a cloth.
6. Dried Result & Other Improvisation: So, friends, my canvas
has completely dried. Look at the beautiful
effects that have formed. It took almost two days
to completely dry. Even the sides of the canvas has developed really
nice effects. Now, let's see what
happened inside. The green, yellow combination
has sprayed all around. The white color effect has
been created very little, a little here and there. It has been scattered very
lightly to create an effect. And the green
colour has taken up a lot of space in
the entire painting. But I applied more yellow color. So this is the nature
of each color. There is no way to
understand in advance which one will spread more and which one
will spread less. Now, the effect that has been
created in the entire area, the color balance, this
is that in the side. In many places, the
subject is quite chaotic. The colors have been arranged quite differently
from each other. But on the opposite
side of the painting, the colors are very nicely
balanced with each other. Then this lo area here has been created in a
way that I don't like to see. This is the thing
the artist has to decide which parts he likes and which parts he doesn't observational skills will
give priority to this. Now after looking
at the painting for a while and
thinking about it, I decided to make
corrections in some places. I still have some of the
yollow color that I made, so I decided to match it
with this yellow color of this painting and paint
the inter dia yellow. Let's see how much can be done. As I do that, I will understand how much idea to paint yellow. I will fill this white
line with color. I will apply more
and more color so that the bottom layer will
be filled much faster. I have to feel the sides of
the canvas evenly as well. I'm thinking of coding this
light blue colour here. I think it is disturbing. After it dries a little, I'm applying the next layer. Now come to this
side of the canvas. I will increase this lo portion. I'm thinking of covering
this exact area. I'll keep applying
the yellow colour until the bottom
colour is cobhet. So by painting like
this many times, a pure yollow colour came out. So see what the concept is. I'll rotate the canvas a little. I have filled every
corner with color. Here it seems that this
green flow has started from some unknown place and gone to some
other unknown source. A flow has been
created in the canvas. I have created this shape by
removing the unwanted areas, an abstract shape
that you can think of different things
by looking at it. This is an inner fillings. You can also establish this
by rotating the painting. The yo on the outside is
also scattered inside. As a result, there is a
very good color balance. So the texture that is created after pouring
color in this canvas, how much to keep or
how much to remove or whether the texture
that was created in the first time
can be maintained. That depends on
your observation. Only then will a good
abstract painting be created from it. The larger you do this, same thing on a surface, the more beautiful
the result will be. Friends, how did you
like this tutorial? I hope I was able to give you an idea of abstract painting
in fluid technique. So keep practicing like this. I had made a tutorial before. Also see how I did fluid art
in another method there, and be sure to let
me know how much this tutorial inspired
you and helped you learn. So this tutorial is over. See you next time. Thank you.
Monojit Pal, Artist - Teacher
